EFFECTS OF CHILD ABUSE ON PERFORMANCE OF PRIMARY SCHOOL IN KAPYEMIT WARD, TURBO CONSTITUENCY, UASIN-GISHU COUNTY.





BY
ERICK NYAKUNDI
KIS/03013/14




A RESEARCH PROJECTSUBMITED TO THE SCHOOL OF ARTS AND SOCIAL SCIENCES, DEPARTMENT OF SOCIOLOGY AND PSYCHOLOGY IN THE PARTIAL FULFILMENT FOR THE AWARD OF THE DEGREE OF BACHELOR OF SOCIOLOGY



MAY, 2014

DECLARATION

I, the undersigned, declare that this project is my original work and that it has not been presented in any other university or institution for academic credit.

Signature...............................................­..... Date...................................
ERICK NYAKUNDI
KIS/03013/14






SUPERVISOR
This project has been submitted for examination with my approval as university supervisor
DR. W. O. ABUYA
Signature..................................................­.. Date....................................




DEDICATION
I dedicate this work to my Dad, Mom, my sister Lydia and my lovely brother Dun who contributed in one way or another to make this project to be successful.


















ACKNOWLEDGEMENT
I would like to thank all individuals who contributed and sacrificed their time towards completion of this project.
To my supervisor, for the guidance and support in the development of this research project, His advice and criticism made this project what it is.
Thanks to colleagues and friends for their suggestions, advice and encouragement. To all of you may God bless you abundantly for your tireless effort.

TABLE OF CONTENTS
Contents Page
DECLARATION i
DEDICATION ii
ACKNOWLEDGEMENT iii
TABLE OF CONTENTS iv
LIST OF TABLES vii
LIST OF FIGURE viii
ABSTRACT ix
CHAPTER ONE 10
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM 10
1.1 Background of the Study 10
1.2 Research Questions 13
1.3 Research Objectives 13
1.4 Justification of the Study 13
1.5 Significance of the Study 14
1.6 Scope of the Study 15
1.6.1Assumptions of the Study 16
CHAPTER TWO 17
LITERATURE REVIEW 17
2.1 Introduction 17
2.2 Common Forms of Child Abuse 17
2.2.1 Child ****** Abuse 17
2.2.2 Physiological or Emotional Abuse 17
2.2.3 Physical Abuse 18
2.2.4 Child Neglect or Abandonment 18
2.2.4.1 Physical Neglect 19
2.2.4.2 Educational Neglect 19
2.2.4.3 Medical Neglect 19
2.2.5 Child Fatalities 20
2.3 How Child Abuse Affects Academic Performance 20
2.3.1 Child Abuse and Academic Performance 20
2.3.2 Child Abuse and School Image 23
2.3.3 Child Abuse and Dropout Rate 25
2.4 Strategies that Schools can Employ to Curb Child Abuse 26
2.4.1 Role of Public Regulation 26
2.4.1.1 Nurturing and Attachment 27
2.4.1.2 Social Connections 27
2.5 Theoretical Framework 27
2.5.1 Learning Theory 28
2.5.1.1 Relationship with the Study 28
2.5.2 Family Dysfunction Theory 29
2.5.2.1 Relationship with the Study 29
CHAPTER THREE 30
RESEARCH DESIGN AND METHODOLOGY 30
3.0 Introduction 30
3.1 Site Description 30
3.2 Research Design 30
3.3.1 Target Population 30
3.3.2 Sample Size and Sampling Procedure 31
3.4 Description of Research Instruments 32
3.4.1 Research Instrument 32
3.4.1.1 Questionnaire 32
3.5 Data Collection Procedure 32
3.5.1 Validity and Reliability of Research Instruments 33
3.5.1.1 Reliability of Research Instruments 33
3.5.1.2 Validity 33
3.6 Data Analysis and Presentation 33
CHAPTER FOUR 35
DATA PRESENTATION AND ANALYSIS 35
4.0 Introduction 35
4.1 Background Information 35
4.1.1 Age of the Respondents 35
4.1.2 *** of the Respondents 35
4.1.3 Education Level of the Respondents 36
4.1.4 Marital Status 36
4.2 Specific Information 37
4.2.1 Effects of Child Abuse on Academic Performance 37
4.2.2 How Child Abuse Affects Dropout Rate of Students in School 38
4.2.3 Proposed Strategies that Schools can Employ to Curb Child Abuse 41
CHAPTER FIVE 43
SUMMARY, CONCLUSION AND RECOMMENDATIONS 43
5.0 Introduction 43
5.1 Summary of the findings 43
5.2 Discussion of the Findings 44
5.3 Conclusion 45
5.4 Recommendations 46
REFERENCES 47

LIST OF TABLES & FIGURES
Table 3.1 Target population 32
Table 3.1 Sample size 33
Table 4.1 Age of the Respondents 36
Table 4.2 *** of the Respondents 37
Table 4.3 Education Level of the Respondents 37
Table 4.4 Marital Status 38
Table 4.5 Effects of Child Abuse on Academic Performance 38
Table 4.6 How Child Abuse Affects Dropout Rate of Students in School 40
Figure 4.1 Views of the Pupils on Abuse 41
Table 4.7 Proposed Strategies that Schools can Employ to Curb Child Abuse 42





















ABSTRACT
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The purpose of the study was to investigate the effect of child abuse on school performance in Primary Schools in Kapyemit ward, Uasin-Gishu County. The objectives of the study were: To assess the impacts of child abuse on academic performance; to determine the effects of child abuse on schools image, to identify the impacts of child abuse on pupil drop out rate, to investigate the effects of child abuse on pupil transition rate. The study employed a survey study design. The study targeted 160 respondents which includes; 5 Head Teachers, 40 Teachers, 70 Pupils and 35 parents of which a sample size of 48 was obtained from using 30%. Purposive sampling technique was used in selecting the head teachers while simple random sampling technique will be used to select the teachers, Pupils and parents who formed the respondents of the study. Questionnaires and interview schedules were used as data collection instruments. Data was analyzed quantitatively and qualitatively and presented in form of tables, percentages and frequency. The study helped in the understanding of the effects of child abuse on the school performance, the realization of the roles parents and teachers play in the curbing of child abuse among pupils and raising awareness on the same.
 
CHAPTER ONE
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM
1.1 Background of the Study
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The effects can appear in childhood, adolescence, or adulthood, and may affect various aspects of an individual's development (e.g., physical, cognitive, psychological, and behavioral). These effects range in consequence from minor physical injuries, low self-esteem, attention disorders, and poor peer relations to severe brain damage, extremely violent behavior, and death. In extreme cases, child abuse affects the performance of schools in the affected region (Daniel, 1978).
Performance refers to how students deal with their academic studies and how they cope with or accomplish different tasks given to them by their teachers. Performance is also the ability of a school to portray a good image which can influence the public (Decastro, 1978). There are several factors that influence the performance of a school at large, however, there is a critical factor that most researchers have avoided to discuss, and child abuse has been a crucial factor that has contributed to children’s dismal performance. Apart from children’s personal intelligence, child abuse is among then key factors contributing to poor performance of learners. Child abuse can lead to school dropping, emotional trauma or can even be fatal, hence destructing or even terminating the educational ambitions of a child. (Harris, 2005)
Worldwide, according to World Health Organization (WHO, 2000) approximately 40 million children are subjected to child abuse each year. According to Human Rights Watch (2001) about 30% of all severely disabled children relegated to special homes in the Ukraine died before they reached 18 years of age. UNICEF estimates that two million children died as a result of armed conflict during a recent 10-year period and that another six million were injured or disabled. In Canada, the U.S. and Mexico, over 6.5 million children annually are exposed to unwanted ****** materials over the internet; over 1.7 million of these report distress over exposure to these materials. In the United States, the Centers for Disease Control and Prevention (CDC) and the Department for Children and Families (DCF) define child maltreatment as any act or series of acts of commission or omission by a parent or other caregiver that results in harm, potential for harm, or threat of harm to a child. Child abuse can occur in a child's home, or in the organizations, schools or communities the child interacts with. Each year, approximately one million children around the world are introduced into commercial ****** exploitation despite this problem; these developed countries have put measures to curb the vice. Rehabilitation schools have been formed and introduction of counseling centers as well. Despite the prevalence of child abuse in this developed nations they narrowly affect the academic performance since there are organizations put in place to curb the situation e.g. child associations, guidance and counseling institutions, and school based counseling programs (Giles, 2001)
Concern for victims of child abuse in Africa expressed by the African network of the International Society for The Prevention of Child Abuse and Neglect (ISPCAN) which gave five main presentations of child abuse: child labor, street wandering, ****** abuse, child battering and abandonment (Elma, 1977). Child labor according to the international labor organization (ILO), about 10 million children less than 15years in Africa are in formal employment, working long hours with poor pay and are exposed to substantial health hazards. Wandering of children refers to children, usually unkempt and with delinquent propensities, living rough in town. The reasons for children taking to the street remain poorly understood particularly in relation to factors in the child rather than parental hostility and economic (Dubowitz, 2002)
****** abuse is another. For example, arranged under-age marriages are common in some parts of the continent and doubt was often expressed as to whether a young girl fully gave consent to being betrothed (Galdsone, 1965). Prevalence rates in Africa are very difficult to ascertain because of the fear of disclosure by victims and lack of proper documentation. Most of the girls by reasons of shame fear or surprisingly respect for their usually older perpetrators. Physical battering is also eminent. Physical abuse of children is widely claimed to berate in the third world; however, there are anecdotes from east Africa skeletal frame or localized body areas of all first attendees aged 0-12 years at this hospital during the four-year period 1 January 1987 to 31 December 1990 (Garbarino, 1975). Sixty-nine of these reports reveals evidence of multiple bone fractures wither without evidence of rib or skull fracture. Abandonment of children to roam around the streets in what we call street children is also eminent in Africa, though valid and adequate information on abandonment are difficult to obtain due mainly to failure of offending parents to show up out of guilt, shame, judicial repercussions or a combination of these. However, some euro-American missionaries identified inter alia breech birth. (Erickson, 2003)
Child protection measures in Kenya are currently not implemented effectively and fully (Galdstone, 1965). Compliance with such legislation would increase if the magnitude of the problem and better knowledge about the factors that put children at risk was available. Additionally, involving stakeholders, especially agencies charged with protection, as well as involving affected children, will highlight the issues and thereby promote adherence to protection policies. Kenyan children, child activists and children organizations are pinning their hopes on the implementation of the Children’s Act to improve the lot of the nation’s youth. The Act, which came into effect on 1 March 2002, puts in place full safeguards for the rights of the child. Its passage was a giant stride in harmonizing the national laws with international agreements which Kenya has signed such as the UN Conventions on the Rights of the Child (CRC, 2002)
There is hope that the new legislation will dramatically change the inattention, neglect and abuse towards child rights. The Act outlaws any form discrimination of children, and forbids Female Genital Mutilation (FGM), child prostitution, and child labor, among other forms of abuse. The Children’s Act has immensely improved the lives of many Kenyan children plagued with high illiteracy levels, frequent **** cases and child labor since it guarantees children the right to health and medical care, provision of which is the responsibility of the parents, the extended family and the government (Erickson, 2005).
Cases of child abuse in Uasin-Gishu region have been so eminent in the recent years ((Kenya Media Report, 2004). In the year 2010 and the year 2011, there was a program started to rehabilitate this behavior. This problem is clearly evident when you first arrive in Eldoret town, it is among the towns in the country with the highest number of abandoned children who keep on moving from one Centre to another seeking help from passersby. Parents have developed behaviors of abandoning their children and deliberately sending them to the town so that they can benefit from their borrowing. So to say this has led to child labor in this region. High profile cases of school dropouts have been recorded regarding the environs of this region. Young school children from different locations in Eldoret converge in town to persuade people to offer them financial assistance. Some attend school in numbered days and decide to spend some good number of days out of school.
The communities and societies around tend to assume this situation and term it as norm. A few who might seem concerned lack cooperation from the rest. This has adversely affected the performance of most of schools, hence leading to poor living standards of the people and a poisoned future of a young citizen. The problem has affected learners in regions like many areas in Uasin-Gishu County. It has really affected child development and affected their attendance and performance in school. Little intervention measures has been taken to advocate the holistic development of the children. It was to this reason that the researcher conducted the research in the named above region
1.2 Research Questions
The study was guided by the following questions;
1) What is the effect of child abuse on the academic performance of students in Kapyemit Ward?  
2) What are some of the proposed strategies that schools can employ to curb child abuse?
1.3 Research Objectives
The study was guided by the following research objectives;
1) To identify the effect of child abuse on the academic performance of students in Kapyemit Ward.
2) To identify proposed strategies that can be employed to help curb child abuse.
1.4 Justification of the Study
It is becoming increasingly difficult to separate child abuse prevention into separate categories. For instance, strategies on the societal level include increasing the “value” of children, increasing the economic self-sufficiency of families, discouraging corporal punishment and other forms of violence, making health care more accessible and affordable, expanding and improving coordination of social services, improving the identification and treatment of psychological problems and alcohol and drug abuse, providing more affordable child care and preventing the birth of unwanted children.
Very little analysis has been done to estimate the total cost of preventing child abuse and neglect or the long-term social costs of not preventing it. There is now a move to situate child abuse and neglect within the continuum of intervention which addresses multiple aspects of family behaviors. The efficacy of tackling portions of the problem of child abuse apart from broader societal needs is not known. And, perhaps prevention can only come in tandem with efforts to reduce poverty, improve health care and make children’s issues a national priority. However, despite these constraints, evaluations of prevention programs can be improved by coming to terms with definitions of key varia

[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero

before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.
        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?
                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat

(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?

Poems about Icarus

These are poems about Icarus, flying and flights of fancy...



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps

and *****
its white rebellious wings,
and all

the houses watch with baffled eyes.



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
, upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide

heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle...

Feathers and wax
and the watchers huddle...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than Moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!

Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam’s Song” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess or wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, etc.). In the final stanza Icarus agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one along the way, no matter how intensely they glow and radiate. The poem can be taken as a metaphor for the death and rebirth of Poetry, and perhaps as a prophecy that Poetry will rise, radiate and reattain its former glory...



Free Fall (II)
by Michael R. Burch

I have no earthly remembrance of you, as if
we were never of earth, but merely white clouds adrift,
swirling together through Himalayan serene altitudes―
no more man and woman than exhaled breath―unable to fall
back to solid existence, despite the air’s sparseness: all
our being borne up, because of our lightness,
toward the sun’s unendurable brightness...

But since I touched you, fire consumes each wing!

We who are unable to fly, stall
contemplating disaster. Despair like an anchor, like an iron ball,
heavier than ballast, sinks on its thick-looped chain
toward the earth, and soon thereafter there will be sufficient pain
to recall existence, to make the coming darkness everlasting.



Fledglings
by Michael R. Burch

With her small eyes, pale and unforgiving,
she taught me―December is not for those
unweaned of love, the chirping nestlings
who bicker for worms with dramatic throats

still pinkly exposed, who have not yet learned
the first harsh lesson of survival: to devour
their weaker siblings in the high-leafed ferned
fortress and impregnable bower

from which men must fly like improbable dreams
to become poets. They have yet to learn that,
before they can soar starward, like fanciful archaic machines,
they must first assimilate the latest technology, or

lose all in the sudden realization of gravity,
following Icarus’s, sun-unwinged, singed trajectory.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins... thus, Her jeers.



Notes toward an Icarian philosophy of life...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict...
torture a confession from him,
get him to admit, “I did it!...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed―

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?―

the higher you “rise,” the more halting?



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay―
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites―amazed,
in dream of shocks that suddenly came true...

but came almost as static―background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away―
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom (All-Star Tribute), The Fabric of a Vision, NPAC―Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals(Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks, A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ―― extend ――
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ―――――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.

Published by Chrysanthemum, Poetry Super Highway, Barbitos and Poetry Life & Times



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem that I believe I wrote as a high school sophomore. But it could have been written a bit later. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! ― MRB



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring―
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.

Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?

You watch it as it disappears;
its plaintive calls cut through you.

The indignant crows ignore you both:
the bickering, bantering multitudes.

Du Fu (712-770) is also known as Tu Fu. The first poem is addressed to the poet's wife, who had fled war with their children. Ch'ang-an is an ironic pun because it means "Long-peace."



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam―
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.

Po Chu-I (772-846) is best known today for his ballads and satirical poems. Po Chu-I believed poetry should be accessible to commoners and is noted for his simple diction and natural style. His name has been rendered various ways in English: Po Chu-I, Po Chü-i, Bo Juyi and Bai Juyi.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
―Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
―Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
―Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
―Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
―Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
―Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
―Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
―Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
―Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
―Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
―Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
―O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
―Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height―
our ancestors’ wisdom
―Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
―Yosa Buson, loose translation/interpretation by Michael R. Burch



Critical Mass
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.

"Gravity" and "particular destiny" are puns, since rain droplets are seeded by minute particles of dust adrift in the atmosphere and they fall due to gravity when they reach "critical mass." The title is also a pun, since the poem is skeptical about heaven-lauding Masses, etc.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss―
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back―
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts―
this way and that...

Contentious, shrewd, you scan―
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
―spinning its chrysalis,
gluing rough seams―

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works―
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence―one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving―immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,

and teach the pallid poem to seethe.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same―
light captured at its moment of least height.

You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh―
but something more, made less. Your humanness
this moment of release becomes a name
and something else―a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
―jarring interludes
of respite and pain―
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed

into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Lines for My Ascension
by Michael R. Burch

I.

If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.

If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.

If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.

