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Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
Richie Vincent Aug 2018
It’s 6:47am on a Monday morning on I-71 south towards Cincinnati and I’m driving in the middle lane entirely surrounded by semis and service trucks and out of nowhere, like it was some miracle act of God, it starts pouring down rain so hard that all of the traffic stops in the height of morning rush hour, everyone’s radios playing morning talk shows so loud it vibrates the ground our tires are on and everyone’s coffees move back into their hands from their cup holders, I guess we’re all just trying to wait it out right now

I guess I have no choice but to wait it out right now, he says, hoodie wrinkled, two all nighter’s deep and still no passing grade, standing outside of the campus Starbucks, as it’s pouring down rain

I guess we’ll have to wait it out, says my sister to an 8 year old me, as I wait on the curb of our neighborhood for the ice cream truck, no matter how disfigured the spongebob popsicle’s face looks by the time I get it in my hands, and no matter the fact that I never understood that his eyes were bubblegum

I guess I have to wait it out, my father says, watching my grandmother lying in her hospital bed, getting tests taken for her potentially and what would be proven deadly, lung cancer,
Her eyes glossed over and her lips still yearning for the pull of her usual afternoon pack of cigarettes

You just have to wait it out, says my grandpa, standing next to me in his garden, after having helped me plant my first tomato seeds,
The summer has felt like forever at 10 years old, I wish it stayed that way, and I wish I liked tomatoes

I guess we just have to wait it out now, the head of police says to his crew of swat members, after having everything fail towards coaxing a young high school boy out of his boarded up bedroom, the shotgun he killed his ex girlfriend with, still in his arms

Well, we’re just going to have to wait it out,
I think to myself as I sit in this traffic at what is now exactly 7am on a rainy Monday morning in the middle lane of I-71 south towards Cincinnati, entirely surrounded by semis and service trucks

The rain will stop eventually
Dave Gledhill Mar 2012
Turn on the TV and switch off your brain,
tune into Jezza as you fade out the shame,
point at his cattle, and laugh at their pain,
forget their faces,
cos’ they all look the same.
Memorise headlines, forgetting you’re smart,
the news screaming fear, as this world ‘falls apart’
hating your neighbour’s a good place to start,
he’s likely a ****, or a bomber  
at heart.
‘England Expects’ is their asinine bray,
as they talk up the players on ‘Match of the Day’
before posting on Twitter that one of em’s gay.
‘Oh we lost in the semis?’
Start feigning dismay.
Forget about stress, skip working hard,
you can lend owt till payday, or just get a new card,
it doesn’t matter, if your credit is barred,
say you slipped in reception,
and hit your knee hard.
Now! Vital News! Our cameras have spied,
the markings of botox on that celebrity bride.
Maybe it’s scandal, there’s no rush to decide,
you’ve opened the box,
and its trapped you inside.
dear lord i
want to do
things i will

not regret eternally
i sleep in
your hammock love

i am no

longer in

hiding

but rather waking
to the silence
of my hut

to the how-are-you-this-mornings
of the secret friend
and friends

singing
songs
to

each other as
the semis roar
by on the

highway headed for
nyc or maybe
bridgeport

dear lord thank
you for life
for this hut

for this blanket
please wrap your
grace around those

who are doing
without wrap it
around me that

i may wrap
it around others
heal us and

we'll be healed
save us and
we'll be saved
mapinduzi
Kaitelka was in the Equinoctial Aftó, she bathed but always oriented herself as an Argonaut star bathing in the Aegean while waiting for the ******* of Áullos Kósmos. Between both Aulos and Citara, she modeled the auletic- citaristic, in glimpses of her Psychic Trisomy.  In effect of the existence of an extra chromosome in a diploid organism 158, for a number of chromosome fifty-four, instead of a homologous pair of chromosomes. From this position she was limiting her chromosomes of normality in the genetic proximal when entering the bay of Skalá that she was waiting for her native, where the art of navigation danced in the nitrogenous water that brought her from Skalá; from Eleios-Pronnoi, about 39 km south of the main city on the island of Argostoli, in southern Kefalonia, on one of the Ionian islands of Greece. From here, mimetic was thrown towards the art of the unknown sea, collapsing and disoriented by its territorial similarity, and maritime per se of its Otolith that brandished it in dual places of Ionian-Dodecanese geography, following the semiotic songs of Leiak that emerged from the auletic to infer Ballenid genera, which acted precisely between the island and the Bay of Patmos with the same name as Skalá.

