Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

!!!!!!Trigger Warning: ****, domestic violence, abuse, suicide!!!!!!!!



When I moved to your hometown, I saw your true colors.
I saw that power meant more, your dominance meant more, your ego and your assertiveness meant more to you than I did.
I tried.
I tried to leave you alone, but like a moth drawn to a flame, time and again I allowed myself to draw nearer to you, shocked when you burned me every time.
Isn’t that the definition of insanity?
Days later, I cut you off. I blocked you. And it felt good. Like I regained some of the control you took away from me. I was starting to feel like myself again until I got home that night.
You busted through the deadbolt lock on my door.
My backpack was missing.
I called your mom in a panic, having not connected the dots until moments after I hung up the phone with her and I heard your voice, calling me from outside my window.
I asked you.
I asked you once.
I asked you twice.
Did you do that to my door?
Your calm, unchanging face didn’t even blink when you answered,
No.
It wasn’t until I put two and two together, you being there, having my backpack, the holes in your story, your unchanging, unsurprised, unsympathetic face, that I realized what you had done.
And when I called you on it, you admitted it.
Why lie to me? Why lie to my face?
So I blocked you, again.
Leave me alone until I give you the word, I said.
Just leave me alone.
Two days later, I was breaking down crying over my inability to be alone, over my inability to love my broke pieces enough to pick myself up and put myself back together
Two days later, I called you.
You told me you were sorry.
And that you sent me roses in the mail, set to arrive sometime before I left, two weeks from then.
And I melted
I caved
I gave up being strong and decided to instead be naïve, oblivious, or simply in denial.
We can make it work at least until I leave, right?
What’s the worst that can happen?
But then the worst started to happen.
Your flashbacks took away your memories of me and replaced them with menacing, intrusive thoughts
Replaced me with other girls
Nameless, faceless, meaningless bodies for you to use as you please
Or a roadblock in the way of you achieving peace at last, kissing death’s sweet lips
The bad guy you worked so hard to bury deep within your subconscious became very, very conscious
Very real
I first noticed it the day we were walking to the park, I said you were less mature than I, a harmless quip meaning no personal injury
You walked on the opposite side of the street as me, refusing to look at me, refusing to acknowledge me, refusing to come back to my side.
But when that car full of guys rolled by me, whistling, yelling various unsolicited, uncomfortable things resembling compliments, you laughed.
You laughed at my fear.
And still wouldn’t walk with me.
It was that day, you got in my face and dared me to put my hands on you so you could lay me on the ground
It was that day, I asked you, why are you talking to me like this?
It was that day, you answered, if I don’t hurt you verbally, it will be physically.
It was moments later, through tears, I begged, why do you treat me like this?
It was moments later, with cold eyes, you answered, to feel powerful
Is it a switch?
Can you flip it on and off?
How can the one who caresses my face so very gently,
The one who calls himself my protector at all costs,
The one who rushes to my side at every beck and call,
The one who opens doors for me
Walks two hours in the rain for me
Spends all his money to send me roses,
Be so cruel?
Three days before I’m supposed to leave, you come spend the night with me
We’re laying down, whispering sweet nothings to each other in the darkness
When I suddenly admit, I’ll miss you.
Don’t go, you say.
But I have to. I have to, my love.
It was then that you grabbed me by the neck, and told me I was not going to leave you.
Baby, please, I can’t breathe.
You’re not leaving. I don’t care if I have to take you away
Then you jolt out of it, looking at me with confusion. Your head hurts.
Just lay on me chest baby, it’s okay
I stroke your hair slowly, softly, calmly
Why is your heart beating so fast?
It’s not baby, close your eyes.
I hear it. What’s wrong?
Nothing, love, I’m fine. Just anxious about the move.
You know, you could stay here with me.
Baby, I already got my plane ticket, I’m leaving in a couple days.
No.
No?
No.
You grab my wrist with one hand.
Baby, let me go.
No.
Babe, you have to let me go. It’s okay.
No. Stop saying that.
Baby, I-
It’s too late. You’re already on top of me, grabbing my other wrist and pinning me down, your dark eyes beating into mind.
Baby, please let go of me, you’re squeezing too tight, you’re hurting me.
Your grip grows even stronger, and I feel the panic rising in my chest again.
Then you jolt out of it. Your head hurts. You need to lay down.
This time, I don’t let you lay on me. This time, I simply watch you lay there.
You reach out for me
I flinch
Concern flickers in your eyes, babygirl what’s wrong? You haven’t flinched around me in months.
It’s nothing.
It’s something, talk to me. What did I do?
You… um.. you pinned me down. You h-held my wrists. You wouldn’t let me go…
You laugh.
I wouldn’t do that, unless you were trying to leave me
Baby, I’m leaving the state in two days.
Your eyes turn cold. You yank my hair, pulling my head back.
You what?
I don’t answer.
You WHAT?
I-I’m leaving in two-
You yank my hair again, harder this time, before letting me go.
Your head hurts.
Really bad, really, really, bad.
Lay down baby, it’s okay.
I kiss your forehead tenderly
You’re okay.
My last day there was the worst.
By far, the worst.
Laying down, we’re past the stage of denial over me leaving.
I’m leaving tomorrow. And I’m so horribly sad to leave you behind.
You’re depressed. You don’t want to be here anymore. You don’t see yourself living without me.
You’re the only thing ******* keeping me here anymore, you say bitterly.
You’re gonna have to be strong for me when I leave, my love. I know you can.
Just die with me, you plead, it’ll be quick. I can choke you to death and **** myself. We’ll never have to be apart again.
We don’t even know what’s on the other side. What if it’s nothing? What if we don’t find each other?
You insist. You beg. You plead. You cry. Until you finally give up convincing me, your hand creeping up towards my neck.
Let me go.
Baby, let me go