And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review



Keywords/Tags: Sports, locker, lockerroom, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation


Keywords/Tags: Icarus, Daedalus, flight, fly, flying, wind, wings, sun, height, heights, fall, falling, ascent, descent, imagination, bird, birds, butterfly, butterflies, hawk, eagle, geese, plane, kite, kites, mrbfly, mrbflight, mrbicarus

The ******* of embezzled glory staunchly defend their counterfeit stature by defalcating the public trust of industrious societies governed internally by compunction and sabotaged externally by the tempests of acerbic fate met with inclement aleatory convergence. To supply a society with ingenuity without being complaisant or officious with unctuous pleas to the overlords we must fashion a new vogue that taps the bustle of giants and aggrandizes the margins to oversee their own creative destinies with scaffolded arrangements of titanic promise and justifiable fluidity to conquer the blinkered dogmatism of a dissolute chastity to inveterate apocryphal tenets of factitious but unmerited perspectives. Democracy crumbles when the convenience of sensationalism supplants the resolve of those that fossick hidden wealth and promulgate validity instead of undergirding pomp with precarious prevarications of duplicitous omission guarded gingerly by the gatekeepers of a ****** sanity that whitewashes the discussion with invented hobgoblins and purblind catharsis. To defeat simplicity and enshrine byzantine elegance as the paragon for voguish commentary rather than abide by a bowdlerized decorum for appeasing simpletons with divisive balkanization through identity politics we can overcome the impediments to human progress that are engineered to persist because of the inertia of the listless and the stubbornness of doctrinaire politicization and invent vivacity and festivity anew. We need to divorce ourselves from pedestrian quibbles of hero-worship that endanger the vitality of the common discourse because of fastidious pedantic disempowerment that ravages us with debased dreams by underscoring nuisances and tolerable nightmares that emasculate the virulence of the liberated individual and subvert his ambitions to contend with a picaresque world of limitless promise and self-motivated internal wealth.
      The bane of modernity is how chary the world becomes because of fractured histories intersecting with controversial destinies and the antidote to that poisonous self-defeating self-censorship is the audacity of brazen challenges to expurgation through assiduous resourcefulness and delicate diplomacy in wrangling controversies with outspoken courage rather than whispered resentment. Temerity waged in inclement circumstance is justified and curiosity stoked by lambent flames of fulgurant individualism should be fortified to the extent necessary to conquer the feckless spoilsports of unctuous puritanism and institutional obedience. The quacksalvers that blather about inconsequence strand the imagination in a desiccated desert that is ostracized from the palettes of the artistic whim to wield efflorescence rather than squander life in pursuit of perfunctory lucre or tenuous solidarity around banal idealism promised by social justice warriors that forget the biggest war being waged on humanity is on the ingenuity of the common discourse and the liberty to opine about real issues rather than saccharine conventions of emasculation through linguistic imprisonment and epicurean slavery to fashimites who relish the buzzword but never the enlightened audience that scoffs at feeble attempts at cultural commentary like Childish Gambino’s “This is America” music video. This particular artifact is a demonstration of how childishly fickle the plebeian mentality really is, stitching together a bricolage of violence to engineer controversy and serenading it with the most banal music imaginable and exhorting people to herald it as a high artform while inundating the world with unimaginative comic book movies and Star Wars rip-offs because of the lucrative business of formulaic replication. “This is America” should be regarded as a parody of itself because of how hackneyed its design is and how cacophonous it sounds and mocks its audience with lowbrow tactics of adding tinsel to trash and marketing it as the glory of tatterdemalions rather than the refinement of true cinematic achievements that have been relegated because Warhol’s Campbells-Soup-consumerism trumps true belletrist in the public view.
        Cultural watersheds punctuate our history with salient achievements in experimentation, but the formulaic profiteering of buzzword sensationalism and yellow journalism and the ostentatious glorification of promiscuous boasting and fancy cars tantalize the mice to continue playing slot machines rather than penning a novel or doing something promethean. The world scoffs at Trump but ignores the bigger institutional caveats that endanger us much more than a pragmatic albeit unconventional pontificator who is complicit in constructing a false narrative to enslave mindless people to fret about eminence rather than delight themselves in the consequential nuances of established refinement that used to serenade the world with flourish and spectacle. The world kowtows to the crusade against flavor-of-the-week enemies of the liberal-conservative syncretism because it has been conditioned to believe that synthesis is the only logical solution for the polarized worldviews of churlish people that become parvenus not on their merits but on their marketable pitfalls and their public foibles. Peccadillos are more important to people than virtues and this makes society morally bankrupt if we loiter around Astroturf causes that have been infiltrated by corporatism and venal debauchery and acquiesce as disempowered gossip hounds that hunt in packs to find jest in aberration rather than achievement in self-created narratives that defy the stupid purblind boorishness of the mainstream media and its haughty liberalism or the persnickety condemnation of priggish conservative moralities that had an expiration date 50 years ago. Who the **** cares about transgender-touting-gender-fluidity quidnuncs and the snooty obsession with lurid personal endeavors of reputable people that made minor ****** transgressions in a world policed by wide-eyed feminazis that seek to ransack men of their vital virulence to spotlight their unjustifiable oppression. Women are oppressed but the carnal nature of their calumniation and their vindictive powers of persuasion are deployed with such vehement vigilance and such distaste for the majority that the world relegates itself to quibbles of celebrities rather than substantive issues. There is a systemic feminization of society occurring that seeks to demarcate despotic uxorious pleasantries as an incarceration of vocal dissent against supercilious women and their tamed men that slavishly grovel in repudiation of anything prickly.  Men historically have oppressed women but the solution to this quandary isn’t a reverse discrimination where the minority concern is spotlighted as a majoritarian issue that overshadows the disproportionate nature of our society where nominal accreditation is afforded in a non-meritocratic way to absolve people of their carnality and demote the vigorous defense of human liberty as secondary to compromise solutions that appease more people than they offend but simultaneously result in suboptimal conditions that reward arbitrarily coachable people while jettisoning anyone witty enough to be capable of insubordination of a hedonistic epicurean world obsessed with appearance and ravaged by the decadence of formulaic profiteering at the expense of originality and true promethean art that is herculean enough to defy hackneyed tropes and siphon the best elements from a piecemeal world variegated with complexity but stifled by fomented hatred.
The solutions to these problems is to create a watchdog group of artistic critics who become eminent and ubiquitously heard enough to offer creative consultation to the artistic endeavors that we consume and the music that is curated for fastidious ears that crave euphonic originality rather than the banality of easily dovetailed bass-heavy cookie-cutter garbage and the gaudy tactics of talentless rappers whose swagger derives from  the intersection of opportunism and the divestiture of an industry that rewards gloated supercilious epicureanism and meretricious marketability. Am I the only one jaded by second-rate superhero movies that infest the cinemas that borrow from Michael Bay while thrusting pulse-pounding but narratively bankrupt movies down the throats of consumers that might prize the cinematic originality of the heyday of filmmaking? Is it always high art to invent controversy that is witless or half-witted just because it will create buzz? Shouldn’t we condemn the laziness of society in acquiescing to the penury of the modern cultural narrative which belabors the dead horses of racism and sexism ad nauseum? Shouldn’t we fight the war of against inequity through legislation rather than hibernating about scandalous eminence and testy malfeasance?
          Liberty should be championed above all else and we are turning our backs on the future unless we muster the resolve to diminish the sway of the common narrative and aim our spotlight at consequential endeavors rather than the tropes of prosaic and pedestrian bastardization of art and culture. We need to fight artistic laziness which has ravaged our culture and castigate the tactics of wannabee celebrities that use lurid tactics to attract an audience by bedizening themselves with Pyrrhic ostentations and rampant fakery to create more melodrama in a world that needs to be less histrionic. YouTube celebrities swarm us as they get high on ******* and lean-- at our expense-- and vandalize property and convincing nine-year-old’s like Lil Tay to flex her money like it is infinitely renewable in a finite world where all our attention is wasted on artless artifice of less talented people that know how to engineer a ruckus by strutting themselves beyond all decency and selling out to a corporatist nightmare of enslaved convenience. We need to be more vocal about the dissolution of artistic merit and the formulaic repetition of successful formulas that jade us and make us yawn about another retread of a previously successful idea that is milked to the point of cruelty.                                                         ­                       
       Let’s change the narrative and focus on creating true art rather than reacting to the meretricious tinsel of the vogue consensus which is so impotent in its ability to rivet audiences because it has become so notoriously lazy. Fight laziness in art, dismiss your news feeds, be resourceful, seek true happiness rather than find yourself hoodwinked and duped by the idea that Trump is the most important issue or getting caught in thought loops and brooding about sexism and inequality. Let us strive to be egalitarian but within limits that would also appease hominists rather than just the hypertrophy of the leftist narrative that seeks to cage us with the doublespeak of complaisant conformity.  Reject the unctuous charlatans that pretend priggishness when their banausic purpose is barbaric but beguiling to be a lullaby for laggards. We need to fight for the future of civilization rather than hobnob with convenience and loiter around decrying false perpetrators rather than systemic injustices that could otherwise be rectified if enough people fought for it. We can invent a future that is a great festivity serenaded by cultivated artistic refinement and forget about the trifles that divide us. United in ambition and fueled by ingenuity we can defeat artistic laziness and be resourceful with how we decide what is newsworthy. Spurred by the argosy of proactive motivation we can change the world in a substantial way by deciphering the subtext that governs the world. The subtext is everything!

I think sometimes, about what it means to be transgender. I probe and probe for answers, because as the possibility for a new age of enlightenment and safety increases, the others want to know. I’ve come up with many answers, but I can hold to none. I don’t deserve to paint the definition of a culture with the limited experiences I’ve had. I don’t see myself in the transgender identified people allowed on television. I don’t see myself in the transgender identified people making news feeds and giving high profile interviews. And as my nation’s exposure to our culture increases, likely will their curiosity. Am I transgender? Do I have the right? I’ve heard doctors, psychiatrists, may refuse transgender patients access to hormone therapy based on how dedicated or convincing their portrayal of their identified gender. If you want to be a man or woman, you’ll have to look like the women and men on TV. If you want to be transgender, you’ll have to look like the trans identified people on TV. Every single one of us who has an active role as either participant or observer in our society is prey to the crisis of validity. Am I pretty enough? Am I strong enough? Am I brave enough? Mom enough? Dad enough? Competitive enough? Successful enough? Rich enough? **** enough? Pious enough? It never ends. We’re, as a nation of people, being crushed and compartmentalized by this ever present lens, looming over us, exploiting our weaknesses and fears so it may grow wider, and support itself as it follows us, seemingly forever into the future. And one of the worst fears this camera of existential torment exploits, in most of us every day, is, “Do I have a reflection?” “What does it look like?” “Do I look like me?” What does it mean to be transgender? I can’t get away from that question. But I don’t have an answer. There are varying degrees of anguish, depression, panic, anxiety, and other wonderful emotional states that creep up on you and breathe down your neck nearly every waking day. Absolute contempt for the lie of a life you’ve lived till now, and contempt for the fragments still stuck to you, in memories, attached to your body and mind. Fear of those in your own community who would purposefully humiliate, invalidate, or attack you, choosing their own universal moral code over the innate urge and capacity to support the health and continued well being of another human. A ******* neighbor. A ******* pupil. A ******* employee. A ******* sister, brother, son, daughter, mother, father, cousin, ******* blood. What is being transgender like? By my experiences, it’s just like being anyone else in the country. But with a lot more fear, death, exclusion and medication.

Is such a big and impossible to miss step for a scribbler
of poetry free poems to trip over.
A step that cannot be ignored, except consciously and conscientiously.
Such a person as a scribbler of poetry less poems would be a person who cannot tell the difference between truth and truthfulness.
A person whose sole raison d,etre in pretending to be a poet is their lifelong angst in being unable to escape from being under the control of  their mind and its operating system --the Conditioned Identity.
The Conditioned Identity,which is the facetious and morally dishonest "I am a poet" mask that is the consciously adopted Conditioned Identity--the operating system for the Mind.
In the great scheme of things becoming just another member of the human GroupMind--one who doesn't count--not even on the fingers of one hand-.
One,who,in the grand scheme of things,never has counted and never will count-call them countless.
Shadows that flicker and dim on the walls of the Prison of political, racial,national,familial and religious conformity
And these worthless scribblers of poetry less poems do have an all consuming conditioned habit  of consciously ignoring truthfulness and integrity and substituting pathetic sub-teen lower middle class emo whinging "truth"--about their "art" and "insight"and "vision"and their "truth"--always their worthless "truth".
Sitting and mourning the fulfilling love that always evades them and always will evade them--unless they let go of the conditioned identity and the Mind--consigning them to the dustbin of history--where they rightfully belong.
Angst ridden whingers all--in love with their image in the mirror of Minds oh so believable deception.
Scribbling about a conditional possessive love that would have been a valueless truth but never can be the essence of truthfulness.
A conditional possessive love that never was and never will be unconditional and non-possessive.
Whinging about nothing more than conditional love and a truthfulness that never can be for them--- as we see openly here and there and everywhere there are scribblers of poetry less "poetry" who use sites such as this to scribble their pretentious infantile nonsense.
Poverty of values and integrity,orphaned from the Isness of the Universe, children of worthless technological consumerism and followers of false oligarchic hopes.
With their greedy gobs open for any crumbs falling from the rich peoples tables,like baby chicks in the nest--feed me feed me they screech.
Colluding with like minded betrayers of truthfulness,groupminds of
limp wristed bombastic poseurs.
Deluding themselves by babbling media made inane celebrities
empty insights and twisted conclusions--purveyors of puerile pettiness.
Oligarchic media celebrities noted only for the illusions between their ears,and the beguiling way they collude with each other to delude themselves.
Ludare!
Oh how they love to play mind games
Lives spent colluding with these babbling worthless celebrities who know the price of everything and the value of nothing,
Pompous posturing pretentious pissants of aesthetic poverty.
Bound together into a worldwide consumers Groupmind,
persuaded by perverts of PR into believing in the Illusion of Wealth and Demockery that the Oligarchy sells.
To step over the truthfulness threshold is,indeed, to  leave behind their
security blankets of "truth and beauty and revealed knowledge"
and the concomitment meaningless verbiage about "veracity" and "existence".
Shallow and unrequited attempts to own another that the weak and unwanted call "love".
Stomping through the quagmire of conditional love
up to their necks in the **** of consumer garbage.
The Conditional love of possessing another and grasping at thin air
as they submerge slowly in the seas of righteous stupidity .
poets cling to their misconceptions religiously,
poets cling to their ignorance avidly,
poets cling to their proto-fascist politics squeamishly,
with each word and stanza that they write.
Pouring out such pleasant and elegant and flowery and "deep"
words and verses(rhyming or not) that,at their core,
have only one meaning and aim.
Which is!.
To divert and confuse their readers with the"shallow beauty"
of endless strings of meaningless associated but fine sounding words .
To create a groupmind for their poetry business products.
Admire me--buy my product--join my groupmind--eulogise me,
let me rip off your energy--I need your praise,I need your lifes energy
gimme your money honey!.
The Publishing Oligarchy will bestow rewards and honours,
medals and diplomas--critiques fit only to wipe your **** on.
Book sales and the summer Poetry festival circuit--reciting and signing scribbles of narcissism--casting lecherous eyes over dripping **** or stiff wobbling **** in the adoring crowd of sycophants.
The  Media will fawn and adulate and cast its sly net
to entangle your desires in ---infamy awaits.
Come admire me and my use of other poets stolen words,
my criminality in even daring to think the word "poet" has any value.
These are my words about my inexperience and unknowingness they scream possessively in jaundiced teeny remembrance.
Remembrance of mediocre middle class homes and attitudes
of ingrained ignorance and wilful imagined self victimisation.
Eating societies poisoned dishes--.
Serve me up a burger of roasted babies on toast
from Vietnam--live on Channel Whatever.
Or chargrilled peasants from Afghanistan
with breathless commentary from
our "reporter on the spot".
Or homeless mental wrecks from the streets
of any Amerikan or World city big or small,
trailing acerbic criticism from the immoral majority.
Or dead celebrity  consumer junkies in 5 star hotels
complete with PR handouts and **** licking "friends"
positioning themselves for increased sales.
Or the children of the Oligarchs with their "I" newspapers
and inbuilt fascist attitudes.
Who spend their shallow lives hoping for the kind
of meaningless and worthless Honours and Validation
from those that do not have honour or validity..
Or the not just lame but crippled duck presidents with their finely crafted speeches that say nothing but I am a beard wearing  failure,
looking forward to penning lies and calling it a frank memoir
while holding out my hands  for the Oligarchies pennies.
Can anyone tell me where to get a bucket of truthfulness?.
A glass of honesty?.
A tumbler full of veracity?.
A beaker of back breaking honest labour?.
Can anyone tell me where I can find
a peaceful man or woman,of any of the 5 colours.
Not those merely observing a Cease-Fire
while they rearm their weapons of the lies of beauty and truth.
Oligarchy allowed social commentary.
Is there just one decent truthful man or woman out there?.
Judging by the world Id say not.
No Id say not.
Not.
There Ive said it.

www.thefournobletruthsrevised.co.uk

Kafersuseh One-Dimensional Beams II; In this environment of preservation of links and communication with each other, Raeder, Petrobus the Pelican and Alikanto were in a state of maximum stillness and complacency, they were enjoying the reality that was experienced with the child. Raeder unexpectedly leads Petrobus out of the barn and begins an exploration of the rolling nativity event. Here he takes hold of the gold-jade rings and takes flight towards the upper part of the stable, where he can see from above that it did not look like an ordinary stable, rather it seemed like a seat of the Faith where he observed that some prowling on the roof cherubs, they jumped and crossed mimicking the same gestures that Joshua made in his manger. Impressed, Raeder approached them and began to share with them, flying over where they could do it with their new friends. After a while, Alikanto joined them, who also enjoyed these games precisely, but did not see the Cherubim. He only saw how the two of them jumped but was surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogeny He only saw how the two of them jumped but surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogeny He only saw how the two of them jumped but surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogenies a new bonding relationship between species that were appropriate and endemic to the region near the stable at Bethlem to be inter-inseminated on banks of the Gethsemane slopes, so that linguistics would begin to absorb Joshua and go for a closer shortcut towards the classification of the traditional and omnipotent variants that migrated through the Olive Trees, to renew and preserve the Aramaic or Aramaic languages ​​of a shared origin now, for the omnipotent salvific languages ​​that were to be redirected in Gethsemane. Once leaving for the city of the eight gates, Raeder continued to sway on the roof with the Cherubim, rather they were already inseparable until he received an order from Alikanto that they should hurry back to the stores. He leaves but some mischievous Cherubim follow them and escort them to the tent. The next day at dawn they stand in front of them serenely as if they were still in Kafersesuh. They prepare the camels and the belongings, to resume the return to the final grand opening of Judah; to initiate the trades of reintegration of Saint John the Apostle to the surrealism that predicted him to split poles in his former exile and reintegration, under an early departure to revive the cathedrals of constant ringing and constant vibrating in the bells of Jerusalem and Gethsemane. everyone rides, the Hexagonal Birthright and King David tighten the incisors of the camels heading towards the new door that they took turns opening once they arrived in Jerusalem. Raeder and Petrobus arrived late, flying from the top of the caravan alongside the Cherubim who now guarded them. While the Crickets consumed all the laws that were incommensurable with the litanies of Angels that waited to unroll from In dextro qui non ad altare. "On the boast of those who did not have to reach the altar"



