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2.0k · Nov 2013
New/Knew/Rebuilding You
Nat Lipstadt Nov 2013
New/Knew/Rebuilding
You

4:18AM

not sure where to start,
so I will begin at the end,
rinsing and repeating,
till it makes a dime's worth of sense,
even if helps for just one minute,
I'll take it happy for
giving you one minute of better,
rinse and repeat,
60times, an hour to which we can only but
try
to build a single day.

You are new to me.

But I knew you a long time.

Don't ask silly whys or how's.

This won't take long.
Less than a minute.

Saw a few Picasso's, Chagall yesterday.
Even a Basquiat.
Estimated to sell for
$15~18 million dollars.

You know he once said,
"I thought I was going to be a *** for the rest of my life."

So here is my art for you, girl,
Whom I will likely never meet,
But is deep inside of me,
Unmasking provoking, couching, courting,
Crouching, springing
me to care.

If one new/knew/rebuilder of you
Is writing words of caring, artful encouragement
At 4:18am,
What is that worth?
I'll tell you cause I won't let
bitter answer for you.
Everything.
So **** art.
But open heart to the art of
Accepting that I just wrote you a poem,
Message on point,
I care.
Your name is hidden within this poem, so our secret open but private.  Accept this please and if but for a minute, tell me you are smiling, or I will never write another poem here. For if I cannot bring to you what I want to,  60 seconds of solace, comfort, than my utility is zero.
2.0k · Aug 2023
My Woman, My Partner
Nat Lipstadt Aug 2023
My Woman, My Partner

we need today it seems identifiers moreover,
as we slice, dissect, and categorize the W’s of our
individual experience,
by defining ourselves as pieces of categories

Today, woke with this title-to-be-poem in my head,
My Woman, My Partner

I like particular, individuating descriptors that distinguish
rather than categorize, summary’s that capture the
roomy broad and small strokes, the subtleties of capturing~
encompassing an image total, and yet intuitively tasting and
comprehending the depths and flavoring of our totality,
a combinatory humanity

my choice was My Woman, which was comprehensive
and distinguished, yet upon consultation with said person,
for pre-authorization approval, it was returned to me with
an engine-heart additive, that was both a word that denotes a
binding, ties, equality, and takes it to another, even ever
highest level,

this essay on how I came to title this poem, well, is the poem
in its entirety, it is the process, the point, the summary and the
minutiae of all I wished to convey.



Sunday Aug 13 8:03 AM
2.0k · Oct 2014
Three Vignettes of Colors
Nat Lipstadt Oct 2014
White Tissues

a thousand years ago
I had to do the shopping,
(short story, irrelevant)

angry, she,
always angry,
the ex called me careless+...
never quite remembered to buy
the no~color tissues,
white only, on the list ordered,
to avoid decorative mismatch clash
to not offend the bathroom guests's
sensibilities and refined fleshy color palettes,
and not to match thereby,
to unduly reveal
the mismatch of
two lives incompatible

she ****** the color from my life...

still now,
buy only
whitely, precisely,
always,
for the colors
in my life, of my life,
have now been returned to me

but they are best cherished,
visible inside, looking out,
painted filter to enhance,
to reveal!
the joys inherent
in the colors of a
refunded, redounding rebounding,
re-fined happiness internal

tissues white now employed
to store the joy colored in colorful tears,
re-defying re-de-finding-fining
the contrast
from the sorry past,
tears now in living color
shed while writing
this happy colored vignette

~~

Poems of Color

just too much
colorless cold,
to decamp to,
sit upon the Adirondack throne
that is by his name,
by the cold waters,
now winter coated with
white-capped amber bluewaves
arriving jack-frosted on the lifeless beach

over this weathered sanctum,
natures supremacy reigns,
no matter the season or
his faulty human body's
weak reasoning,
it rules,
despite your frail poetic absence

but without your imposition
upon companion grey,
ensconced patiently
in that rarified atmosphere,
where and when
the sea sword
knights and inspires
the benign, benighted poet,

the human in him
frets and worries

where and when
ever again,
will nature deign to rain
poems upon him and his
winter-storaged writing organs?

the poet,
through his own
winnowy window reflection,
sees the sight of
the empty chair
between him and the sea air and
pondering more,
how shall he ever write
in the upcoming months of bleak?

through the frost-edged glass,
that old chair,
now sudden animated,
sensing his poetic human presence,
it turns toward its missing occupant,
voice aged reassuring,
speaking,
rhyming, 
it chants,
somber intoning...

"the poems writ yet still  undiscovered
but inscribed upon
my weathered slats and armrests,
have your name and no other,
therefore, there fired,
perforce,
they await your return,
come spring...come summer

now is the season of your hibernation,
we sense your fearful
winter forebodings and
speculations of consternation

know these unopened poems
are in fluid stored,
when you return
to our joint station,
we jointly will celebrate their
first day of naissance

you are charged,
you sole possess the
eye colored liquid visions
to see them
in the splinters and the breezes
through to their natural
childbirth revelation"


~~~

The Colors of Life Everlasting*

blondes, brunettes, redheads,
the goodbye colors of the
street's tree choir members
and their leafy gowned denizens,

the good stiff chill upon them,
the selfsame chill,
in my anguished mind,
now hiding

those partial unclothed trees,
to me sing,
a comfort food song
heard above the quiet terror of the
noises of a winter's wind precursors

"we green,
will be again
tho old,
spring green
is signature of our almost
life everlasting

once you wee were,
free green uncaring, youthful,
presumptuous presuming
that you too were,
in possession of
life everlasting

your colors
have changed too,
the process,
your process, different,
unlike our scheduled
rebirthing maintenance

yours a continuum slide,
with no reversal allowed,
no returning
you
to your first days of
crayon drawing youth,
unlike us,
a calculus of impossibility

we will turn young again
for many seasons more,
you,
never will

new eyes will feast upon our
glories refreshed
and love our
green visor shade cast

yet special are you,
the man-poet
who was chosen
by forces controlling,
to see and to tell,
witness-write of our annualization
during our overlapping
frames in time

when to the shade of hades
your physic sent,
our limbs, our leaves, our lives,
as-long-as-they-too-shall-last,
will cover thy remains and
give your poems back to the
sultry summer breeze from
whence they came,
and the colors
of your words
will be then
the colors
of your life everlasting"
10-26-14
Nat Lipstadt Mar 2014
"Genuine poetry can communicate before it is understood"
T.S. Eliot (1888 - 1965)


~~~


perhaps.

can I communicate
what I cannot fully comprehend?

my voice poetic keener, age-softened,
grows less popular
for it
no longer reaches for
christmas ornament words and creamy cake-in-the-rain imagery

leave that to the better ones.

cherish simplest:
coming home to fresh sheets,
plumped pillows,
music,
tousled hair on pillowed histories,
river walks,
the lightest hand touch that rouses
the fireplace of contentment to glow briefly,
from logs that are more embered ash moments
than substance
capable of more flaming

the rumpled strivings of the young poets,
creativity of the masters of
voice and dancings bodies,
shopping lists of life~items that
reshape, restore my old~ness,
the revelations of the historians,
inducements to believe
in yet, more.

these exteriors are comprehendable.

don't forget the orange juice,
the first chilled swig from the plastic,
confirms I am breath-yet-capable,
one more poem-mission ready,
the mission objectives still not published.

Sun east welcomes me,
woman puttering kitchen coffee noises
it is neither spring yet or winter gone,
in-between like me,
in-between naissance and history remnant

question thy fiat,
Mr. Eliot,
cannot frame myself,
my who-I-am
six decades of myself.

can it then ere be said,
his poetry communicated
or ere contained ever a single
genuine word?

can I communicate
what I cannot fully comprehend?
Nat Lipstadt Jun 2013
Father's Way: Tell me a story, Dad

What power we possess,
when the innocent demand,
at the time of cozy bed and sandman,
"Tell me a story,"

To gentle the monsters
in the closet of their heads,
grant them a peace naive that's lost after
they learn the D words, disappointment, death,
Till then, promises unfettered, the best yet to come.

The story, you, grantor, they, grantees,
Scent their dreams,
perfume their dreams,
sprinkle their safety net, blanky, rag doll:
- scent with mom's hairspray and dad's special smell,
musk, balsam, gasoline and body odor

- scent with cherrywood falsehoods to caress,
till morning's burnished glory ascends,
thru window, tenderize the cheeks of my babes,
prep them for the truths to be learned that day.

In tones most imploring,
glances fawning,
tis us, they do deceive,    
for adult arrogance demands
in God we Trust, that they,
will believe our words,
will indeed, make them rest
till new day's slow and subtle dawning

Tis the same tomfoolery that leads us
to drink repeatedly from the trough of
best laid plans and self-deception

You believed your own narrative
will be the one he scripted,
while standing day-dreaming,
sweating on subway platform,
admiring beaches and beauties
from station walls lifted,
waiting for the train
that only eventually comes,

that train, that station, whose smell reminds you
of mom's hairspray and dad's special smell,
musk, balsam and motor oil, and body odor,
a ******* reminder of dreams yet uncrystallized,
and stories your father told, unrealized,
tho train has come, they have not

Write me a narrative, Dad,
and please advise
if tinker or tailor will be my trade,
fix my details, dear pater, par example,
pick my institution of higher learning,
my future alma mater, on my day of birth,
promise me gentility, no harm no foul, mirth,
All the days of my life.

Please advise if I shall be a
wife abuser, communist, or a ****
****** poet/user,
word rich and pocket poor,
stealing ideas from everyone,
red blooded or blue~green,
a true believer, a born again,
an agnostic, my own truths, to disabuse

tell me father, will I die warmed,
surrounded by generations of my progeny
or in pauper's grave, a life long ward of
one true mate, in loco parentis all of my days,
a child, a dependent, of noster paternal state?

Please Pop, pick wise,
the life and lies, the faces and disguises,
I will need employ to achieve success
in the eyes of my reading beholders,
who own the liens on my soul
because of the promises I believed,
when you sang me
glowing lullabies of my future days,
how everyone would love my stories,
my poems, someday...


June 11, 2011
Updated on Father's Day 2013
Many notes but the only one my father told me was about the white and black horses and their misadventures, a half a century passed, and I can feel his mustache, his goatee, tickling my senses.
Nat Lipstadt Oct 2014
yesterday may have been my birthday.

you need two hands, two feet,
a multiplication table
an abacus to count my years,
each finger, worth a decade.
each toe, perhaps, a century.

birthdays.

a point of inflection,
a point of opportunity,
a present presents itself,
to rewrite history.

a second coat of paint,
gift-wrapped in weak excuses.
how I lied, how I ain't,
grimm-fated fairy tales
somebody else created.

invisible suits of gold-cloth
worn to my party of
past rewrit and
future foretold.

one single thought,
memory,
seizes my heart,
as I fall to my knees.
cracks my temperate ease,
renders open the
woof and weave
of recycled deceptions,
causing all to be revealed
when asking myself

what if the poetry ceases?

you know prostrate?
you have tasted grief?

have you not but
a singular pain,
one act,
one deed,
one memorization,
act of cowardice,
act of desertion,
mistake made, taken,
for which
forgiveness
can never
be given,
be faked,
attained?

do, does, did.

let me then this day,
win the birthday lottery,
let floods of relief from
daily chores not drown me,
chauffeurs to drive,
masseurs to massage,
cooks to cook,
les délicieuses friandises to sweeten life,
please keep theologians, logicians,
philosophers on retainer,
even historians, those future fortune tellers,
if needed, unnecessary explanations -
or just satisfactory rationalizations.

none know,
or can provide,
still and yet,
a year round
a priestly sacred chord,
to grant relief,
absolution,
songs of hallelujah,
erasers of the ache of
perpetuity worry.

those ancient pains,
grow fresh daily,
the loss of one element
of my body,
prevents my primal knot
reasonably to be untied,
everything should be permitted
on my birthday, no?

this day, these days
breathe through words,
molecules of vowels,
stem cells of consonants,
the fabric, the tissues of life,
veins are a dictionary
of corpuscles,
red blood cells are
nouns of nutrients.


this day, these days,
the infection of my soul
is tempered, kept at bay,
tamped down from the
full flowering
of white blood cells
of rhyme, verse,
and asking myself

what if the poetry ceases?

though the bones creak,
snap, crackle and pop,
the body they carry, the heart
eccentric~centric: tire shop patched,
yom kippur white resurrected this day,
for morning, afternoon
and evening prayers,
and the last one special,
spoken standing.

thrice daily poetry I recite,
roses red, violets blue,
my marrow transfused.

though my prayers likely refused,
the poetry act immolates
the fringes of my disease,
for which the common cure
is not currently invented....
so I ask myself

what if the poetry ceases?

be assured, I am told
scientists hard at work,
on the forgive n' forget drug.

meantime,
take a bubble bath in
rosemary and mint,
trap and tap some words,
into your cell phone bone,
the poetry heat, scented waters,
provide aspirin relief.

through this poem,
on one day annual,
I am relieved, relived,
the muses, the Devils
all herein, feted, and sated

gone for few moments
concerns, worries of
exposure today,
agnostic's foxhole of hell
is dis-remembered,
the gloss returns,
the faux dispatched,

ain't birthdays grand?

yet, I cannot help but ask

what if the poetry ceases?

what rhymes with
Sorrow?
mmmmm.

could it be
Morrow?

