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I'd rather keep running this imaginary marathon going
Because the pulse just keeps getting stronger
And i don't get this feeling often
So i'd rather keep up with you until the moments notice
Forget about the tropes that keep us on the rope
I gave the Television all the soap it wanted
Now it's running it's operas
And i'm running the marathon
For something
For something i'm unsure of
For someone?
Whatever it is, it's better than Keeping Up With The Kardashians.
TV rots your brain
I favor going against the grain
No offense guys
But keeping up in Marathons is much healthier
The water companies will thank you
Why should they not?
Thanks for not letting me rot
Whatever it is
Whoever you are
I'd keep up with you.
Weirdest poem I've ever written. Good.
svdgrl Jan 2016
Somewhere along the long stretching lines
of misogyny and misunderstanding,
******* and child-******* became
false-terms that were accepted by the masses
to describe small exploited human beings,
survivors.
and **** became a title boys and men aspired
to achieve, and not quite directly the
selfish manipulative sociopathic ****
that it really entailed.
Thank you, Curtis Jackson.
In case no one has screamed it enough,
It's January 2016 folks.
Let's place ourselves in some perspective.
The stories are never just one,
but I'm getting angry and I'm fortunate
enough to be able to speak.
I've got privileges that need to be checked,
too.
Let's check off the privilege that I haven't been abducted
or coerced at 12 by he who claimed that I was wise beyond my years,
and plucked out of my family to do his bidding
under the guise of a mature relationship.
He's 26, but all I can see is the fact I could be older
than the other girls. An old soul in a small pre-pubescent body.
Which is what they tell you to make you feel special.
Let's check off the privilege that
I'm not given those funny feeling drugs to help me
cope with pain of losing my "virginity" to a high-rolling old man
who was fond of his size.
Let's check off the privilege
that even if I do manage to escape the slavery that I'm put in,
I'm labeled as a *** and used up and too ****** up to really be better,
by both my family and my peers
You don't have to cover your ears and eyes,
because you think you can't see me.
You think I'm over seas or in some true detective podunk village
in middle America.
You think I'm not in your school-yard or
I wasn't the girl you teased for being pregnant in middle school,
the one that disappeared and never came back.
That I might not be your troubled niece who keeps hanging with the wrong crowd and going to boarding school this summer,
but she runs away from home before she's sent off.
But we keep blaming *** education, welfare and alternative schooling as the bane of our children,
all these ads for awareness and underfunded programs to aid them
are quickly shoveled under the thick heavy expensive rugs of the Kardashians and Wests,
the golden globes and the best dressed,
and those horrendous child beauty pageants.
Let's stop absorbing this filler material that we shovel into our
kids brains,
and maybe teach our little boys what it means to be privileged,
and to protect by learning to respect.
Our little girls how far they can reach if they learn to never second guess their worth.
It begins with us. Let's stop turning a blind-eye and shut ear,
because we fear making a commitment to the belief
that men and women should be equal.
That yes, not all men,
but yes there are women,
and our experience is not the only story that needs to be understood.
And everyone has a privilege that needs to be checked,
but check your own first.
January is human-trafficking and slavery awareness month.
It exists among us, all.
Let's stop being part of the problem and learn how we can help.
Matthew Aug 2014
You choose a sepia filter
To match your timeless visage
To match the clothes you've wandered into today
But it is not a selfie.

Your eyes pierce them through their iPhone screens
Your smile is casually not directed towards anyone in particular
Your outfit is recklessly on point
And it is not a selfie.

It is a punch in the gut
to everyone who has ever
said you are not good enough.
It is not a selfie.

The wings by your eyes will go out of style.
The dye in your hair will wash down the drain.
The clothes will wear out and you will take pictures again.

But you have fabricated a moment.
You are smiling towards yourself.
Slap your image onto every social media you know
Next to the supermodels and Kardashians and words of self hatred
This is the fulcrum with which you will lever the world.
This is not a selfie.
judy smith Aug 2015
Kourtney Kardashian usually displays some quirky style when shooting her reality show Keeping Up With The Kardashians.

And on Monday the 36-year-old single mom was at it again as she wore a baggy army green jumpsuit when landing with her three kids Mason, aged five, Penelope, aged three, and Reign, eight months, in St Barts to shoot her E! show.