Your hand is around my neck. Tightening. It’s getting harder and harder to breathe. There are black spots clouding my vision, like when you stand up too fast after sitting for too long, except they’re everywhere
Please, babe, please just…
Shhhhh babygirl it’s okay, close your eyes, go to sleep
So I do. I close my eyes and you slowly remove your hand from my neck, kissing me tenderly on the forehead, before getting up and going to my window. You open the window and as you’re looking down at the two story drop, my eyelids flutter open.
I reach out for you as you go to climb out the window.
Baby, stop, I whisper weakly.
You’re supposed to be dead.
But I’m not. Just, come here, it’s okay, you don’t have to do this.
I stand slowly and come to you, grabbing your arm to pull you away from the window.
Now it’s your turn to demand that I let you go.
Just let me do this. I need to do this. Leave me alone.
No, you don’t, just come here.
Before I can even blink both of your hands are around my neck and squeezing, lifting me off the ground.
Leave me alone before I make you leave me alone.
Unable to breathe, I nod, and you drop me.
Gasping for breath, I see you going towards the window once again.
Please! Just use the front door. Just walk out the front door, if you go out the front door I swear to god I’ll leave you alone.
You turn towards me, reaching once again for my neck, and I grab your wrists.
You back me up, twisting out of my grip and grabbing onto my wrists.
You keep backing me up, until we’re almost to my closet. I stop and rest against the open door, and you ask coldly,
Why’d you stop backing up? Keep going. Since you don’t know how to leave me the **** alone.
I don’t have much of a choice. You push me into the closet, and turn me around so I’m no longer facing you, placing your arm around my neck in a choke hold and tightening your grip.
I hit your arm once, twice, three, four, five times, and you finally drop me.
Your head hurts.
I turn to face you, with fear in my eyes, cowering under you.
You look at me with confusion.
Why are we in a closet? What’s wrong? Why are you-
You reach out to touch me and I cower and flinch, shaking my head
Please don’t, please, please don’t touch me. Please. I’m sorry. Please.
I break down crying.
You realize what you’ve done.
And you sit in the closet. In your little corner, to punish yourself, as I cower in the corner.
Seconds blend into minutes as they pass by, until you rise from the closet, going to the door. You don’t know where you are. You don’t know who I am. You keep calling me another girl’s name. I don’t know who it is.
Now it’s your turn to cower in the corner.
I can only imagine what’s going on in your head, as you’re crying out with fear and panic over the voices screaming in your head. I let you cry, clinging onto my legs.
It’s okay my love, you’re safe now, you’re not there anymore. Let it out. It’s okay.
My jeans are soaked now. I gently remove you from my legs and go to change my pants. Your face immediately switches to panic.
No, please, I don’t want to have ***. Please. I don’t want to.
Baby, relax. I’m not going to make you. I’m just changing out of these wet pants.
As I change out of my pants and into your oversized basketball shorts, your face changes.
Come here.
I look at you, confused.
Now.
I slowly walk over to the corner where you’re no longer cowering in. I crouch down next to you.
Closer.
You pull me onto your lap.
I gotta tell you something.
I lean over, your lips grazing my ear as you whisper,
I want you
You begin kissing my neck.
Kissing, touching, gently.
I almost didn’t notice anything was wrong. It wasn’t until you looked at me and asked,
What’s your name, girl?
That I realized you weren’t really here. I looked at you, dumbfounded, and you shrugged,
Okay, I guess that doesn’t matter. You’re **** as hell.
I pushed off of you, shaking my head.
I’m your girlfriend. Remember?
You shake your head.
I don’t date girls like you. Why don’t you just take that off?
You stand, walking towards me.
Just relax.
No!
I push you off me, and you laugh coldly.
Babygirl, we can do this the easy way or the hard way. But I love it when they fight back.
You grab me by the neck, kissing me roughly, as your free hand pulls my shorts off.
I’m pushing you. I’m pushing you off of me but you’re too strong.
You grip my ******* tightly and begin pulling them down, but I grip them tighter and keep holding them up.
Stop. Please. Stop.
I use my most authoritative voice and you chuckle with amusement.
Guess we’re doing this the hard way then, hm?
You pick me up and set me on my back on the ground. I go to get up. You pin me back down by my throat, prying yourself between my legs.
You begin to touch me.
I flinch under your touch and keep pushing, keep pushing you off of me.
You pin my hands with both of yours.
You bring my hands together and hold them both with one of your hands.
Stop. Fighting.
You resume touching me.
My body betrays me as I squirm and leak.
You know you like that. Don’t you?
You enter me, and I cry out in pain as you use me for your pleasure.
Call me daddy
You demand, and I shake my head.
You grab me by the throat and begin going harder. Faster. Harder. Faster.
Again, you demand,
Say it.
The word escapes my lips and you grin with satisfaction.
I close my eyes.
I stop fighting.
I do anything I can to take a mental vacation somewhere far, far, away.
I’m not here. This isn’t happening. It’s not. It’s okay. I’m fine. It’s almost over.
You pull out suddenly, and look at me with horror.
No… no… no, no, no, no, no, no
You let go of my neck. Then my hands. You back up and stare at me as if I’m on fire.
Please tell me I didn’t just do what I think I just did.
I wish I could. I wish I could tell you that you didn’t just do what you think you just did, but you did.
Your head hurts.
So ******* bad.
You retreat to your corner in the closet, and I retreat to the corner opposite in the room. Now it’s my turn to cower in the corner.
The next morning, you’re helping me move my stuff out of my room, into your mom’s car. She’s taking me to the airport.
The ride to the airport is silent.
When we arrive, you open the door for me, and scoop me up bridal-style so I don’t get my shoes wet in the puddle you’re standing in.
I hug you tightly, holding back tears.
I kiss you gently, holding back words.
I love you.
I love you, too.
As I walk into the airport, leaving you standing in the rain, I realize:
The roses never came.

