once I had a master
whose name lent some dignity and glamour
now I wander
free of institution
free of protocol and guidelines
I am the wandering ronin
nowhere to belong, related to none
and so coming in to freedom

when I was within Order and File And Rank
when I was within Identity and Badge and the Group
I had recognition and complacency
Now I am the ronin with no labels
wandering as I desire
unfettered as the birds of the sky
and as the ocean waves
Now I have no rules to follow, no obligations
just the rhythm of love and justice
Now I see all that I thought was necessary was but a burden;
the price for my place had been my freedom
And now I am the wandering ronin
uninhibited, unconditioned, free
as a sparrow might choose to rest where it pleases

Gliding in air
was an eerie delightful hue
hanging high above violet and blue,
for eons no one had knew,
the peon pest probing around
the howling zoo,
rhyming and roaming
hiding and hoping
flighty the ronin
ran,
groping every moment he could come to
as a token to his gallantry
the guidance to his apathy
decided to devise his only strife
to live happily

. she was 19, i was 21, and i guess i was the first boy who treated her decently, allowed her to slap me in the face and stood like a copper statue before her... she wouldn't have made it at university among all the English yuppies, being pregnant... turns out, she might have opted for the Juno (the movie) route... all i know is that she graduated with a masters in anthropology... she was up in Edinburgh, i was back in London, roofing with my father doing the Scottish Widows HQ and then some other project, trying to weave myself into a managerial position in some roofing company... but then? the psychosis spiral... oddly enough - no hammers, no hearing voices wielding a hammer running down the street naked... contained... walked into a church near King's Cross st., lay on beside a the side altar, pulled the cloth from the altar, and wrapped myself in it... then heard singing, had my iPod with me... turned it off... turned it on again, turned it off... the singing still echoed the church... got up, put the cloth back onto the altar and started running around the church aisles... then a great wind dispersed the singing... what kept my sanity? well... given that i was smoking marijuana and fasting? one word... sátān... the whole 40 days in the desert? cut short... in a concrete desert... i phoned my then ex-girlfriend to meet me at this spot outside the church - right across from a royal mail HQ - and i remember the words: can you bring me bread, and water? nothing... on my own then... no... that sort of experience is no cause for jubilation, there is no ******* euphoria: you're talking about ******* it - in my case? thankfully that's only metaphorical... and i'm not buying the psychiatric *******, the easy way out answer: ooh... but youz ver in a church... what?! what the **** are these people talking about? sober people are allowed to have these experiences? well, really?! so why so many of them are negating or doubting intellectuals?! negation is the new doubt... somehow i managed to fend off the atypical munchies routine while smoking marijuana while walking in public... never bothered me... i was a reggae ***** at the time... notably Israel Vibration, Stephen Marley, Damian & Culture... & ***** and the Maytals... cliche, i know... but **** and rap?! seriously? gangster whatever the hell that means... i've just read an article about cultural appropriation... so what has the Jamaican Rastafarian culture have to do with Old Testament prophets?! JAH... they're always singing about JAH... it's a ******* yak! yah! a german YA! cultural appropriation my ***! it's Jamie Oliver's **** sauce! ****'s sake! yeah, right, Bambi on Jamaica smoking a silly one doing the reinvention of king David's psalms... no cultural appropriation there... nope... none... nothing... nothing wrong with Alpha Blondy singing about Yerushalem... nope... no cultural appropriation.... nope... none... nothing! i mentioned these bands to my Jamaican **** seller... big on the Illuminati conspiracy theories, i liked to listen to him ramble... hardly a Charlie Temple paranoid... loved his ox tail broth, his grandma made it for him... and a pretty daughter, but no mother... eh? his Thai ****? i'd prefer the shorter span of a tobacco high... where? near my old high school, Canon Palmer R.C. - now a ******* academy! whoop! whoop! sound the klaxon! you don't experience what i've experienced and start a cult with *** ****** in mind... like **** if you think you do... you... lay low... you puncture the existentialist exodus from Cartesian doubt - namely outright negation - and you wait for the revitalization of doubt, namely the pop culture variant of belief... doubt is, oddly enough, a variant of belief... and belief? be a leaf... just remember you were once attached to a branch of a tree.

yeah...

        a catholic school isn't
exactly a Jesuit school...