Looks like mom Kris Jenner, 59, did not get the fashion memo as she was seen descending the steps of a private jet alongside Khloe, 30, Kim, 34, and Kendall, 19, in the exact same getup.

The jumpsuit seemed to hang off Kourtney, who paired the staple with clunky platform black and beige jazz shoes, gold necklaces and gold-rimmed aviators. The ex of Scott Disick played down the glam with a ponytail and minimal makeup.

Kris wore her suit in a more fitted manner that showed off her slim waistline.

The ex of Bruce Jenner (now Caitlyn of I Am Cait fame) added beige combat boots and a small beige Hermes bag to her look.

Her hair was worn styled in a spiky fashion and she didn't forget to glam it up with vintage sunglasses and lipstick.

Khloe was playing good auntie as she carried Penelope, who was cute in a white dress.

The girlfriend of NBA star James Harden had on a black sleeveless mini dress and black high top sneakers. The E! babe carried a large neon yellow Hermes purse and wore her blonde locks up in a messy top knot.

Kim, who carried daughter North, was the most dressed up by far.

The pregnant wife of rapper Kanye West had on a tight beige dress that showed off her baby bumpy (she is expecting a son in December), beige rain coat and strappy beige heels. Her hair was worn down and parted in the middle.

North had on a summer dress and beige sandals, and her hair was worn in a top knot.

Kendall had on a plunging blue outfit with black and white Adidas sneakers.

The Calvin Kelin model had a black purse on her shoulder and gold-rimmed aviators on, copying her older half-sisters Kourtney and Khloe.

Her younger sister Kylie, who turned 18-years-old over the weekend, was not seen.

The crew for Keeping Up With The Kardashians could be seen holding cameras and a boom as the stars walked off a red, white and blue private jet.

The family has been shooting the next season of the E! show, which will air after I Am Cait ends.

The Kardashians often film their reality show when on vacation as they did in Armenia earlier this year and in Greece in 2014.

This show of unity comes the day after Kim and Khloe were seen arguing with Cait on I Am Cait.

Jenner's comments about her family in her Vanity Fair cover interview have become a running bone of contention among the Kardashian clan.

Kris confronted her ex-husband over what she has said about her in a powder keg moment that was teased after Sunday night's episode.

Kris tells her in a video posted on E: 'You're sensitive and amazing to all these new people in your life, you're just not so sensitive and amazing to the family that you left behind.'

Caitlyn gives her side, responding: 'I try to do everything I can to be nice, reach out. You have to see it from my perspective, be an ally when it comes to dealing with the kids.'

Then the former Olympian says, 'Don't go there, this is not the issue. I was defending myself. It was a distraction from the sense of who I was, that doesn't mean I didn't love you or the kids.'

Throughout Sunday night's episode Caitlyn is shown getting into arguments with her stepchildren, first with Kim and then with Khloe.

When Kim comes to visit Caitlyn first complains about how her family had all kept their distance.

She said: 'Nobody's come out [to visit], Kourtney hasn't made a move at all, obviously Khloe hasn't come close - I feel so isolated out here. All of a sudden there's this wall that's up there.

'I just want everybody to be happy. I love, love, love all my kids. I wish you guys were here every **** day.'

But it is not long before Caitlyn is also being criticized, firstly due to her nature and then due to what she has said about her family to Vanity Fair.

Kim said: 'You still have a little Bruce in you. I thought Caitlyn would be a little kinder. I think that there's some things that you said that you might not realize are hurtful.

'You said that Kendall and Kylie were a distraction. When they read that - I don't know that they'll quite understand that.'

The conversation then turned to Kim's manager mother, with explosive results.

Kim said: '[The interview] said, "had Kris been accepting to who I am, we still would be together" - and that is the most unfair thing in the world to say.

'You're a woman now and she is not a lesbian - she does not want to be with a woman, that's not fair to ask.'

Caitlyn defensively insisted: 'As time went on our relationship changed drastically. In my eyes it's like, "Well, I don't need him any more - I've got all the girls." I felt it in the way she treated me. She wanted me out of the house.'

Kim, insisting Caitlyn should have been thrilled and saying 'good riddance' to a relationship that 'wasn't mean to be', told her: 'If I was with someone for 25 years I would look for the positive things and try to end it on a good note.