His oaths were all crimson passion,
(Oh, fleeting, evanescent boy!)
But were simply passing fashion,
Discarded like some broken toy
Put on or off as he saw fit
(Not employed for some higher good:
The fondling of some harlot’s ***,
The plucking of some maidenhood.)
Prolifigate in the bedroom
In constancy, he remained chaste
Cast in the role of a bridegroom
The play’s ending he brought in haste
(I say this without levity;
Forever is but brevity.)

From depth to height, from height to loftier height,
  The climber sets his foot and sets his face,
  Tracks lingering sunbeams to their halting-place,
And counts the last pulsations of the light.
Strenuous thro' day and unsurprised by night
  He runs a race with Time, and wins the race,
  Emptied and stripped of all save only Grace,
Will, Love,--a threefold panoply of might.
Darkness descends for light he toiled to seek;
  He stumbles on the darkened mountain-head,
    Left breathless in the unbreathable thin air,
  Made freeman of the living and the dead,--
He wots not he has topped the topmost peak,
    But the returning sun will find him there.

Shakespeare’s Dog


in the theater tonight, the notion of a poem-potion
courtesy of Shakespeare's dog came unbidden

So when home arrived, was unsurprised that this
very peculiar pug was farting before my own front door.

get lost, I announced got what I need from your boss,
but before I could kick him across the floor,
the pug spake thusly:

this dog knows the boot too well,
it is parcel of this dog's life of no quality,
but if you give me shelter tonite, I will provide,
share some of Speare's un-Published Works
and you can claim it as your own!


kicked that dog across the room,
(having pity earlier I let him in and enter)
told Jim, (that’s what I called him)
he can stay the night, or long as the sun rises up
and goes down unbidden, but, if I ever
caught him plagiarizing, selling sonnets on the side,
I would report him to the ASPCA and the Poet’s Union.

The American Society for the Poets of Conscience Alive -
might have his low hanging ***** cut off in retribution.

he laughed out loud, rhyming funny, pontificating:

well mate,
thanks for the soliloquy,
me ***** long time gone,
but what I know and what I’ve seen
if tale-told you, and you were to listen,
you would keep me around as fodder
for your artistic soul.

in return chappie,
you need only provide me a rug, a fire,
A/C for the languid summer eves,
fodder for me body, and your boots,
far removed from my hindquarters.

We spoke much thereafter,
turns out he served his poet-masters
in many ways, more than a mere footstool.

his snoring keeps me awake some twenty years later.
his love for country music makes me put him on nice days,
outdoors, his headphones securely strapped round his double chins.

ugh that pug. became my best becoming love, old friend,
one of us will pass someday and an elegy composition,
the other devotee will furnish sadness utterly becoming.

so if a farting pug before your door you’ve  found,
take him in, give him water, an amply supply please
of Carrie, Trisha and Chaplin-Carpenter for his immortal soul,
but beware, he might try to sell you
some of my words, as your own.

I close the door of the bathroom cabinet, revealing the figure standing in front of it. I tilt my head back, bring my hand up to my mouth, swallow, and feel the slightly farmiliar sensation of the little pill sliding down my throat. Anything that used to be normal is only slightly farmiliar now, an effect of these little pills.
I look up into the ghost in the mirror, the one that slightly resembles my own face. I can barely pick out the individual features, but I'm pretty sure that's me. I bring my hand back up to my face, this time to pull up my cheeks in something that somewhat looked like a smile. Yep, that's me all right. The hand moved to the left, and grabbed my ear, tugging at it. Slowly, it made its way across my whole face, surveying all my features, feeling everything. I'm still here. Wish I wasn't.
I sigh and continue staring at this ghost of a person. She looks tired, and *****. Her dark brown hair ******* in a messy, greasy bun on top of her head. Her once bright green eyes are now a dull brown. Her once flushed cheeks, now completely pale and lifeless, still bear the scars of the crash.
I sigh once more and turn around, almost losing my balance.
I start toward my room, remembering I have to do something today. Not school, nor work, nor anything else in particular. Well, of course there is a reason, but thinking of that reason makes everything clear and painful, so lets just keep things hazy and safe.
I pull my once too small jeans on, which are now extremely baggy on my scarred legs. I try to steady my shaky hands as I attempt the eyeliner, but give up, and remove the waterproof makeup. It's not like he will care, he can't see my face anymore.
A sudden stab of pain envelops within my chest as everything suddenly becomes clear and I can see his face, his beautiful face, laughing. I blackout and end up on the floor.
When my eyes open, they are greeted with the concerned eyes of my sister-in-law. She's holding my face, trying to wake me up. "Woah there, woah. Are you okay?"
I sit there thinking of what just happened and what she said. It takes me a moment, but I reply, "As okay as I ever am."
She rolls her eyes and sighs. "C'mon, get up. We have to do something today."
Another stab of pain as I remember where we're going today and what we're doing. I ***** on her as the pain overcomes me once more, this time not blacking out. Instead the images, the very ones I have countless nightmares about, flit across my mind. Every one bearing pain, bearing a very specific pain. I start to scream and convulse, as I claw the arms of my brother's wife.
My brother comes in to pull me off of her and put me onto my bed, as I continue screaming. I can very clearly feel the very farmiliar pain in the middle of my chest. It's as if 10, no. It's as if a 100, a 1000 knives are being shoved in, turning, breaking bones, slicing organs. And then it feels as if someone is spitting salted lemon juice into my wounds, stinging.
It's all in my head though. Everything I'm feeling is all in my head. And that's the problem right there. Why couldn't I have just died in the crash, why can't I just be gone already.
I blackout again. And when I wake up, both my brother and my sister-in-law are standing there, watching over me. I see that my sister-in-law has changed clothes. Their troubled faces brighten up a little as they watch my eyes open. Unsurprised. This happens every time we plan to go to the hospital to visit him in the ICU. It's happened before, many times, so they know what to do and how to calm me back down.
They help me up from my bed and out into the living room, where there is a tray of fried eggs and bacon sitting on the coffee table. Probably for me.
I disregard it and instead walk to the kitchen to grab the *****.
My sister-in-law was right there to stop me. "No no no, not this early. Besides," she says as she takes the bottle from my shaking hands, "you already took your medication."
I begin to protest, and quit, knowing that it was no use.
Asides from the ***** and my medication, they have baby-proofed the whole house because of me. All knives are locked up somewhere in the garage, any tool that could be used against myself gone. No rope, shoelaces, small appliances, or other things that I may use to **** myself. The ***** was out because they confiscated it from my room. I had shoplifted the liquor the other day, and was trying to start a collection so that I may drink several bottles of alcohol at once and overdose. Not too smart, they search my room all the time. I'm too drugged to even care. And my medication tastes too nasty to overdose on, asides from being nearly impossible to OD from.