Paraps XXVII

Messiah of Judah IV part

Miracle V- Gethsemane / Aramic Phylogeny

They leave Bethlehem undivided in the Giant Ungulates. Of the seven spaces in the column, the last one that was occupied was the seventh where King David went. Of the five remaining spaces, the Cherubs went, they were playing with Raeder and Petrobus; they showed off with their adventures flying towards elevations of the majestic Sun. The Cherubim tinkled with colors of Abrahamic angelic beings involved in the worship and praise of the Caravan. The Cherubim are first mentioned on the route back to Jerusalem with the large turnout of bumblebees, bees, and wasps all flying alongside Raeder, Petrobus, and Alikanto. They would all stay for up to half a mile before reaching the eight gates and resuming their course to the Garden of Gethsemane. They were surrounded by Debkas dancing in their Aramaic phylogeny. The bumblebees were encrusted by the hills loaded with echoes outside of man...., placing themselves to the east of the Garden of Eden in rows of Cherubim with a flaming sword that turned on all sides to guard the path of the tree of life. Ezekiel describes "four living creatures" as the same beings as the Cherubs, each having four faces that were like a man, a lion, an ox, and an eagle, and each one was tetra-winged. As for their appearance of them: "there was in them the likeness of man" These used two of their wings to fly and the other two to cover their bodies, under their wings they seemed to have the shape or resemblance of a man's hand that resembled the Aramean phylogeny that linked environmental and organic pollinations of Lepidoptera that were carrying the fertilizing spheres to reach the angiosperms. The Christic language was inaugurating the fringe of the frolicsome land that awaited the inauguration of Linguistic Phylogeny to attend to the decrees for the perenniality of the language that relates Gethsemane with the Olivo presses, the Cherubs beating their wings to reach Father Abba. With the flashes of the Apocalypse, the Cherubim danced happily, magnifying the presence of the Apostle in the Hexagonal Birthright with the holiness and power of God, This is one of their main responsibilities throughout the abbey and members mobilize to meet one of the twelve apostles with propaedeutic assonance attached to the twelve Giga camels, in addition to singing praises to Yahweh they also served as a visible reminder of the majesty and glory of the Messiah. The Apostle says by parapsychological regression: "A fascinating route on foot in Jerusalem begins at the top of the Mount of Olives and curiously leads us to the route that will be taken after the evangelical legs of the camelids that will take them to the Holy Sepulchre, Continuing through the Damascus Gate..., here the camelids became restless! Very close by, the topography of the top of the Mount between the route at the foot of Bethany and Jerusalem was perceived, the Garden of Gethsemane crammed with Angels appeared to us..., Joshua's prayers in Aramaic are felt slipping into camel snores as pleas are heard before his arrest in the Garden." Here at that moment, it happens that the flies arrested the apostle, taking him to a specific sector of the orchard where sacred water and humid wind continue to flow, having olive trees growing in the embossed garden with enormous oil press to border them by olive oil pipeline to grace the Lord in laurels from Daphnomancy such a holistic form of divination by which it is intended to make predictions using laurel leaves and branches chewing them before and then lighting them towards the crackle of the consecrated fire of Gethsemane Aramaic that lit paths and feet of Joshua. also carried on its four wings the Cherubim four laurels on each laureate wing.Thickened by palmistry energy, they walked towards the main entrance of the oil press, They arrive in the surroundings of Gethsemane surrounded by Daphnomancy of laurels carried on their wings by the Seraphim, Bumblebees, and others who would be in charge of inseminating the pollinating particles in the angiosperms, thus rescuing minimal words and verbal serial in the words that were transferred from the stable Kafersuseh in Bethlehem so as not to lose the Aramaic word, thus being redistributed to Gethsemane by the Lepidoptera and Bumblebees, wasps and bees. This inter-organic phenomenon would re-couple the verbalized accents of Joshua in middle age and in the unborn in such a way as to preserve the Aramaic dialect, to re-clone the same groupings and intentions as the environmental phylogeny of the dialect in a ritual culture that would redact with insects. and Cherubim, to re-enchant all the pluralities that would be arranged in the Garden to energize the salvific and appearing oil pipelines of the image of Saint John the Apostle, King David, Vernarth, Etréstles, Eurídice, and the rest that make up further from the seventh camelid until reaching the latest; the Fifth Cherub that will be the scribe present together with Pedro and the two sons of Zebedeo, only one with the one nearby in great courage, San Ioannis. His Holiness Joshua used to say: "Abba..., Father, all things are possible for you, take this cup away from me; But not what I want, but what you want. Joshua came later and found them sleeping; and he said to Peter: Simon, are you sleeping? Have not you been able to watch for one hour? Watch and pray so that you do not enter into temptation; the spirit indeed is willing, but the flesh is weak. Again he went and prayed, saying the same words. When he returned, he found them sleeping again because their eyes were heavy with sleep; And they didn't know what to answer. He came the third time and said to them: Sleep now and rest. Enough, the hour has come; behold, the Son of Man is delivered into the hands of sinners. Get up, let's go; Behold, the one who delivers me is approaching." From small lively henchmen lights were seen to greater discontent..., they were the executioner, attached to the broken hostile leaf of the laurel that fell on his back "In flames and crackling in all his offspring "The anticipated visions were fertilized by the Cherubs that anticipated events in the chronological life of the apostle having to do with his life as an apostle and evangelist of the new succession after returning from exile. He came close already entering through a path, that was a road where the rows of pipes were that crossed the Getsemaní subsoil. Fifth Cherubim of the Septuagint: "As a scribe of the Hexagonal Primogeniture I make reference to two hundred years before the birth of Jesus, a Greek translation of the Hebrew scriptures developed and became widely accepted as a legitimate (even inspired) translation. Tradition relates to how King Ptolemy II of Egypt established a vast library in Alexandria. However, it was not complete, and he wanted to have a copy of the Hebrew Scriptures in it. Ptolemy sent representatives to Jerusalem and invited the Jewish elders to prepare a new Greek translation of the text. Seventy-two elders six from each of the 12 tribes of Israel came to Egypt to fulfill the request. And as your Santiago, you will write with me the allegory that will shine brightest in Alexandria. Thus they were led to the lonely island of Pharos where at the end of 72 days their work was completed. King Ptolemy was pleased with the result and placed it in his library. When the task was completed the translators compared everything and it was discovered that each one was miraculously identical to the others. The result later became known as the Septuagint (from the Greek word for 70) and was especially popular with Greek-speaking Jews for centuries to come. Hebrew was displaced and Aramaic prevailed, which is the New Testament language that will influence the eclectic of Aramaic as a language that was also ascended with Joshua to heaven to communicate with all the preaching of his Father in the sacred phylogeny with Lepidoptera and his entourage "I am sitting on the last camel, and I know I will be the first."

Ellipsis Prophet Elijah: "They were on Mount Carmel when I summoned the faithful of Baal, Asherah and others. I summoned them to seal a new pact on the slopes that pointed to the howls in Jezrael from where a prolonged and accursed drought was lamented. At the moment all the congregants were absorbed before the imprecation that he made before Ahab asking for the abandonment of Baal and finalizing the 450 pagan prophets, they called Baal in several days and nights and did not answer, Elijah, mocked him saying "Call him with all your might Maybe he fell asleep and needs someone to wake him up." The people gathered on the mountain and then Elijah told them: "You have to decide, If Jehovah is the true God, follow him But if Baal is the true God, follow him. Let's do a test: the 450 prophets of Baal must prepare an offering and call their god, I am going to prepare an offering and call Jehovah. The god who responds by sending fire is the true God." The people accepted. Elijah put his offering on an altar and poured a lot of water on it. Then he prayed: "O Jehovah, let the people see that you are the true God." Immediately Jehovah sent fire from heaven to burn up the offering. The people shouted: "Jehovah is the true God!" Now Elijah said, "Let no prophet of Baal escape." That day, They killed the 450 prophets of Baal. Then a little cloud appeared over the sea, and Elijah said to Ahab, "There's a storm coming. Get your car ready and go home." The sky was filled with black clouds, the wind blew and it started to rain very hard. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The ground shakes and initiations of the Aramaic roots appear after the intervention of the fifth Cherub and the prophet Elijah on Mount Carmel, the Phylogeny is testified with links that flow between subterfuges of re-dogmatized civilizations for ignoring their pagan languages ​​and creeds. In this genealogy were the bumblebees, bees, wasps, and Lepidoptera scattering all this stormy rain before they all reached the arenas of Gethsemane with the perfect connection between the idiomatic form, and the interspecies communicated with the vivid expressions where so many times the strings of Joshua circled the Gethsemane tapestry. No doubt here these species will establish the DNA and molecules for successful genetic derivation in an evolutionary environmental testament to the establishment of pollination in the Garden.

Phylogenetic dogma: The coincidences in morphological and embryological themes will be located in the orchard with a great genetic relationship and evolutionary resemblance. to that of the orchard to eternalize the concatenations of both topographical niches, in such a way as to root the Aramaic in all organic elements and not to provide the great prevalence of an eternal pacifying-luminous discourse in creation that does not perish, but rather is reactivated with these procedures in a new phase that the Apostle and Vernarth will inaugurate by reestablishing the premature hegemony of the garden, as a link between birth and resurrection. From the ratio Nazareth – Bethlehem / Kafersesuh – Getsemani. Of these diversifications, the key to the trees and their adaptation to the environment and the new Methodist dogmatics will appear, to adapt it to the material and immaterial elements as a paradise habitat in Judah with adequate species aware of their own self-preservation and self-evolution at the service by Joshua, Says Vernarth: "In Greek mythology, Ilithyia-Eileithyi is our Hellenic goddess of births and midwives. In the cave at Amnisos-Crete, she was associated with the annual birth of the divine child, and her worship is connected with Aeneidaon the earth-shaker who was the chthonic aspect of the god Poseidon. My divine child has similar "Behold the Fifth Miracle" coincidences both in a cave or stable. Ilithyia is seen with the torch-carrying light for the children to come to the world of the Messiah. Now we will shake the garden from its nascent oil ducts, we will have the salvific light that will flow from the hypos secretion of candlesticks with olive oil, anticipating a new messianic verdict, where we will populate the abyss of the earth as a great similar light that will accompany us in Shemesh philosophy. Sun, witnessing to the Messiah and conciliating ourselves with his instructions as it was in Jezrael and now in the garden". Bern Aramic Element from Bethlehem is felt in the messages from the fields of Moab, after the death of Elimelech and Mahlon and Chilion's children, leaving Naomi alone, Alone among the ears of grain. Lepidoptera would begin to fly throughout the lands of Judah after this distressing event. From the separations of the fields in the hot afternoons, Ruth could be seen in the fields and in Hera firmly united to Naomi, where each fence after another will go into the other in the name of Jehovah. Ruth gathers the corn and ears on purpose with the sheaves among the reapers and overgrown sheaves to make the sustenance of a past life of famine brought by Naomi's cries. Then Ruth, after gleaning the grasses, thanked Boaz, looking into his eyes intently, being able to see in him how to lift the hay and run it to the world of the midwives to feed the newborn children anointed by Ilithyah as well, so everyone will eat the pottage and They will satiate until they are very satisfied. From this land of spikes will come the celebrations of Shavuot and good grace for the stay of the Hexagonal Birthright in Gethsemane. The histrionics and ranchers of these lands are making a great contribution to this phylogeny (with the consolidation of the Aramaic language in the garden). Ruth appears saying: "Look at the field, we are all in it, we have water and enough heat from the Shemesh ignition, to give the spikes to grow here is the refuge of Jehovah who gives us his protection making us an equal part of his children to sustain us. I feel great pride in being respectful to Noemi, she will help me with ears of corn that will migrate to Gethsemane with the imminent visit of the Apostle Saint John. The Bumblebees, Bees, and Wasps will be satiated, they will provide the nutrient food to those who will have to make the communications in the garden. "Blessed is the food that she gives you by harvesting it, preserving it and lavishing it"A great archaeological hereditary axiom begins to be evidenced in this agriculture transmitted from the field to the expression of epistemic-emotional areas that represent endocranial and buccopharyngeal molds of sheep that intervene with tillage and weevils. Here the beloved rhetoric of the weevils will intervene with personal wings from the basic strut of their emotions, attracting signals in the fields and images described by flocks of insects that migrated from this passage in the Book of Ruth in order to relay them with phonetic signals that go beyond the spike that is rather a settlement or a current Kibbutz, to mold or settle archaic civilizations under an idiomatic link that will attend the phylogeny as cephalization of invertebrate animals with those of kind of support,

Phylogeny in Gethsemane: The **** Erectus crossed paths with multiple pieces of evidence of adaptive pro-evolution beings, Neanderthal/**** Sapiens. The children of Israel wrote parables, epistles, verses, stories, and books..., their phonetic vocal tract spoke of storms and environmental factors between heaven and earth "Great noise outside of us, but little silence in us." What is elemental is the larynx that has only pronounced the image that denounces a concept evoking the minimum sound in the different positions of its instrumentalized mega sound. Speaking to us how language varies according to history and the civic-environmental environment, instructing us on its threshold and caste as it detaches itself through aerial effusions from the statement at the laryngeal level. It authoritatively collects the intervals of vocalization and relationship with agriculture in all its dimensions descending through its internal panels but rising through our parietal emotions outside of herself. The little of the air that the world has left to continue digesting temporarily have it to let air flow that is possessed in mechanically inert particles, and not in sanctified prophecies with corollaries of miracles. Inherences have made of a super existence of those who still do not perish by the hand of a monarchical mandate, even the mute swallow air is suffocating and contaminated halves while others redistribute them for those who need to sit at the table to collect the unleavened and share it with what the rest. "Here resounds the echo of my Christic body". That in Aramaic will syndicate much more than the phrasing in its blood, grapheme and phonemes or stylistics that is the commotion of vibrating beyond the deep ground reverberating with the grace of its divine statement". Joshua resists spikes and olive leaves simultaneously disposing of us in his arms as his children, he is a sheep in his arms lactating hydro-milk of sustenance from his creative verb. "a strict fact of preserving Aramaic and not misleading them by turning the pages of history". The Aramaic must be incorporated so that Joshua, after more than two thousand years, can see that He is still here walking from one place to another to tell us that He is still here, only suggestive of your walking, plagiarizing your larynx in the sound of His expression and shepherding. The sheep are quadrupedal..., more mammalian than a man because its statement is always reflected in the bases of its skull for the rest of its offspring as a biblical expression, under all the rainbows of the cherubim, together with the children surrounding them in identical intention. **** habilis–**** Sanctus, which is a process that has a charismatic base and peripheral anatomical volume for the exposed part of the sternum by confusing them with each other, not altering their structural or functional complexity. From the potential of Lepidoptera and winged weevils, the phenotype will emerge that will relate and relativize the mechanics of Aramaic or the Aramaic method of not losing the gibberish because it is divine, as well as it is exalted and laryngeal torque to those who possess Aramaic blood and body, since its motorized mysticism is to devour minimum words with maxims in a whole of ranges and sounds of the field, dialoguing: "Come to my field, here the ears of corn and weevils will speak more than the mechanical potential of Your Voice". They continue through the Ruth field integrating phonemes in small verses that go from the shelter of words and that refer to settlements of which they do not speak only suggest the presence of Jeheová without being present, but if after being with his stomach satisfied parodying activities in the field with his plectrum made a reality in a transgenerational poetic-hydric whole of ancient peoples who no longer speak..., "They only express wisdom in ****** agro-phrases of spikes and olives in all their songs." After walking through cobbled and narrow streets that are now full of runes with Bedouin fumaroles..., it is such a walk through an avid heart of alkaloids and lipids; touring synagogues and evoking an outstanding barrage of pilgrimages without knowing how many more will escort them in our attempts. The walls that protect Jerusalem are witnesses to many battles that have been fought "in the name of God". As well as the ground that speaks for itself, without a doubt the Mount of Olives can be seen from Jerusalem beautifully but not, in the same way, the other way around. The forests whose fruits contribute positively to the economy of the region, in addition to symbolizing strength, security, and prosperity, give hope in the journey of history the same as nothing that tires of the same. The Garden or Garden of Gethsemane, a name that alludes to the olive mill used to extract and process the oil according to the Gospels, The Lord came to Gethsemane with his disciples to dedicate some time to prayer, but since the atmosphere in Jerusalem was one of hesitation and high tension due to the celebration of the Jewish Passover festival due to the context of the political and military occupation of the Roman Empire, Jesus was very saddened and began to get distressed...holding on to the branches every time he felt an olive near his denoted fingers. Etréstles says: "All the physical, exalted and psychic forces of Jesus here stink digging into the organic tissue, experiences that go beyond the intellect..., it is the proper and unequivocal admissibility of military feet walking on the ground after meditation and recollection. From today when the lights between shadows will fill the limits of the orchard with connection, They will have to graze on the Gigas ungulates when the atmospheres have to make the tribune grass grow on their idyllic evangelizer to have it for tomorrow in the meditation of dawn. All the pros and cons will have to get lost with prayer guests that will inhabit spaces that will not intervene in human reason. Meditation with the Cherubim in the hexagonal primogeniture and weevils interpenetrating divisions of time that is obtained at the end of a calm, and being able to offer with imagination the inclemencies of having everything just beginning. That is prayer, it begins cyclically and then returns to the beginning, without leaving us comforted to finish what the circle of lapse of the meditative circumambulation does not enclose. Saint John the Apostle expounded: More than pain and concern, After praying, he regained his strength and courage to face the vine with disappointments and betrayals with the courage of hopeful dignity. But more than this atavistic-anthropological complex it is salvific integrity that the verb saves the term, through the vibratory prayer of sound and perception of words and more with the Aramaic sound that narrows like the streets of Jerusalem, to distinguish biases in praising essence in the elements of noise almost to the harmonic limit of a sound perfecting itself in a psalter or a parable, which emerges from its oropharyngeal fret, leaving without expiation the abrupt change of Hebrew thought and doctrine, together with the external sound emancipating in the perfect cacophony of its inner vibratory howl beyond the ritual that pleases our insufficiencies by having an Abba. He sanctifies and purifies because he is substance and the dawn of a new earth that lies in the garden of prayer, and all the times that they have to get up to grab the Bible and watch as an indivisible interloquy in me prostrated each time I get up and speak with my Abba being attentive to lock me in his dimension. The food that returns and feeds back is the lineage provided with justice to inhabit the body that synthesizes its protean oratory, the food that you go there from a breeze and from revelry puts all its outfits on the tables to sit around is the lament that smells of seeds that evaporate from the hands and the heat of the holy field. The food that speaks of inviting so many to sit next to us is the one who was least thought to be lacking in love and should not be prepared, being the indicated one who would eat everything until he was satisfied, leaving nothing in the compote or in the yeast, because from it the food that satisfies will persist only for those who have the excessive spirit of the famine of those who can be quenched. Gethsemane is a flowery field where intoxicated Lepidoptera and Angels who only have one mission fly; "Give food to those who owe the desire to eat and nothing else because the rest that suggests it is abstention, and this will be procrastination of the verb that ceases to create endowment even wanting it, because all the sustenance of life can cease by risking bread and came more than to consecrate Health! Rather, it is due to the nourished devotional circle of the action of lavishing the circle of Son-Father granting the establishment of hunger-satiety to forge genetic and paternal seeds to recirculate them in the chain of procreation. Eurydice speaks: "My body undulates like a peg towards my beloved Joshua, I come from the figurehead of a ship. I went to Jerusalem to look for flowers that pour aromatic to bring and exalt their words tied to their feet. I was late and I lost my way, unable to find my way back. I only saw that from afar some lights in the northern area of ​​the orchard lit up like olive cyclers exploding in the air in nocturnal fireflies that swarmed together with the Lepidoptera..., they guided me here. But I repeat, when I saw the lights it took me back to when I was little in my distant Greece with Orpheus when he managed to sleep on Cerberus near Lake Styx. But I reiterate..., beyond the lights I have been able to see how the weevils are framing and plotting your words, my beloved Joshua, that the auditors will be able to help the square and interpret for many more than thousands of years, taking us with pre-recipients that allow us to feel their voice and hear it as far away as if it were closer than the olive branch that caresses their face. But I reiterate, I never thought I would get lost, I am even arriving as if I were from the figurehead of my ship, I always wanted to be close to the world of light of the Olivo of Barnea genetics like this one that has led me to meet it" Eurídice heads to the holy place, when it approaches, the Fireflies and Lepidoptera come out to pick it up, they allied themselves with the twisted shadows of olive trees, sharpening in clear harmony with the mirror archetypes of the dark foliage reflecting the green shadows on the wild fruits,