'You said "Kris mistreated me" - it sounded like she beat the s**t out of you. You could have a little more respect.'

read more:www.marieaustralia.com/princess-formal-dresses

www.marieaustralia.com/blue-formal-dresses
Kitty Prr  Dec 2013
Focus
Kitty Prr Dec 2013
Poem a day, day 24*

Watching the Kardashians on TV at work
He says 'Oh I hate them'
'Isn't she engaged to so-and-so?'
Really? If you 'hate' them why do you follow what they do?

I'm not particularly fussed on the Kardashians
For that reason I don't know
What's going on in their life.
Really not interested.

Because I don't know about them
I don't know them well enough
To decide to hate them.
I guess some people enjoy negativity.

Continuing comments on the people involved
Why are their lives so important to you?
Perhaps if you hate them, avoid them?
Sure it's none of my business

But I can't avoid your opinion
I would be happy to do so.
Please keep it none of my business.
Just like the Kardashians
judy smith Nov 2016
Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide
Andrew T  Jul 2016
For Vicki
Andrew T Jul 2016
Backstory: A Memoir

For Vicki

By AT

5

While I was downstairs, folding laundry in the basement, I heard my sister Vicki stomping upstairs to the room that used to be mine, slamming the door, and locking it shut.

I was a ****** older brother. And Vicki learned that action from me.
Then, I heard more footsteps. Louder stomping. And I knew, with certainty, it was Mom coming after her.

I'm not an omniscient narrator, so I don't know what Vicki does when the door is locked.

But I do imagine she is reading. Vicki’s been using her Kindle that Mom got her for Christmas. She adores Gillian Flynn and Suzanne Collins. She's starting to get into Philip Pullman which is swagger. I remember reading His Dark Materials when I was in elementary school.

The Golden Compass ***** you into that world, like during June when you're hitting a bowl for the first time and you're 17, late at night on Bethany beach with your childhood best friend, and the surf is curling against your toes, and the smoke is trailing away from the cherry, and you begin to realize that life isn't all about living in NOVA forever, because the world is more than NOVA, because life is bigger than this hole, that to some people believe is whole, and that's fine, that's fine because many of our parents came here from other small towns, and they wanted to do what we wanted to do, which is to pack up our stuff into the trunk of our presumably Asian branded car, and drive, drive, until they reach a destination that doesn't remind them of the good memories and the bad memories, until memory is mixed in with nostalgia, and nostalgia is mixed in with the past.

Maybe I'm dwelling on backstory, maybe you don't need to hear the backstory.

But I think you do.

Life isn't an eternity,
what I'm telling you is already known, known since there was a spider crawling up the staircase and your dad took the heel of his black dress shoe and dug his heel into that bug. And maybe I'm buggin’, but that bugged me, and now I'm trying to be healthier eating carrots like Bugs. Kale, red onions, and quinoa, as well. Because I want to be there for my sister, Vicki my sister. All we got is a wrapped up box made from God, Mohammad, and Buddha.

Soon, I heard Vicki’s door handle being cranked down and up, up and down.

Mom raised her voice from a quiet storm to a deafening concerto.  
Then, there was silence, followed by a door slamming shut.

Welcome to our life.
Later on that night, Vicki sped out of our cul-de-sac in her silver Honda Accord—a gift from Mom to keep her rooted in Nova—and even from the front porch of my house, I felt a distance from her that was deep and immovable.

I sank deeper into my lawn chair and lit a jack, but instead of inhaling like I usually did, I held it out in front of me and watched the smoke billow out from the cherry.

I always smoked jacks when she was not there, because I didn’t want her to see me knowingly do this to myself, even as I was making huge changes to my life. It’s the one vice I have left, and it’s terrible for me, but I don’t know if she understands that I know both things. Maybe instead of caring about what jacks do to my body, I should care about what she thinks about what I’m doing to myself. This should be obvious to me, but sometimes things aren’t that obvious.

4

As we grew older Vicki and I forged a dialogue, an understanding. She confided in me and I confided in her, sharing secrets, details about our lives that were personal and private, as if we were two CIA agents working together to defeat a totalitarian government—our tiger mom.