Kaitelka's Vernarthian tenor carried her behind her with another Ballenid, this one carried the Demiurge Ezpatkul, with his prominent Augrum or Gold teeth that rotated on the backs of all the borer beetles, being Scarabaeidae that delimited towards a dialectic, and paraphrase of a qualitative satirical one, especially in the form of Vernarth's sub-mythological subgenre. To commend all the hypotheses of this whale, it sang with the native cephalization ultrasound, where it continued to harmonize media in its cranial cavity, and in the muzzles of its larger fins that transmitted waves of parapsychological regression towards Vernarth, parodying the transparent sendal ballads that it made. with his transit through the water, however, not having members that strengthen his controversial cetacean passerby by waters of a melodious literary language, such as a great inspirational propeller, and satires that host greenhouses in most of the jubilation, related to rudders that furrow his verbal poetry, easing restrictions, and possessing the genome that was deprived him in his gestation, of a maternal expropriation victimized with fears of an end, and Apocalypse hungover by the sea and freshwater. They piloted their heart valves, mere and Dantesque with Zeusian buttress spauto, muddled and bundled in their bombastic myocardium like omitted ships without ever lifting anchor and setting sail, a very brief tulle of water satirizing formula additions, and a piece of dull wood on its spur that was It bore like a whale, it was carrying its weight in a literary category where there is no way to test it. Without hindrance, she laughed alongside the breakers in the manner of a belligerent tendril in thick keel skins, dramatizing him and perhaps delaying the investiture of Vernarth's Himation Proskynesis, peering jocularly and foreshadowing his encounter with her. Her chains were Caucasus icebergs, demystifying seasonality by residing linked to a single Down Whale destination, ******* with her dorsal to exhale genome rearrangements with Cinnabar, refining hormones and stereotyped whale chromosomes.

The concordance of the Satirical subgenre, and the polarized gender correspondence inanimate Kaitelka, usurping the intentionality of the sub-mythological drama, in two roads of Skalá that appeared to lose the standard of their ears, in tragic representation versus the comedian staging, harbinger of an interlude between two areas that struggled to have it directed towards three comedies that plunged into three tragedies, missioning the furrowed features of the ideals of survival, with preceded parables of the psychic-linguistic being, due to its canonical supernatural modality by blending itself with disciplined domains. Of a rhetorical poetics, rectified in religions that grant Orphic and messianic structuralism; foreshadowing the hymns of Orpheus in the Bible, and metaphorical in revealing divine truth, accessible only to spirits worthy of it. The purpose of metaphor in her poetry has the deciding function of the ineffable of thought, through simile, comparison, or image.  Song and poetry, song and prayer, prayer and ritual forming an inseparable phrase of meaning in it, impossible to differentiate in the biblical psalms themselves. The penultimate of them recalled number 149, being a hymn destined to accompany the dance; "Make melodies for him, with drums and lyres." It is known that the classical instrument of Orpheus reaches the level of the sacred in biblical texts. Psalm 150 contains an orgiastic ending to a symphony, in the description of the instruments that accompany the word and the voice that praises God, with sermons from Kaitelka blooming from an oceanic being and printing songs of the subgenre, without blemish of sub- mythology and the unconfessed proceeding. The comical exaltation of him recreates aspects of great joy, for those who feel vibrations under his belly in his orphic water, portraying semis or semiotic cathartics of their own trisomic roots, in an effort to decode drama, for intermezzos of the mythological subgenre. Borker with his sword Mythos interpreted the story of Kaitelka when he told her about the melting of Horcondising, seeing in them friendly glaciers that included her within the storytelling of provinces that sensitize the culture by rebirth on spherits and plasma hematocrits, for an apologist that admits inanimate corporality actor. Its genesis is Bereshit, "which names and does not start", from the undervalued parashot of the gods and kings, commanding them ibid to the inter-dogmatism that it contributes in its credit reserve, in large consortiums besieging colonies by the southern seas of the Borker  Nótos. "Evil tears their veins heal their goods and relegate the forgetful in the tradition of existence alongside the demiurges, incontinent to their ills that enjoy making creation sleep, soothing it in innocuous myths that are often more than a truly supernatural!