Just eleven days before the ekadashi of the full moon, the phenomenon of the harvest took place, which happens after a year of the abundant harvest of olives and another in which the harvest is small, here the change of nuances and corrugated textures is evident in the countenance of the olive trees without it being possible to think that this phenomenon will necessarily take place on a biennial or triennial basis. It was suspected and was known that the developing fruits would go to this event through their hormones and substances that intervene in their growth, acting as inhibitors of the differentiation of the buds, for which many of them would change when they were transformed into flowers to make them into the wood, from this process it was deduced that alternate bearing occurs when grass and gospel are lacking. The actions aimed at promoting ascending harvests in years that correspond to load, through the care of the planting of meditation and the abandonment of it in the years of discharge contribute even more, to accentuating the vecería in the doubts of faith. Some varieties of olive trees are more frequent than others, so it can be guessed that a genetic component is generated in this phenomenon. On the other hand, there will be the Christian cultivation technique, reducing the frequency of rotation, such as irrigation or the early harvesting of the olive for the tables that need to have it on their tablecloth. In such a way that this phenomenon will help the genetic phylogeny to reinsert lost expired words of antiquity in the emanation of the wisdom of God, through the universe acting as a great Drupa or peach that will assimilate being the amygdala that will allow sent vibrations to nod when they connect with the soil plagued walking and retraced the Messiah bringing us to his land with words in Aramaic of sacred salvation and his ancestry of word surveyor worker; which will allow us to transfer some appropriate spirit possession from him to Patmos when we return. Says King David: "as the Olivar de Barne species of the old husk will serve us for the Morning harvest with its fat percentage helping us to sustain the Shemesh fat of the new Sun to brandish winds that will hide the nocturnal haze of the waning moon. All as kings we have been baptized with oil in our solemnities, also coins traded in Kar to pay their benefits with the allegory of Yotam, in the Book of Judges to choose the king of the trees..., refusing the olive tree because it had to produce oil in the Menorah are the two tiny but large olive branches that illuminate the great temple of life. Now we will need it because the eleven days come before rescinding the cessation of Aramaic as a lost language, rather reimposing it as an entity of its channel with a gesture-light and space that hears or listens in repeated Aramaic oropharyngeal systems, and voices when lamenting in Hebrew happily the passages of the Torah with the same meaning and channeling source of the Pentateuch, to repast in the Barne species and transcend in its science together with its Katapausis phylogeny in the monastic cell of San Juan in Patmos next to Vernarth." Euridice kept giving atomic spouts and impulses at his feet to get to Gethsemane soon. Upon arrival, he insinuated how the Cherubim were pruning the Olive Trees next to the Hexagonal Birthright. Everyone was preparing for the olive tree festival in the Garden. He almost reached the end of King David's itchy speech among the Roses of Sharon, more than the cobbled one that a Cherub was replying to him so that nothing would waste being heard by his listeners on the Prow figurehead. It arrives and carries the odoriferous trans-essences in Astragalus, to begin with, intuitive adoration for each barefoot step that each petal and particle of its essence took, revering the base of the invested Messiah, reaching the perfect triangulation of balsamic acid and thorns with increased Aramaic of reviving the Barne Olive Grove Trail,



Paraps XXVIII

Mashiach of Judah V part

Miracle VI- Gethsemane / Maasefa

In this chapter preface, in particular, the revelation of three fundamental phases of the outcome of this chapter of Judah by the will of the god Aiónius in all real events and not, because the submithology that concerns us is of living relevance and is not experiment. Here Ezpatkul will enter Dóntiakul or prominent Augrum or Oro teeth turningScarabaeidaedemarcating the Vóreios Vóreios throughout the Horcondising region bilocating it in Encinas de Patmos borers, with such frenzy...!, that from there they would draw the strength of the north winds and the Olivos Barnea.

a) The subsequent phase after the Stable in Bethelem (Kafersuseh) will entail the neurochemical conformation of energies subtracted from visions of the stable, exclusively from the roof incontinenti of the intervention of the Cherubim with their four wings like the Lepidoptera (butterflies) incurring an original nexus messianic equipped with pheromonic sensitivity and chemical activation in the pollinations of bumblebees, bees, and wasps to regenerate the species of Olive Barnea consolidated the language and perpetuate it as a dialect of Messiah-Abba.

b) Phylogeny is subtracted from this phase itself as a relationship between species or taxa in general of tree species and wild plants. Although the term also appears in historical linguistics to refer to the classification of human languages ​​according to their common origin, the term is used primarily in its biological sense. The symbiosis of both interactions will intervene in the juxtaposition of "Joshua is born-dies in the interval" when he is born in the stable" but his analogy with Gethsemane and Golgotha, the two "G" will recreate the salvific miracle and anticipation of the Scourge that he will suffer but the Hexagonal Progeniture (Men and animal and insect species) will intervene with salvific action from the caves to rejoin the dry bones of Maasefa humanity. It also saves us from Shibboleth, identifying the members of a group in a kind of password) that appeals to changes in the use of phonetics in terms of difference and aspires to reorder social disagreements, caused by conflicts even of lost concomitant civilizations and their socio-cultural niche patrimonial, therefore from Aramaic as an anticipated signal thread of a beginning of communicative intention and preservation of messianic language)

c) The physical, mental, geophysical, and spiritual elemental energies will mutate the adherence of the Aramaic dialect with the pollen duct generated in the Barnea olive species, creating a relationship of chemical change in them deified in favor of a new "Bern of Vernarth" with the interaction of the isotope that will generate the inclusion of a proton that will mutate the chemistry of divination and connectivity with him (Heavenly Father-Abba in the Garden) in such a way that the methodological lines of anticipation will prosper on the night of the abduction by Sayones before being taken to the Lithostrotus to be flagellated to interpret the power of his gospel.

d) And for a consequent and emeritus synchronization of caverns in conjunction with dry bone Maasefa, triggering the awareness of the awakening of protection before, during, and after the events that occurred at the culmination of his death. This will delve into the three chemical sediments interacting with each other, the Aramaic language enchanting the univocal and eternal root to always have it in Gethsemane, the revelation of phylogeny as a determining entity for the consolidation of the geophysical-animal world, and the transcendent soul that intervenes between the stars of the everlasting creation on Crescent Moon eleven days earlier with Sun-Shemesh astonishingly at the debasement of the human species and all of its feelings of unconfessed loss of existence.

e) Experiencing and surviving indecisions and fears of recognition of exposing and externalizing the calls of caverns have allowed us to escape from threats, but from there towards a reverberation in the same tune of Calvary, in the sockets of a skull sheltering you to serve and look from the optics of shining with the flow of ears of wheat in your dreams. Gethsemane and Golgotha ​​are the set of double "G" that generates endo-trauma in the throat and in its global skeleton bone set wanting to revive the call of the Messiah, from the Neck of Heaven rising roughly up your throat, forever and for the Centuries. of the Centuries.

f) The plectrum led me to write this paradisiacal essay in this chapter (it is the same depressive unconsciousness of having a body already abandoned without a Soul, but in my own without understanding anything), this tends to describe how history teaches us that there are phenomena difficult to capture with certainty, the masque of extra mediumistic sensitivities emerging from where our conscience does not discover what spiritual power does canonically the intuitive divine exponential or the external machine of multiple systems of serial spirits that besiege us and show us their Ether and that rarely can we actually be able to enter them from deep inside from their activation data to our hyper cognition, and their level of travel leading us to abandon our abstraction.

They were all stationed on the northeast *****, Eurydice arrived with her essences full of little birds surrounding her, she could not hold them due to the invasion of these surprising birds. They were all sitting on the stones of the garden, they were all leaning their heads on the Svein Tzora stones. Says Vernarth: "The stone of Gethsemane", on grains and crystals they are soaked with spheres of the stone of the Mashiah. She showed them meekness in the face of the hardness that could be distinguished compared to limestone or clay, full of sedimentary grains that devastate igneous from where some voices of her holocaust were left over, compared to marrying corporeal materiality in the Aramaic syllable embedded in a stripped bustle and silent, of everything and little petulant organic element coexisting in its amorphous figure. This graphs the consonance with the demonstrations of passion for his followers by embedding himself in a stone with multiple and sharp cuts like taking out the atoms in a grenade with his law of 613 grains that are enough to stipule them and to break the lithosphere of the messianic referendum in his sacrificial law. in the lithostrotes. No barrier will stop us to overcome this lithosphere that separates us so coldly from the rebirth of a body that takes root beyond the cracks of Gethsemane since the olive trees grow on the same stones, pretending to be in a mansard. The will of destiny under a stone, admits arrogant worries to startle that "He was there, and his destiny condemned him", but "My Abba, if it is possible for this cup to pass from me; but let it not be as I want, but as You want...", equivalent to telling of stones for all the cups, as long as the will is of the Abba", thus the stones are lightened, and our pride weighs less than the subterranean immortality. Saint John says: "Which is agony, it is nothing more than holding in our dreams the heavy shadow of its burden. The stone does not fit through the interstices of dreams but its image weighing in the symbology of being part of it, more than all hailstorms being the scene of sin near the disciple family and their despondency that runs where a curtain circulates towards the Resurrection. The large drops are large grains of the pomegranate in the Via Dolorosa, being large stones falling from the universe rubbing against the Sun and the Moon, falling on Him as well. Today on this day that he confesses tribulation of an eternal night that he never clarified..., It will start to rain, interrupting itself for days running backward, since several syllables remained un catechized before rising from where the wind of Elijah called him Mashiach. Revered Mashiaj, always close to you jumping from the red sea such a pomegranate as the food of a Father between waves of his sea! Again we are in the celebration of Holy Week and we have thought it appropriate to write this work on the stone of Gethsemane with a gifted scene that was his arrest, caused by the petty betrayal of all the Treacherous in the world. Mashiah, lonely in his full youth of thirty-three years in Aramaic verses succumbing to the arms of his Abba, .. He takes him and wraps him in his arms to defend him from the darkness shedding blood and tears on a cracked stone, beyond the skies that predecessor grenades in his hands revealing will that surpasses the levels of being rescued more times. There is a bitter taste of fruit, of course, but it tastes like a red planting of the dry red rock that is not emanated from anything but that if it brings us the generous hand that ceases pain and affliction, that produces sweet sleep even having wrought iron entering through your carpals and tarsal feet. With the pantomime of our morbidity we stretch our arms on your crucified cross but without awareness of the ******* test of not experiencing the iron in our questioned soul, without crucified skin in the epidemic that the beast of punishment gave to his skin between screams and hoarse cries that if they slip towards him, rather under the acíbar of a hammered heartless glass inert and stone that runs towards the west looking for the voices of his pious mother. The sip of the sunset was ingested in the sadness of my life that begins to be reborn every time it was lost and lifeless without feeling it as mine. I sleep vigil on the flames of the stand in the stones of the fire, and I sleep because others will not wake me up on the edge that cuts my game in flames. What cowardly courage accumulating in a depersonalized spilled heart..., what hours will have to pass without feeling them to date the entrance into his body of burning iron towards the sacrifice and not the sacrifice. "Let it continue here in this pebble with the shape that bears fruit because it will not burst with impatience, but rather with tears of pomegranate grains." What stronger aloe than seven days in a row turning to my usual sweetness sin to finish them abandoned without savoring it. For the first time since I returned from exile, I understand that his Aramaic smells like wisps of fruit and hundreds of syllables that are..., whipped like mega words that smell like his upright trunk in solitude and abandonment. Its trunk like mine is stone of tree bark, of vile whips lost in the frieze of its temple breaking its head bark, weeping its moans in full reconverted hopes of a hidden Ziziphus crown. They are nailed to a purple wisp of pomegranate, defeating the ailment of those who dared to martyr him in the pain that runs through his icy strata..., not sifted even by brave poor people; as it is to say by the voice of the wealthy spirit helping you. "Being prepared and No,

Maasefa Stone Powder: "You are made of stone and you will become stone" were the words of communion in Gethsemane of the stone of the Mashiach's prayer, indicating the expression of freedom and cessation of the oligarchy of belonging to the doctrine of the world of dimensional physical slavery, and its intertwined solidity of stones that the priests elaborated in the catacombs in times of consecration of loved ones towards a centile universe of Orthodox spirituality. Here are the stones carved like the Sanhedrin that met in the building known as the Hall of Carved Stones (Lishkat Ha-Gazith) for this purpose it will be the conservation of ossuaries of the high authorities and common citizens, having the prerogative of the Maasefa that has to consist of collecting the bones of all those reduced after a year in complete secrecy in the assigned catacombs. Through this immediacy of low and recondite spaces grows the vague wandering of precepting in approaching the salvific redemption awaiting the projection of the expired ancestors in the source of eternal life accepted by the Mashiach (Messiah), to shelter us in his illusion in beautiful brotherhood before to be resurrected. The Hexagonal Primogeniture would go by way of making the nucleus of nearby songs of the oratory of the orchard towards an honorable mention of elaborating concavities in the geology of the orchard, so that the alliance of the Aramaic verb of cloistering and devotion of the members in each stony cell, and the explosion of the Aramaic verb speaking infinitely of the Father-Son analogy. In such a way that translucent particles will be spread by the rhizomes of the Olivos Barnea species; deriving to Bern for the posthumous tribute of Vernarth considered Champion of conservation and cenacle of living and extinct organic bones, such as the aforementioned case of the Apostle before gathering as elemental dust of Joshua's Maasefa prior to the completion of the withdrawal of the Garden of Gethsemane. Shofar, sistrum, harp, and cymbals resonate for the wise night and its star sign before starting the excavation works in the nearby veins to conclude the Maasefa. They all sleep together that night touching each other's heels in the matrix phase to start a day with the strength of the stonework from left to right for the allegory of the Menorah that never leaves the magnetized night. They rise at twenty minutes to four to begin the ritual, an hour and a half before sunrise they were in the stratum of purple dawn on layers of divinity tinged with the conscious subtlety of the creator in our levitating being. Its consequences arise before their bodies continue to evolve towards the hegemonic process on the stratum of the nascent mineralogy that was going to intervene, being oratory of the Mashiach or synchronic Messiah. Beneath it, Vernarth would begin to pierce looking for the dimensional spaces of the search for his physiognomic extension adaptable to everyone's and evolutionary memory that separated the entrance of the Shemash and Selene over the glasses waiting to be filled and drunk at noon. Eleven days before the Ekadashi (full moon) began. Thus, in this way, they would sculpt the poked catacomb in twelve simultaneous rocks that were in a perfect limbic diametral circle of the plotline of the orchard with their physical displacements in congruence with the moon and consciousness that agrees with it, like that alert of that fateful night in which was kidnapped. In perfection with the oscillating vibration that is expanding in front of the dorsal cold of the stone analogically when the Mashiach vibrated in physical magnitude and in the absence of alert, more emotional if after talking with his Abba. The tremulous line she encompassed was widely displaced further since she was transported into the Edicule isotope as an element of flight, escape, detonation and resignation, being able to find nature configured in the fuss of a great variety of isotopes of different mass. the one in a large part will exceed in the cumulative gasified reaction, and in cathartic events that will occur at fifteen o'clock on Good Friday when the prophetic events and the mischievous changes of evidence of the cataclysm expire on the cross and hands. The eclipsed sun, storm with depressing losses, and tragedy for a world that will sleep more than seventeen hundred years to the right create the consciousness of being in more than two conscious places, with the minimum and childish aspect of the remaining second that is divided between the before and after the physical and physiological abandonment, beginning a final episode and conclusive torment that precedes a culminating beginning. All this transformation of the enclave and energetic dimension allowed them to synchronously pierce the sedimented rocks that were thus sustained in the timid energy, generating higher will field electromagnetism. Thus, in the sinkholes, everyone was drilling, they would be of the same mass category as the isotopes to manifest the energy and its dynamic charge, such an occlusive energy mass that would explode on the day of Golgotha's martyrdom. Preceding this energy phenomenon underlies the symmetry of the magnetic field created synchronously with words emitted in comparative Aramaic words with reminiscences that must serve in the twelve caverns of the garden in conversions and exchanges of exhalations of bees, bumblebees, and wasps of the curved universe that transits in the explosiveness of the lines that approach the dislocation ratio of the vibrations and their sound frequencies. Globally pollination as a genetic element of the fresh chlorophyll macerated as kinetics in elytra of Lepidoptera with the indications of connecting the clan with the aforementioned electromagnetic energies. The interaction of the fields within the system will be induced between Golgotha ​​and Gethsemane, they will establish here electric charges that will produce gases and liquids that will intervene in the entire lithosphere that unites both portions of soils, this created the interaction of particles establishing the undermining of rocks with basin-shaped Calota de Calavera, due to the geological conformation of the radius that surrounds both predicted areas. From this standard, the caverns will be improvised in the garden, magnetizing the vibration areas that depend on each other. The search Interrelates a magnetic and electrical phenomenon between both zones; the impulse to anticipate the premonitions of the Mashiach is derived, and how he was going to endure such torments towards his illustrious body in such a way as to retransmit it electromagnetically between the transmission bridge of the Garden and admission to Golgotha. This will unleash all subsequent supernatural and geological phenomena during the day of his torment and delicacy that will be glimpsed by decree of an execution damaged humanity exposed to orthodox fanaticism, causing a sensitive correspondence between the transmission of faith and the dogma of attending to the work physical and mystical legacy to protect for successive generations in the species Berna Olivar, ratifying correlation of the majestic and axiomatic cultivation of preservation under the catacombs and unalterable progeny of concelebrations of the eternal relation of a coalition of prosapia united to the shock and conscience of Christian Eternity. This gravitational potential energy will associate the Aramaic multi-effect towards all the attendees to confer, dialogue, assimilate and consent towards a supra lingual organic and historical heritage dynamic channel, on the basis of a monumental act of consanguinity in front of all will, "Here are all alphas over omegas." Creating complex harmonic movements between the caverns of impiety, but with a perfect and renovating equation with the redeemed Prayer in Aramaic towards the universe in quasi-face-to-face degrees, but not verifiable until the ritual of saving prayer is concluded. The chain reaction of this divine particle will be the opposite reaction tax of the active consolidation work area tensioned between the pilasters, Golgotha ​​and Gethsemane, both are started with "G" and if you turn it in any direction surrounding it you make a perfect skull of no more than twelve kilometers, whose distance in a direct line would certainly be crossing the eternal vision through ocular concavities, demonstrating levels of analogy and esoteric analysis. The extended reciprocity and supra value of divine consciousness are latent, from where the emission of the word and the will is born "the Calota or head skeleton" in the sense of reduced material and the corpuscle of antimatter that would come to be where the universes intersect in the elite of direct mercy (one has already happened, but another sphere of the difficult concavity has yet to travel..., only a Messiah will have to cross it when it returns to us again). This Eclipse of the Messiah of the Sun is a dark aspect of anemic light, torment, and three Maries, vindicating itself in this token of superficial passion in the Garden and antimatter rooted in the anti-particle, which evades this great event by lavishing its blessed spiritual figure with a charge of ambivalent theological antimatter; of egregious trust and bipartite univocity but fainting for the dark mercy on Golgotha ​​and light in the Garden of Gethsemane. "His body trembling and the Earth also" Shibboleth was getting up to distinguish members of a group such as the tribe of Ephraim, whose dialect lacked a sound (S), unlike others such as the Gileadites, whose dialect did include it. Shibboleth is a spike and also celebrates the fertility of the wheat crops and all concomitant species of the natural and endemic species of central Judah. And the Gileadites took the fords of the Jordan River to Ephraim, and when one of Ephraim who had fled said, Shall I cross over? The Gilead asked him, Are you an Ephraimite? If he answered no, then they told him: Well say "shibboleth". And he said shibboleth because he couldn't pronounce that luck. Then they laid hands on him and cut his throat. And so died forty-two thousand of those of Ephraim. however renewing when released by the contending magnetic forces that made Virola a whole that surrounds Gethsemane and Golgotha ​​as a magnetized tunnel of great mystical conversion for purposes of adaptability and preservation of renewed fertilizations of bumblebees, bees, and wasps in view of a commonwealth conforming and spreading in all spheres of faith and apotheosis from the pre-act of the Messiah's refuge to the judgment and punishment of his truth. After expunging their scourge in a dazed journey, they will fall with great similarity to the verb "Betrays and Forgives", the Universe in its creation renews everything, because that is how it has been written since the beginning of the Universe and by whoever dictated it." Shibboleth, will reconcile differences of understanding without prejudice and differences of geographical, anthropological, lingual mentions, cultural and divine verticals. "Our informal culture is preserved within village houses by resisting the scourge of victorious death, within the cave that protects us in its infinite mercy and commiseration" Maasefa and The Valley of Dry Bones collide at the appointed time the Svein Tzora, "the flintstones", to kindle the fire of the Messiah. The thunder was such that it made the seas decant for rivers and thunder on the terraces of the houses and fire on the banks of each unfulfilled prayer! Everyone gets up, each one leaving each cave of his ordeal, and goes to the meeting of the Dry Bones. The tradition of gathering the bony componential that has no soul all deviates towards the request of the flesh for its soul. As the account of the Prophet Ezekiel, five hundred years BC There are many outstanding remains of bones, this would resume in Gethsemane for the offspring of the Messiah's son caste, the Cherubim with the Lepidoptera twenty meters from the Svein Tzora donating light and heat to begin the ritual of dim moonlight. It is already a crescent moon and dim green lights shine through the beautiful dim green branches that light up the dry land of the beloved orchard on the face of the wasteland Calvary. The advantageous meats that began to butcher the bones raised the desire to start ultra fast in the oropharyngeal area, to endow solemnity and fulfillment of the prophecy of the sacred language of the Aramaic lingual group in tune with the vibrations of sound waves of the wind in romance with the blows of the fire towards their faces. In this way, the spirit of Jehovah was adhered to reunite the primary words of reunion of the edicts of Bethhelem, with the visions of Joshua so that the stable in its language emits the immortal edict from the very stable Kafersuseh to Gethsemane. Now everything was holy energy in union with the lands that made the compost fertile and his word was fulfilled, The valley of olive trees was reconverted and prayed complacency, everyone tried in the attachment of clan and twilight in the accidentality of the event, the new reason will not deprive of anointing the past-present in the realization of the joy of remains with bones, of laughter with laughter, of a patriarch with veterans, of offspring with their offspring, with the greatest thing than a hand covered with a great spirit over a valley where only distensions and candles should fit in each one of them. with Joshua's visions for the stable in his language to issue the immortal edict from the very stable Kafersuseh to Gethsemane. Now everything was holy energy in union with the lands that made the compost fertile and his word was fulfilled.



