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"splaying" poems
I saw my world again through your eyes As I would see it again through your children's eyes. Through your eyes it was foreign. Plain hedge hawthorns were peculiar aliens, A mystery of peculiar lore and doings. Anything wild, on legs, in your eyes Emerged at a point of exclamation As if it had appeared to dinner guests In the middle of the table. Common mallards Were artefacts of some unearthliness, Their wooings were a hypnagogic film Unreeled by the river. Impossible To comprehend the comfort of their feet In the freezing water. You were a camera Recording reflections you could not fathom. I made my world perform its utmost for you. You took it all in with an incredulous joy Like a mother handed her new baby By the midwife. Your frenzy made me giddy. It woke up my dumb, ecstatic boyhood Of fifteen years before. My masterpiece Came that black night on the Grantchester road. I ****** the throaty thin woe of a rabbit Out of my wetted knuckle, by a copse Where a tawny owl was enquiring. Suddenly it swooped up, splaying its pinions Into my face, taking me for a post.
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7.9k
The Owl
A piano plays softly through my ears My fingers waltz along the keys Splaying my life out into a symphony Every note Cool Calm Cultivated   A captivated audience is a blind one They can't see what's going on behind stage The puppets that rise along their strings Forever to be suspended in space Controlled and motivated As long as I'm behind this piano Mesmerizing the audience No one will ever see the pool of blood Arcing along my high heeled clad feet No one will notice my strained smile Or the flashing glint Knives of bone Protruding from my finger tips Pray tell Might I play a song for you?
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Aug 11, 2018
Aug 11, 2018 at 4:32 PM UTC
Bone piano
"The problem is..." he drawls "that it is'nt us who see people differently from you, but you see things different from us. We are not the problem you are. You see the basest humans when we paint majestic creatures, we tell stories of superheroes with no faults, we expect our boyfriends to mirror night skies in their comfort, and speak like Kerouac. Kiss our scars like white girl tumblr pictures." "People like you," he says; "...Dont ever **** yourselves. You're used to the disappointment. Your used to kissing your boyfriends sweaty upper lips and smelling...just that. You clean up the puke on bathroom floors without complaining because you know what people look like from the inside. That's why your art will never be good. Thats why today in class when I asked you to paint a human body cut open, you drew a colorless man with his organs splaying out of him, and ******* he laughs.. "I have to fold petals into my boyfriends armpits just to stand the sight of him our ******* is'nt ******* its ********** Supposedly. When I tell this story later, I'll leave out the spit and saliva and how the human body aint that pretty, especially gay *** Even 6 ft 3 chiseled muscle of it, ill write metaphors about his eyes and similes to his fists, you will tell us about the humaness of his breath and how it annoyingly kept you up at night, you will speak of storms but not of the ones in his eyes. The ones in your belly when he farts during *** and you will describe every putrid detail, like the fact that waking up in the morning aint so pretty, morning breath is something we dreamers leave out in movies. And, it must be exhausting living here seeing things how they really are, but atleast when you expect disappointment, theres room for surprise. People like me expect the good and are disappointed when its ****** on."
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Dec 9, 2013
Dec 9, 2013 at 6:04 PM UTC
Conversation with an art teacher
"The problem is..." he drawls "that it is'nt us who see people differently from you, but you see things different from us. We are not the problem you are. You see the basest humans when we paint majestic creatures, we tell stories of superheroes with no faults, we expect our boyfriends to mirror night skies in their comfort, and speak like Kerouac. Kiss our scars like white girl tumblr pictures." "People like you," he says; "...Dont ever **** yourselves. You're used to the disappointment. Your used to kissing your boyfriends sweaty upper lips and smelling...just that. You clean up the puke on bathroom floors without complaining because you know what people look like from the inside. That's why your art will never be good. Thats why today in class when I asked you to paint a human body cut open, you drew a colorless man with his organs splaying out of him, and ******* he laughs.. "I have to fold petals into my boyfriends armpits just to stand the sight of him our ******* is'nt ******* its ********** Supposedly. When I tell this story later, I'll leave out the spit and saliva and how the human body aint that pretty, especially gay *** Even 6 ft 3 chiseled muscle of it, ill write metaphors about his eyes and similes to his fists, you will tell us about the humaness of his breath and how it annoyingly kept you up at night, you will speak of storms but not of the ones in his eyes. The ones in your belly when he farts during *** and you will describe every putrid detail, like the fact that waking up in the morning aint so pretty, morning breath is something we dreamers leave out in movies. And, it must be exhausting living here seeing things how they really are, but atleast when you expect disappointment, theres room for surprise. People like me expect the good and are disappointed when its ****** on."