but being asked questions
about abortion
and euthanasia

   aged 15 or 16?

in real life?
  you short-circuit, glitch,
become ronin -

    the personal life, details?
too messy...
   she tells you she's taking
contraceptives,
   she's ends up self-harming...
she says she was abducted
and held for ransom,
she's a russian citizen,
her ex-boyfriend is still
hanging around,
  a son of some Russian oligarch...
you've only dated for a
bunch of months that do not
even make it half a year...
you don't mind condoms,
because... hell...
you'd love to see her wearing
latex...

     you know, the usual bits & bobs...

voodoo...
    for some strange reason i woke
up, and the ring finger blister
on my left hand, made by burning
out a cigarette on it
started bleeding:
  close to the bone -
and look! you get a slot motion
of your body recovering!
  no disclaimer concerning
the pros to what sharp objects
women do, by cutting...

but you know...
      asking a 15 / 16 year old
about his opinion
  about either abortion
or euthanasia?
  bad ******* move...
           at this point i'm thinking:
thank ****...

what does it even mean,
when a woman says it,
she's not exactly point-break
on Cartesian logic...

'matt, i think i'm pregnant'
'well, you know what you should
do, get an abortion.'

mind you... i am a citizen of a country
where abortion is legal...
hell, it might have worked,
*** was good, she could
reciprocate that sentiment...

oh, but if there is a kid at the end
of the tunnel?
i **** sure hope he doesn't
contact me, like a kid from
a ***** donor clinic...
      there's something malicious
waiting for him for me
to add about his mamma -

   aligned?
oh you know... *****, Henny,
  Diana and the Egyptian...
   go Charlie go!

                  please please keep
your name... we need a Charles trinity!

so yeah... Roman Catholic school...
****! oh right, outer east end of London...
Paddy central...
               i wonder...
                  but i'll never know...
the Polish Catholics are leaving...
               good on 'em...
          (yadda yadda, yeah yeah, for them)...

i'll never know...
   am i angry?
               i listen to Byzantine and Templar
chants and drink to a well earned
excess...
               sometimes the odd Bulgarian
******* to hug...
    
oh right... that one last time?
i didn't forget my genitals...
   i did an uncourteous lax of etiquette...
****!
           now it makes sense!
i forgot to trim my ***** hair!
(mumbling out) ******* eureka.

There was a smitten kitten, too hot to wear mittens,
whose conventions sent you over the moon.
She liked hiking tall towers,
sniffing lavender flowers
and smiling when tunes were crooned.

It is known and it's written,
many cats liked Smitten Kitten,
some still do to this day.
There were polecats, fat cats, tall cats, small cats and cats that were all work and no play.
There were fast cats, scaredy-cats and cats who only came out at night or the day.
There were even other kittens,
too hot for their mittens,
who loved when she'd come out to play.
All were fun,
had their day in the sun,
but none purred smitten kitten the right way.

It has been said and has been written that smitten kitten,
too hot for her mittens,
without pretense or condition,
had a purring penchant for cellar rats and precision in the kitchen.
In the French district downtown,
near the alleys by the Sound,
some nights she waits for one Ronin Chef,
for last time he left,
a tall and a tasty treat.
Smitten Kitten gives pause,  
relaxes her claws,
licking her paws...she wishes,
for his white wine-kissed elaborate fish dishes
and dreams of what next he will make.
Her tongue and mouth can’t wait.

Tonight it occurs,
he arrives...she purrs,
on the alley wall she curls up and takes a seat.
Endearingly peering through the window...she thinks...
"Whilst he stack his plates with mouth-watering innuendo?"
"Whilst he whip the spicy sauces and flames into a great crescendo?"
He begins...as so...
He chops and he flips sizzled serranos, hot on the lips,
and stacks seasoned seafood high on a plate.
His old radio is tuned
to a station crooning tunes,
twisting tongs and spinning spoons,
the One Ronin chef shoots for the moon.
The chef vigorously bakes and flambés,
stirs curds away,
hands so fast it's alluringly blurring.
He says not a word nor nary a chanced glance occurring.
Smitten Kitten's eyes glazed,
her mouth watering for "amaze"!
Food spins, is seared and is braised.
pots clambered!
hot buns glazed!
fruit hammered!
Sauces ablaze!
Bang, Boom!!

