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1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
CH Gorrie Nov 2012
Reclining in their rocking chairs, the brothers Beau and Cletus gazed despondently out
Past the final farm toward the convergence of the worn highway
And the fritz horizon. Cows paused their chewing; an ashy sun
Obscured in incongruous fluffs of cloud; it grew
Greyishly chilly. "Shame the kids're movin'," Beau squeezed out before a deep belch. Cletus only
Mumbled, his voice lost in the light drizzle rapping on the milky sheet-plastic roof. The
          porch

Was unfurnished, save the chairs, one ashtray, and a novelty sign reading: "Get off my porch."
Cletus took a long, pensive drag off a cigarette before stubbing it out.
He coughed a raspy croak wetted with sixty-six years. Besides Cletus' sporadic coughs, the only
Distinguishable sound to be heard in Moody Creek wafted in from the highway:
Rattles of the day's final Spokane- or Boise-bound semi-trucks grew
Inaudible as Beau transiently  murmured, "Purtier than a string of fried trout, that there
          sun-

set." "Whaaa?" Cletus wheezed. "It's settin'," answered Beau, loosely gesturing at the sun.
Fractaled-orange-shafts webbing manifold shades of yellow – amber, belge, stil-de-grain – grew
Plumply stout upon the farmland, edged between properties and crumpled on the porch.
"I'll tell you what Beau – I'm glad they got out,"
Cletus uttered with assurance, his eyes scanning the reaches of light upon the highway.
Beau fixed his cap, musing over Cletus' words. He cleared his throat before beginning, "If
          only..."

Then stopped and itched his belly-button. Cletus turned to his brother. "I know one thang only
Beau: they'll do good in California. They'll be livin' high on the hog. Yer son n' my son
'll 'ave secure futures." Jack nodded somberly. He hated the highway.
He hated its ability to isolate everything. It had been his original revamp, the now-rickety porch,
His first project on his fixer-upper after marrying Dorothy West. They'd wed out
In his father's corn field; bought a house a mile or so down the road. Kids were born. Love
          grew,

And in its growing all things tangible and gorgeous – like tangrams piece together – grew:
The farm, the house, savings account and family. They ate hearty; drank canned beer only –
Living was smooth – but it changed when Dorothy took Little Dale and got out.
She wanted what the farm couldn't give or grow, leaving tiny Moody Creek with their son
As the last moon of May, 1955 went up. "*****!" Beau had yelled from the porch.
He'd woken to his Buick's rev and watched its taillights wane upon the
          highway.

And though he remarried, this was, in truth, mostly why Beau never squarely looked upon highway.
The light drizzle grew
Heavy, intensifying. "Gosh **** rain might near knock the coverin' off the porch!"
Hollered Beau. Cletus looked up and blew a cloud of thick grey smoke. "It's only
Rain Beau. No need gettin' ornery." That morning they'd seen off their youngest sons as the sun
Was just rising. One left to work for a dairy ******* in The Valley, the other went to figure
          out

Himself and his career. The porch shuddered. Beau absent-mindedly repeated "If only..."
Daylight died; black inked upon the highway. Cletus lit a new cigarette. Moody Creek grew
Dense, compacted by the darkness. The sun inched away. Cletus hacked and put his cigarette
          out.
This is a sestina. The six end words of the the six lines of the first stanza are repeated in different orders within the following five stanzas. It is all followed by a three line envoy containing all six words.
Krysta Conklin Jan 2013
I thought I could do it.
You picked me up in the same car we made so many memories in this summer.
The same car that creaks when you shut the door.
The same car that seats are too low and I have to strain my neck to see over the dashboard.
The same car I decided I was in love with you in.
It was bittersweet.
I thought i'd be okay.
I thought it'd be easy.
We were supposed to sit in awkward silence
and turn up the radio until we got to her house and I could break from the tension.
But instead you were charming and you made cackle.
And you got behind the wheel and drove like you owned the road.
The wind howled through the open windows and I was in the most blissful state of mind.
I never told you how much I loved to just watch you drive.
I could sit for hours in that very passenger seat and just watch the road disappear under the tires.
You got out of the car and walked into the gas station and the first thing I thought to myself was
"**** **** **** **** **** ****..."
That familiar feeling in my heart began to sweep over my soul and course through my veins.
I breathed in the scent of gasoline and cinnamon.
I glided my fingers across the soft leather of the steering wheel and sat back and thought of how
I fit so perfectly in that seat.
Like it was made for me.
Like you were made for me.
You glided effortlessly into the car and cranked the engine.
It roared to life
and chills danced up my spine.
I couldn't face you.
I couldn't look in your eyes.
Because I knew if I did I would be hooked again.
I knew your deep brown eyes would seep into me and cause me to shiver.
So I stared out the window and watched the world pass me by.
Mindless small talk kept me busy from thinking about how incredibly not over you I was.
I'm incredibly not over you.
I miss you.
And that car.
And the sweat spots on our backs from the sun and the leather.
It was bitter sweet.
And as soon as you dropped me off my breathing returned to normal
and the feeling in my finger tips came back.
As I watched your taillights fade into the distance I ****** in the cold night air,
and turned to the sky, hoping to fill the void in my stomach with the stars.
As much as I hate to admit,
I'm yours.
I'm still yours.
I'm still incredibly yours.
brooke Apr 2014
on the county road
123, horizontal to my
window pane, it runs
along the dry grass
and some teenage
boy rolls down it
his bass a hushed
thump in the night
he's the bump in the
night, and his taillights
leave red streaks in the
black.
(c) Brooke Otto 2014.
Canaan Massie Oct 2012
So I'm a "fly" white guy,
with "Jet" black tendencies,
Try to be a nice guy,
But somehow end up the enemy.
I'll treat you like a princess,
But I'm a fort,
You can't get into me.

It makes no sense to me.

How did this knight in shining armor,
Get slain by the dragon?
So once upon a time,
I was a hero,
Now I'm a has-been.
Last in the castle for I belong with the Pagans,
Slaying distressed damsels,
Giving hell to the angels
With strangers wrapped in mangers,
Destined for greatness.
Trapped within this labyrinth of my cranium.

But when it comes to blame,
My pigmentation begins to change,
But this time it's not my shame.
'Cause you play the same game
That the dames did before you.
You're no different.
You're not worth a fortune.
Fortunately, you revealed your horns for me.
It's torturing how for me it ended horribly,
and you moved on to the same dude you ******* before me.

Love's supposed to be patient,
Love's supposed to be kind,
Instead it's a battlefield
Filled with landmines.