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25
You Are untamed Reckless blood and wit intertwined A twisted, brazen
 mind. Your mind Is so clearly different It leaps and soars, so acrobatic And your thoughts appear to me so hazy and enigmatic Your mind is simply not pragmatic Yet your perception knows no bounds. You have thoughts that come close to insanity That sometimes flow in the form of profanity.    Your spirit Is either very high or very low Up and down, to and fro There is no in between for you Some say you are stupidly crazy The dull ones say that, the ones too lazy To see beyond the rugged surface. The subdued and vapid ones Will never understand the magnetism Of your sweet, exquisite devilry. On your face you often wear A fierce and restless stare A wan, discontented expression As though you're always awaiting Something bigger, Something better. You Are fluid, swaying fire And I will never tire Of watching you burn I can see you brain boil and churn As it reels into into areas of
 madness and chaos. Your psyche Is an endless field of dark reverie, Of fear and vagary. I know your night terrors Your savage dreams of death Screams and bated breath Unutterable visions The grotesque world of horror thats spins itself out And dribbles into your drawings All those creatures, skeletons gnashing and clawing... You Are gentle and thoughtful Yet you are terrified Of this dark thing that sleeps within you. Your eyes - they’re stunning They’re tempestuous, Wild, like some fierce animal peering out of a rusted cage Oh, your eyes They are something beautiful, but annihilating Like Autumn crocus flowers, innocently poisonous Lids splaying delicately like its violet leaves. You are tall and strong And uncontrollable, And your smile Is the biggest paradox I've ever encountered Childlike And fatal. You are not A creature of the commonplace You are not a slave of the ordinary You are not a mindless drudge of the mundane You are free. Or bewitched, what's the difference
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Mar 10, 2013
Mar 10, 2013 at 5:21 PM UTC
You Are Insane
You Are untamed Reckless blood and wit intertwined A twisted, brazen
 mind. Your mind Is so clearly different It leaps and soars, so acrobatic And your thoughts appear to me so hazy and enigmatic Your mind is simply not pragmatic Yet your perception knows no bounds. You have thoughts that come close to insanity That sometimes flow in the form of profanity.    Your spirit Is either very high or very low Up and down, to and fro There is no in between for you Some say you are stupidly crazy The dull ones say that, the ones too lazy To see beyond the rugged surface. The subdued and vapid ones Will never understand the magnetism Of your sweet, exquisite devilry. On your face you often wear A fierce and restless stare A wan, discontented expression As though you're always awaiting Something bigger, Something better. You Are fluid, swaying fire And I will never tire Of watching you burn I can see you brain boil and churn As it reels into into areas of
 madness and chaos. Your psyche Is an endless field of dark reverie, Of fear and vagary. I know your night terrors Your savage dreams of death Screams and bated breath Unutterable visions The grotesque world of horror thats spins itself out And dribbles into your drawings All those creatures, skeletons gnashing and clawing... You Are gentle and thoughtful Yet you are terrified Of this dark thing that sleeps within you. Your eyes - they’re stunning They’re tempestuous, Wild, like some fierce animal peering out of a rusted cage Oh, your eyes They are something beautiful, but annihilating Like Autumn crocus flowers, innocently poisonous Lids splaying delicately like its violet leaves. You are tall and strong And uncontrollable, And your smile Is the biggest paradox I've ever encountered Childlike And fatal. You are not A creature of the commonplace You are not a slave of the ordinary You are not a mindless drudge of the mundane You are free. Or bewitched, what's the difference
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67
What is that reality that appears to me in dreams, chock-full of misgivings and doubt. I counteract my fear of life with my fears of slumber, dust in my eyes and stiff as lumber. In truth - I'm not stiffened by fear, by nausea, post-pubescent sacrilege, or all of the above. I'm not up-kept, grizzly with ennui; I'm dizzy, confiding my loss. I feel the lips that kiss but can't be drawn: from mind, stencil paper pen, on sheets of thick pale and cellulose, for the heart to mend. My unsteady hand is my fearful friend A soft embrace from a warm mind Somber and so full of Life clung to by the scent of Death Endowed with an eternal promise and regret from veins of plants or the glow of stars. Cold, mechanical debt. (my heart, so full of...) (my mind, so hot with...) (my body, trembling in...) I am gulf-like a stream full of trees and glass echoing a promise of shattering wind. Will I be published after my death, asleep predating, a life conceived. Will I live to see myself alone, and to discover that which I'm not? Or will I stutter and wallow a curse, Up towards the sky, Until the final verse. On a boast or chasing the Rail, pale as dirt, and shallow still. Will my true love abandon,  break, strain, Burn away the wax, or hurry to blame? Omit my evils from the star-charts, then just to vacate the void. From the half-broken corridors of rocks, nooks, crannies. Carry laughter through the night burn the effigy bowed-down, before dawn's courageous, ever-splaying light Angels, of Carlo and Marx, plenty by noon festoon, again by day thus replay, Endeavor to infinity, fair child. Remold the light by Day and remold the Day by Night.