Alas it was done,
Her heart and appetite had been won.
And the chef began to tear the kitchen down and moved out of sight.
Suddenly she scampered and hid,
as a savory stacked plate was slid
carefully out the backdoor and out of the way.

The chef it occurs
had made it for her,
and her fur began to frazzle and fray.  
She sniffed the array of flavor,
her palette began to saveur,
the salt,
the unami,
the spicy and sweet.

It is said and is written,
from Smitten Kitten’s first bite bitten,
she remains stunned, amazed and enamored, to this day.

Just a wicked peacenik’n quick draw from the Paw
Game of Thrones’n the Shah, cRussian bones of the law
When the baby-skull splitters want nuclear winter
Ideal New Cold steel and send Chernobyl shivers
Down Roman Republicans’ severed headlines
Till there’s no more dead kids on for prophet front lines
I’m in exile sharpenin’ [sic]kles in style
Pyongyang’n Kuomintang climate denials
Erasing their nation-hate racial profiles
Outpacing their skinhead disgraces by miles
Shell casin’ this place like the Nuremberg trials
For Fords sellin’ swastikas stockpile bibles
Defiled by Normandy tide genocidals
Fresh meat off the boat spreadin’ Plague mercantiles
I smile and **** ‘em with kindness
Then grind
Battle tax in my acid bath
Salt Marchin’ prime
Because WAR IS THE CRIME
I’m the Clown Prince of Rhyme,
Level 9 state of mind
Like the state of Rakhine
The Black Hand before time
Runnin’ Africa’s Luciest Sky Diamond mine
I’m the ronin alone in
The monkey god shrine
And my guile’s reprisal’s Versailles treaty signed
Strippin’ pride from the Rhine
Now your Motherland’s mine
Swine

the new gillette ad.,
******,
please,
DON'T SHAVE...
no Lenin stasi,
not alt.
to whatever left
or right in
copernican
terminology is...

"culture war":
basically,
warring with ronin...
or no factions...
or no shogun
to, mind the matter...
stop shaving,
what is the worst
that could happen,
your face looking
like a 1970s
gyrating *****
bits...

SLO' 'N' GRO'.....
a beard:
which doesn't imply:
any more
of the worth of man,
but a man's worth:
nonetheless,
like Gump Forrest Gump
said:
i know what love is,
Jenny...
  and i know
what a ******* ice-cream
berg-that-sunk-the-Titanic
looks like like: Steward.
none of us are
leaving this *******
being, the either
to either suit a cosmos
of choice: ever
the two smart ones
apart...
savvy?

you're are dumb as
chalk contra brick...
and i am cheese
with an adjective's worth
of of chalk...

lookie 'ere:
a humming camel!
**** me...

i said: *******...
can you even imagine...
i tortured that oyster's worth
of an excess of skin...
in terms of genitals...
parody of 242...
and i ate and ate and ate
that ****...
no praise...

       i recovered my mouth
and the mandible jaw
only when i looked
like:
   having just eaten a slab
of tinned mackerel...
   ugly: born the 4th of july
family fwendy antics
sort of picture...
  all: oily...
like...
my body was dipped
in sea,
but all my mouth was
alright with the religious
procedure of:
mouth dipped in oil:
a messiah is born!

oh don't get me wrong:
i much enjoyed
oral *** performed on
women...
one amsterdam *******
informed me:
laughing...

    you know what
oral *** is like,
misnomer
the canvas of
                prostitutes?
kissing...
i spent an hour kissing
one,
only because i forgot
to trim m'ah... boosh...

i'm bored:
so what's not new?
gillette ad.....
****, that's old:
stop shaving...
yes,
every time i pick
up one of those
thai misnomers of ***
in the park,
and i search beneath
the drowning-line...
and there's no ****
assurance...
trans-phobia?
    
  gay: love beard...
the *****-suprise,
what?
with a sports-bra?!
did i just buy a chicken
breast or was that
a pork's chisel
worth?

         i was arachnophobic
for a while...
the spider was still there...
i employed the tactic:
forget it's, "there"...
the ****** was still
sitting proud like
a painting of some artist
in the national tate...