bath drains,
rosemary and mint odors dismissed,
the Argentine disparu,
the Spanish Medievalists,
the Neo-Raphaelites,
all dispatched,
didn't they have birthdays too?
didn't you know,
Hey Michelangelo!
the Renaissance come
and gone,
nobody tole ya?

t'is the day
my sweet city recorded my
naissance in the
Hospital of the Flowers
on Fifth Avenue.

the 'crats put the datum
in the bureau with the
night creams and
the statistics
as follows:

on this day + a few,
seven or twenty decades ago +
a few centuries, some blackbirds,
a question was born,
and an ache that is
sometimes relieved,
by a poem~song.

though do not celebrate,
t'is a day to calibrate,
review, edit, tinker,
rewrite, often a stinker.

yet, but,
always one thought recycles:

**what if the poetry ceases,
how will I breathe?
Written years ago. Tinkered and edited once a year.
Nat Lipstadt May 2014
I was standing by the window
On one cold and cloudy day
When I saw the hearse come rolling
For to carry my mother away

Will the circle be unbroken
Bye and bye Lord, bye and bye
There's a better home awaiting
In the sky Lord, in the sky

I said to the undertaker
Undertaker please drive slow
For this lady you are carrying
Lord I hate to see her go

Will the circle be unbroken
Bye and bye Lord, bye and bye
There's a better home awaiting
In the sky Lord, in the sky

Oh, I followed close behind her
Tried to hold up and be brave
But I could not hide my sorrow
When they laid her in the grave

Will the circle be unbroken
Bye and bye Lord, bye and bye
There's a better home awaiting
In the sky Lord, in the sky

I went back home, the home was lonesome
Since my mother, she was gone
All my brothers and sisters crying
What a home so sad and alone

Will the circle be unbroken
Bye and bye Lord, bye and bye
There's a better home awaiting
In the sky Lord, in the sky

We sang songs of childhood
Hymns of faith that made us strong
Ones that mother maybelle taught us
Hear the angels sing along

Will the circle be unbroken
Bye and bye Lord, bye and bye
There's a better home awaiting
In the sky Lord, in the sky

____
"Can the Circle Be Unbroken (By and By)" is the title of a country/folk song reworked by A. P. Carter from the hymn "Will the Circle Be Unbroken?" by Ada R. Habershon and Charles H. Gabriel.[1][2] The song's lyrics concern the death, funeral, and mourning of the narrator's mother.
2.0k · Jul 2013
The Pill
Nat Lipstadt Jul 2013
The Pill

Called up big Pharma,
Sad and depressed,
I told them straight out:
Dudes, I need a new karma.

NO problem they cheerfully replied,
(later I wondered, which pill they were on)
We custom make, haute couture, drug-design,
Mood enhancers, in little canisters,
You need only supply the cash and the system vascular!

Your soul's desire?
To be a better wilder, rambler,
Or a life calmer, better anchored?


I know what I want, exactly,
A pill that removes
Specific words
From the frontal lobe temple
Verbal storage center.

NO problem! (so cheery it was kinda scary)

Which words would you like to have
Exorcised, annihilated, irradiated, confiscated?


I list from below, from side to side,
Let not one be denied,
Bury them all in nether-lands,
Swamp them under mountains of
Granite and sand,
Banish them from my lexicon.

How much do you charge?
But one dollar per word.

The list I emailed complete,
Herein I reprint.

Scars Pain Wound Strain Torture Anguish
Disfigure Damage Mar Mutilate Maim Blemish Deface Damage Ruin Distress
Afflict Trouble Wound Torment Agonize Sad Suffer Sting Throb
Torture Torment Despair Suffer Distress Hurt Vex Trouble
Ache Hurt Misery Woe Bitterness Misery Agony Bitter
Heartache Afflict Hurt Cut Loathing Shatter Broken
Alone Bleed Struggle Self-destruct Monster
Nightmare Cornered Darkness Horror
Loner Confused Goodbye Suicide
Slash Cut Desolate Submerge
Dissipate Dead Stinking
Enough.


Awaiting my concoction sweet,
When an answer they begat,
A response forthcoming, indeed was snubbing!

Dear Sir/Madam,

We regret to inform you that we are unable to manufacture
Said item.  Removal of these words would be a violation of
Federal Poetry Laws.
Sadly yours,
Big Pharma

P.S. Are you the author of "Yo! Yo! Warning: the government is reading your poetry! (Metadata Mining This Site) on HP?"


*P.P.S.  Please do not contact us anymore.
June 22, 2013

Warning: The Government Is Reading Your Poetry!
(Metadata Mining This Site)


If to the world about, you are attentive,
You have imbibed the news that our governmental,
is exercising its parental abusive in-discretionary powers,
Purviewing and purloining our electronic communications,
Causing some to have worrisome palpitations

My life is on the boring side,
So welcome gents to look inside,
The surfed sites, the emails, hardly slimy,
But stay the fk away from my poetry!

Tis obvious from your midnight editing,
That my wordily, working body has been discretely
Simonized,
My data,
Googlized,
My poems,
Scrutinized,
A comma, a colon, a verb, out of place, capsized,
Little threads kept in door jambs, their alteration,
Your snooping presence, a confirming revelation

Will the words Rye Catcher be caught by a filter,
My mocking of Obamacare, be the transmitter,
That becomes a curiosity inflictor, a predictor,
Of your requited, on-this-sited, attentions?

Meta dating women, once a goal, worthy of attaining,
Meta dating mining of poetic alliterations, pertaining
To me and mine, a serious no-no, causing consternation,
Heavy percussing, voters, party swinging in self-flagellation

The information unwittingly provided on HP
Will be used to modulate the time and temperature,
Add certain chemicals in the liquids we drink
Like testosterone in erogenous zones,
Xanax in the air vents in the high schools and colleges,
Hell, they may even put fluoride in the water

Control the atmosphere, fashion styles, population size,
Disclose location to my enemies and my illicit affairs,
(Exposed, leaked to the NY Post's Page Six, to my better halving),
Keep the emotions checked,
Within acceptable parameters,
Especially of those *****, love sick
Senior Citizens, always ready to get down
When poetry-aroused

This narration of condemnation for espying
Will YouTube spread like a new flu virus,
Cause I know where you live and Iam,
Cell phone camera armed and dangerous
On  the Internet, your faces, posted

They riot-for-rights in Cairo and Istanbul,
President Obama, we have on good authority,
Your daughters support our rhetoric, no bullsht,
Watch your step, or on you, we'll sic the IRS,
Cause in the end, they work for us,
Hold on, who's that knocking at my door?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MOST OF THESE WORDS WERE COPIED FROM POEMS PUBLISHED IN THE LAST 24 HOURS ON THIS SITE.
2.0k · Jan 18
Where are you being?
Nat Lipstadt Jan 18
an existential question so deep,
it can be answered only by
enumerating a million tiny
words:

in the quiet crackling of a spine & unsticking page noise of an opening of a brand new book, a first of firsts, a thrill for free in any bookstore that is yours now, uniquely and forever

in the upward stroking of a smooth
cheek, by your smallest finger, upon
a newborn’s face, your youngest child’s
newborn, and a rare moment of unadulterated love tinged by
immortality

the smile you retrieve when scratching
that old beloved pet’s face, in the exact
spot only you two know and a long time ago
discovered


patrolling the Promenade, espying an
elderly couple so bundled against the
city’s Arctic cold freeze, that movement nearly impossible, nonetheless holding gloved hands in a manner and a moment describable only as inseparable

letting someone jump in front of you,
at the supermarket or the bank, when
they have only one item to purchase, and you, a dozen or so, but the most important item you really really urgent need you have is to prove to yourself that it is possible to buy more time
for a human

crossing with an elegant eldery woman
across the wilds of First Ave., who insists
she needs no help (ha!), but doing it anyway
by complimenting her candy striped cane,
and being rewarded with a “stop that, or
I’ll be forced to take you
home!”

searching endlessly for  red kidney beans in olive oil in a health store that has no less than 19 varieties of everything, and an immigrant teenager employee tskes you across a cityscape of aisles, turns, niches and alcoves  to the exact spot and item, and you
smile and weep because the beam of their smile at your pleasure lights up two souls
simultaneously

next, herbed flavored tofu?

making a bank teller laugh (a near impossibility) when depositing a very large
check, and when asked if there is anything
else you need, informing that you would like to withdraw half immediately but only if they have a sufficient quantity of extra large size single dollar bills!

a group of privileged upper east side college seniors eating out at a wonderful Italian neighborhood restaurant, talking loudly about their recent travels abroad, and how crazy it is that one cannot get a cappuccino in Italy(!) except at breakfast
(oh, the in-justice)

here I stop, because not a lot, of my reasons
to be brought forth are concluded, but only because  you have started
to feel an urgent need to p-
repare/start your own list, immediately if not sooner to ascertain precisely your own anwer to:
Where
are you
being?


5:48am
NYC
Shabbat, January 18, 2025
18 Tevet, 5785
most of these happenings occurred all on one day
last week;; one, 7 years ago…only ine was imagined but is planned

https://hellopoetry.com/poem/4956772/exactly-how-far-is-it-to-you/


https://hellopoetry.com/poem/4956772/exactly-how-far-is-it-to-you/
2.0k · Jan 2014
A Global Illusion
Nat Lipstadt Jan 2014
fresh orange clementines on a
white kitchen counter,
incongruous with a windowed view of
white winter's barometric pressures.

eye illusions,
making no sense,
like me drinking
ice coffee in NYC on
New Year's Eve.

New Years Eve too,
a nonsensical notation,
an illusory line,
imposed upon us by
calendar salesmen and astronomers,
for profit and seals of good timekeeping.

There is no solstice,
no verifiable, demonstrable,
celestial line of demarcation,
just a box on a calendar
of man-made paper,
man-dating
fresh thinking,
de-man-ding,
we gaily clad ourselves
in suits of optimistic armor,
heavy with good cheer,
so much so,
we list to one side
under a burden
of greater expectations

the starting line is
worldwide, continental.

a ball drops
to signal the beginning of a new
human race to
another artifice in future time.

with inebriated staggering starts
over staggered time zones,
thus creating a continuous,
rolling wave-eve of resolutions.

I say to myself,
what the heck,
why not!

if the whole world
must share
but one
global illusion,

this one,
fresh starts of fresh hearts,
is not a bad one,
maybe, perhaps,
as good as it gets?
2.0k · Sep 2013
Some men woo shoe
Nat Lipstadt Sep 2013
Some men woo
With diamonds and jewels.

Some with trips to Paris,
For Le Weekend!

Some with furs.
Ugh,  might as well get them
A pet,
The fur that keeps on eating.

Me, a city sophisticate,
***** my tolerance to the
Sticking place, tween my ears,
Put on a brave face
And say:

Babe,
I love you so much,
For your birthday,
Let's go
Shoe shopping.


Wisdom for the ages.
Nat Lipstadt May 2023
<Sun May 14 5:00 AM PST>

Let us be smart about this departure,
time unscheduled, yet leaving inevitable,
the sound of fabric torn, a rent performed,
a ripping, a release of the gripping, connecting
tissue of weft and weave tying parent and child

(All of us poets, all of us comprehend,
there are two points, two buttonholes
that offer escape or farewell, when we
commence on something new, when we
pen our chest’s demands to exhale, cease the hammering


Perhaps, here, just after the third stanza,
the brick enormity of our selected task, on chest,
weighs heavy, boulder difficulties ahead, now fastened
and faster and faster realized, begs us, quit this essay,
return to placid, from an arrhythmia of imploding loss)


So many fabrics, so many tears, wet and dried,
but upon commencement, the only finish line,
is another commencement, when the (mine-own) rendering
is finalized, beyond repair, when guilt gulfs overflows, flooding
plains of forever pain officiated by signed scar, “here was”

So many separations, varied and variegated,
surficial shallow surgical  or plunges, widths of trickle,
depths of deadly plunges, records of inches, dates,
names, new heights inscribed, measured on a door jamb,
lost, erased, when child’s door closes permanently

