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calion Dec 2013
bravery is not just going into war or running into a burning building.
bravery is also standing on a stage.
or giving up your sharps.
or eating in front of people.
or singing.
bravery has many different forms.
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
Marian Oct 2012
I come from haunts of coot and hern;
I make a sudden sally;
I sparkle out among the fern
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorps, a little town,
And half a hundred bridges.

At last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I chatter over stony ways
In sharps and trebles;
I bubble into eddying bay;
I babble on the pebbles.

I chatter, chatter as I flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I wind about, and in and out,
With here a blossom sailing,
And here and there a ***** trout,
And here and there a grayling.

And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,

And draw them all along, and flow
To joing the brimming river;
For men may come and men may go,
But I go on forever.

I steal by lawns and grassy plots;
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.

I slip, I slide, I gloom, I glance
Among my skimming swallows;
I make the netted sunbeams dance
Against my sandy shallows.

I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;

And out again I curve and flow
To join the brimming river;
For men may come and men may go,
But I go on forever.

 **~Alfred Tennyson 1809-1892~
LET Dec 2013
I've been listening to the same album for the past 3 days
and it never gets old
It's directly linked to my living and
my life in this **** moment
I like the way the sharps and flats
clash with the pure melody
it creates this sort of structured chaos but it also makes me feel insanely in control of myself
and not so far off
and more and more tense with happiness
it's ****** up but it's a beautiful
piece of work
thanks
'O babbling brook,' says Edmund in his rhyme,
'Whence come you?' and the brook, why not? replies.

    I come from haunts of coot and hern,
    I make a sudden sally,
    And sparkle out among the fern,
    To bicker down a valley.

    By thirty hills I hurry down,
    Or slip between the ridges,
    By twenty thorps, a little town,
    And half a hundred bridges.

    Till last by Philip's farm I flow
    To join the brimming river,
    For men may come and men may go,
    But I go on for ever.

'Poor lad, he died at Florence, quite worn out,
Travelling to Naples. There is Darnley bridge,
It has more ivy; there the river; and there
Stands Philip's farm where brook and river meet.

    I chatter over stony ways,
    In little sharps and trebles,
    I bubble into eddying bays,
    I babble on the pebbles.

    With many a curve my banks I fret
    By many a field and fallow,
    And many a fairy foreland set
    With willow-**** and mallow.

    I chatter, chatter, as I flow
    To join the brimming river,
    For men may come and men may go,
    But I go on for ever.

'But Philip chatter'd more than brook or bird;
Old Philip; all about the fields you caught
His weary daylong chirping, like the dry
High-elbow'd grigs that leap in summer grass. [grig = cricket - m.]

    I wind about, and in and out,
    With here a blossom sailing,
    And here and there a ***** trout,
    And here and there a grayling,

    And here and there a foamy flake
    Upon me, as I travel
    With many a silvery waterbreak
    Above the golden gravel,

    And draw them all along, and flow
    To join the brimming river,
    For men may come and men may go,
    But I go on for ever.
calion Apr 2014
step one: find someone with the correct qualifications. make sure he has taken the correct courses and has credentials.
step two: if your lawyer has a double major in medicine, run away.
step three: he is a person, not a house. do not treat him as such. don’t begin to use his bones as beams and his heart as a generator.
step four: you are a person, and just because you have legal issues doesn’t take away from that statement. you are a person, not a project. make sure your lawyer realizes this too.
step five: if he tries to fix you, run away. go back to step one and pay extra attention to step two.
step six: doctors are bad news. stay away from them at all costs, even if they are a good lawyer too.
step seven: don’t try to fix him either, even if he needs the help. he needs the help, but he’ll never actually accept it.
step eight: he’s just a boy. not an angel, not a superhero, not a saviour, not a lawyer, not a doctor, not a repairman.
step nine: he is not a song. don’t make him a song. he is not a song. don’t compare him to “broken crown” by mumford and sons or “ice” by lights.
step ten: if you need legal advice, a professional works but ultimately a convicted girl is the best advice.
step eleven: whatever you do, don’t hurt him because you’re afraid of being hurt.
step twelve: don’t give him your sharps. save yourself. you don’t need him.
step thirteen: don’t **** yourself because he doesn’t care.
step fourteen: he cares.
Grace Apr 2017
The soft rustle of pages consume me,
all that I can hear,
small sharps whispers,
passed along from ear to ear.

