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"wharf" poems
there's a fisherman down by the sea sitting on the wharf watching the sun sink into the western sky a frown frames his house he looks out the window at his pole, gear and especially that of his net emptiness metaphors that weigh on him uprooting his garden a garden of no delight one lonely row of forget me not and regret all wilting his foundation lost never found or realized he pauses runs his hand over his pole like a belt without any notches his grip slipping into the abyss as the last of the orange sinks bleeds also at where the sea  meets the sky where his day slowly turns to night somewhere out there he sees his image in nature's mirror at his crossroads for deeply and some may say shallowly he looks onto the sea one last time and he means what he says and throws his fishing gear in tears welling in his eye as he watches his teddybear sink lips gurgling seemingly asking why ... why he answers back there were no fish or bites in his lonely sea or wind at his back ... there his window opens wider the sea not singing or dancing he sees the ambient light correlations ... here Logan Robertson 7/06/2018
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Jul 6, 2018
Jul 6, 2018 at 8:20 PM UTC
Here
With eager eyes and tempting smile, I beckoned 'cross the wharf And they returned, a sad reply, stating he must morph into a man -in pieces then- who puts things back together Whilst I sit here, and wait and wait, and keep on till forever. Kingdom comes, piggies fly, time churns soft and slow Every hour, like the other, shuffling to and fro Mind is racing, heart is beating, must be with him soon... He is the sun, he is the stars, he is the solstice moon. But he is full of hatred, and angry, scary things That I cannot behold because my covered ears will ring. I will not hear the wretchedness that billows from his mouth I will not be the victim of intentions headed south. Now he’s an angel, under God, and all the better creatures that prize the gentlest, passionate, souls who mirror all their features. They never asked, only assumed, that I would be alright But Oh! the torture over one who turned away from light. So here I wait, on endless shores, until they come for me Or maybe not, really, who knows, what lies beyond the sea The water holds the untold words of thousands who've passed on And here I am, scribbling the script, of stories before dawn.
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Apr 6, 2013
Apr 6, 2013 at 2:51 AM UTC
Poetry Beside the River Styx
Remember that afternoon on the ferry Ride to Nantucket The labrador who fell asleep on my foot And the kid who vomited As we stood at the rail, Mist in our faces Foam that curled From the keel in swirls A whole world in that turbulence That no one would ever know of - Focused on the Grey Lady's Promise that a warm comforter Would melt us together again. And it did, amid the strangers We brushed past On the cobbles at the wharf. Back at the dock, You greeted old demons And so did I But kept them secrets From each other On the long ride Through pine forests As you slept, I drove Back home.
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Apr 17, 2010
Apr 17, 2010 at 8:34 PM UTC
Trip to Nantucket
A Sonnet is a moment’s monument,— Memorial from the Soul’s eternity To one dead deathless hour. Look that it be, Whether for lustral rite or dire portent, Of its own arduous fulness reverent: Carve it in ivory or in ebony, As Day or Night may rule; and let Time see Its flowering crest impearled and orient. A Sonnet is a coin: its face reveals The soul,—its converse, to what Power ’tis due:— Whether for tribute to the august appeals Of Life, or dower in Love’s high retinue, It serve; or, ’mid the dark wharf’s cavernous breath, In Charon’s palm it pay the toll to Death.
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4.7k
The House of Life: Introductory Sonnet
Alone by a wharf Peaceful yet forlorn Wishing I could morph To mask how badly I'm worn Wish I was strong The way I used to be But where I am, is where I belong The pain will pass, there'll be jubilee But first I have to crush the glass of the once before chary and elusive me
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Feb 25, 2018
Feb 25, 2018 at 7:48 PM UTC
Genesis
Tall round beams standing in salty water, connecting fishermen and star-fish gazers with a moon-shaped bay on the eastern Pacific. They stand on land and step into sea, as rolling barrels from Arctic grounds tickle their lower legs. A centipede of wood, this outward- jutting wharf. The fishermen sink expectant hooks; the surfers haul shiny glass banana-shaped boards of foam; the weekenders come posing baby strollers for picture shooting. Each passing wall of blue energy slows at reach of shallow sand, deciding whether to keep rolling or transform into a steep stack of snapping water. On big days the sea legs shake all the fishermen. They lock away their sacrificial bait in rusty boxes and collapse their fibered rods. On calm days I step out to a wooden bench and hang my face between the rails. Running people pass below, between the knotted hips and creosoted thighs. August buries this preserve in such drizzle. Gulls go bundling inside their sleek robes of white feather, leaning windward on worn bent knees.