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Feb 23, 2013
Feb 23, 2013 at 12:53 AM UTC
Tenderness
What is that reality that appears to me in dreams, chock-full of misgivings and doubt. I counteract my fear of life with my fears of slumber, dust in my eyes and stiff as lumber. In truth - I'm not stiffened by fear, by nausea, post-pubescent sacrilege, or all of the above. I'm not up-kept, grizzly with ennui; I'm dizzy, confiding my loss. I feel the lips that kiss but can't be drawn: from mind, stencil paper pen, on sheets of thick pale and cellulose, for the heart to mend. My unsteady hand is my fearful friend A soft embrace from a warm mind Somber and so full of Life clung to by the scent of Death Endowed with an eternal promise and regret from veins of plants or the glow of stars. Cold, mechanical debt. (my heart, so full of...) (my mind, so hot with...) (my body, trembling in...) I am gulf-like a stream full of trees and glass echoing a promise of shattering wind. Will I be published after my death, asleep predating, a life conceived. Will I live to see myself alone, and to discover that which I'm not? Or will I stutter and wallow a curse, Up towards the sky, Until the final verse. On a boast or chasing the Rail, pale as dirt, and shallow still. Will my true love abandon,  break, strain, Burn away the wax, or hurry to blame? Omit my evils from the star-charts, then just to vacate the void. From the half-broken corridors of rocks, nooks, crannies. Carry laughter through the night burn the effigy bowed-down, before dawn's courageous, ever-splaying light Angels, of Carlo and Marx, plenty by noon festoon, again by day thus replay, Endeavor to infinity, fair child. Remold the light by Day and remold the Day by Night.
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73
I would die to say here, truthfully, splaying my arms round as the sky, this, this! is how it is possible to live and not sink under a faint surface, and not run, windfaced, against a distance, and not lay down, weary as nothing. This is how it is possible for us to look without shaking skin or heads or blenching eyes, writhing like mangrove limbs in this incomprehensible slough. To live as discovery of life and still not know if ever we were born, or when, if ever, we’ll have died. But to you, I cannot say this, truthfully. My person is not truthful. It has a voice you hear through air in the daytime, I am not truthful to you. Else I would be fringes of all time stretched. You cannot see me, truthfully. I am ground movement, just under, welling untouchable imperative unattainable. Are you bound by the point to create your own destruction, as I? Then proclaim it yourself, truthfully, waving your fresh roots out to me, soil juiced and ripely plucked. I will try to remember crossing the plains from dawn till dusk, before I made the world fragile. If I do, I will dissolve, and will come out your breath, speaking truthfully. But will you remember too? So that, disappeared, I may find you? I would not have to die, then, truthfully.
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Mar 27, 2012
Mar 27, 2012 at 6:37 PM UTC
Nomad
Winsome bee at my bloom, writhing and splaying, he gathes my perfumes, He stayed and he waited, I gave him my heed, Oh winsome bee, you are my doom.
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Jul 24, 2014
Jul 24, 2014 at 12:33 PM UTC
The Bee
Our men are heroes, of course. They protect us, gun in hand, against enemies plastered on posters vandalizing once-beautiful stone storefronts. More every day. Stapled on top of one another until words blend. "But now," the overly made-up woman at the podium says, "women can do our part." They’ve gathered other pretty blondes with symmetrical features measured by a myriad of devices.           Beautiful,               demure                    women with           beautiful,               Aryan                     genes to breed with our handsome heroes. Because women, and the children we bear, are the key to Germany’s future.   I glance at the woman to my right, eyes skiing down the slope of her nose to rest on smiling lips. Is the blush on her cheeks genuine, or set by rouge? It suits her. She catches me staring. My breath hitches in my throat. I throw my attention back to the woman glorifying human broodmares. Heat assaults my cheeks. “Your rouge is lovely.” Her whisper warms me. “Can you believe this? Us, with war heroes?” She sighs. I can practically see the dream play through the air. A husband coming home in uniform, splaying a hand on her swollen belly and kissing her forehead. A fantasy. These men… they’ll come, take what they want from us for granted and claim they did us a favor when they leave us alone with child. But my fingers would dance never-ending pirouettes across that porcelain skin. Swirl intricate patterns through golden hair, all for that sigh to carry a dream with me in it.