Helios went out to the road by the west and not by the east, in the nascent instant of the ectoplasm that revealed micro satires that led to the station of the hero who lives hidden, behind the proscenium of cultural and religious intimacy, Kaitelka plunges a few meters below the Aegean where he was already arriving, and he can realize that he did not see marine species around him, only beams of light that distorted his view of those who flatter him on a descent? Underwater a mythical mission wailed on dry surfaces, and the phenomena of the underwater stones were relaxed before any reflection of the veracity of a myth of expression in the mouth of a fish, brushing against systematic hermeticisms of what was infinitesimal. All this dialectical journey towards inevitably alternating molecules of his genome, to re-establish himself in his hybrid status upon reaching Skalá, here he would have to use his two neurochemical brains for a mortal instinct that does not die inside the mouth of a whale but in interrogation. …?  Based on Leiak's sexagesimal nanoscale extension, endowed with a fractional comparison that collects mythologies within them, for the uncertain truth. The only burden of etiological myth in Kaitelka is a consequence of her suffering, which is offered in psychic trisomy, for being **ized by three chromosomes, disorganizing her reality as a specimen that unfolds as a congenital disease.

Kaitelka says: "Who am I and where do I come from? I am reaching the floodgates of my lord Vernarth, and I can see that I am reborn in his astragalus and honeysuckle, which tell a story ****** under the tripod of Herophila.  Authoritarian truth that will bow before the pig to become, smelling here the tragic essence in truths that are hidden in symbolic denial"

Kaitelka is instituted a few miles before she begins to navigate in a zigzag, trying to condense forces for the origin of her ethereal, with sarcasm techniques that the self encourages to plunge into diluvian tears and moan in the scenarios of uncertainty, in the judgment of pouring out real myths, transposing its flow in the destination that is flooded in imprecise gestures and between cries with super sounds that lifted it on the swells, and these, in turn, were shedding the mystery Masken by raising water concentrated in onerous polymorphology. With joys and hilarious meltdowns on the mountains, she approached everything when she reached the pleasant Skalá, escaping from the cosmogony that bound her ungraciously on the light water, overflowing towards the very origin of a Vernarthian deity, in pasts and futures that do not intersect in the radial of its origins. The sky proclaimed laughter and mimicry gestures that adhered to the vitrifying phenomenon of past-present pashkien images, ready to lightning that heals the invalidations of walking on disturbed waters, a dipsomaniac leitmotif in early Christian justice. Kaitelka sins irascible, violent and proud, urgent and judicious, but conciliatory despite carrying a cross and a harpoon on her back. She will remain Kaitelka Down, but Patmos will arrogate her Thracian gift from her Orphic origin to her, for purposes of radial preeminence in the Ballenids that hoist sacred sites. The adventure prescribes a univitelino twin, but when she goes beyond the hirsute destiny of her Iliad, she begs to go transforming into a rainy sphinx on the thick bronze roof when the coins are broken, towards a seduction stop that is enthroned in the gloom of the minotaur, in the numinous hands of a daffodil and on the face of the Epsilon. Or crawling in mitral of valvulopathy with the carriage messengers, with the swans or pigeon birds; perching on a wreath of roses and myrtles that surround her red bozos. Almost always appearing undressed next to her escort, usually more than multiplied towards her, with the amazement of her animal consorts, which are dolphins, and Thracian pigeons, a priori of being covered by the Pythia of Delphi that is migrating in murky triumphs of the Achaemenides in Gaugamela.
Equinoctial Aftó by Kaitelka
Nicholas Snell Oct 2013
it’s as if you were in an endless (and beginning-less) traffic jam. The road is cramped and narrow; there are tanker trucks slowly pouring black smoke into your car’s vents, you can’t hear your radio or car stereo because of the low RPM rumbling of cars and trucks and semis all around you; any act of kindness you commit, such as leaving space for some dented, banged-up machinething trying to merge, is immediately ruined by someone else, scampering into the space you had left, foreclosing the chance you had of feeling you were being kind? noble? anyway, no; you are both starving and nauseated at the same time, and your stomach hurts from both; there are no exits where you can get off escape this, even temporarily, even shabbily; there are just jersey barriers and grey vehicles covered with grime, it’s drizzling now, and your windshield wipers don’t really work, they scratch and smear the grime across your windshield with a piercing, repetitive shriek, and when you try to look to your left or your right to see something besides damp, gritty, gray, fumy highway, the most you can see are the oblique outlines of institutions that could be factories covered in graffiti and litter and ragged advertisements for products not even sold any more, but you do realize that the space between you and the car in front of you seems a little greater, now, how? and you look in your rearview mirror and see that the car behind you is no longer looming, but instead is a spacing back, is not filling the view of the mirror, and as you cautiously press down on the accelerator, glancing to the left and right, afraid of what you might see, the cars move faster and are now farther apart; you press the WASH button and you’re going fast enough that the blue fluid sprays delightfully across the windshield, and the wiper blades automatically activate and clear it all, smooth and clean and fast, and is that sun? you now see greater distances, you see before you a world full of light and shadow, the sedan purring smoothly at the right speed. Things flash delightfully by, the car thrums, you can feel, in the center of you, that moving-forward feeling of progress, progress, progress. How could it be that just moments ago you were in a trench of grime and shuffling? Those trucks that were so sinister are now shinybright and obligingly staying to the right, their engines working better too, the sun glinting off their carefully custom-machined grilles; there are some curves and dips in the road that you follow with precision; there are grass and trees and the possibility of exits; even the paint on the road is whiter, and the road itself is blacker, and as you fly along you remember why you took this trip in the first place.