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Apr 27, 2015
Apr 27, 2015 at 10:30 PM UTC
Old Wharf on the Bay
I gazed into his eyes like beads of sweat Blacker than the empty spacious depths Around the little bridge-like tiny speck, An ember on His hearth We only think is worth Its broken wharfs. He said to me: "Son, don't fear empty bluffs. They may be steep but they're not steep enough." And judging by the ace tucked in his cuff, I knew he would be true And his tale would be true too About the wharfs. "Throughout the many vicious centuries The motor of it always seems to freeze Until the kindled flame does hit the breeze And thaws its frostbit joints And burns the hand that points Out from the wharf." He cleared his throat and then he said aloud: "Is piety reaped from fertile ground? Or by the planter's hand is it endowed? The answer lies in strife So mount the throne of life Far from the wharf."
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Aug 15, 2017
Aug 15, 2017 at 5:09 PM UTC
Far From the Wharf
An omnibus across the bridge Crawls like a yellow butterfly, And, here and there, a passer-by Shows like a little restless midge. Big barges full of yellow hay Are moored against the shadowy wharf, And, like a yellow silken scarf, The thick fog hangs along the quay. The yellow leaves begin to fade And flutter from the Temple elms, And at my feet the pale green Thames Lies like a rod of rippled jade.
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4k
Symphony In Yellow
The devil's speech say they: Rolling, clattering, frolicking, hungry. Billows of charred skeletons embrace the air Black soot pumped straight from the pyres of Hades Congealing to clouds of evil intent wherever it roam. That charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. In the coughing desert Not a thing dares roam Neither wind nor creature And neither stick nor stone. But then the silence disturbed by a horrible shriek - The railway screams in horror and the train itself speaks, saying "Tell me, thou innocent, Why feel you special and best? For when all is done I take you And return you to my nest; Your world is bright and happy Full of high spirits and song, Though soon you too shall step aboard And join my faceless throng." Hot saliva on the heaving engines: Weeping, groaning, ghostly, parched. Rusted joints spewed onwards grinding resisting Movement spat out like a violently beaded string of curses Sloppily uttered as incantations of a malformed mouth! From that charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. That dark train cries out and all around A mourning whimper rises like slumbering fog- Bleak and yellow it obscures the land Seeping out insidious in strange locales all: The old lonely fisherman Sleeping on his wharf, The frustrated hawker's Windblown barefaced booth, Silent streets crying for attention, Dark places hidden at the corner of every eye. That solemn train cries out and all around Her mourning whimper rises like harrowing fog Calling all to upright attention and fear. Looming like a spectre but a breath-span from your window Slowly closing cold dread claws- Naked numbness dumb as ice- Cold dread claws upon thy waist. And you, You poor old thing, Shivering in your pitiful shack of bones, You never had any chance! You were only human. You were only human, you poor old thing. Barreling on with brimstone slang: Clang clang! Dang dang! Beelz Bub! Sputtering an ocean of curses from turgid goat-flesh Born of sadness to cause even more, yawning great maw Jowls clanking with fresh hot oil drool steaming stark and lewd, and yet That charred old shell so terse, Blacker than sadness and slain like a hearse, Is all that gives meaning to our every gain: The dry rolling thunder of the funeral train.