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Jul 12, 2018
Jul 12, 2018 at 2:28 PM UTC
To Carry A Dream
Our men are heroes, of course. They protect us, gun in hand, against enemies plastered on posters vandalizing once-beautiful stone storefronts. More every day. Stapled on top of one another until words blend. "But now," the overly made-up woman at the podium says, "women can do our part." They’ve gathered other pretty blondes with symmetrical features measured by a myriad of devices.           Beautiful,               demure                    women with           beautiful,               Aryan                     genes to breed with our handsome heroes. Because women, and the children we bear, are the key to Germany’s future.   I glance at the woman to my right, eyes skiing down the slope of her nose to rest on smiling lips. Is the blush on her cheeks genuine, or set by rouge? It suits her. She catches me staring. My breath hitches in my throat. I throw my attention back to the woman glorifying human broodmares. Heat assaults my cheeks. “Your rouge is lovely.” Her whisper warms me. “Can you believe this? Us, with war heroes?” She sighs. I can practically see the dream play through the air. A husband coming home in uniform, splaying a hand on her swollen belly and kissing her forehead. A fantasy. These men… they’ll come, take what they want from us for granted and claim they did us a favor when they leave us alone with child. But my fingers would dance never-ending pirouettes across that porcelain skin. Swirl intricate patterns through golden hair, all for that sigh to carry a dream with me in it.
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59
With a suitcase Of a past Belonging to Another of me Strain keeps pulling In steps already taken Scanning the beauty ahead Looking at the swamp behind Earth flys with the release As the baggage crashes Splaying open It’s contents no longer contained Dust devils swirl As torments fly upward Upon clearing Vision magnifies Movement is smooth Freedom lunges me Freeing mind and heart Allowing achievement Written by E. M. Rushton July 2019
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Jul 12, 2019
Jul 12, 2019 at 8:14 PM UTC
A lunge into freedom
~inspired by Lar Lubovitch, gifted to Glenn Currier   who made my eyes water-dance this morning ~ <> raise the arms in preparation for an articulated genteel waving to keyboard, an elegant slow descent, fingers extending, splaying, but in fine coordinated curvature for they are 24 carat gold filled fingertips, word & dance-art~infused i king and expelling sounds of dancing words, all over my body some body part of me, grasps that the cylinder of ink, becomes a baton, single instrument director, an attaché, an additive~lubricant, for all my orifices, firing rocket-in-the-air bomb bursts while body in its entirety motions, shuckin’ and jivin’ in the prayer~poem first position, a rock n’ roll motion, back and forth, to fro, holy mesmerized words run down my arms, letters drop encased in salt drop capsules, from the intuition in my eyes, we see them forming words, pooling, without volition, upon, all my surfaces, but they a mere conveyance, bringing these expulsive explosive verbs in an ordered fashion, to your eyes, intuitively, asking you to dance with me, begging you to envision me, hearing the piano maintaining rhythm, while a violin crys out in a overly long held notes, concertinas  bellowing, all together quavering, oscillating, emoting, and you! you are reading me perfectly so we dance in unity cheek to cheek, to the song of our poem, our words, our tongues, our entire entities, rogue kissing
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Dec 4, 2023
Dec 4, 2023 at 8:52 AM UTC
dance to these words
Like a C-clamp pistons in my ears drawing together as if magnets drawing together as a punishment for having thought for myself for having thought of others for having thought and my thoughts diverge like a meteor shower splaying hither a-thither like blood spatter at a crime scene but the victim will not be silenced even in death there is an effluence of ideas like beads at Mardi Gras and a sense of here and now expands like easy-cheez on a ******* and your vice-like grip on my mindset will not contain my ideas because my mind is a river undammed and inherently willful because my mind is set free
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Sep 16, 2013
Sep 16, 2013 at 11:29 AM UTC
Mindset / Free
The sporadic notions of morality Encompassing the ridge, he rigs the rig A ****** an addict, searching the attic Looking for teeth in boxes Cooking crack in a crock *** (Imagine such images, dancing on walls of brick houses crumbling) The home with boarded up windows, and children watching television sets with the sound on full This is free form living, an avant-garde way of life Concrete music from the paving slab, door-stop bedrooms and the dead dogs rotting in shallow graves in the grey grassy garden Suspended in animation, needles in the arm Why is Mummy crying on the kitchen counter top, and why are you in my room? This is a house for dealing, a house not fit for stealing This house is a home to the ones who live and a grave for those that don't Your house smells of rose petal, sweet summer serenades and home baked cakes My house is dilapidated and smeared in **** my house is lonely, my house is a rut Infantile impotence, playing on a rainbow welcome mat Crystal hanging in the window, splaying colour Tap the vain, vein young valiant boy, pull the tie from Daddy's arm Between you and me, the back door slides easily open in the spring and perhaps freedom in the trees you seek and maybe you can forget Just for a moment.