Then silence,
eerie and quiet,
Shelves collecting dust and must,
causing not one riot.

no one can disturb me here,
now and forever more,
my quiet little sanctuary,
the place that I adore.
Alyssa Apr 2014
Never have I wanted to use your body like a piano until now,
play it vigorously until it breaks.
I don't know many chords
but the effort could be beautiful.
I could become devoted to your keys,
your sounds,
the difference between your sharps and flats.
I've learned to take pride in simplicity,
like three notes coming together to sing your moan.
Was it the right keys or an accident?
I've heard symphonies made out of you,
but i am still unaware of how to make you play for me.
My hands aren't big enough to play you properly,
there is always one key missing.
No matter how carefully i play,
I find it difficult to produce the same melody twice.
You were never meant to be replayed.
Instead, you are captured in one vast fleeting moment
praying to be heard by the ears of the restless
in hopes of making them complete once more.
But how can you yearn for the wholeness of others
if you will not fill me up first.
I long to fill this room with your music,
I want to hear you just one last time.
For a very racey title this was actually constructed by listening to beethovens moonlight sonata
B E Cults Aug 2021
watch me as I burn
this candle I've been
balancing on my nose
all night.

call it finesse.

ive been left in the rain,
my "separate" is praying
for rain and a good harvest.

darkness creeps under your
your bedroom door,
reaching for you,
reaching for youth.

I lost that last life.
just saying.
Jessie Jul 2013
I feel the tendrils creeping in
Wrapping around my core, my neck
The muscles slowly strengthen, suffocating me
Making my calls so muted they’re virtually nonexistent.
I’m shouting though I can’t breathe,
But no one can hear my screams from the
Deep, dark trenches of the shadowy sea
As unbeknownst creatures emerge,
Leaving their places of sweet asylum
And intruding upon mine,
Yet, I still am stranded here in this place.
I don’t even know where I am,
But the voices of fear and insecurity in my mind,
Tell me what I need to do - when, why, how -
Steadily I hear a crescendo of a piano some distance away,
So far, almost on the outskirts of the complex town inside my mind,
Though I discover the music is waiting just around the bend.
A flats, F sharps – getting louder, louder!
“Stop!” I am screaming now
Or at least I think that’s me.
But the music blocks out my voice
That tender little voice of mine.
Suddenly, as I see a blonde-haired head pop up,
I lose my balance, and I begin to fall
Deep into an abyss, a magical abyss
With walls that close in more and more the farther I drop.
As the yellow light above me slowly dims,
I expect a rope, a ladder, anything,
But there is no one there to save me.
I realize the opening I see is a barrel,
And I am staring directly into its wide-eyed face.
A click tells me that the trigger is ready,
As the melody overtakes me and
I am caught in a whirlwind of music.
Spinning, spinning, everything going round and round
All I can see is the darkness behind my eyelids.
So I cry out loud yet again
But no one comes to my side,
Which doesn’t matter, I guess –
I don’t want my skin to be a bulletproof sheath,
Protecting and preserving my unyielding wall.
I want the demons to infiltrate my soul and strip me of this agony
So that I can finally smile amidst the ocean’s fury
As the tornado destroys my mind
And the tendrils of the music pull me in.
Ash Jul 2018
It's not just the piano notes
It's not's its sharps or should I say it's flats
It's not the music sheet
It's obviously not my E major voice
Neither is it how well our voices blend
When the concertmaster says start to
Lady Antebellum - Need You Now

It's not just the Violins
G3, D4, A4, and E5 soothing notes
That keep us playing even when the rest stop
It's not our audiation that keeps as late
Into the night writing,meditating,singing
Laughing at each others crazy lines.
Or your masculine tattooed arms, Strumming the guitar
Neither is it your ability to manipulate your voice to both
Tenor and a Countertenor,so that when the concertmaster says start
To Michael Bolton - When a Man Loves a Woman
It feels like heaven has just opened its doors.

It's not how high I can hit the yala leyo notes
Neither is it my ability manipulate my emotions
So that when the concertmaster says to me Start To
Loren Allred - Never Enough
I give the crowd both my voice and my emotion

It's the memories the two of us make
That lead up to this moment
When the concertmaster says Start
The memories trickle in
The laughs,the anxieties,the fun,the fights
Even the shared pizzas and movie nights
That are all joined with the one thing that we share
Our passion for music,it's culture and giving it life
It's beauty and how freeing and liberating it's words can be
Things we both want to say but really can't
So we use the most basic language we both get
Music
Little sparrows show off their agility,
dancing up and down violin necks.
Pecking staccato notes out of the air.
Making tea and dropping ceramics
behaving clumsily and babbling nonsense
even after they've been told
sit down and be quiet.

Imitation ducks sit squat,
quiet, muddy, decoying
singing water stains,
spitting curses from their bills.
Pulling bed sheets up to their chins,
nesting between the covers.
Very anonymous in their colours,
not a deviation among them.