Came today to the West, to Pacific Ocean entrance,
to celebrate a good boy’s ritualized threshold crossing
over into manhood, both symbolic and and realized,
but tear-up seeing the small child-man leaning in and on
his father’s larger frame, a coinciding giving & taking

no bonds are eternal, for such is life, the weft must be
warped, sundered and separated, so many reasons,
experience speaks, scars are like bandages,protecting
but deceiving, what they cover can never be excised,
a space created, that only oxygen can touch both sides

but never, ever be reperfected, mended,…or finalized

2023
San Francisco
1.9k · Aug 2013
The Art of Bed Making
Nat Lipstadt Aug 2013
The Art of Bed Making*

Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?
~~~~~~~~~~~~~~~

First lets establish the fact
That
I hate making beds just as much as any man.
As chores go, it is the bottom of the
Totem Pole.

But having, unasked, once done the deed,
To surprise. And. To.  Please.
(What fools men are...)
The pleasure seen upon her face,
For my pillow^ skills and arrangements,
simply extraordinaire,
I have been incredibly guilted,
Without the opposing party saying but two words
(Oh my)
into
doing my share.

With pride of craft,
Then herein I reveal the methodology
For its art, it's poetry,
Line and stanza, meter and rhyme,
The Art of Bed Making,
If properly conducted.

First remove all signs of history,
Single socks, and itinerant underwear,
If you get queasy, get the hell out of here,
It takes a real man to make a quality bed.

With hands two, brush all and any crumbs
Onto the floor
Where they belong
And for which cleaning up ain't my job.

Then straighten the sheets,
After checking for fond memories,
i.e. wet spots, stains of glory, some old n' hoary,
And using the natometer,
Ascertain if they can make it one more day.
(Strange how they almost always can!)*

Next, the coverlet.
Different schools of thought have discoursed,
Whether t'is best from the bottom or the top
To commence.

Me, I am, a top man,
As in most things,
I like to work my way down,
Nice and slow.

Extend one arm fully,
With broad, gracious strokes,
De-wrinkle the top,
Sending the waves and bumps over the side,
To their special hell.

This step most crucial,
For if the prior steps done in manner superficial,
This will mask you "inner" laziness well.

Pillows.

First sniff.
Determine which is yours, and which is hers, then
Render unto Caesar
The right pillow or accept the consequences dire.

Trust me,
She says she loves
Your manly odors,
But give her the wrong pillow,
And you may be a victim of a Pearl Harbor
Sneaky Pillow Attack...

Just as you are falling asleep.
And you are at your most defenseless...
"Hers" yanked from under your head.

If your woman is genuine,
She can't have enough decorative touches,
Like 6 or 8 pillows in a la carte shapes,
Which must be presented,
Ach Zo!

But here I rebel, my artistic manly resistances
Flare,
Makes me find new combos,
To which she says, delightedly,
Oh my!

Many details I have skipped,
For your safety's sake,
For if you master bed making,
Do not be surprised,
If many wet spots and stains will follow,
Making fresh sheets,
A daily necessity.

****.
^ see
Nat Lipstadt · Jun 29
just like a woman

True story: about three hours after returning,
She comes up behind me on the couch and says,
"I have something to tell you."

I reply, without turning around, in a haphazard, almost bored manner say:
"You love the way I make the bed."

She just walks away shaking her head in quiet stupefaction and amazement.

Women, so easy to read...
Nat Lipstadt Aug 2013
What ya doing?

Cheating on you.

With who?

"Here are the names of my lovers."^

Oh I thought it might be with all your you-think-I-don't-know semi-secret lovers on
HP.
Caught, and laughing, and loving it. Boys and poets: don't leave your tablet and you guns
unlocked.

^See "Here are the names of my lovers,"
from earlier today.
Nat Lipstadt Mar 2015
I Am Not Yours
Sara Teasdale, 1884 - 1933


I am not yours, not lost in you,
Not lost, although I long to be
Lost as a candle lit at noon,
Lost as a snowflake in the sea.

You love me, and I find you still
A spirit beautiful and bright,
Yet I am I, who long to be
Lost as a light is lost in light.

Oh plunge me deep in love—put out
My senses, leave me deaf and blind,
Swept by the tempest of your love,
A taper in a rushing wind.
And see this poem set to music...
http://www.youtube.com/watch?v=6cUbI8ibYZo


I was fortunate enough to see the New World School of Arts High School Choir perform  it last night...the music led me to the poetry and Ms. Teasdale will make an appearance in my next poem...

On August 8, 1884, Sara Trevor Teasdale was born in St. Louis, Missouri, into an old, established, and devout family. She was home-schooled until she was nine and traveled frequently to Chicago, where she became part of the circle surrounding Poetry magazine and Harriet Monroe. Teasdale published Sonnets to Duse, and Other Poems, her first volume of verse, in 1907. Her second collection, Helen of Troy, and Other Poems, followed in 1911, and her third, Rivers to the Sea, in 1915.

In 1914 Teasdale married Ernst Filsinger; she had previously rejected a number of other suitors, including Vachel Lindsay. She moved with her new husband to New York City in 1916. In 1918, she won the Columbia University Poetry Society Prize (which became the Pulitzer Prize for poetry) and the Poetry Society of America Prize for Love Songs, which had appeared in 1917. She published three more volumes of poetry during her lifetime: Flame and Shadow (1920), Dark of the Moon (1926), and Stars To-night (1930). Teasdale’s work had always been characterized by its simplicity and clarity, her use of classical forms, and her passionate and romantic subject matter. These later books trace her growing finesse and poetic subtlety. She divorced in 1929 and lived the rest of her life as a semi-invalid. Weakened after a difficult bout with pneumonia, Teasdale committed suicide on January 29, 1933, with an overdose of barbiturates. Her final collection, Strange Victory appeared posthumously that same year.
1.9k · Nov 2014
but that's just me
Nat Lipstadt Nov 2014
prefer celery to carrots
light scrunch over an orange hard crack,
straw red over berries bluest,
coffee over tea,
skies white clouded
over
all clear, unadulterated uni-tone,
blondes, brunettes, redheads,
even pink or blue haired,
well, ain't going there
(wink wink,
too smart for that...)

but that's just me

colors viral virulent  over manhattan grey~black,
a good Pinot over a glass of Jack,
beach and sea undefined
over lake delimited, outlined bounded,
ocean caught fresh over farm raised,
city slick over country sweet,
striped bass over monk,
tuna bests salmon,
but both miso coated please...

Italian Indian Ethiopian
Sushi and occasionally Chinese,
all grand,
but my kosher deli and dogs, pickles,
yellow mustard ball parked,
tops them all
especially when serving
all-you-can-eat
over tasting portions...

but that's just me

right over left,
naked better than ****,
polite over rude,
Rembrandt tops Vermeer,
but his light nonethess,
extra over ordinarie...

Swiss over white American,
Gruyere beats goat cheese,
citrus tops apples,
sweet melon my
secret passion,
paprika and oregano,
never ever cilantro,
milk over OJ,
especially, grade A
milk of human kindness,
all flavors

love my poems centered,
(except for this one)
with no sugar added,
but a lot of cream and sweat,
both a necessity, not a luxury,
prefer mesmerizing,
crafting hard, laboring,
me writing, you imbibing,
leaving you oohing and loving
me
because of the appreciation built in
over
ditties that are semisweet
sugar nadas that populate the
easy come easy go away
poem of the day

but that's just me

like myself hard
cause when I melt,
to a child's grin shyest,
laughter silly me provoking
it is ever so better so...
tears, any kind, don't mind
laughing and sorrowing pouring,
let genuine be my only test
speed limit barrier unlimited

sorta saved a street crossing
phone-occupied-woman yesterday,
put my arm across her body
fast hard, unasked
so she wasn't
bicycle crashed,
both looks well received,
the *** and the gratitude,
but latter over former,
if I had to choose,
but I dont

but that's just me

Joanie M. over Judy C.,
Amy over Adele,
Eva Cassidy over all...
Zombies over Beatles,
Blunt over Taylor,
Rhyming Simon over Billy Joel,
no typos over flaring,
glaring no caring...

your poetry over mine,
cause it amazes,
cause mine,
just old familiar crazies,
just runaround Sues from yester pester days,
transcribed for a someday later
future grimacing laugh of
good god did I write that!

but that's just me

wrote quite the many
literary escapades
this morning,
like the yore,
good old days,
when every glance,
remark passing
made me run
to tablet them
in perpetuity ASAP

placed them before you
scattered thither and dither,
like all that jazz notes
running hands over planes geometric,
most just average,
but all there in hopes
you would love me better

but that's just me

sneaking inside you with
a wink, a tink-ering whimsy,
a stupid smile, a wicked sinning
humongous grinning
with a belly laughing,
havoc raising, me crazing,

*but that's just me
11-1-14
thinking I like celery better than carrots, and the rest you just read...
Nat Lipstadt Feb 2015
read a thousand love stories,
pause, rest awhile,
read ten thousand more,
and then deny equality.

If you ask for no more than you can give,
you ask for not enough

love is imbalance not an equation,
with a single solution

love has both constants and variable factors

so you write of tribulations and tributes
so you write of lamentations and liftings

you think you are on the same page
perhaps
but do we not all read at different paces?

one of you is solid, one is dotted and dashed
one of you is straight, one is bent, forever curving

when you think you are
in balance
in the same place
in syncopation

perhaps you are for a moment
a calculus of one point on a trajectory

and you say I can only ask for what I give
and am given
and no more,
you have miscalculated

this flux
flummoxed
when the old terrain is flayed flat
but thru the windshield you see the
plateau ends, the geography unknown,

when you see unknown
when you seek the unknown
when you give from places you did not know
you had to give from
when you kiss a hand
for  twenty minutes more than than the one minute you intended
when you give more than is asked
when you ask for more than you can you think you can give
the imbalance is the only concert
the imbalance is the the only constant

how do I know this?
what are my credentials?
you are not a teenage girl,
what matters of what you know of these matters?

I am who I am
a diversity of man and manner
I am past prime and in decline
but this I know
for having failed ten thousand poem times
you must ask for more than one can give

but that's not fair!

silly one, still wretched confused,
even after one hundred
thousand poem times

you must ask of
yourself
more than you can give
and ask no less
demand no less

a body in emotion is not a body in rest
when the imbalance is too great or insufficient
then you write a poem
look in the mirror that cannot lie
and move
on
or
move
off

and begin to ask
yourself
to whom may I give myself
more than is asked
then you have finally asked
the correct solution to the
unsolvable equation
1.9k · Apr 2014
Mashed Mashup
Nat Lipstadt Apr 2014
life is our poetic reality,
you are the best ever
metaphor,
the one poets
keep stealing from
each other,
at the intersection
of our eyes crossing

your disruptive crying poetry,
bring to me in NYC,
and I'll take you to
poetry slams,
tango parties, a real Chinatown,
blow smoke up your nose,
Waltz step on your toes,
drink with you
in Central Park at five am,
visit half a dozen museums,
take you to the ballet,
and then you can maybe,
cross a few to-do's
off of our mutual
intersections

care taken,
if you want hide deep,
but to late for thee and our world,
your name on the roster
of poets by night,
tinkers, soldiers,
and some who tailor
poems bespoke
for the ones who
dare not reveal their true (s)elves
in the words they write.

1431
poems in ye old inbox,
genteel knocking,
whispering thru stolid front door
love me a little lot,
little lot, love me?

these are the holy-of-the-holies
attention-me-crystal-cries,
prayers, wry observations, nature collations,
me and thee adorations,
heart rendering
screams of need,
these are the moments in your life
raw-roughened gifted
or threaded smooth cursed,
but tendered unto my caring

am old man.
my poetic voice is just
memories that are
repetitive lies and lines.

speak in simple sentences declarative.
this is nature's way.

darkness approaching is indeed my
au courant poem, mon actuellement.

I have seen betterdays

ain't young enough to be afraid no more
write what pleases me.

this day leases me
what pleases me
and this is as close as I can come
to being human
and writing my flawless poem.

Anything I can do to keep you,
happy and poetry-free
from midnight
till the **** crows
and slumber trumps
the restless words
that will wait
till mo(u)rning born,
and the kingdom of poetry,
awoken,
comes alive

These four senses all recombinant,
On the cheek, on the tongue,
Wafting, tickling, blasting, visioning
Merging into a single touch
That my pointer finger,
by force majeure,
Declares, here,  poem aborning,
Contract with this moment,
now satisfied.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me

long have I searched for my
flawless poem,
knowing it my be
my next one,
each a doorway to the next

this one, and the
one before,
never good enough,
keep the essay going
in fourth gear

I taste skin,
like a good poem,
the cheek, the shoulder bare,
the in between spaces,
the minty hint of décolleté,
the ankle chain,
turning my breath heated,
tips of red noses,
I take and
I keep
and no,
no refunds, no returns

nowadays,
grandpa's tools
outdated, shelved,
in their final
resting place,
blades dulled,
the technology
of his verbiage,
rusted by old age

the reads diminishing,
his touch, antiquated,
his best days, resting on top of
the ocean internet waves
his summertime buddies,
sand sun grass and
sea air perfumes,
singing,
"awe, we got ya,
cosy and comforted,
awaiting you in your chair,
overlooking our truest
sheltered applause"

so I write for me,
write for her,
for with her,
in love's sight,
life is
easy like Sunday morning,
and
that's why I'm easy,
like Sunday morning

wake up unscrubbed,
sleep still in the eyes,
dream crusted,
probably unaware, child,
that you are a poem
sleeping

when a little girl,
reverting, designing
real from dreams,
processing, reforming,
the dreams lusting
to be poems
to go awandering

don't
let the sin memories
of ancient words,
black gold bubble up
with the first striking of the blade

Delve
(excavate your soul deep)
Not

I did not come this poem to write
I did not come to repeat
Solomon's poem,
nothing new under the sun

don't,
daunting
wish to delve into my delusions,
my original sin
the deceit
the conceit
I am unique
I am original

*Experience anew,
Each time,
Say:
This is my first time,
This is my first work

I do not need your validation.
I validate myself
and in doing so,
who else
comes along
for the ride
on our tide?

create with no shame
create with no measuring stick
only this:
everything that is done well
                           is good art

Be Fertile and Radiate
Excerpts from stuff written between late March and early April.
I write about poetry, writing and their intersection inside of me, probably too much.
Nat Lipstadt Jul 2023
And So the Day Begins (Bring Them Home)

~ With love for T.R. & S.R., my friends ~

<>

Their spirits, sensed, well kept,
in a sudden breeze, a sudden sneeze,
at the precise exacting, millisecond,
when skin, mind intersect, coinciding,
Mine, Theirs, and wet eyes and
smile traces arrive unbidden but both
together, always simultaneous and I know,
full hearted, full throated gasp grasping,
my soul and hands, touching, clasping,
in the kitchen odors, morning coffee,
early daylight across my face sweeping,
on the tongue, their taste on mine,
and I am present in this moment
as they are too, with me forever if
but just for a heartbeat, maybe two,
stilled yet, my heart trembles as it fuses
with Them and Everyone of Us is renewed,
and so the day begins,
Oh Our Children!
remembering, a point on our journey,
our always unbroken continuum.



<>

7:17AM
July 22
Two Thousand and Twenty Three
but one more day until…
mine eyes wet, can’t be dried,