That's what it's like :')
Parnate, an antidepressant, began working after 6 weeks.  I am indebted to the late Jane Kenyon and her series "Having It Out With Melancholy" for many reasons.
Jonathan Witte Dec 2016
So the Violets lived
in the long shadow
of a slaughterhouse,

separated from death
by cyclone fencing
and a scrabbly yard.

In summer, family time
meant sitting on the porch
drinking cans of Budweiser.

It took about a six pack
each to mask the smell
of cow and diesel fuel,

but the rumble of semis
and the relentless lowing
of cattle were inescapable.

In winter, woodsmoke
filled the small rooms,
slowly turning the walls

the color of ***** snow.
Icicles hung from gutters,
lengthening like knives.

The youngest Violet daughter
grew up, moved to Louisville,
and became a painter of vivid

abstracts.

I have one of her paintings
hanging on a wide white wall.
I like to pour myself a Scotch

and watch the mangled colors—
brilliant viscera sullying
a slaughterhouse stall—

the smell of peat and smoke;
the taste of earth’s undoing.
Mateuš Conrad Mar 2018
that daft, the overworded: implictiness of
                                                                         fakery,
                         what is implictness by relativism,
                     has no explicit
"conversation" / dialectics,
  expressed indirectly via
a dependency of variables...
      as some might say:
we have rules, we have social norms...
the form, ex-,
  either odd or even,
         with regards to reiterating
numbers into words...
              explicit:
             expressed direcrtly via
an independent set of invariations...
        considering that in psychiatric terms
a depression, cannot be gesticulated
as such, "fathomable",
      easily understood / categorised
when an existential focus takes hold
of the "problem"...
             almost all psychiatric diagnostic
terms are shut off from
performing a medical practice,
when stated by: existentialist constraints...
              past the french schools,
and into the feral land of the germans...
the english?
   with their heritage?
              easily at loss with regards to
giving explanations, adequate to
satiate the "sufferer" with a excuse,
or rather, a...
                             a justification.
                my fault at reading more kant
than hegel and not fathoming
any economic model-answer...
                                    just give me a blank
workable canvas,
   and i will give you a vocab that will
probably muddle a few grey-beards
of the sufi community of kabul...
             because i ******* have to mind
this virus, like i might mind
ensuring the bulgarian prostitutes
check themselves to a methodological
clarification of donning the rubber...
well, if there's an explicit ergo libra,
and if there's an implicit ergo libra,
to balance cogito never actually meeting
the sum balance of either argumentation...
       what a funny scenario!
               ergo appears in two forms:
   parallel, similis, consimilis (=),
                       or via-parallel, anti-similis,
                        contra-similis (≠)...
           because thinking rarely
manifests itself in being, but rather:
in beings...
                       the common thread?
deficiency!
                     most of the time
the factum: cogito = sum,
          is actually a fact of:
                          cogito ≠ sum...
which is why the cartesian libra of ergo
is so, confusing with regard to how
the two aspect of consciousness
as governed to "allow" a balance...