You say it's false,
that nice guys finish last?
Well clarify why I'm starin',
At taillights from my past.
They say when you have everything,
You give nothing back.
So I guess that explains
Why your feelings for me lack.
You're like "You're a white guy,
That tends to be black.
Well how in the hell
Can I get used to that?"
That's *******.
You're afraid of commitment.
That's why you had to end it,
Before it could begin with.
You're a cynical, sinister,
Hypocritical minister,
Angelic sinner sent to incriminate innocence.
Evil's equivalent,
Yet as sweet as carcinogens.
If heartbreak were a game,
Girl, you would be winnin' it.
If my soul were a food,
You would've finished it.
I had a confident conscience,
but girl you diminished it.
Listen kid,
I get you're immature and ****,
But don't go and slander my name
When you used to worship it.

Love's supposed to be patient,
Love's supposed to be kind,
Instead it's a battlefield
Filled with landmines.
This is actually a song I wrote. I will put the link up when I can.
Daniel Mashburn Oct 2014
Standing on bridges,
Feeling something I don't know how to explain.
Seeing headlights,
And taillights disappearing around curves.

Hearing how the overpass sings to me
Of hope and forgiveness, quiet contemplation.

These conversations aren't working.
David Dec 2014
you see,
well rather ironically
you dont...
or at least i dont
(...my mistake)
(that was my perception/projection of "you" based on "me" because we (again sorry or/ sorry again) can only see the world egocentrically)
i lost my glasses last week
havent seemed keen
on finding them on the streets of
O, (Oh) (OH) how i keened after them (IO)
driving on a mirror this morning, mourning, before the sun, a rose, arose.
i finally noticed them gone.
the acid lined upper middle class road from my
(socially speaking)
lower class acid ridden
(economically speaking)
upper middle class mind
had dis(re)appeared^(infinity)

all time was lost

and for the first time in my driving career
i found myself, spending more time looking at the street than at the road
shooting stars of red streamed after taillights
as if always trying to catch up
  greens joined in from lights above
...but did not muddle the stars  
like the perfectly controlled watercolor artisan

what Virtuoso, what Perfectionist, what Letter-dash-letter of a being
could create such an immaculate emasculating picture (lack of question mark)
i am humbled.

p.s
i gave up looking for my glasses
my vision seemed perfectly clear
so was yours (Sorry)
Word Study #2
Men with picked voices chant the names
of cities in a huge gallery: promises
that pull through descending stairways
to a deep rumbling.

                              The rubbing feet
of those coming to be carried quicken a
grey pavement into soft light that rocks
to and fro, under the domed ceiling,
across and across from pale
earthcolored walls of bare limestone.

Covertly the hands of a great clock
go round and round!  Were they to
move quickly and at once the whole
secret would be out and the shuffling
of all ants be done forever.

A leaning pyramid of sunlight, narrowing
out at a high window, moves by the clock:
disaccordant hands straining out from
a center: inevitable postures infinitely
repeated—
                  two—twofour—twoeight!
Porters in red hats run on narrow platforms.
This way ma’am!
                          —important not to take
the wrong train!
                        Lights from the concrete
ceiling hang crooked but—
                                        Poised horizontal
on glittering parallels the dingy cylinders
packed with a warm glow—inviting entry—
pull against the hour.  But brakes can
hold a fixed posture till—
                                      The whistle!

Not twoeight.  Not twofour.  Two!

Gliding windows.  Colored cooks sweating
in a small kitchen.  Taillights—

In time: twofour!
In time: twoeight!

—rivers are tunneled: trestles
cross oozy swampland: wheels repeating
the same gesture remain relatively
stationary: rails forever parallel
return on themselves infinitely.
                                            The dance is sure.
Savio Apr 2013
Delayed clock
Savio lays underneath unwashed quilts
Grandmother hand made
Savio lays with a woman
“Why are your eyes so Green.”
Savio said to her lips
She had painted them very red
and when they kissed
the lipstick smudged like a charcoal drawing outside in the April rain in Maine
“My eyes flicker green when you kiss me. When you are with me.”
Savio kissed her forehead
It was 1AM
Kansas
Down the street there is a church
the yellowish orange lights are on all night
When Savio buys 3 dollar wine
He walks to the Brick dressed yellowish orange lit Church
Pick up trucks that are thin with metal
rusted at the square gas tank
rusted at the curves of its wheels
rusted at the grill
rusted at the door handles
at the hubcaps
at the bed
at the windshield wipers
at the side view mirrors
at the belt buckles
at the radio dials
at the steering wheels
Flutter by
like children throwing rocks
like Winter
like rain at 7am
Savio sits there
drinking his cold 3 dollar wine
thinking of Mexico
thinking of the magical women he had made love too
kissed
taken out to dinner and lunches and breakfasts
thinking of Long Nights with his brother
Crossing streets with warm bottles of good beer
to Neon lit bars
to bars only lit by cigarettes and tiny radios blasting
Jazz or Rock n' Roll or The Blues or Billie Holiday
Never the news

Savio looked at the woman next to him in his bed
Her eyes were closed
He imagined her closed eye-lids as a moth
With its upright folded gray wings
night
standing underneath the warm breath of a Lamp

Savio liked The Moths
He read about them
He thought of them as the poets
as the painters
as the pianists
as the ballet dancers
as the violinists
of the insects

Savio also liked Boxelder Bugs
they do no harm
they sneak in through the cracks and door openings of homes in winter
They hide underneath sheets of poems
Van Gogh paintings on the walls
Savio woke to a Boxelder Bug on his lips once

The woman that lied with Savio
was beautiful
her clothes were expensive
her body was cruel not to touch
her life was good
Money
***
Beauty
Youth

Savio had none of these
He was handsome
His face was shaded with a few days of hair
His eyes were bright from the many days in the sun as a boy
His eye lashes were long like the docks of rivers from plucking them when he couldnt sleep
Youth was a long time ago for Him
and he sat at parks
watched the kids play
watched Summer
watched April
watched the Roses and the Trees and the Water
grow younger and younger
as He
Stood still as his fingernails grew
and his teeth yellowed by each AM cup of coffee
and each AM cigarette

Savio did not care about Money
he cared about ***, and Beauty, and Youth
yet,
did not wish these upon himself
he
Admired them
like a womans smile
like a Sunrise coasting over a cold morning with white Swans fluttering in the sky
and the Cigarette tastes like purity
and the cigarette has meaning
more meaning than Death
or Life
or being Wise