and all around no one notices,
but there is contentment even
in that,
as it is my private momentary placement,
in Heaven on Earth,
all together,
merging…
Nat Lipstadt Jul 14
This is how we "live"
from momentary to momentary,
from under coverlet to coverup
putting ✅'s  next to a litany
of little tasks, diurnal scheduled
and their completion is proof
you really made to that minute
of each day, a survivor,  for only
you can schedule, only you can
check it off, only you can rationalize
and hide the private shame of the
conscious deletion of the unfulfilled
                                                               untruths
                    
from illusion to illusion,
like wearing the right clothes
for the occasion, and/or going naked,
hoping no one calls you emperor,
you are chilled - put on an illusion
to keep you warmer and only you
know you're dressed for winter,
scarf gloves heavy overcoat for
SPF 100 protection from the glaring
of July's humidity's sunny suffocation's
                                                                      ill disposition

this is how we navigate our
basic training until habits engraved
on your skin are the wardrobe we hide
within, some even change our name,
our defining characteristics so others
can admire the unreal you
create, all dressed up in couture
illusory, smiling graciously to
imaginary fawning admirers and
you shed real tears for real emotions
conjured by dreaming lightly the fantastical
                                                                ­            delusionary

you cover yourself in metaphors,
eating adjectives like sugar and
nouns like satisfying carbohydrates
so you feel full for a minute and then
run to the mirror for more pretending
pre-tense verbal alcoholic snacks
                                                         getting fat on self~deception

your watering eyes make writing
so difficult even though the tearing.
words easy come and easy go out
                                                           but here, you persevere

you pretend you can change your name,
adopt and adapt to a new persona, thinking
how pretty I look in this new dress,
how thin (!) we appear in a fresh slim 8
thin fit suit, tie perfectly tie knotted, etc.,
                                                           ­        at our personal funhouse mirror

but she (who?) encapsulated it perfectly
in the Sixties, "it's life illusions I recall,
I really don't know life at all"
when/if I make it to  a century mark,
that lyrical rhyme,  I'll still be humming,
and making ✅'s on a calendar that
doesn't matter,, reassuring that ancient
nonsensical notion of I exist, therefore, I am...

12:55am,
refreshed after a nap and ready
to embrace the white light of an
empty shell of a clean unwritten sheet
of many individual minutes of the night
till it dawns once more, and the illusions
need checking off again; oh yeah, hi!
Please,

                                         DO NOT FORGET

                                               ✅ *write a poem
Very bad mood,  but it is T minus  one day two Bastille day, liberation; maybe this infernal rain will remember this is my summertime and I need my vitamin H
Nat Lipstadt Jun 2013
The Ice Of Poetry


the ice of poetry,
glassine smooth
but
charged hardness,
hits you, ****** you,
unexpected snowball in the face,

the fire of poetry,
cherished phrase, a patois,
comfort food when
whole winter skies
swallow you bleak

mutual contradictions of poetry
savaging the soothed ego,
revealing the raging id

what's in a word anyway?
It's overcast cloudy and I got nothing. No vision, no inspiration...it's Fathers Day and won't hear from my kids...I got nothing...so I stumbled on this golden oldie from long ago
1.9k · Mar 2014
with each passing poem
Nat Lipstadt Mar 2014
With each passing poem,
The degree of difficulty of diving ever higher,
Bar incrementally niched, inched, raised,
Domain, the association of words, ever lesser,
Repetition verboten, crime against pride.

Al,
You ask me when the words come:

With each passing year,
In the wee hours of
Ever diminishing time snatches,
The hours between midnight and rising,

Shrinkage, once six, now four hours,
Meant for for restoration,
Transpositional for creation,
Only one body notes the new mark,
The digital, numerical clock of
Trillion hour sleep deficit, most taxing.

Al, you ask me from where do the words come:

Each of the five senses compete,
Pick me, Pick me, they shout,

The eyes see the tall grasses
Framing the ferry's to and fro life.
Waving bye bye to the
End of day harbor activities,
Putting your babies to sleep.

The ears hear the boat horns
Deep voiced, demanding pay attention,
I am now docking, I am important,
The sound lingers, long after
They are no longer important.

The tongue tastes the cooling
Italian prosecco merging victoriously
With its ally, the modestly warming rays
Of a September setting sun,
finally declaring, without stuttering,
Peace on Earth.

The odoriferous bay breezes,
A new for that second only smell,
But yet, very old bartender's recipe,
Salt, cooking oil, barbecue sauce, gasoline
And the winning new ingredient, freshly minted,
Stacked in ascending circumference order, onion rings.

These four senses all recombinant,
On the cheek, on the tongue,
Wafting, tickling, blasting, visioning
Merging into a single touch
That my pointer finger, by force majeure,
Declares, here,  poem aborning,
Contract with this moment, now satisfied.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.
___

4:38 AM
September 8th, 2012

Greenport Harbor, N.Y.
Original posted here in May 2013, on my third day on HP. Reposting cause it suits my mood.
1.9k · Jun 2013
A Man In Search of His Style
Nat Lipstadt Jun 2013
A Man In Search of His Style

It so happens to be June.
It so happens that the picture window,
Frames a contented, bay lit, full moon.

Searched for an answer lifelong,
A devolving, lilting song refrain:
Man what is your tune,
What's your style, finally?


Examined so many rooms,
Tried out different beds,
Jumbled now, assorted, some sordid,
Some long winded, florid,
Some cursive, cursory and accursed,
Some so bitter-filled I shared them not
Lest I infect you, a sin in F major...

Love poems galore, and yet to come,
Many more.

Some seriously desperate suicidal,
Some ditty, even a mite witty,
Some eurythmic, most freely versed,
Rhyming is where you start,
Free verse when you're all grownup,
But all this delay, begs the question,
What's your style, conclusively?

Con-cluded, cannot be all things,
Took the ships conn to dissolve the occluded,
Find the truest course of my abilities,
At Port Serenity,
I arrived.

I write what I see.

A head lifted from pillow,
A one-second-long act of inspiration~duration
Becomes in moments,
A fully formed poetic inclination~curation.

Literally my eyes see words awaiting, coordinating,
Poems flying by, needing plucking,
How a child eats his morning cereal,
His rituals, informing of the man yet to be,
How our bodies lay, hair unbrushed,
Naturally tying us into a conjoined knot.

T'is the mundane, the profane of every action,
Makes my lips move, personalized prayers framing.

Perhaps this is a condemnation of sorts,
Ordinary things might bake
ordinary poem cakes,
Residue of an ordinary man,
An ordinary poet makes.

So be it, tomorrow is a farther day, when
My vocabulary may be a word greater, lesser,
But knowing now that the
Spring's source so topical,
Fills a well so deep, so close nearby,
I rejoice, mineral mental springs,
waters of inspiration, plentiful.

No matter that plain words are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?


For this, if be,
my gift meager,
I, on blended knee,
freely embrace eager,
Promising you that the
best of our lives ordinar,
Together, we shall celebrate,
Fully, and most fair


June 15th, 2013
Nat Lipstadt Jan 2014
Disordered Thoughts, Naturally

the ceiling fan overhead
shakes back and forth,
beginning, a train of
disordered thoughts,
this poem,
the caboose.

reimagined, the fan,
it becomes
a yeshiva boy
fervent praying,
his version of ***** dancing,
shaking rocking swaying fervor,
shuckling.

for what does he pray?

for advance forgiveness
for he is simulcast
requesting getting lucky,
to be knowing
the miracle of being
with a woman or a man,
thus, getting closer to
God,
naturally.

He will be excised
for being human,  
he will be excused  
for by definition,
by succeeding and by failing,
in his desire
to be close to divine,
he best divines the
tragicomic nature of the
human condition:
the joy of sin,
the sin,
of a life without joy,
naturally.


Clean sheets nightly,
turn down service,
chocolates on my pillow,
good night kisses
on each eye,
even spooning,
are not among the
six hundred and thirteen
positive commandments
in the Bible.
why not?

why,
cannot this be
constitutionally amended,

by voice vote
of anyone who cares
to shout out a yay,
or blink approvingly,
or signs by fingers
sugar snapping and
hands, toe tapping?

all methodologies
intended to indicate the satisfaction
that comes from changes
made not in,
but also
from
the human tissue of heartbeats,
naturally

Somewhere
a solitary fish
swims upstream,
against the current,
defying odds...

weird,
the ways things should be,
never thinking,
wondering out loud,
why compulsion impels
so many living things
to do the opposite of logical,
natural in so many ways.

never asking,
why a fish must struggle to spawn,
upwards and onwards
to die so it, and the
the man, the bear,
he will feed,
the progeny released
can live?


for if this is the
natural order,
then is not nature,
too oft logically discordant,
and thus
disorder is the
state of being,
naturally.

Something makes me
awestruck and wondrous silent,
ever time I touch a
young child's skin,
joy instantaneous takes hold,
true shock and awe
succumbs me.

cannot be just miracle mine,
the sensation of life so sweet,
wondrous on my fingertips,
that repeated stroking is
******* addictive,
naturally.

what would be the harm,
if this soft shell of derma-finery
were a permanent condition,
a constant reminder,  
we all share,
born and bred,
a premier clean slate of
natural innocence unblemished,
perma-frosted prima face facile,
naturally.

this was how
we were created,
why perforce,
was it deemed orderly,
'better'
to evolve into something
grizzled, cracked and roughened slowly,
naturally.

Strange thoughts
are my normal fare,
if you only knew
the laugh of it,  
you might recommend,
keeping them closer still,
and me
far away from you!


maybe there is a God above,
but if there is,
he be
responsible for the sleepless nights
where stanzas of
whimsy, pain and joy are soldered,
ironed into a coalescing coalition,
denoted as a
restless and disordered mind,
but of course!
not my fault,
naturally!

next time we meet,
see smiles irregularly sweet,
turning,
reversing to and fro,
for such is the
inchoate state
of what transverses
on my cellular network
these rambunctious dark hours,
naturally.
these disordered thoughts, are nature allied, nat-urally...
Nat Lipstadt May 2013
The Numerical Quality of Friendship

The quality of friendship is non-quantitative.
Yet, I ask you to number me this way.

With tape measure, determine that:
The length of my arm's embrace will always be
longer than long enough, and when distance magnifies sorrow's gains,
my shoulders measure wide enough to pillow your wearied head.

The depth of my pocket is finite for by definition,
a pocket is but an open doored, three walled shelter.
My pocket of shelter is forever open, forever deep,
and forever is infinite.

Trust that when bowed and bent,
upon my shoulders climb and together we will be tall enough
to touch the season's new fruit upon the tree of life,
and with one tongue taste the unimaginable!

Do u think that mercury can measure
the warmth of my tears when love sears my heart,
or the heat of thy skin when it heals and cauterizes
wounds salted by the mistreatment, by the bitters of the weak ones,
who rejoice when they scald others?

Size me up.
What is my volume?
What are the boundaries that
length X depth X height
state must limit my capacity to cherish, to heal,
and even to forgive those who deserve no forgiveness?

If you measure me well and proper,
if I meet the standards that qualify me to be called friend,
then friend me here, friend me now,
friend me for the qualities I posses,
and number us a unity among the few
who are truly blessed
by a quality of friendship that cannot be measured,
for there is no scientific instrument that can quantify,
limitless.



March 2012
1.9k · Oct 2013
Bye Bye Don
Nat Lipstadt Oct 2013
Dedicated with great pleasure to
Stephen E Yocum and Ilion Gray,
Don fans both.*
---------------------------------------------

Created: Mar 26, 2011 10:56 AM

Written the day after a Don McLean
concert at Town Hall, New York City*
-----------------------------------------------

We stood shoulder to shoulder,
for our voice was soon to arrive,
we were friends of Vincent's friend,
a starry night decorator,
chronicler of our youthful days,
who tonight, returned to us,
harmonizor of memories
of long ago,
one more 'last' time

our bodies we pledged to him,
our allegiance we displayed
via our uniforms,
most of us decorated with badges
of our mutuality,
medals of weary grey,
lives worn, patient sat to hear our
youthful anthems and
dormant dreams,
re-populated in our hearts, live,
alive,  resurrected, babes once more

Chevys and levees and then
by God,
we were dancing in the aisles
Like we used to,
one more time,
grassy odors enhanced our
recharged our voices,
we swore fealty to our memories,
said goodbye one last time, again,
to our youth and American Pie

I swear it's true that
this anthem of tribute and attribute
to who we were, makes
tears stream down my cheeks,
a taste mixed, salty
but also, bel canto sweet,
always simultaneously

forty years blink disappear
and I am ****** on
a summer nite in Sixty Nine,
sitting on my porch,
high up in Cleveland Heights,
and "future," was not yet
a ***** word

My red 65 Mustang makes me
a big shot,
I fall in and out love
and/or so many woman's beds,
pillow talk of how we won't be
like our parents cause
we are gonna make over this lousy world
they bequeathed us,  
how we're gonna let the Cuyahoga River
burn off fifty years of industrial waste,
the future will be born anew,
the urban orbs,
we will plan and rebirth,
they will be human beautiful

Earned my summer wages in
a Republic steel warehouse
where this college kid
who then was car-less in Cleveland,
a sin, hippie bicycled to work where
he was mocked & crowned
on his hard hat,
"The Macaroni Kid" -
he had foolishly revealed
to his ha ha,
Fellow American Co-Workers
his student budget dietary staple

but when in he was deep in the belly
of the railroad cars
where they lowered him
to chain together
the custom shaped steel rods,
on their way to be
the skeleton bones for the concrete blocks
to build the Jane Jacob's
neighborhood-killing bland apartment buildings,
that we both so despised,
building blocks of the
USA's cities of anomie

In the railroad cars, this kid
sang Don's songs softly
to himself and was happy

Lamenting the loss of our
carriers of hope to the
trajectory of assassin's bullets,
I cut my hair, shaved my beard,
for the music had indeed died.

Returned to the NYC in '72,
lived on Bleecker Street,
scrounged the streets
of the Village by nite,
a seeker of urban truths,
loose women, and junk "wood"
to burn in the fireplace of
my third floor walkup

working daytime office jobs,
at night, we drank new drinks of
tunes of english imports
and unbelievably, later on, disco

but we never forgot a single word
of our Bye Bye song,
ode to our wonder years

So on a March chill night, 2011,
the now all grown ups
were petitioned to come,
meet at Town Hall,
on the agenda,
a motion of recall
to bid one last
fare thee well
to the glory days before
we crossed the line from
rebels to voting citizens,
from spirited rock n rollers
to grumbling taxpayers,
from kids to parents

So I weep and smile and
do so for all of us
for I will go out
booming, singing, way too loud,
no decorum for this adult,
bid adieu to our best days,
one more good old boy,
now just a good old man
drinking whiskey and rye
smiling, crying, all mixed up,
sad, happy, touched inside
one last time, by the lyrics,
you know 'em well from
from so long ago,
so long, Bye Bye,
My American Pie
Nat Lipstadt Dec 2013
this shall be:

this shall be
my last poem of the year,
two thousand and thirteen,
with the muses' permission.

a fitting one as well,
for the words,
come easy,