Heidegger...

        irrational fears were
fun...
or at least:
that was the basis of
them being subject to
emphasis...
      not like this...
not like this though...

                    come the bataclan
incident:
   and they slaughtered
and ate the genitals
of the men shot dead...

   i: dodo:
english: dodo project -
pidgin english...

               scuttle though:
baron mis-brain
      alias:
       and whatever
   dumb-do-dumb-better-be
is noorm...
      
cannot the protest
averting the gillette ad.
be nothing more than:
don't shave?

        hell...
i'm all loser, all beavis & butthead
& beck & radiohead
ready...

               what i supposed
to be... a solo lone creep
actor readying for
the apocalypse of
              what has become
the glory-hole
  contra latex
                    fetish riddles
of...
    the remnant man?

yeah...
i'm trans-phobic...
in that:
i could never fathom
anything coming
in, rather than out,
of that 'ole of
prostate massage
sitting's worth...
but being a faked face...

enough for the worth
of a bearded Beatrice
to suffocate my
limp's worth of:
the sort that requires
an insomniac *****...

i'm trans-phobic,
in terms of
being allocated
the pretense of
having to experiences
a thai surprise...
which is basically
a bisexual girl
picked up in a park
off a bench,
donning a sports bra
and a short-hair
cut...

   what's the difference
between a trans-phobia
and a thai-surprise?

and what isn't?
          - i could never find
a crop of short hair on a woman
unappealing;
every ****** has a tom-boy
haircut...
and what isn't nabokov:
will certainly not be
a john williams novel: stoner...

the really people
of the seriousness literature
of novels...
well... being a, "poet"...
i'm the tabloid gnat's
worth of person,
in the economy of selling
toilet paper...
with **** smear's worth
of content to boot...

'appy as i am:
one of belzeebub's
apostles:

        galileo! galileo!

the worth of the most
uneventful life:
encapsulated
in... a riveting... chance:
rather choice...
of words...
  to make...
                it a life...
almost worth living...
or at least allowing
a... posthumous scan
worth of print.

Scene One



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...
*



Urgo: I am attendant 1. Often known as Urgo.



Burgo: I am attendant 2. Always known as Burgo.



Urgo:  You see this creature seated here
            in the wheelchair? 
Can you believe it?

            This creature once wrote poems
            
and its poems still inhabit cyberspace.


Burgo: Oh, this creature did that?


Urgo: Yes, this.


Burgo: I think I’ve read some.

             Not that I can remember any.
             
Not a word, not a title.
 But must have been pretty good, ha?
             
To write all those words, in verse...


Urgo: I don’t know about that.
           
It’s the girls who write. And sissies.
           
And for all that, you know
           
there’s just one word this creature can say.


Burgo: Really? Just one word?


Urgo: Yes.
All right, watch this.
           Come on, Raj-i.

           Hey baby...Burgo here wants to hear you.
           
Just one poem in your one word.
           
Come on, baby - or no soup for you tonight.



Raj: Baa, baa, baa

        Baa, baa, baa

        Baa, baa, baa

       Baa, baa, baa



(Burgo and Urgo clap)



Urgo: Baan-derful, Raj...
Now Burgo,
           let’s wheel the creature back in

           and dump him in
           his corner.



(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)





Scene Two



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...






Urgo: Today, Burgo, is Exercise Your Vocal Chords Day.



Burgo: No problem - Ahhhhhhhhrrrrgggggooooaaaaa.....



Urgo: Not your vocal cords, Burgo.
           
It is Exercise Your vocal Cords Day
            
for our distinguished guest currently
            
on this wheelchair.



Burgo: Ahhh...I see...



Urgo: All right, Raj-i baby...
Exercise your vocal chords 

            and entertain us with your delightful voice...



Raj: Baa, baa, baa
        
Baa, baa, baa

        Baa, baa, baa
        
Baa, baa, baa



(Burgo claps)*



Urgo: OK - that’s enough exercise for the day!
           Let’s go






(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)






Scene Three

...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...


Urgo: Burgo!

Burgo: Sire!

Urgo: Sire? Where in the world
           did you get such a word?

Burgo: Sorry - I thought I was in a *****
             Shakespeare play.

Urgo: Have your head examined, Burgo.
            We’ll never make it there.
            All we have is this 3rd-rate one-act play.

Burgo: I understand. I’m just a little ambitious.

Urgo: Be realistic. Don’t be ambitious.

Burgo: That’s wise, Sire - I mean, Urgo.