0
Oct 4, 2011
Oct 4, 2011 at 12:10 AM UTC
The Funeral Train
The devil's speech say they: Rolling, clattering, frolicking, hungry. Billows of charred skeletons embrace the air Black soot pumped straight from the pyres of Hades Congealing to clouds of evil intent wherever it roam. That charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. In the coughing desert Not a thing dares roam Neither wind nor creature And neither stick nor stone. But then the silence disturbed by a horrible shriek - The railway screams in horror and the train itself speaks, saying "Tell me, thou innocent, Why feel you special and best? For when all is done I take you And return you to my nest; Your world is bright and happy Full of high spirits and song, Though soon you too shall step aboard And join my faceless throng." Hot saliva on the heaving engines: Weeping, groaning, ghostly, parched. Rusted joints spewed onwards grinding resisting Movement spat out like a violently beaded string of curses Sloppily uttered as incantations of a malformed mouth! From that charred old shell so terse, Black as sadness and dead as a hearse, Darling to death as he brings on the rain: The dry rolling thunder of the funeral train. That dark train cries out and all around A mourning whimper rises like slumbering fog- Bleak and yellow it obscures the land Seeping out insidious in strange locales all: The old lonely fisherman Sleeping on his wharf, The frustrated hawker's Windblown barefaced booth, Silent streets crying for attention, Dark places hidden at the corner of every eye. That solemn train cries out and all around Her mourning whimper rises like harrowing fog Calling all to upright attention and fear. Looming like a spectre but a breath-span from your window Slowly closing cold dread claws- Naked numbness dumb as ice- Cold dread claws upon thy waist. And you, You poor old thing, Shivering in your pitiful shack of bones, You never had any chance! You were only human. You were only human, you poor old thing. Barreling on with brimstone slang: Clang clang! Dang dang! Beelz Bub! Sputtering an ocean of curses from turgid goat-flesh Born of sadness to cause even more, yawning great maw Jowls clanking with fresh hot oil drool steaming stark and lewd, and yet That charred old shell so terse, Blacker than sadness and slain like a hearse, Is all that gives meaning to our every gain: The dry rolling thunder of the funeral train.
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64
Off that windy bay wharf, where old poets speak to lost walkers, you dove into aporia Morality the highest myth dreaming conquered by Capital shelter replaced by property the immaterial, theft by sophistry a bay carved from jade, crescent moon. horizon cradling distant storms waves upon waves accelerating towards the shore.
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Aug 21, 2017
Aug 21, 2017 at 1:03 AM UTC
Don't talk about Politics
hickory nuts and wind trees are keeping at the old buckle bay light house corners and shaker church craft slip anchor on the southern tip secret legions and phenolic board tuck in at gout dock bands and nations and miracle speak fill in the center hall sand hooks and water domes cover wharf road ***** bay toppers and seven horse chugs scatter the swollen upper deck packards and pushers and rusty back rails skirt the night lanterns and sterns and navy gulls steady on task sand cakes and drift wood held tight on the mystery tour yellow tails and tide pools flat line at royal reach paddles and cables find ripples way smugglers and smitties take cover from a northern gale down on pocket shoal there’s a graceful hue ~ they’re serving up belons and xan… it's time to get in for a fill
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Jul 3, 2017
Jul 3, 2017 at 2:12 PM UTC
The Reach at Buckle Bay
265 Where Ships of Purple—gently toss— On Seas of Daffodil— Fantastic Sailors—mingle— And then—the Wharf is still!
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3.3k
Where Ships of Purple—gently toss
The Thames nocturne of blue and gold Changed to a Harmony in grey: A barge with ochre-coloured hay Dropt from the wharf: and chill and cold The yellow fog came creeping down The bridges, till the houses’ walls Seemed changed to shadows and St. Paul’s Loomed like a bubble o’er the town. Then suddenly arose the clang Of waking life; the streets were stirred With country waggons: and a bird Flew to the glistening roofs and sang. But one pale woman all alone, The daylight kissing her wan hair, Loitered beneath the gas lamps’ flare, With lips of flame and heart of stone.