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Oct 26, 2013
Oct 26, 2013 at 4:46 PM UTC
On Childhood Sadness and the Rhetoric Figures of Fallen Family
half-feigning a convenient drowsiness, half-closed eyes and half words shot at a bedroom wall illuminated by early sunshine, and it happens to be quite bright. happened again, redoing, recurring, an ordinary oration, a silent sermon the same words again, a slightly different version every morning, inside out in eversion the wrong things again, waking up getting out of bed, out of my head, growing up, getting old, aging fast, coming to terms with the fact that one’s life is only as long as one’s past all this future-talk’s got it feeling a lot longer And vacancy is at least not my mistake Filling in a bubble blindly of multiple choices Splaying multiple regrets for something’s sake. I will wake up and grow up But if childhood is living in the sun’s light then what’s staying up all night to watch its rise?
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Mar 18, 2020
Mar 18, 2020 at 3:47 AM UTC
waking up, growing up
To hold a pen, all trembling nib and leaking tip, At your mercy, supple in your hands, Over the skin of soon-to-be words, people and places: Gently exploding ink bombs of which I cherish total control – Until I have to let them go - until they are released and left to their own free will. They bend and curl And I bend and curl with them – through a place of rubble and debris, Of clear water on emeralds and grey, creamy smoke. A wasteland – but far from empty – a silvery mire filled with all the things of this earth. Something both post and pre-apocalyptic that smells of old wood and heady incense, Nostalgia and new memories. Accidentally, messily, flawlessly crafted. I wait for more sporadic dark poolings, And they happen within quick succession of one another; Splaying, Isolated limbs and drops of a purple chemical Spreading, bleeding, dissolving Over the grainy paper. The page is torn and frayed at the edges Where almost fabric-like fibres Were unable to withstand the impact of a knife’s blade, Ripping all the tiny seams which bind them together, Coming apart, Undone, Strand by dusty strand. What is finished, what is done – Is what has been given kindness, And settled to rest. As if drunk, sleepy, disorientated but somehow acutely aware of exactly where you are. The feeling of dizziness where everything is hazy, fuzzy, blurry – Inducing a comfortable, ***** slumber In an old *** and vanilla shop. Aureate, bronze pearls slide over each other, silky and luke-warm, As you peer through glass and lace, The spheres chinking together, a thousand times over. A pen held above the paper, now still and impassive. It is mine and I am its, And we stand alone on the corner of a pavement, A streetlamp Rendering the scene golden in the rain.
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Jun 5, 2013
Jun 5, 2013 at 2:58 PM UTC
It all means something
To hold a pen, all trembling nib and leaking tip, At your mercy, supple in your hands, Over the skin of soon-to-be words, people and places: Gently exploding ink bombs of which I cherish total control – Until I have to let them go - until they are released and left to their own free will. They bend and curl And I bend and curl with them – through a place of rubble and debris, Of clear water on emeralds and grey, creamy smoke. A wasteland – but far from empty – a silvery mire filled with all the things of this earth. Something both post and pre-apocalyptic that smells of old wood and heady incense, Nostalgia and new memories. Accidentally, messily, flawlessly crafted. I wait for more sporadic dark poolings, And they happen within quick succession of one another; Splaying, Isolated limbs and drops of a purple chemical Spreading, bleeding, dissolving Over the grainy paper. The page is torn and frayed at the edges Where almost fabric-like fibres Were unable to withstand the impact of a knife’s blade, Ripping all the tiny seams which bind them together, Coming apart, Undone, Strand by dusty strand. What is finished, what is done – Is what has been given kindness, And settled to rest. As if drunk, sleepy, disorientated but somehow acutely aware of exactly where you are. The feeling of dizziness where everything is hazy, fuzzy, blurry – Inducing a comfortable, ***** slumber In an old *** and vanilla shop. Aureate, bronze pearls slide over each other, silky and luke-warm, As you peer through glass and lace, The spheres chinking together, a thousand times over. A pen held above the paper, now still and impassive. It is mine and I am its, And we stand alone on the corner of a pavement, A streetlamp Rendering the scene golden in the rain.
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41
I find myself far gone, drifting alongside the beach of some nubian kingdom A sharp inhale of starlight and cutting holes of awe, she's there for me. but, Not in presence, Red clouds limping through my comfort, keeping me safe far far off, in its tempered perfection. Writing my fiction, one word at time, biting into my rotten ear, cracked surfaces of sugar lined castle spires pointing downwards, In the paradox named perception. Release! Stretched out in our isolation. yet I'm alone, becoming longer, wandering, raiding into an artificial night Where no time appears to pass. Encroaching on the expectation. for food, be it wanted or difficult, for lips, ink nor illness. The coast brings in an ease that I drink from, when dilly-dallying, along the mad irreverence of a random bed that you dream of each time you wake, each time you sleep, There is no content in your bed sheets. Spiralling in and out of information infection, Oh how? Oh how can I sleep, when I stand with my back to space? Splaying limbs as they exert the last beams of recklessness - reverting to old habits, obsession with erratics, no form and no care. Riddled with a chaotic mop head of stringed stupid. How cute. Juiced from his tender prospects, intent on separation entering use **** bored and loose Frothy white moaning flow, tenderly crushing Contingency. I avoid moving inland, for fear of peace of mind Combing the canal with the brisk jaunt of my limping legs, unsure of themselves in amidst, the warmest blanket on the coldest day. An old kingdom, founded on consumption, tradition and extraction. We keep our distance, I keep my distance. Cold water minces around my feet. Pith/Medulla. Falling to earth, beneath the sedge.