  in that they don't...
                    the fact of thought
as thought being the ideal,
never, or rarely, translates into an
ideal existence...
         of simply not-thinking
    but rather over-simplifying life
by a per se,
              of a lack of sensual distrust...
the (1,0), (0,1), (0,0), (1,1) binary
over-simplification
of the cartesian ergo that mediates
cogito and sum...
                  you can't allow yourself
three immediacies of the same fact
in the tri-medium of
variant substance expressions!
              the fact of existence
cannot be grapsed by a fact of thought,
in the same way that a "fact" of either
an explicit, or an implicit application
of the interchangeable of stated fact
can somehow find a balancing libra
                 artefact of a mythological
stature to simplify the argument!
                       i simply find the cartesian ergo
too simplifying,
                   the problem of cogito never attaining
the potential of a sum,
as well at the problem of the sum never
attaining the potential of a cogito!
                given that
in the simplest mathematical grammar
the ergo is either expressed as:
cogito = sum,
             or cogito ≠ sum...
                  is that ego + cogito = ego - sum?
        or is that ego x cogito ≠ ego ÷ sum?
             what's that's 4 to the power of 8
in terms of variations?
              put me against the mathematical
punctuation marks, past the colons,
semis and commas and write it out
in math...
                       to have added to thinking
is to have taken away from being...
  to have multiplied thinking, is to have
divided your being...
                ergo = (= / is), but also (≠ / isn't) -
to have divided your thinking,
  isn't to have multiplied your being...
              to have added to your being,
is to have subtracted from your thought...
         show me the rubric of
the existent variations!
         show me!
                             philosophy per se,
is something that the koran can never teach me,
and never will,
even if in the slightest it only attempted
to teach me how to sing...
                   i have my own labyrinth
to mind,      
   let alone the common citizen of Istambul.
b e mccomb Oct 2018
oh the joys of idyllic
small town life in this
whitewashed village where
everyone knows everyone
and everyone knows
everyone’s business

where the groceries are
overpriced and the taxes
are high and everyone but
the wife knows he’s cheating

where everything is a scandal
and nobody will admit to knowing
anything but they’ll still talk
about it behind closed doors

there are supposedly prostitutes
on main street but i only ever see
the drunk and drugged out there
and if someone is single there is
someone determined
to find them a match

all and all a very pleasant
charming life we lead here
what with all the arrests
and the highway department
yammering away on things
and the way the tops of the semis
scrape the bottom of the
traffic lights on their way though

something charming about
the way the sides of the buildings
all need a good power washing
and there’s probably lots of
good clean arsenic in
the water supply

scenic
a most sleepy
little burg
they say

spend some time
with us and
you’ll find a community
you’ll find a home

you’ll also
find a thing or two
you’ll wish
you didn’t know
copyright 9/24/18 by b. e. mccomb
Ignatius Hosiana Jul 2016
I Love you... never say you don't
deserve me...we don't deserve us...
that's why we was given to us to
make us the people we deserve...
I'm willing to listen from today...