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3.2k
Impression Du Matin
the world is a wild and weary place, fully sunk in spiral ****** fully strummed in skin water waves. bound by death from the very first verse: first love. first this.                    go forth my machines, be fruitful and jettison. color says hang at the edge of our lips. smell the books. remind us; books. & before the big blue vast takes it all, that sunstruck lomographia light, transposed no-makeup california girl, she walks before me along the boulders of the wharf. real summer breathing. our bodies, piled and starbleached ripe. [like heap of buffalo skulls] maybe then a futuristic dinner, where everyone gathers in floating space pods singing hymns beneath,                                                        above,                                           between                the lights and music. reality is: blacktop shards against my knees, something burning as it trickles to my chin, man of me living the city glisten, city green & pink. city midnight and barely breathing. destroyers, we are. and what? what am i, father? man of industry? man of workwelded science?   secure as the armadillo, armadillo picket fence. am i of halfbreed phosphorus? americana? built on love and hate and television.   nat geo channel:  [a gecko licks dew from its eyes                                                                   on the coastal sand dunes of namibia] money. women. go west young man. be a hand tightening ribs. be a quaking echo of mammalian design. a paradigm of seed my fire. quest for fire. for uncut diamond; like foggy strawberry rock in the africa-boy's fingers. or cut steel; phallus of toyish death between a brazil-boy’s fingers. pulled teeth; bits of wet fruit in the young afghani’s hand. & icecream trolley; pedestal etched iron; denim and *** and microwaves  :::::: white man: what I got ? what I got ? manifest destiny: gold bricks and beer. blood soaked socks. cyprus burnt umbers. tribes decomposing at the bottoms of styrofoam cups. like coin-op wormies. & eighteen inch circumference blades make round rolling high pitched songs deep in the skin of old mother earth. old baby cakes. old life in slow motion, all motion, all of particle cannon treatise. 40 ounce bounce. watery us below.
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Apr 16, 2014
Apr 16, 2014 at 2:17 AM UTC
the world is a wild and weary place
the world is a wild and weary place, fully sunk in spiral ****** fully strummed in skin water waves. bound by death from the very first verse: first love. first this.                    go forth my machines, be fruitful and jettison. color says hang at the edge of our lips. smell the books. remind us; books. & before the big blue vast takes it all, that sunstruck lomographia light, transposed no-makeup california girl, she walks before me along the boulders of the wharf. real summer breathing. our bodies, piled and starbleached ripe. [like heap of buffalo skulls] maybe then a futuristic dinner, where everyone gathers in floating space pods singing hymns beneath,                                                        above,                                           between                the lights and music. reality is: blacktop shards against my knees, something burning as it trickles to my chin, man of me living the city glisten, city green & pink. city midnight and barely breathing. destroyers, we are. and what? what am i, father? man of industry? man of workwelded science?   secure as the armadillo, armadillo picket fence. am i of halfbreed phosphorus? americana? built on love and hate and television.   nat geo channel:  [a gecko licks dew from its eyes                                                                   on the coastal sand dunes of namibia] money. women. go west young man. be a hand tightening ribs. be a quaking echo of mammalian design. a paradigm of seed my fire. quest for fire. for uncut diamond; like foggy strawberry rock in the africa-boy's fingers. or cut steel; phallus of toyish death between a brazil-boy’s fingers. pulled teeth; bits of wet fruit in the young afghani’s hand. & icecream trolley; pedestal etched iron; denim and *** and microwaves  :::::: white man: what I got ? what I got ? manifest destiny: gold bricks and beer. blood soaked socks. cyprus burnt umbers. tribes decomposing at the bottoms of styrofoam cups. like coin-op wormies. & eighteen inch circumference blades make round rolling high pitched songs deep in the skin of old mother earth. old baby cakes. old life in slow motion, all motion, all of particle cannon treatise. 40 ounce bounce. watery us below.
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59
Such solidarity we created On the hilltop with the cows Discussing sassafras, Our Chakras, Summer-berry wine. Per aspera ad astra But without inhaling tar We have come. The cornbread with anise and wheat berries Cruncy and sweet Slathered with strawberry jam Was such a luxurious meal For us two tired wanderers. We're left over from the '60s Living in the past but in the moment Listening to Mama Tried (well, she did!) And crying over Wharf Rat We model turtles, Celtic knots, a moose Dream of yesterday and tomorrow Say what we mean Take a misguided turn driving home And our minds meander to slumber and internal illusions.