Urgo: Well, this creature in the wheelchair,
            for example...It was ambitious...
            and it had a great fall...
            it never knew how to be realistic...
            But more of that, later - first, what Day is it today?

Burgo: It is We Tickle Your Foot Day, today.

Urgo: You learn fast, Burgo.

Burgo: Thank you, Urgo.

(Silence)

Urgo: Well?

Burgo: I’m very well, thank you.

Urgo: You idiot! I mean if you know it is
           We Tickle Your Foot Day, today -
           then what should you do next, you knave!?

Burgo: Oh. Ok.

(Burgo kneels before Raj, takes off Raj’s shoes and with a feather tickles Raj’s feet.)

Raj (laughing): Baa, baa, baa
                              Baa, baa, baa
                              Baa, baa, baa
                             Baa, baa, baa


(Burgo puts Raj’s shoes on again, and his feather back in his pocket and stands up.)



Burgo: You mentioned ambition
              and this creature that sits on the wheelchair.

Urgo: Yes, it is time to exercise my vocal chords.
           This creature forgot, like all creatures,
           we come alone, and we go alone.

Burgo: Ah, at last! - hints of a Shakespearean play
             albeit we’ll never make it into one.
            With ambition, loneliness and all the Lear madness.
            Will we have the lewd parts too
            and rich imagery of body parts?

Urgo: Perhaps...perhaps...but let us stick to the ordinary ...
           This creature was born in 1derLand
           but was washed ashore to foreign shores.


Burgo: Good, good...like Paris, son of Priam and Hecuba?
             O Paris, washed ashore to Sparta
             O so well-loved and nursed by Helen.

Urgo: Yes, except this creature is more akin to the Wanderer
            like Oedipus, or just the indistinct Mendicant,
            the Samurai with no master, a ronin,
             all cursed to wander the face of the earth...

Burgo: Oh - are we in Shakespeare yet?

Urgo: We are in deep ****! That’s where we are!
           We all are.
           Burgo - let us stick to the banal like hamburgers.
          This creature forgot that
          and dreamt of things like poetry, ideals -
          and therein is the moral of the story for you:
          we come alone
          and alone we go
          one at a time we come
          and each we own, and each faculty
          one at a time they go.

Burgo: So let us stick with the banal
             eat our burgers
             and pick our teeth after.
             Do they supply toothpicks at takeaways
             in your country, Urgo?

Urgo: No, we recycle them, Burgo.
           We just pick up discarded ones from the ground.
           Like some nations pick up cigarette butts
           from the bins.
           Waste not; want not.


Burgo: Oh, if this scene goes on any longer
             it might become Shakespearean, Urgo.

Urgo: Ergo - we must go.
          But let us allow Raj to have the last word,
           since this play is entitled
          “ Raj Arumugam, (a one-act tragicomedy)”.
          Idiot of a son! What kind of fool-writer will have a play
          with his own name as the title of his play?!

Burgo: So, Raj-i, you egocentric ******:
             You have the last word in this scene...
             You really put words into my mouth, you ****!

Raj: Baa, baa, ba
        Baa, baa, baa
       Baa, baa, baa
       Baa, baa, baa


Urgo: All right, Let’s go, Burgo.
           Bring him in -
           Let’s drop him in bed
           and may he drop dead!



(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)




Scene Four



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...



*


Urgo: Burgo!


Burgo: Urgo!


Urgo: How long has it been since
           you started work here?


Burgo: 3 months, Urgo. Why?


Urgo: Well, show me a game...I’m bored...a new game...


Burgo: Well, have you played wheelie bin?


Urgo: No.
But Oh I love to delve into world culture.

           Show me.


Burgo: Well, let me show you.

             A wheelie bin is a bin with wheels
             and you put ******* in it
             
and you leave it outside on the kerb
             
and the garbage guy in his truck collects your *******.
             
So this is the game.



(Burgo pushes wheelchair round the stage and sings.)



          This is the way we 
wheel out our wheelie bins
           
this is the way we 
wheel out our bins
           
early every Thursday morning


           This is the way we 
leave our bins,
            our wheelie bins

            this is the way we leave our bins
            
out on the sunny kerb

            every Thursday morning



(leaves wheelchair on kerb)



           This is the way we empty our bins

           this is the way we empty our bins
           this is the way empty our bins
           every Thursday morning



(empties the wheelchair; Raj Arumugam  drops onstage)




Urgo(joining in):
 This is the way we 
pick up our *******

                                  pick up our *******
                                  
this is the way we do it

                                  this is the way 
always we do it

                                  early Thursday morning!