But seriously our mom was and still is swagger as ****—rocks Michael Kors and flannel Pajama pants (If I told you that last article of clothing she'd probably pinch my cheek and call me a chipmunk. Don't worry I'm fine with a moderation of self-deprecation).

The other day Mom talked to me about Vicki and explained that she was upset and irritated with Vicki because of her attitude. I thought that was interesting, because I used to have the same exact attitude when I was my sister’s age and I got away with a lot more ****, being that I'm a guy and the first-born. I understood why she would shut the front door, exit our red brick bungalow, and speed away in her Honda Accord, going towards Clarendon, or Adams Morgan, spending her time with her extensive circle of friends on the weekdays and weekends.

Because being inside our house, life could get suffocating and depressing.
Our Grandparents live with us. Grandpa had a stroke and is trying to recover. Grandma has Alzheimer’s and agitates my mom for rides to a Vietnamese Church. Besides the caretakers, Mom, Dad, Vicki, and I are the only ones taking care of my grandparents.

Mom told me that she believes that Vicki uses the house as a hotel. Mom didn't remind me of a landlord, and I believe that Vicki doesn’t see her as that either.

I didn't believe Vicki was doing anything necessarily wrong.

She had her own life.

I had my own life.

Dad had his own life.

Mom had her own life.

I understood why she wanted to go out and party and hang out with her friends. Maybe she was like me when I was 21 and perceived living at home as a prison, wanting to have autonomy and freedom from Mom because she was attempting to make me conform to her controlled system with restraints. But as Vicki and I both grow older I believe that we see Mom not as an authority figure; but, just as Mom.

Vicky and Mom clash and clash and clash with each other, more than the Archer Queens of The Hero Troops clash with the witches of the Dark Elixir Troops.

They act like they were from different clans, but they're both on the same side in reality.

The apple does not fall far from the tree. And in this case the tree wants to hang onto the apple on the tip of its rough, and yet leafy bough.
Because the tree is rooted in experience and has been around for much longer than the apple.

But the apple is looking for more water than the tree can give it. So the apple dreams about a summer rain-shower that will give it a chance to have its own experience. A similar, but different one, to the darker apple that hangs from a higher bough, an apple that has been spoiled from having too much sun and water.

3

During Winter Break, Vicki scored me tickets to a game between the Wizards and the Bucks. From court side to the nosebleeds, the audience at the Verizon Center was chanting in cacophony and in tempo. Wall was injured. But Gortat crashed the boards, Nene' drained mid-range shots, and Beal drove up the lane like Ginsberg reading Howl.

Vicki and I both tried to talk to each other as much as we could; unfortunately, Voldemort—my ex-gf—sat in between us and was gossiping about the latest scoop with the Kardashians.

Nevertheless, Vicki and I still managed to drink and have an outstanding time. But I should have given her more attention and spent less time on my smartphone. I was spending bread on Papa John's Pizza and chain-smoking jacks during half-time, and even when there were time outs. When I would come back and sink into my plastic chair, I'd feel bloated and dizzy.
And I'd look over at Vicki and either she was talking to Voldemort, or typing away on her smartphone. I didn't mind it at the time, but now I wished I had been less of a concessions barbarian/used-car salesman chain-smoker, and more of an older brother. I should have asked her about her day and her friends and her interests.

But I didn't.

Because I was so concerned about indulging in my vices like eating slices of pepperoni pizza and drinking overpriced beer. There's nothing wrong with pizza or beer. But as we all know the old saying goes, everything is about moderation.

Vicki scrunched her nose and squinted her eyes when I would lean forward and try to maneuver around Voldemort, trying to talk to her about the game and the players in it. I imagine that when she smelled the cigarette smoke leaking away from my lips, that she believed I was inconsiderate and not self-aware.

After the game, we went to a bar across the street from the Verizon Center, and bought mixed drinks. Voldemort was D.D., so Vicki and I drank until our Asian faces got redder than women and men who go up on stage for public speaking for the first time.

I remember this older Asian guy was trying to hit on her.
I took in short breaths. Inhaled. Exhaled. I cracked my shoulder blades to push my chest forward.  

And then, I patted him on the back and grinned. The Asian guy got the message. You don’t **** with the bodyguard.

Vicki had and still has a great boyfriend named Matt.