In the car on the way to St. Rosemary's hospital, we stop at a florist to get some 'Get Well Soon' stuff. My brother gave me some stronger medication, as he always does whenever we go to the hospital, and it makes thinking better. I'm able to think about what happened, but it makes the images in my head seem like they're from a movie, rather than my own eyes. I'm able to think about the man who lays there in the ICU, day in day out. That man I was once in love with. No, I still love him. And he loved me too. Loved.
I'm brought back to reality by my brother.
"What colour do you want to give him today?"
I don't know why he asks. I always say the same. "Green. His favorite colour."
My brother sighed. "I think he has enough green. But oh well, it's your choice..."
I love my brother very very much. I'm so grateful that he puts up with me. It's kind of a funny thing, when we were much younger and he was a ***** up, I could've sworn that he would have to end up living with me when we were older. Ironically, I ended up having to live with him. Well, 'living with him' isn't what it is. It's more like 'babysitting' or 'mom didnt want her in a mental hospital.' Like I had said before, I'm too drugged to care.

We also stop by SubWay just before we get to the hospital. I get the usual, a footlong ham and Swiss, with three chocolate chip cookies and a large Dr. Pepper. It's not for me, of course. I never eat anymore. This food is for him, if he wakes up. Because if he wakes up while I'm there, I want the satisfaction of being there with his favorite food. I do this every time. It's been a very long time since my brother or his wife has complained, wasting food and such. I don't care whether or not they're mad I waste stuff. I want this, no. I need this, for my fiancé.

Hospitals used to always scare me. As a child, I never had a reason to go to the hospital, except for my mother or grandmother, and even then I never went. I just knew people died there sometimes. I used to be so afraid of death. Now I'm wishing for it daily.
We head up to the ICU. He has his own room to himself, but he wouldn't care whether or not he had other people in there. All the people here know me, since we come around so often. They always look at me with extremely sympathetic looks, and then whisper about me to the people who they're around.
"Poor woman... Was in a terrible car crash... See those scars?... Just about to get married... **** near lost her life..."
They think I don't hear them but I do. It's a complete blessing for this medication, and that it makes me not care anymore, but sometimes I wish I could care. I wish I could turn around to them and tell them to shut the **** up thank you very much. I just literally do not care anymore.
We get to his room. The nurse comes out with the same sympathetic look as the rest of them.
I close my eyes and take a deep breath, trying to remember the last time I heard his voice, seen his eyes, felt his smile, heard him singing, the last time he told me he loved me...
And then the whole scene of when my life basically ended flashed across my mind, like a movie.

We were in the car, driving, listening to the iPod that was hooked up, singing along with whoever the hell was on. It was the middle of April. Nice weather. It was the perfect day.
We were on the way to this favorite place of mine, a 'special date' he had called it. At the time I had no idea what he was going to do.
We went into the place, a rollerskating rink. We got our skates and went into the rink to skate around. The DJ called out a special song for a special someone. As we danced and skated to the song, which was 'our song', the song we used to sing to eachother all the time, when a spotlight shined on him and he stopped what he was doing.
"You know that I love you," he said. "And you know that I want to be with you for the rest of our lives." He got down on one knee. "Will you make me the happiest man alive, and marry me?"
I started to cry. I said yes, if course. It was the happiest moment of my life.

When we were finished with the date, we were driving back home. We were seated very close, holding onto eachother.
We stopped at a stop sign, and I wanted a kiss. So I turned my head toward his, and we kissed. When I opened my eyes, we were in the middle of the intersection, and a car was coming our way from the left. It's headlights were shining in my eyes, and it was too close, going too fast. Right before the hit, I looked at it, knew the danger, and screamed my fiancé's name. He looked into my eyes in alarm, and that was when it hit. The other car smashed right into us, t-boning us on the drivers side, while my husband-to-be was driving. That moment felt like an eternity. We were flown around, and we hit some **** I don't even remember.
The next thing I remember was the sirens. The ambulances came and took us away from the wreckage. He was hurt severely, put into a coma. Me, I had some bad injuries, but not as bad as his. We were rushed to the hospital, and he was flown by helicopter to a bigger hospital that dealt with more serious injuries. Within two days he was considered brain dead.

And now, here I am, walking on this earth, while the love of my life just lays there, brain dead. I don't know whose brilliant idea it was to make it so I have to walk around, wondering whether he will ever wake up. The doctors always say that it's been too long, or that there's no hope now, or that we need to pull the plug. But every time they tell me that, I flip out. I flip out so bad they have to basically tranquilize me and send me back to the mental hospital. It's horrible. I just wish I could die, and that they would finally pull the plug after my death, so that we can both be together, wherever we go when we are finished with this life...

And the picture that always haunts me? The one of his eyes, in alarm, when I screamed his name. That picture is what haunts me day and night. It's what my nightmares are composed of. Every. Single. One.

I think all of this over for about a minute before we walk in. No one urges me to go in faster, they all know what I'm doing. They all know that I'm reliving the moment that pretty much took him away.
I open my eyes, ready to see him at last. I take small, careful steps into the hospital room, watching the floor. I finally looked up to see him lying, like usual, in his bed.

...At least, that what I was expecting.

Instead, he was sitting up, eyes wide, waiting for my reaction to see him awake.

