Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

Our salvation taking
another high-life (Lip)
The middle-income lip
Our lips leaked
Being possessed the kiss
on empty

Humpty Dumpty sat
on her Lego lips
Singers the Talking Heads
Where are the feds to late
Those stolen lips
State of a wedding trips
Rainbow chalk the state was
on lip nightmare call
Being stalked (Lumber Jack)

The devil filler up poverty
The world being pulled
Push her lip up
                    > >

Arrowsmith bow and arrow
                    >>
  Losing elasticity lips go
UPSTATE gravity

"What an under(state)meant"
"The press (God Bless)
    the golden child
     lips filling in
       the gaps
What!! no comment"

 So sad we need the happy
Irish lad too many
    Sugar Dads
lip recession deadlines to meet
The curveball
Another sip we joined the
Navy but eyeshadow deep-over
the edge gray
The Seal had an unusual tail
Her lips fast food drive smashed
Her Meal

The peace lips blew far away
"Medieval Swords heart lips
            will pay"
Times come and go its excruciating
Lips went too far always mating
Imitating people takes a whole village
Of pain

But the spiritual blessing rain
In Woodstock concerts
What perks to gain
The acid trip music we can
sip each other's lips

    Now if this wasn't passion
What a state got smeared
Like a crime scene
of fashion
Her lips could rise
Like the Millenium

         Max
Playing the jazz sax
Still the income tax

But the state in a crisis
of sales tax
Star a stage minimum wage
All the states we travel her lips
The water stays refreshing where
On her body, he really sees it on
her lips nowhere else

How many states can you
count on your finger
Long lip Ranger

The Victoria Secrets
The Tra la the bra's on the
Five-star Hilton Hotel
hanger

Holding onto her guns
Going right or to the left
Powerful lips he went
off the cliff

Getting Burned and
the State tax
You earned
The Swearing
Her lip talk so caringly
Can we move her lips to
another state more cautiously
How her hips look like
they will inflate

I am not a painting by
your candlelight fate
I felt like a tax right off
Taxi yellow race her lips
on the meter money bluff
I ended up in the state of
*Michigan
Tricks are ****
Like a lip magician

Kentucky home was barrels
of Bourbon
I never said I wanted a drink
my name is Robin
Going to Deleware
what hardware did anyone care
So humble like the bumblebee
She was way too soft as her software

Have gun we travel but have lips we rumble

We need courage this world of states
can be savage
Gold bonds of "Dynasty European"
top dollar vultures mean
funds that's a grand entrance

Now I see how these states
start to unravel
California here I come right
back where
my lips started from

Her upper society lip could use
Champagne and caviar
The star was getting fat a nice trim
Grumpy beard make it a
short tax cut with him
Text and tweets no lip sweets
Rocky Colorado mountain men

French lips played art
Like Van Gogh perfect 10
Scenic route crazed
So many states should
be sued overly sexed suites

In Alaska, she was on a freeze

All the money in the world she got New York Token

All I asked the waitress
for State fair pie
My lips could have
used *Sweet Peach * so
pucker up
Don't be a sucker
Alabama state trooper
in Kansas City

What a spell click of heels

Georgia is always on my mind
Is New York only a state of
Frank Sinatra singing mind
What a big foot in her mouth
Nancy Sinatra dark lips Goth
State boots softly made
for loving that's just
what lips do one of these
Days my lips are going to
gloss all over you
Who's the Boss
So fasten your lip belts
The spiritual state always does the cross

Bumpy ride (Bette Davis) Eyes
Taking a trip to the end of the
boot of Sicily vineyards
Whats mine Jailbirds
She cut her lip when she was
in (Connecticut Movie cut)
On the Mystic Seaport lips were
getting hot ****** fit

Like a state disease fire pit
State of a lip disaster
But the state couldn't
resist her
Ending up in Arizona
Something is swizzling
it's not Kevin Bacon

Make no mistake when you plan
a state trip you better have your
weapon ready
Mafia bullets Bonnie and Clyde
they rob *Banks money Lips

Blueberry lemon juice
Gangly goose
Cruel brew moon
Roam
Soft lovely Mary
Sailor Taylor
Your lord, sinking sored
Vagon Ford
Virginia east coast roast
Most test
Chest, mess
Darling Dublin
Idaho, Ioawa
Cine noir
Lullaby
Mistic bee
Free my blue at the noon
Moaning soon
And the ring mostly seen
Chase my word
Siren fog
Heaven myths
Lick a lip

The storm trooper costume was somewhat of a joke between us friends. When we were 20, we dreamed of buying houses full of useless merch that fans buy out of love for something, but really just feeds the capitalist machine. Those friends are gone now and so are those dreams. The apartment is bare and empty, save for rusty heater that groans like an old drunkard, the hard bed in the corner next to the window that lets in the cold winter air and the single chipped wood table that wobbles on its uneven legs. There isn't even a lighter for the cigarettes.

I wonder how much Darth Vader paid his storm troopers? I wonder what it would be like to be in that suit, firing guns at Jedi Knights but not really hitting anything. I wonder what it will be like to be on spaceships travelling between galaxies and different points of the universe at light speed, setting eyes on new planets and whole new species that may range from space worms to aliens with higher intelligence.

Then again, there was that possibility that I could die. I was part of an intergalactic army after all. I'd be no match for a Jedi and i'd probably have no idea how to work my own weaponry. You probably can't smoke or drink, either-- lest you wish to incur the wrath of Darth Vader but... despite all that, I'd still take it over all of this grimey ****.

After all, anywhere was better than here.

The farm at Little Rottingdeane
Lay fallow for a year,
Since Cromwell’s Ironsides had spent
The winter, quartered there,
They’d emptied out the pantry, killed
The cattle, stripped the barn,
And ***** the little milking maid
Before they left the farm.

The farmer, Rodger Micklewaite
Lay in his bed all day,
Too sick to raise his farmer’s head,
Too ill to bale the hay,
His wife took on the milking of
The milker they had left,
And comforted the milking maid
Who cried, as one bereft.

‘The master should be well again,
By early May or June,’
The wife had muttered tearfully
While gazing at the Moon,
But soon a pair of pigeons took
Their places in the loft,
‘Lord help us, it’s a sign of doom
To curse our little croft.’

The pigeons had been there before
When folk had fallen ill,
And when they came, it fell the same
For death would spread its chill,
And Rodger died, when they appeared
There was no time for grief,
A man called Palm soon bought the farm
To give them some relief.

The milking maid, her belly swelled
Betook her to her bed,
A tiny room that lay in gloom
Beside the milking shed,
She cried and cursed the Ironside
That set her on this course,
‘May Satan put a thorn beneath
The saddle of his horse.’

The babe was born by All Saints morn
She’d screamed to see its face,
The head shaped like a helmet or
Some bony carapace,
She only could discern its mouth
With teeth sharp, and ill-formed,
‘I cannot nurse this ugly waif,
I’ve bred the Devil’s spawn!’

Then Palm screeched at the sight of it,
Was sick unto his soul,
‘I never should have bought this croft
Or housed this Satan’s troll!’
The widow made his sickness bed
And counted him as lost,
For pigeons two came into view
And settled in the loft.

Then Palm began to waste away,
She fed him beer and broth,
He died upon the seventh day,
Was buried in the croft,
But then a troop of Ironsides
Rode through there from the moors,
And one of them remained behind
To tend his fevered horse.

‘What ails your horse,’ the widow said,
The trooper growled with scorn,
‘Some fool that saddled up my horse
Slid under it, a thorn.’
The milking maid, recovered then
And ****** into his face,
The baby, wrapped in lace and shawl
To hide its carapace.

‘You left a trace of you behind
When last you passed through here,’
The trooper blanched to see its face
Then shook in mortal fear,
The hungry babe went for his throat
And bit with all its might,
As blood streamed from the Ironside
To drown the Devil’s mite.

Two pigeons flew into the loft
Just as the trooper fell,
It only took a minute for
His soul to wake in hell,
The widow and the milking maid
Packed up and left that night,
‘This time, we’re like two pigeons,’
Said the widow, ‘taking flight!’

David Lewis Paget

time for a group photo!
short girls in the front.
thats me.
constantly being classified by my body and constantly being included only to be excluded.
I feel like I'm back in my Jewish day school being made fun of because the cost of my mothers chemotherapy overrode my need of the checkered uniform skirt that all the other girls had.
I spent my new years eve in an emergency waiting room watching "I love Lucy" reruns with my babysitter, waiting for the doctor to come out and say that my mom was still alive and doped up on morphine in the back room, watching spongebob and telling me to
"hang in there, "
because i'm a trooper when really I was sitting next to the adult chaperone on every school field trip because no one wanted to sit next to the girl whose mom was dying and her family was too poor to buy her a new checkered uniformed skirt.

I tried to tell a boy one time about what its like when your mom is bald at your bat mitzvah and that the black boy named Stephen in your 5th grade homeroom told you that your mom should die from cancer and his friends laughed while the girl went home and read books because the characters actually listened and never changed no matter how many times the book was opened.

he just said : didn't that happen a long time ago? how does that even matter anymore?

and I agreed because love is begin and love is a spell that makes you say "this is okay" to the situations which are the least of being okay.

Wow: I'm more depressed than I thought I was.

Writers are naturally narcissist. Hear my words: I will talk about my work for hours if you let me.
So maybe I'm done sharing.
Maybe my words are just a desperate cry for help when the only one who can actually help me is myself.
Sometimes I feel like my self confidence is just my self justification for my existence and I'm really just made to die so that other people can read my wet, soggy journal and it could maybe save them like it destroyed me.