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Dec 10, 2014
Dec 10, 2014 at 2:56 PM UTC
Neolith On The 4th Floor
I find myself far gone, drifting alongside the beach of some nubian kingdom A sharp inhale of starlight and cutting holes of awe, she's there for me. but, Not in presence, Red clouds limping through my comfort, keeping me safe far far off, in its tempered perfection. Writing my fiction, one word at time, biting into my rotten ear, cracked surfaces of sugar lined castle spires pointing downwards, In the paradox named perception. Release! Stretched out in our isolation. yet I'm alone, becoming longer, wandering, raiding into an artificial night Where no time appears to pass. Encroaching on the expectation. for food, be it wanted or difficult, for lips, ink nor illness. The coast brings in an ease that I drink from, when dilly-dallying, along the mad irreverence of a random bed that you dream of each time you wake, each time you sleep, There is no content in your bed sheets. Spiralling in and out of information infection, Oh how? Oh how can I sleep, when I stand with my back to space? Splaying limbs as they exert the last beams of recklessness - reverting to old habits, obsession with erratics, no form and no care. Riddled with a chaotic mop head of stringed stupid. How cute. Juiced from his tender prospects, intent on separation entering use **** bored and loose Frothy white moaning flow, tenderly crushing Contingency. I avoid moving inland, for fear of peace of mind Combing the canal with the brisk jaunt of my limping legs, unsure of themselves in amidst, the warmest blanket on the coldest day. An old kingdom, founded on consumption, tradition and extraction. We keep our distance, I keep my distance. Cold water minces around my feet. Pith/Medulla. Falling to earth, beneath the sedge.
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67
When I want to write And the words are churlish and Sluggishly slow in coming - And even when they come They linger at the door-frame And rub their soft cheeks Against the painted grain - I read in a special voice. Sometimes it's the voice Of my English teacher from Junior class. We didn't get along, But not a word passed her Lips that wasn't as gilded and Mellifluous as edible gold-leaf On a chocolate-chili sundae. Or the voice belongs to Rives, who plucks meaning Out of words like candy Out of an Easter egg. He savors every syllable Like it's an annual treat And lines them up neatly In his throat like some kind Of spoken-word songbird, But the things I write are Least likely to be read aloud By Rives and my English teacher. (And reading in their voices Seems too proud.) So I pen The last of the stragglers down And clear the alien voices out Of my own (often sore) throat. I enjoy my words, wallow in Phrases, and praise lines of Alliteration about as often as A soldier runs past shelter Helter-skelter and takes his Chances with unfriendly crosshairs. My voice quavers, quivers, shakes, And shivers when I read my work. I find every letter and line And nuance absurd, but I keep myself in check. Editing is A controlled demolition of Punctuation and capitalization; Sometimes the "submit" Button is hard to hit after Splaying one more page of Myself into crisp computer print. But I breathe and repeat The words that are lodged Under my ribcage like a Stray bullet: "You are not Superlative; you are not Fantastic; you will not be Famous; you will not be Any better for a long time And even then you may be Terrible, unbearable, and Infinitesimal, But everyone is." click
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Dec 28, 2010
Dec 28, 2010 at 10:04 PM UTC
Heavy Editing
When I want to write And the words are churlish and Sluggishly slow in coming - And even when they come They linger at the door-frame And rub their soft cheeks Against the painted grain - I read in a special voice. Sometimes it's the voice Of my English teacher from Junior class. We didn't get along, But not a word passed her Lips that wasn't as gilded and Mellifluous as edible gold-leaf On a chocolate-chili sundae. Or the voice belongs to Rives, who plucks meaning Out of words like candy Out of an Easter egg. He savors every syllable Like it's an annual treat And lines them up neatly In his throat like some kind Of spoken-word songbird, But the things I write are Least likely to be read aloud By Rives and my English teacher. (And reading in their voices Seems too proud.) So I pen The last of the stragglers down And clear the alien voices out Of my own (often sore) throat. I enjoy my words, wallow in Phrases, and praise lines of Alliteration about as often as A soldier runs past shelter Helter-skelter and takes his Chances with unfriendly crosshairs. My voice quavers, quivers, shakes, And shivers when I read my work. I find every letter and line And nuance absurd, but I keep myself in check. Editing is A controlled demolition of Punctuation and capitalization; Sometimes the "submit" Button is hard to hit after Splaying one more page of Myself into crisp computer print. But I breathe and repeat The words that are lodged Under my ribcage like a Stray bullet: "You are not Superlative; you are not Fantastic; you will not be Famous; you will not be Any better for a long time And even then you may be Terrible, unbearable, and Infinitesimal, But everyone is." click