I guided Vicki back to our table and laughed about the awkward situation with her.

The Asian guy craned his head toward me and did a short wave. And then he bought us coronas. Either, you’re still hitting on my sister, or it’s a kind gesture. She and I better not get... Or am I overthinking it?

But seriously, I wished I had been the one to spend money on her first—she had bought the first round of drinks. Because at the time, my job was challenging and low-paying. Or maybe I just wasn't being frugal enough and partying way too often.

I still remember the picture that a cool rando took of us, drinking the Coronas, and how I was happy to be a part of her life again. Our eyes were so Asian. I had my lanky arm around her small shoulders, like a proud Father. She had her cheek propped up by her fist, her smile, gigantic and beaming, as though she had just won Wimbledon for the first time.
I was wearing a white and blue Oxford shirt that she had gotten me for Christmas with a D.C. Rising hat. She had on a cotton scarf that resembles a tan striped tail of a powerful cat.

My face was chubby from the pizza. Her face was just right like the one house in Goldilocks. The limes in the Coronas were sitting just below the throat of the bottles, like old memories resurfacing the brain, to make the self recall, to make the self remember how to treat his family.
Or maybe this is just a brand new Corona ad geared towards the rising second-generation Asian American demographic? I'm playing around.
But end of commercial break.

Vicki pats me on the back and we clink bottles together. Voldemort is lurking in the background, as if she's about to photobomb the next picture. Sometimes I don't know if there's going to be a next picture.
Either we live in these moments, or make memories of them with our phones. And like sheep following an untrustworthy shepherd, we went back to our phones. She made emails and texts. I went on twitter in search of the latest news story.

2

Before Vicki and I opened each other's presents, I remember I blew up at Mom and Dad, and criticized everyone in the family room including Vicki. It was over something stupid and trivial, but it was also something that made me feel insecure and small. I was the black sheep and she was the sheep-dog.

I screamed. Vicki took in a deep breath and looked away from my glare, looked away to a spot on the hardwood floor that was filled with a fine blanket of dust and lint. I chattered. She rubbed her fingers around the lens of her black camera and shook her head in a manner that suggested annoyance and disappointment. I scoffed. She set the camera down on the coffee table and pressed the flat of her hand against her cheek, and glanced out the window into the backyard that was blanketed with slush and snow.
Drops of snow were plunging from the branches of the evergreen trees and plopping onto the patches of the ground, plunging, as though they were little toddlers cannonballing off of a high-dive.

She turned back and looked at me straight in the eye, so straight I thought she was searching for the answer to my own stupidity.

I cleared my throat and said, “I need a breath of fresh air.”

Vicki bit her bottom lip, sat down, and put her arms on her knees, a deep, contemplative look appearing on her face.

I stormed into the narrow hallway, slammed the front door back against its rusty hinges, and trundled down my front driveway, the cold from the ice and the snow dampening the soles of my tarnished boots. I lit a jack at the far end of the cul-de-sac and counted to ten. I watched the cigarette smoke rise, as the ashes fell on the snow, blemishing its purity and calmness. I inhaled. I exhaled. I could feel it in the pit of my stomach that Vicki knew I was having a jack to reduce my stress, stress that I had cause all by myself. I ground the jack against the snowy concrete, feeling the cold begin to numb my fingers that were shaking from the nicotine, shaking from the winter that had wrapped itself around me and my sister.

When I came back inside of the house, I told Mom and Dad I was being an idiot and that I didn’t mean to be such an *******. I turned to Vicki and put my hand on her shoulder, squeezed it, and smiled weakly, telling her that I didn’t mean to upset her.

She nodded and said, “It’s okay bro.”

But her soft and icy tone made me feel skeptical; she didn’t believe me. I didn’t know if I believed my apology. Minutes later, I gave my present to her.

Her face brightened up with a smile. It was a gradual and cautious smile, a little too gradual and a little too cautious. She hugged me tightly, as though my earlier outburst hadn’t happened.

She opened the bank envelope and inside was a fat stack of cleanly, pressed bills that totaled a hundred. Being an arrogant, noob car salesman at the time, I thought it was going to be a pretty clever present. I could have given her a Benjamin, but I thought this would make her happier, because it showed my creative side in a different form.