My energy is waving and I want it to ceasefire so I can go under the quiet calling of the lake and be still to where no one can hurt me and I'm too ****** to feel the temperature of the water.
I want to be so ****** up that for once in my life I can fall in love with myself instead of the boy with the red cup,
beckoning me to the back of the room

I want to know that my reality is not so different than yours and when I feel like you like me: I know that you do and I don't have to shower-thought-contemplate that.
Love should be like the earth beneath your feet, you never have to check if it is still there because you should already know it is always going to be there fro you.
I'm worried for myself and I'm spinning to that point where I'm sitting on that rock again outside the farm and looking at arts and craft scissors and wanted to craft my way into a heap six feet under.

Wow, I never realized how depressed I was.

I want to break down but I want to stay strong and keep my emotions in the jar that everyone makes fun of me for carrying around because my life is your joke and the punch line just keeps on getting better.

“One of the effects of living with electronic information is that we live habitually in a state of information overload.”                                                      
                                                                                      Marshall McLuhan
So, let’s review:
Man is a thinking animal.
Stanley Kubrick took us to space to get us to think.
Marshall McLuhan:  “There are no passengers on spaceship earth. We are all crew.”
Hemetucky: what was I thinking?
The Rapture for the 1%:   The Language of the World and The Language of Enthusiasm explains why Sir Richard  Branson’s ****** Galactic will only be taking the richest among us to space.
Ian (Limey Futurologist) Pearson:  “Binary is already the dominant language on Planet Earth with today’s machines having more conversations in 24 hours than the whole of humankind since the birth of Eve.”
Larry Flynt:  “**** is the answer to everything.”
Goofy:  “Yeah, I ****** Minnie. I shagged her rotten, baby!”  
Winston Smith:  “Do it to Julia!”
McNugget Buddies:   “Parts is parts.”                                          
Stunod: “Donuts-a -spella backwards issa stunod.” Think about it.
Tony Soprano.  “You ****** stunod, it's a joke.” (Stunod:  in southern dialect Italian means stupid, or a stupid person) http://(www.urbandictionary.com) define.php?term = stunod  / buy stunod mugs & shirts
Marshall McLuhan:    “Jokes are grievances.”
Mike “The Situation” Sorrentino:  “Antonio Gramsci thought that Stalin and Bolshevism could save him and Italy from Fascism:  stunod.”
The Cloud:  My acceptance of the Cloud into my life and my changeling cyborg self is by no means a capitulation to the surfing life.
Paulo Coehlo:  “The God you seek; that someone who awaits you is you.”
Howard Beale:  “That’s the God *******.”
God:   “Because you’re on television, stunod!”
The Elders of Zion:  Nu?
Meir Kahane:  “Let us not suffer from a national amnesia that causes us to forget who and what we are. No trait is more justified than revenge in the right time and place. I know that American and Israeli elections must be limited only to those who understand that the Arabs are the deadly enemy of the Jewish state, who would bring on us a slow Auschwitz - not with gas, but with knives and hatchets. Vote for Newt!”

**** Jagger:    “Get Yer Ya-Ya's Out” (40th Anniversary Edition, Rolling Stones)
Keith Richards +Fijian palm tree = Stunod.  
Marshall McLuhan:   “The more the data banks record about each of us, the less we exist.”    
Howard Beale: “If there's anybody out there that can look around this demented slaughterhouse of a world we live in and tell me that man is a noble creature, believe me: That man is not only full of *******, that man is  stunod.”
The Nam, Part I:   a demented slaughterhouse within a microcosm and grains of beach sand inside micro-Cosmo Kramer’s shorts. When I was in the Kingdom of The Nam I was always under the influence of some drug, mostly my own pure adrenaline when scared shitless--a frequent condition for me—not only my own piquant adrenal juice but other stuff like ****, hash, Thai stick, *****, amphetamines, H-Horse ******, quaaludes, horse tranquilizers and Russian *****. The drugs were always a welcome and needed friend, a respite from the horrors of war in Southeast Asia. To meditate & levitate, to transmigrate & navigate, to negotiate & regurgitate myself, I needed a head start if I was going to SLIDE through what would be called a wormhole today, making a three-dimensional movement between different parallel universes, a conquest of time and space. Cue our favorite narrator:
Rod Serling:  “You unlock this door with the key of imagination. Beyond it is another dimension--a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.”
WWII, Part I:  A slider now, I SLIDE to my father’s war—the War in Europe in the years before V.E. Day, May 8, 1945. Suddenly I’m flipped right out of the jungle to Germania, to Deutschland in the winter of 1945. I am a P.O.W. of the Germans, sent out into the economy as slave labor. It’s February in Dresden, Germany, the Baroque capital of the German state of Saxony, the city called lovingly by her (****!) many lovers: “The Florence of the Elbe.” It was a long time ago, during the war and I Survived to Tell the Tale. I am a wet floppy Kilgore Trout; I’ve flopped right out of the Twilight Zone into what appears to be an underground meat locker in Dresden. There are animal carcasses hanging from the ceiling and the building is known as Slaughterhouse Number 5. I am a lucky ******* because even though I don’t know it yet, I’m in the safest place in the entire city. Cue the Bombing of Dresden, a strategic military bombing by the British Royal Air Force (RAF) and the United States Army Air Force (USAAF).  In four raids, 1,300 heavy bombers dropped more than 3,900 tons of high-explosive bombs and incendiary devices on Dresden. The resulting firestorm destroyed 15 square miles (39 square kilometers) of the city centre and killed many thousands, according to **** figures-- largely discredited by the victors who not only get the spoils but get to spin the history any which way but loose. Casualty figures were 200,000 and death toll estimates went as high as 500,000. Or maybe just 25,000 total, if you believe the ******* Anglo-American valkyries who unleashed the wrath of Khan’s Smoking Joe’s Barbecue Ribs and Hotlinks. Win a war, get a medal and a seat in Congress, maybe the White House; lose a war, get indicted. You’re going to Nuremberg, pilgrim, or the ******* Hague.
Kurt Vonnegut: “World War II was over and I was standing in the middle of Times Square with a Purple Heart on and a purple hard-on.”
Colonel Kurtz:  “We fight for the land that's under our feet, the gold that's in our hands, women that worship the power in our *****.  I summon fire from the sky. Do you know what it is to be a white man who can summon fire from the sky? ...What it means? You can live and die for these things, not silly ideals that are always betrayed  . . . I swallowed a bug. Who are you, captain?”
Willard:   “Please allow me to introduce myself, I'm a man of wealth and taste. I've been around for a long long year, stolen many man's soul and faith. Stuck around St. Petersburg when I saw it was a time for a change. Killed the Tsar and his ministers, Anastasia screamed in vain. I rode a tank, held a gen'rals rank when the blitzkrieg raged and the bodies stank. Pleased to meet you, hope you guess my name.”  
WWII, Part II:  The bombing of Dresden had to have been some kind of a violation of some International Code or Geneva Convention. But, of course, the bombers, the Victors, ran the Nuremberg show trials. The bombees didn’t get a chance to say much, didn’t want to make a fuss, seeing how generous the Army of Occupation was with their coal, gasoline, clothing and food handouts. But I was there when it was safe to climb out of the meat locker, and immediately got put to work on the après les bombes clean-up. I was there doing the ***** work, a corpse miner, tasked with collecting the fried grasshopper remains of so many unlucky Krauts who were simply burned alive, like heretics at the Inquisition. So it goes.
William Tecumseh Sherman: “War is Hell, Babaloo!”
Colonel Kilgore: “You can either surf, or you can fight!”
Sam Bottoms: “I dropped a tab of acid at the Do-Long Bridge, so I think I’ll surf for awhile: ‘I see a world in a grain of sand, and a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.’ Reading Blake: for years it was the only way I could block out the war, that and losing myself in a bunch of undercover assignments. Yeah, it was William Blake, I-Spy and lots more acid; that how I dealt with PTSD.”
The Nam, Part II, LT DAN:  “Good job, trooper; those ******* drugs got you coming and going, sliding so fast you’ve missed latrine duty 3 times this month. Now go get 5 gallons of diesel fuel and gasoline, mix it together and torch that ******* feces, soldier.”
** Chi Minh:  “This ain't no party, this ain't no disco, this ain't no fooling around.”
***** Friedman:   “The Democrats and Republicans are the same guy admiring himself in the mirror.”

Muhammad Hosni El Sayed Mubarak:   “Vote for Pedro.”
Drew Gilpin Faust, Harvard:    “Fight Fiercely!”
Marshall McLuhan:    “I wouldn’t have seen it if I hadn’t believed it.”
The Author:   I am a disaffected angry old man, formerly a disaffected angry young man; a Hopi-Italian Jew with Chinese offspring, namely my left-brained son, a mathematical genius but having a tough time dealing with idiots, the many truly stunod people in the world.  Then there’s my Rose, my sweet King Lear-jet daughter, like her half-brother, not yet finished paying for my sins. My offspring are haunted, visited upon daily by their father’s  ghosts, ghosts created, ghosts hovering over me, from wars hot and cold and peace lukewarm and cloudy, like the uranium ground contamination on the mesa, visited upon mothers and infants  and children who seek only a glass of cool water from the spring not to be glow worms in the dark, leukocytes made insane by something in the water. My sins, a father’s sins; things I did to curry favor, to ingratiate and advance myself with the 1%, things I did to get ahead in life, to get what I thought my father and others in the ancestral slipstream had failed to get, twice to the Rabbi for a get (Hebrew: גט‎, plural gittin גיטין), to get the edge my kids need now, the edge I never had, and life reduced to an exercise in ultimate combat, little more than a cage fight, man against man and God against all. The things I did for money and position shame me now. And shame is a large  source of my anger.  I will remain angry. I will hang on to my anger at God and myself and all who have been disappointed in me, by me, especially the cavalcade of short-term caretakers, women used, abused, left behind and forgotten. Why am I me? Sometimes I think that’s the way I’m programmed. But it’s okay, like Gaga: “I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track, baby I was born this way' Cause God makes no mistakes, I'm on the right track, baby, I was born this way and will I continue to surf the Cloud: even though God is dead and I don’t believe you, or me, or them.
Basic: remember Basic?