0
Nov 21, 2010
Nov 21, 2010 at 3:25 PM UTC
Musings on a Nature Walk
We sat outside the coffee shop next to a fire, watching the sun set behind decrepit buildings. I lamented over the lack of a roller rink in the area, reflecting on memories of wobbling around in circles with dizzying lights and blaring speakers ejecting Pink, Daft Punk, and Eiffel 65 onto my critical youth. I felt like a king. We finished our smoothies and retreated to an empty hotel parking lot, where I taught her to skateboard. One foot over the front bolts, the back foot over two of the back bolts but resting over the tail, kick, push, it's in the ***** of your feet-- weight distribution. Tic, tac, scrape, thud-- she falls repeatedly and gets back up. I admire her resilience and perpetual smile-- This is what skateboarding is all about. We roll around the hotel parking lot, our endpoints being a lone luminescent lamppost and a telephone pole beleaguered by a plot of shrubbery that demarcates itself from the pavement. We circle around the poles for hours, forming an imaginary oblong track between the two, our laughs carrying into the cool summer night lullaby that sang the drowsy small town to sleep. The fading throb of the wedding reception at the bottom of the town square by the wharf, carrying over to us. The stores closed up hours ago, silent empty windows reflecting the lonely streetlights and our ambulance back at us. We skated on unperturbed into the night hour. A man walks outside the hotel to have a cigarette on the sidewalk-- I imagine he is watching us and admiring our glee. Rolling between this telephone pole and lamppost, the glare and reflection of the empty silent windows, the soundtrack singing above our heads, our laughs, and the tic-tac of skateboards and groaning of wheels over stubborn pavement bringing my melancholic reverie to a halt, recognizing and understanding happiness in the present moment-- This is my roller rink.
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Jun 12, 2016
Jun 12, 2016 at 1:13 AM UTC
Roller Rink
We sat outside the coffee shop next to a fire, watching the sun set behind decrepit buildings. I lamented over the lack of a roller rink in the area, reflecting on memories of wobbling around in circles with dizzying lights and blaring speakers ejecting Pink, Daft Punk, and Eiffel 65 onto my critical youth. I felt like a king. We finished our smoothies and retreated to an empty hotel parking lot, where I taught her to skateboard. One foot over the front bolts, the back foot over two of the back bolts but resting over the tail, kick, push, it's in the ***** of your feet-- weight distribution. Tic, tac, scrape, thud-- she falls repeatedly and gets back up. I admire her resilience and perpetual smile-- This is what skateboarding is all about. We roll around the hotel parking lot, our endpoints being a lone luminescent lamppost and a telephone pole beleaguered by a plot of shrubbery that demarcates itself from the pavement. We circle around the poles for hours, forming an imaginary oblong track between the two, our laughs carrying into the cool summer night lullaby that sang the drowsy small town to sleep. The fading throb of the wedding reception at the bottom of the town square by the wharf, carrying over to us. The stores closed up hours ago, silent empty windows reflecting the lonely streetlights and our ambulance back at us. We skated on unperturbed into the night hour. A man walks outside the hotel to have a cigarette on the sidewalk-- I imagine he is watching us and admiring our glee. Rolling between this telephone pole and lamppost, the glare and reflection of the empty silent windows, the soundtrack singing above our heads, our laughs, and the tic-tac of skateboards and groaning of wheels over stubborn pavement bringing my melancholic reverie to a halt, recognizing and understanding happiness in the present moment-- This is my roller rink.
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48
Searching in the gutters of Meadow Row and up along by the back of the coal wharf Benedict picked out and up dog ends or cigarette butts as his old man called them and picking them up he tore open the paper and tipped the tobacco into a white paper sweet bag how can you do that? Ingrid said all those people’s spit and dribble on them she pulled a face he smiled she looked serious germs on them she said she wiped her hands on her stained green dress he bent down and picked out another cigarette **** and opened it up between fingers and thumbs and emptied it into the bag you’re too young to smoke she said if my dad saw me smoking he’d smack me silly she said he does anyway he said she bit her lip and looked away sorry he said didn’t mean to be like that he touched her hand she stared at him through wire framed glasses she liked it when his hand touched hers no one else touched her tenderly she looked at his cowboy hat placed to the back of his head the six shooter gun stuffed in the belt of his jeans the borrowed blue waistcoat (his grandfather’s given a month or so back) she put her other hand on top of his he took his hand out slowly in case other boys from school may see and walked to the shelter of a wall of a bombed out house and they both sat down he took out a packet of cigarette papers ( liberated from his old man) and pulled out a paper and shoved the packet of papers back in the pocket of his jeans and taking a pinch of tobacco from the bag he fingered it in a straight line into the cigarette paper then rolled it as he’d seen his old man do then licked the end to form a thin cigarette Ingrid watched in silence as his fingers moved and his tongue licked you’re not going to smoke it are you? she asked he put the cigarette between his lips sure am he said John Wayne like but you’re only 9 she said you’re only 9 and you’re watching he replied he took out a box of Swan Vesta (borrowed from the cupboard at home) and lit the cigarette and puffed slowly she waved a hand as smoke came near her face my dad will smell that on me she said and think it was me smoking and tell me off she said beat you black and blue Benedict thought not said he coughed and spluttered   and took out the cigarette and blew smoke from his mouth and spat out phlegm brownish yellow if your old man hits you again I’ll shoot him full of cap smoke he said she laughed and hit his arm he flicked the cigarette onto the bombsite with a finger and watched as the smoke he’d blown out like a pale ghost seemed to linger.