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62
Your embrace, like being pressed against a fridge door Painful, but I couldn't rub the pain in public, but endure it as I walked away through the silent quad Your goofy smile as I gave you your birthday present last year when there was that heat And when I touched your heart like your mother once did and you tried to hide, but couldn't resist You are coming Looming large Coming yes, with your newest girlfriend They come and go and come again, swirling around you backs arched, hands splaying as they reveal their inner thoughts to your rapt attention, cross their legs, uncross them, flip their estrogen hair, your little subordinate girlfriends What pleasures you could have if only... You come to judge me, with your eyes and hers. Your eyes I used to watch, but now you avert most times You must maintain your detachment and judge me and converse about me with her, as you "mentor" her Meld with her. It must be a palpable connection between your center and hers. Teach her how to think like you, feel you, be a part of you Let her accept you into her And me, up there, trying to impress both of you to keep my job to save my apartment, my unpaid bills, my cats my dented car, my anti-depressant pills, my life sans trifles, but deep and thoroughly lived I am a slave dancer, unclothed and unprotected, but skilled and nothing can take that away from me, not even you As you will not look at me, only at your little electronic pad and at her, As she sees me perform for the first time and she won't have any idea that I was once in her place and you were not detached And I can only hope, that through it all, my skill will prevail And you, now detached little man That I mourn, will keep me at my job And sad as I will be to watch you watch me and feel the energy between you both, as I an experimental animal under a scientists eye As I am there, and she is next to you I still hope you stay detached and let me keep my job and I will be free forever.
0
Oct 14, 2012
Oct 14, 2012 at 10:17 PM UTC
Steel Power Over Me
Your embrace, like being pressed against a fridge door Painful, but I couldn't rub the pain in public, but endure it as I walked away through the silent quad Your goofy smile as I gave you your birthday present last year when there was that heat And when I touched your heart like your mother once did and you tried to hide, but couldn't resist You are coming Looming large Coming yes, with your newest girlfriend They come and go and come again, swirling around you backs arched, hands splaying as they reveal their inner thoughts to your rapt attention, cross their legs, uncross them, flip their estrogen hair, your little subordinate girlfriends What pleasures you could have if only... You come to judge me, with your eyes and hers. Your eyes I used to watch, but now you avert most times You must maintain your detachment and judge me and converse about me with her, as you "mentor" her Meld with her. It must be a palpable connection between your center and hers. Teach her how to think like you, feel you, be a part of you Let her accept you into her And me, up there, trying to impress both of you to keep my job to save my apartment, my unpaid bills, my cats my dented car, my anti-depressant pills, my life sans trifles, but deep and thoroughly lived I am a slave dancer, unclothed and unprotected, but skilled and nothing can take that away from me, not even you As you will not look at me, only at your little electronic pad and at her, As she sees me perform for the first time and she won't have any idea that I was once in her place and you were not detached And I can only hope, that through it all, my skill will prevail And you, now detached little man That I mourn, will keep me at my job And sad as I will be to watch you watch me and feel the energy between you both, as I an experimental animal under a scientists eye As I am there, and she is next to you I still hope you stay detached and let me keep my job and I will be free forever.