Cold wax and dry glue
flake off creases and folds.
These lovely imitations,
cuckoo plaster cast knuckles
snowflaking to the ground,
useless with fine motor skills.
Peeling off like dead leaves,
parasitic nest components.

All my fingernails are different lengths,
evolving finches’ beaks
on isolated islands
With scratches on the vinyl of my thumb,
sand beneath my cuticles,
scrapbooks between my fingerprints.
Piano keys team up in groups of two,
sharing sharps and flats.


Filed and polished,
pink budgies dispose of portfolios apathetically,
slamming filing cabinets shut.
Cuttle bones rattling,
mirrors cracking.
Irritable thighs complaining,
they hunker with bad posture,
frowning on their perch.
Squat salient warbles
clamoring sharply down corridors
over whistling loudspeakers.

Poster orioles elbow aside crowds,
bright bones flashing
neon signs
keratin streaked or spotted
for biological attention.
Weaponry painted exciting colours,
friendly hues and enthusiastic tints.
Lies dressed in curiosity,
attracting intrigue.

My heron neck in the air
searches for information,
explanation, observation.
Greedy for projections,
living in the tree tops,
reflected in shop windows,
my skinny anisodactyl talons
for walking on mud,
wading through marsh,
boggy water.

My hands are geese
jabbering back and forth
across my chest.
its very distracting
to have these conversations
going on between palms,
arguing the best way to fold paper cranes,
whether chocolate pudding
should be stirred clockwise or counter.

Take a gander at the world you don't touch because your fingers are too flightly
harlon rivers Sep 2016
The Violin’s azure strings wept softly,
from inside of a mind made cell;
musical echoes lamenting,
a poignant abyss too vast to fill
each and all silenced reverie,
leaving the philosopher’s stone
                                          unthrown

Blue guitar minor chord changes,
bent notes phrasing sharps and flats;
memories ―      gently weeping confirmation
as a repressed flow of soul
pensively leaks out

The spirit's currents eddy
suffused within written verve;
silently purging the soul's fountains ―

                                    musical rivulets swell
                                     quietly overflowing
                              an alchemist’s soul unfurled
...


        © harlon rivers ... all rights reserved
September sojourn ...9/15/2016
... journal entry: an unexpected perfect storm, casting ashes into the ocean
& bluebirds

A musician with a wounded wing ...
trying to find the strength to fly.  
Nothing fills the chasm left behind
when we lose an invisible,
indivisible, irreplaceable thread
that binds the tapestry of our lives...

http://hellopoetry.com/poem/1750888/a-lonely-bird-without-a-song/
...you never know what you've got until it's gone.

https://youtu.be/I5raMzavYgE
Amos Lee - "Violin"
Jo Tomso Sep 2016
You sit at the table with your blue and yellow crayons
Quietly coloring tigers and waving the fingers of your left hand.

You proudly show your decorated notebook; the one you alone created.
Safety plans, behavior charts, conflict resolution, and coping.

You're asked if you understand rules and regulation,
The look on your face as you color a second tiger purple, tells me different.

Searches coming and searches going looking for sharps.
Supervision daily, hourly, minute by minute
How then, can this be self-harm?

You sit in the van with your ninja turtles backpack
Quietly whispering, repeating, comforting words.

You proudly show your decorated notebook; the one you alone created.
Tigers, elephants, horses, cars, houses, and nostalgia faces.

You're asked if you understand stability and foster families,
The look on your face as you chew on your shirt, tells me different.

Days gone and months in this new place
You are doing so well, so great
Bedroom upstairs in the corner
All your favorite things have their space
Tell me one thing gained here?

Saturday Morning
Pancakes
Sprinkles, and
Maple Syrup.

© Jo Tomso
Working with children who have Autism and navigating the system along side them. Everyone you meet M, you melt their hearts and bring them joy.
A L Davies Feb 2012
GERONIMO wherefore
are thou now?
what scaffold have you fallen
                                                       from & stared
w/milk-pale eyes
                                 at Reverend Cacey
(who stands murmuring   ,  
                     4
pound golden crucifix in out
stretched hands ? )

(the world is very scared
o
  f
     you..)

(why else would
                               ol' blood   hound
Joe Horn
                  be  put  on  yr  trail  ? )
                                                               raise thy sharps rifle 'bove yr head & eat out
                                                                ­                                                          
                                                                                                                    th'sun !!