Paraps XXIX

Mashiach of Judah VI part

Miracle VII- Gethsemane / Meshuva Basics

The kicks of the feet begin. The twelve Giga camels stand up with their paired toes beginning to peel off the fat deposits of the remaining six camels with hoofed nails. They tore the epidermis with their fingernails to spread fat and oil into the lamps of light they need to distribute from the Full Moon in each palm of each component. The moon was in cacophony, it walked everywhere and imagined itself in the court of King David, drowsing in cubicles at the first light of the second sleep in the morning. Undivided they walked in procession through the source of the change in the socio-religious paradigm that kept them united, they were Raeder and Petrobus, Alikanto with a golden mount on his small back, the Lepidoptera, bumblebees, bees, and wasps, they tiptoed silently over the first level of damp wind at dawn, many of them perched on the backs of immune camels to ride with them to the reestablished Gethsemane starting point. In their phylogeny they collaterally impute the taxonomy that belongs to the camelid genus, which is a taxonomic category that is located between the family of Judah and the Middle East in the buried ecclesiastical species; thus, a genus of a group of organisms is propitiated, which in turn can be divided into several species. As ungulates as well as strictly herbivores, their musculature differs from other proboscideans in that the legs are attached to the body only at the upper thigh, instead of being connected from the knee up by skin and muscle, therefore it will be very easy for them to connect with flying insects so that they do not have to kneel. While the six sectioned the tanks of another six, and so they will continue to be stationed and intervened until their superficial wounds heal before leaving for the return to the port of Jaffa. On this long journey until dawn, they must stand on their footpads to resist the final farewell cult of the twelve caves, as they emerge from the placental sites they had developed with the Primogen to empower the vestigial area of ​​the rescued Aramaic word. This will be to grant and scale prosperity by having the signs of vitality intertwined, with each reminiscence of calls and responses of messages for the "Propitius Esto Humanity" that is projected in the secular future. This will be generated by external stimulation each time the intention to communicate with the ceremonial of existence-life-deaths-fullness is presented, thus the voice of the greatest incisive devotional forces will resemble, grabbing or grabbing the smallest voices that can even be overlooked or not understood when the Golden Gate of Jerusalem is inaugurated. From the very top, the Gigas species can be seen walking with six candlesticks, these species cross their artiodactyl locomotion towards a fluctuate on the flames of the candlesticks towards the rock of Mashiaj. While the other camels were recovering from their wounds, they looked with their calm eyes and were very aware of the proselytizing nunciature that channeled the reactions of the Hexagonal Progeniture, thus being absolved of the commitment of the prayers for the new launch with the atmospheric ordering ceremony in Getsemaní with the voices of the Messiah, with the framework, volume, and reverberation to flood with light and sounds in all the geographical areas that have not had a subscription. As the Giants trod the grounds with their hoofed nails, Vernarth and Alikanto, Saint John the Apostle, King David, Eurydice, Raeder, and Petrobus (The Hexagonal Primogeniture), made solemn vows before such an episode. It was not long before dawn and even Selene disputed with other stars of the envelope to shine more for such a great event..., as it is surprising at the moment that everything would seem of stillness and gestation of winged embryos appearing from the top of the Bern Olive trees near the Cherubs. They came with the Mashiaj who brought them new charities..., he could be seen in a deep field in two light bulbs of his white tunic, full of gold and blue lace, with Lepidoptera around him throughout the journey distilling crimson celestial radiosities.  Meshuva white cloak descended through the fronds of the olive trees lit and previously illuminated by the northeast ***** of the orchard, the Cherubim and Archangel Miguel and Gabriel came with decided parallelism by six-folding the interpretations expressed by the Lepidoptera, for the purpose of consolidating the institution of the north side of Gethsemane as a sanctified area of ​​Aramaic prayer and devotion of absolute naturalization of the classification of the Cherubim and Lepidoptera as winged tetras and Cultivators of the phylogenetic transmission of the pollen-orchard on the opening of the gynaeceum of the Olivo Berna, in the Valley of the Olives, and taxonomic choice by hierarchical order of the species and geo-referencing of the asteroseismic corridor of the narrow pass between Bethhelem and Gethsemane. On the tops of the olive trees were the Cherubim and the Lepidoptera, they fluttered through the flowery ramifications intertwined with the Messiah's tunic that came descending with an accent of graceful Torah, then the dawn of pre-dawn fireflies re-blooms on his face..., they brought a million beams of another thousand groups of beams to be born among the first luminaries of the day. The Lepidoptera ascended through an oval interval and in a spiral path through the petiole until the fifth generation of Rapa or Eskimo with forty flowers with four white petals in phylogenetic synchrony with Cherubim and Lepidoptera with four elementary portions to deliver the fundamental membrane that will generate the physiognomy of the Messiah between the transposed ones, and blond, ruddy lights of the Messiah's face with the cross-like texture of themselves on their shoulders of Capernaum dew. The Esquimo or the flowers would grow in clusters of between ten to forty flowers in perfect series depending on the variety, each flower would also have four white petals, a little pulpy facing each other in a symmetrical cross, and the flower will bring in the center an orange-yellow hue of an arboreal sphinx that would be filled with clusters that will transform the appearance of the oil-bearing tree, giving white brushstrokes to the olive grove before stingy gallantry glances. Each flower will supper from its captive pollen for approximately one week, so the flowering phase of the olive trees will turn before a brief duration, but of a messianic lapse with the cyclical lives of their idyllic Syriac Aramean. The female and hermaphrodite caste will bring you the biblical universal pollen with tremulous stamens and surcharged pistils traveling more than nine and a half kilometers from Bethlehem of the "Kafersuseh" to the orchard. Before the majestic pollination, the archangels Michael and Gabriel will invade two percent of the gynoecium of the flowers, giving way to the Meshuva candid cloak, full of white apotheosis petals. Vernarth rushes to the ground and rolls around between the petals filling his entire body and face with thousands of them, leaving many of them transfigured in the oily fruit of the Palate Universe between the ring finger and the index finger with an accent of Purification of the Mikveh, floating like neutron orbit of Life and Micro Universe only to be entranced by the presence of the Messiah in his white robe of petals.  Coming down with Bernese Petals strawberry trees in his white tunic, the Mashiach rushes to Vernarth, takes him, and tells him secretly: floating like neutron orbit of Life and Micro Universe only to be entranced by the presence of the Messiah in his white robe of petals. Coming down with Bernese Petals strawberry trees in his white tunic, the Mashiach rushes to Vernarth, takes him, and tells him secretly:

Mashiah: "Only you..., in each one of these white cells you are..., and in those that you are not in my remembrance, it is reborn as the fruit of the Bern Olive Tree. Over the cup of this species I heard your prayer, I know who you are and gratitude for resisting this lymphoma so nobly, I took it out of your soul when it was confused with the fresh breeze of the grass that feeds the fungi of pain. Immerse yourself in this Mikveh of columns of white petals from Bern, here the voices and words of Aramaic will run in a row to the right to sip white in my thoughts of the Gospel, with your miraculous grace by returning to me John the Apostle being exiled by Domitian. Come to me walking on this unleavened bread with Bern olive elixir and let's drink Hanukkah wine and its vital dawn that boils with each sip of the glandular thymus and your sore chest in between. I am tired, I come from far away, but I have taken this road from Emmaus to lift you up. Arise and come to My Vernarth." Vernarth erects his purified column with the petals emulating the Mikve "Purification", he predisposes himself to the Holy path of the Meshuva "Return to God". So from today Vernarth is born and revives to continue his journey back to Patmos. Mashiah says: "The why of the naive deviation will **** them and the complacency of the fools will destroy them. Your own wickedness will correct you, and your apostasies will rebuke you; Know therefore and see that it is evil and bitter that you should forsake the Lord your God, and the fear of me be not in you." Vernarth says: "We will be loyal and under these leafy trees Bern I will proclaim to the north saying; that we walk towards merciful fidelity and declare all together! We know that  My Lord will heal us of our infidelity, that is why we have come here because You are our Lord God." St. John the Apostle replies: "The lion, wolf, leopard, will **** us, destroy us and tear us to pieces because transgressions and apostasies have invaded in great numbers..., my beloved Mashiach, we have already got rid of the deception and we want the Meshuva back to your ether. of the accomplice desert with the aromas of the flying weevils that the Aramaic lexicons bring us from Kafersesuh to re-graft them into the eternity of your word that crosses the entire universe. The world has sinned against you, the apostasies are innumerable, and we are here to lovingly honor your name. So my people were determined to push me away even though they call them to the Highest, none at all exalts him. I will heal his apostasy, I will love them freely because my anger has departed from them" The Garden was eclipsed by the cardinal points, it was delineated by a Cherub from South to North, for the main border that passed through the zenith where the Mashiach would order the promontory of the dependent rock of the placental rocks that coexist with the twelve inhabitants who had erected them with their eyes closed and opened by the light of Faith. The border that Vernarth and the Apostle nominally saw, was connected with the new division of the world of the stagnant word, and in the new route, it revived in a perfect cross from west to east towards the paleo trill of the Palestinian Eagles loaded with incense and sawdust from the felled Olive Tree for the furniture that they used as input in the lavish boasts of the Romans. The magnetized needle will crack the back of each of the members,"O Kýrios tha epistrépsei se mas, tis rízes tou Kósmou, ópou krémetai ta skoupídia tou" (The Lord will return to us the roots of the World, where its concrete debris hangs). Then this voice takes from the inconcrete state, aligning the excellence of the north of the Messiah, together with the iron of the blood plasma of Vernarth and the Apostle to be magnetized towards the north in the sublime magnetized cardinal. Shemesh-Sun King order of cardinal parallelism is thus established; north: north or boreal ruled by Vernarth and Saint John the Apostle, South: Meridian or Austral by Etréstles and Eurydice, East: East, rising or rising ruled by Raeder and King David West: West or West. In this way, the insects and animals, declaimed the sunrise of the Sun to the Levant before each cup of the Chalice synchronous with the intercession of the cross to the tangential of the horizontal that extends to the west when both phases of the solar cycle are aligned with the departure of the Bread and discharge of the Messiah from his time in the cloister. The Alikantus and Petrobus animals will be ruled by the Northeast and Northwest, while the flying insects will be ruled by the Southeast and Southwest.

Etymological ellipsis of Ancient Nordic Civilizations: The east-west perimeter is considered as the axis of the abscissas in a geographic coordinate system, the axis of the ordinates would be described by the north-south line, which corresponds to the axis of terrestrial rotation. This composition generates four angles of ninety degrees that in turn are divided by the bisectors generating northwest, southwest, northeast, and southeast. Thus the Rose of the Winds is demarcated by the Esquimo del Olivo flower in perfect harmony with the circumference of the horizon. This will attract the lines that intersect verbally and non-verbally, by the abscissa that delineates the guideline of the Rock of the Messiah overflowing with total generosity to shine in the caves at dawn, to sprinkle them with the rays that they lack due to the supposed static latitude. In order to parody the line of the lethality of the Norse Gods by being tangential to this new alignment of the earth axis and laterality coordination, only through the Apples of Asynjur can they hope to revive until the final destiny of the Gods. This Nordic parallelism goes back to us in the chapter Vernarth Chapter II - Animal of War in Tel Gomel, where Asgard is mentioned, which in Norse mythology is the one conceived on earth, it is a rainbow bridge, Bifrost, which connects it with the paradise. This etymology will cross the genesis of the plotline of the entire Hellenic epic in the first chapters until it is reiterated here in this Messianic epic with the demarcation of the limits in Gethsemane, that marks the guideline that intersects the exact point of the Aramean Prayer Rock for the diction of the words and cosmogonic interrelationships of cultures and the sparkling use of the atavistic language before the year 332 BC and even after, to project with the temporal line of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane" to be projected with the timeline of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane" to be projected with the timeline of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane"



Gaugamela

Palace of the Camelids

The roosters of Persepolis sing again. Its disloyal resonances and deadly gloom came from seventy kilometers from the Iranian city of Shiraz, province of Fars, near the place where the Pulwar River empties into the Kur (Kyrus). The Rooster specters came mounted on the houses of the twelve Giga Camels..., recovered from the remaining six. They came to withdraw to take the path to Jaffa. The House of Camels began as preservatives of the immunity required to be in accordance with the sanitary ellipticals and adaptation to the exit of Judah. They were bound for the hemicycle of the Lepidoptera consorts united with the specter camels Giga and the Early Birds that will give the first row in the game of the Primogen, after seven weeks in Judah. Knowing that the phylogeny of Animalia is of wide versatility of this super being of the desert Animalia that will agree on the departure of all and repatriation of the hexagonal Primogen except King David who will enter the Celestial cenotaph in Jerusalem escorted by the Cherubim. From Tel Gomel came reverberations of sonorizations of the last metallic rattles of swords and howls of Macedonian infantrymen colliding with each other with their pernicious weapons. While these screams reverberate like an anvil falling at ninety degrees on hailed pieces of perspective of the Achaemenides..., their families already had to say goodbye to their family plains, since many lost their souls cracked from inhaled mutilating curses. Today a miraculous event would occur from the high sky a Dorus Hetairoi would fall that came flaming with fire. And from the northwest side, a Sarissa spear fell that intercepted in the immediate vicinity of Joshua's stone-forming neat Cross lit with the brightest star. It was nothing less than the vehement fire of Meshuva that brought with it drops of water from the Jordan with the Image of the Baptist, to make the hierarchical gravitation on the ponies of the Camels that at this point had all the dominance of the plague of the sufferings that They could cause a great impact on the twelve camels due to an endemic outbreak as a result of some leprosy in the surrounding area, causing higher contagions to those who ride them. The panorama was one of total rhetoric consonant with Tel Gomel, "Gaugamela Palace of the Camels". This paradox came to resent the reciprocity of magnificence of these camelids in the perfect analogy with Gethsemane, for this purpose to agree with the ghosts of Shiraz shortly before the great battle of Gaugamela began in 332 BC. C. equating the lands arranged before the plantar areas where these divine species continued to bring the sense of war around sensitized, converted into battering rams of mustangs crossing the auscultated portals of the Garden in an agony of interlude. Over the soft roar of Tel Gomel came maidens in white tulle with semi-cross dresses, serene and chaste from the plain of the Palace of India were the wives who married the commanders of Alexander the Great. They were from the war lineage that also came to concelebrate the farewell of the Animalia and Hexagonal Primogeniture. Today the seven miracles come together in a perfect line of the Apeiron, which of all things identifies this first principle with the "indefinite" or "unlimited." Considering that the constitutive principle of things was the Apeiron, which is neither water, nor earth, nor fire, nor air; It has no concrete form, it is infinite. The cosmos is born, develops, and perishes within that "ápeiron" in Gethsemane. This existential infinity of the beginning of the world is born from this feat in Gethsemane, affirming that only this immaterial element nor any other of the so-called elements will bring the ápeiron nature of the Garden in flames of love from which all the heavens and elements that are in them are generated in Gethsemane renewed towards the infinity of love of Joshua. Now, starting from where there is a rebirth for things, reconstructive destruction is also produced there, giving rise to needs; in fact, they pay each other by blaming and retributing for their injustice according to the disposition of time speaking of these things in rather pastoral terms, these maidens come in their feathered chariots from Sisellas of Tel Gomel for the blessed ones who club the underground of Tel Gomel and Bumodos, among cosmic rinsings of the Apeiron of the Messiah beyond its origin in the Kafersuseh (many births under a single great multivalent spirit among thousands of stables of origin and powers of Dimensional Beams, where the master lord worships from the trapeze hanging from beam to beam). The fireflies, bumblebees, bees, and wasps, resemble the profiles of the hollows and hills that were hidden before the figure of all this nascent profane world, more grandiloquent than migrating and fitting the engineering of the great beams that support the structural sky predominantly on supine and flexion. The World, after decompressing, dragged the linear orographic cords of Gethsemane, puncturing the cords of the rocks and its messianic average lithosphere, in this way it opened twisting in the inertia that toward the rock puckered a fist of guidelines that distilled in later moments and of adaptation of the inertia to adapt with the dynamics of the Aramaic emerging from the mouth of all the olive trees Bern after yawn and slime of trapped dust. Vernarth says: "With my Xiphos I will establish life beyond the burning of wounds, come worms to snack on your meat Hoplites, come now..."I am Hetairoi..." and I usually die several times over the worst pains in the jaws of ambrosia with Hestia but I do not tolerate that others suffer pain beyond my control. In the minutes that the horns of the wind besiege, the living Garden of the jailer will be freed from us, constrained to uncover the insidious and opaque sphere of solitary confinement, that deprives us of knowledge even being embarrassed about the same death and not attentive to it that blooms on the plethoric thorns of Saracen alcohol" On gigantic dimensions, the insects copulate the shadows directed on the shadows of the Giant Camels thus beginning the departure of the Aramaic Huerto converted into the new palace of the Animalia, despite contending pretense of pollen on each particle of the Mashiach's concretions now on the platform of the Palace of the Camelids and on the Holy hummus of the Garden of Gethsemane. The Apostle Saint John says: "anxious urges to go to the other side of the evocation and have to look at other tree species with water from the universe that irrigates the world in the swamp"... He appears sitting on his golden Petrobus cloud with Raeder... Raeder says: "I will go with miraculous airs and terrified of themselves of our own miracles, bathed in the water from the flow and from the head of Petrobus, we will supply water where there is none, but he has no mention, only the instinct of those who need him. I have to hang myself from his Jade Ferrules that carry his web-footed legs. Now is the time to continue at some point in the line of the twelve ungulates after these seven weeks in Judah" Eurydice intervenes: "I will get on the camels and talk with them about why the line that leads us will never separate from Gethsemane. We know that we have to return from Jaffa to Limassol to remove the Mariano gold medallion that was bathed in the bottom, and that Procorus awaits us immersed in the aroma of the Garden. I keep a crack in my heart where a Bern Olive tree grows, and that of its sprouts that are populating the houses of Skalá and the heights of Patmos" King David: "I will proclaim over the baptismal airs, and that the ghosts of Shiraz will raise Olive trees from the balusters of the avenues of Berna, to raise the props of passageways that lead to the heights of Agamemnon creating the kingdom of Mycenae in mythology that will propitiate the sovereignty of all of Argos. This was ingested all of a sudden in the triad of the Hebrew, Aramaic, and Hellenic worldview, to triumph over the excess of external knowledge that they had and will have to be kept in my cenotaph full of wandering aromatic weevils" Etréstles states: "the emanations of the Sun and progression of other suns will always be the adjective that will make us be part of every particle of land here in the Garden, Messolonghi, Limassol, Rhodes, and Patmos.