I remember seeing her spread the dollar bills out, as if the bills were a Japanese Paper fan. Vicki told me not to post the picture I had taken on insta or Facebook. I smiled faintly and nodded, stuffing my smartphone back into my sweatpants pocket. I understood what she wanted, and I listened to her, respecting her wishes. But I also wasn't sure if she was embarrassed and ashamed of me. And maybe I was overthinking it. But again, maybe I wasn’t overthinking it. Social Media, whether we like it or not, is a part of life. And in that moment, I actually wanted social media to display this a single story in our lives. I wanted to show people that Vicki was the most important person—besides my parents—in my life. Because I was so concerned with how people viewed me and because I lacked confidence, lacked security, and lacked respect for myself

Vicki's present to me was a sleek and blue tie, a box set of mini colognes, and refreezable-ice-cubes. I think she called it the car salesperson kit. But I knew and still know she was trying to turn me into an honest and non-sketchy car salesman. And you know what, I was genuine, but I also couldn't retain any information about the cars features—to reiterate my Grandma has Alzheimer's, my mom writes down constant notes to remember everything, and I forget my journal almost every time I leave the house.

After Christmas I wore the tie to work a few times, but the mini colognes and ice-cubes never got used by me. They stayed in the trunk of my Toyota Avalon. I should have used the colognes and the ice-cubes, but I was too careless, too self-involved, and too ungrateful.

1

Back in the 90’s, when we were around 3 and 6 years old, Vicki and I shared the same room on the far left end of the hallway in our house. She had a small bed, and I had a bigger bed, obviously, because at 6 foot 1, I was a genetic freak for a Vietnamese guy. I read Harry Potter and Redwall like crazy growing up, and I would try to invent my own stories to entertain her. Every night she would listen to me tell my yarn, and it made me feel that my voice was significant and strong, even though many times I felt my voice was weak and soft, lacking in inflection, or intonation.

I had a speech impediment and I had to take classes at Canterbury Woods to fix my perceived problem. I wanted to fit in, blend in, and have friends.
Back then Vicki was not only my sister, but my best friend. She used to have short, black bangs; chubby cheeks, and a dot-sized nose—don't worry she didn't get ****** into the grocery tabloids and get rhinoplasty. She wore her red pajamas with a tank top over it, so she looked like a mini-red ranger, and her slippers
Dedicated to my baby sister, love you kid!
evolove Nov 2021
Travis scotts concert was 100% a satanic soul harvest. He sent those souls to another dimension.
Think I'm stretching? READ ALL THE WAY THROUGH.
First off. He called his event a "festival".  The definition of a festival is a feast. Did you see a large amount of food?
Or did you see a feast of souls?
His stage was the symbol for alchemy.  The egyptian ankh. The Egyptian ankh has to do with life. Because the wealthy know when you die and when you are born, you create a ripple in time and space for your soul to come and go. The best way to describe it is like a pool. Imagine you are about to jump into your local swimming pool. The water will break your entry and you will safely hit the bottom. Now. Imagine there is a person at every single part of the edge and you all jump in at the same time. Now you've got a problem. Soul harvesting is the same way. When you die your soul creates a ripple and it can safely leave. But. When you have a bunch of people dying in the same spot the spiritual realm becomes stressed in that location due to the high amounts of energy our souls resonate as they are leaving and entering the in between of this realm and other dimensions.  Therefore they have created machines that have tapped into the in between to ****** your soul. Who gets it and where it goes?  Other things are possible as well. Like the exchange of a good soul for whatevers on the other side?. Have you ever heard of cern? The large hydron collider. It's the largest machine in the world. This is NOT knew technology. The Mayan indians knew about this. The egyptians knew about this. THIS IS WITCHCRAFT AT THE HIGHEST DEGREE.
Let me break it down.
Travis Scott is a WITCH. The microphone is his wand. He is a (M.C.) (Master of ceremonies).  
With his wand he uses his voice (frequency) to help bring in the energy needed to open the portal. He brings a crowd of 50 to 70 thousand people who are generating IMMENSE amounts of energy into a low vibration. Love is the highest. Aggression is the lowest.
Then the design of his stage along with the lights become the sigil to help open the portal. Remember his stage was the symbol for alchemy?
YOU can't see the portal. You just see a fancy light show.
But those who are dying and their souls are separating from their bodies can.
The only way a living person MAY see through the portal is if they had taken an Elixir like Ayahuasca.
Do you ever wonder why all these "rappers" want to date the highest ranking Arminian witch family Kardashians?
Could it be because they are witches?