And that was when I fainted.

you can’t just assume that
i’m gonna swallow these words whole
without trying to digest them
well guess what?
i might have a tough stomach
but when you’re not looking, i turn my head
and i spit your words out
my silent rebellion
trying to tell you, without saying it out loud
that i don’t wanna take this anymore
these sour pills dissolve in my system
and i am left feeling *****
as if your assumptions are seeping into my veins
and becoming a part of me
and who you think i am
is not who i want to be
so as a result
i’ve got a pocket full of these heavy pills
sticky with resentment
as i discreetly pull them from my mouth
and dispose of the evidence, trying
not to tell you that this is not how my mind works
and i go home and write about it instead
hoping that one day you’ll type my name into space
and find my words, arranged in a shape
that desperately tries to explain
why i feel this way
because i could never say this out loud
i could never even print it down, concrete
and pass it forward
to all the people i’m speaking to, writing to
now
i can only hope that you’ll get there on your own
because i feel so weighed down
by these things you say, as you explain to me
that you understand, you get it now
and you present to me my feelings
in a small box, and i open it
and i want to tell you
that you are so, so wrong
you’ve coloured inside the lines
and locked me in
and each time you describe me
to somebody else
each time you warn them
of what you think are my weaknesses
each time you tell them
what makes me strong, what helps me live
you push me further into this corner
of self-doubt, wondering
is this really who i am?
is what you see what everyone thinks of me?
because i am more impressionable
than you imagine, strong in ways you think i can’t be
but weak in ways you’d never believe
and these words leave imprints upon my soul
sinking into my heart like sharp footprints
falling through the cracks of my mind
and now i am occupied
with them, with the idea
that maybe i’ve been wrong about myself
all along
maybe i don’t know who i am
and the rest of you
familiar strangers
are the ones who have painted me, turned me
from my upside-down cocoon
and planted me down into this frozen ground
and i know, the voice in the back of my mind
tells me, no, you know yourself
and they are only taking
the outside parts of you
and constructing a sham, a replica
somebody they think they can dissect
but the problem is
this voice is at its strongest
when everyone is asleep
when the words are done their creeping
and have settled like dust around me
at midnight, at one, at two
and all through the night
i can finally know myself
and point out the fact
that you’re wrong
and i don’t have to go along
with your assumptions, **** your judgement
**** your advice, i’m going at it alone
and my mistakes are my badges
my success is my shield
and i will deflect your forged knowledge
back onto you, force it before your eyes
so you can finally admit
that you do not know me
and you never will
and that’s fine, i just want you to know
that my feelings are mine
and your words are yours
find something else to give me
give me your hand, give me your heart
i don’t even care
but because of you
i stay up, late at night
fingers crossed that you’re thinking of me
enough to search for my name
and find this long rant
in poetry form
and realize
just how wrong you are
and this is not beautiful, this
broken piece of badly worded ****
but i am not beautiful either
this is me on the inside
and now you know, do you get it?
just how wrong you are
and i will not throw these words in your face
i will not wrap these lines around your neck
and i will not leave you with nothing
but a guilty weight
i’ll still be here when you’re awake
i just want the assumptions to stop
the picture i paint and show
is mine alone, not even the frame
is yours to choose
and i ask
can you just let me be
the person i want you to see?
these assumptions are bringing me down
but of course, i’ll always have my language
and i’ll do this, time and time again
release this frustration into rough poetry
and then begin my next day, after a night awake and dreaming
and let you continue
to pick me apart, never quite reaching
the centre, and yet i’ll take it anyways
because that’s what you expect me to do
and i will let you remain unsurprised
fingers crossed all the while
hands in my pockets, juggling those pills
this is me on the inside
but you don’t need to know that, do you?

does your skin ever melt into the mirror
do your palms ever reach the other side
will these reflections ever make sense
ever feel familiar
ever seem right
whole
on purpose

do you find yourself, one day
staring back, unsurprised
thinking, i know her well
able to plaster her on billboards and
not shiver with questioned identity

because i am terrified
i’ll never look like the person
i hope to see when i squeeze my eyes shut

will they ever open

lead only,
read only,
craft yourself a better poet,
after you have crafted yourself
a better being

leaders are dragged to the fore

selected and elected,
pushed and pulled

be wary of those who shout
and boast
Follow Me,
for they think not of you,
they think only of the me in us,
their glory in your gore

do not follow me,
I shall not follow you.

let us each lead by example
and upon the shoulders
of our fellows will we be lifted
spontaneously combined, but not combusted

then, especially then,
go quietly inside yourself amidst the haste

for fellowship endures,
but fame fleeting,
and the adorers will soon flee
to the next prince of promises,
and when to the ground you slide,
slipped from their tilting shoulders,
be unsurprised

We sit in a café
Ceramic mugs of
Seasonally appropriate beverages
Wrapped in our grips

Surrounded by folks who also have
Ceramic mugs of
Seasonally appropriate beverages
Wrapped in their grips

But we are not here
To chat on about the weather
Our significant others
Or careers; no

We certainly are not
You glance at me
In a nearly
Conversational manner

“So you had your heartbroken”
You say, a combination of an
Unsurprised sneer and a nostalgic frown
Upon your face

“So I had my heartbroken”
I repeat, my lips cracked and my mouth
Blistering slowly from the heat
Of my seasonally appropriate beverage

“Are you, like the good little kid you are,
Doing the things
That they tell good little kids
To do in order to recover from such an ordeal?”

“I am, like the good little kid I am,
Doing the things
That they tell good little kids
To do in order to recover from such an ordeal”

“I haven’t even given into that
Deep, gut wrenching temptation
To do something terribly
Terribly destructive”

I state this in a mockingly proud way
Before pinching my chapped lip between my teeth
And gnawing on it until a swell of blood
Dripped into my seasonally appropriate beverage

“But what I have found”
I say, slowly, licking my coppery lips
“Is that despite all these
‘Coping Mechanisms’”

Your expression is inquisitive
Brow raised, eyes lit up
Like storm clouds with lightning
Stirring somewhere behind them

“I suppose you’re wondering why…”
I state slowly, before sighing an a
Somewhat irritated manner
"I’ve thought this thought too many times before..."