                 (i declare you are a mountain poet.)
gonna add this (after small revisions) to a larger work in progress but i wanted to toss it up for now regardless.
oh, the sun is burning hot
as the waves rise up off of the black top
forming the familiar distortion
distinctly laced with humidity.

the young man marches, toes exposed
with flip-flops smacking down
and on the verge of melting
to the grand avenue sidewalk.

fuzzy memories like warped records
spin their sharps and flats in awkward places
and bring scent trails of teenage years:
bonfires, exhaust, lingering birdcages.

kreckel's still serves the same lemon ice cream,
but the billiards out back have been closed for a time.
quarters spent on raiden fighters rust in time
as the men muttering in the background play bumper pool.

the heat still feels the same in present summer,
and some of the same faces stay on the card.
routine and commitments are starting to build,
blurring the expressions of familiarity into fog.

the young man marches, face exposed
to the blistering light of day
as lines start to form where charm has twinkled
in the schoolyard and stagnant hallways.

years spent in sleep are pulsating
as the lull between cicadas
seems to stretch the summers south
to the screeching of metallic showcases.

he's buckled to the cracks in the concrete
that bulge upward and trip drunks after last call.
unshackled only to ride shotgun with the few
that still remember their seventh grade summers.
claws and jaws that set their song
are open, loud and do no wrong
and *** and drugs and rocks and rolls
and circumstantial dancing poles
are all of no great consequence
in the face of endless circumstance
when beggars, pleaders take their chance
to lace their shoes and start to dance

Perfect faces lie and cheat
to make their loss into defeat
a poor man's song is no one's thrill
and honest people learn to ****
the eye of love is gouged out raw
by frozen winters yet to thaw
and siren's music looses tune
in sharps and flats under the moon

So try and love me when I'm wrong
it's harder when the road is long
we're stuck inside a goldfish tank
with no one left for us to thank
so please be kind to artist's minds
and try to hard to cross our lines
between your temper and your sighs
and free the world of senseless lies

It's in the greenhouse growing ***
we're senseless with the things we've got
and honest work for honest pay
is swept away with yesterday
hide your lover in the brush
you can always look but never touch
a hard truth born from Ferris wheels
and the easy listening way you feel

So tell me when you're on your own
if love is all the same alone
and holding hands with air itself
is worth those trophies on your shelf
so miss me while I'm gone, my friend
this deal was always meant to end
think me pretty, tarnished gold.
It's easier.
Or so I'm told.
The gentle breeze of the light melody

Frolicking in my ears

Dancing and laughing as it sways its path into my subconscious

Whole notes stretch out and lay their long bodies

Beside me on the fields

As sticottos run and play in the tall grass.

Half notes brush by

Moving the vibrant flowers into their own beat.

The sharps laugh

as they swing the quarter notes high into the vast sky

Flats let out a chuckle as they push the melody

down the gleaming silver slide.

Music entrances me in their fantasy

Weaving their dreams

Into the very life around them.
Anna Wood Nov 2012
Chaos
The buzz of constant sound
Heavy percussion beating, beating
My heart that longs for you

The music of my love grows;
Crescendos, at the mere grace of you
Every chord is consonant, never dissonant
As is the good character of your person

Love, like music, is never perfect
It's full of too many sharps and flats
Accidentals. Accidents. Mistakes.
But sound pleasant to the unknowing ear

These mistakes are what make us unique
Different from anything composed before it
For isn't that what love truly is?
A perfect melody only we can share
Liv Aug 2014
It's not just notes.
It's the pain in the low notes
And happiness in the high
It's the way people take their pain and sadness and sorrows and push them all out through the notes of a song
It's the anger in the sharps
It's the finally cadenza
It's not just notes
It's how you express them and make them you
Music is just a very special thing. It can express what the heart is dying to say yet the brain cannot tell the mouth to form. It speaks of things you can't even begin to start to tell. Don't let it go. Never let it go.
Paloma Aug 2011
Scars up and down my arms
memories of the pain
come flashing back

like a whirlwind
of nightmares haunting
my dreams

the sharps screams
of agony and pain

so vividly playing back
like a camera capturing lies

the black abyss
at where you lie
for all eternity

like the death
that is slowly creeping in
Tarryn Oct 2012
Over my dead body
She brushed the grit and grime
From her swollen hands

You're a lost cause little lonely boy
You ain't got nothing
If you got nothing left to lose
Nothing
If got nothing left to prove
If you're all out of moves
You're just a lonely boy
A lonely boy crying wolf

I've played with them
Them weary wolves
They'll sink those sharps in it
Get up on it
Pack of howls they are
No beatin
Wise as owls they are
Comes to eatin