like so many did this
annus mirabilis, year of wonders.

firm I believe,
words are living tools,
constantly being reshaped,
fitted to the occasion.  

care must me taken,
words hurt when wasted, abused,
or used in contravention to the creator's
intentioned purpose of intended good.

so when a brother, a poet-man
hits the nailhead, words writ,
encapsulating an emo shared,
this reserves, a poem-celebration!

lines between humans unseen,
somehow too easy, rightly crossed,
guards dropped, secrets exposure,
with the ease of feeling no discomfiture.

yes, this is the Internet age,
sharing revelations often cheapened,
boundaries collapse,
when no consideration given.

when there is no skin, no eye-glance
real-exchanged, no feeling, no voice,
casual, to do, easy to say,
what is the risk,
what could be the casualty
of this causality?

the risk is fearsome.

so when the venture is for the better,
what matter the absence of the physicality,
the tears and hugs imagined
as good as any non-virtual,
but in the coming year,
this I swear:

I will be, I will be becoming, I will become you,
unto you, for as was written, so shall it be,
for as was written, it will become,
a beautiful first, a first re-union,
that will be.

this notion so pleasing,
yet inherent contradictory,
aye, there's the rub,

a first re-union of the unmet,
to mark this three hundred and sixty fifth day,
the creator bequeathed me these prayer words
most easily, most faithfully,
as a blessing for all of us.



Dec. 31, 2013
3:54 pm.
NYC
I hope to meet as many of you as I can, in reality, this coming year. 2013


next week, June 2018, Oregone...
1.9k · Sep 2013
What do you want from me
Nat Lipstadt Sep 2013
Like the chef who hates to eat
The playwright who cannot act,
The clothing designer, a nudist,
The brave hero, so shy, a stammerer,
The musician, a deaf mute,
The architect, who live in a tent,
I am a writer who hates to type, for his fingers disconnect his eyes, his brain his insane

I am the father, who knows not his own children,

I am the man who hates to shave, and shaves twice daily,

The man who knows nothing of nature, but writes
in and of it constantly.                                                      ­

The man beset by endless money worries,
Who gives his capital away to charity in increments of thousands,

I am the man that never passes a street beggar,
Even the obvious frauds,
Without giving them a bill, and a god bless you,

I am the man that would gladly die young whose
Mother lived to ninty eight and gene'd up him good,

I don't know what you want from me.

I write to please. But I seem incapable of
Giving, paving streets with words you what u want to hear.

Moon, June, pill, ****, me me me be crap on this

I am the chef who cannot cook
The nudist ashamed of his body
The stammered into silence
The mute who screams inside till deaf with frustration
I writer of thin air, the unfair. I know not what
You want of me.

But I weep with frustration at the paucity of my expression,
Good god my final destination not close enough

In the hands of strangers, rejection
In mine own, verbal strangulation
Even

Whatever

Is
Insufficiently
Disdainful

Painful
I cannot give you enough of/if me to satisfy

What is it you want from me

I will write to displease

Why not do
What I do best
Anyway
Secure that this voice
Is lost among the voices
Answering

*whatever
I composed the anti-hallelujah

Are these verses, curses
about Depression
our mutual acquaintance,
or just research notes for further followup,
part two of a pas de deux, and,
did you go this time, too far,
or still not far enough?

Is this why you have deserted me?
Nat Lipstadt Apr 2015
for R.A.
our northern friend*

~
one foot in two countries,
she is enjambment symbolic,
running a single stanza
without a syntactical break,
by standing simultaneous
in two neighboring cultures

causing her dear readers
from near and far,
some, like me,
from across the borderline,
considerable multifarious symptoms
of
well considered verbal confusion

this,
a gifted special talent
from
she
who straddles  
all kinds of borders
that divide
her
and
unite
her,
that
can be understood/revealed tho,
when observing the northernmost night skies

eh?

expert in modulating
extreme snowed under bay
winterized temperatures,
counterpointed by
drivingopen highways
on summer plains
where the dotted line is
all there is to see
for miles, thousandths wide

she-poet
oft goes quiet,
expelling her breath
between word roarings,
gentlest of periodic
verbal sweets

genteel
my word version for her
gentle so,
in a way that
makes gentility
deserve the nobility
inherent

that is the
work word
that always comes first
when we need to place her,
another star
in the night
flying frying
firmament

enjambment - her word

means I am
all in,
with both hands,
resting on both jambs
of an arched window
that she architects,
peering in,
Making Sure,
I have come to the right place

where she-poet
builds skylights of
northern lights,
igniting

adore her sweet
confusion,
but better yet,
her poems
of clarification
that explain all in,
why when,
we
all look up,
thru her
window exquisite
that she
meant
for us

we always first
turn our glacé glance
northwards
strangely, seeking, illogically,
but not really,
warmth
in the she-poets
northern way
For Rebecca Askew
Nat Lipstadt Apr 2014
Central Park transformed,
a natural stadium
of tourists, strollers,
drunk on:

spring beer Buds,
or
buds of forsythia

maps upside down,
smiles right-side up

Amazing,
they don't even notice,
'walk on by,'

the white shirted, black suited  
unicorn playing the accordion


or the

violinist
imitating Charlie Chaplin,
playing both her instrument and
her hula hoop,
simultaneously


ah Central Park,
your air is like
a first cup of spring,
a first morning coffee,
a fresh breath of
a special new,
if you know
how to
just be,
in NYC
Just another true tale of life in Manhattan...come walk with us...

http://hellopoetry.com/poem/482482/in-my-sweet-city/
Nat Lipstadt Apr 11
Ah, Pradip,
once more, like a 1000 times before,
you submit title, demanding a poem,
daring me to author it's entire body & cell structure,
give it a native language birthmark, and a history unique,
even a name

Un fair!

Is it only me that you burden so, I doubt it.

Each of us has the right to the small tinys, things we see,
the embellishments of our lives,
filling our hives with pure honey,
and letting the other others peek
over our shoulders, as we write to each other,
always one more time until there is no more time

Do words have any boundaries?

How is it that words can cross the seas, the mountains, all the while,
interjecting the fullness of their import?

What time is it you ask?
Here, not yet 5 AM, and once more, here again, roused from sleep after vivid dreams, and finger pointing of my poetic life responsibility to complete this task, you gave me unasked, but know me too well, for well they rang like a bell in the brain,
a burr in the bed,
a gun to the head
Each
and all commanding,
fulfill me!

Do words require a passport to cross oceans? Do words have citizenship?
Why does entry into a different country require each time, a new poem?

yes, the house is dark,
I am alone, but not really…

The words that are conscripted to be issued, in this missive, fall so easily from my lips, that it is as if they were already there,
MRE's
?
pre-prepared, "meals – ready – to eat, "
for voyaging to the Indian continent, not caring if they came alone, or with my body in their person possessed

How is the little granddaughter?
Does she command you to write poetry too?
Does she write poetry too?
Does she learn English as well as her native tongue?
How do you tell her that you love her, celebrate her,
and that her fame and escapades are unkempt  
by real geographical boundaries,
and travel around the world?

Ah, You see
I have charged you now with responsibility!

Ah, the tables have turned, now boundaries must be crossed again with a passport issued from a foreign land (foreign to me anyway),
And I wonder and wander, when they arrive, how will I know,
commit them to memory, and love them with all my heart forever?

Praddip!
Go for one of your walks on quiet nearly empty roads, see the old people beside them, doing the things that old people do,

and memorialize these moments,
you do
so well, so fine, and let the other onlookers hear them spoke, in every language, so many love poems to life, we do not lack for any,
but always, always, always,
demand and require,
n e e d
(he howls)
one more!

Time: 5:1 2 AM
Eastern standard time
New York City
By the Atlantic Ocean
On an island surrounded by water,
That 1,000,000 or more every day pass by,
And here,
h e a r not the flow,
lost amidst
the blaring megaphone of silences
of
city noises, city words, cityscapes, human miracles, and tragedies, it cannot be.
that
I am
the only one so burdened!
And by well traveled poetry,
so un burdened

This semi private, totally public,
Love now,
Love note
is complete as of 5:16 a.m., and after a quick review, will be sent on to you, for submission of a unique-passport for
with its very own
valid entry stamp

nml
please, as usual, advise any typos (toe matoes)
Nat Lipstadt Jul 2015
perhaps if you are
one of the few
multiyear variates,  
still here, still seeking
solutions
to the
equations of
human formulation,
one of the veterans of the
early word wars,
when the line between fellow poet
and human being was full of
invitational openings,
tween those dots and dashes,
we all eagerly entered those places,
crossing over into
those human openings,
making poets into friends^

yes,
we were social for the humanity
patented in the very word
social

we encouraged,
we critiqued wearing a flag
made from the fine fabric of fellowship,
crossing global borders and time zones,
even planets,
with only a hand-made
poetry passport
constructed from the
tissues of our hearts

each one of us,
A Little Prince,
lost
from other worlds,
but all
found
ourselves together in a
hospitable desert

so strange,
we found companionship,
genuine in ways that
make me weep when I recall it,
so many aviators,
flying low, neath the radar screen,
speaking one language of a thousand dialects

the networking was spontaneous,
friendships formulated,
real hugs exchanged,
no ulterior purpose, no quantity of glory sought,
no favors traded,
there were friends,
not followers,
just sharers

we valued the first amendment of our lives,
the right to speak freely in poetry

I wish you had been there,
here,
back then
^ an excerpt from "21 hours ago"
http://hellopoetry.com/poem/1140915/21-hours-ago/

Typos? Text me and let me know
1.9k · Jan 2014
I'm tired of rich people
Nat Lipstadt Jan 2014
rock and movie stars?
TV shows
telling me how to live.

gonna have my people call your people
to set up a meet,
so I can tell you direct
shut the **** up,
please.
1.9k · Jan 2016
shelter from the storm
Nat Lipstadt Jan 2016
Shelter from the Storm
by Bob Dylan**

'Twas in another lifetime, one of toil and blood
When blackness was a virtue the road was full of mud
I came in from the wilderness, a creature void of form
Come in, she said
I'll give ya shelter from the storm

And if I pass this way again, you can rest assured
I'll always do my best for her, on that I give my word
In a world of steel-eyed death, and men who are fighting to be warm
Come in, she said
I'll give ya shelter from the storm

Not a word was spoke between us, there was little risk involved
Everything up to that point had been left unresolved
Try imagining a place where it's always safe and warm
Come in, she said
I'll give ya shelter from the storm

I was burned out from exhaustion, buried in the hail
Poisoned in the bushes an' blown out on the trail
Hunted like a crocodile, ravaged in the corn
Come in, she said
I'll give ya shelter from the storm

Suddenly I turned around and she was standin' there
With silver bracelets on her wrists and flowers in her hair
She walked up to me so gracefully and took my crown of thorns
Come in, she said
I'll give ya shelter from the storm

Now there's a wall between us, somethin' there's been lost
I took too much for granted, I got my signals crossed
Just to think that it all began on an uneventful morn
Come in, she said
I'll give ya shelter from the storm

Well, the deputy walks on hard nails and the preacher rides a mount
But nothing really matters much, it's doom alone that counts
And the one-eyed undertaker, he blows a futile horn
Come in, she said
I'll give ya shelter from the storm

I've heard newborn babies wailin' like a mournin' dove
And old men with broken teeth stranded without love
Do I understand your question, man, is it hopeless and forlorn
Come in, she said
I'll give ya shelter from the storm

In a little hilltop village, they gambled for my clothes
I bargained for salvation and she gave me a lethal dose
I offered up my innocence I got repaid with scorn
Come in, she said
I'll give ya shelter from the storm

Well, I'm livin' in a foreign country but I'm bound to cross the line
Beauty walks a razor's edge, someday I'll make it mine
If I could only turn back the clock to when God and her were born
Come in, she said
I'll give ya shelter from the storm
2:17 am
listening to the prophet, this one of many,
one eyed undertaker, blowing his futile  horn...
Nat Lipstadt Sep 2013
It is where it is, not where you are...

Switched this week from ice coffee,
Back to hot, on September Thirteenth.

The chain busted,
No Adirondack throne, no audiences of
Southbound geese, my new ******* fans,
No **** arrogant deer
Pitying the stupid humans,
Occupying their lands.
No racing rabbits, crickets underfoot,
And in the house,
No raccoons bigger than a colt.

No just living, breathing eyes, seeing paradiso,
No place for god to come visit to chill,
And ask for atonement for chemical weapons

No bay waves soulfully soothing,
No sun, no cherries by command,
The breeze, voila, a nasty cold wind,
The bath-waves ain't no **** substitute,
Not-Near good enough,
No matter how hard I splash.

**** right I was worried.
I lifted up my eyes to the mountains—
From where will my poetry come from?

From men.
From women.
From you-reminding me,
It is where it is, not where you are...

It is here in the unread tragedies,
The wails so plain, repetitive,
The screams that never cease, the
Poems, yours, that deserve ten thousand likes,
But die ignored, despite, my best efforts.

It is in the newspapers,
Chroniclers of our daily,
Inhumanity,
And papal words, that lift a jew's heart,
That poems get birthed.

It is in the woman's dictums
About doing this and that
And where that is most preferred.

Point made. Quitting time.
It is where it is, not where you are...
That about sums up my morning...
Nat Lipstadt Apr 2014
~took a walk in the city today,
and this happened in the O'Henry tradition~*


the blind man crossing E. 15th,
does not look, nor does he care,
all foes on-coming,
come hither, he dares

his light is red,
yet his cane extended,
he click clacks steadily ahead,
unaware and unbeknownst,
his new step by step sidekick,
Sheriff Natty,
is writing an air poem to a
taxi driver with his
shotgun *******,
a NY gesture of
welcoming *******...

a green light means passage
is a taxi's right,
but my left shoe firm
attached to his bumper,
plus multiple looks mine,
any of which could ****,
his argumentation poses
do somewhat chill...

the sheriff of the city, his motto,
sic transit finger gloria

~

among the sadder sights
of city life
is contrast...

the dark-only coolness
of an Irish bar,
on a bright spring day
when life and love
is bud sprouting
while old white men,
on single soiled solitary stools,
their colored cheeks green
from the reflection of
TV emerald diamond fields,
sipping many pre-game $3
Guinness draughts

around the second inning,
they switch, onto
boilermakers to make
the languid afternoon stretch on,
this I know for sure,
for in the large gilded mirror
behind the bar,
see the barkeep's back asking me,
"what will it be for you
this fine spring day?"


~


next to the bar, in the corner market,
an old man's hands tremble in an old man's way,
in a way I only know thru his testimony,
as he does his daily self-feeding,
his wallet removed, fumbling for two
single soiled solitary one dollar bills.

the shopkeeper's fingers
beat the counter impatiently,
the old man's beer brown bagged,
transport ready, though the old one
rather be next door,
the extra Dollar saved causes
a last minute delay, shaky fingers,
asking for an extra purchase,
a small can of dog food please,
so he can watch the game at home