“Because no matter what
My mind refuses to even ponder
The thought that I am meant
For anyone but her”

Like as a flamelet blanketed in smoke,
So through the anaesthetic shows my life;
So flashes and so fades my thought, at strife
With the strong stupor that I heave and choke
And sicken at, it is so foully sweet.
Faces look strange from space--and disappear.
Far voices, sudden loud, offend my ear--
And hush as sudden.  Then my senses fleet:
All were a blank, save for this dull, new pain
That grinds my leg and foot; and brokenly
Time and the place glimpse on to me again;
And, unsurprised, out of uncertainty,
I wake--relapsing--somewhat faint and fain,
To an immense, complacent dreamery.

Forbidden night, with your sheltered hours.
How I long to paint you in broad strokes, adding water to the brush,
That you may spread and extend your precious mercies beyond the borders of your designation,
up and out into the wicked day.

May the sun forgive me for bankrupting its grand offering in favor of the always-waning dark, when it’s easier to walk between worlds without touching.
Daylight brings out the conquerers and also the conquered,
creating a vacuum that devours the air between gaps in the dimensions,
the grind and squeeze of many lungs contracting at once.

And although every period of light and compression is followed by a period of darkness and grasping strangeness, I am never unsurprised by the strength of my enduring love nor less enchanted by the singularity of our shadowy and permissive embrace. I have traveled great lengths to con my own rhythms into abandoning  their posts.

Oh night, I hold on to you like a new bride at a military wedding,
resolute in the knowledge that you will only return once you’ve already gone.
No sooner do you pull from my arms do I finally rest, too early and too late for a gentle landing onto the unforgiving surface of the sunrise.  

the hourglass breaks and so appears Morpheus, great and ancient, to call down black night upon the wretched world.
For it was agreed that once per cycle, the world must lose itself in necessary madness, and thus rests the cosmic balance upon which fares the day

I am afraid.
I know the odds are against me.
I have doubts. I have so many doubts.
But I offer you my bare wrists.
I offer you my whole heart.
I offer you my body
And my mind.
I believe that to receive what you wish for more than anything in the world
You have to be willing to risk everything you have.
So here, I risk it.
I lay on the table the darkest days of my life
And the possibility that they will happen all over again.
I surrender my pride, and my logic, and my suspicion.
I hold nothing. I present it all.
I strip myself of the armor I use to fend off feeling.
Because the bottom line is that faith
Is the biggest risk you can take.
I am full of thoughts whirring like gears in a motor,
Full of doubt like ice water,
But faith is not about being sure.
Faith is about knowing that everything could crash down
And deciding that there is something you need to love
More than you need to be ready for that fall.
This is my decision. This is my show of faith.
I offer my bare wrists to this world
And if it demands a blood sacrifice,
I will be unsurprised.
But if there is even the smallest chance
That someday I will hold you in my arms
It is worth the risk.
It is worth every risk.

I wonder what everyone else was feeling
                         when you were rushed to the hospital.

Again.

Eyes rolled,
mouths scoffed,
                      unsurprised.

Like the only place it made sense for you to be was
locked up
                                                  or six feet under.

I managed to stitch together the fragmented sentences
I had heard
and fill the spaces in between
with what I could infer.
Two sole letters
reverberated off the cave walls of my mind:

OD,
                                OD,
               OD.

An anthem I fell asleep to where I dreamed of a bedroom

for remission to make love to your addictions.

Those two letters became five before I could grasp the finality.

D
                          E
             A

                 T


H.

I was shattered.
The pieces of myself,
I’ve retrieved off the floor
and put them together in the puzzle of my life
where I have no place for drugs to fit.

I think about you more often than anyone is willing to believe.
When you took your first sip of alcohol,
                        a mixed drink of
     one part peer pressure
                          and another part curiosity,

        did you know you’d end up drinking your life away?

Driving and drinking don’t go together-
but maybe no one ever told you that.

But soon, it wasn’t enough.

You felt the need to get high to get through the day,
but did you hear your life start to break and our hearts along with it?

You always had a ‘go big or go home’ mentality,
I just wish you hadn’t applied it to drugs.


“Drugs don’t ****” has become the war cry.

I know.

They do so much more than that.
       They rip families apart
       steal honor from fathers,
        children from mothers,
        and life from anyone.

You huff and you puff and soon you become
       the big bad wolf who brings
              the house d
                               o
                               w
                               n

I still hold you in the highest respect
and I can’t make that point clear enough.

You never stopped fighting.


That monkey on your back didn’t live an easy life.

Late last night I had a date with Death
And she wore a corsage of my last breath
Around her wrist and
I dressed to impress
Half-heartedly desperate to look my best...
I wore a sweater-vest

With a spoon, I slit my throat
And pulled my tongue through the narrow hole
I figured I was getting dressed to die
So I wore a cuban neck tie

I picked her up at eight
On the street parallel to the eastern gate
Of a golf course adjacent to cemetery trees
... Seemed about right to me.

We strolled through the evergreens
And a thorny briar of trees
Silently chewing on epitaffy

I was unsurprised that there was a plot
I had not surmised
And when we found ourselves raising hell
I checked my watch for the time

I walked her home along the shores
Of a river called Styx
With a gondolier called Charon.
And despite his non-speaking tone,
It was nice.

We walked to a house made of brimstone and bricks
I found myself standing at Death's door
and peered inside expecting fire
But instead the fireplace was roasting goat hide

I smiled
And I leaned in for a kiss
Instead of a kiss, all she gave me is...
A pat on the shoulder
And said we could still be friends
After all, we'd be together in
The End

you strode in

a plaid hurricane

a bottled up typhoon

unannounced

uninvited

but completely

welcome.

and i was

surprisingly

unsurprised.