Also after this episode appears Campaspe, one of Alexander the Great's concubines. She came on behalf of all the maidens and concubines who were betrothed to their commanders in India. The beauty of this noblewoman is renowned. Campaspe says: "We were all going to be Sovereigns, but the face of expiration was always in front of the Commanders of Alexander the Great. The outfits we wore were only black and had scents from Palacios de Gaugamela. The cold that is born from another leads me to possess those of others that are not the ones that bring me here. I was given into the hands of a painter who portrayed me but the true meaning of the warm mustard lands of Gaugamela is in the heat of the wasteful pleasure of the solitude of spaces, there is no greater striking and curative good than the one that has come from Vernarth to Tel Gomel, paraphrasing the sensuality and sadness that continues to manifest here in the hovering hoofed hands of the ghosts of Shiraz, bringing to greater confusion to unite all the forces of the world for all the blood that has not been emancipated or renamed" The gray mist of the Garden on gum resin mourns, the insects moan the test of the triangulated pollen that Campaspe disseminates in its nascent genome, and the twelve camels begin to turn on themselves along with their insulting long and prolonged snores. The hillsides snort in procreation in the whistles of the fresh air disputing the attire of the Bern Olive Trees that ebb from the elongated bands of their white dresses *******. The Mashiach was leaving between the gray strips of naked nubiles. The weevils followed him out of the caves of the previous character of Golgotha, and the Lepidoptera emitted voices in ancient Aramaic similar to the event of Bethany in the hands of Lazarus contracted to immortalities in the shreds of his shroud turning green in the hardened olives in an epitaph never chanted. Gethsemane became a mezzanine scale of Persian architecture, but of a channel of the affront of a high premium measure, Mashiach in each of the four wings of the Lepidoptera and Cherubim, frolicking in the emulsion of the phrases exuded by the aerial rounds of the insects that were compressing the new cycle of language, together with the candle overflowing with pearlescent matches running through the thin flannels of the Mashiach's farewell together with the foamy secretion of the Olive Tree and with the dominant beam of Kafersesuh. Vernarth and the Apostle close their eyes already mounted on the camelids, they take a slow walk on the mezzanine that suggested walking through rocks and desert lands. Everyone was already mounted on each of the Giga camels, leaving Gethsemane flooded with insects, birds, and blades, clouds of Pollen over the fumaroles of the quantum.



Paraps  ***

Ghosts from Shiraz to Jaffa

VII part -Mashiach of Judah Miracle VIII

They leave Jerusalem with the mountebanks of Shiraz, they were ghosts of the plectrum, the wine, the roses, and the fireflies sleight the path of the twelve camels until the intersection with the Cenotaph where King David will stay with the Cherubs of Kafersesuh. They were Epi ghosts that basked in the footsteps of the camelids. They went in the cessations of the bent nails and plants of the areas of the marquee of the other four ghosts that accompanied him. They were tightrope walkers with water wheels of wheel balances with tutelary ropes, some with a stilt of opprobrium from the monetary wealth of Judas Iscariot and the last propelled by a caper that governed all the others on the wings of the Fireflies. Removed from the road that leads to the Kidron valley falls on them all two thousand five hundred years with clay tablets from Persepolis, they were phonetized with the plaintive nightmare of the tortuous poem of Tirazis; which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers. which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers. which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers.

Hydro Saltimbanqui: "I come from Roknabad (also known as Aub-e Rokní), an underground canal that brings spring water to the city from a mountain ten kilometers northeast of Shiraz. Here I have to mend propellers and water ropes to do my acrobatics on the water with general songs from the poems of the Poet Hafiz. When we bite our tongues we repair it with the verses of Hafiz's Koran, there are three hundred creeds, three hundred hectares to irrigate with my wheel the sadness of those who cannot have the gifts of the rivalry of Black Mount and White Mount to overestimate the vividness of the caravan that trembles with uncertain doubts on the way to Jaffa" Saltimbanqui de Báscula utters: "We are Epi ghosts, greened in reverie with tutelary ropes to jump through the trapeze of photometric units of the heavy Almería of the highest Mirror of the Sea. Here we look from the same that will be boarded on the barge that will take them back to Limassol. Curiously, the same ship from Lepanto that sleeps in the swaying of the sea and arms of Anaximander in a new awakening from the lethargy of superstring theorizing, here is the intrinsic speculation of science since this is not only purely empirical research." Anaximander says: "First..., we do not have the agreement that string theory is not ultimately correct and in the future in some verifiable way. Second, we propose a purpose of the order of string theory that is necessary for science and its importance going even beyond the scientific to also project on the metaphysical and the religious, right here in this order of greater what to do attached to the string that leads me to Patmos. Saltimabanqui de Báscula responds: "metaphysical and religious legitimacy, here we are making knots in the tow rope that will inaugurate a new masonry in the verifiable futuristic gaze. Here is the original fiction of continuing to raise the necks of the ants above our optics. We will jump over these two ropes but we will fall on intervals of physical placental caves that were born from the neo-embryo in the Twelve Caves of Gethsemane in a late primordial germinal process. The micro phonetic vibrations will have to raise us above the hunger to continue and leave King David in his cenotaph gored on his hips by the Cherubim marking his holy horns that are confused by the blunting of the cuneiform scratches of his epigram. Between theoretical magic and exotically as associativity of substance causally of poetic song and multiverse, believing in the ghosts of Shiraz, such dreams injected to sublimate Aeneids that lamented in the stones of the bottom, even being independent of their material origin. Multi universes, multi paraphrase for those who have to adorn the word "Rosa with the noble long dress of him to the cliff of Ebdara when Vernarth acclaims his brother Etréstles, he comes with the Charioteer from Messolonghi. Rested and resolved to head for Tel Gomel, He comes with his horse Kanti to keep him company on this crusade. Kanti braved the Cliffs of Crete, and was subservient to Markos Botsaris, 1821 (Royal Hero of the Liberation of Greece in the Turkish Invasion, Koumeterium Messolonghi-Xlibris USA), until in the afternoon he approached from a herd of beautiful stallions to the. This was heard by Etréstles and he seized His horse to have more than a Life from His company, more than a lost lost aroma of His natural mother to reach the indicated one who treasures it". The ghosts attribute quantitative passages before leaving King David, and then proceeding to Jaffa and getting ahead of the ship back to Cyprus; Limassol. They were all hyperkinetic bowls leveraged by the terrain that went on the **** of the histrionic mountebank presaging contours of the temporary filigree that each one made them smile at the carriage with oxidizing wheels, still being immaterial beings but alive in their vapors of portent wading the serous bile that they emerged from the glasses in their allegories. They did not stop their footsteps or their phonetic figures undulating over the caravan that had already passed Jerusalem. The areas, volumes, and lengths were fully covered by the Ghosts of Shiraz, the mountebanks ran along the banks of Ramallah and it was winter, the city received them with winds and inclement weather from the southwest alternating with cold and dry winds from the northeast. The mountebanks went like master geometers to condone the fuss of the caravan by devising a dodexagesimal system. (Twelve Centuries of Ultra Nocturnal Geometry, and Shipwrecks in the Lighthouse of Alexandria).Positioning the number 12 as a base, to measure the times and angles that they needed to avoid the voluminous rains that lashed the caravan. Incredibly, the volumetric position of the plantar legs of the camels seemed like wheels that turned without stopping at any anti-circumferential radius, turning some clouds into a wicket that enclosed them like a quadrilateral of the flock of God in the high semicircle of the waters that pretended to fall as axiomatic staffs in the beard of Euclid tempering his elemental construction. The linear position of each of those who were mounted was a perfect ergonometric based on the Muladhara pressing four purple petals on pressing Vernarth's Achilles heel that was dimensioning the triangulation of Ramallah with the lichens that were housed in his sword Xiphos at the apex jet that carried the dodexagesimal cartography. In the same position, it seemed the Apostle Saint John carried the rosary in his left hand in geometry that stretched across his nose and feet in a thirsty adonis triangle of one hundred and twenty degrees of the sextant widening his spectrum to align with this Primogen. This is how the stars and planets are positioned in celestial spheres with the gravitation of the Olivos Bern revolutionizing curved and flat equations that intuited to go beyond the crossed pirouettes that the mountebanks did all along the road, even further than those on the withered oil road purposely unquestionable systems that the Ghosts of Shiraz intended to establish. Ghosts of Shiraz; These Persian Epi ghosts started from the axiom and ideal abstract entities relating models of austerity and lyricism that fluctuated in the lines and planes of movement of the clouds, with the counterpoint of the plantars of the Gigas leaving marks in the sand like Morse point, Vernarth diluted his bones to settle them near the tarsus and accommodate it at the end of the vertebra of the Muladhara (Chakra of 4 petals) making a sub-technical geometric function to preserve the plasmas of darkness that were also diluted to arrive at night near Jaffa in the surroundings of the isometric fire existing in each one and in two dimensions..., but being born from a common one. Raeder and Petrobus had their rims floating full of dusty and dense mania on their faces with rubber from shards that had been released from one of the stunts of one of the mountebanks when colliding with the basic postulates of the Ghosts of Shiraz, deducting spaces that undulated like snakes. within the isometric fire that dazzled them with white-hot humor of the last drops of the Shemesh codifying in absolute intuitive measure, more distant from any dimension that is Consciousness destroying planes and spaces that multiplied each other as members of another geometric conscious dimension. Arriving at the Ben Shemen crossing, everyone suffers collective hypnosis, the ghosts manage to embodied in each of the components of the Birthright but omit a great factor. They relegated the Hexagonality of the genetics of this caravan, the ghosts not knowing how to calculate the area once they were being intracorporeal within the members, thus having to leave before the last dislocated Shemesh ray threw the ashes of the Gehenna, for this supposed reason of leaving them condemned to recycle the human species for the purpose of reproducing sacred human beings, but being servile to whims beyond the immortality of the miscalculation that led them to Karim Khan's citadel, surprised with their image of thick stone walls and circular towers in the heart of Shiraz. This gave them a warrior aspect contrary to their fame and history: this was a city famous for two thousand years for its culture, with its gardens and its poets, now if in a plot by this beautiful odalisque trick that attracted the guide of the ecstatic and bilocated ghosts, in a bad moment of extradition towards a bad context of epi ghosts not yet defined in foci of apprentices boasting of laurels of weak and doubtful ideas that still swarmed within his white heart, trying to reach Vernarth's as a former Hetairoi commander, today turned into mystical servile. In such a way they are complicated as "Sufi" ghosts, being, in reality, the genetic spectrum of the double ax that carries the double-cut of today..., of the sacrament of Medea in Abdera. Pro says a ghost from Shiraz (embarrassed): "The Universe is a sea that longs for dry shores, without sea, and without other wet longings..., no possible maiden could Try to dry it with her hands of stars... Who calms the crying of the Universe ...even so..., a simile remains floating like a verse among his dreams" "How can I make of my dreams another dimension of the universe if he is silent and does not make me float in his sea...how can I make it possible for the points of his stars to fill the spaces that have revealed him...and that have made circular shores without a sea between fogs" "I walk alone and nobody sees me... I do not wake up in candles that smile and accompany me... between days that turn into mornings on the shores of the solitude of the universe, that nobody embraces him..." "Now the days tremble with almost falling on themselves, they come out alive from their own loneliness of satiety and fullness... of whoever appreciates them in the mist... being able to surrender in attentions in Ben Shemen".

Creating a sequence that bends the heads of the ghosts filling translucent physiognomies between a cold past and super frozen future, from a classic mechanic that from now on would depend on dice thrown by the Third Ghost of time. Here a relativism would be opened to those who want to see the past in the orchard in an unstable particulate present, leaving far from the splitting of both parts of the archetype of today as a subdivided clash of several times that allowed the remaining phantasmagorical specters to be integrated, taking over history on a plural axial axis that prevailed in the time of a supposed number line from a vector aligning itself towards the compass of distance, that shines between both hemispheres of the north and of the minutes that go to the right and the solid-gaseous seconds that almost burst in the walls of their own liberated beings. The four Shiraz ghosts had time differentials before this event with the caravan verifying the simultaneous strut between the two pairs of ghosts between four dissimilar but idyllic ones that made them here at this point be ignored and annulled between two relative nomenclatures of physical structure. The durability and classification of these micro-times of the epi-ghosts would make the database that Saint John the Apostle and Vernarth will accumulate with their eyes closed, each surpassing himself in the debatable areas that concern estimating the occupation of physical spaces in some of them at their consent so that one of them could embark to Limassol. This simultaneous and relativistic multi-active line encloses events and quadratures of spaces in the cinematographic space of parapsychological regression, such a link of physical images slowed down in evolutionary and cognitive memory, passing from the conduit of memorizing events to expectations and their set of absolute figures not pigeonholed but if approaching the universe in prehensile scales of those who value them. present and future more as a pattern of departure to the unique future "today" by space of spaces. This unified three-dimensionality would mark the mathematical space of the attempts towards the future of the adjoining camelids of the ghosts of Shiraz for ownership of time among all with a single identity that cries out for an unequivocal will to rearm, although the winds of the partition that separates The word of God and the believing observer towards the ***** with a believer from a historical past in obscurantism, leaving and entering a new world whose notion is to spend connected and handcuffed in dependent systematization with great causes, although the static feels isolated from the dynamic, asking it to unite with the ghosts and the others, even though they are inferior forces under the line of the generous gaze and parallelisms of the attentive viewer that suggests more openness received, delegating circumstances to all physical, emotional, spectral dimensions and mental-spiritual, flexing the hierarchical emotional states of night and day. They all fall asleep embraced in quilts and lamb saddlebags, making it possible for them to approach the Ghosts and sleep next to them, embracing each other with strength decanted from some frames that hang from their masks, showing the vibration of being favorite children of the Mashiach, absorbed in the Kidron Valley. Quadrupled and cloistered in self-consciousness scattered like an iceberg behind the submissive thoughts that aspire to be tied to more invaluable time. Our Abba has us more tied to an absolutist past and future, looking at his calendar divided in such a way that the day that strikes the shadows of an incisive past always fits so that it always smiles at us in the best light signal of who and with whom repair damage of varied wounds that travel through the times of times always hurt, to and from borders of a remote anachronistic. The ghosts are always tetra fast they are marginalized to the sound of greater acuity, fleeing in Rishon Lezion to wake up a little further from the rays of the stationary Sun that from now on always surfaced in the degraded eyes of the mountebank prowling around the fairs of those who know how to wait, to make a treat under the pretext of Faith and hope that exempts the Cardinal turned into a flower decorated in white. Shvil of the Angels; The fast epi phantom tetras were emaciated they lost their north and could not walk, they were energized by the radiosities of the earth that rules over those who lent divine graces if their feet rested on the tapestry of those who threw their footsteps at them in winter now near Jaffa. The Shvil Angels were angels who were on the route that cordons off the pilgrimage of Vernarth and Saint John the Apostle, they were full of flowery Bernese Olive Trees that served as floral arcades at the entrance to this thousand-year-old port. They were three, when they walked, they always spread out so fast that they seemed to be six but they ended up averaging the quantum of three for each of the components of the Birthright, which from today would be the great circumcision event of the Universe, to make it part of that one day they will have to dissipate the rhombuses of the fragmented beams of light on the way to the sky so high, in the name of the phrases that never tire of looking eternally at the incautious years, which belong to our father through Exo galaxies in the total company of invisibility and cautious time relativity. This beautiful Semitic sea shore indicates and invites us to reach its salty Hebrew waters of Yofi, reinforcing the phonetics that runs madly through the border hills with their hearts in their hands when foreigners appear in the name of plausive phylogeny. That brings them a bearable piece of the farmhouse from the Universal flood, for this is that the ancient Canaanites have to receive them with the table served to entertain them with winter flowers in Jaffa. The Hellenistic tradition relates the name to Iopeia, which is Cassiopeia herself, mother of Andromeda. After Pliny the Elder the name is connected with Joppa who was the daughter of ******, god of the wind. Where Vernarth locked his shield Áspis Skoilé to shine in the bilges of the Eurydice under the pentagons of his shield's bronze layer whenever he approached the Dodecanese when the Auriga descended from Andromeda on the back of an oarsman battered by storms away from his home galaxy. Thousands of years BC its merchants glorified themselves with their baskets full of goods and merchandise for its inhabitants who today pretended to be pharaohs who contributed to the marine corners along the coast that today seemed to open with more new waters reborn from the capers of the swells founding thus the omens of embarking to attack and submit to the omens of sovereignty between Judah and Hellenic lands, to work with noble trees in their armories and utensils of which they traversed an honorable part after the maintenance of the emblem of the last portion of Alexander's libertarian triumph pole Magnus on the Phoenicians at Tyre. gazelle) in Joppa (Jaffa) and later how near this city he has a vision in which Yahveh told him that one should not distinguish between Jews and Gentiles while ordering the removal of ritual food restrictions (kosher) followed by the Jews. The Shvil of the angels distanced themselves from the appetite of this station without reaching them and not making them drink salt water from Jaffa, so they resorted to Petrobus, which a few meters before reaching the port summoned a large number of Dodecanese Pelicans who were waiting for them in great celestial flocks that hovered happily over the sky welcoming them. The pelicans levitate from a risky juggling act on the caravan and headed out to sea collecting saltwater, then they went through the initiatory path of Shvil and reconvert the salty water into sweet with hazelnuts so that they would have holy water to insolate it and serve it in canteens of the temple guards of the Canaanites who were waiting for them to distract them, making them believe that they were other Syriac lands as in those of Asherah that in this act perhaps it would be good for them to sponsor the Hexagonal Primogeniture. But the trails of angels confederated before the noisy crowds and Ptolemaic lemurs that scrambled into the empty spaces that remained. After this grave siege, Vernarth shouted to heaven with the force of Phalangist tradition himself, and hailed heaven for the good of freeing them from their definitive income to Jaffa summoning the Hypastists; elite warriors, and spearmen so that they would hem the portal at her Jaffa entrance for others who were never from nowhere and out of nowhere, only blocking her from her perfect theological heritage and memorial conservation plan upon return from Judah exit, to embark with destiny through the sulfurous ponto that will scald them in temporary waters towards the Cyclades and then to the Dodecanese, succeeding in inhabiting them wherever they were and whoever arrived with foreign promise. At nightfall in its first nubile shadows, the Shvil appears to them with these three angels dressed in ivory white, each one with a book in each hand and in the other a candelabrum giving signs of ultra-interpretive catechesis, allying itself with silica in combination behind the vision of the charms of propagated knowledge. Earth and sky in the second angel washing off the Semitic dew of Jaffa anguished with teachings of sleeping well and waking up, to walk in the lands that wish to seize the senses of those who are called not to be oppressed, behind bars of the morbid and illiterate Panavision of angles of hasty entertainment of the angels when they were called by the Regent Angel, simply relaying information easy to take to their hearts in faint powers and paradisiacal punishments, before falling into a thorny forest plowing their tongues into furrows of afflicted human charges and then earnestly redeem them with the judicious power of Hashem. Vernarth agonizes over the matter of seeing them so tender and so fragile allowing her to gently row towards him. Finally, these three rules of the Shvil Hanael are presented; "talking to them about hindrances stuck in the literary cabal of grateful fulfillments for all". Vernarth alludes to a desensitized subject and is also far from any Sub Yogic disciplinary doctrine. This led him to stand behind San Juan, frightened protecting himself from everything around him, he was seeing in front of the upper left side that Zebedee was, San Juan's own father calling him! Saint John the Apostle says: "Justice allows us at this time to alleviate ignorance if the riddles allow us to only seek the answer, Hashem will not be here..., it will only be an emotional catharsis due to a Shivil or merely ideological passage, which moves our prayers without sense taking us definitively to the coffers that are rearmed one after one after the mistake. We are faithfully interpreted by them but we detest our regencies with the Eschaton when we all try to follow its light of resounding density towards the sky, prophesying to follow it without getting lost in It..., held on its glossary shoulder. On the claws that are released from the dazed angelic prey correcting its wavering vision, unraveling the living presence of damnations or salvations in Eden with your bare feet or hell with no departure time "Inexplicably some Praetorian soldiers of Domitian appear, who would be restricting the departure of the triacontero bound for Limassol, curiously they were the same ghosts of Shiraz that continued to represent such a bad event, just like when he was expelled to Patmos by Domitian in 95 BC, of size was the hubbub produced by the Shvil angels with impracticable ideologies, who opposed such spectral imagery, in such a way that they replaced their figure with that of another fellow Hellenic who wanted to embark for Patmos, the other members were fully incorporated into the ship that cavorted on pirouettes as it carried them proudly to a new ocean. Around the last drops that jumped in Jaffa on the coastal rocks, others appeared when the last divided and scattered drops were going to shine the navigation temples, thus it is possible to board the same ship that brought them from the beginning of arrival from Limassol to Judah, which transited from Lepanto. They reappear in the plenipotentiary chapel offering a ceremony that would return the messianic hindrance to the Angels of Shiraz, to return to their former positions within the itineraries of biblical characters that tend to become adulterated in the game of the loss of consciousness of the Escaton, probably requiring that everyone has to make pilgrimage routes for all humanity confined and liberated by themselves. The Saltimbanqui finally manage to jump on the boat to sail to the Dodecanese but the Shvil of the Angels remained where other celebrities will require them to redirect them to the Shvil Escaton.



