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"scullery" poems
the walls of the inside passage look the same from sound to straight tugs and plugs dot the coastline as the quartermaster rolls giving time for evening glare   pods are in sequence as the high tail smashes and jaws at the krill white bellies and sea cows bob and weave as bow heads glide over haida gwaii   northern lights dance and tlingit chant as the tide settles softly on savory shores their getting hungry in hoonah as the blue back and beating drums mark the life blood of the sea   driftwood nets and sitka spruce surround the cook house ravens and tinhorns man the scullery kerosene lamps flicker as clam shells roast on open flames   villagers stroll on pebbled sand *in the harbor of souls where ships set sail on might and mass into the steady winds of the golden skies* ice fields (to the north) of kryptonite blue cutting hills at a glacial pace knuckle clouds above the snowline where warlocks craft a hidden trade   trappers, skinners muscle shoals grizzly feasts in kodiak bowl determined pilgrims on a dead horse trail in search of gold the holy grail
0
Mar 1, 2017
Mar 1, 2017 at 11:52 PM UTC
black jaw
She sits by darkened hearth No warmth now issues forth Her tattered clothes look more like rags than a dress But still she carries on Even when hope is gone For a princess is a princess nonetheless If dancing at the ball Or scrubbing floor and wall In scullery or in carriage for a ride Hanging linen out to dry Or set on throne most high None of that can ever change what is inside For it’s not silken gown Not scepter, sword, or crown Nor poise to rule court with great ability Look closer and you’ll find A heart that’s good and kind Are the signs of grace and true nobility Of palaces she dreams White horses matched in teams With jewels agleam and in its place each tress Though life may be unjust She is regal in the dust For a princess is a princess nonetheless
0
Jul 19, 2022
Jul 19, 2022 at 10:26 PM UTC
Overlooked
Alice stands in the room by the stairs, at the end of the house; the low end, servant's end, Father said, don't go there, but she does. She goes down the back stairs, down long dark passageways, watching staff in their world, the kitchen, scullery, the wash room, other rooms. And this room. She watches the thin maid called Mary ironing. Why're you here? Mary asks. To see you, Alice says. Why see me? Mary asks. I love you, Alice says. Mary frowns. You shouldn't use those words, Mary says turning round. Alice stands her small hands in pockets of her blue pinafore. But I do, I love you. Why is that? Mary asks. You are kind like Mother used to be before she had to leave. Mary heard, rumours spread, the mother had to leave, had problems in the head, locked away so they say, for a year and a day. She'll be back, Mary says. Alice sighs, I love you, I want you to stand in for Mother, between us, Alice says. Mary sits on a chair, flushes red, between us I can be I suppose, Mary says. Uncertain of her pledge she gazes at the child standing there. Need a hug, Alice says, motherly. Mary feels at a lost what to do. Can I sit on your lap? Alice asks. Mary nods and opens her thin arms. Alice walks to Mary and climbs up on her lap, lays her head on Mary's silky ******* smells apples and green soap. Mary hugs her closer, kisses on the child's head. Love you, too, Mary says. Our secret, Alice says, none must know. None will know, Mary says, just we two. Nanny's voice echoes down the passage Best go now, Mary says, learn for me at lessons, do your best, my daughter adopted. Alice nods, kisses quick, then goes up the back stairs out of sight. Seen Alice? Nanny asks. Not at all, Mary lies, sees the dark cruel eyes scan the room. She'll be pained if she's caught down this end, Nanny says. Then she gone, her black skirt swishing loud, the black shoes going click, clack, click, clack. Mary gives a rude sign with fingers behind fat Nanny's back.
0
Jan 6, 2014
Jan 6, 2014 at 3:58 AM UTC
ALICE'S NEW MOTHER.