(Urgo picks up Raj Arumugam and drops him in the wheelchair)



(Urgo and Burgo clap, applauding each other.)



Burgo:
And now, Urgo - for the ritual
             of 
Raj Arumugam’s final words in the scene...
Is that right?



(Urgo nods...)



Burgo:
  Sing, you Sir in the Wheelchair.



Raj: Baa, baa, baa
       
Baa, baa, baa

       Baa, baa, baa

       Baa, baa, baa




Burgo: Oh, you spoil the fun! Let’s go.






(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)




Scene Five

...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...


Urgo:
          Let's leave him here tonight;
         some fresh air might do him good

(Urgo and Burgo leave, leaving Raj on his wheelchair.)

(Long silence.)


Raj: Baa, baa, baa
       Baa, baa, baa
       Baa, baa, baa
      Baa, baa, baa



(Raj has a thought. His thought is broadcast as a message on the rectangular neon light display: “Hey guys, come back...Another word is coming back to me.”)

(Long silence)


Raj:
**** **** ****
**** **** ****
**** **** ****

(Raj has another thought. His thought is broadcast as a message on the rectangular neon light display: “Another one’s coming back...maybe my mind is coming back.”)


Raj:
**** **** ****
**** **** ****
**** **** ****

(Long silence. Lights fade. Darkness. Curtain...)

Scary label!
****** in principle!
Ruthless by craft!
He is the one who lost a privilege!
He is the Drifter! Wandering in universe looking for answers! Looking for himself! Looking for privilege taken from him!
Would he be interested in people around him?
Would he look around for comfort?
Would he consider the pain inside him?
Would he consider those scars in his body?
                           He is a Drifter!
                           He is ahead than others!
                           He is a seeker!
Nothing more to lose, but more to gain!
No more to dwell in the past, more journeys to go through!
Breaths to be inhaled and power to exhale!
There is purpose, meaning, belief, faith and hope!
Those don't exist in loser, they exist in
                           Fearless Ronin!

so there on the window sill
i sat perpetrating my crime,
one had outside the window denoting the mentally ill
and the other inside the compartment of
a room denoting terrorists,
then i switched hands and opinions...
and then two bright objects of fire appeared
on the skyline... then another two... a perfect rhombus that
traversed the night sky.