They do these kind of rituals behind closed doors all the time. What you saw was them coming out in the open.
The goal for you is to pass on and move to a higher dimension. You are drawn to the heavens because that's where you came from.
When you start gaining wealth, you start the search for immortality. Wealth is a drug that most refuse to part with.  So this is where satanism comes in. There's a theory of  reincarnation if you can create enough negative energy for yourself, you can weigh your soul back down. This is where the technology of transferring your consciousness back into another avatar has its place.
You can see why we are at a cross roads of transhumanism and luciferienism.
Some believe the elites WERE once humans and during the days of Atlantis that changed. Their technology hit a point they no longer needed human bodies. And they became the pinnacle of Transhuman. But no longer human. Something else. Maybe this is what "sanat kumara" is? A.K.A. Satan.
Truth. Facts travis scott Hollywood
Joshua Haines Apr 2017
I had a God; he was a
good God. Keeping me  safe
with money, image, and  time.
Blessing me, solid;  
until my waist grew as thin   as my wallet.  
Buying all of your time.

I want to be on t.v.,
but not just any t.v.
I want the ratings to rise
  with my celebrity skin,
my trending name,
  commercialized sin.

I want to be sold   separately
and told that I'm desperately
giving my body to a   image heavy God,
sleeping on the skeleton of Malibu,
drinking dreams with a celebrity dog.

I want to be  on t.v.
I want to be  every  thing
and  more.

I had a God; he was a good God.
Played me his songs,  wrapped
  in his time.  Kissing me goodbye,
tel  ling me to sell shirts; telling me to
keep up with the trends.
Ashwin Kumar Nov 2022
You may think you are special
Because you are rolling in money
And have lots of boyfriends
But the reality is as different
As chalk is from cheese
A person is special
Due to his/her character
Or what s/he does
You have a personality that is so shallow
That it would put even the Kardashians to shame
And that is saying something
You do not know the first thing about friendship
And yet consider yourself an ideal friend
To one and all
While you proceed to ghost someone
Whom you've known for years and years
All because of a silly comment
On a photo of yours on social media
Someone may be your BFF one day
And turn into a mere acquaintance the next day
For you, people are like bubblegum wrappers
To be used and thrown at a moment's notice
Of course, as we all know
There's no point in breaking your head over people
Especially in a our rather fickle-minded society
But when you act all high and mighty
As though you're always right
And everyone else is wrong
It really gets my goat
Again, you may think you are special
Based on money, good looks or the number of boyfriends you have
But all these will get you nowhere in life
Because, there will be a time
When you are in desperate need of help
And you will find
That the only people who can be of use
Are the ones whom you've already chucked
A rant against one of my former friends from Graduation.
Priya Devi May 2015
Let me tell you a secret
I am bored

I'm bored of corporate America flashing their endless subliminal ******* in my face every second
So much so that sometimes without me realising I adopt their accent and mimic and quote what they want me to think and say

I'm bored of reality TV
Of keeping up with the Kardashians and how their name fits so nicely in my mouth like a chunk of poison apple

I'm bored
Of skipping past adverts of skinny black children starving to watch skinny white children starving themselves pretty
I'm scared that I'm the only one whose minds those adverts cling to,
I can only do so much and I can't even trust that I'm helping

I'm bored
Of seeing perfect white girls on TV in their perfect clothes with their perfect hair and their perfect families in their perfect churches with their perfect god who somehow claimed dominance over all the other gods, over my gods
and called me backwards for worshipping the sun and the moon for giving me life and light as opposed to a man who may or may not have existed who they claim split seas

I am bored
I'm bored of being the supporting role
never being pretty enough
but being hot for an Asian girl
being told 'when I think of a beautiful Asian girl I think of you'
being asked 'what are you?', 'no where are you really from?' 'are you gunna go back?' 'were you born on international waters?' Always followed with a 'If you don't mind me asking',  I do,
Let me tell you about the waters that broke and brought me here on this home soil,
let me tell you about the struggle of my mother and the mothers before me and the lightness of being dark skinned in a community of dark skinned beings,
let me tell you about my heritage not like it's a story in a child's book like or a myth, it is real history,
let me tell you about the struggle of my people about the beauty of our most simple words and minds,
let me tell you about how our bodies moulded from the dust and sand around us is no less than yours,
let me tell you what it means to be nothing in your eyes.