Alice stands in the room by the stairs, at the end of the house; the low end, servant's end, Father said, don't go there, but she does. She goes down the back stairs, down long dark passageways, watching staff in their world, the kitchen, scullery, the wash room, other rooms. And this room. She watches the thin maid called Mary ironing. Why're you here? Mary asks. To see you, Alice says. Why see me? Mary asks. I love you, Alice says. Mary frowns. You shouldn't use those words, Mary says turning round. Alice stands her small hands in pockets of her blue pinafore. But I do, I love you. Why is that? Mary asks. You are kind like Mother used to be before she had to leave. Mary heard, rumours spread, the mother had to leave, had problems in the head, locked away so they say, for a year and a day. She'll be back, Mary says. Alice sighs, I love you, I want you to stand in for Mother, between us, Alice says. Mary sits on a chair, flushes red, between us I can be I suppose, Mary says. Uncertain of her pledge she gazes at the child standing there. Need a hug, Alice says, motherly. Mary feels at a lost what to do. Can I sit on your lap? Alice asks. Mary nods and opens her thin arms. Alice walks to Mary and climbs up on her lap, lays her head on Mary's silky ******* smells apples and green soap. Mary hugs her closer, kisses on the child's head. Love you, too, Mary says. Our secret, Alice says, none must know. None will know, Mary says, just we two. Nanny's voice echoes down the passage Best go now, Mary says, learn for me at lessons, do your best, my daughter adopted. Alice nods, kisses quick, then goes up the back stairs out of sight. Seen Alice? Nanny asks. Not at all, Mary lies, sees the dark cruel eyes scan the room. She'll be pained if she's caught down this end, Nanny says. Then she gone, her black skirt swishing loud, the black shoes going click, clack, click, clack. Mary gives a rude sign with fingers behind fat Nanny's back.
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153
I hear the bugle now,I see the frugal how they scrimp to save,to become the slave of lesser gods,to calculate the weights,though even,odd it seems that in my dreams all things being equal, no one prepared for me the sequel to the sage or wrote homework on the workhouse page, when poverty becomes all the rage I shall be rich, shall stitch in all its finery with golden threads and count my wealth in binary code, throw digits to the Kings of the road when poverty becomes of age.
0
Jun 15, 2014
Jun 15, 2014 at 1:38 AM UTC
Scullery maids and milk churns.
I don't want to sound pretentious, I don't want to be a bore. But my car is a Lamborghini And yours is just a Ford My home is my castle, Seven bedrooms to explore. I have a maid in the scullery, And marble on the floor. I dress in top designer chic, My jewellery's in the vault, I have a gun beneath my pillow, It's really not my fault. There's floodlights in the garden And security alarm fired up, I see a psychologist weekly To ensure my brains not stuck I want to build a pyramid, So when my time has come, I can take the whole lot with me So I won't be worrisome!
0
Apr 11, 2014
Apr 11, 2014 at 3:24 PM UTC
Possessions
Have you ever been Cinderella at the ball? Have you ever stood there so completely in awe of the impossible wonderful you're experiencing? Have you ever had to leave the ball so no one sees your riches turn to rags Return to the drudgery of a reality full of tyrants and sycophants; Thinking that you'll be okay going back to being just you after the clock strikes midnight? How do you go back? How do you ever taste anything the same again? How do you learn to not ache for that kind of love; that kind of beauty? How do you go back to living as a scullery maid? How do you go back to the cold hearth alone? Do you tell yourself you never deserved it? Do you tell yourself it wasn't real? Do you tell yourself the prince never cared? Do you just sit alone by your hearth, covered in the day's cinders and hope beyond hope that it wasn't all in your head?
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Oct 20, 2015
Oct 20, 2015 at 2:00 AM UTC
Cinderella story
Picture in me the ravening beast and you’ll have a sketch of my character; though I’ll warn you it is not I who stalks deadly in the night, looking for soft flesh on fleeing feet and the taste of fear. I save my prowling for the scullery door and the elusive glow of the hot oven. I am the Thing That Scuttles, the Devourer of Grains, a card carrying member of the Cheese Sanctification Society. (Progenitor of Pestilence, too, if you want to get fancy). Stop up your cracks and close your cellar doors. Anything less than a full lock down I consider an invitation. There are no spells to keep me away for long. No beauty dares kiss my lips and try to change me. Isn’t that grand? I know of no creature more comforted by their own monstrosity than I.