I'm not going to try so hard but I'm going to try...
I won't stop being so sad but I'm never going to cry...
I now understand why you're in
my life even better...
I have been looking at it the wrong way...
we probably don't need to find
ourselves to feel complete...
we're two semis of the same circle...
Two faces to the same coin...
I'm not going to try and flip you anymore...
I'll look at me when I need the other face ...
I'll look in the mirror to see you clearer...
I've wanted you to be happy so bad that I've hurt you, us...
I'm not going to do that anymore... let's just be us...
happiness is perfection...perfection is not for people like us...
all we have is this inadequate reality
and all we need is to find satisfaction with each other...
I'm not going to love so hard or so little...
I'm going to love you just the much I can...
your love will fill the cup of this friendship to the brim...
I'm sorry I've been so wrong for so long...
I wanted that cup filled so fast...
I'm sorry...
There’s no rocky, narrow shoulders,
Lining each side of the highway,
Waiting for sets of tires to roll,
And pull over on.
There’s no rest stops,
Every few mile markers,
Offering you a place to stop,
And take a break from the same scenes.
A few too many sports cars,
Who’re just in a hurry,
Passing all the semis,
In a race to get to the finish.
No overhead signs for information,
Telling you which way to go.
Just one at the end of the journey,
Telling you that you’ve completed the drive.
the road to death.
Dani Nov 2018
A skippity hop and muddy socks
Sail boats and rain coats
Semis and dump trucks
Bubble baths with ducks
Throwing a ball I love it all!!
***** feet and a sweet treat
Firefighters and quad riders
Lights and sirens and jolly lions
Puppy heroes and horses with wings
These are a few of my favorite things
Written for my almost 3 year old daughter. Her favorite things! She has a firetruck and says "I am a firewoman!" Paw Patrol and My Little pony are the last few references there. She is my whole world!
xjf Feb 2021
The world continues to move
even when you are at rest
Passing us by while we are sleeping

The world continues to hurl on
not caring that you are gone
A hallow feeling keeps creeping  

The birds continue to fly by
semis continue to race the red light
Even when that’s the reason why
you're looking dead in the eyes
David Bremner Jan 2016
A war memorial stands
Keeping guard at the end
Of an ancient High Street
Alone on a roundabout

From this historic spine
Of Flooring Centre and Bugdens
Run ribs of semis
With their suburban wives

I watch as my feet
Stamp down cracked pavements
Teenage schoolgirls
Giggle at a phone

At the village hall noticeboard
I read Parish Council minutes
Wondering at the secrets
Of the good who serve

Whilst against it all
The background hum
Of M3 traffic
Racing towards death.
halfmoonprxnce Jun 2023
Greenery full of life
sits atop hills
beneath a moody grey sky
lush shrubs, bushes, trees
a sight lusted over
by people like me
a guilty pleasure
for those from Michigan suburbs
stationery, observing humans
the fast moving traffic below
semis rushing to make deliveries
people getting to jobs they hate
or don't mind
in outfits they aren't comfortable wearing
road rage
accidents on the highway
houses sit atop them
steep backyards
even they wonder
why anyone would live there
people can fall into traffic
their steepness is not something they can help
flights flying overhead
humans making it to events
thinking they are so important
living a life of privilege and ability
nature is peaceful, kind
unbothered, it's number one hobby:
people-watching.
Meaning: While driving in California, I saw beautiful mountains. They're everywhere. Covered with trees, bushes, shrubs, dead grass or what looks like hay, steep peaks and deep dips. There is a specific beauty in mountains. We don't have any in the suburbs where I live, so it's a treat to see them every now and then. Mindfully watching nature is something that I have gotten myself accustomed to. There is something beautiful and peaceful about getting lost in observing nature; the colors, textures, shapes, plants... It is simply gorgeous. The word "scenic" is the most basic word you can use to describe it. It feels like you are lost in something else. A sight is more special to absorb through the eyes rather than take a picture or see through a screen. This piece of writing is about mountains and hills and their existence-- their observations of human activities while they remain stationery. It highlights how nature simply exists, while observing the hustle, bustle, and struggle that humans face in their day to day life.
She sees him from across the highway
He's looking back at her
one hand in his pocket, the other spanning a wave

So she blows him kisses and gestures her heart
but it can't possibly reach him
because cars and semis stretch them apart

so she spins in circles and sees what surrounds
the sight isn't nice
Because he's not around

she analyzes her chances at dodging a bullet
and admits that they don't look good
But she decides that her happiness will always be worth it