He admired the woman next to him in bed
he did not feel bad for her
or envy her

He envied on the ease of her sleep
The ease of her happiness
The ease of her
carelessness to beauty
or poetry
or music

He envied the Fools

Savio lied there
Her lips perfectly shaped like clouds
or the designs on a butterfly
or the moon's glow late at night
when the birds are dreaming
when the Dog is fast asleep
when the convict is tired
when the Sun has clocked out
24/7 Sun
like an immigrant

Savio looked at the alarm clock
3AM
the womans Dress and stockings and shoes and Bra and ******* were on the floor
along with her Class Status

Savio has always been poor
He enjoyed it
He liked long days
Reading yesterdays paper that he had found on the road
Counting the numbers of Blue Mini-vans that stop at the red light
He liked going to the park
Climbing a Tree
or sitting at a dock
letting his toes and feet prune
His skin red and the smell of dirt

He liked no Television
He liked his two pairs of pants
His few shirts
His red sweater that his grandmother made him
his pair of shoes
He had a little radio alarm clock
that he had since he was a boy

His father most have stolen it
Given to Savio as a birthday present

His Father was a good man
A bad man facing society
A good man facing his family
He did what he could to get by
He drank

Savio liked to think of himself as a good man
Though he enjoyed the Vices of life
That is why he could never be Religious
Savio was too brave to be told what to do
He was too wild to have his cravings and emotions held down by leather

He liked women
He liked Drinking
He liked cigarettes
He liked Cursing
He liked ***
He liked Humor and Thought about Death
He liked to Fight
He liked to contemplate Life
He liked to contemplate Women
Drinking
Cigarettes
Cursing
***
Humor
Death

Savio
was a good man
He kept to himself
Laughed to himself
walked to bars and parks and highway bridges all to himself

He was a Looker a Searcher a Wonderer a Wanderer

And Life
is a good place to do these things.


Savio got up from his small bed
looked around his small house
opened a small cupboard
grabbed a small coffee mug

Put on his one pair of shoes
Shined them with his old shine shoe case
that his Uncle had given him

He then put on his shirt
it was slightly aged
it was slightly *****
Tho
it was 5AM
and no one would be able too see this

He then put on his jacket
a dark brown swede jacket
it was stained at the shoulder
it was wrinkled
he had spilled gasoline on it last month
and it still had a slight scent of unleaded gasoline
Even though it had rained many times

His pants were strong
They were 5 years old
rough and thick with denim

He felt good
There was no wind being blown
His wine was cold
His eyes were clear
He had a full pack of cigarettes
and a book of matches

This time he walked to the Highway bridge
sometimes on the metal fence
there would be stale roses twisted around the fence

And Savio would pluck them off
dropping them over the highway
onto cars and 18-wheelers headed to Florida

Savio sat at the small cliff
next to the highway bridge
The grass was gold and tall
He took drinks of his wine
slowly the Headlights
turned to Taillights.
ryn Aug 2016
Watching...
The night
enter a fresh new realm.
The same day is cast in different hue...
Vibrance in colours dissipate...
Siphoned,
consumed by the dark.

Watching...
And feeling my presence
blend into nothingness.
This night reeks of
blatant nonchalance.
Careless shadows stretch and dance
as I wrestle with my vision
to determine mindless silhouettes.

Watching...
The trailing taillights
of nocturnal traffic.
In my city that never sleeps.
They simply disappear into the dark
with each tick of the hand.

Watching...
The half moon,
eaten away by the void.
Minutes elapse into eternity.
And seconds beat hard
upon my bastion of hope.

Watching...*
The ground
that lay quiet before me.
This earth that bears my weight...
This earth that has my shadow
shackled to my feet...
Offers nothing but quiet solace...
Fighting to calm the storm
in my head.
Vivian Jan 2015
liquid crystal display
glimmering salacious self-imagery at you,
your lips parted and breath
staccatoing along, flitting just
behind the beat, like your aunt's
first dance at the wedding reception (before
she's had enough to drink) or
her last (when she's had
too much)
she was in the passenger seat
on our drive homeward, leaning in
to the driver's seat conspiratorially,
oblivious to your beauty splayed out
exhausted in the backseat.
"she's my
baby niece, and you better not
**** with her
heart, you hear me missy?"
and I assured her I wouldn't as you
laughed and laughed, bell peals
in the backseat and church bells
echoing in my ear, past and possible
future, sodium vapor lights
slipping away along the highway as
your aunt slid back into the passenger seat.
"so"
"so"
"she's quite a
character," I say, bemused, and your
eyes crinkled at the corners like
newspaper redesigned during crumpling as
kindling for the fire, blue and blue and blue
in the backseat.
"that's true"
"just like you"
"just like me" you agree,
crossing your legs, legs that go on
for dynasties in thigh highs and
your dress riding up too high for my eyes
to focus on the taillights ahead of us when
paradise is in the rearview:
love is
cold lobster bisque
in a big bowl in bed in the morning,
two spoons and a carton of orange juice
arrayed on the covers atop our
entangled legs.
Savio Apr 2013
Stumbling through the streets of Mexico
Savio
At the ripe age of 20
Life
Dancing nudely in front of his jewel eyes
It is 3am
and the latino barking k-9's are loud
loud and beautiful
like thinking you were dead
but you are woken by a train
and you touch the bridge of your nose
you touch the cheekbones
beneath your face
and you sigh in relief
that you are not dead:
The leaves are green
The grass too
Poison Ivy and Dandelions
Strawberries

Savio
Stumbling through Mexico
Wearing an old ***** flannel
a few buttons missing
Examining the streets
for cigarette butts
To unravel
To squeeze the brown tobacco
into his palm
for later
when he has the chance
the consciousness to buy rolling papers

Savio
bottle of cheap whiskey in his back pocket
holding an imaginary rifle
firing at the pigeons
at Cadillacs
that care freed on by

He had been at a bar
He was born in a Hospital
He liked to drink on top of buildings
He has a father who is dead

Savio
Stopping at a church that smelled of coffee
Music played
It was soft
Sad
Like a woman kissing you good-bye
Yet you try to recall the feeling of her lips
and cannot
He leaned his dark curly hair against the bricks that vibrated smoothly
from the violins
from the piano that over took the room
That washed away the hardwood floor
That tapped Death on the shoulder
That stopped the rain
That made you stand still
to make sure
you are not dead
And the Violin wakes you up
and it is Fall
Now Winter
Now you are with your mother
Now you are
Old
and you look around and notice that
The music has stopped playing
and the Trees
look a little wet
look a little
smaller
than they used to be