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Nov 17, 2012
Nov 17, 2012 at 10:07 AM UTC
The Rat
Lady & Lord Dawson presumably lived quite peacefully, until one day- Lady Dawson announced ; " Forsooth" Thy Lord Husband Ti's heavy a heart I bear- I spied Thy self without powder or wig, Not in thy house- Betwixt an-others arms Thy Lord Husband & thy Scullery Maid in thy own barn" Betwixt looks on thee tempestuous pocked face Never rakishly looked to Thee own Lady Wife the same Not Thee be sad Thy heart never break For Thy love never came. Marriage of Thy Parents wishes & Thee inheriting Thy gain! Lady & Lord Dawson " Lived" Quite Peacefully............. (possibly 2 be continued) Always Me Ayeshah
0
Mar 13, 2010
Mar 13, 2010 at 3:57 AM UTC
Lady & Lord Dawson LOL (act 1 scene 2 )
My Sister Annabel wore a button hole Anemone, reflecting a broken heart Sometimes trellises harness country abounds where the Land owner promises wealth and company and instead finds himself a scullery maid where the Mastiffs in another life may have been the commonable.
0
Oct 22, 2012
Oct 22, 2012 at 5:22 PM UTC
My Sister may have been
You're what? Mrs Broadbeam said gazing at Mary the kitchen maid who stood facing her hands behind her back red knuckles clutching each other Miss Alice's lady's maid Mary said softly eyeing the cook fearing her censure lady's maid? you? who said? Mrs Broadbeam uttered spitting as she did so His Lordship Mary said just now when I went to see him Mrs Broadbeam breathed deeply and stared at the thin girl before her but you know nothing about Miss Alice and she hardly knows you the cook said Mary said nothing about Miss Alice climbing into her bed one night and insisting Mary be her adopted mother as her own mother was ill away in hospital called an asylum I know her Mary said I took her for walks and we saw the horses in the stables when the nanny asked me to look after her the other month asked you? the cook said that's her job not yours Mary looked past the cook at the stove where a *** was boiling and how am I to manage without you? Mrs Broadbeam said the nanny said she will get another girl to help you Mary said looking back at the cook Mrs Broadbeam sighed a big sigh and when is this meant to start? the cook said Sunday for church and after Mary said blinking and biting her lip there was silence and stares and big heaving of breath quietly all right well until then don't stand there there is work to be done potatoes to peel washing up to wash and dry Mary nodded her head and putting her apron about her waist walked off to the scullery to begin more work the voice of the cook bellowing from afar from the kitchen pots and pans banging then silence then the cook's voice singing.
0
Jan 11, 2016
Jan 11, 2016 at 2:50 PM UTC
STEP UP 1901.
You're what? Mrs Broadbeam said gazing at Mary the kitchen maid who stood facing her hands behind her back red knuckles clutching each other Miss Alice's lady's maid Mary said softly eyeing the cook fearing her censure lady's maid? you? who said? Mrs Broadbeam uttered spitting as she did so His Lordship Mary said just now when I went to see him Mrs Broadbeam breathed deeply and stared at the thin girl before her but you know nothing about Miss Alice and she hardly knows you the cook said Mary said nothing about Miss Alice climbing into her bed one night and insisting Mary be her adopted mother as her own mother was ill away in hospital called an asylum I know her Mary said I took her for walks and we saw the horses in the stables when the nanny asked me to look after her the other month asked you? the cook said that's her job not yours Mary looked past the cook at the stove where a *** was boiling and how am I to manage without you? Mrs Broadbeam said the nanny said she will get another girl to help you Mary said looking back at the cook Mrs Broadbeam sighed a big sigh and when is this meant to start? the cook said Sunday for church and after Mary said blinking and biting her lip there was silence and stares and big heaving of breath quietly all right well until then don't stand there there is work to be done potatoes to peel washing up to wash and dry Mary nodded her head and putting her apron about her waist walked off to the scullery to begin more work the voice of the cook bellowing from afar from the kitchen pots and pans banging then silence then the cook's voice singing.