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47
Hidden giver, sighing life into fields of Wheat’s ears, rolling tide-like to meet the rusted gate of cracked through orange-ore, resting ajar, guarding the hedge line Arms out, splaying fingers I divine life here- God’s flame, burning Barakah, sacred zephyr warming  fingers, frosted with tired life help them loosen and live bright
0
May 6, 2021
May 6, 2021 at 5:11 PM UTC
Wheat
in the part of the cool hill's soft thighs trembles the callous shaft of dawn penetrating the ephemeral violence of the stabbing rods of arbor scent damply the night mare goes galloping whinny little sins of star caresses but none are so shy and sly as the eye clasped hollow in the stench of (and also the slender flowers smirk at the blossoms young flesh broken by the light song) Morpheus' guileless laughter as shattered the disheveled clubs swing ransoms of heart lips between the twain of the enchanted leaves there rests a silver bit of girl so blisteringly beautiful blushes all the world for holding this trembling aperture of onyx plait holding femininity so electric is the artifice of her glimmering chastity, swore the sun it would never shine on any other thing so savagely its shivering skin of golden pleasure as this her (but just so the moon loved her too as passionate as any other lover ever imagined or material. spitting delicate strands of shimmer upon the golden-brown skein of her shoulders) she woke startled by the amorous dome crinkling on the perfection of her lithe sensual frame. stupidly the ideal birds sang, trying to match the elegance of her narrow waist; but failed hideously drowning the silence in virulent soundless noise. then brimmed every god to the lip of everything to peer upon this unbearable visage and dither in the perfection of its curves. suddenly the Rose blistered from the soil and came wetly a residue of crimson from its supple petals mounting the vision of her absolute eyes. splaying the gentle hips of sight to receive the splendor of its thorned stem into her hand and ***** the silk of her hands slowly releasing a jewel of life all this witnessed by the cloistered huddles of gossamer children. hideously perfect men wantonly begging for the grace of her sensual pond. beckon they, to them, her but she refuseth and make for the realm of Hades. quietly, in death, waiting for some heat to unfreeze the skin of her blue heart frozen still darkness.
0
Jun 27, 2010
Jun 27, 2010 at 6:51 PM UTC
XIII
in the part of the cool hill's soft thighs trembles the callous shaft of dawn penetrating the ephemeral violence of the stabbing rods of arbor scent damply the night mare goes galloping whinny little sins of star caresses but none are so shy and sly as the eye clasped hollow in the stench of (and also the slender flowers smirk at the blossoms young flesh broken by the light song) Morpheus' guileless laughter as shattered the disheveled clubs swing ransoms of heart lips between the twain of the enchanted leaves there rests a silver bit of girl so blisteringly beautiful blushes all the world for holding this trembling aperture of onyx plait holding femininity so electric is the artifice of her glimmering chastity, swore the sun it would never shine on any other thing so savagely its shivering skin of golden pleasure as this her (but just so the moon loved her too as passionate as any other lover ever imagined or material. spitting delicate strands of shimmer upon the golden-brown skein of her shoulders) she woke startled by the amorous dome crinkling on the perfection of her lithe sensual frame. stupidly the ideal birds sang, trying to match the elegance of her narrow waist; but failed hideously drowning the silence in virulent soundless noise. then brimmed every god to the lip of everything to peer upon this unbearable visage and dither in the perfection of its curves. suddenly the Rose blistered from the soil and came wetly a residue of crimson from its supple petals mounting the vision of her absolute eyes. splaying the gentle hips of sight to receive the splendor of its thorned stem into her hand and ***** the silk of her hands slowly releasing a jewel of life all this witnessed by the cloistered huddles of gossamer children. hideously perfect men wantonly begging for the grace of her sensual pond. beckon they, to them, her but she refuseth and make for the realm of Hades. quietly, in death, waiting for some heat to unfreeze the skin of her blue heart frozen still darkness.
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50
with certain jesting apprehension i entertain her moist ***** darting elocutions she's splaying candidly 'pon ever witless grunting foul vocular aberration outside the roaring box of wet tinder 's a window slapping manacle of steely girth. the sky's tongue folds straightening air into the fat oblong of the sea particularly as probably i'm listening listlessly to grand nothings plopping gently from loose teeth grinding small headed sally i'd could hardly say i care
0
Dec 9, 2010
Dec 9, 2010 at 11:16 AM UTC
with certain jesting apprehension
Razor-sharp fingernails scrape layers of flesh from eyelids Splaying them eternally open Can't unsee what's been seen Can't unhear the sounds Or unsmell the odor that rots in nostrils, infecting every rose There's no stopping when they all stink the same Can't undo, can't undo Safety in bile where nightmares are birthed in reality, In places that fester like the remnants of the lids that blinded Bleach doesn't clean untruths Fire doesn't  burn hot enough to mask pain Blisters seem like hope Hope to heal Hope to resemble something familiar Peeling skin back with teeth Wishing for them to bleed When scalding tubfulls try to cleanse the grime that sludges through a broken mind Attached to a heart mindlessly lashed in the shame of Love
0
Oct 14, 2014
Oct 14, 2014 at 1:35 PM UTC
Unbowdlerized (beware)
fruit tastes better forbidden i can't stop myself i'm breaking all these promises like a ******* animal i'm writhing squirming a seizure of ***** pleasure torment! demons dance around my head like flower girls splaying the ground with sin i'm a ******* animal thoughts pulsing a constant state of primal ****** controlling me like a leash dangling meat in front of my face somebody purge me exorcize me from this and distill the evil and cast the black water into the sea i beg for my catharsis
0
May 6, 2014
May 6, 2014 at 9:47 AM UTC
animal