She puffs out her chest and takes in some air
and sees him smirking at her
She closes her eyes as the wind blows her hair

Wind below her feet, she skates across the road
she's never felt this rush before
and faster than expected, across from him she showed

Proud of the miracle that brought her across the highway
She reaches for the hand by his side
But he turns his back and walks away.
Laura Slaathaug Jan 2018
Why is the color of death black?
The color of night
of inside a cave
of your mother’s womb
of behind your eyelids.
The color of no color.
For some, it’s white–
of crumbling columns of ash
of salted soil where nothing grows
of days when the sun shines
too bright to see
when you look out your window and
can’t see your mailbox
when you leave home and
drive through clouds of snow
blowing across the highway
of snow dusting the air from
the backs of semis
of ice buried under snow
and you see the fields and trees,
the world shrouded in white
and wonder if
you’ll be buried here too.
Bryana Aug 2014
It's a deep deep pool that you can't reach the top by standing on the ground.
Birds swim through it with their chirps filling the sky with sound.
It's a thing to look at when feeling stressed and wanting to clear your mind.
It's has white fluffy things painted all around it, making it look so kind.
Mountains reach higher and higher trying to exceed it, but fail.
Cars, trucks, semis and the whole human race, unpurposely pollute it, just by receiving their mail.
One day we'll all wake up and utter... Bye bye clear blue sky.

B.m.P
This poem is to
please remind people not to litter and to always recycle. Help save our beautiful planet. Our lives depend on this place...
Cate Apr 2016
unintentionally, I've made habit of waiting
until the highway clears out,
leaving nothing but sandy semis
and gritty grizzled men smoking and steering
Staring dead-eyed through sleepless deadlines
to make my way home alone.

Watching infinite dashes pass through my peripheral, separating me from
passenger-less lanes,
perpetually pondering present pessimism
as pale streaks slur by
enough to white out every word
I spoke and you never heard.

C.e.M
April 15, edit April 19 2016
Nights encroachment is changing the face of town ,
an orange star phasing out ,
the borough is closing down
The elderly are content from front porches
the children called to dinner ,
bicycles , baseball bats and chalk are left
on the ground ,
the sound of buses and semis , the last train
headed south
Artificial light slowly filtering out
She's slowly , methodically , shutting down
Copyright March 16 , 2017 by Randolph L Wilson * All Rights Reserved
b e mccomb Oct 2018
greeted by the musty smell
of yesterday’s bacon grease
the familiar scrape
of sliding glass and brass
and the blast of hot air
from an open oven

turn on the lights
unlock the doors
whining and whirring as coffee
falls from the grinder chute
the steam wands hiss
water spits through
the filter basket and i
find myself awake

and standing with my
elbows in a bin of hot
water and soapy dishes
the crust over my eyes
loosening with the
warmth and wet

flip the sign
wave the flag
the plates clank
as i walk by

smile
chat
say the same lines
i say every day
toaster to register
sink to grill

an autopilot person
as the world spins

ivy on the brick walls turns red
snow blankets the stone steps
the streetlights stay on through
the fog all morning

the picture windows
rattle when the semis
roar around the corner
at night i lie awake
and imagine them
cutting the turn too close
and crashing through plate glass

i can’t sleep
not when morning
looms so soon
when the sky out the
window will be black
when i wake up

black when i
eat dinner
and gray whenever
else i look

and it’s true
i don’t have it
as rough as
some people

but that doesn’t mean
it’s all so easy for me

i’ve found by living in
the early morning
i can achieve the same
effect as staying up
too late but with less
negative consequences