0
Sep 23, 2013
Sep 23, 2013 at 3:50 PM UTC
SMOKING LESSON.
Searching in the gutters of Meadow Row and up along by the back of the coal wharf Benedict picked out and up dog ends or cigarette butts as his old man called them and picking them up he tore open the paper and tipped the tobacco into a white paper sweet bag how can you do that? Ingrid said all those people’s spit and dribble on them she pulled a face he smiled she looked serious germs on them she said she wiped her hands on her stained green dress he bent down and picked out another cigarette **** and opened it up between fingers and thumbs and emptied it into the bag you’re too young to smoke she said if my dad saw me smoking he’d smack me silly she said he does anyway he said she bit her lip and looked away sorry he said didn’t mean to be like that he touched her hand she stared at him through wire framed glasses she liked it when his hand touched hers no one else touched her tenderly she looked at his cowboy hat placed to the back of his head the six shooter gun stuffed in the belt of his jeans the borrowed blue waistcoat (his grandfather’s given a month or so back) she put her other hand on top of his he took his hand out slowly in case other boys from school may see and walked to the shelter of a wall of a bombed out house and they both sat down he took out a packet of cigarette papers ( liberated from his old man) and pulled out a paper and shoved the packet of papers back in the pocket of his jeans and taking a pinch of tobacco from the bag he fingered it in a straight line into the cigarette paper then rolled it as he’d seen his old man do then licked the end to form a thin cigarette Ingrid watched in silence as his fingers moved and his tongue licked you’re not going to smoke it are you? she asked he put the cigarette between his lips sure am he said John Wayne like but you’re only 9 she said you’re only 9 and you’re watching he replied he took out a box of Swan Vesta (borrowed from the cupboard at home) and lit the cigarette and puffed slowly she waved a hand as smoke came near her face my dad will smell that on me she said and think it was me smoking and tell me off she said beat you black and blue Benedict thought not said he coughed and spluttered   and took out the cigarette and blew smoke from his mouth and spat out phlegm brownish yellow if your old man hits you again I’ll shoot him full of cap smoke he said she laughed and hit his arm he flicked the cigarette onto the bombsite with a finger and watched as the smoke he’d blown out like a pale ghost seemed to linger.
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150
Meet me where the rising sun won't glow on our faces When the hour strikes time aghast as hurried hands tie laces Meet me at the scraggly wharf by the river Where lips whisper on each others breath and trembling tongues quiver Take me in the darkest corner of the the old abandoned shed Love me like no other man or I shall have your head
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May 24, 2015
May 24, 2015 at 6:50 PM UTC
Black Widow Wharf
'Talk of pluck!' pursued the Sailor, Set at euchre on his elbow, 'I was on the wharf at Charleston, Just ashore from off the runner. 'It was grey and ***** weather, And I heard a drum go rolling, Rub-a-dubbing in the distance, Awful dour-like and defiant. 'In and out among the cotton, Mud, and chains, and stores, and anchors, Tramped a squad of battered scarecrows-- Poor old Dixie's bottom dollar! 'Some had shoes, but all had rifles, Them that wasn't bald was beardless, And the drum was rolling Dixie, And they stepped to it like men, sir! 'Rags and tatters, belts and bayonets, On they swung, the drum a-rolling, Mum and sour. It looked like fighting, And they meant it too, by thunder!'