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74
Outside the door of the butler Dudman Polly sticks up two fingers at him and mouths a string of four-letter words she strides off towards the kitchen where Mrs Gripe (the cook) is waiting for her Polly's thoughts are on George(master) and what Dudman said about her not having *** with him when he comes home from the place he is resting with shell-shock from the War or you will be fired she hears Dudman's voice in her ears as she climbs down the stairs and along the passage way she passes Susie near the kitchen entering the scullery where have you been? Susie says eyeing her never you mind Polly says and enters the kitchen where Gripe stands hands on her hips and gazing at her where you been? Been waiting for you Gripe says coldly Polly bites her tongue and goes to the sink and begins to peel the potatoes cat got your tongue? I said where have you been? Gripe says Mr Dudman wanted to see me about something but I am here now Polly says Gripe stares at her what about? Gripe says ask him Polly says peeling the potatoes with viciousness I am asking you Gripe says and I expect respect not rudeness girl Polly gouges out a potatoes eye and turns towards Gripe about something I do and mustn't do in future and I am sorry for being rude Polly says Gripe stares at her and Polly stares back about you and Master George? Gripe says Polly reddens and looks away and nods be discreet and careful if Master George wants you Gripe says quietly and turns away and puts a big saucepan on the stove silence comes and Polly peels on and wonders what George is doing now and maybe she thinks Gripe isn't always the big cow.
0
Jun 19, 2016
Jun 19, 2016 at 1:16 AM UTC
THE BIG COW 1916.
Outside the door of the butler Dudman Polly sticks up two fingers at him and mouths a string of four-letter words she strides off towards the kitchen where Mrs Gripe (the cook) is waiting for her Polly's thoughts are on George(master) and what Dudman said about her not having *** with him when he comes home from the place he is resting with shell-shock from the War or you will be fired she hears Dudman's voice in her ears as she climbs down the stairs and along the passage way she passes Susie near the kitchen entering the scullery where have you been? Susie says eyeing her never you mind Polly says and enters the kitchen where Gripe stands hands on her hips and gazing at her where you been? Been waiting for you Gripe says coldly Polly bites her tongue and goes to the sink and begins to peel the potatoes cat got your tongue? I said where have you been? Gripe says Mr Dudman wanted to see me about something but I am here now Polly says Gripe stares at her what about? Gripe says ask him Polly says peeling the potatoes with viciousness I am asking you Gripe says and I expect respect not rudeness girl Polly gouges out a potatoes eye and turns towards Gripe about something I do and mustn't do in future and I am sorry for being rude Polly says Gripe stares at her and Polly stares back about you and Master George? Gripe says Polly reddens and looks away and nods be discreet and careful if Master George wants you Gripe says quietly and turns away and puts a big saucepan on the stove silence comes and Polly peels on and wonders what George is doing now and maybe she thinks Gripe isn't always the big cow.