Savio
Woke up to his whiskey bottle shattering underneath him
Saw the Sun
Saw that the Church was empty
Saw that the door was open
Saw that
He was hungry
Thirsty

Inside there was nothing
Not even a Cross
Not even an Alter
Nor a candle
did flicker

There was nothing on the walls
The stained glass windows were covered by sheets of metal
The hardwood floor
sank a little
He walked to the back room
An empty room
Not even a window

So he slept
and did not dream
His father taught him that Sleep Dreams were useless
when Savio woke
it was cold
Everything seemed very still
The walls holding their breaths
The Ceiling calm
The hardwood floor quiet not creaking

He opened the front doors
to see that it was Night
and that there were no Headlights
no Taillights
So he stumbled to the liquor store
Holding a Blue Notebook
That he used to
Write down the dreams he wanted to have
The Dreams
he was not allowed to have

At the liquor store
he bought wine
walked back to the abandoned church
and read to himself a dream he never had
but would like to have:
“I am home, a child, sitting or standing at a stream, it is warm, I am alone, but I am at home, Yet, I know that I will not be at this stream for ever.”

He closed his blue notebook
looking up he saw that the church was lit up
and music was
falling out of it
seeping through the wood like sap
The smell of coffee
the smell of cooking meat

Yet when he opens the door
it is empty
it is gray
it is tinted sad
And his father is there
peeling off the sheets of metal covering the stained glass

And Savio wakes up
Turns to his Blue Notebook.
Men with picked voices chant the names
of cities in a huge gallery: promises
that pull through descending stairways
to a deep rumbling.

                              The rubbing feet
of those coming to be carried quicken a
grey pavement into soft light that rocks
to and fro, under the domed ceiling,
across and across from pale
earthcolored walls of bare limestone.

Covertly the hands of a great clock
go round and round!  Were they to
move quickly and at once the whole
secret would be out and the shuffling
of all ants be done forever.

A leaning pyramid of sunlight, narrowing
out at a high window, moves by the clock:
disaccordant hands straining out from
a center: inevitable postures infinitely
repeated—
                  two—twofour—twoeight!
Porters in red hats run on narrow platforms.
This way ma’am!
                          —important not to take
the wrong train!
                        Lights from the concrete
ceiling hang crooked but—
                                        Poised horizontal
on glittering parallels the dingy cylinders
packed with a warm glow—inviting entry—
pull against the hour.  But brakes can
hold a fixed posture till—
                                      The whistle!

Not twoeight.  Not twofour.  Two!

Gliding windows.  Colored cooks sweating
in a small kitchen.  Taillights—

In time: twofour!
In time: twoeight!

—rivers are tunneled: trestles
cross oozy swampland: wheels repeating
the same gesture remain relatively
stationary: rails forever parallel
return on themselves infinitely.
                                            The dance is sure.
Amanda Small Jul 2012
a semi's  taillights lead us home
we litter cigarette butts along the highway,
our interpretation of breadcrumbs.

i hope that one day
(when our skin begins to slide from our bodies)
we are able to remember these nights.
Lawrence Hall Feb 2017
A Burner on the Bridge

A burner on the bridge.  A human burns,
Trapped in technology and beer and fire
We hear the cold dispatch, the desperate call
To go, to see, to mend, if possible
We drive.  The flashers, blue and red, rotate
In the startled faces of those we pass
At speed, Hail Mary speed, surreal speed
Time, motion, space, and light obscure the night

In a pattern tail lights wink dim, then bright
Stalled traffic makes a long glowworm in reds
Boats, trailers, trucks, tankers, Volkswagens, Fords,
People in shorts drift around, slug Cokes, laugh
Unshaven men smoke cigarettes and swear
Blue-haired killers in Chrysler New Yorkers
Blink blankly through bifocals in the glare
Of flashers and flashlights, flares and taillights.
A burner on the bridge.  A Human burns.

We drive slowly through the curious crowds
Who mill about and stare and point and laugh
They consider a charred corpse fair reward
For being delayed on their trip home from the lake
When they ‘rive home they’ll hoist stories and yip:
“I was there; I seen it, man; it was gross!”
But some already are anxious to go
They honk, and pop a top, and cuss the cops.
A burner on the bridge.  A human burns.

Below the bridge, old, silent water lurks
Oozing warmly, fetidly, in its drift
Slithering blackly in the warm spring night
A silent observer of fire and death
A carrier of beer cans and debris,
Radiator coolant, plastic, and blood
Concrete pylons pounded into the mud
Where once were trees.  And now the water sees
A burner on the bridge.  A human burns.

The bridge is an altar.  The wreckages
Are vessels sacred to our gods, the dead
Are sacrifices to our gods, an incense of death
Our offering is broken flesh, and blood:
“The is my body, burnt on this spring night;
This is my blood, shed on the center stripe.
A burner on the bridge.  A human burns.

A shapeless hat among the smoking ash,
Old clothes, a shoe, cans of beer, fishing lures:
The sad trifles and trinkets of the dead
Now, firemen in their yellow rubber suits
Climb slowly through the tortured, broken steels
And gently stow a man into a bag
Ashes and smoke, green radiator fluid
The old river flows, wherever it goes.
A burner on the bridge.  A human burned.

Hours later: coffee at the Dairy Queen
High school baseball players yelp cheerfully as
They wreck fast cars in a video game.
Under the fluorescents, the flashers seem
Still to turn, endlessly turn, in the night
Hamburgers, possibly char-broiled, are gulped
Sloppily, laughingly, as cleated feet
And deep-fried breath cheer a video death.
A burner on the bridge.  A human burned.

A burner on the bridge.  A human burned.
Every muscle in my body
Begs me to run
To chase your car
But then your taillights crest the hill
And disappear beyond

My mind lingers on you

Are you wearing your seatbelt?
Are you alert and emotionally sound?
After all
A distracted driver is just as dangerous
As a drunk driver

And no
I am not ok right now
Fear and feelings and Hydrocodone
Cloud my mind
Every time I watch you leave
Hurts more than the last

But this weekend was amazing
I had so much fun
Felt so loved
So safe

This weekend was not wasted
On painkillers and platitudes
This weekend was real
Tactile and truthful

My love is relentless
And I will pursue you
To the end of the earth.
Caitlin Drew Mar 2015
I used to write for fear of forgetting.
I stopped writing for fear of remembering.
Your arms loosening from around me
as you said final thoughts of us.
Your taillights trailing down the street.
Mirroring the floodgates from my eyes.