i mingled *r.d. laing with the saint benaiah ben yehoiada today...
what a miracle of the slow approach,
i was so desperate for paper i even wrote on a sunday times news review page,
god help me, i feel the need to speak over people in writing.
testament to modern *******: the modern trans-gender phenomenon
is primarily found in st. thomas’ gospel
as entrée of r.d. laing’s **** of paradise artistic spontaneity
away from rigid theory so numerous in the exampled situation
of the lisp acquired on the psychoanalytic couch...
it speaks of turning left to right... up to down... man to woman...
a bit like a sat nav giving directions... you end up in a kingdom
that’s a ditch and the king is adorned not in crimson cardinal
or purple bishop... but pain... this is 1967... no wonder the hippies
died off after people started to dot dot dot post-1967
with the excavatio in translatio to remould western, christian, societies.
that text, says it all! david bowie and alice cooper and marc bolan
with the lipstick and 8 o’clock eye-socket shadows...
but things are picking up / getting serious...
the young ones are on it... post-colonial details i might have you add...
it was bound to happen... vietnam and the daddy longlegs starving man of africa...
built in processor 5.6GB of memory and an iphone...
what?! i’m translating my slavic soul... we fed the mongrels and mongolians
with crusader ***** in the baltic... we disappeared for a few centuries
and came back... blackmailing the airlines for an unsafe crash landing
somewhere in belarus, with the state banquet officiated, of course.
you see.. i’m the silent eager satyr from such paintings by matejko
like hołd pruski and stańczyk... expression beaming with: yes... go on...
spur me on... i’ll gallop to status of stallion with laughter!
all the catholic canonical saints are for people who prefer images
to words.
so there’s laing in 1967 allowed the ancient deciphering of
quasi-egyptian text... and then all hell breaks loose in the now, present...
i’ve got two left hands and two right feet... i think i’ll transverse
in walking like a crab... sidewise... out of here...
you go along with your daily “historical” bullying...
i like my place... outside the post-colonial continuum...
so much so that i even have a theory for the experience:
HE WASN’T THINKING IN HIS MOTHER TONGUE,
THE NATIVITY OF THE SOUL TOOK FORM FROM THE POLLEN
OF THE BODY, MANY IRANIANS AND EGYPTIANS...
HE THOUGHT COLONIAL, HE ACTED COLONIAL...
PREVIOUSLY HE MENTIONED POLAND LENDING AEROPLANES
TO EGYPT... HE ACTED LIKE AN ENGLISHMAN TO A ******...
NOW I SEE HIM LIKE A PENGUIN WITH CHEETAH FUR...
A WORD OF LISP I GATHER...
I WAS THINKING STUPID TRUST... WHILE
A SINGLE WORD OF THE MOTHERTONGUE RESONATED
TO PURSUE CREATIVITY THUS EXPRESSED
UNABLE TO FIND THE 0,0 COORDINATE IN THE
NORTHERN TRANS-EUROPEAN MILITARY COMPLEX.
this is how integration happens in europe: acquire the native tongue
acquire native psychology... don’t acquire the latter
define the former with exactness of body...
conclusion? i did stupid via trust... he did stupid via a blood-thirst
and a michael jackson trick of bleaching the soul
but leaving the body oddly mongrel-like... not so complete
like africans from the caribbean losing the tongue
due to jamaica’s great weather, then moving to england
and starting reggae rap... god knows how those two fitted for a size 12
perfect matching: quick-slow, quick-slow...
slow-quick rat ah rat ah regina duck in dumplings... bewildering
that i didn’t turn grey but turned ginger over the years.
you see this theory? it makes the mongol horse pale in comparison;
dad said: a jew did it! a jew did it! a ******* mid-******* just said: you
(double emphasis, the colon and italics... well i was there,
and this poem is proof that i was there, with her).
then this poem in the background with added photogenic approach...
titled: on ******* who create art.
ahem... napkin for the torero and rare steak to suite:
there they are the geniuses and the mediocre,
sitting in abodes of aspirational peace of the living -
half-dead many of them almost to the core of rotten apples,
with arsenic in apple seeds the last remaining life -
a poisonous mechanisation of activity on the breeding continuum
curtailed (is that implying cut-short?),
horrible ******* to live with,
they sitting knitting words together that make no cardigan fit,
or they’re making 2d rooms with the odd splash of colour
that will never obey the cube but the rectangular canvas,
no use of a poet’s pen in the solace of a quiet pension spaced,
the usurpers of peace among the living among the twins of sabbath,
these ronin of the fountain of solace found in t.v. and slippers...
who let them in?! can you hear poetry with a hammer?
can you hear it on a construction site, or an art gallery or a library?
so there they are, the *******, choosing the most importune of places
to do their craft... in the living spaces of plumbers and electricians...
hardly the place to craft their art when there’s no pulpit to
exercise their crafty practice with the end remark.
why then the plumber the safeguard and incubator nest of home,
and why the cold chill of aqueduct syringe at home for poet?
does no friendliness reside in stressing or not stressing certain words anymore?
perhaps the coalminers will tell me?
they say i am in a coal-mine by the sheer whiteness of disposable white
of canvas... and only among them in solidarity of a brotherhood
by excavating with them the coal that’s their amber burnt at home
and my solitary ink expressed in the library of their darkness of having
bulged forearm forceps of the bicep and no patience for reading... but digging,
i’ll know my orientation in those mines once more...
where the safe and understood route has has not yet been written...
and all that is seen... is the whitened darkness of the blank canvas of
what i peer into stumbling with the inverse... the flashlight of words
against the darkness of the canvas... me and my blind horse.
god i hate live editing... but then again... it keeps me
drunk and soberly paranoid to scrabble in revisions before i doze till morn.

If you'd look down on your body
And see only bruises and scars
You're not alone, don't worry,
You're not the only shooting star.

I've not painted myself,
With things as black as yours;
But, mind you, I've been as dark as thyself,
And I've been in too many horrors.