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94
Grandmother had told me tales of the past, Fairytales that we’ve all heard of, The maidens in the scullery maid attire, transforming to the princesses with the embroidered and jeweled gowns; rivulets of silks and satins, blue as the sea, greener than the highlands, more purple then the dusky skylines, a true stamp of royalty, poise, eloquence, and beauty. And ensembles topped off with gold encrusted and amethyst crowns. Sure, the fairytales were what I lingered onto during the years of my inexplicitly innocent childhood, that I wished I still had. I missed it, the tales, the anecdotes that shaped my perception on love, hope, and faith, far off from what I viewed in the looking mirror today. I missed my grandmother’s hands, brittle and worn, but kind and warm; I still thought about them as I cleaned out the attic in which I’d forgotten existed. And I grew up, my memories of it faded, now covered in cobwebs and bristling wind that sent a chill up my spine, but I found much more than what my memory had allowed me to collect. Amulets from what I assumed to be my grandmother’s youth were stowed and tucked away in the alcove of a velvet shelf, hidden by the splintered of decaying wood. Next to the swell of the dresser, the door of the furnishing remained ajar, revealing manila colored increments of letters, some harbored by the envelopes, some pierced out in the open. The edges had crippled away, flecks falling to the sandalwood bottom. They were timeless, old, maybe not important, to the wandering eyes of a stranger. But to me - they held a mystery that was waiting to be unraveled. A story of my grandmother’s life she never shared with me, just as private as she was open, perhaps I’d find in those envelopes the same mindset I also had when I was young. Perhaps she believed and dreamt of fairytales I had once done, paraded around in the jewels and bangles hidden way, basked in the ambiance of a sweet love that was doomed to end in the decay of both parties. Little figurines of silver and gold were placed under one of the drawers parked away in the furnishing, toys form her childhood, weighted by standard and price. Her words I had adored as a child, ate them up like sickly syrup and supported them as if they were undiscovered treasure, but now I finally got to “see” my grandmother’s treasures deposited in her attic, the very place she had hidden the most interesting stories that she left for me to discover after she left.
0
Dec 12, 2018
Dec 12, 2018 at 9:26 PM UTC
; A Fairytale in the Attic
Grandmother had told me tales of the past, Fairytales that we’ve all heard of, The maidens in the scullery maid attire, transforming to the princesses with the embroidered and jeweled gowns; rivulets of silks and satins, blue as the sea, greener than the highlands, more purple then the dusky skylines, a true stamp of royalty, poise, eloquence, and beauty. And ensembles topped off with gold encrusted and amethyst crowns. Sure, the fairytales were what I lingered onto during the years of my inexplicitly innocent childhood, that I wished I still had. I missed it, the tales, the anecdotes that shaped my perception on love, hope, and faith, far off from what I viewed in the looking mirror today. I missed my grandmother’s hands, brittle and worn, but kind and warm; I still thought about them as I cleaned out the attic in which I’d forgotten existed. And I grew up, my memories of it faded, now covered in cobwebs and bristling wind that sent a chill up my spine, but I found much more than what my memory had allowed me to collect. Amulets from what I assumed to be my grandmother’s youth were stowed and tucked away in the alcove of a velvet shelf, hidden by the splintered of decaying wood. Next to the swell of the dresser, the door of the furnishing remained ajar, revealing manila colored increments of letters, some harbored by the envelopes, some pierced out in the open. The edges had crippled away, flecks falling to the sandalwood bottom. They were timeless, old, maybe not important, to the wandering eyes of a stranger. But to me - they held a mystery that was waiting to be unraveled. A story of my grandmother’s life she never shared with me, just as private as she was open, perhaps I’d find in those envelopes the same mindset I also had when I was young. Perhaps she believed and dreamt of fairytales I had once done, paraded around in the jewels and bangles hidden way, basked in the ambiance of a sweet love that was doomed to end in the decay of both parties. Little figurines of silver and gold were placed under one of the drawers parked away in the furnishing, toys form her childhood, weighted by standard and price. Her words I had adored as a child, ate them up like sickly syrup and supported them as if they were undiscovered treasure, but now I finally got to “see” my grandmother’s treasures deposited in her attic, the very place she had hidden the most interesting stories that she left for me to discover after she left.