Now I have the typewriter you gave me.
An incessant reminder of all the words I never said.
All the words that are too late to make up for time lost.

I wrote to you anyway.

Without the intention of winning you.
Only hoping not to lose you,
the only person who could scare the **** out of me
and make me feel like I was floating
using one stupid look
that made me fall ceaselessly and unnervingly
in love with you.

I wanted you to know
that all of my convictions
that true love and fate
were just lies that are spoon-fed to us
so that we aren't starved by an empty life,
it all wavered when you smiled at me.

I want to tell you
that I used to never have dreams
and now you're in all of them.
Making reality that much harder.

Every letter was returned.
Joel M Frye Jan 2011
You sneered at me because you thought I'd lied
and stared at me through drunken eyes of pain,
then waved me off as I tried to explain.
You turned away, just shook your head and sighed,
still unconvinced that I had not a clue
where she had gone since I had left her here.
You drove away, your taillights disappeared
into the driving snow, the wind that blew.
The same snow broke your fall as you collapsed,
but couldn't keep your temple from the bruise
that showed up three days later as you lay
in state but not in peace. I think I snapped;
I spoke to you, 'twas Dylan's words I used:
Curse, bless me now with your fierce tears I pray.
A poem I have not been able to write for 34 years...thank you all.
To William Edward Frye, Sr.  (1922-1977)
Thank you, Lucan, Mike S., and Kate for your generous help.  This child got healthier from your care.
Michael DeVoe Feb 2010
I imagine there is something I could've done
Something I could have said
Something I could've broken
To make you stay a little bit longer
Even if it were just to yell at me
Maybe then it would've taken an extra ten minutes
To forget your cologne
Maybe it would've taken ten extra minutes
To forget your cheek bones
Maybe if what I had done had been so bad
Maybe that would've giving me an extra hour
To remember you
But my mom tells me there is nothing I could've have done
That would've made you stay for good
I got myself suspended hoping
The school would call you instead of mom
But they only had our house number
And your postcards didn't have return addresses
So there was nothing they could've done to find you
My mom misses your income I miss your arms
I miss your baseball glove under my pillow
I miss your left hand on my cheek
I miss my black eyes
The school was so concerned about my home life
Back when I had a home
Now I just have hallways with doors that lead to rooms
We don't go in anymore
My mattress is on the living room floor
And I don't do my chores
Because you aren't there to make me
And for all the things I can't remember about you
I still can't make myself forget
The color of your taillights
And no matter what I snort I can't seem to burn the smell of exhaust fumes
Out of my nasal cavity
I will forever be eight years old
Forever have a tear stain on my right cheek
Forever know where to put my mom's head when she cries
I've had too much practice at being a man
To ever call you one
There is not a faucet or pipe
That hasn't leaked since you've left
Which is either how long you've been gone
Or how little you did while you were here
She says it's been for the best
Your post cards stopped coming
My cheeks stopped swelling
Your anger stopped echoing in my ears
And now I can't even remember the tone of your voice
But my mom says it's a lot like mine
So I try to change it when I'm at home
I didn't write about you in my college admissions essay
Under the challenges I've faced section
Not under the regrets section
Not in the areas to improve section
I put your story under my proudest achievements
Because if there is something that I never intend to do
It's grow up just like you
No matter how many girls I've ******
There isn't a single one that could pack a punch like you
Your postcards never had return addresses
But that doesn't mean I won't find you
And when I do you better hit me back
It's the least you could do
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
Julian Dorothea Aug 2011
The ****

muttered under breaths
of exasperation
is the language that you speak.

your life has become a series, unanswered
questions, curses, solitude.

you walk from dead end
to dead
end
crossing dark roads in between

as cars shine yellow eyes behind you
your shadow shrinking
swallowed by your footsteps
disappears
with the red taillights
fading into the distance

you are
lonely
yet
want to be
alone

you're angry,
angrily searching
for peace.

smoke rises from your parted lips
trembling
forming the lyrics
of that last rock record

it probably sold millions
your pain and frustration
caught in it

yet still

                                  no one understands.
kirsti alexa Jan 2015
I replay the hit and run of our relationship
since that New Year's Eve night
with every first smile since, every first date
every first kiss--
they all remind me of you,
butterflies fluttering among bitterness
in the pit of my stomach.
(I refuse to be left again. Flight wins every time.)
And they all watch, so curiously confused
as I leave them at an intersection,
(like you left me on your friend's doorstep)
the light blinking red, the same color
of the taillights of my escape
as I speed off into the night, and try
to forget you, your embrace, your touch
even as I mimic who we used to be,
over and over, and
(as my heart breaks) over again.
C S Cizek Jul 2014
I followed a mob march of taillights
back from work. Two rows of thirty flames
spaced out streaked the darkness
beneath the looming sparkler
adding stars to midnight sky.
Roman candle travelers eager to burn
out tried to shoot past traffic
on slivers of unoccupied sidewalk.
The closer they got to town,
the more stars faded above
their hoard of torches.
I just followed a convoy of cars and motorcycles back home. They're all here for Galeton's famous firework display on Saturday.
Alannah Duley Jun 2014
Everything can be going great. You're out on the town with freinds and you're following their car in front of you to the next destination. Suddenly, you're staring at the their fading taillights dissapear, you're in the center of a busy intersection and your car won't go into gear. Now the light has turned and everybody is waiting on you to go but all you can do is listen to the clutch grinding. Constantly worried, helpless, lost, and mostly dissapointed in yourself. Your mind races in empty circles looking for a grip to reality but you just sit and do nothing because all you can focus on is the spinning. That is what my adhd is to me.
Rebecca Durrett Sep 2014
The slamming of the door sliced into my soul with the sharpest blade.
The thump of the car door cracked my brain in two.
The crunch of tires on gravel brought out a waterfall of tears.
Feeling the silence slowly settle in was the final straw of my sanity going up in flames.
The fight that happened was the worst one yet.
Screaming out obscenities and tossing around accusations like there was no tomorrow.
But all that stilled when the back of your hand connected with the soft flesh of my cheek.
All was silent then as we looked at each other with fresh eyes.
I saw a man being driven insane with anger and frustration, while you saw a woman trying to keep the tears from her eyes so you wouldn't see her let her guard down.
The angry words being thrown around are nothing but memories now as you walk to the room and grab your things.
I call to you but you keep going.
Slamming the front door lets the floodgates in my heart, mind and soul open and release all their pain onto my face.
Somehow I sob silently...for a while.
Escalating,my sobs become wails as I frantically grab at my hair in an attempt to process what has happened.
Nothing makes sense!
You're not holding me and telling me to calm down.
You aren't running down the hall to find my phone so I can call my mother.
You aren't here.
I fly to the front door and yank it open only to find nothing there.
Running down the driveway I see your taillights at the end of the street.
I run so fast my feet melt into the pavement.
I reach your truck and open the driver side door.
You're sitting with your head in your hands, sobbing so hard you can barely breath.
I try to pull you to me but you shove me off.
Standing out in the dark I realize that we're both crazy.
I begin to laugh and laugh and I can't stop.
I know I must be truly insane to be laughing at a time like this but I can't stop.
Suddenly I feel something running down my cheeks and sometime between starting to laugh and realizing I was crazy I had started crying.
You finally look up as I sink to the ground.
Hyperventilating, sobbing uncontrollably and thinking that I must be the worst person in the world.
You climb out of the trunk, sink down in front of me and grab my hands in yours.
Looking into your eyes brings me to a halt.
Your eyes always pull me out of whatever I'm doing.
When you look at me I swear I can see your deepest thoughts and desires.
You gently squeeze my hands and say that you're sorry.
Your eyes start misting and I can feel myself doing the same.
I wrap my arms around you and feel myself giving into my body.
I need you and I want you forever.
I pull back, look into your eyes and say I love you.
I say it from within the deepest, darkest parts of me and I cannot possibly imagine anyone else that I would say this to so genuinely.
You say I love you too and then you kiss me.
So gently it feels as though you're afraid to hurt me but then I deepen the kiss and I feel all the bad things lift away for the moment.
It is just you and me with our crazy kind of love.
A love that is one of a kind.
SøułSurvivør Feb 2015
==<>==