10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30   GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30  GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30 A IS FOR ANGER NEXT 30
30  GOTO 10 Ad infinitum

He was born defeated.
For eight months he sat at the delta to the world,
stargazing in amniotic fluid.
Sharing oxygen with another passing,
it back and forth like a gas mask in a chemical war.
how familiar he would become with the chemical war.
he did not propel into life the way everyone expected,
like the first, iron soldier to  dive
from a helicopter into the bush; all displaced rage
and camo flags waving behind him.
he was made to wait. made to drown just a little bit.
made to appear to the world a little blue.
no gas mask this time. just some weak lungs
and a bald head. not raven-dark and tumultuous like his six-minute predecessor,
but quiet, sullen and sentenced to a week in an incubator;
teaching him how to be alive.
maybe that was the first time he got mad. he more or less stayed mad for 17 years.
Found comfort in Peter Pan, a boy with no future- no past,
and juiced up men performing soap operas for a living;
sweating on their audience and quick to blow
a folding chair in to the enemies face.
The same pit-stomach drop of a terrible math grade,
And of realizing an idea if terrible halfway through completion-
Dazed at on knees at3am, half of the bedroom carpet ripped out
With a carving knife.
He beat up his other, left her trembling behind doors that didn't lock for years.
Full weight pressed against cheap wood, hoping this time it wouldn't open,
and leaving in the wake a girl-child, of 20 years-
terrified of testosterone and emotions.
There was the comfort in war movies; men with purpose, and the quirky
anime of a culture not his own.
Darker pagan books dotted pubescence. They sat like coffee mugs
filled with sludgy water, a place to dip paintbrushes in when it was time to start over.
Drugs come in folds. dealt like cards over the years- grappling for anything.
Their names ring out first like a memoir, then like a psych ward.
He would probably snort dirt if an escape from hardwood floored, leave spun
world in which he lived.
the place where dead batteries rolled around in for years in drawers and
tape never came off of wallpaper.
and the other one- the one who cut him off and turned
him blue at the very beginning; she's frozen too.
she stumbles through cities and ghettos and ancient worlds,
hoping to find something, anything that gives her a purpose.
Back to strong wind on 6th Avenue between classes,
Eyes sting and water against it but comforted by the smell of snow and
Bus exhaust. In that moment doing a good job. Being a trooper.
Swiping IDs that show a real, accounted for person underneath
The Goodwill feather-down coat and expensive Arabic textbook,
But in the quiet hours still grasping at straws,
at braids that don't quite work and flowers tangled
in hair that won't quite stay in place.
Singing with a voice a little too novice,
too rough. Looking dumb in sunglasses and boots.
She starts and quits things a lot.
gets exhausted. predisposed for enormous depression.
greek-tragady like.
****-yourself-to-spare-the-gods-your-being like.
finds glimpses of life in things, mainly when submerged in a daze of not-getting carded and  incense. Hair falls over pages of books, hanging one handed on an R to Queens,
or collecting cigarette butts from the side of the road
in the prairies of Dakota-land, helping kids collect enough tobacco
for their drunk fathers and zombie mothers to roll and smoke for the night.
She’s turning around in circles in grocery stores
Picking up food-stamp broccoli and sliced cheese in Harlem,
Going everywhere with sleep in her eyes and
wondering how others manage to exist.
but who is a killer from the start supposed to be?

Sleeping. A minute or two at a time. Mark. This guy hit somebody. Awake. Coat on. Front door out. A silver hatchback is parked blocking our driveway. Drivers Door opens. A man with dark hair gets out. Italian maybe. Takes three steps. Sees me. And at once without any acknowledgement beyond eyes meeting he is back in the car. And it's all you can do to stare at the rectangle of pressed aluminum. It's white characters on green. 638 UAR 638 UAR. And then his car is gone again but not before you glimpse the passenger side front quarter panel. What's left of it. Man he did a real smack. And then Still in Costco house shoes You listen to the scrape of his tires drive away and walk the outer line of the front fence along the line of cars parked in front of your house and up the front door of your rather dory sort of spry 84 year old neighbor. As you reach her front door You see it is open and only the glass screen door is shut. Think about rapping but reach for the doorbell instead. And there she is. Hi you say. A guy hit one of your cars out front. Four cars parked out front. two silver two redfish.   Well come in she says. You apologize for the house shoes. A dad don't. As you step inside you realize how close to Christmas it really is. Her entire house. Silver & red. Four women Sitting around The dining room table. Someone's car has been Hit 84 says. The murmurs at the table soon turn into realizations. And questions. Which car?  I don't know. He left. I just came here straightaway with the license plate. You realize you've been saying it aloud this whole time. 638 UAR. And now you and 5 bible studiers walk back outside.   It's the first car. A white silver one. Joy for not much damage but Enough to pray over.

I
Ancestral Houses
SURELY among a rich man s flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?

II
My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here.  A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My ****** heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.

III
My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged.  In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.

IV
My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V
The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered ***** of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.

VI
The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no cleat fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.

VII
I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east.  A puff of wind
And those white glimmering fragments of the mist
sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
"Vengeance upon the murderers,' the cry goes up,
"Vengeance for Jacques Molay.' In cloud-pale rags, or
in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading
wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their
eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes.  No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or
of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks.  Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the
moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my
worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more.  The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.

"Do you know why i pulled you over?"
" Suspect it was because of my speed."
" Did you realize how fast you where going?"
" Nearly 75 miles per hour, you see, I noticed that concrete median just ahead and realized I have been suicidal lately, so I unbuckled my seat belt, glanced at my blinking airbag light letting me know this would be a for sure thing and gunned it. Then of course you turned on your lights, and i knew there's too big of a chance of making it to the hospital alive with a cop this close by when it happens so i decided to pull over. I thought may be suicide by cop would work, but i don't have a gun with me, so the worst that would happen is i would get tazed, and you'd have to do paperwork, so i abandoned that about the time you reached my bumper. To tell you the truth, you, and solely you, for multiple reasons, may have been the only thing that kept me from killing myself tonight. Now that I've had some time to think about it, I don't think dieing would help either, wouldn't help me or anyone else, so i think the best thing would be to just go home and sleep it off, sleep until i start to feel something again."
".......Life gets hard sometimes and you can't let it get a hold of you like that. Where do you live?"
"about ten blocks up"
"I'll let you go, but I'm going to follow you there just to make sure you get home in one piece, and in the morning check yourself into somewhere."
"I'll make sure to."

Reluctant
or aloof gestapo.

Peers
look shocked,
or... waited apathy.

As they jubilantly run off
to implement the last resort.

© S. Wesley Mcgranor

In memoriam
C. T. W.
Sometime trooper of the Royal Horse Guards
obiit H.M. prison, Reading, Berkshire
July 7, 1896

I

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
‘That fellow’s got to swing.’

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved,
And so he had to die.

Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

Some **** their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.

Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.

He does not die a death of shame
On a day of dark disgrace,
Nor have a noose about his neck,
Nor a cloth upon his face,
Nor drop feet foremost through the floor
Into an empty space.

He does not sit with silent men
Who watch him night and day;
Who watch him when he tries to weep,
And when he tries to pray;
Who watch him lest himself should rob
The prison of its prey.

He does not wake at dawn to see
Dread figures throng his room,
The shivering Chaplain robed in white,
The Sheriff stern with gloom,
And the Governor all in shiny black,
With the yellow face of Doom.

He does not rise in piteous haste
To put on convict-clothes,
While some coarse-mouthed Doctor gloats,
and notes
Each new and nerve-twitched pose,
******* a watch whose little ticks
Are like horrible hammer-blows.

He does not know that sickening thirst
That sands one’s throat, before
The hangman with his gardener’s gloves
Slips through the padded door,
And binds one with three leathern thongs,
That the throat may thirst no more.

He does not bend his head to hear
The Burial Office read,
Nor, while the terror of his soul
Tells him he is not dead,
Cross his own coffin, as he moves
Into the hideous shed.

He does not stare upon the air
Through a little roof of glass:
He does not pray with lips of clay
For his agony to pass;
Nor feel upon his shuddering cheek
The kiss of Caiaphas.

II

Six weeks our guardsman walked the yard,
In the suit of shabby grey:
His cricket cap was on his head,
And his step seemed light and gay,
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every wandering cloud that trailed
Its ravelled fleeces by.

He did not wring his hands, as do
Those witless men who dare
To try to rear the changeling Hope
In the cave of black Despair:
He only looked upon the sun,
And drank the morning air.

He did not wring his hands nor weep,
Nor did he peek or pine,
But he drank the air as though it held
Some healthful anodyne;
With open mouth he drank the sun
As though it had been wine!

And I and all the souls in pain,
Who tramped the other ring,
Forgot if we ourselves had done
A great or little thing,
And watched with gaze of dull amaze
The man who had to swing.

And strange it was to see him pass
With a step so light and gay,
And strange it was to see him look
So wistfully at the day,
And strange it was to think that he
Had such a debt to pay.

For oak and elm have pleasant leaves
That in the springtime shoot:
But grim to see is the gallows-tree,
With its adder-bitten root,
And, green or dry, a man must die
Before it bears its fruit!

The loftiest place is that seat of grace
For which all worldlings try:
But who would stand in hempen band
Upon a scaffold high,
And through a murderer’s collar take
His last look at the sky?