Don't look at me.
Don't see that I am raw with something like loss
Like the loss of something that
I haven't ever had.
Don't look over here
And see tears in my eyes
Because I don't know why they are here
And I want them gone.
Rarely
Do people show me a flipped image
Of how empty I feel.
Mostly I can forget.
I know you are like me.
To the very core of you
You light up when you love somebody.
And from the shadows I
Have caught some sunlight on the way by
And it is charring my skin.
It bubbles and blisters
Red and white
And I feel so ugly I hold my breath.
Did I lose that?
Did I have that?
It's not envy,
Not of either of you.
It's too pure for that.
Has too much surrender,
Too much grief.
It is simply that
Right now
I want to shrink into this wall
Like a smudge.
Maybe if I could just be so insubstantial,
Maybe I could be the smoke you exhale,
Pretty against the stars,
Vitriolic in your lungs,
And that
Temporary.
I wish you all
Could forget me like a sigh,
Like a sigh on a frigid night that shows white
For a moment
And then dissipates.
I wish I could forget me like that.
I don't understand
The tears in me tonight.
They've been rising for a while,
All quiet and cold.
Now they're everywhere,
In my veins and in my fingertips
Making them heavy on the keys.
They are slowing me down,
Weighted and cold as
Hell
And I know I can't be the one
To turn to you and let them flood your moonlit heart.
I am freezing them, bit by bit,
To keep them here.
What kind of person would I be
If I were to cut through your haze of happy
And tell you I need you now?
And moreover
That I am drowning
Because I saw somebody who got saved.
No,
No I am not terrible that way.
I am terrible
This
Way.
I would sink to the floor
But it takes more energy
Than I want to expend
And there is a sort of smugness in restraint.
I learned it last year,
That if you try for long enough not to cry
The crushing pressure becomes almost a relaxation,
A thick, noxious mist that you can rest your weight upon and succumb to.
My grief tastes like giving up.
And I always say to the world
That I do it out of spite,
That I do it so that I hurt me before it does.
But it's just not true.
Giving up is a disease,
And it's killing me.
I have borne my wrists to the bloodthirsty,
Unsurprised at their zeal
When they bit down hard.
Something about a passive face
Makes me feel like I've kept something
Of myself
Even as I lost everything else.
What kind of awful would I be
If I asked for comfort now?
No,
I have weathered many silent storms
And frozen many tears
Calm- a sick calm that feels like pitch in your lungs- and clear as glass,
So thick you can't see through it anymore.
There's nothing to see to.
That is the secret.
When you break the ice,
There is only blackness.
The only thing you find beyond the tears
Is the place that births them,
And its only purpose is to be
Achingly empty.

It's only 11:30 when I plug it in and go bed,
Screaming at myself, tears in my eyes
It had only been five days
and I didn't love her Monday,
I grew into it
and I thought she had too,
until those three words came from her tongue-


"I have someone"

my world shouldn't have shattered
I shouldn't have stayed up all night
screaming at myself and writhing in pain,
clutching my aching stomach.
I should have rolled over and gone to sleep
unsurprised.

I should be used to it
Used to spending nights like this
Used to being dissapointed
To having to turn the thermostat up to 75°
so I'm not cold at night.
To having to get on facebook and talk
so I don't fall asleep completely lonely.
To having to write so I can say
"I love you"
at the end of a poem
just to get those words out of my system.

I am the overworked ceiling fan,
Wishing to drop
I am a hallowed out skull in the factory of know-it-alls,
I am a deciphered code from nearly 67 years ago
I am a pale face in summer, I am of death like the barefoot dancers
I am a foe, and I am better off
I am low in a canyon
I am an unsurprised disaster, and I've already happened

Stagnant throughout the years,
Leaving nothing to chance.
Trudging through life unsurprised,
Life keep's us a hostage.
A prisoner of the saddest sort,
Unknowing even of the chains that bind.

Until one day something changes,
A biological switch clicks.
Scales fall from previously blinded eyes,
Truth finally freeing the ignorant prisoner.
An unforseen blooming that colours the world,
Opening the mind to possibilities that could be.

The Joshua tree in particular,
Dreary, regular and uninteresting.
Stuck in an unfaltering life,
Doomed to a lonely death.
But one day something happens,
Mundane, it will never be called again.

Flowers, bright red and plentiful,
Standing out against a backdrop of barrenness.
A routine of numbing indifference,
Suddenly disturbed by a blessing.
Life no longer doomed to an empty existence,
God's larger plan finally within sight and grasp.

Trudging on with unfeeling lack of will,
Barely registering the sudden gifts.
Till they mature and give way to beauty,
Uncontested and pure.
Life can never be the same,
Once circumstance whispers, 'Run with me.'

big blue eyes of innocence

naïve in her five years of existence

calls out for daddy, for daddy to come

around 9 o'clock at night.

he enters the room, unsurprised,

this has become ritual.

check the closet, under the bed

for the creatures of the night.

kiss her head and tuck her in

then turn off the lights.

how beautiful this scenery was,

the innocence of it all.

a father's assurance was enough

to comfort her troubled mind.

the pure and unfailing trust

that everything will be alright.

but as the years passed

her faith began to weaken.

taking off the rosy shades

blindsided by reality.

through the pain and sorrow

she came to learn

the monsters do not live

underneath the beds

but in herself.

and with each saw of the blade

daddy's little girl fought those monsters.

In this unconscionable soul rests a being
Void of knowledge, yet engaging in life
He has become stranded in his path
Nevertheless, he knows where to go, but reluctantly does not follow

The inability to stick with his logic has become a downfall
Blinded by the subtleness of repetition
He continues, unsurprised
Caught up in his unrequited lust for more

Sometimes, however, he finds truth in the greatest parts of his life
But instantly the figure appears, blinding
The figure haunts his memory
As dark as it is, he refuses to release it

Some unknown burden holds him closely
Entangled from years of darkness
Is it possible to even discover light?
Or is he eternally traveling with bloodless hands, outstretched in potential?