So over my dead body
Little lonely boy
You play with bees you get stung
You play with them wolves
You wont dry out
You'll be strung up and hung
Alin Jan 2015
Sandwiched through
two cloudy loaves
made of breath
I observe
the purest of blue

one nudges a sharp line
gently from below

draws her dream silhouette
an imaginary residue of slopes


she
the one who allows me
to miss you now
when I am away from mystery
and because I am mystery
lives in there
uninterrupted as a dot
where planes cross
to create dashes
same color as the mare’s tail

the one above on the contrary
is as unpredictable as
the contours of the flowers in cotton fields
where you would be the breeze
to jolt the atmospheric

as the indigotic immerses languidly
she gets bluer than the blue untouched
thinning
at the end of the suggested tail
deeper and fiercer so as not to disappear
but leaves an echo
of its trail
in your mind

soon that will also be shut
the port to and of another realm

the whitening molds subtly the shapeless
pales the light to an analogous fluid
all sharps – lines – flowers - fields melt
into an underwater blurring sea life
where creatures are so small or just hide
not from us but from contrasts

slowly darkening  we forget
about ourselves and the girl’s dream fades
she forgets

the you and I  
becomes tuningly unimportant
we know so well now
it is not for us
illusions of light
of reflections
are just about
other worlds far aways
while
night falls
along the earth’s curve
David Nelson Jan 2015
Point of No Return

all in or all out
make a decision
is this what you want
or only
what you thought you wanted
it looked so shinny from over there
but now, up close
there appears to be tarnish
funny how that works out
all too often

they were the cool boys
or so I thought
they snapped their fingers
to the tunes of the blues
but now
they appear rather ugly
hypocritical
the music no longer has melody
too many sharps
too many flats
did I fall asleep
and awaken
back in high school?

They were wolves
in sheep clothing
not what they pretended to be
not friends
imposters
narrow minded
imposters
all in or all out
the point of no return

Gomer LePoet...
now you see it up close - the truth is not what was expected
ZN
NZ
lightning strikes
but once never
again
shall not the rod
conduct the heat
and weld us both
transfixed
in light
immortality
seconds per volt per death
a pain
releasing
joy to the wind itself
throwing up shade
on the universe
unified with the skylark
ground to the hedges
hogged by Z
N by 3
south by northwest
too true
to hold calimity
cola
amity
CALAMITY JANE!
sharps rife
with ills
shot down by the freedom
to lie
to marry never
and die twice
once every day
and
then at 87
said promised
oriental accidents
of falling loads
to those who claim others
are ant
hinge
thing but WHYS
whi
wi
why?
we no
death
immortal technique
Boaz Priestly Mar 2018
There is a steady drip of blood running down your chin onto the floor, crouched in front of the open fridge like an animal. The single light from inside the big white box illuminates your hunched back, plays over each and every vertebrae that pokes out of the skin. Too thin. Too much. So cold and alone in this kitchen, fistful of raw hamburger meat to keep that snarling beast under wraps. Your lover slumbers in the next room. So afraid of waking them when your skeleton twists into a new shape, this new form replacing the fertile blood that comes each month. Raw meat warmed up by sweaty palms, a sort of DIY choke-chain, holding back the sharp teeth and terrible snarl. Scrabbling claws to go with an empty womb that will remain forever barren. You are okay with this, preferring the purge of smaller animals from a human stomach than losing so much life-blood that your body counters with anemia. Your lover knows about this, sometimes rubs your back through the worst of it, runs gentle fingers through your sweat and dirt clogged hair. It is okay, this new normal, this exchange of one pain for another. An emptiness that will never be filled, and twin scars of puckered pink. Meat to mouth, lips pulling back to allow for sharper, longer teeth. There is a steady drip of blood running down your chin onto the floor, this you will sop up later with sponges and the promise of a warm bed where the person that loves you as a man and as a beast will open their arms and tell you to come back to bed.
From the physiognomy that bruises the vertical from Gaul; axiomatic metempsychosis elements were transferred from corporate primaries to third parties after the incipient expiration of Vernarth. This orphistic or mystical enchantment was brought by Wontelimar from Valdaine, emerging from insane drunkenness on the Ardeche Mountains, transmigrating euphony and medical justifications that were united with the reincarnated Helminth reminiscent of Vernarth. Such was a verme or worm that classified itself in his arm, munching in his elder veins elongated by parasites of commendable colonies and idiomatic, retro-emotional, and lyrical heights. Knowing that its baluster made capital letters in steps and life-giving questions by means of beads, and the oratic chain of Luccica's godmother that awakened in him translating expirative and presumptive psychophysical Zionisms of the eloquent millionth perspectivism of re-trance, when his putrid upright arm was recorded. and landing in his Abrahamic physical departure, dissociating his body, separating and alternating with his dexterous spiral Aorion tri-bracelet between the arm of Sagittarius and the arm of Perseus, liquefying into indissoluble modular stratagems for three bodies, plus the one that accompanied occupying triplets in posthumous individualities. Unconscious metempsychosis singularities brought the right-arm picking him up several times from the discursive hive of Wonthelimar, to convince him and tell him that he had not been with the Hexagonal Progeny for some time, without hindrance it brought him from Ardeche in lasting and concerting sets, gray senses looking at the valleys of Valdaine in pilgrimages towards the expectant Patmian plains. His expiration was reborn from the appendages of the water lilies that were grasped by the recessed lumbar powers and were trans-mentalized into related memories that subsist reincarnationist and degressive in plausive longing when re-advancing with revived intelligence, to indoctrinate themselves when raised from an emetic absolutist consciousness, and free from the greatest breaths of judgment is constant waste and reciprocity on shelves that started from an initial discipline already transmigrated, on skinned ardors eroding from astral ellipses in decayed individualities expiring in the Ego-Xifos (Ego-Sharps), that transpose the gorges that even through Hellenic geography that has not been shed by the blood of a Hetairoi.