It is sweet to dance to violins
When Love and Life are fair:
To dance to flutes, to dance to lutes
Is delicate and rare:
But it is not sweet with nimble feet
To dance upon the air!

So with curious eyes and sick surmise
We watched him day by day,
And wondered if each one of us
Would end the self-same way,
For none can tell to what red Hell
His sightless soul may stray.

At last the dead man walked no more
Amongst the Trial Men,
And I knew that he was standing up
In the black dock’s dreadful pen,
And that never would I see his face
In God’s sweet world again.

Like two doomed ships that pass in storm
We had crossed each other’s way:
But we made no sign, we said no word,
We had no word to say;
For we did not meet in the holy night,
But in the shameful day.

A prison wall was round us both,
Two outcast men we were:
The world had ****** us from its heart,
And God from out His care:
And the iron gin that waits for Sin
Had caught us in its snare.

III

In Debtors’ Yard the stones are hard,
And the dripping wall is high,
So it was there he took the air
Beneath the leaden sky,
And by each side a Warder walked,
For fear the man might die.

Or else he sat with those who watched
His anguish night and day;
Who watched him when he rose to weep,
And when he crouched to pray;
Who watched him lest himself should rob
Their scaffold of its prey.

The Governor was strong upon
The Regulations Act:
The Doctor said that Death was but
A scientific fact:
And twice a day the Chaplain called,
And left a little tract.

And twice a day he smoked his pipe,
And drank his quart of beer:
His soul was resolute, and held
No hiding-place for fear;
He often said that he was glad
The hangman’s hands were near.

But why he said so strange a thing
No Warder dared to ask:
For he to whom a watcher’s doom
Is given as his task,
Must set a lock upon his lips,
And make his face a mask.

Or else he might be moved, and try
To comfort or console:
And what should Human Pity do
Pent up in Murderers’ Hole?
What word of grace in such a place
Could help a brother’s soul?

With slouch and swing around the ring
We trod the Fools’ Parade!
We did not care:  we knew we were
The Devil’s Own Brigade:
And shaven head and feet of lead
Make a merry masquerade.

We tore the tarry rope to shreds
With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
And cleaned the shining rails:
And, rank by rank, we soaped the plank,
And clattered with the pails.

We sewed the sacks, we broke the stones,
We turned the dusty drill:
We banged the tins, and bawled the hymns,
And sweated on the mill:
But in the heart of every man
Terror was lying still.

So still it lay that every day
Crawled like a ****-clogged wave:
And we forgot the bitter lot
That waits for fool and knave,
Till once, as we tramped in from work,
We passed an open grave.

With yawning mouth the yellow hole
Gaped for a living thing;
The very mud cried out for blood
To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
Some prisoner had to swing.

Right in we went, with soul intent
On Death and Dread and Doom:
The hangman, with his little bag,
Went shuffling through the gloom:
And each man trembled as he crept
Into his numbered tomb.

That night the empty corridors
Were full of forms of Fear,
And up and down the iron town
Stole feet we could not hear,
And through the bars that hide the stars
White faces seemed to peer.

He lay as one who lies and dreams
In a pleasant meadow-land,
The watchers watched him as he slept,
And could not understand
How one could sleep so sweet a sleep
With a hangman close at hand.

But there is no sleep when men must weep
Who never yet have wept:
So we—the fool, the fraud, the knave—
That endless vigil kept,
And through each brain on hands of pain
Another’s terror crept.

Alas! it is a fearful thing
To feel another’s guilt!
For, right within, the sword of Sin
Pierced to its poisoned hilt,
And as molten lead were the tears we shed
For the blood we had not spilt.

The Warders with their shoes of felt
Crept by each padlocked door,
And peeped and saw, with eyes of awe,
Grey figures on the floor,
And wondered why men knelt to pray
Who never prayed before.

All through the night we knelt and prayed,
Mad mourners of a corse!
The troubled plumes of midnight were
The plumes upon a hearse:
And bitter wine upon a sponge
Was the savour of Remorse.

The grey **** crew, the red **** crew,
But never came the day:
And crooked shapes of Terror crouched,
In the corners where we lay:
And each evil sprite that walks by night
Before us seemed to play.

They glided past, they glided fast,
Like travellers through a mist:
They mocked the moon in a rigadoon
Of delicate turn and twist,
And with formal pace and loathsome grace
The phantoms kept their tryst.

With mop and mow, we saw them go,
Slim shadows hand in hand:
About, about, in ghostly rout
They trod a saraband:
And the ****** grotesques made arabesques,
Like the wind upon the sand!

With the pirouettes of marionettes,
They tripped on pointed tread:
But with flutes of Fear they filled the ear,
As their grisly masque they led,
And loud they sang, and long they sang,
For they sang to wake the dead.

‘Oho!’ they cried, ‘The world is wide,
But fettered limbs go lame!
And once, or twice, to throw the dice
Is a gentlemanly game,
But he does not win who plays with Sin
In the secret House of Shame.’

No things of air these antics were,
That frolicked with such glee:
To men whose lives were held in gyves,
And whose feet might not go free,
Ah! wounds of Christ! they were living things,
Most terrible to see.

Around, around, they waltzed and wound;
Some wheeled in smirking pairs;
With the mincing step of a demirep
Some sidled up the stairs:
And with subtle sneer, and fawning leer,
Each helped us at our prayers.

The morning wind began to moan,
But still the night went on:
Through its giant loom the web of gloom
Crept till each thread was spun:
And, as we prayed, we grew afraid
Of the Justice of the Sun.

The moaning wind went wandering round
The weeping prison-wall:
Till like a wheel of turning steel
We felt the minutes crawl:
O moaning wind! what had we done
To have such a seneschal?

At last I saw the shadowed bars,
Like a lattice wrought in lead,
Move right across the whitewashed wall
That faced my three-plank bed,
And I knew that somewhere in the world
God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
At seven all was still,
But the sough and swing of a mighty wing
The prison seemed to fill,
For the Lord of Death with icy breath
Had entered in to ****.

He did not pass in purple pomp,
Nor ride a moon-white steed.
Three yards of cord and a sliding board
Are all the gallows’ need:
So with rope of shame the Herald came
To do the secret deed.

We were as men who through a fen
Of filthy darkness *****:
We did not dare to breathe a prayer,
Or to give our anguish scope:
Something was dead in each of us,
And what was dead was Hope.

For Man’s grim Justice goes its way,
And will not swerve aside:
It slays the weak, it slays the strong,
It has a deadly stride:
With iron heel it slays the strong,
The monstrous parricide!

We waited for the stroke of eight:
Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
That makes a man accursed,
And Fate will use a running noose
For the best man and the worst.

We had no other thing to do,
Save to wait for the sign to come:
So, like things of stone in a valley lone,
Quiet we sat and dumb:
But each man’s heart beat thick and quick,
Like a madman on a drum!

With sudden shock the prison-clock
Smote on the shivering air,
And from all the gaol rose up a wail
Of impotent despair,
Like the sound that frightened marshes hear
From some ***** in his lair.

And as one sees most fearful things
In the crystal of a dream,
We saw the greasy hempen rope
Hooked to the blackened beam,
And heard the prayer the hangman’s snare
Strangled into a scream.

And all the woe that moved him so
That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
None knew so well as I:
For he who lives more lives than one
More deaths than one must die.

IV

There is no chapel on the day
On which they hang a man:
The Chaplain’s heart is far too sick,
Or his face is far too wan,
Or there is that written in his eyes
Which none should look upon.

So they kept us close till nigh on noon,
And then they rang the bell,
And the Warders with their jingling keys
Opened each listening cell,
And down the iron stair we tramped,
Each from his separate Hell.

Out into God’s sweet air we went,
But not in wonted way,
For this man’s face was white with fear,
And that man’s face was grey,
And I never saw sad men who looked
So wistfully at the day.

I never saw sad men who looked
With such a wistful eye
Upon that little tent of blue
We prisoners called the sky,
And at every careless cloud that passed
In happy freedom by.

But there were those amongst us all
Who walked with downcast head,
And knew that, had each got his due,
They should have died instead:
He had but killed a thing that lived,
Whilst they had killed the dead.

For he who sins a second time
Wakes a dead soul to pain,
And draws it from its spotted shroud,
And makes it bleed again,
And makes it bleed great gouts of blood,
And makes it bleed in vain!

Like ape or clown, in monstrous garb
With crooked arrows starred,
Silently we went round and round
The slippery asphalte yard;
Silently we went round and round,
And no man spoke a word.

Silently we went round and round,
And through each hollow mind
The Memory of dreadful things
Rushed like a dreadful wind,
And Horror stalked before each man,
And Terror crept behind.

The Warders strutted up and down,
And kept their herd of brutes,
Their uniforms were ***** and span,
And they wore their Sunday suits,
But we knew the work they had been at,
By the quicklime on their boots.

For where a grave had opened wide,
There was no grave at all:
Only a stretch of mud and sand
By the hideous prison-wall,
And a little heap of burning lime,
That the man should have his pall.

For he has a pall, this wretched man,
Such as few men can claim:
Deep down below a prison-yard,
Naked for greater shame,
He lies, with fetters on each foot,
Wrapt in a sheet of flame!

And all the while the burning lime
Eats flesh and bone away,
It eats the brittle bone by night,
And the soft flesh by day,
It eats the flesh and bone by turns,
But it eats the heart alway.

For three long years they will not sow
Or root or seedling there:
For three long years the unblessed spot
Will sterile be and bare,
And look upon the wondering sky
With unreproachful stare.

