The only part of my day
That I look forward to
Is when I go to bed
And lay there making up scenarios
In my head.

I think of comebacks
To 8th grade bullies.
I think of witty retorts
To my mother's snide comments.
I think of intelligent things to add
To conversations I had months ago.

I think of all the things
I was too scared to say.

And in my mind
I say them.
And pretend how things would be different
If only I had the courage to speak.

step one:
do not look at their mouth,
for you will expect to see rivers flowing from it,
poetry slipping through the space between their lips
in the same way that the wind slips through the space underneath a door,
but instead you will only see spit and saliva
and a tongue too big for its home.

step two:
do not look at their hands,
for you will expect them to craft cities from marble right before your very eyes,
but instead it will be just the thumbs,
the twiddling of thumbs,
the aimlessness, the senselessness,
the lack of experience with building empires.

step three:
do not look at their eyes,
for they say that the eyes are the windows to the soul,
and when you see that the curtains have been drawn,
you will feel so very alone.

step four:
i did not love you.
you have to repeat it.
i did not love you.
i did not love you.
i did not love you;
i loved what i thought you would be.
i thought you would be eden,
but you were only the apple.

step five:
i suppose i am to blame here
for digging holes too big to fill,
for crafting shoes too big to fit in.
and for that i am sorry.
i am sorry that i expected more from you
than i even expect from myself.

step six:
human.
human.
let the word roll off and around your tongue,
let it cover every inch of the inside of your mouth.
say it. over and over again.
say it. like it is foreign and you need to know what it means.
say it.
and when you have said it enough times and it feels
dull, old,
disappointing,
you will know that we are nothing more than flesh and bone,
and that as much as we wish there were gods among us,
flesh always rots in the end.
this is the beast of truth that we cannot outrun.
hands cannot craft cities from marble
if only given clay.

step seven:**
do not let this frighten you.
clay, after all,
was meant for molding.

(a.m.)

the girl with the blue hair
bled outside of the lines
like the overdose of colour in the
comics that she read.
big eyes and
big lips - the girls on the pages
had hearts for eyes and tears
of fat diamonds.
their sadness so precious.
their affection spans shaped
like rainbows in the
big big blue.

she liked all the colours.
the girl with the blue hair
painted her lips
in the new york cold for
life should be livid, life should
be vivid.
and she
wanted the colours
inside of her blue.

like inking a sketch she
filled herself up.
i was silent when this meant
she threw herself at countless walls
to call
the carnage 'art' -
see how

the girl with the blue hair
became an artist.

Felt gospels, locally hand-stitched, hang from the necks
Of the white stone columns. Seven in total.
Wandering eyes have read them all a hundred times.
Each one belongs to a name and number.
The mass assemble on the ground floor.
The circle tiers are near-empty,
They keep their coats on.
I wonder if they are closer to G-d.
The bald island only visible to them,
The vicar’s pure white hair.
Pews are formidable with adults, Sunday best,
A silence dark with giggles, the stained glass
Shone a rainbow of torture, ******,
And I did not know what we were all there for.

Christ hung beneath a turquoise sun, kaleidoscopic agony
Etched on his straight white face. You could play a tune
On his ribs. The vicar stood bored at the platform;
glory in monotone.

Finally, we rose to song.

The adults stood tall, autogenic. I became lost in corn stalks,
Wind of reverence, spirit, mass delusion.
Everyone seems to sway. Some close their eyes. A few
Hold a hand to the sky. A grown man is dancing in the main aisle.
He is making a mockery of himself
And the adults do not stop him. Do not scald him
Or tell him to keep quiet.
The grown man seems to notice no one.
I wonder if he is the closest to G-d.

Water near-boils in black pipes, the wind outside
Seems to find its way to my chest. I choke myself.
Leave our scarves on the burning metal.
No instrumentation! Menace. I mime the words.
Cut my eye teeth climbing garage roofs,
Stole a turnip from Mr. Sutton’s patch -
The air is too holy here. Hypnotic. I cannot breathe.
A football shirt. A pair of jeans. The singing stops.
Prayer begins. The vicar drones, we answer back.
Repeat after me, repeat after me. He is talking
About next week, the order of service,
His out-of-hours devotion, our spiritual homework.
Dismissed, the mass push angrily to the doors.
Quick to their cars,
We always stayed behind. Slow, slow.

My parents led me to the pulpit. The vicar was smiling,
My name was on his list. I wondered if I was getting
The eighth felt gospel..
“You are to be confirmed.”
“Okay.”
I did not know what confirmed meant.
I did not know what submergence was.
The vicar took my hands. I puzzled at his dog collar,
His snap-necklace. My parents stood in the periphery,
The cheap seats; a happy occupation,
A successful operation.

I was to be new again.

“...and let the Holy Spirit pass through Edward,
And help to guide him through inevitable trials.”

My arms were shaking like a tuning peg.
I was a filament, quivering, giving myself away,
Flashbulb memories of disgrace. He must know.
“That’s the spirit of the Lord inside of you,
That’s why you are shaking.
It is working brilliantly.”
The vicar put his palm to my forehead.
Pores magnified, barbs descended from his nostrils,
His overgrown eyebrows. His holiness. His age.
He did not smile with his eyes.

I was handed back to my parents.
They looked pleased with themselves. Did I pass the test?
I looked up.
The ceiling was impassable.
There had been no breakthrough.

Drove past the hospital. Asleep in the passenger seat.
Surgery on my soul. Clean, clean.
There was static on the radio.
The shaking had stopped.

i got pulled over for speeding on my way home tonight and the first thing i thought of was you

it reminded me of a couple of years ago and how i was so busy running towards you that i didn’t see that you were trying to stop me.

i can’t stop thinking about how we got here

why are you in 400 miles away in a cold nebraska town while im still driving home twice a week to sit in the old choir room and rack my mind trying to remember how things used to be

you never told me

why’d you give up?

why didn’t you cling on for dear life until the forces of this universe ripped you from my hands.

maybe thats my thing. i always was the poetic one of the two of us.

I’m having trouble falling in love again and its taking everything i have not to straight up blame you for it

don’t come home

I’m still learning to be without you