Wonthelimar says: “hold on to my lazy arm and embrace Lazarus and his decayed fierceness! in different bodies I have seen your blood hang itself on banners with different super-life monarchies, in the germs of the Valdaine valley avoiding their retreat into fatuous materials that vilified the acrotera of your descended Megaron. Remarking on the genetic tricuspid, and emanating lineages of surviving to invigorate in the dexterous appendage of Aorion, which has to wail from the armpit of Betelgeuse with insensitive patches that mock to see him bleed for more than two thousand years without coagulating in possible anarchies more than nothing, before speculating from where the meager blindness of compassionate triple restraints has germinated, like a split Psychí or soul three times before predicting about the valleys and a castle, in infamous beatifies that do not bleed with me…, Wonthelimar ”. It is possible that they have sublimated us from the apathetic and brief radiance...?, Only in some moor or headland before tearing us from the banners or Vexillum of the inaugural that stuffs its already subsisted vehemence in spaces that are already acroteral, resting on peduncles in floral capitulars. And the immobile ones mold the support pustules…, the sap that runs horribly towards you and behind you! Incontinent to your dehydrated past lives redeeming subsistence and rubbing it, then excluding themselves healed properly from their wounds settled in muddy dreams of reviving them expired. Resulting from its origins from the Mysterium or Musterium as an enclave exacerbated in civil disproportions that were established since the Neolithic, without having sealed the doors of all the species that were trapped in the mysterious ice ages, based on ritualistic doctrines, through eager entities to obstruct lapses in the open air of the Spilaion Apokalypseo, having to be returned in possession of physiognomies and of all the enclosed species of the Neolithic Age ”. The bumblebees loaded with spherical honey in their legs, flew by the assembly of the warriors, crops, pastoral assemblages, and sharp stones that cut the wind that disturb the infants who fear the night sleep in the rough quarries that made them sedentary of venerable thermoregulated and climatic seats. Making of them and us revolutionary discoveries, for the interconnection of cooled flints in forests of Memento or Vademecun, to be erected on the megalithic plains, from where I come, rolling like a circular stone that moves the rocks of the World away from a near east, making some timorous and Asian oratics, I was able to get close to you Vernarth, who since the Neolithic I appear following you without giving up in the horticultural and in bovine frights. In this way, the water lilies and peduncles cordoned off the semoviente, full of thrones to conquer them, almost after having lost the calculations of the plasma that were being innovated from a Hetairoi by being reformulated from its incendiary essence, with such spasm being pardoned in the orbits of those who it the sustain themselves and wait for them bringing elaborate anonymous spare parts. Thus Wonthelimar spreads Greek fire over his golden breastplate, entering his transmigrated soul there, as fiduciaries of naphtha, sulfur, and ammonia in treats of previous and speculated oxygenated suitability that was transmitted in suffocating atmospheres by his deltoid when he detonated hatred in his eyelids.. His ***** inhibited signs of fear and hissing of freedom in fields of glory from a mythologized go diving between desolate flames of excretion, and throwing fuel that was not conceived of the same troubadour in the final redemption. (Among waters, minerals and ureas from the Hephaestus braze where dead proteins of cell warheads were stained, nitrogenizing acids that were from the common verb of Wonthelimar) ”.