I find myself only able to whisper softly among the screams echoing in his head
Is it worth your life?
Without this burden you can truly find yourself
Can’t you see what it has made you?

Nothing more than a spec of dust in the ground
Worthless, beaten down by others
He placed himself in this state
Continuing to wander, as he desires
Hoping that in his brokenness he can bring life to something
The only influence he has is the darkness that consumes his soul

At one moment was change possible
Yet once again he has turned away
To find his worth in the loneliness of states
Unable to find redemption in his hollow face

She sat slumped against the wall
Red knuckles begging to be soaked in salt water
Fingernails seeping red like faded nail varnish
Skin a mesmerising galaxy
Shades of blue
Purple marks
Half moons shadowed beneath her hauntingly piercing eyes
She watched me like she's been here before
Her poker face unsurprised of my presence
Like she was discovered and left to be found again
By someone else
She didn't ask nor beg
Pride or shame
I couldn't tell
The cogs in my mind whirred
It's too late
I could give her a new world
A new start
But I could see in her eyes her world was gone
Her heart was buried deep within the bloodied soil beneath her hands
Her soul was tied to the past
The good and the bad
I could give her food
And clothes
And shelter
But I can't free her mind
From the prison she's been in
I can't chase away the nightmares
It's too late

you think about someone too long listening to a song
and they start to creep their way into the chords,
climb their way up on the staff, find their place in the rests
until there's no where you can't see them. hear them. miss them.

there are a lot of songs I can't listen to anymore
I will never be unsurprised by the injustice that just one person can do
to another by simply trying their best to exist.
I throw out favorite movies and favorite artists and favorite books,
I throw out pieces of me everyday because I can't carry them alone.

I'm sorry. I'm sorry I couldn't keep us like we wanted.
I'm sorry that we weren't the strong adults we thought,
just small children who tried to make a home in each other's arms.
And maybe you don't feel that way - but when I hear the crooning
of a boy singing about how we were spoons,

I can't help but notice all the scars we left, two knives
pretending that we could never really hurt each other,
getting closer and closer
until there was nothing left to cut.

11:38pm Friday night
Lost again
To your memory
The nights we spent
Blissful
Unaware of what
we could lose
Dashed upon the rocks
Bitter
Disappointed
Unsurprised.

big blue eyes of innocence

naïve in her five years of existence

calls out for daddy, for daddy to come

around 9 o'clock at night.

he enters the room, unsurprised,

this has become ritual.

check the closet, under the bed

for the creatures of the night.

kiss her head and tuck her in

then turn off the lights.

how beautiful this scenery was,

the innocence of it all.

a father's assurance was enough

to comfort her troubled mind.

the pure and unfailing trust

that everything will be alright.

but as the years passed

her faith began to weaken.

taking off the rosy shades

blindsided by reality.

through the pain and sorrow

she came to learn

the monsters do not live

underneath the beds

but in herself.

and with each saw of the blade

daddy's little girl fought those monsters.

Loud noises in the room are galaxies away
The waves of color on the wall paralyzed me
I lie my head next to them, unsurprised
I hear unfamiliar voices asking ‘why don’t you go for it’
I don't believe in anything anymore
Not the words I pretend not to listen
Not the forms on the wall
Not the green spots in your eyes
I stand in the same place, wanting
Without moving a finger to grab it.

Im not one of those people
The ones that yell on the cliff
And wave their arms all about
Not one who demands your attention
Claiming it as my own
Im one of those people who stands
Quietly and unassumingly
Next to you
And whispers “hi I am here
Im thinking of you
Maybe you could think of me?”
Im one of those ones
Waiting to be noticed
For someone to see
The me who takes a bit of searching
To find
Who would love you forever
And be totally devoted
If you so much as asked me to
But instead I stand
Unassumingly
Over there
Hoping you remember
But unsurprised that you don’t
After all
I not standing on a cliff
Shouting out your name

Sitting on that
****** excuse for a bed
I dreamt of a world
In four dimensions.

A world in which
Every version of ourselves
That had ever sat
And would ever sit
On that bed
Were there with us then.

And I heard and felt your
Hundred different
Heart beats
From those hundred
Different moments

I felt all of your life
And pure energy
Pulsing into the hundred
Different versions of myself
And suddenly
I understood
Why the heart
Is such a powerful metaphor
For love

Of course there were
Two hundred different laughs too-
Four hundred kissing lips,
A thousand
Whispered secrets.

But then slowly
All those different versions
Of ourselves
That had ever sat
And would ever sit
On that bed
Filtered out
In the order
In which they came in
Until eventually
Just the two of us
Were left

I was unsurprised
By the lack
Of future selves
But that didn't mean
The fact didn't dig into my skin
And make my heart beat
A little quicker;
A littler more urgent.

A collection of donkeys
Reviewing the depth and girth of light
In a circular channel of platinum white
While the Cold War's puppet master smiles

What is in the creases of the temple?
Built upon the Aztec temptress's armpit
Discovered by the Spanish butcher
And burnt by the pale ghost

Japanese pilots land upon
Upon, upon
A lake of black tar
A lake of black tears
A lake of black tar
A lake of black tears
And question the times.

He asked me why my hair was soft
I severed my ear and lent it
The pianist, unsurprised, played on
With a pyrrhic victory among black and white

Plagiarism runs amok
It is my good friend, the light in the dark
The lightning coiling around my mind
A brilliant idea strikes the gutter

Japanese pilots land upon
Upon, upon
A lake of black tar
A lake of black tears
A lake of black tar
A lake of black tears
And question the times.

What's your answer?
Among the darkened rain clouds?
What's your answer?
Among ****** handles?
What's your answer?
Among the trumpets and horns?
What's your answer?
To the performance of a life?

Sing no more!
Silence!
This is my noblest music!
The buzzing of nothing!