and share the same meal
with the man's real and best,
and only true spring weather friend

~

the mayor proclaimed as a matter of
public safety, public decorum,
a pack of three or more woman
wearing all black Lululemon athletic wear,
were now banned from being outside after nightfall

later this night, in Carl Schurz Park,
many vamp voices were heard
singing the lyrics to
"i want to do bad things to you,"
but they staked him only
to a free color reeducation

~

these takes I witnessed,
all or some,
these tales I took
some or all,
from beneath my skin,
where city streets grit
injected beneath my skin
came with the title,
City Boy,
and honored me
with its O'Henry life and lore,
and the vision to believe what is
in my bloodstream
Just another true tale of life in Manhattan...come walk with us...even if not present, my present to my sidekicks are these vignettes from an ordinary city walk...always present with me...my crew...

http://hellopoetry.com/poem/482482/in-my-sweet-city/
Nat Lipstadt Apr 2018
how this came and come to be,
from gone to come to gone rediscovered but unreleased,
a passage thematic that birthed
fully formed, formal in its inception,
contented in its first appearance and
its primary coincident deception

who wrote this? not me? could not be!

yet a scented hint of
eau d’familiarité
suggests that I may have
inadvertently
plagiarized
myself

this old poem mine,
we certifiably have never met,
but nonesuch a hail fellow met,
that upon our (re?) acquaintance,
the heavens marked the occasion with
hail and neither of us deemed it strange

so we well recall our ancestor’s words

”there is nothing new under the sun”

adding our brand new imprimatur
”not even June or the Moon or other iconic loons”

we may have borrowed from the insights,
recollecting what happened to us when separated at birth,
envisioning like the prophets of yore what was implanted
long before  we remembered it well
upon its birthday

our intertwined twinning
fate befallen*

   postscript

quaking heart, trembling pointer
dawning and dying
simultaneous

neither tissue, cell, molecule,
i am but a composite of
letters, alpha bits and bets,
recirculated songs and tunes born
like me,
compromised, bridged,
newly un and recovered,
lengthy and unabridged,
my appearance faulty,
my eyes ****** ruddy and red,
my fingered tips blend and bleed
words acquired, words invented,
marching before me,
old lands recaptured,
new ones set free

take and give -
there’s no difference -
intimation, initiation,
all
bring me home
to where my boundaries begin


<•>

this one, for the ladies who loved its
predecessor

https://hellopoetry.com/poem/2367267/the-temple-of-you/
Nat Lipstadt Apr 2018
for Jeannie Kristufek Hawrysz who once quoted me Shakespeare -
"Of all the words in the universe, when stated thrice, only one royal above all gleams best, an uncoded mathematical tripartite repetitive stating:
love love love this."

----------------------------

third attempt and just not happening
then recall a Ben Folds hand-me-down
heard on Tuesday, passed onto me by Sara B.
about writer’s block

“Kick the editor out of the room”

the best don’t even flow,
they fall out of ya, rough and tumbling,
screaming did ya get that,
are ya keeping up,
you can be the self-editing-I need-perfection roadblock
or the delivery guy, the one with the towel and the scissors, who brings ya a clean new baby, and/or a veggie pizza,
which ya gonna pick?

another nougat nugget:
when you’re stuck, write about the block,
what’s sticking you; one would have thought
some one thousand five hundred poems later,
this one would have been midwifed a long, long time ago,  
but at 4:32am, it’s all I got

rather than throw false news confetti on myself
from the rafters that don’t exist in a citified apartment,
I’ll reward myself with some
rock n’ pop,
a revisitation to the scene of the crime, and listen quiet like and maybe leak back to prone sleep,
in hopes that the rest of the gang,
hoping the words to a  poem-in-transit,
“confetti is just tomorrow’s garbage”
gets off at my dreamy new subway stop


should the wordy birdies shotgun come sneaking in
thru the correct ear
i.e. not the sunken pillow one,
so I have half a fat chance of
recalling its dimensions in an hour, 
when I wake up-officially,


fat chance

later, like 4:56am

https://hellopoetry.com/poem/2471979/confetti-is-just-tomorrows-garbage/
Nat Lipstadt Jul 2018
I spoke to Kissinger this week

~for C. C.   the reluctant poet~


read him your poem,

https://hellopoetry.com/poem/1933595/kissinger-on-park/

spoke of your reluctance
to write without the encouragement of others
(see below)

K. said poetry writing
very similar to decision making -
a single letter addition makes it into a wry thing:

writhing

but once you’ve published,
  once you have made the policy decision
then and only then begins the incision
that others cut upon your chest,
to fill with infectious assassination or
admiration,
at the risk taken

K. said: pray and trust that you reluctant fellow
and I
can non-disclose (hide) our internist discordance,
neath a sheen of stolidity that is a
pretense gravitas cover-up certainty,
for we wince when they shoulder tap you with
hindsight queries that you recognize
as retro grade F seeds
of inequitude

if you require recognition as encouragement, K. intoned,
prepare prepayments for your poems,
you have failed before even starting

please your self, lad, no one else,
reluctance is the chief ingredient in failure
do the work and pray for grace to do some
yeoman-well-enough to carry others upon the outgoing tide
of your burdened shoulders

this man who transmits my words
has been kicked off the fence, rejected,
a
frequent wrong road chooser,
for at least 25 years too,
stiff-necked like me, refuge survivor,
who leaves it all the way out
from no one nothing hiding,
freely acknowledges the policy errors of his wasted life,
can not be but the finest fodder for the retrospective historians
but he reminds us
loving children and animals is one way to say
I am so sorry for
the human judgments one must make when
first you sign your true and honest name
at the end of a
poem
or a war they call yours

reluctance is a luxury one can ill afford,
it seeps and permeates in the guise
of a sleepless temerity
and cracks the reflection served up
in the mornings first judgement,
that is,
if you dare to
reflect

<•>

~ a message from the Reluctant Poet~

“I'm a reluctant poet myself -
just started getting some
positive responses here recently,
which is ever so heartening.
I have three poems total posted!...
I'm just happy when
I can get deep down and say
what I want to say, and
hopefully give it a little beauty and
poetical magic for good measure.
The rest is up to the dear readers.”*

<•>
https://hellopoetry.com/poem/1933595/kissinger-on-park/

Apologies for the delay in reaching
inside myself and pulling deep out
with some reluctance the thousand
poems you have intuitively commissioned

indeed,, started this child over and over,
most recently over two slices on East Fifty Second & 3rd,
but in matters of gravity, write in the situ appropriate
and so it came to compo-fruition intuitively reached
in the neo-natal nook where my best ones were birthed
then released to the sea breeze carrier free to roam,
tickle fancies, kiss new brides, release the hiding
reluctant to come forth, joining conjoining words and people,
becoming the hypotenuse of some others lives/
  

and I had to get ahold of Henry which isn’t easy
Nat Lipstadt Sep 2013
The dot by your name,
The yellow lighting bolt
High tide warning
You have sent me a message private.

A tap, a flick,
We are communicating,
Comparative woes and lives
That could not be more different.

There but for history's twists,
We would share the same country.

But here comes the confess.
I do not rush to read them,
A savory, a wine that must decant,
Just knowing that you care
Put me in your prayers
Is nothing short of insanity.

Who puts me in their prayers?
Who confesses to saying prayers, anyway?

The pleasure of knowing that a you-message awaits,
Eye candy for the my mind,
But more real more truthful is
I am afraid for myself.

Distance real and virtual cannot be overcome,
Your troubles, a surrounding circle.
No angle, no escape, and I am there,
Next to you, as close as I want to be,
I, cannot be close enough.

Do you notice that I write these days
Tween midnight and six,
When the painkillers wear off?

You gift me 97 pages of reveal,
After page 2, you make me squeal.
Wordy tears are unveiled at 100am,
Force myself to open, to it, deal.

Three times a day, with food. Pain killers.
So from now on,
I will eat at midnight, take that pill,
And maybe sleep.

But for now, but for you,
There is no pill that drives away the pain
That is ten years old and still haunts.
Different pains, different pills.

But what I can do,
Is put you in something
With which, I am way out of practice,
Knee'd, put you in my prayers,
Which always get answered, tho
Ain't necessarily positive.

This pain has me hobbled.
Besides, when in the past,
Knee'd, always made Him uncomfortable, so,
I write vertical, standing up,
Overlooking the East River
And you reject my your-composure admiration,

Ok.

Here is a funny word that captures you,
And me ironically, the now stand-up poet.

aplomb
— noun

imperturbable self-possession, poise, or assurance.
the perpendicular, or vertical, position.

You possess it by the kilo.

If you say it out loud,
One of us will laugh,
And one of us still be weeping.

100am and the prayer thing comes back to me,
Way too easy.

But reciprocity of kind
All I ask for.

I know the creator is up, listening.
Cause we talk, as you know.
None will be more surprised than
He,
To see a black dotted, yellow lighting message
From his earthbound buddy.

Will it be opened,
Or like me,
Left unread, for the savory pleasure
Of knowing he has me vertical too,
Asking for his intercedence?

I don't know.
So while we wait, I give you this poem
Free and clear.  You own it.
This lighting poem,
This prayer.
For whom this belle poem rings, will know it. Let it stay that way too, please.
Nat Lipstadt Nov 2023
zero context shifts

multitasking is multi~asking your brain
to do what does not come naturally,
the enthused poem starts up, lion roaring,
a muscle car, brain throbs organic pulses
semi~******* of a near-completion in
your neuronic *****, exciting and ****
all you-writ so far is:

your name, some crazed, minimal
******* of words with

no context, no preconceived word lotion to
balm-spread over the enflamed areas of
your brain skin
except that it’s
6:47 am, coffee in hand,
your woman slumber rumbles a left over dream,
speechifying, and room, cool conditioned cold,
ignoring notifications of overnight elections,
and a reminder-by-photo where you were this
day seven years ago today, all put asided,
permission ungranted to any distractions,

there will be zero context shifts
til the
spillage of your morn squeaking meager is fully
pillage~d here, it be within my it-takes-no-
village,

@ 6:56 and Whitman is tsk-tsking at the low poetry of my scripting, Hafiz says “hey!
nothing about god or love, what good is that?”

but it’s ok for i’ve emptied the early morning
brain bowels,
defused fusses and asides, tossed asided & there is yet some coffee
remaining but the expiation for having been
reborn this newly birthed day has earned me atonement

for taking up space in this planet
and as of yet, I’ve not stated yet to any, no. all
humans, I hate you ~ but the day is infantile
and opportunity plentiful

@7:03AM
nyc
morning
Wed Nov 8,
in the year of hatred,
a/k/a twenty twenty three.
Nat Lipstadt Aug 2017
~~~
a poem derived from these words of
Joel M Frye
"Poetry is a self-policing agency, enforcing nothing
~~~

The Truth Burden
is the accursed need obligatory,
the sacred sanctity requisitioned,
when the whenever,
chooses to drops in and
upflag the mailbox,
an uninvited invitation,
announcing with precise bluntness,
that precisely now,
is the tool crafted moment
and you fool,
are the selected tool

you must render unto Ceaser,
by your own hand,
render your own rendering,
do your own undoing,
go forth and in haste,
will thyself into the cauldron of the
Great Mystery of Creation

you cannot lie in poetry

-one can only validate-

you will tell the whole truth,
and nothing but,

all in good order,
to secure me to thee,
to muddle
our molecular cocktail mix,
you must,
must give only
truth in poetry,
or give
nothing

police yourself
in every aleph bet,
don't substance abuse us with deceit,
give only your unburdening,
force us to lip kiss
when
we face each other,
when
pronouncing the blessed script of
ourselves,
that we have been granted by sharing
each other's unvarnished lettres

the burden is
to un burden

cut out what needs
to be bridged from
the secret walled-in safe,
and give form, life and breath,
expose it to the atmosphere,
reform your bleak introspection
and white horseradish bitter realism,
turn blue blood veined internal
into an amberina red,
all by being
unsaved, unsavory, unsafe

you are the enforcer,
you are the police,
you are the validation
and the validator,
enforcing this sole law,
police your self,
give us

with no agent in between,

give us
nothing but,
a voice
one will recognize instantly
as the whole fats milk of
truth

oh, how I will embrace thy
one and only,
when given,
your

one and only

for do we dare disagree that is
each other's truths that
shall set us free?

•••

for we are the inhabitants,
of this wild land of
no inhibitions,
no rule of laws,
except one,

defend the essence,
protect the defenseless integrity,
promote the mystery of the
human poem
2/20/16
Nat Lipstadt Oct 2013
Sat down to write a tribute to this soldier, and a critique of our nation's leaders after watching this CBS 60 minute segment.  But as is my wont, I listen to music as I compose, but this time the song was the exact answer to what I wanted to express, much of want to say, almost all of how I felt.

First watch the segment, then read the lyrics to one of Willie Nelson's signature songs, written by Ry Cooder, John Hiatt, and Jim Dickinson. Added the YouTube video of Willie singing as well.

If it helps, change the Rio Grande to Afghanistan.

---------------------------------------------------­------------
http://www.cbsnews.com/video/watch/?id=50157505n
---------------------------------------------------­------------
Across The Borderline
(Ry Cooder/John Hiatt/James Dickinson)

There's a place where I've been told
Every street is paved with gold
And it's just across the borderline
And when it's time to take your turn
Here's one lesson that you must learn
You could lose more than you'll ever hope to find

When you reach the broken promised land
And every dream slips through your hands
Then you'll know that it's too late to change your mind
'Cause you've paid the price to come so far
Just to wind up where you are
And you're still just across the borderline

Up and down the Rio Grande
A thousand footprints in the sand
Reveal a secret no one can define
The river flows on like a breath
In between our life and death
Tell me who's the next to cross the borderline

But hope remains when pride is gone
And it keeps you moving on
Calling you across the borderline

When you reach the broken promised land
Every dream slips through your hands
And you'll know it's too late to change your mind
'Cause you pay the price to come so far
Just to wind up where you are
And you're still just across the borderline
Now you're still just across the borderline
And you're still just across the borderline
------------------------------------------------------­-
Here is the YouTube of Willie singing the song.


http://youtu.be/vi9sXy9eRyA
-----------------------------------------------------­--


More on Capt. Will Swenson

http://www.cbsnews.com/8301-3445162-57608305/a-heros-tale/


http://www.cbsnews.com/8301-18563
162-57603788/medal-of-honor-winner-shows-bravery-tenderness/

http://www.cbsnews.com/8301-35277_162-57607565/william-swenson-afghan-war-veteran-awarded-medal-of-honor-by-pres­ident-obama/
Nat Lipstadt Aug 2014
throughout the day,
most oft at night,
start to say,
stop short,
painful for crying out loud thoughts,
shoutouts to any passing god

things that need to the air
be exposed,
but not to ears that
well, what could they say...

so stutter-stop
the bottling inside,
periodic fizz escaping,
and even poetry
cannot help
for it does over and over again,
end up as crumpled papers,
litter of the head,
halves, this's and that's,
even this one dies here and now*