porch

i watch the rain
crystal drops
off the eaves

drops fall
a beaded curtain
silabently hissing
as tho a spirit
from the
softly soughing trees
passes through

like the chest
of an asthmatic child


~~~

i will perhaps
paint today
the light is diffused
i guess i'll paint the rain

in blue watercolor

~~~

cars go by on my street
lighting up puddles
it's a bit dark yet
the taillights spark
in the bland pavement
sparkling jewels
on the showcase
of asphalt

the garden swoons
with moisture


~~~

my nerves singing
humming high voltage wires

as I sit i feel them
release

ping! ping! ping!

broken
electric guitar strings

~~~

like a devotee
i sink
into
the river
of
baptism

my mind
once smudged
with transgression
against the night
becomes
as snow
as light soaks
my robes
of repentance

~~~

in deliverance the sky doth weep
i pray The Lord my soul to keep



soulsurvivor
(C) 5/2/2014
rewritten 2/15/2015
Blue rainy day

~~~
Waverly Mar 2012
It's better to back
into you
with all the lights on.

The headlights
swerving
like
doves.

The taillights making devil's eyes.

The **** in the ashtray
and
its
ruby.

It's better to pull into the driveway
while your husband
is
asleep.

He doesn't get up to take
a ****
in the night.

It's better to back into your guest bedroom,
with my back turned,
the boogie man in the closet is a
****** psychologist,
and may just spoil it
if we go looking for him.

It's better to back into the bed,
because I can drink the coffee
in your eyes.

You can sober yourself
over mine
if you want to.

It's better
not to back into
saying goodbye.

It's better to dismantle the brakes
and **** ourselves
over it,
than this constant reversing.

So,
over a slow goodbye
you grind your teeth
because you are no yellow light.

I would like to think
you have thick skin,
but you wear a perfume
like burning rubber,
and I know the backing in
is not your speed.

It's not mine.
Ryan P Kinney Dec 2015
Cross My Heart
by Ryan P. Kinney

He awoke that morning feeling more alive than he had in years.
The usual good morning kiss with his wife turned into more.
She could see that old youthful magic in his eyes,
The kind that had outlasted his wrinkled, scarred face.

They made love like nothing had ever mattered.
He would be late to work this morning.
It was worth it.

As she made breakfast,
Humming that song he had not heard since their wedding
He caught sight of her curves,
Slyly slipping in and out of the folds of her robe
He remembered how much he loved that woman in his kitchen
And briefly considered an encore performance

He heard a door swing open
Creaking sharply under years of abuse
Tiny feet came thundering down the stairs

“How does such a little person step so loudly?”
“Dad!”
He turned,
Just in time to duck a Nerf dart sailing past his cheek

His son gave him a mischievous grin
And his wife rolled her eyes
As he reached under the table and pulled out his blaster
Launching three darts into his son’s forehead before he could raise his

His son flopped to the floor
“You got me. I’m dead.”
The cat walked over and licked his forehead
“Alright, I guess I’m alive,”
“The kitty gave me one of his lives.”
His son laughed and bounded into his seat, just as his wife handed him his coffee.

His first sip was like no other before.
If morning *** could be coffee,
That would be what he just stuck in his mouth.

She handed him a plate of eggs and potatoes
And a bowl of cereal to their son,
Kissing him on the forehead as she did
“Ewww, Mom!”

He had long since taught her the virtues of a good breakfast
Though she only ever ate a bagel
She was always happy to send him off to work with a full belly
Even more happy to send him off with more today
Even the eggs and potatoes tasted special
Like a little extra love had gone into them

“Love tastes like eggs and potatoes…”
He trailed off, biting into an empty fork.
His plate was empty.
He had devoured the entire meal while musing over silly thoughts.

His wife shot him a “job well done” grin
Then leaned in to kiss him
“You guys are weird,” their son said,
As he pulled out his chair,
Placed his bowl in the sink,
And went skipping upstairs

“He actually remembered to put his dishes in the sink,” said his wife.
He got up, and threw his arms around his wife,
Kissing the back of her neck
As he reached into her robe
She giggled, and handed him his lunch.
“Go to work,” she said.

He grabbed his lunch,
Yelled up the stairs,
And walked out the door

The car started on the first turn this morning.
He eased it into gear
And it glided gently out of the driveway.
“That’s much better.”

He couldn’t get the grin off his face as he drove
The sun had risen to greet him in a kaleidoscope of hues
He began picking out shapes in the color kissed clouds

There was a light breeze in the air
A calm comfortable spirit blew around him
With just a hint of the flavor of the impending autumn
Yet still not betraying the richness of summer

His eyes snapped out of the daydream
“Today is way too good to be wasted at work.”