Paraps XXXI

Second Hijra to Patmos

VIII part -Judah's conclusion

What can be perceived by the Universe of Judah would be in a Universal Eye of photochemistry within the phosphorescence of the spectrum of the Jaffa bay that magnetized the visible sprinkling electricity, within the visible field of the photon in the same bay, which is responsible for elementary particle guarantor of quantum manifestations of the electromagnetic phenomenon. Carrying electromagnetic radiation of gamma rays over the entire atmosphere of Jaffa, X-rays, ultraviolet light, visible light, infrared light, microwaves, and radio waves, causing the ellipsis of Radio Moscow on October 29, 1929, right there presenting itself from the future to the present before hijra to Patmos.

Ellipsis Radio Moscow 1929 – Parapsychological Radio Regression:

"Radio Moscow went on the air on October 29, 1929. And this, its first broadcast in a foreign language, would be in Greek to be heard by everyone in Jaffa. Radio Moscow bulletins expressed great unease over the recent rise to power of the dictator Adolf ****** in Germany during the 1930s. An unintelligible visionary fumble of daphnomancy was considered, predicting the persecution of the Hebrews and extermination of themselves for which Saint John Apostle immediately tuned in common with Vernarth the instant he was hit by this radio wave of number twenty, nine of Jaffa's exit edict. The visible fantasy of this would make the audio listeners uncomfortable towards the behavior of certain intermittent swings that made the natural light of Jaffa intermingled with luminescence, with the waves and photons in presumptuous duality to dominate Vernarth's behavior when invaded by this flash of prophetic invasion. The Apostle's observation spheres made it faster to climb and try to sustain this invasive radio wave that crossed time thousands of years from the year 1929 to the year 165 AD. C. approximately that it traveled with a great speed of infinite wave to a great percentage of microseconds. All this information alerted the native son of Capernaum, worrying too much about this ethnopolitical situation. Here the microwave was refracted, undergoing a change in direction that collided with the ship, in its floating basal portion, due to the fact that this wave propagated at different speeds considering that the medium in which they were moving was clearly wood, but propelled by a large transmission vehicle through the winding water to the massive hull. Doing and plotting what would make them move immediately to go to Cyprus; Limassol. The speed of the radial wave was parked on the sails and that of the hull due to the chromatics of the water that lightened its refraction through the facets of the sails, and the cap bizarrely acted as an exponential concave angle propeller motor and overheated. A quick brawling radio wave appears in Vernarth's tongue; Says Vernarth: "Anti-Semitism is a matter of ******* benefiting from slavery and vast insubstantial ethnic resources, not allowing to relate the advance of ancient and primitive civil social immigrations that migrate to sociopolitical statuses, already pampered since their arrival in the Rhineland during the Roman Empire. The Jewish community prospered until the end of the 11th century after the First Crusade, having to go through a long stormy period marked by massacres, accusations of ritual crimes, various extortion, and expulsions. Their legal status was degraded and Jews were prohibited from exercising most trades. In the 18th century, Enlightenment philosophers such as Moses Mendelssohn were outraged by this miserable condition and launched a campaign to denounce it. However, the road that led them to Emancipation was long and lasted nearly a century, after which the Jewish community was integrated into society. Their assimilation allowed an economic and intellectual success that aroused suspicion in certain sectors, also giving rise to anti-Semitism with the coming to power of Adolf ******'s oligarch in 1933, putting the Jews on the margin of German society. Extensive persecution was followed by deportation and then extermination during World War II. After the war, the Jewish community slowly reconstituted itself thanks to the support of the German federal government." This time enchanting with lamb's blood coined on its cornices to sprout them for all those who had to endure the enigma of departure towards the straight desert as a property of the radio waves exhibited here as a dogmatic whole dusting in the geometric regime, which testifies to a whole "That the Robe of the Savior shakes all the structures of critical-political thought and brilliance of race." Producing objective intellectual blood, which would join the Social Christian party in Germany in 1930. But every elementary thesis would promulgate the emphasis on the centrality of social democracy, of bringing to Patmos a great task of dividing by time by traversing the timeline providing Joshua's solid One-Dimensional Beams at Kafersesuh, for the protectorate of the holocaust and sacrifice and introduce premises of emancipation and abolition of the subterfuge of marginalized social fields, devoid of interethnic social guarantees and the heel of Semitic roots. This natural property is excepted by the breed of San Juan Apóstol; Zebedee's son consists of carrying this to the most informative substantiality up to Patmos to keep them organized. From this dialectical propagation, great shadows arose, interposing opacities that showed many Jews falling into concentration camps at the exact moment of expropriation of their real estate. Naked bodies can be seen only with dark shadows with small signs of imperturbability on their cut faces, staying in the gloom of Conviction, with some photos of their children in relative proximity to the deadly impression of last death rattles and undermined fading pointed expressions, appearing in the rictus of their wives with narrow condemnatory anguish falling on them from the same Cell of the stormy Escaton, that transcended under semiotic history; the resurrection of the dead, divine judgment, heaven and eternal happiness with God or damnation and hell. Here is a perfect archetypal case of the disconcerting radio wave pouring novelty and satisfaction before the curiosity of the listeners, but it was a "newest Revelation at the same time, being objectivity for the cell of San Juan and for the immanent protectorate", which designates the dimension mundane and temporal opposed to transcendence. Because many Christians have become incapable of conceiving the "other world" as a consistent, real reality, and have transferred to this world the hope of a full and happy life. In this "immanentization" evangelical theologies of prosperity incur both, which see in the Christian faith as the means to achieve material well-being, Vernarth closes a blind when they were already walking on the magnetized corvettes of the sea, without feeling how the sea besieged them,...saying himself: "I keep looking through the hole of my ignorance, and I manage to see the dictators in monochrome displaying their diffraction banners lights, a key to ethnic oppression "in black and white" and the turned ones going through the crack in the trails of the Hebrews with their suitcases and belongings, lost and surrendering to laments united to the Messiah. In holistic combined, centered to the extent of a third screen produced in alternative light and dark bands, in the Lepanto nave when everyone learned vox populi about the radio phenomenon in non-transistorized tubes in frank romance with the old age of their practices. End Ellipsis Radial Radio Moscow. The phenomenon of interferences of a natural nature continues, bringing joy to their ruined hearts, they all sang Christian songs that made vertical lines appear on their faces between both melted cheeks. Leaving them incidence of fasting light to signal as thrones of lighthouses that illuminate the skies of the Messiah's seas, putting themselves before them millions of light-years from the side that now they could see him. The angles disperse and affect the light of the Messiah of the Our Father at twilight, falling on the others like the same conclusive Gethsemane leaf of the Bern Olive Tree. Flowing the light on the matter that sheltered the ship to Limassol, industrial energy was constituted in all the directions of the superficial optics, generating reflections in weak interferences that oscillated like immobile remnants of radio waves still active. This phenomenon made Brisehal appear from the bottom of the sea; the giant of Dasht-e-Lut, approaching to protect Vernarth and the Hexagonal Birthright. Generating a dynamic global hetero internal light in the navigation radius of the ship, in a more parsimonious speed than in a more relative one, frustrated to try to synchronize the flashes of the Xiphos sword of Vertnath Hoplite that allowed him to use it as a sextant, to arrive at the Cypriot destination. In this void of energy by another replaced, a speed imprint of the same void arises with lengths of movement of underwater waves caused by the giant Brisehal, to displace them in washings of the Adonis in accordance with the Sword of their master Vernarth ephebe. Dispersing evaporated droplets from the desert of Dash-e-Lut that remained in the cloacal zones of his ears polarizing defensive crystals from the hyperactive environment, and in force of the Phalangists scourged in Gaugamela who still writhed on the diaphanous immaterial land that continued in heated conflict, until the coexistence of the oppressor ceases. The parallel rotated worlds follow each other unrotated, being disturbed in another dimension mediated by the aware consciousness, which lacks any neutral rationality. They would be only attempts going through crystals of the Faith..., mastering projectile salutes of malevolent brotherhood, immersed in a maximum intensity of breakage and crystalloid rupture, which flows from the Messiah's lens in angles of subaquatic darkness. All of this atmosphere self-absorbs, leaving divine rabbi light tele-transferred into stored energy reaction levels, whose capacity would exceed one billion cubic meters due to the rupture between the chemical bonds caused by radiant energy, dissociating molecules by the effect of sublime light from serious sounds of immanence, and redefining itself as the interaction between one or more cells of mass of light against a molecule nomad target. Also appropriate for the extreme radicalization that marine plants would suffer, which also sailed expelled from the disturbed radical seabed of Jaffa.



Hellenic Existential Hypnosis

Arriving at the central retention of the Aegean Sea between parallels 36-38 of latitude and meridians 24-26 of longitude belonging to the periphery of the South Aegean, an abduction of an amnesic trace of the Alexandrian magnetic period occurs, which made them realize the that they had deviated from the Limassol-Cyprus destination, having to turn degrees to redirect to Limassol. This was exercised and subdued by the Alexandrian period that in its immanent chronology sought to remake an existentialist stance, which descended from the limits chained by the depressive effect of the aura after their death of his sister Cleopatra. This whitish aristocratic parapet of Zeus invaded them not auditing to govern the schizophrenic supply, having to redirect the course to the other side of the Cyclades. Sovereignly Vernarth takes the helm with great Greek breath, creating shields of redemption in arts and sciences of the Hetairoi aristocracy, under meso-urban science-politics replaced by Christian devotion, making the Hellenic language a romantic Aramaic in the potential to prevail the existentialism of the hypnotizing oneiric dream of a silly banquet served by the hordes in all the slopes that transported them between the enigmatic underworld of Panhellenic language, and with re culturization of ephemeral uncrossed lines that subtracted their dramas of disturbing knowledge depriving them of the neuro-motor and adjective of the main return value for the origin of the reconquest of the Triacontero in Limassol. This Hypnosis brought consequences of the Leagues called Diádochos 'successors' of the ancient generals of Alexander the Great, and of the sons of the general hegemons (called epigones,) that at the unexpected death of Alexander the Great in 323 a. C. distributed their empire, disputing power and hegemony over their brothers with various pacts and six wars that lasted twenty years. A political system was then established until the start of the Roman Empire in the eastern Mediterranean in the early 2nd century BC. C. Prone to this contingency, Vernarth turns to Hypnos and one of the thousand children he had with Pasítea, who urged them to cohesion this Hellenic Inertia, quantitatively making the immortality of the image of Alexander the Great to bring each of the ex faithful commanders thus refounding Vernarth his Hellenistic Encyclical, for the purpose of escorting them to Limassol and protecting the lineages and infants who were in their puberty in Greece asleep soon to be an Agoge, after great war campaigns and abandoned agreements as an example of the snowy lineage in his Mother Olympia, and Sister Thessaloniki and children waiting passionately for him. And also in the Empire of Sudpichi-Chile, Luccica with the court of her familiar stoic resistance ingests the opiates until her Vernarth takes her in those arms, from her own and imaginative marshland lagoon gathered at the Itheoi Gods. The disintegration of Macedonia and Greece into subregions catapulted again the appearance of Clovis who says...: the river Lethe in the underworld liquefies your memories, and cleanses your mind permanently. That is the branch of a poplar tree from the underworld, from my father Hypnos. "Lete is not a place where you want to go swimming... but if you change the rudder for your honorable mind". This achieves that one of the sons, among thousands of Pasítea, committed himself to Clovis, to dissipate this existentialist contingency, claiming the appeal of family reunion and imperishable Hellenic constituent ancestry, under the hypnotic and hegemonic phenomenon that polished banners and panoplies in Greece, Macedonia, and Asia Minor. As a subsidiary exception, they will satisfy what was reissued by Ptolemy, one of Alexander's childhood companions of whom some authors venture to say that he was the illegitimate son of Philip II. He wisely quickly seized Egypt and hastened to create an enduring state by declining imperial ambitions that he considered unrealistic. He was one of the main opponents of the imperial cause thus becoming one of the founders of the Hellenistic world. Unusually, the commanders of Alexander incontinent to his excessive dipsomania of glorious hierarchical power, demystified Hetairoi's harangue, generating in it a Hypnotic counter-conception, making these sedative steps to delegate the religious Vóreios Dei..., which had only known how to redirect itself later in the classic tonnage Gaugamela of his great Hoplite Commander Vernarth. This grayish super mass of uncontrolled winds and increased lightning proto idolatrous forms salivated in the same Hellenistic family, whose postulate was to multiply the family over its geopolitical dominations in other nations, unifying them as a family geo-clan rather than in the seas that do not divide the water-land, Rather, they unite moralistic and cultural hydro-parental resources of the world that is a concomitant part of "The devouring cyclone of mythological dignitary entities, and other races that flee from the honest chronogram of historicity and its reconstructive past-present." Square meters of great cyclops mouths were floating in the air, it inspired Vernarth to make the green grass of the sea reborn like plankton that made a compulsive propensity to exalt Chloé's presence; being an Epi Phantom that always sparkled among the nebulosity as a reserve of Universal Consciousness, geo-measuring the Hellenic consciousness with a black bandage over his eyes, so as not to sully more sprouts of green chlorophyll and photochemical mass of the phenomenon, amassing only Cyclops electrogenic beasts that had to burn on the bolts and runaway embers of dissident light to leave in some memorable way, or beg some Sanctus to do his bidding wandering into acquiring the square feet of tiny, almost unidentifiable beasts that appeared simulating the viscous green water of the river Lethe in the contracted underworld. The existential holistic in the ship produced depressive lags, lack of self-esteem, and factors of loss of the ego, therefore each one who pointed with his index, distended from some silos in the hands of opiates that would denigrate the oneiric in those who tried to flee from their own collective weeds..., fleeing from himself, stagnating and freezing in stretches of dreams of gross loneliness and indelible fantasy..., what the extravagant hypnosis sought to occupy in them with its decrees of mortality is a beyond adulterated in some benevolent indications and psychic reactive alertness. When the soft brilliance of the same flash was shown on the faces of Alexander the Great and Vernarth in the six wars that took place with the Diadocos without flashes for twenty years..., only in twenty seconds would Alexander the Great appear on the deck of the Lepanto ship, dressed in a crimson red costume, covering his Hellenic silhouette up to his allegorical half-torso. From here he urged them to culminate the hypnosis in a deep world in an unbreathable statue of colloquial rhapsody..., pay attention to this... everything continues normally, and Vernarth leaves the helm to honor him with a hoplite Khaire and as a congener of Christian Shvil, so philanthropic and deferential as was Ptolemy, and Vernarth himself in Tel Gomel and Bumodos herding greenish glosses to open them towards the new Magno-theological empire. Metaphysical of the profile of the wise dervish that appeared in Limassol as a sapphire rosary entangling itself in physiognomies and rises of hope in the average Gen, when approaching the latent peninsula of Eurydice's gold medallion. Judah was suspended in the Giant Ungulates munching on the bags of herbs that thickened in their Palestinian snouts, the sphinxes of the birds continued to grow with their wings to shelter blasphemies from their prophets, and Judah wailing in the intraosseous of those who traveled leaving Judah, but never departing from the Aramaic cells of Gethsemane lost from Hellenic Existential Hypnosis.