~~~~~~~

irony delicious,
that litter sounds so literary,
so added débris,
lest my mangy constructions
manage to confuse you

the litter in question,
is your host's hors d'oeuvre
nibbles of works,
half-started, half-finished,
like rooms to let,
that come only half-furnished,
not a single morsel worthy
serving up,
all half-satisfactory

poems, of course...

the wrong write ***** clogged,
resting in peace,
Works In Progress (WIP)
unlike the poet,
who's just plain whipped

un-crumpled awaiting
an episodic finale,
if ever they should be televised,
they are needy for cumberbitches,

a birth or death certificate
sore lacking

pick up put down
new titles pop,
essays in need of love,
naught fruited, dead pits,
hanging on the tree till
gravity takes them prisoner

on and on for weeks
the side stitch does not
disappear, but does grow
aching familiar

perhaps the topic offends
you the most,
cloying, suffocating
self-pity
of your own hands
around your neck wrapped...
Nat Lipstadt Mar 2014
Touch

You cannot lift or load it,
over your shoulder, throw it,
to best assay its weight -
is it ponderous, full of big *** gravitas
or a snack, a parfait desert,
a haiku delight?

You cannot touch it,
but it can touch you,
It can grasp both your shoulders,
shake you from complacency,
put its hands upon thy throat,
gasp emit, a scream demanded,
paint whimsy lines on thy face,
from ear to ear.

See

With yours eyes, by a mere glance,
true reveal its length,
stanzas multiple or an itty bitty ditty,
but this gives no value clue,  
Ogden Nash vs. Tennyson,
in two minutes make you laugh,
in twenty, make you beg, mercy!

Smell

Some Poe poems do stink,
befouled mushrooms in
a dank place, some require nerve to read,
but your olfactory be ill suited for
poetic deconstruction and criticism.

Hear

Wake you with kisses upon thy face,
inject love poems into thy ears,
straight to the brain verbal crack *******
yet even the hearing the whisper
of words from my lips,
is an insufficient,
sensorily speaking methodology,
of how a poem, to best comprehend

How then?

If touch, vision, smell and cursory hearing alone
can't essence capture, what then, weary reader,
is the supposed Laureate's approved analytical tool?

Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member
in a tasting menu,
Perfect only in conjunction
with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip
upon the roof of your mouth
and the exalted exhalations of
air rushing past thy cheeks
as you messenger breath from
your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down,
a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move
as you savor my words,
my taste you share,
and we are closer for it.


*
Deaf, dumb and blind,
all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
an old favorite of mine reposted.
Nat Lipstadt Sep 2019
~for Sreetama Chatterjee, granddaughter of Pradip Chatterjee~

A first time grandfather observes,
“that one path ends, a new one begins”

A philosophy, an observation shared,
one that I am, in multiplicity acquainted

Sources inform me that Sreetama is
of Sanskrit origin, the meaning is
“gift of god”

how wonderful are the mysterious coincidences in this world!

For my Hebrew name,
Netanel, given to me at my birth, the meaning is
“gift of god”

Sources inform me that name of Sreetama has given you
the desire for creative, artistic or musical expression
in an original way.

I can pretend to be surprised, but who would I fool?

you, granddaughter of my friend, an esteemed poet,
Pradip Chatterjee,
who delights in you,
you, an exquisite of the small
you, so powerful already,
that he has shelved his writing,
(temporarily I suspect)
to tend to your upbringing

You, so powerful already,
you, will break his will, command his attention,
demanding, bringing out his issuance of a thousand poems,
all revealing and reveling in your mastery,
over him!

You, so powerful already,
in secret concert, listening secretly,
already composing silently, smilingly,
awaiting the arrival of your fine,
very fine, motor skills,
to grasp, to own!
his writing utensils, empowered,
with the strength of a child insistent

You, feeling the energy of wisdom within those instruments,
sparking a commencement and a continuation of
the generational gift residing in your senses

I await those artistic creature creations
most impatiently...

—————————————————————————————
“the charming patience is the wait time tween your visions of
the excellence of the common, the exquisites of the small,
the delights of loss and pain translated into mercurial milestones,
poems.”

https://hellopoetry.com/poem/3299027/pradip-im-a-charming-man-with-a-fragile-patience/

<>
छोटी की उत्तमता
[ *~ बालिका श्रीतमा चटर्जी के लिए कविता ~
]

प्रथम बार दादा ने महसूस किया,
"एक पथ पड़ाव तक पहुंचता है, एक नया प्रारम्भ होता है"

एक दर्शन, एक अवलोकन साझा करता हूँ
जिससे मैं भली भांति परिचित हूँ| कई गुना

स्त्रोत बताते हैं कि शब्द 'श्रीतमा' संस्कृत मूल का है,
जिसका अर्थ है - "ईश्वर का आशीर्वाद";

दुनिया में होने वाले रहस्यमय संयोग, कितने अद्भुत हैं!
मेरे हिब्रू भाषा के नाम - 'नेटानेल'

जिसे मेरे जन्म के समय, मुझे दिया गया
उसका भी अर्थ यही है - " ईश्वर का आशीर्वाद"

मुझे, सूत्र बताते हैं कि 'श्रीतमा' नाम ने तुम्हे
रचनात्मक, कलात्मक या संगीतमय -

अभिव्यक्ति की इच्छा दी है
बिलकुल नैसर्गिक और मूल तरीके से।

मैं आश्चर्यचकित होने का नाटक कर सकता हूं,
लेकिन आखिर मैं किसे मूर्ख बनाऊंगा?

तुम, मेरे दोस्त, एक सम्मानित कवि,
प्रदीप चटर्जी की पोती हो

जो तुम्हे देख कर प्रसन्न होता है
तुम, छोटी हो, श्रेष्ठ हो, उत्तम हो

तुम पहले से ही इतनी खुशनसीब हो कि,
उसने अपने लेखन को रोक कर दिया,
(अस्थायी रूप से, ऐसा मेरा मानना है)

केवल और केवल
तुम्हारी अच्छी परवरिश के लिए

तुम पहले से ही इतनी शक्तिशाली हो,
तुम उसकी इच्छाशक्ति को मोड़ सकोगी

उसके ध्यान को अपनी ओर खींचकर
अपनी महारत से उसके भीतर

हिलोरें मार रही हज़ारों कविताओं को
रहस्योद्घाटित होने का अवसर दे सकोगी

तुम पहले से ही इतनी शक्तिशाली हो,
तुम चुपके से धीरे धीरे सुन रही हो

तदात्म्य स्थापित कर रही हो
चुपचाप रच रही हो, गढ़ रही हो

इंतज़ार कर रही हो, समय आने का
अपनी मांसपेशियों पर नियंत्रण होने का

जिससे तुम लेखनी को पकड़ सको
सुदृढ़ता के साथ नियंत्रित कर सको

कुशलता से उसका उपयोग कर सको
एक बच्चे की ताकत और जिद के साथ|


तुम उन उपकरणों में निहित शक्ति महसूस कर रही हो,
जो शुरुआत से ही निरंतर तुम्हारे भीतर,

स्फुलिंग उत्पन्न कर, तुम्हारी इन्द्रियों के भीतर मौजूद
पीढ़ीगत उपहार को जारी रखते हैं

मुझे तुम्हारी उन कलात्मक, जीवंत कृतियों का,
इंतजार है, अधीरता के साथ, हाँ, पूरी अधीरता के साथ|


Many thanks to Shiv Pratap  Pal for his translation, advice and exquisite attention to the smallest detail.
Nat Lipstadt Dec 2023
some of us walk insistently,
instinctively, and instantly to
and upon the edged path,

this physical nexus & abstract mental locus,
a cliffside enticing rock strewn trail,
drawn of men, by men, for men

(yes, men are people too, still)

enthralling views,
down to the riverside,
where eyes intuit the
beauteous aroma of
precious precocious
precarious precipices
and the near-stench of
mortality

amidst
wafting scents of inane undesirable need,  
hints of destruction, or,
alternating eager relief,
like a ****** infused, instant attractiveness,
making weakness in the knees, all too real,
trembling with a delicious accented edge of
a fresh, familiar scent, fresh baked bread,
an all enveloping consumption need now!

to
crave what we fear,
to fear what we crave
our cravings are craven,

this twisted sense, annuls
our common sensibility, yet,
titillates our pleasured imagined relief,
releases, our unsated, even better,
our insatiable curiosity to tremble,
an entire body enjoined by vibrato~
enticing tremulations, shaken and stirred,
this danger choice releases something primordial,
escape? a reckless wrecking so deeply designed,
it has its very own designation…death wish

multitudes of easy choices afforded my senses,
and by accident, all mine chosen, all nearby,
I travel the esplanade près de the East River,
where even if calm is the sole visiblilty,
undercurrents and the unpredictable passage
of container wakes and the larger freighters
will hand you down, so easy, to become parcel
to a littered river bottom of centuries’ artifacts

but even more tempting, the balcony,
a hop, skip and a jump unlocked,
mere ten steps, no need for a running start
why it’s the “height of convenience,”
he ruefully winces, and not even any
TSA lines or inconveniencing “conveniences”

Why this calamity seems so desperately desirable,
Why this unabrogated feat so featured, nay, even
feted in our hot? cold? bloodstream

Why just men?