The double V merged and intertwined forming an inverted double V, being the metric bulbar of Wonthelimar raising awareness of the upper and lower Vernarthian blocks, night falling towards a density of the same that moved raised on the north deck of the Eurydice ship, while everyone slept in the understand the "V" residing and originating from the annihilating biological duo of the immemorial of Vernarth and the Bumodos river, contemplating the suggestive salvage of sap after overcoming lymphomas in the battle of Gaugamela. Wonthelimar in tender loves misrepresented what he would achieve with his ****** healings next to the bold tributary, leaving in the vanguard and in starts from all the gigs that had condemned to Halicarnassus to be truncated next to infallible Canephores in disgrace to their executioners, branching all the branches of holm oaks of the articular of Wonthelimar that had been sheltering from the head, girdling itself in old debt collector and of souls in pain on the sleeping Nyons. The carriage perennially transshipped hesitant and unconscious individuals that the Falangists invited them to order, and spend the night shining in their Xifos in the bow with the inverted "V" to open up to the abundant exciting sea and find it in some Eden, being assembled in the primary kicks of an anonymous withdrawn, among all the cattle cooked with herbs that did not manage to sprout between one and the other.

The brawl is the symbiosis of the Megaron that exhibited the “M” united with the two inverted “Vs”, conceptualizing in Wonthelimar the vigil of early properties and phobias fragmenting in numerous odes in Thessaly, which were already re-agglutinating attracted from a patriarchal image from Hellas, under the pretext of Hellenistic consummations as a vocational institute race in primitives of Alexandrina Magnus, derived a few nautical miles to approach Patmos. The ship sailed across the sea, pre-conceptualizing the very universal being that revived in the Tracontero, looming out of all the waters like a nubile breaker that spoke to each other with words from Mageireméno Kefáli Votánon, "head cooked with herbs." Speaking in primitive alternate erudition and in tidal waves with more than twelve meters of territorial Argonauts making similar corvettes as the Gulf of Tarnetino, possessing distant and comparative sixty miles of the base that colonized Wonthelimar for new sources when encrypting in the Megaron. They persevere, captaining the Immature Polis that would be documented in Patmos, and in the town councils of the assemblage with ****** ceased battles, climbing towards a great cogitation height of the Megaron temple and the Theater of the Epidaurus, under the three darkness of the lilies bordering the Spilaion Apokalypseos.

In the hemicycle Theater of the Epidaurus, the stars worked for the nations of Asclepius together with Wonthelimar, thus healing emigrated musical sessions in palmistry and Parapsychology, where burdensome marks of interveners expectorated in vast impellers on the Koilones and in their softened and purged bleachers, from where each one was shouting towards all the winds and the advent of all the auditoriums absent by past and future generations, cheering lives in salvific voices, for those who cheer them with additional sheltered and attentive spectators from ultra-semicircular bleachers, not being on stage, better absent more than the actors of a drama to stay alive when they prowled towards the Diazoma, or corridor where all the spectators suffered from the same ordeal of Vernath's right arm and pectoral in decreasing lymphomas, in a greater capacity of incentive and saving grace. After this incident, Wonthelimar became a cause and effect of the Vernarth saga, but of transmigrated formality for the purpose of corresponding survival and of cellular restitution of what had died in him..., thus, everything would begin to be reborn towards a prop in a double aspect. The former commanders who were once his faithful servants would appear before this affront, to antagonize him and make him desist from joining as a Proceriato and Gigantum Form of the heroes of Gaugamela on Patmos.
Wonthelimar
I don't slam well on love
It slams on me
A drumming thrumming arrhythmia
Ba-bump ba-bump ba--- bump-ba-bump
A little loss here is a little gain there
Only, it doesn't work that way
My stopwatch heart hiccups then echoes
Like odd flats and sharps
Seemingly out of place among the expected
A beat that needs to be acquired over several listenings
Like a new food that needs to be tasted up to 12 times
Before you can truly decide if you like it.
It take more than 3 licks and a bite to get to my center
One, two three, you're not for me
Four, five, six, a few more licks
Seven, eight, nine, out to dine
Ten, eleven, twelve, you can delve
And yet... Here it sits in my chest with its arrhythmia
Patiently waiting for that defibrillating current
That shock that will set it right
Or perhaps it's never meant to be that way
Perhaps, perhaps, perhaps
It's perfect in it's imperfection