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53
If after a certain age you cannot be your own counsel forget everything and go become a Socialist they do a good line in regurgitating Bullshite With mixed up minds and ideology of hate and envy Devils Advocates on temporary release from the madhouses they say politics is spin and opposing sanity is power The boring tonton Macoute fantasists and deluded failures in hidden affrays no rhyme or logic, the demagogues of the brainless and losers paranoid semi-illiterates pontificating on their superiors affairs What the blind butler saw meets what life below stairs reakons as they drain the remaining drops of champagne flutes they ferry in silver trays back to the scullery and in that familiar Valhalla, they are gods who rule the world
0
Aug 13, 2019
Aug 13, 2019 at 9:36 PM UTC
Boring, boring, boring....yawn!
The Lady Mary had locked the door And called the scullery maid, The Boots was called and the Footman, So they thought they were being paid, She lined them up with the Butler, The Housemaid, skivvy and Cook, ‘You’re not to go wandering out the door, Not even to take a look!’ She knew her word, though the very law, Was never to go down well, For Alice was sweet on a lawyer’s clerk, A lockdown seemed like hell. The Footman needed his racing mates To place a bet on the book, So the Lady Mary had made it plain, ‘Not even a peep or a look!’ The grumbling went with the Cook downstairs As they stood, and waited for tea, ‘It’s all very well for the likes of her, There’s places I have to be!’ ‘Enough of this nonsense,’ the Butler said, ‘We’re lucky to grace her floor, If you want to leave in a fit of peeve You’ll never get back in the door.’ They huddled down for a week or more It was better than paying rent, But a silence settled on every floor For nobody came, or went, The pantry shelves were emptying out But the tradesmen never came, ‘We’re going to starve,’ was the one lament When they ate the last of the game. The Footman called the Scullery Maid And they huddled up on a pew, ‘If you sneak out for an hour tonight, Then I will cover for you, And you can visit your lawyer’s clerk Then place a bet on the book, I’ll let you in when it’s nice and dark…’ ‘I will, by hook or by crook!’ She slipped on out by the kitchen door And he turned the key in the lock, Watched the Butler heading for bed And sat by the kitchen clock. At ten o’clock, with a tiny tap She had made her prescence felt, And tumbled in as he opened the door, Went straight to the hearth, and knelt. He locked the door, then he heard her sob And saw that her head was bent, She stared so long and hard at the floor That he thought his bet was spent. ‘What ails you Alice, now what went wrong, Don’t give me none of your lies!’ She looked up into his face just then And he saw blood stream from her eyes!’ ‘They’re dead, all dead,’ were the words she said As her tears had mixed with the blood, Your racing pals and my lawyers clerk, And the horses, down at the stud. The Lady Mary, she should have said…’ But he cut her off right there, Leapt up, unlocking the kitchen door He dragged her out by her hair. He locked the door and he scrubbed his hands But he’d locked the beast within, As blood then streamed from his Footman’s eyes And he earned the wages of sin. The Lady Mary came down the stair To find him, dead on the floor, And said to the Cook, with blood red eyes, ‘You’d best fling open the door!’ David Lewis Paget
0
Jan 3, 2015
Jan 3, 2015 at 11:58 PM UTC
The Wages of Sin
The Lady Mary had locked the door And called the scullery maid, The Boots was called and the Footman, So they thought they were being paid, She lined them up with the Butler, The Housemaid, skivvy and Cook, ‘You’re not to go wandering out the door, Not even to take a look!’ She knew her word, though the very law, Was never to go down well, For Alice was sweet on a lawyer’s clerk, A lockdown seemed like hell. The Footman needed his racing mates To place a bet on the book, So the Lady Mary had made it plain, ‘Not even a peep or a look!’ The grumbling went with the Cook downstairs As they stood, and waited for tea, ‘It’s all very well for the likes of her, There’s places I have to be!’ ‘Enough of this nonsense,’ the Butler said, ‘We’re lucky to grace her floor, If you want to leave in a fit of peeve You’ll never get back in the door.’ They huddled down for a week or more It was better than paying rent, But a silence settled on every floor For nobody came, or went, The pantry shelves were emptying out But the tradesmen never came, ‘We’re going to starve,’ was the one lament When they ate the last of the game. The Footman called the Scullery Maid And they huddled up on a pew, ‘If you sneak out for an hour tonight, Then I will cover for you, And you can visit your lawyer’s clerk Then place a bet on the book, I’ll let you in when it’s nice and dark…’ ‘I will, by hook or by crook!’ She slipped on out by the kitchen door And he turned the key in the lock, Watched the Butler heading for bed And sat by the kitchen clock. At ten o’clock, with a tiny tap She had made her prescence felt, And tumbled in as he opened the door, Went straight to the hearth, and knelt. He locked the door, then he heard her sob And saw that her head was bent, She stared so long and hard at the floor That he thought his bet was spent. ‘What ails you Alice, now what went wrong, Don’t give me none of your lies!’ She looked up into his face just then And he saw blood stream from her eyes!’ ‘They’re dead, all dead,’ were the words she said As her tears had mixed with the blood, Your racing pals and my lawyers clerk, And the horses, down at the stud. The Lady Mary, she should have said…’ But he cut her off right there, Leapt up, unlocking the kitchen door He dragged her out by her hair. He locked the door and he scrubbed his hands But he’d locked the beast within, As blood then streamed from his Footman’s eyes And he earned the wages of sin. The Lady Mary came down the stair To find him, dead on the floor, And said to the Cook, with blood red eyes, ‘You’d best fling open the door!’ David Lewis Paget
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73
early mountain for haze of scullery on a catch of spice
0
Feb 18, 2021
Feb 18, 2021 at 1:49 PM UTC
New Tendancy
The Italian monk eyed me in the refectory. I watched him I had no choice he was opposite me. He ate slow his jaw moving to a slow rhythm. God centered he said later in the scullery as we washed the dishes after lunch that is what we are God centered he said. Sunlight filtered through the coloured glass of the refectory on to the polished wooden floor I gazed at it while the monk read from some book on Oliver Cromwell in a mono-toned voice. We sat in her lounge she kissed me whispered suggestive things in my ear in her warm **** voice and we did. George tolled the bell for the office of Vespers I lined up behind the tall dark tonsured monk who smelt of baked bread. The afternoon light was bright and shone through the branches of the one tree in the cloister garth. Focus on God the French monk said to me in French Gareth translated for me I said I would or did or some such answer in my poor French. Whatever you do do with all your heart Dom Joseph said quoting St Paul as we sat on the private beach of the abbey the other novices tossed stones along the incoming tide. She shut her mutt in the kitchen where it whined we went to her bedroom and had *** She not thinking of her husband coming home from his job but I thinking of just that imagining him standing by the bedroom door with a displeased face. The bell for Compline rang the monks stood in the choir stalls in their black robes. I stood in the semi dark mouthing the Latin chant of the office the others were professional I was just a novice.
0
Jun 2, 2017
Jun 2, 2017 at 3:30 PM UTC
THE NOVICE MCMLXXI.
The Italian monk eyed me in the refectory. I watched him I had no choice he was opposite me. He ate slow his jaw moving to a slow rhythm. God centered he said later in the scullery as we washed the dishes after lunch that is what we are God centered he said. Sunlight filtered through the coloured glass of the refectory on to the polished wooden floor I gazed at it while the monk read from some book on Oliver Cromwell in a mono-toned voice. We sat in her lounge she kissed me whispered suggestive things in my ear in her warm **** voice and we did. George tolled the bell for the office of Vespers I lined up behind the tall dark tonsured monk who smelt of baked bread. The afternoon light was bright and shone through the branches of the one tree in the cloister garth. Focus on God the French monk said to me in French Gareth translated for me I said I would or did or some such answer in my poor French. Whatever you do do with all your heart Dom Joseph said quoting St Paul as we sat on the private beach of the abbey the other novices tossed stones along the incoming tide. She shut her mutt in the kitchen where it whined we went to her bedroom and had *** She not thinking of her husband coming home from his job but I thinking of just that imagining him standing by the bedroom door with a displeased face. The bell for Compline rang the monks stood in the choir stalls in their black robes. I stood in the semi dark mouthing the Latin chant of the office the others were professional I was just a novice.