He pulled out his phone and dialed the number he no longer had to look at the keypad for.
“Hello,” his wife answered”
“Honey, call our son into school. We’re doing something today.”
She paused for a minute and he expected a recrimination.
Instead, she just replied, “Something? Like what?”

“How about the beach?”
“We’ve lived two miles from the lake for years and have only gone twice”
“It’s time we stopped wasting what’s been given to us”

She paused again, then, “Ok.”

“Oh, and wear the bikini.”

She sighed, “That was not meant for outside the bedroom.”

“It’s Monday. Everyone else foolish enough to not call off are at work.”
“No one will see, except us.”
“Meet me there.”
He hung up before she has a chance to object.

An hour later, he was there.
He slammed the car door with a reassuring thud
Her car was here, but empty.
“They must already be in the sand.”
He took to the concrete path.

As he walked, toads hopped out of his way
Butterflies danced to a tune none, but they could hear around his head.
His every step sent a cascade of grasshoppers in every direction.

He finally reached the sand and kicked off his work boots into the weeds.
He scanned down the beach and picked out the outline of two people,
His wife and son.
As he thought, no one else was here.

His wife had already removed the tank top and shorts she’d normally hide behind.
She was wearing the red bikini he had gotten her for their last anniversary
Her body showed all the marks and scars of age, wisdom, and childbirth.
He couldn’t have loved any of those marks any more.
She had earned each one.

She caught sight of him and smiled that beautiful smile,
Then tapped their son on his shoulder,
Already engrossed in a sand castle
He looked up and took off running,
Barreling into his father.

The rest of the day whisked away in the blur of one who forgets that time is a measure for events we have to think about.
He and his wife worked muscles long past functioning properly.
He swam in his work uniform and when it became too heavy,
He cast it onto the beach and swam in his underwear.

While his wife prepared lunch,
His son and he built a sand castle taller than either of them
It was more like a mound than any recognizable structure,
But it was magnificent.

When the next wave came in and took half of the empire with it
They just laughed
And jumped in to finish the job

Lunch was PBnJ, a necessity for any day spent playing hooky.
They tasted of forgotten memories and a sun-warmed nostalgia,
That up until now had only left a bitter taste in his mouth

Lunch was quick,
As both boys hurried back to the water
Making sure to share plenty with Mom.

After a few hours, the sun began to sag
And their son began to droop on this father’s shoulder
He carried him back to the concrete path,
All three with irreplaceable smiles on their faces

Their son was nearly asleep before they came across the first toad
This time they just sat and watched.
The grasshoppers remained still and not a butterfly stirred.
Everyone sat silent in their seats,
Transfixed by the building chorus of crickets,
The melody growing richer as the sun sank into dusk

By the time they reached the parking lot, the frogs had added their amorous harmony.
All of nature had serenaded their son to sleep as they strolled.

He placed him in his wife’s car gently.
He looked at her and pulled her close,
His hands groping under the bikini.
She pulled away.
“I’ll see you at home,” she said.

“I love you,” he paused, “…both,” looking at his son.

She got in the car, started, and drove out of the parking lot.
He stayed there, watching her taillights fade into a magenta-orange curtain trailing the horizon.
Just before she vanished from sight, he caught her eyes watching him in the rearview mirror.
He waved,
Casually,
Slowly,
Until she was gone.

He got back in his car and closed the door.
The reddening sun was half gone
A deep blue was inching in slowly, closing around the falling orb
Pink, blue, purple, green
Every color of life was lavishly splattered across the sky,
As if color and beauty were so cheap that it could spilled everywhere,
Without a care.

The sunset was the same it was 20 years ago.
The day he left his parents
As he was driving the last load to his first taste of adult freedom,
He had stopped at this park
To bid farewell to the boy who spent so much time here.

Here he was again
Back with a new boy to give to the park.
The sunset that sent him to become a man was back to greet him once again.

“Today was perfect,” he said, as he slipped on his jacket.
“But, it’s time I woke up.”
He pulled a revolver from the jacket’s pocket
“I kept my promise.”
He pressed the muzzle to his chest.
“Cross my heart.............”
Dennise K Jun 2016
he just might break your heart but he has you dancing in the taillights saying, "one more song"
and every part of you is telling you to run but that look in his eyes say, "stay awhile".
he will make you feel like your walking on clouds but do not forget to come down every now and again.
becuase oh he just might break your heart, but tonight, tonight he is saying "I love you more".
Jonathan Witte Oct 2016
We counted seventeen that morning,
driving in circles around Greenbelt Park.
Biding time before preschool drop-off,
we moved in measured paces beneath
a verdant canopy of oak and Virginia pine,
crossing diminutive rivulets repeatedly,
revisiting the same downed tree limbs
and tired park signs, disappearing and
reappearing in mist, our languorous
revolutions seemingly interminable,
each lap lost behind our slipstream.

It was a game we played together,
my daughter and I, circumnavigating
that slight road and counting the deer.
We tallied the bucks, does, and fawns
in plain sight, either ignorant or bold.
Vigilant, we watched for minuscule
movements beyond the windshield,
subtle stirrings in the understory:
a foreleg caught in a confusion of ferns;
a white tail, brazen, above the blueberries
or hovering, a clump of cotton atop holly;
caramel eyes cupped in mountain laurel—
ephemeral proof, woodland intimations.

Most days, we saw nothing
but familiar creatures as we
circled, spinning our wheels.
If we parked on the shoulder,
the black ribbon of bitumen
seemed to move beneath us still,
a vinyl track playing under tires,
daughter and I locked in place—
two diamonds at the tip of a needle,
skipping across prosaic grooves.

But the morning of the seventeen!
The moon hung dilatory in the sky,
a winking crescent eye, opaline.
And with each loop, the number grew.

-------------------------------------

Two years later, I circle back,
my daughter and I walking
toward a black fishing pier,
gulls etching invisible lines
into an aquamarine sky.

I ask her if she remembers
those rides before preschool,
if she remembers the morning
we saw those seventeen deer.
We pause, waves washing
white sea foam over our feet.  
She looks beyond the breakers,
taking in the horizon’s hard line,
a crisp indigo seam that appears
to stitch the round world straight.
One hand rests on her bony hip;
the other grips a shell-filled pail.
She turns, sizing me up with the
cold skepticism of a six year old,
and shakes her head in disbelief.
She tells me I’ve got it all wrong:
It couldn’t have been that many.

I’m tempted to argue. Instead,
I ask her, why does that number
(seventeen!) seem too high.