They think a murderer’s heart would taint
Each simple seed they sow.
It is not true!  God’s kindly earth
Is kindlier than men know,
And the red rose would but blow more red,
The white rose whiter blow.

Out of his mouth a red, red rose!
Out of his heart a white!
For who can say by what strange way,
Christ brings His will to light,
Since the barren staff the pilgrim bore
Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
May bloom in prison-air;
The shard, the pebble, and the flint,
Are what they give us there:
For flowers have been known to heal
A common man’s despair.

So never will wine-red rose or white,
Petal by petal, fall
On that stretch of mud and sand that lies
By the hideous prison-wall,
To tell the men who ***** the yard
That God’s Son died for all.

Yet though the hideous prison-wall
Still hems him round and round,
And a spirit may not walk by night
That is with fetters bound,
And a spirit may but weep that lies
In such unholy ground,

He is at peace—this wretched man—
At peace, or will be soon:
There is no thing to m

Star wars
star wars
What's there not to love?
Laser swords
and clone trooper hordes.
The action is thrilling,
the plot is chilling.
And everyone is just plain
badass
Starships and land rovers,
life is all in the galaxy.
The begining is epic,
A long time ago
in a galaxy far, far away...
What's more iconic?
Yoda so fly,
ain't no other franchise can try.
Star Wars,
my first true love.
Always wantin' to be a jedi,
destroy all sith
and bring balance to the force.
Almost may 4th,
May the forth be with you
there was 1, 2, 3, 4, 5, and 6
but 7?
you bringin' me to heaven
Star Wars,
*is there anything better