I don't know,
Perhaps,
it is all I know.

Do You Know Why Men Cry in the Bathroom?
Why Men Cry in the Bathroom

For so many reasons.
I will tell you the why.
I think you know,
Or perhaps, you think you know.

Men are always O.K.,
Even when not.

We expect the worse,
Accept the worse,
Nonetheless,
We are forever unprepared.

Wearily, we cry,
In the bathroom, in private,
Lest sighs slip by,
We be unmasked,
Early warring, strife signs warning.

Copious, tho we weep
Before the mirror confessor,
It is relief untethered,
Unbinding of the feet,
An uncounting
Of beaded rosaries,
Of freshly fallen hail stones,
Of night times terrors
By dawn's early edition's light,
and welcomed.

But look for the mute tear,
The eye-cornered drop,
*** tat, that never drops,
But never ceases formation and
Reforming, over and over again,
In a state of perpetuity of reconstitution,

The tippy tear of an iceberg revealing,
And I see you peeping, wondering,
What is beneath

Look for:
the torn worm-eaten edges of spirit,
thrift shop bought, extra worn,
grieving lines neath the eyes,
where the salt has evaporated,
discolored the skin.
worry lines,
under and above,
browed mapped, furrowed boundaries.
the laugh line saga,
where better days are stored,
recalled, as well as recanted,
publicly, privately.

Why just men?

I don't know,
Perhaps,
it is all I know.


Jan 6, 2013
1.8k · Nov 2014
Subtext/Subtext2
Nat Lipstadt Nov 2014
early risen,
life's au courant
contextual issues
are all bad bus driver dream driven,
visualizations of sonograms
of erred memories,
road forks, unwisely chosen,
incorrect in retrospect,
look back notion thoughts,
and fears of the
good works in process
never finished,
these are all the best ****
too early,
highly reliable,
internal/infernal
alarm clock

waken only to plod the dark,
upon the cool wood floors,
without any slippered coverings,
closet buried unavailable
(no treasure noisy hunting
in the dark permitted,
while the party of the second part,
yet sleeps)

the floored bottom chills
do not succeed
in comforting a mind
instant awakened-enflamed
by a long lived life recalled recapped,
of inaction and interactions,
thrones lost by
choices guided by fear and not
risk,
that in summation,
too many debtors-in-possession
of rose colored
minus signs

so the companions constants,
these well-worry-worn floors,
now refuse me,
no more to repeat,
what all too oft
they have before,
wisely spoken:

too early, man,
too late, fool,
the answers
required/sought
upon our ashen wooden countenance
cannot be elicited nor derived,
go back to bed
there, perhaps,
find what you need,
somewhere,
between the day's rising orb,
the Lady Luck of
a woman's heat,
the grand canyoned
Pachelbel cannon,
the Bach adagios
soulful sweet,
the answers could begin,
the endings,
perhaps can find
you and show
the restart signs positively
new directional


yet obedient to the old nether-wisdom
of these inanimate intimates,
(that are classified now as
sourpusses &  ex-best friends),
off to
back-to-bed,
self-dispatched,
arriving amidst the departing darkness,
being infiltrated by new day
dawning light suffusions,
with coffee armed,
pillows plumped,
all done with
church mouse quietude,
lest I wake the
party of the second part

into bed returns
the prodigal son,

uh-oh,

the poem ***** stiffens

cannot be refused,
it offers me
this challenged relief and a challenged
pleasure:

Subtext

commandeering and commanding:

dispense what you cannot say,
but wish for all to understand,
teach them how to write the literary
subtext
of one man's life


his fantasies *******,
thoughts of world-over trips
upon which his poems trip,
thinking thoughts
of meeting you
first time and fittingly,
reunions of longtime knowing
mutual souls, the lovely perfection
of the guarantee of
better days past
and better yet,
of better days
yet to come,
of first embraces,
longingly overdue,
but happily
familial familiar
even upon initial conception

motioned potions notions
of what he would do
when that lottery ticket
comes true,
seeing hazy
visions of loined, coined children babes naves
as someday adults,
from a future past of
a collection of visions
happily well imagined

now in bed,
dancing (quietly) to a Strauss waltz,
all his sisyphean tasks unmasked,
and peace in his heart,
returning to supreme reign,
re-gifting it all forward,
in a subtext contextually
poem within herein

the coffee now cooled,
the mental dispensary instead,
has issued
a scrip
prescribed and commissioned

write yourself,
one poem,
overly long and rambling,
as always,
(knowingly he smiles at his own critique)
this poem
to be issued
from his ******-brain,
amniotic-bathed,
anointed and by appointment
to her majesties,
The Queen of Hearts
and the
Red Queen,
entitled:


Subtext

the scrip reads:
"take once a day,
life clarity should return
sooner than later,
which is to say
medically and medicinally
eventually,
which is far, far better
than never"

the meds imbibed
the coffee reheated,
and while
waiting for its effects,
the subtext of a man
who drinks drams
of lives of poetry
for all
sees his future dreams
and happily awaits
their completed execution
Nat Lipstadt Sep 2024
after Alexandra Leaving, a song by Leonard Cohen

<>

to go where?

to a city self-consuming in madness,
giving every excuse to stay, and yet,
it came to me just now when the poet
must be leaving his redoubt, with doubt,
and return to the concrete and anomie
of a different kind of splendid isolation

when the last leaf meanders slow down
to the battlefield, and the falling terminado,
and the tree branches are stick figures, each
finger pointing skyward in an j’accusing manner,
accussing & conceding defeat, begging for mercy,
their pleadings too much for me to bare and bury

when green has been wiped clean, and deleted
from the dictionary of colors, my moth eaten soul,
can no longer be granted a stay of execution by
merely looking at the landscape and seascape
to admire their friendly contrasting schemes,
their installation in me of the awe of a visual
quietude, that was an astonishing injection
not truly appreciated till now, too late and
still early, the awe colorations of nature’s vibrancy

The gods have come, my soul hoisted upon their
broad shoulders, the dead-appearing tree branches
can no longer keep their poet safe, hold him back from
meeting his fate; now, he too is a leaving but
floating upward, unlike like the fallen crowds that have
come to rest upon the soil that born them, now to be buried,
all saying: Goodbye Island Poet leaving,

Island Poet
has no poem, no good understanding, no vision,
had no plan, no foresight, only a hope against hope,
that safety was/is not seasonal, Van Morrison reminds,
“These are the days of endless summer,”are memories,
to be held onto tightly, until when if I pass muster, angels
will return to my island abode, where my natural friends
will greet me again, with a flowering and new births,
and The Island Poet can once again revel in ideas in words like
future, sanity, when boarding the ferry with a one way ticket smile.
From a Labor Day  funereal so long ago,
yet forever permanent…nml
Nat Lipstadt Oct 2015
~~~

set aside
the 31st day of every month,
even if not on Gregory's calendar,
in actuality,
it's an always monthly revelation

this 31st day
of everyones life,
is a set aside,
to

set aside

the regrets that
Halloween haunt,
those overly generous ghosts,
goblins, too eager to remind and provide,
the tainted candy aplenty of
failed past deeds,
and worse,
the misdeeds

- the quantity insufficient
of unuttered "I love you"

- the lost, unrecoverable bidding of farewell finales failures,

- leaving unsaid that which
weakness delayed,
sadly now, a ticket voided
by an eternal expiration moment

the lost boys of opportunities
who live in the endless hell of
isolation in the Never-to-be-Land

- the right course we chose to
unsee

- that person we should never have
let go of

- for the easier, less costly,
charm of the error self-deceptions

- the damnable accursed if-onlys,
visible only in the rearview mirror of dreams
that with nightmare blended,
now can only go
one-direction,
forward

- attempt escaping,
both slow and quick,
from the maximum security prisons
built to be inescapable,
where you offer yourself
daily meals of only the stones of pain,
hopes skin-scratched off
as irretrievable lost,
poisonous diet of radioactivity

you own these regrets and
do not deny,
letting them go to partial freedom
even harder,
even worse,
now, when compared
to the bitterness of the
of original errors past committed

no absolution-complete,
these persistent insanities,
found in our possession,
unable to be defeated

and yet,
the thought,
a passerby muttering,
perhaps
by sharing, ours, yours,
mine,
we will uncover where the yellow brick road
to redemption commences

~~~
have oft confessed

the sadness of the
loss of living children, ex's,
who cannot forgive mutual trespasses

wasted anger that won't cease,
bile-ing and piling up,
like ten pound weights ankle permanently fastened to
the bitter buds of your tongue

the security of every wrong fork
incorrectly chosen,
calculating, over-valuing,
safety over risk

for within the chances untaken
lived the far better possibility
of a life without regrets

struggle everyday to
not allow the days
tween the first and the thirtieth,
to infect
the 31st day

this monthly maker reserved for
confession and atonement
and forgiveness granted by pardon
by you,
the one absolute ruler

for sentences that already deserve release,
if only for time served

all ready for forgiving,
and if yet still deemed unforgivable,
be eased by the the finer quality of
the humanity of
the overlooked blessing
that in the
never forgetting,
are deep buried in the roots of
caring...

~~~

October 31, 2015
7:10 am
NYC
http://blogs.webmd.com/art-of-relationships/2015/10/burdened-by-regret-how-to-break-free.html?ecd=wnl_men_102615&ctr;=wnl-men-102615_nsl-promo-4_title&mb;=zNOFoqgNPBRY1krNNKlXzhXFE73IOX1cv%40KF%2fM%2fVd7s%3d


You carry the weight of a regret – maybe even a bundle of regrets – that you just can’t seem to put down. Perhaps in your more honest moments, you think you don’t deserve to let it go. By carrying it around, you feel you’re doing a kind of penance. But somewhere inside you realize that carrying it around is not doing you or anyone any good. It’s not making the situation right for others. And, it’s not making you a better person. Still, walking away from the regret seems impossible and, perhaps, irresponsible and uncaring.

This dilemma is more common than you might think. Being human practically comes with a guarantee that you will do things you regret. Even if you haven’t been able to move on, others do. They find a way to come to terms with their regret, freeing them to enjoy life. You can do this, too, if you choose to face your actions and the human error behind them.

If you struggle with regret, you may have already taken a step in the right direction by taking responsibility for what you did or didn’t do. It’s important that you acknowledge this responsibility – or “own up to it” – without making excuses for your mistake. It’s okay, and even important, to understand the reasons for your actions, but that does not excuse you.

At the same time, though, it’s important to balance “owning” your actions with acknowledging and accepting that you’re simply human. Everyone has limits. There are some things you can’t, or simply don’t, know – that’s just part of being human. And even when you do know better, you will sometimes make errors in judgment. You will, at times, act emotionally and irrationally. You have weaknesses and flaws and you will make mistakes.

Think about the friends, children, or other family whom you accept and love despite their imperfections. Your acceptance of them as human is the same feeling you need to practice for yourself. Because, in reality, your mistakes are a testament to your humanity, not your failing as a person.

Even as you come to terms with your regret, you will still feel upset about it – whether that means you feel guilty, sad, or some other emotion.

Here are 5 steps you can take to help you start working through those feelings.

1. Don’t deny or suppress these emotions. Allow them in. They are part of you. Just as you would soothe an emotional child, choose to soothe yourself.

2. Tell yourself that you will be okay. Act compassionately toward yourself. You might go for a hike in the woods or take a long, hot bath.

3. Reach out to a caring and supportive friend who can help you feel better.

4. If you can, make amends. Say you are sorry. Do something kind for the person you hurt.

5. If that’s not possible, you might commit to helping others in similar situations. For instance, if you realize that you haven’t been there to help loved ones through troubled times, you can choose to help those  in need now.

Maybe those you’ve hurt will forgive you. Maybe not. Maybe it’s less about what others think and more about your own disappointment in yourself. Whatever the regret is that you carry, you are ultimately responsible for lightening your own load. You must see that you are more than just the mistakes you’ve made.

You may never feel good about the thing you regret. But you can still feel good about being you.
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