She looks at me, incredulous.
What am I trying to prove?
She speaks in small measures,
makes herself perfectly clear:

We were driving
in circles, Daddy,
and the deer,
the deer,
they move.


At once the horizon bends,
azure arc in space and time;
gulls stall in midair, snapshots
above suspended breakers. Silence.
Suddenly I’m back in Greenbelt Park,
treading nimbly, veiled by ivy screens,
leaping broken dogwoods cantilevered
over precious shallow streams,
muscles, ears, and eyes electrified.
I see as the unseen eighteenth deer
would have seen us—two creatures
harnessed in a restless death machine,
recumbent gods marking territory.

Around again. Wait.
Another close orbit.
Scrutinize red taillights
fading to distance and
then explode, vaulting
across alien asphalt,
hard halo of misery:
unnumbered,
exalted,
infinite.
Jaimee Michelle Oct 2013
So much for so called family
So much for so called friends
I'm sick of driving on this road that won't ever end
At the next exit, I'm gonna close my eyes and let my hair fly around the bend
This place is so gray, so old
With not one story that hasn't been told
Hushed whispers
But clear enough to hear snickers
Idk who made any of you, judge and jury
But, you don't know me, you don't know **** so I'm out in a hurry
I can't take anymore fingers pointed at me
With words filled with hate at a person I used to be
Hypocrites, everyone of you
And I'd like to remind you, that glass house is pretty see through
I wear my heart on my sleeve full of good intentions
Your heart is filthy, not even worth a mention
If your hearts and minds were ever clear
It would've been easy to see the face with fallen tear after fallen tear
Why would I ever want this life?
Tell me? Am I so bored that I just do things outta bitterness and strife?
In your soul you truly believe HE did all he could to fix our relationship?
And I just refused it?
Cause you all know that's why I distanced myself from the "family" right?
Please don't act idiotic and shake your head, point fingers and start a fight
I've had enough!
Heavy breathing, beat read face, and silent tears show I'm not that tough
But, I can no longer allow these strangers in my life to bring me down
I'm done forcing myself to come around
I leave broken every single time
If I keep letting you break me
Ill lose the ability to spit a rhyme
There will be nothing left of me
And there's just to much that I am to let waste on people who will never see
I opened my eyes, this exit has taken far from the old, dirt road I was stuck on
I look up, the stars fill the sky, the clouds are gone
The heaviness in my heart has been lifted
The powers finally shifted
I no longer feel banished and alone
I'm finally on my way home
My taillights fade into the night
And that'll be the last you ever see of me as I speed up and drive outta sight
After about 20 some years of misery and fighting to belong, in just that puzzle piece that doesn't fit bc my edges are smooth, not jagged like their's. I couldn't be happier to leave these judgmental ******* staring into the dust.. In other terms, kissing my *** goodbye! Family or not, my heart never deserved the beating its been taking. And not for lack of trying to fix it either. Washed my hand clean, what's done cannot be undone and I'm finally just done! Sorry needed to vent..
Fill Nov 2015
The dank speed on the expressway
never felt so lonely
The moving cars and their taillights
never felt so bright
If only my Zephyr were here, we'd enjoy the gushing sound
of the chatter and the unruly sound of the bus engine

I do, I really do miss you
not in the way I miss us way
not in the way I miss your old self
just in an I miss you way.
Oh Zephyr,
I am afraid of the happenings.
I am afraid of the sun when it's time to rise.
I am afraid of searching to what I am sure of
look, Zephyr. It is not always the easiest way out.
It never was for you to be a person full of sorrow.
I never saw that in you, but please.
Please do know I too am just as scarred as you, but I never saw a mismatch in what I do.

I do know. You're one worth-while-time of happiness
It may be hard for you to admit,
as I am afraid to say,
but yeah. I do.
Endearment for you my dear Zephyr.
For you Peds. I'm not sure of how to put this into action, but I will. You're worth while, and I am sure that I am worth-while too.
*I hope you read this... or not?  haha
Meagan Berry Mar 2010
I am an umbrella.
The cold rain has soaked my hair and
I can hear thunder in the distance.
I see the lightening strike the maple
Trees of Connecticut and
I can taste the garlic from my lunch,
Still on my tongue,
Three hours later.
My brain is fuzzing.  The smell
Of gasoline permeates my nostrils
Like fresh baked cookies.

And I remember.
The car flipping, taillights over headlights.
Me in the front seat.  We landed
In the ravine and sunk to the bottom
And here I am.

I walk across the busy highway
And reach the divider where
I find them.
I reach for the flowers and
They smell like rainbows.
Blythe, a moldy card reads,
Take care in the afterlife.
I place another next to it
From me that reads,
You will be sorely missed
Hasta luego.

I walk back across the highway
Headlights staring into my eyes
And open the front door of my car
To drive away.  Moving on
Makes the pain go away and
If you forget, no one remembers
But I will until you come home.
This was the result of a "poem recipe" from a creative writing class I took.  It wasn't supposed to flow or make sense in the end but I thought it kind of did in a weird way...
Megan Anne Dec 2011
Aesthetically speaking
This darkness is ideal
Cascading shadows swallow
A distraction from what’s real

Coldest of breaths inhale
Autumn’s least subtle surprise
October 2:45 AM
Softer memories behind closed eyes

Oh, what it would be like to forget
Taillights faded into dark
What I would trade for a little bit of warmth
In both the weather and my heart.
MoMo Oct 2012
You don’t come visit your daughter who lives with her grandmother—who don’t like you no way—with your new wife and eight month old son, just before her bedtime.
You don’t tell your little four-year-old daughter “Daddy will ALWAYS be there.” Then leave her with a picture of you and your new family.
You don’t expect to waltz back into her life and pick up right where you left off after 9 years, 10 months, 7 hours, 46 minutes, and 23 seconds of not being there.  Oh yea, she kept count.
You don’t expect her to still love you after all that. When she had nightmares about you leaving her in the middle of nowhere with a ratty little teddy bear with only one eye. When she couldn’t sleep without listening to that Luther Van Dross song at least five times. When she couldn’t blink without seeing your taillights speeding off into the night. When you joined the army to “take care of her.” ***** you got a degree go get a JOB.
You don’t expect her to still be good, perfect. When all her life she thought, “Maybe if I’m a good girl, maybe if I get all A’s all the time. Maybe he’ll come back. Maybe he’ll come hold me again. Take me out for ice cream and gummy bears. “ Even though she knew none of that would ever happen again.
Don’t expect her to still be an angel, when you’ve put her through Hell.

— The End —