5: Nice Jewish Boy, Poet ******,
And ****** Of My Own Life

Dedicated to the people
Who keep me company here,
Some in the mid of night,
You know who you are...
and the POlice trooper who caught me
doing 85 in the HOV lane.  Cost me 200+ and 3 points on my entry ticket to heaven
~~~~~~~~~~~~~~~~~~~

Listening to Daughtry^
Like ya oughta,
Singing very loudly along
to, and as it so happens, when
I'm agoing
Home.

Long neck Corona
Cooling my sweaty brow,
Top down,
You betcha my neck is
Red, and the officer who just pulled me over
Ain't looking none too pleased,
In fact, he's alooking a little red too!

Officer I said,
Saw that sign,
30 MPH Minimum

Swear I was doing
At least that
Above the 55 speed limit.

He said, it's ok dude,
I like your music taste,
Heard you singing
Daughtry and Green Day,
James Blunt and Nickelback
In the HOV lane,
Maybe even some Buble
I may have heard, as well,
But don't Miranda incriminate yourself!

I like your taste in beer,
I like that you don't use no sun lotion,
If it's ok with you,
I'll just stand here and listen,
And maybe, join you later when
I'm off duty, at the station.

Officer, a nice Jewish boy I am,
Officer, a good ole country boy from the city,
Wear Harlon River's hat when he ain't,
Went out fishing with RRR (r) on his boat,
Woodpecker chaser,
got me a .45 neath my pillow,
And you should see me gut a

Poem*

Slice its belly open,
Sometimes straight, sometimes Askew,
Feed the gulls them
****** insides on the dock, by-moonlight,
Can ya cut me some slack?

Mmm, I see here in your license,
You are a disabled guy,
A **** poet ******,
Who often does his best work
Legally all alone in the HOV lane,
So I'm gonna let you off this time
Just with a warning!

If you drive and compose,
Ya gotta observe the signs posted:

No more than five per day,
Poems can you post

If singing while driving,
Top gotta be down

No writing about drinking,
there are underage children
Reading your wrotes

Finally,
No more sad poems,
The world is way over its quota,
No mention of scars or pain,
Tears, loss, broken or going insane,*
No heart sickness on sunny weekend days,
Got it?

It's a big problem in these parts,
If you see one, report it to the
Poetry Authorities!

Yes sir Officer,
If you give me your name,
I'll slip it in some little
Unobtrusive limerick,
By way of a thank you note,
Cause after all
A nice Jewish boy
I.am.

He said that won't be necessary,
Voyeuring yourself ain't illegal,
Just bad manners.
But if I catch ya one more time,
Using those aforementioned bad words,
And doing 85, in the left lane,
I know where ya live, and
I'll see ya 'when September ends.'

Chloe's POV:

2 Days Before -

“If I find you camping, I swear to god, Chloe ******* Price –“ Rachel challenges, “– I’m drawing blood. Don’t grin at me. I’ll leave you for the vultures to snack on. Maybe for cannibals too.”

“**** me with a plastic light up gun? How threatening.”

You know when you’re listening to the instructor reciting the rules for the game of laser tag for the nine thousandth time, and there’s the teenager ******* around in the background with guns? That’s me and Rachel, who holds a gun up to my face and makes a reference to the Star Wars Family Guy episode where the storm trooper pretends to shoot down passerby ships by saying, “Pew, pew, gotcha!”

Both team vests, red and blue, are occupied so it’s a full game. Even though we were one of the last people to come in, we managed to get opposite colored vests. Rachel is on the red team, while I’m on the opposing blue team. Only natural since the vest matches my hair color.

When the instructor opens the door, the crowd piles out into the room booming Irresistible by Fall Out Boy. Rachel and I are one of the last ones out, holding our guns up towards the sky as we walk in feeling like we’re walking away from a huge explosion acting like we’re James Bond. As the vocals of the song begin, the red and blue vests come to life beginning the game.

“Pew, pew, gotcha!” Rachel coyly replies, rushing off as my vest dies.

Insert groan here. I roll my eyes, darting quickly after Rachel as my vest comes back to life. Rachel ducks down behind a purple glowing pillar, holding her gun out from behind it to shoot me as I come up the stairs. “Your shooting is so messy, you idiot.”

Someone takes out Rachel’s vest, and my vest is taken out immediately after hers. What a way to start this game. “******* it.”

“Have you even gotten anyone yet?” She yells as she darts off.

A group of kids in red vests come upstairs. I shoot at the vests from the second story, and they glance up angrily at me as their vests die. They invade my hiding space shortly after, and I’m forced to flee over to the other side of the arena into one of the walled-off areas with a hole to shoot out of, specifically for campers and for recharging vests. Immediately, I crash into somebody who drops their gun and grabs my arms instinctively because of how hard I slam into them, pushing me back gently. “Are you okay?”

The short-haired brunette girl I run into is drop-dead gorgeous, freckles peppering her cheeks. As usual, I don’t think before I say the first thing that comes to mind. “Woah.”

“You’re making this too easy for me.” The girl comments, shooting out my glowing blue vest quickly after grabbing her gun and steps around me to find another hiding place. *******, I think, what hierarchy of angels did you come from? Why didn’t I notice you before I walked into this laser tag room?

Right. Because I’m on a date with Rachel. Or at least, I’m trying to convince myself that’s what this is. Five days ago, Rachel kissed me while she was drunk mostly because someone suggested the Pocky game at Dana’s nineteenth birthday party. I can see Rachel’s face coming closer to mine as she chomps down on the chocolate Pocky sticks oblivious to the closeness that I was to her face, and I feel her lips crashing with mine for a split second. It feels like I give her the entire world in that kiss, but she pulls back like it was nothing.

How am I the only one who remembers that?

I have to retreat from my camping spots a few times, but I get enough vests taken out that Rachel is guaranteed to say something like, “Oh, you got a pretty good amount of people in this round.”

Ghost by Halsey starts booming through the arena, and practically everyone must be thinking why a song like this is playing because it's slow at first but it reverberates through the bass.

“You’re camping too? You must be bad at this game.” Brunette-haired princess holds me at gunpoint. "Any last words?"

Again, I don’t think before I speak. "You're hella cute."

The brunette girl's vest dies as I shoot at her immediately after, and she shoots mine out shortly after hers turns on. Her doe-like eyes are staring at me angrily in a playful manner, yet also glistening like stars. There's something about her that makes me feel like she sees a universe inside of me.

The music briskly cuts off, and everyone stops in their tracks and fumbles out. Rachel and that girl get lost in the red and blue blur of lights as the arena starts emptying.

It isn't until I come outside that I find Rachel holding a slip of paper. "What was your name, Chloe? I was Rocket, and I got eighth place."

"Starlight, I'm pretty sure?"

"You got seventeenth. Knew it." Rachel joked. "You were camping."

Focus on the here and now, Chloe. You have to ask Rachel about your relationship with her. Stop procrastinating. Rachel's face drops in confusion as I drop the bomb on her. "Can we talk?"

Max's Journal:

2 Days Before-

Wowser. Felt like just yesterday, I got an email for my acceptance into Blackwell Academy on a scholarship. And now I’m an adult, graduated, with a potential photographer job under my belt.

With events such as graduation, it should feel vaguely melancholic but Blackwell Academy is an eye-catcher in my resume. My dexterity with analog and digital cameras catches the eye of a professional photographer named Jack Rousseau working for Hot Topic, and he asked me for an interview. ME.

When I got the email, I practically leaped into Kate’s room gushing over this rare opportunity to work with a professional. I think Victoria overheard me loudly discussing this to Kate, because she was giving me the stink eye all throughout my ceremony from the other day. Whatever. Victoria will eventually earn her spotlight…in hell. I snorted writing that actually, and blushed furiously remembering I’m on a pretty packed bus. Probably got people looking at me like, “Is she okay?”

The first thing my Mom does when she sees me is give me a bone-crushing hug, and compliment my outfit even though it’s a tank top with a large dream catcher printed on the front with my loose green jacket overlapping the shirt with the sleeves pulled up to my elbows. She asks about Mr. Jefferson, and I think I over emphasize how I’m his star pupil. I’m pretty sure Mom gets it after trying to explain that to her several times.

The house smells like spaghetti, and I’m already drooling like a baby when I walk through the front door.
Then Mom randomly hands me a 50$ bill, and tells me to go hang out with one of my Seattle friends since I must miss the crap out of them.

I accidentally say, “What the hell?” in front of Mom. Funny thing is, she doesn’t wash my mouth out with soap. I must be too old for things like that. Maybe this is what a perk is of growing up, I think.

“Come on, go have fun!” Mom practically pushes me out the door, not before letting me have some of her World-Famous spaghetti. Mmmmm. As I jump into my Mom’s vehicle, I realize I don’t know where the **** to go or who to contact so I head to the first place I can think of: Laser tag.

As I sit out in the parking lot, I text Kristen or Fernando to see if they want to hang out here. Usually, Kristen will text back immediately but there’s no response. Fernando seems to be busy, so I head inside myself and buy myself a wrist band for laser tag alone. Who says you need to be with other people to have fun? I’m an expert at laser tag. They call me the best shooter in the northwest.

The instructor looks overwhelmed at the thirty or so people flooding the room, and attempts to talk at the loudest pitch possible to get everyone in the room to listen to the instructions. Of course, there’s giggles happening somewhere over all of these tall and short bodies so I get the jist of it: No running, pushing, fighting, and yelling. We all know there’s running and yelling going to happen.

As I run in, I immediately head for the stairs as my rest vest turns on. Someone shoots me from behind, and I notice it’s a group of kids. Then I decide to camp out in a corner, at least, until I get caught.

I bring out my gun and shoot out three blue vests on the other side of the laser tag arena. The air gets knocked out of me, plus my gun flies out of my hand as someone falls into me. My hands instinctively grab their arms, pushing them off me when I glance up at her face, suddenly startled.

“Woah.” She says, and I feel like lightning passes through both of us as I let go of her arms.

Immediately, I shoot out her vest, rushing off to find somewhere else to hide. My body is racing with adrenaline, and it’s a little hard to concentrate on the game because I’m trying to look for blue hair. In this packed arena of thirty people, it’s easy to get lost in the blur of red and blue lights. It’s easy to see the lights blend into purple.

It’s ironic when Ghost by Halsey starts playing because the first few lines is literally making me think of blue hair: “I’m searching for something that I can’t reach. I don't like them innocent. I don't want no face fresh. Want them wearing leather begging, let me be your taste test. I like the sad eyes, bad guys, mouth full of white lies…”

****.

I find her tucked in a corner, mimicking me. And she’s gorgeous. I’m not sure why I am looking for her, but I am. “You’re camping too? You must be bad at this game.” I jokingly hold her at gunpoint. “Any last words?"

What comes out of her mouth leaves me off guard. “You're hella cute."

My vest goes out as she shoots me, and I shoot her back giving her a playful glare. And then something happens between us again, and it’s that jolt of lightning passing through both of us. The music cuts out, and I tear my eyes from the stranger and run out of the laser tag room by myself.

Once I get outside, I check my texts from Fernando and Kristen. Since they’re not replying, I decide to head on home, but my heart is still beating rapidly in my chest. And I’m not sure if it’s because of the game or blue hair.

I have come to succumb to a certain cliché, a cache of questions that so often seem to scuff the dance floor of adultolescents. “Who am I?” of course, a major inquiry but more importantly, “Who do I want to be?” and what am I becoming and when I become it, will it become me or will I not even want it…like a portrait of my mother…tattooed to my ***, her dear old face like some wretched rash (truly I’m not that crass). So I am scared of tomorrow and uncertain of now but everything used to be fine, so allow me to go back just a bit, to when I was, say about… FIVE.