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2.4k
Romance
poisoned well of the antichrist littered with ground cover picking out ****** flecks of gravel blacktop kneeskin patience pieces of scattered space time to go back to the future of continuity lack of genius ingenuity and the suckling of the pig entourage riding in a flat top hatchback cadillac of the daily grind upperclassman japan onii-chan brother in arms from anotha motha hug from afar colliding with crackpot theory terrible fantasia cooling bricks in soggy sun swallowed his pride with a glass of self-worth and these ***** don't cook like they used to I don't look like I used to warped veil of camouflage chameleon leather with a ****** level of automobile salesman tried to get closer to god ground him up, picked out the stems twisted him into thin paper touched flame to his finger tip and a son of Adam was born gum shoe gaze or the emptiness felt at the end of reasonable doubt correctional text messaging system sent from hoarse corpses tenderly poignant in their ****** coffins will think for food cries from an outdated MENSA over ***** and under-appreciated siting on hunched shoulders to get a better look to be a martian in a plain port wharf warehouse whaling boat red tide in a Shanghai ********** floodgates made of bitter premise that last bit of purple yam **** Okonkwo Things Fall Apart fell apart due to faded highschool ambitions and bloodshot eyes cruel like the shade of off-cerulean champagne fizz tickles at the soft meat of his tarnished throat and silver tongue as the matchstick framework so fragile in comparison fizzles out on drenched sidewalk while cigarette ash floats by like gray gnats
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May 30, 2013
May 30, 2013 at 4:03 PM UTC
The Glass Breakfast
poisoned well of the antichrist littered with ground cover picking out ****** flecks of gravel blacktop kneeskin patience pieces of scattered space time to go back to the future of continuity lack of genius ingenuity and the suckling of the pig entourage riding in a flat top hatchback cadillac of the daily grind upperclassman japan onii-chan brother in arms from anotha motha hug from afar colliding with crackpot theory terrible fantasia cooling bricks in soggy sun swallowed his pride with a glass of self-worth and these ***** don't cook like they used to I don't look like I used to warped veil of camouflage chameleon leather with a ****** level of automobile salesman tried to get closer to god ground him up, picked out the stems twisted him into thin paper touched flame to his finger tip and a son of Adam was born gum shoe gaze or the emptiness felt at the end of reasonable doubt correctional text messaging system sent from hoarse corpses tenderly poignant in their ****** coffins will think for food cries from an outdated MENSA over ***** and under-appreciated siting on hunched shoulders to get a better look to be a martian in a plain port wharf warehouse whaling boat red tide in a Shanghai ********** floodgates made of bitter premise that last bit of purple yam **** Okonkwo Things Fall Apart fell apart due to faded highschool ambitions and bloodshot eyes cruel like the shade of off-cerulean champagne fizz tickles at the soft meat of his tarnished throat and silver tongue as the matchstick framework so fragile in comparison fizzles out on drenched sidewalk while cigarette ash floats by like gray gnats
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46
It's break time again The steam whistle blowing All hands stop Stacks of boxes Not growing We walk outside To have a smoke on the wharf Where grass grows up through concrete And the sea is green and dark Hobnail boots ping ping On metal stairs Wrinkled scarred hands zip up jackets Old dogs who know nothing but work Blow smoke in your face And call you "boy" in thick accent They don't scare me like they used to Because I have cuts on my hands now From diving over a railing To save an impatient old man It seems just when life gets to where you want it You have a dream about someone And your jumping over railings Into the teeth of a cutting board It seems just when life gets to where you want it You have a dream about a girl And your waking up alone in the dark Drinking water and taking pain pills Even when nothing really hurts at all
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Feb 24, 2012
Feb 24, 2012 at 1:27 PM UTC
Marigold-Break-My-Heart
I always imagined I'm on the beach, watching the waves roll in from your long hair booth, seagulls flying on a sailing ship, o it flies between the two of us who are running around looking for ***** on the shore which turns out to be close to the beach. My lips, so salty sweat and sea water add happiness there. I saw the sun rising and setting in our e y e s, which turned out to be a s i g n, I needed to learn to love the lost dusk and also the dawn that came. I saw the fishermen who came                    and then left and that was my h e   art that was anchored in the old wharf which turned out to be quiet and l               one            ly, and was your  h   e   art  there too? I always imagined we forget names, forget places, but don't forget to go home. Or perhaps, this is another option. I always imagined we were in a house in a cool village, where the rice fields were green and wide, so vast that our l  ove was never measured. The chirping of birds will always be heard and answered so s w e e t l y from tree branches whose leaves are thick and shady; every time you                             and                                     I wake up. From the windows and ventilation aisles, sunlight e n t e r s to warm our cold bodies shivering all night because of the r                a                                 i    n and                s     t    o   r   m   s that never subside, even though we have spent the night with various kinds of hugs that are not the same. Even I always imagined you are there when I imagined good things, maybe when you are not by my side and I feel it is not something that feels good. I always imagined that I really love you. And you really love me too. O, I always imagined it all when I see you smile every time I have a bad day, and you said, everything       must          be            easy              for               you                to                  go                    through. I imagined that, while writing this poem.