but the things that are whispered
when the world is still dark
aren’t things to be whispered
to the faint of heart
copyright 10/3/18 by b. e. mccomb
I hold your brain
Even though they call you lame
Despite the pain
You use me to stay ahead of the game
But things have changed
I’m getter lighter everyday
Instead of books and paper
I feel metal inside
What could he be doing with maps?
And why all the caps?
You have changed so now
Instead of study hall at 11
We’re at the gun range til 7
I miss our locker so
Now all I know
Is it takes 9 guns till I blow
It doesn’t feel right
Where are you going with this?
I don’t see a enemy insight
But I couldn’t tell if I read what you write
Who is this “they” that will pay?
Answer me please
Or let’s just freeze
We left for school late
Headed for you violent date
Packed with semis and automatics
I hope this doesn’t end up tragic
You walk in the cafe with no intention to eat
I feel you put me down and slowly unzip
I pray that this is only it
Then I hear the shots and the screams too
Why couldn’t you have just said
I needed help Drew
Graff1980 Dec 2015
The rocky road is a diverging river
Splitting into T shaped tributaries
Feeding human fish into the highways
Silver schools of cars, trucks, and semis
Swimming dangerously through the streets
The masses ebb and flow
While the smokestacks grow
Drivers do not really know
Why they go where they go
Drive fast to die slow
They drown on those roads
Kendra Canfield Apr 2020
never knew how blinding the
sun could be before I hid from it.

the dark is a dangerously
safe place to be isn’t it?


I think I found a new emotion
it comes from experiencing
the beauty of things I find
repulsive

all the dream house
developments nestled
like cheap toys

sun glinting off the bumper
to bumper traffic
arcing above the horizon
semis blocking out the sun

parking lots
fractals of shiny beetle shell
car bodies disappearing into the glare

countless things
somewhere between awe and loathing
it’s kind of like a scream
stuck in your chest.


also,  I think I keep seeing people
who aren’t real.
they exist. other people see them too.
but they just seem out of place.
or maybe too in it.
too predictable

I say I hate public transit
but ya know
I think half the time
I like sitting on bart
more than doing
whatever the **** I left
the house to do

my mind wanders best when
my body is hurdling through
space at high speeds
it’s been weird
going thru an old journal
wordvango Oct 2020
haphazardly
  Careless a world of daring falling
     Like embers from a fire in the
cold wind

stares longingly
   Back at the viewer
calling
      Like small Wolf cubs left by their mother

evidenced by
     Gashes in tree bark
white streaks in a sky
      chasing yellow glances of sunlight

eroding
        The rushes of semis
Busily hurdling by
         pursuing commerce
Eliciting

porched rocking
       Chaired old men
To ponder on meanings
     And roars in
A head unsure of even

Himself, anymore
Yenson Jul 2019
The depth of my importance confirmed
the essence of me is edifying Glorious
as malice aforethought rages in desperate throes
dud triggers and the fallen snakes gnash gnarled teeth
and promise their rotten flesh to their idols of evil
hating all the sub-men they know and have ingested
all those semis that promised and offered nothing
as they laid on their backs and cursed their ******* luck
as another aimless pretender rides them in passionless waste
For now, A real He come to the fore, He that puts all others in the shade
the mostest with it all and what a find like no other
and how they hate, how they hate, for they know
There's o one else like this, he is the real deal
and neither sons, brothers, fathers, uncles or lovers
will ever match this David of a man, this small Colossus
the Shine magnificent, the real Adam, the Mahogany unstained
They can do nowt but hate, reeling in lustful envy and jealousy
Yes women kills the thing they love and can have,
By each let this be heard, Some do it with a bitter look,
Some with a flattering word, The coward does it with a kiss,
The brave woman with a sword!
Some **** their love when they are young, some when they are old;
Some strangle with the hands of Lust, Some with the hands of Gold:
The kindest use a knife, because The dead so soon grow cold.
Some love too little, some too long, Some sell, and others buy;
Some do the deed with many tears, And some without a sigh:
For such women kills such a Man for hell hath no fury
like a woman spurned and they know this man is the Real Deal
and they can never possess such a Saint!
DO your worst, anything for attention. Go dream about me, think of me as you ride the half baked stiffs you call your own, yes fantasy about me all you like. I am not yours so go play with your toys and do with me as you like. Hate me because you can never ever have some one like me. ITS REALLY THAT SIMPLE.....
Bobby Copeland Jan 2020
The American dream had wheels,
Wheelwrights heating rims to fit
Linseeded spokes,
Conestogas, prairie schooners,
Bicycles and trains,
Fords and Maseratis, Harley Earle Impalas,
Coal trucks, semis, interstates
That separate the morning.

— The End —