I remember reclining on my grandmother’s couch in Hoboken, New Jersey watching star wars, I believe it was episode FIVE. Her apartment smelt of ***** and rice and beans and that reek of regret that rises from the corpses of broken dreams, and I can still see the light from the T.V. screen illuminating every corner of her living room, from the bookshelf, to the door with the welcome mat--an ironic greeter--to the picture of Jesus perched over the heater smiling down on and blessing the liars and cheaters who so often filled that room with soiled consciences and beaters. So there I was, I was FIVE, and I can clearly recall what I wanted to be, who I wanted to be in that moment: A Jedi! Oh it was a long time ago and it was far, far away, but I can still see the look on my grandmother’s face as I raced through space with my light saber broom beating Sith with a stick, protecting the room from Vader’s invaders making storm trooper stew, my weapon—my whisk; my rivals—my roux; the force—the flames, to boil the brew and the voice of my father at forty FIVE years of age telling me to quit messing around. And I said with a wave of my hand, “No, you quit messing around.” He said, “Why don’t you be a Firefighter?” I said, “no!”  “Why not a football player?” I said, “no!” “Jedi’s can’t marry. Jedi’s get lonely.” I said, “I want to be a Jedi and a Jedi only!” But like fire and fog and old Ben Kenobi, ideas like this must eventually fade.

So I grew to, I’d say about ten years old, that’s FIVE plus FIVE moving on to grade FIVE. Picture, if you will, me—the shortest kid on the little league baseball team, with grand aspirations; huge heaps of vivacity, and a strike zone too small for those poor umpires to see and I knew—I KNEW who I wanted to be: A baseball player! And an actor. A writer, crime fighter—the Jack Bower type who’s always in danger—a **** Tracy with *****; a heterosexual power ranger. Oh and an astronaut chef with a part time job as a rapper who talks about ******* and death and riches and **** holding the mic in my right and my junk in my left a protection of the kids in the crowd who might see my ******* brought about due to... back up dancers. Oh, and the president of the United States as well.

Now let’s jump to fifteen, that’s FIVE plus FIVE plus FIVE, I was a freshman in high school and still a freshman in life. But neither of these were important you see, and I rather gave up on the prospect of “me.” I traded my goals for an xbox which came with a discounted dose of apathy. ‘Cause high school is brimming with a bizarre batch of habits. When forced to attend one must endure or adapt it’s those tactless tactics those impractical practices; each pupil’s polluted with perturbing antics. So for much of that year I stayed home ignoring the mornings who tried to tell me I was alive and forgetting the spinning of the earth in its lonely slow dance to the daily tune of nine to FIVE.

I did outgrow that depressing stage. And now, here I am pushing twenty. That’s FIVE plus FIVE plus FIVE plus…it’s hard to believe but believe it I must. But these fingers that wipe away tears when I cry and fight, call for peace, encourage, deride, make decisions, rock hard, and swat away flies, shake hands, ask questions, and give high FIVES are so ******* familiar. So you see, I have put a great deal of thought into this and I think what I want to be is… FIVE.

Don’t you remember? When wherever you lived was the tip of the world, every rock you found was a glimmering pearl, and every face pointed at you grinned with jealous geniality. When Santa Clause, the Easter Bunny, Jesus Christ, and easy money all had proper places in reality. When bunk beds were marvels standing miles from the floor and the little things were the greatest things on earth, and “stupid” was a swear word, each trip was an adventure, and every pocket was a candy cluttered purse. Grass was green not “getting too long to maintain” and skies were blue not “looking like they might bring rain” There was no need to feign a demeanor, there were no chains. You were unbound. And pain was a temporary hiatus from satisfaction…not the other way around. Everyone loved you, whether they loved you or not. No one judged you for your blindingly ignorant smile. You were pancakes and balloons and Saturday morning cartoons and guilt-free, care-free love—you were a child.

I don’t want to go back to that time in my life. I have no desire to swap my mind for comfortable bliss. What I want is to close my eyes for just FIVE seconds and when I open them again, the world will be new.

To Jenny came a gentle youth
   From inland leazes lone;
His love was fresh as apple-blooth
   By Parrett, Yeo, or Tone.
And duly he entreated her
To be his tender minister,
   And call him aye her own.

Fair Jenny’s life had hardly been
   A life of modesty;
At Casterbridge experience keen
   Of many loves had she
From scarcely sixteen years above:
Among them sundry troopers of
   The King’s-Own Cavalry.

But each with charger, sword, and gun,
   Had bluffed the Biscay wave;
And Jenny prized her gentle one
   For all the love he gave.
She vowed to be, if they were wed,
His honest wife in heart and head
   From bride-ale hour to grave.

Wedded they were. Her husband’s trust
   In Jenny knew no bound,
And Jenny kept her pure and just,
   Till even malice found
No sin or sign of ill to be
In one who walked so decently
   The duteous helpmate’s round.

Two sons were born, and bloomed to men,
   And roamed, and were as not:
Alone was Jenny left again
   As ere her mind had sought
A solace in domestic joys,
And ere the vanished pair of boys
   Were sent to sun her cot.

She numbered near on sixty years,
   And passed as elderly,
When, in the street, with flush of fears,
   On day discovered she,
From shine of swords and thump of drum,
Her early loves from war had come,
   The King’s Own Cavalry.

She turned aside, and bowed her head
   Anigh Saint Peter’s door;
“Alas for chastened thoughts!” she said;
   “I’m faded now, and ****,
And yet those notes—they thrill me through,
And those gay forms move me anew
   As in the years of yore!”…

—’Twas Christmas, and the Phoenix Inn
   Was lit with tapers tall,
For thirty of the trooper men
   Had vowed to give a ball
As “Theirs” had done (fame handed down)
When lying in the self-same town
   Ere Buonaparté’s fall.

That night the throbbing “Soldier’s Joy,”
   The measured tread and sway
Of “Fancy-Lad” and “Maiden Coy,”
   Reached Jenny as she lay
Beside her spouse; till springtide blood
Seemed scouring through her like a flood
   That whisked the years away.

She rose, and rayed, and decked her head
   To hide her ringlets thin;
Upon her cap two bows of red
   She fixed with hasty pin;
Unheard descending to the street,
She trod the flags with tune-led feet,
   And stood before the Inn.

Save for the dancers’, not a sound
   Disturbed the icy air;
No watchman on his midnight round
   Or traveller was there;
But over All-Saints’, high and bright,
Pulsed to the music Sirius white,
   The Wain by Bullstake Square.

She knocked, but found her further stride
   Checked by a sergeant tall:
“Gay Granny, whence come you?” he cried;
   “This is a private ball.”
—”No one has more right here than me!
Ere you were born, man,” answered she,
   “I knew the regiment all!”

“Take not the lady’s visit ill!”
   Upspoke the steward free;
“We lack sufficient partners still,
   So, prithee let her be!”
They seized and whirled her ’mid the maze,
And Jenny felt as in the days
   Of her immodesty.

Hour chased each hour, and night advanced;
   She sped as shod with wings;
Each time and every time she danced—
   Reels, jigs, poussettes, and flings:
They cheered her as she soared and swooped
(She’d learnt ere art in dancing drooped
   From hops to slothful swings).

The favorite Quick-step “Speed the Plough”—
   (Cross hands, cast off, and wheel)—
“The Triumph,” “Sylph,” “The Row-dow dow,”
   Famed “Major Malley’s Reel,”
“The Duke of York’s,” “The Fairy Dance,”
“The Bridge of Lodi” (brought from France),
   She beat out, toe and heel.

The “Fall of Paris” clanged its close,
   And Peter’s chime told four,
When Jenny, *****-beating, rose
   To seek her silent door.
They tiptoed in escorting her,
Lest stroke of heel or ***** of spur
   Should break her goodman’s snore.

The fire that late had burnt fell slack
   When lone at last stood she;
Her nine-and-fifty years came back;
   She sank upon her knee
Beside the durn, and like a dart
A something arrowed through her heart
   In shoots of agony.

Their footsteps died as she leant there,
   Lit by the morning star
Hanging above the moorland, where
   The aged elm-rows are;
And, as o’ernight, from Pummery Ridge
To Maembury Ring and Standfast Bridge
   No life stirred, near or far.

Though inner mischief worked amain,
   She reached her husband’s side;
Where, toil-weary, as he had lain
   Beneath the patchwork pied
When yestereve she’d forthward crept,
And as unwitting, still he slept
   Who did in her confide.

A tear sprang as she turned and viewed
   His features free from guile;
She kissed him long, as when, just wooed.
   She chose his domicile.
Death menaced now; yet less for life
She wished than that she were the wife
   That she had been erstwhile.

Time wore to six. Her husband rose
   And struck the steel and stone;
He glanced at Jenny, whose repose
   Seemed deeper than his own.
With dumb dismay, on closer sight,
He gathered sense that in the night,
   Or morn, her soul had flown.

When told that some too mighty strain
   For one so many-yeared
Had burst her *****’s master-vein,
   His doubts remained unstirred.
His Jenny had not left his side
Betwixt the eve and morning-tide:
   —The King’s said not a word.

Well! times are not as times were then,
   Nor fair ones half so free;
And truly they were martial men,
   The King’s-Own Cavalry.
And when they went from Casterbridge
And vanished over Mellstock Ridge,
   ’Twas saddest morn to see.

There was death and gore,

During the second world war.

Many people died in extreme violence,

Killed before they could call out to loved ones.

Young men were trained to ****,

Often against their morals and will.

So when I see your 1940s weekend -

Your 'war was fun and cosy' pretence,

Your clichéd polyester and fibre glass mockery,

Aiming to re-enact a mostly imagined happy-go-lucky camaraderie -

Forgive me for not joining in,

As I happen to feel it a cardinal sin,

To idealise and romanticise a decade,

Made up of austerity, rationing and air raids.

I've read a little social history,

The 1940s were not idyllic or crime-free,

Just as now, there were heroes and villains,

Among the soldiers and civilians.

Heroism abounded but so did black marketeering,

There were brave sacrifices but also racketeering.

City-wide black-outs were a gift,

To those who would rob and grift.

Your jolly nostalgic tribute is an annual celebration,

Celebrating your own fabrication,

Of a time when the machinations of war and a crazed ideology,

Saw the near extinction of an entire ethnic minority.

I do not wish to be a party pooper,

But don't just step into the fake shoes of a fictional trooper,

Please occasionally remove your rose-tinted glasses,

To remember that beyond your nostalgic narrative of the routines of the masses,

People lived with the daily fear,

Of the likely deaths of people they held dear.

remember the melding
of gilmore and bing
the springfield gates
and desmond ring

remember the trojans
and fools in the pack
sea fair jeans
and corkscrew flat

remember the cabin
and *****’s garage
the gary point dunes
and moncton mirage

remember the warehouse
the water logged seats
tin foil caps
and simple retreats

remember the cave
and turn on the cut
emery’s mini
and hamilton’s hut

remember the burger
and shake in the air
bubs in the back
with little despair

remember the valley
and 66 ford
burgundy lips
and samworth’s chord

remember the plainsman
a 7 inch log
the ***** old frenchmen
and bore-*** hog

remember the javelin
and mushay’s wheels
beaumont’s baggie
and jennifer beals

remember tough charlie
tossing brad rand
the belyae roundhouse
and beer in the sand

remember park polo
and scaling of firs
sleeping in rafters
at 8 bucks per

remember the mayflower
and brothers von grant
the max air follies
and chivalrous rant

remember the flipper
the floyd and the clap
banana boat sunday
and pemberton trap

remember the purples
the rasp in the street
the oliver jokers
and shady retreat

remember the gators
and brick house café
a flash in the pan
and crib cult stay

remember the church
and talbs on the bridge
goofy’s memoirs
and cypress ridge

remember smaldino
whom perry cut short
***** and a ****
and moria’s port

remember the zuker
and gilligan’s isle
the pep chew bust
and 8 tooth smile

remember the action
at blundell and one
the nauseous fumes
and pump house run

remember the canyon
and rock on the cliff
a tourniquet bind
that kept us adrift

remember lake skaha
and jvc tunes
the j bain query
and peach fest goons

remember the irons
and broad entry beads
the alexander boys
we must pay heed

remember the gates
the 12 hole stare
the hospital bed
and ky affair

remember the farmhouse
an open air deck
the john deere tractor
and cowboy neck

remember the wheat field
and jimmy crack corn
the burlington plaza
and fraser street ****

remember the pincers
and wee ***** white
the concubine fractures
and strong overbite

remember the carving
portrayed at the scene
the billy goat battles
a young man’s dream

remember lord brezhnev
and moby the ****
the second beach sun
and paper bag trick

remember the screening
the silver light show
banshee boots
and phipps’s throw

remember the epic
and baby oil block
trash can brassieres
and window rock

remember the law
jack rabbit in may
an 8 track mix
on alpine way

remember the dunes
a pig on the spit
the underarm hair
and corn bull-****

remember old frankie
and bursey head post
the koa leaves
and tiki shore host

remember b taupin
the lyrics he left
cold muddy waters
an odd treble clef

remember street regent
the trips in the night
the trailer park cap
and lightheart fight

remember kits causeway
mortimer and beaks
jk's cabin
and muscle bound freaks

remember glen cheesy
and billy the less
the frozen puke patties
and borkum mess

remember the catfish
and pickerel rock
the emerald meadows
and rainbow dock