0
Aug 8, 2021
Aug 8, 2021 at 11:25 AM UTC
IF THIS DAY REALLY HAPPENED
I always imagined I'm on the beach, watching the waves roll in from your long hair booth, seagulls flying on a sailing ship, o it flies between the two of us who are running around looking for ***** on the shore which turns out to be close to the beach. My lips, so salty sweat and sea water add happiness there. I saw the sun rising and setting in our e y e s, which turned out to be a s i g n, I needed to learn to love the lost dusk and also the dawn that came. I saw the fishermen who came                    and then left and that was my h e   art that was anchored in the old wharf which turned out to be quiet and l               one            ly, and was your  h   e   art  there too? I always imagined we forget names, forget places, but don't forget to go home. Or perhaps, this is another option. I always imagined we were in a house in a cool village, where the rice fields were green and wide, so vast that our l  ove was never measured. The chirping of birds will always be heard and answered so s w e e t l y from tree branches whose leaves are thick and shady; every time you                             and                                     I wake up. From the windows and ventilation aisles, sunlight e n t e r s to warm our cold bodies shivering all night because of the r                a                                 i    n and                s     t    o   r   m   s that never subside, even though we have spent the night with various kinds of hugs that are not the same. Even I always imagined you are there when I imagined good things, maybe when you are not by my side and I feel it is not something that feels good. I always imagined that I really love you. And you really love me too. O, I always imagined it all when I see you smile every time I have a bad day, and you said, everything       must          be            easy              for               you                to                  go                    through. I imagined that, while writing this poem.
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ten men fishing on auckland wharf all with thin fibreglass rods just that exact distance (made in china) all watching each others baits bobbing in the silver sheen no one watching his own sinker bobbing one twitches down the line a reel swishes reeling in nine men watching intently now 20 cm struggling catch not much, so back it goes. a bronze whaler slinking slowly under twenty pairs of dangling feet decides the distance was too much to crunch a man for snack quietly slinks to the opposite shore where she senses feet splashing on a shallow beach. primitive. © Marshall Gass. All rights reserved, 3 months ago - See more at: http://allpoetry.com/poem/11438556-the-fishermen-on-the-wharf-by-Marshall-Gass#sthash.HWKslwYM.dpuf
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Jul 28, 2014
Jul 28, 2014 at 7:16 PM UTC
the fishermen on the wharf
If only for peace his swan song sighed Amidst the gallant yet frightened few With weary bones a heavy heart Beat might when spied the resilient wharf. For ships who berthed they uttered words In thanks for land upon this sea As storms would rage to shatter strengths In triumph our pier had welcomed thee. Like those who’d trod its solid beams And left these shores to honour King Behind them stood our naval borough Whose people echoed valiant deeds. For ships that harboured off our shores And streets of London that prayed for calm Forget we not our honoured task To protect this land in air & sea. And now that candles gently flicker Uniting friend & foe as one As doves fly by we thank the heavens For the peace that grows upon our cliffs
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Mar 22, 2010
Mar 22, 2010 at 9:26 AM UTC
HMS Leigh - A Pier Untouched