My heart's a stereo,
and we can dance if you want to,
because the rhythm is gonna get you,
on re-pe-pe-pe-pe-peat.
Isaac Mar 2011
Silver roses breaking hearts.
Beds with silver linings
And piles of piles.
Waiting all day in place
For a person.
Take a number,
stand in line.
You're not the first person here.
He takes up his instrument,
And plays one song.
The only song he knows.
The song of life.
Playing E sharps and B flats,
He composes as he plays.
But he's not improvising.
(He play's what's meant to be)
His song sounds different to all
Because their lifes goes to the music.
If he plays a bad chord,
You get backstabbed.
It he adds a sixth,
You lose a love.
If he plays a major,
You have a laugh.
If he plays a m7,
You fufill a dream.
But sometimes bad chords sound best.
And sometimes good chords make disharmony.
But then again,
Why do you care?
You don't decide your life,
He does.
Everyone is under his control.
Including him.
His song is powerful.
Even if he isn't.
His music is what sets him apart.
But he's just forcing you to hear his song.
You can't stop listening.
Even if you try.
He adds twists
And turns
And buckles
And cliffs
And jumps
And unrealistic explosions.
But, he doesn't know why he's even there.
He thinks,
"Why can't someone else play this?"
He's confused,
Is it true or is it not?
Or are his thoughts controlled by want?
He doesn't know,
So he continues on.
His song dies down,
Ending anti-climactically.
But as his story ends,
It starts again.
It turned out,
Time was cyclic.
All rights reserved by the Author.
PK Wakefield Jan 2011
2 & 4, we're forested as soil drinking solids our knees benting smell nosing a lolling gaggle of riotous pink dangles a careless droop over spilling pearly
sharps and crunch!y, cr!unchy; crunc!hy."' the minute deaths rankle or the cool common ground's a sun draped bulging acute beige you heave chesting and spit mouthing the gentle corpse of oxygen
PK Wakefield May 2010
& shattered cloak of light
s
           l     in
      p                  t
                                e(Red)
embeds gaspingglowing sharps
dawn caked oblivion boil
penumbral encumbrance
feasting on cusp of day.

i did think this was a pleasant





                                                                   death
Victoria Maretti Oct 2012
The keys and strings and knobs and bows taunt
Horse string, shining metal, ivory, silver, and gold—-
Glimmering,
Beckoning
Inclining me to use them
To take them, stroke them, slam them
Abuse them
Worship them
And in my mind
Their chords with flats and sharps and crescendoes and pianissimos blend
Dissonance and perfect harmony battle ferociously
Or perhaps they are dancing?
L A Rice Aug 2010
For Paul

He works a solid post of steel between
straight teeth and grinds against enamel. Songs
of ruthless youth careen in flats and sharps
off swollen tongue and crowd the winter air.

I see him coming off the half-pipe hard:
a clench of sinew floating on the edge.

He drops, one arm outstretched to catch the earth.
the other winging wildly skyward as
his songs become the splintered echoing
of fractured branches under heavy snow.
Jack May 2014
~


Black on white
Scores in three quarter sorrow
Sharps and flats beneath heartbeats
Dust and cobweb mosaics
glistening in the key of pain

Scaled deposits wait
lonely in the corner
Replaying adagio chords of lost love,
composed in major and minor
on yellowed decaying paper

Tuning key locked away,
Forte expressions shackled
in sustain pedal nightmares
of faux concertos worn
in overture’d blistered edges
as empty fingers play on

Blood trickles on ivory,
cascading in mirrored visions
as I realize this candelabra’d composition
was written by me…in my hand, my notes
all the while knowing, the empty chorus performed
is the hurt I have staged upon your heart

Silence finds me sitting
on a wobbly bench, uninspired
attempting balance with a still metronome
living in the shadows of what I have become
decomposing your smile, ashamed at the lyrics,
cursing the music for it is the song
of your sadness that I should never have played
Emma May 2014
In this business
it's sail of flop
it will **** if you let it
if your will isn't strong enough

there are girls who are 110
but still aren't small enough
some shoot heroine
encouraged by the adults around them
to get tiny and  frail,
to go to these extremes

Artist, going mad for inspiration
every stroke is do or die
every form in pottery needs to be perfect
meticulous planing for an 8 by 11 painting
even more for a portrait

Dancers, breaking their feet for the perfect point
****** toes from wooden toe shoes
not drinking or eating  to make weight
hours in the studio
rolled ankles strained muscles
but still moving art

Singers, not eating dairy
downing water every second
working bar till throats ache
holding sharps till they feel faint
hitting the highest note and cracking
hitting the lowest note and burning

Actors, baking under lights
quick changes, make up running
memorizing lines and monologues day and night
it's a cue line, so it has to be right!
mind racing to think of a cover  up for a missed cue
alone on stage it's only you

This business ,full of horrible truths
is not for those who would like to keep their youth
to thrive, to simply survive
you need a will as hard as nails
a strong heart
self respect
and able to so NO and keep on saying it
having a will,  a heart, respect
will get you farther than the rest
this is not to drive people away from show business but  to let them know what they will face

— The End —