remember port dover
with fish on a stick
wayne in a bunker
holding his ****

remember the ironside
limes in a tree
the usc campus
came with a fee

remember the duster
an arrow in heart
the frog man bug
that would not start

remember the zimmer
the ram air hood
a family wagon
with panels of wood

remember peace portal
the 33 back
the power built drive
and dangerous tack

remember the reds
the blues and the greens
the furry point island
and country book scene

remember the springs
and i 95
a lone state trooper
with blood in his eye

remember may’s cabin
and stuff in between
the frame and the picture
and morning snow scene

remember the boss
with a 302 scoop
the diamond tuft console
and back seat coupe

remember ioco
the **** and the spit
the skid road race
and hurst floor kit

remember the shore
and tents in the park
a campfire roast
and kerosene bark

remember the hooger’s
kit kat club
the colvin’s and setter’s
a man called bub

remember the creature
with silk strand hair
and afternoon flask
with little despair

remember quilchena
and robbie the mac
the rice stead box
and tap on the back

remember miss williams
a pilgrim’s salute
the fairmont sister
with all of her loot

remember port ludlow
a scotman on dock
the everett street bridge
and single leg sock

remember the masters
and all of the roar
the faldo follies
at norman’s door

remember jeff samson
tied in a tree
the robertson fastback
with white leather seats

remember the balance
and pulling of 4's
the moncton warehouse
and hollywood ******

remember the hospice
with carter in wear
the power of gospel
and magic in prayer

remember the mini
counting the crows
aberdeen villa
where all of it grows

remember the ballroom
the battle of bands
the buccaneer bikers
and front row stands

remember the steely
and 50 odd pulls
the crook in the cranny
and pilsner bulls

remember the mustang
tb paul
the ****** shack sergeant
was missing a ball

remember dear kevin
head first in the pool
a sheik in a minefield
and ****** gas fool

remember the rumble
and bats in the night
an old lady screaming
to a young man’s delight

remember cliff olsen
that sick little ****
who will be in shackles
on lucifer’s truck

remember the bumpers
and cutting in line
the mice on the ****
and bo in the pine

remember the law
stabbing the corn
a bucket of ammo
and mekong horn

remember s boras
the piercing of yes
the color line paper
sikosie at rest

remember the pinto
and seven road plants
mother’s fine pizza
a trial lawyer’s rant

remember the kennedys
with ***** painted black
a pond in the shadows
where monty looked back

remember von husen
the sea to sky test
a farm hands daughter
was one of the best

remember mr pither
and mao sae tung
helena the cougar
and egg foo young

remember the cinder
and frances road bake
***** the whitehead
would make no mistake

remember the quan
and mental mix
the java hut sister
with pixy sticks

remember j rosie
banging his head
in a moment of dr
we thought he was dead

remember the hammer
discussions caught short
siddrich and roger
and monty’s abort

remember 6 nations
and KOA
the pool hall fight
when everyone stayed

remember the skinners
and tommy the med
the lost tough china
and bubs in the shed

remember the doobies
zeppelin and cars
floyd and the *****
and shankar’s sitar

remember old dustys
the blue and red chair
the cypress hill caves
and mullet cut hair

remember the promise
and vows that we made
on the 2 road stairs
in goodman’s brigade

remember those moments
and handle with care
for the garamond stamp
will always be there…

Exceeding tall, but built so well his height
Half-disappears in flow of chest and limb;
Moustache and whisker trooper-like in trim;
Frank-faced, frank-eyed, frank-hearted; always bright
And always punctual--morning, noon, and night;
Bland as a Jesuit, sober as a hymn;
Humorous, and yet without a touch of whim;
Gentle and amiable, yet full of fight.
His piety, though fresh and true in strain,
Has not yet whitewashed up his common mood
To the dead blank of his particular Schism.
Sweet, unaggressive, tolerant, most humane,
Wild artists like his kindly elderhood,
And cultivate his mild Philistinism.

Hey Princess my name is Han, I picture us together in a Galaxy Far Far Away
I  promise you adventure to say the least
I'm not saying the courtship will be all filled with peace
I will fly you in a spaceship which is very nice
I hope you are able to withstand some strife
I have to let you know  that I have a kind of pet he is quite unique
He is a Wookie  you may in fact rather kiss him than me
If my mannerisms get under your skin
I feel I should warn you about the competition that is interested in You
I heard about a fat ugly guy named Jabba The Hut, he might even want to imprison you
Well I heard you once were interested in your brother, I am willing to overlook that fact
I can tell you that dating me is not boring to say the least
We will fight against The Empire and you will get to meet many Jedi Knights
You and I together will have to dodge fire from Storm trooper  guns
Not to mention the dictator Darth Vader wants to **** both me and you
I will let you know if this don't appeal to you or sound like to much fun
You could date a certain doctor named DR. Who and see were he and his Tardis might take you.

Tommy

I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:
    O it's Tommy this, an' Tommy that, an' "Tommy, go away";
    But it's "Thank you, Mister Atkins", when the band begins to play,
    The band begins to play, my boys, the band begins to play,
    O it's "Thank you, Mister Atkins", when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!
    For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
    But it's "Special train for Atkins" when the trooper's on the tide,
    The troopship's on the tide, my boys, the troopship's on the tide,
    O it's "Special train for Atkins" when the trooper's on the tide.

Yes, *makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.
    Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
    But it's "Thin red line of 'eroes" when the drums begin to roll,
    The drums begin to roll, my boys, the drums begin to roll,
    O it's "Thin red line of 'eroes" when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;
    While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
    But it's "Please to walk in front, sir", when there's trouble in the wind,
    There's trouble in the wind, my boys, there's trouble in the wind,
    O it's "Please to walk in front, sir", when there's trouble in the wind.

*You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.
    For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
    But it's "Saviour of 'is country" when the guns begin to shoot;
    An' it's Tommy this, an' Tommy that, an' anything you please;
    An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!

There used to be a time when you were paddling down the river
You'd hear that banjo song and you'd go all a quiver
You know the song I mean it always made me shiver
Now, there's something scarier when you're out there on that river

(banjo music...deliverance theme)

No matter how far south you go there's tv shows galore
Cajun this and Cajun that and Cajun even more
Louisiana sold out it's a reality tv *****
If you find name one show that's filming you know there's 15 more

(banjo music...deliverance theme)

Of all the shows out there I don't get Honey Boo Boo
I mean, look at how that child looks we're talking nasty ju ju
There's a high priestess out there who did some Boo Boo Voo Doo
I've never seen another kid who looks like Honey Boo Boo

(banjo music....deliverance theme)

There's not a place down south not owned by Duck Commander
They own the rights on everything, on every salamander
If there's a deal on anything, these good old boys will land 'er
The Robertson's own everything, those Buck 'n Duck Commanders

(banjo music...deliverance theme)

Now, as I said that banjo song was scary and it was a real big hit
But, now it takes up second place, something else will make you '***
No need to fear the banjo being played by a hermit
It's when the State Trooper asks..."Boy, where's your paid up film permit?"

( banjo music...deliverance playout)

Janice adjusts
the red beret
on her fair hair
and pulls at the hem
of her dress
as she sits
on the wooden seat
of the swing
in the park.

I sit on the swing
next to her,
ready to kick off,
my feet on the tarmac,
my eyes glued on her.

She winces.

Gran spanked me last night
for saying
that four letter word
you taught me.

You weren't supposed
to tell your gran.

You never said
not to tell;
I didn't know
what it meant.

Sorry,
I should have
told you.

(I didn't know,
but I don't tell her that).

She pushes off
with her feet
and she's air borne;
her sandalled feet
high in the air
as the swing goes backward
then forward.

I push off, too,
holding tight
to the steel links
on each side of the swing.

Maybe your gran
should have washed
your mouth out
with soap
instead of a spanking.

I wish she had, too.

My old man's aunt
swears like a trooper;
I used to go
to Sunday tea with her
and her husband
and my Nan used to say:
that's enough
of that language,
there's children present.

What did did she say?

They don't know
what it means,
she used to say;
but Nan'd say, no,
but they might repeat it
to people who do.

And did you?
Janice asks.

No, at least not
if my parents
were around.

I am swinging higher
than her now;
my feet seem to reach
the nearest clouds.

She tries to swing higher,
but I am still higher,
by swinging backward
and forward on the seat
and the holding tight
to steel links each side,
I am up there
with the gods.

Have you ever
been spanked?

I look at her.

Once when I peed
in my toy box
and my cousin
told my mum.

She pulls a face.

How ***** of you.

Yes, I guess;
Mum thought so.

I feel a breeze
in my hair and face
as I ride high,
swinging back and forth
on the swing.

She's beside me
trying hard to reach
as high as I am;
her feet reaching up,
her legs swinging madly;
her body going
backward and forward;
her red beret,
clinging on
for dear life
on her head.

I reach my maximum height;
my feet touching
Heaven's gates
or so seems,
my body going
back and forth
as much as it can.

She’s almost there,
smiling,
the wind riding
through her flowing
fair hair.

UNCHARISMATICALLY, he frowned his displeasure.
On his hunting ground, the rough-coated trooper lunged
into a human intruder.
Predation was a constant chore where extracting food
could be hard work in a competitive and heavily armed environment.
Feeling lucky he grinned, grinding his fused toothplates,
then grabbed and pulverized the passing meal, aware that
overgrazing could destroy his future.

I know how you feel, i've most likely been there before.
But every time a window shuts, God opens a door.
You may feel like giving up, just drop your weapon and cry.
Then pick it up, use it again and drop it again and die.
But think about your future, the ones who count on you.
And put your best foot forward, and keep on pushing through.
Someday, maybe not for awhile i promise once again you'll wear a real smile.

I love the way the Academy of Motion Picture Arts and Sciences let Will Smith sit there, for 40 minutes, preening in the front row, in plain sight, after he assaulted a black man at the Oscars.

I know what you're thinking - wait, isn’t Will Smith black? Well, obviously NOT. In an America where black men are routinely murdered for selling cigarettes or having a broken taillight, Mr. Smith got to commit his crime in front of millions of people. Then sit around like a three-piece suited sultan for over a ½ hour to receive an Oscar and a (reflexive?) standing ovation.

Will, in an effort to make his violence palatable said, in his tearful acceptance speech, that he was protecting his wife. Chris Rock made a joke about her hairdo. Was she actually in some kind of unseen danger? Perhaps this is some kind of new, Muslim “honor” slapping?

The very function of comedian hosts and presenters at the Oscars is to take-the-**** out of these overpaid actor-celebrities. If you multi-millionaires can’t take a joke, stay home or wear a **** wig.

I’m curious, we know Jada and Will have an “open” marriage - because they have said as much. Does that mean, in “Smith” logic, Chris could have *** with Jada but not comment on her looks?

How far does Will’s privilege extend - could he have *****-slapped Betty White (she was pretty salty sometimes) - for instance? I mean, Chris Rock is half Will Smith’s size. Do you think he would have launched up at Dwayne Johnson, Idris Elba or Jason Momoa? I doubt it, even if Will did get to pretend, he was Mohamid Ali for a while.

Chris Rock is a trooper, he took the hit and carried on like a professional. He’s going to be ok. Chris is in the middle of a national comedy tour, and it completely sold out the night of the assault. Even with ticket prices jumping from $49 to $340 per seat. I can’t wait to hear his new bit. I’m fairly sure every comedian in the world will now make a point of making vicious fun of Will - who’s made himself a punchline.

Will Smith will now start an apology tour. “It was a momentary lapse,” he’ll say - like every guy who ever slapped his wife or punched-down on someone weaker than themselves. From now on, whenever Jada’s invited anywhere, she’ll be asked if her husband is coming too and if he can be counted on to behave himself.

Chris Rock generously declined to press charges, but the LAPD doesn't need him to charge Will with assault. I know he’d only get a slap on the wrist, but someone should hold him accountable.

I was a Will Smith fan once.

Good morning Mister Fireplug , hope you slept well ..
My loyal silver sentry , I pray we never seek your help !