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98
My thanks to James Stephen for his input on this work. on the other side of the path one yellow flower ** early, the crowd came to see the famous arch . laburnum. i came to see the kitchen garden, seeds growing ** old words for things once common when the things disappeared the words went with them ** some words remain remembered; scullery, coal scuttle, hod, broom. that is yellow. ** have a vacuum for most things broom is for incidentals, crevices, or when I'm lazy 'bout getting vacuum out broom is red with matching dustpan ** i have a vacuum there is nothing there. the broom is for the garden mainly or elsewhere for smelling like coconut ** sweep your garden ? ** slate bits came from gloddfa ganol....quarry in blaenau. front yard. leaves fall. ** leaves here falling too a tree here a tree there so far soon it will be all of them together a collective shed next 6 months nothing but bare branches ** these are the falling days.
0
Sep 24, 2017
Sep 24, 2017 at 1:26 AM UTC
.on the other side, talking to james.
The hotel room in St. Asaph (Wales), was damp and smelt of spent body passion, I didn’t have a coin for the gas metre; in the decomposing bed a woman Snored, and from the depth of my soul the beginning of an anguished scream. the morning was ashen as my face and find drizzle fell. The hotel bar was closed, I walked for bone aching for miles while the heaven descended. Apocalypse Now! No such luck, when the clouds parted the hills where green with grazing sheep on. Dear God, where were you yesterday when I married a scullery maid, have you no mercy.
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Aug 15, 2017
Aug 15, 2017 at 3:27 AM UTC
the marriage
1. In Springtime I recall the lilacs sweet scented Growing up the right hand fence at the bottom, Of a rather overgrown and swayward garden. Each flower part of a composite bloom, opening slowly its tiny Trumpet like stamens from where the bees suckled Filling their back legs with yellow powdered nectar Which made honey for sandwiches at teatime. 2. On my way to infant’s school I would clasp Handfuls of sweet cherry blossom petals The tips of each petal turning brown in the sun My shoes covered as I kicked heaps of this candy floss Pink tissue paper along the road as I thought about school And the day ahead, in my brown Clark’s leather sandals. 3. The smell of the scrapings of new potatoes floating In tap water in a blue polythene bowl in our scullery And on my mother’s cracked, dry and sore hands Ingrained with the dirt from compost and soil. I loved these hands rough yet gentle to stroke a face. Love Mary September 12 /201
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Sep 12, 2019
Sep 12, 2019 at 11:49 AM UTC
Before I forget.
I am finished with being a muse – The victimized wet-dream of art Who, slowly turning on a dais Raised on superficial planks, Will soon be a forgotten toy That once loved, now has lost its charm, And crushed into a corner waits Till memory renews its rank. The gods can have this blessing back. I'll mar my face and tear my hair And burn my robe and crown of gold And wade in mud up to my knee, Or suffer cows and sweat for milk, Or brave a sea of mug and chair. Oh, silver platter-washing, I Would gladly be ordinary! Yet, bar-girls also have to feign And feint from lofty thoughts of He. And milkmaids, too, are often set Upon a stool above their wish. From scullery to cloudless mount, If privy parts inverted be, You serve the wielder of the wand, Obliged to lie down as his dish.
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May 3, 2019
May 3, 2019 at 10:30 PM UTC
I Do Not Want To Be A Muse
He said he would make you his Queen. In reality he treats you like a Scullery maid.
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Jan 19, 2019
Jan 19, 2019 at 1:46 PM UTC
Not the 1800's