Vas Auric conceived himself judicious before Spílaiaus when observing that Vernarth was leaning towards a practical meeting of a feared Hellenic crisis based on omnipresence, and all the material-immaterial face that is bloodily arranged in ****** foundations stipulating its very Submythological constitution. All that was a trend within the similar horizon that should be imposed with the appearance of Wonthelimar; as a direct seer of practice continuing the pre-ontological process, and why not say it of someone who does not even think and totally excludes himself from its composition or being part of... rather being a ration of the subjective segment and correction similar to the god Spilaiaus articulating its dynamism under the predominance of the concept of the sapphic verse where it puts knowledge at risk, and speculate on each component of the Itheoi gods, possessing themselves within the torrent of theology under ethical evaluation, differing from the mythical leitmotif, as dissipator of contention and beings that think organically of the material ethereal substrate. Vernarth silently concurs and prepares to postulate the anti-ethical Submythological existence; tending to demystify their Ethos or Conduct, aspiring to envision structures of undervaluation of the same, and flaunt visions of what originates from superior and then yearn for the hierarchy that is not imposed, but rather is a consequence of subsistence apparatuses that put essay its longevity and validity in sevenths, missing four to reach Sapphic foundations, and scaling Mythologies that could facilitate being under the position of the Demiurge or poet cultist of verses, perhaps superior to the crimping of any system when a judgment of true root or incautious origin is put. All this Hellenic atmosphere relied on the ethos links between Vernarth and his lord Spílaiaus, after rearranging pre-ontological (vorontologischeas Heidegger says) knowing his skill and tenfolds as he conforms to the ascending tenth of the eleventh of the sapphic. After this, Wonthelimar would appear to be the object of transcendental challenges and interpretations of the world that give rise to the same thing after not being in Spílaiaus' speech with sapphic verses.

The statement of becoming will be the cause of the gods of the Itheoi after the physiognomy that will spoil the Vertical of Gaul in the very genesis of Wonthelimar. Undoubtedly there will be chilling events of axiomatic transfers and metempsychosis that will be elucidated from the helminths that Spílaiaus will spill through the bark of possession. This mysterious orphic enchantment will be billed by Wonthelimar from the separation of Valdaine emerging alienated over the mountains of Ardeche, transmigrating euphony and reduced justifications that were united with the Helminth reminiscent and reincarnated by Vernarth. Perhaps it was a verme-worm that was classified on his arm moth-eaten in elongated elder veins to parasites of certainly commendable colonies and vehement and lyrical idiomatic apogees. The balusters will continue to be amatory componential in Vernarth for being composed of Heidegger's plinth and imagining oral linkages with the patronage of his eternal mother Luccica who will awaken as always in all presumptive psychophysical and atoning Zionisms with eloquent perspectivism and millionth re-trance, consisting of the putrid ***** arm of his Abrahamic split physics, dissociating in his body, separating and alternating with the dexterous spiral Aorion bracelet existing between the armband of Sagittarius and Perseus, liquefying in indissoluble modular stratagems for three bodies, plus the one that accompanied them dealing with their posthumous individualities in triplets. Singular unconscious metempsychoses brought their dexterous arm picking him up repeatedly from the discursive hives of Wonthelimar, to convince them and tell them that they had not seen the Hexagonal Progeniture for some time, unimpeded that brought him from Ardeche in lasting ensembles and concerting grays senses looking at the valleys of Valdaine in pilgrimages towards the expectant Patmian plains. Its expiration was reborn from the appendages of the water lilies that were seized by embedded lumbar powers, and mentalized in related memories that subsist in digressive reincarnations and longings, re-advancing with revived intelligence to indoctrinate themselves with the elevation of an emetic absolutist consciousness free of greater breaths of judgment is constant waste and reciprocity of cabinets, which were started from an initial discipline already transmigrated,The transitory glow of Exomis hung over some stones that were close to the Perivrachiónio or metal armband that multiplied in the three brazils of Vernarth, Wonthelimar and finally Spílaiaus that was bordered by the Acacians and Nothofagus that were covered with water lilies and peduncles cordoning off the livestock, full of thrones to conquer them almost after having lost calculations of the plasma that was innovated from a Hetairoi by reformulating itself from an incendiary bullfighting essence to its deltoids by detonating hatred in its croaks. All this clairvoyance was veiled for the clothing of the Exomis that was automatically placed in transition when the leaves of the deciduous led him to temporize in Wonthelimar in tender attachments. Distorted would be achieved with ****** healings next to the brave tributary, leaving in the vanguard and with starts from all the carriages that took the condemned to Halicarnassus to be truncated together with infallible Canephores in disgrace to their executioners, browsing all the oak branches of the Wonthelimar joint that had been sheltering from its head, sticking to ancient ruts of souls in pain over the sleeping Nyons. the brawl symbiosis of the Megaron was exhibited with the "M" united with two inverted "Vs", Wonthelimar conceptualizing himself on the eve of early buildings and phobias fragmenting into numerous odes in Thessaly, which were already beginning to re-agglutinate attracted from a majestic image of Hellas, under the pretext of Hellenistic consummations as a vocational and primitive institute race of Alejandrino Magnus derived a few nautical miles to board towards Patmos. The ship crossed the sea conceptualizing itself as the most universal being that revived in the Triacontero, appearing among all the waters as a nubile surf that spoke to each other with words Mageireméno Kefáli Votánon, "Head cooked with herbs". Speaking in primitive erudition alternated and swells with forty feet in territorial Argonauts making similar corvettes like the Gulf of Tarnetino, possessing distant comparisons with sixty miles of the base that colonized Wonthelimar for new sources when encrypted in the Megaron. They persevere leading the Immaturas Polis that would be documented in Patmos and in town halls of the assembly with ****** ceased battles climbing to a great height from the cogitative of the Megarón temple and Theater of Epidaurus, under three shadows of adjoining water lilies and the Spilaion Apokalypseos.

As will be seen in this demonstrative synopsis of the hemicycle Theater of Epidaurus working in the stars for the nations of Asclepius together with Wonhtelimar, that is how migrated melodic sessions and Parapsychological palmistry sounded with burdensome marks of intervenors expectorated in vast when impelling on the Koilones and softened bleached bleachers where each one was shouting to all the winds the advent of all the auditoriums absent by past and future generations, acclaiming lives in salvific voices. Here Spilaiaus from his stomáchi or visceral will point out the stinging nettle that he will invariably scheme whenVernarth continues to weave the plot of transmigration to the CartesianUnderworld as an apocryphal late Aristotelianism, mechanizing the existential dualisms of Hades with formulas, psychotropic and geometric tricks, granting them permission to bequeath habeas corpus theologies, coexisting in the first instance with Etréstles de Kalavrita, who would establish the term of definitive transmigration of Alexander the Great so that the Diadochos andWonthelimar would contend the final and disciplinary action of revocation of the high arrest, trans humanizing the sovereign as a Macedonian next to the hexagonal Primogeniture finally very close to Saint John the Apostle andVernarth in the vicinity of the Megaron Spilaion Apokalypseos. Spílaiausinvokes: "Neolithic alloys, they corresponded to the Medea and Hypnos eras, among all of them being aerial, visionary and northern lights that traveled to my redoubt to sprinkle them in river waters on the night of Agios San Ioannis.From here the Kanthillana with Greco pilgrimage, portentous gusts where the wind is amazed when entering the concavity that is lost in nature of time and qualitative content, unusually being an organism of outburst and cytological drama together in trickery and radiocarbon tricks due to vicissitudes, and actions that have dated my radiation from the radioactive carbon in these caverns and insulted carbon spaces fourteen in more than fifty million radiometric years. From here, my Vernarth, everything becomes insignificant and all the levels of expression slide down the armband, differing three levels from where I have been able to hear the truth of your sound kingdom, which emits gestures that are neither music nor harmonious directions in any worldview where it should place everything that no one can perceive by the senses of nature more enormous than any resurrected mortal. This is how the Itheoi genres are a drastic irrationality that is responsible for restoring forgotten beings, almost Hellenistic humans who speak through languages ​​of their gaze, and museological splendors of which they only reprimand metaphysics as an understanding of the Void such as the Judaic Kli or Hellenic Kenosis, which goes evidencing immersion by transferring futile understanding and hermeneutic pontificate times of Kantillana and Olympus, Patmos and Horcondising. Thus all beings when referring to Vernarth will be nothing more or less than the same in the company of the science of a future that will eternally coexist with the constitutive past of an active present called "Submythology" everything that does not contain parental relationship in koilones and of his greek spiritual stratum, It will be kenósis and Kli of parental pairing with the significance of erratic mobilities in what is interpreted as sporadic mourning, given the universal change, therefore, atmospheric. In the second Trilogy, the Triacontero goes through the Othónes of Naupactus, to Limassol. The ship was attached to the Ziziphus of the Moshiach's crown back from Jaffa, Walking the deck of the ship getting exasperated to revisit Kourion. As the adrenaline subsided, he crashed the port side keeping them in retinas of spheres of fire that came out of the ponto, enlarging such crapulous spheres that they had traveled to the sea through the Kouris River, but been kidnapped by Brisehal who assaulted them and put them on his back esplanade to swim to the peninsula of the current Akrotiri where the ogre carried him as floating globules to inhabit the sands of Cyprus. A tremolo mortar and sinewy essences of the Falangist faction will be established. Together they walk through the arena with Brisehal, being able to observe that it was coming from above and from a great Alikantus glide to meet him. Now, this trilogy of distinguishedAnimalia superheroes was made up of who would escort him to listen to the legions of Greeks from Mycenae who besieged Kourion. When they walked along the edge of the beach, several artists crossed in front of them carrying Avant-grade instruments in their hands, accompanied by miners and forgers of goldsmiths. Everything says to prosper in the Aegean and Greece for a new Paraps ***- Forests of Hylates, Gold Medallion Second Hegira to Limassol. Spílaiaussensible in his necromantic arts would be immersed in an absolutist language of relatives to welcome Vernarth, shelter him, and feed him after Highs and Lows that commemorated all the possible truths and falsehoods that he had to avoid from the final Prolegomena or final speech of the Trilogy, aiming to be located in the highest part of the Kanthillana to face its Greco-American world lineage in wetlands or taigas that would move great cycles of the Caucasus with the Meltemi towards all the grasslands and steppes, bringing vast multitudes of gregarious Hoplites to live together by the floods of the Paleolithicstragglers, to go back to the sinister prehistory that is based mainly on the names of the towns with writing they gave to the "barbarians" who invaded them. Zeus-God (Jovis in genitive) that is, Zeùs patér in Greek, Jupiter in Latin, Dyauspita in Sanskrit. He is opposed to mere demons or secondary gods (Sanskrit devas, daeva Avesta, Lithuanian devas, Gallic Devo, Latin Deus-divi), who derive from the "luminous sky" (the day = dyu,dyo, dies, diei). He will make the sacrificial background of the coming euro-American scene, thus creating the liturgical syncretism of survival by venerating all those who dwell in soulless bodies in the latitudes of Kantillanaand Olympus. From this gregarious candling emanating primary physical forces of submithology; in which man (****) lived. Man is mortal (Marta-, martya- in Sanskrit), son of the Earth-Mother (Mata-prithivi in ​​Sanskrit, Gê-méter in greek). This dualism, only outlined at the level of the primitive into-Europeans, gains consciousness overtime when the mature age of evanescent humanity (Jaspers' Achsenzeit) is reached. In discrepancy of mythological root antagonism, it is bringing chronological and obituary rhythms that will live to delight us with their own gesture from Hellas and Anatoliamainly to Patmos and Horcondising, Sudpichi, Chile. The conductive cycle will have a great impact on Spílaiaus, dimensioning itself in Aristotle, regenerating the first signs of infra spelean humanism in cultures that have nowhere to lodge their vast parallel heritage in more than a distant pre-classical and classic threshold, procreating the only dissolute world striving aggressively in Vernarth Hellenic's Trilogy II.

they laugh at my use of the word 'feminism'
it makes me different, makes me unique.
a woman asking for a voice is like a child asking for a gun.

they cringe at my use of the word 'feminism'
it means i am angry, means i must be gay.
a woman demanding respect is like a beggar asking for more than you're comfortable giving.

i want to feel safe,
i want to be acknowledged,
i want to be valued,
to be seen as a whole person,
not an object of ****** desire-
a mother,
a wife.

i want to go a day without my validity being questioned,
but i am just a girl,
and that's not how things work.

Validity is not a virtue;
For it is you
And only you
Who can prove yourself true.
A breathing being-
Only if you want to be anything
But a spec of dust,
Searching for validity
In a society
Which has done nothing for thee.
The real virtue is individuality-
The individual
Is valid enough
For themselves.

Diving into bath salts, raving flue that is as sicking as math, at least that is what I conclude from my findings presented to the court. Objection, objection, sir I don't see the connection, maybe your rhyme scheme needs perfection. Maybe it does, but ***** it, I'm blessed by God; baby please sit down and take a chill pill and just enjoy this buzz. Busting off, so back off, bout to prove my case like I’m Ace Attorney, oh and I know it’s off topic but if I lived in America, I would’ve voted for Bernie. What the **** am I on? Came to save the digital world you can call me a digimon, you bet I’m a champion! Serendipity dear deputy; I’ll be typically wittingly searching for some tranquility. What is the validity of this vicinity as I only accept notability and won’t let this become a liability!

Pathologically paraplegic hypochondriac with insomniac who be popping poems profusely perfect; while whimsically worm's try to be strategic, but sadly choke and lose it. Miles set apart; it certainly is not a strut in some park, but everyone has to start somewhere before they engrave their mark. Don't reside yourself to just being a silhouette, nor be one to toot your clarinet. Two sides to every person like Dr.Jekyll and Mr.Hyde; be careful to not let your pride turn into carbon monoxide. For pride will always lead to your downfall, so please take off your iron curtain and tear down your Berlin wall. Improvident incongruous incredulous confidence; underwhelming astonishment of such fundaments of these heinous and callous acts of deceitfulness. Trickery of thy decadence; why art though jittery when you are full of benevolence? So used to getting what you want I bet; well this situation can not be fixed by dough, so I see why you are in a cold sweat! Fake confidence won't help you here especially when one lies; you made a mistake and will face the consequences and I am not one quick to forgive no matter how much you apologize.  

Don’t have time to consider your sensibility, because my life is going a twitter with too much hyperactivity for me to deal with your stupidity. Befittingly that I’ll be building up the intensity, to infinity and beyond goes this creativity of this anomaly. Not going to prolong this phenomenon, I’ll be going off like a Molotov over this intercom, yeah you better not ever underestimate this underdog. Lackadaisical are these other rappers; they’re so replaceable and incapable to be educational. Incomprehensible is this loop of hip-hop now a days, why can’t we be inspirational or is it to late because we left morals and substance back in the olden days. Can’t afford to be anchored anymore, I’ve poured in too much time to be just be locked behind some door. I refuse to be ignored and be left ashore; I am not worried about going into the storm; because you are bound to come across some things that need some work like chores. Spinning the wheel, reminiscing of how it felt when I no longer concealed who I was and my self-image had been healed.

Used to be reclusive & convinced myself that I was a duffass, but now I’m exclusive to being a smart ***. This is the new era, this is a new fire; it’s time to spice things up so better pull out the sriracha. Leading the revolution like I’m Che Guevara, I’m light as feather whatever the endeavor even if my life story doesn’t end up as pristine as Cinderella’s. Why so infatuated by worldly wants? Why so decorated when you can't hide the fact that you're the same basic *** font? Trying be something else, striving to be someone else, wanting to be anything else. You are who you are, if you think it will make things better you cucu, because in my eyes you are really a star. You have to expand your interpretation and perspective of life, you have to demand without hesitation a piece of that collective pie; because I believe everyone should be equal in this life.

Calculated bullets that go straight through my cranium; manufactured outlets that show great things but have also turned us into brainless aliens. Complicated hookups that grow irritating and become as unstable as uranium; what was once sacred has become as spontaneous as going to a gymnasium. Confiscated trinkets cast away and leaves those affected very irritate; while also simultaneously making apathetic souls that have gone through the same thing be able to understand, help or relate. Cultivated rebellious culprits that don't take the memo of being cooperative, instead they choose to be provocative and opposite of the other conglomerates. I’m so fascinated by this fabricated segregated supposedly liberated and sophisticated community; where-as some so foolishly stupidly amusingly think that everyone has the same equal chance at opportunity. Moderated, regulated and orchestrated where some are situated; if you don’t think that it has something to do with be affiliated to a certain demographic then maybe you never got educated in the affairs of those discriminated. It’s a good thing then that class is in session; so viewer or listener  please use discretion when taking time to witness or hear my position. Deafening out all ill whims; wrestling with these unsettling menacing fears and guilt from all of my sins.

Yeah no need for hallucinogens, all I need is two hydrogens and one oxygen. Rocking in my moccasins; so you can bet I am not one to drop my promises. Native honour who is also a innovative scholar and who was created not to falter. I may not be good with numbers, but I'm good at making sure you never slumber on my words; because I work on them day and night in my 36 chambers. Beware the pretender, they are manufactured by the vendors to keep us from being together. Defend your heart; be wise who you befriend and who you pick for your counterpart. There will be hurt and affection can be perverted, so know your worth and never ever let yourself be distorted. It is not your fault, it is not my fault, so then who is at fault? Is it just life in general? Is it because of the being who lives eternal? Is it all of the above? I don't know, but we shouldn't judge and instead choose to accept and love!

Pardon me Martin, but if this class were a prison I’d be the warden. I make the rules here and I took the tools given to me to get me here. So listen, please listen to my lesson that I have to present to you as class is still in session. Loading yawl with ammunition to be able to transition to be able to complete your goals or missions. No I’m not tripping, I’m driven  by a higher force to break away the old ways of thinking such as division. This is not the prohibition anymore, so please open your minds and join me on this expedition. Going into the unknown, so here’s to hoping you get through this, as time goes on and be able to look back at it we may feel like this was no more than a tiny but important milestone.  Achieve, believe, conceive, receive, intrigue, and succeed because I think you are unique. You are the only you in the whole galaxy, don’t let agony turn into tragedy; ***** anxiety; yeah and never let your dreams just be some fantasy.

Outro: Sit down class ain't over yet, forfeit those frowns or fake faint or try to jet. Lastly remember what transpired today; don't go hastily and forget about it on December break okay? For though class may be over, more days or years to come until its finally over. Though education ends, one never stops learning even on vacations with family or friends.  I hope you can look back with fondness, I hope you can stay on track in the future if you truly take the time to just focus. Is there truly an end or is this just the beginning to a new bend.

more than anything i seek
validity as who i will become
because i am still becoming.

in all fairness
i have need to seek further discovery
of this strangeness that is life

and must accept,
for now,
a sort of misunderstanding of my soul's caliber

from those who view me
but even as i accept
i do not assent to constancy in this

i still feel mercurial
maybe it's the coming-of-age they all lament
the loss of kiddish ignorance

but above all
when the waters of my life finally settle
i seek validity in who i am