We are the products of your mishandling, broken artefacts caged in a glass box with a steel rod stuck up our **** to keep up still in a viewing room in the media's museum
keep us down and keep us quiet keep us looking brutal try to tear us apart from the inside,

Try and tell me I'm a terrorist not a freedom fighter for daring to breathe to speak.
Try to blotch out your wrongdoings by scapegoating us as a region as a religion I don't even belong to as a pigment in a skin colour I can do nothing about I couldn't change it even if I wanted to
Just wait and see how we react

I'm bored of your Islamophobia
I'm bored of you telling me to hate myself
I'm bored of trying to be middle man for two cultures whose only real difference are climate
So *******
**** both of you
Excuse my English
No my Punjabi.
No
I'm done with your negotiations and attempts at tolerance I'm done with trying to blend you both together within me I can't be what either of you want me to be
I can't do this
I won't be a part of your glamourised butchery
Anymore
Ashwin Kumar Oct 2023
At a time when I was held prisoner
By my shy nature
Especially when it comest to talking with girls
You put your best foot forward
In order to break the ice
Which was doing its best
To try and freeze me to death
As though I were but in Antarctica
So, I thought you my friend
Mind you, an assumption it wasn't
You called me your best friend
Not once or twice
But many a time
You even called yourself my sister
A trusting person that I am
I took you at face value
Which was probably one of the biggest mistakes
Of my life in entirety
If Australia dominated cricket
You were my dominator
Your name stands for desire
And all you desired
Was getting your way
When it comest to anything and everything
You were such a drama queen
You put the Kardashians to shame
Only your "bestest friend" escaped
From your terrifying glare
Which burnest everything in its path
Much like Lord Shiva's third eye
You were always right
We were always wrong
Again, with a notable exception
Your precious little "bestest friend"
What he saw in you
Only God knowest
Marking you absent in the attendance register
Which was but my duty
Turned out to be a crime
Fouler than ****** itself!!
How dare I mark the "Queen" absent
Even if she were indeed absent!!
How dare I support Chennai Superkings
Even if I were but from Chennai
Not to mention, a huge fan of MS Dhoni!!
East or West, North, South Or Central
Mumbai Indians were always the best
All other teams were trash
You and your whims and fancies
Driveth all of us mad
Quicker than a tracer bullet
As Ravi Shastri would say
Even to this day
But you were my best friend
Not to mention, my sister!!
So mum I kept
As would a fiercely loyal dog
Even when ignored by its master
After our college days endeth
I stayed in touch
As would every friend in the world
In particular, a best friend
But best friend you were certainly not
I can forgive even an enemy
But not a friend who cuts me off
For the flimsiest reason in the world
To you, I was wrong
Though reality speaketh otherwise
But hey, why would I want to lose my best friend?
So did I apologise
Not once or twice
But many a time
Though for the kind of response I receiveth
Might I have spoken to the wall instead!!
After ages and ages
Cometh your response
As arrogant as James Potter in his school days
You showeth me your true face
Nothing but a jumped up rich Punjabi Brahmin
Who thinkest she were the best
In not just India
But the world in its entirety
Gone was your sweet tongue
In full display was a mini Bellatrix Lestrange
Ready to **** even her best friend
As the real Bellatrix did
With her cousin Sirius Black
Well, I would rather I died
Than maintain a friendship
With a cunning ***** like yourself
You deserve not
A single true friend in the world
Not even your "bestest friend"
You smashed my self-confidence
Into a billion little pieces
Pieces that I continue to pick up
Even to this day
Something I could but have avoided
Had I not taken you up
On your offer of friendship
Which was but as fake
As the smile of a Kardashian
I endeth on this note
It is but a lesson to all
Not to get swayed by sweet tongues
Scratch beneath the surface
Then only showeth up the true character
Poem dedicated to my first female friend, who cut me off because of a comment on one of her Facebook photos.

— The End —