I've not blame you for the blade you've held,
But I feel your grief, and this I'd tell;
I've felt it before, your feelings compelled,
In a sea of regret, from cloud 9 you fell.

I've tried many times to drown my sorrow,
And watch blood of innocence drip through unwelcome wound,
And rise, another day, not as hollow,
And plaster a smile as if I'm not doomed.

Today, I regret ever letting my demons run
Even though they'd pushed me to write;
I'd say to you "Be strong! Bask another sun!"
And let your demons help you in the fight!

Just know that one even from across the oceans,
Would like to see you stand;
Would like to see you trump your omens
And lend a helping hand.

If you'd be switched over,
I'd help you back up again.
Even if I can't go sooner or later,
At least with the words that came from my pen.

I hope you'd read this,
Even out of the boon,
Even if you'd not find bliss,
**Together, let's sing our battle tune!

Write lyrics like spreadsheets with number crunching
Calculate the isotopes
numerical accuracy in the vein of vain attempts to overcome
the show off tendencies of artist who exhibit flow to illicit
concern about existence beyond what they can see of pedagogical poetry
more concerned with numbers and patterns
who gives a **** what the stress is on the vowel in the third stanza  
lyrically despondent personal correspondents for a publication that says
more about what you know than what you feel
and who you are
computer says no, statistically impossible, synaptic haiku
five seven five
musical ronin
go go gadget of talent
extend-o-pole and flying nimbus as you train like son-goku
hyperbolic chamber where time is an illusion only to collapse
true Saiyans are warriors from the womb until death and after
over nine thousand and the scanner short circuits
write on the clouds with light so hot that it burns on thought
not contact
no constants, just variables, electron microscopes to try and hear the angels sing.
Large Hadrons small dreams, no love, just roman numerals
XIV, ***, Blood transfusions in the realm of “O Positive” and you're just a pessimist, negative Nancy at the end of evolution
Flesh and bone as a tent in your double helix of a genome,
flesh like clay in the hands of some master
but you know no master
no nations, under no gods but Darwin
all 23 chromosome pairs making 46 parts of your brain
screaming neurons fire
WRITE
WHAT
YOU
ARE
If you should so choose as to end not with a bang but a whimper
then your memory is forfeit
contribute in some meaningful semblance of sarcasm and sinsethesia with anesthetic medications of pop remedies and voided memories
of sinthesisia
Smell the colours and taste the sounds of pen on paper
when you never own a pen or a pad
just a bright white rectangle you stare at for hours on end
No thoughts just Digg and Reddit
your only contributions a thumbs up or a red thumbs down
like buttons
but no dislike, because if you've got nothing nice to say
then say nothing
unless you're outrage and full of spite
and morose
at the state of human nature
beauty and song thrown out in an effort to leave nobody behind
and so we have a generation coming in
at the age of 5, who are told new math
new science
wrote memorization of equations
no thought process, no argument about relation
theory of relativity, the genious mind just numbers and letters on a page with squiggles and lines that don't have to mean anything more than they mean on the book
we have a generation with no lust, no hope
Do they dream in black and white?
do they dream at all?
is the consequence of IQ tests and graded paper intelligence
the thirst for knowledge and creativity?
WE HAVE TO SCREAM
at the injustice
Burn it to the bricks and ashes
we hurl through the windows
in the streets and in the parks
car radios and clock towers sold
for cheap homemade *****
dance around the fire like the wild things are
LET THE WILD RUMPUS BEGIN
but then we're still hollow
no happy medium, just excess
in the pursuit of Dionysus, trepination,
demon possession is illegal in the eyes of the police and federal law
spread your legs and lean against the car
as they frisk you and plant the seed
of doubt
in the cuffs of your jeans
You have the right to remain silent
but I hope you don't
refuse
question
resist

I wander now
in the wilderness, in the woods
on deserted paths between villages
greeted by strangers
welcomed by humble folk
but welcomed at no Lord’s castle
rejected by Masters and Authorities
shunned by those in Position, in Step
ostracised and kept in the distance by Establishment

the lonely all-embracing tree
offers me shade
the narrow cave
accepts me in the night
a kind wife and her man
offer me part of the meal
they have prepared for their children

the Order harries me on
I have to keep moving
And nothing in my past
condemns me in the present
nor does it save me

All that I’ve learned
is become my burden
All that I’ve loved
I’ve grown to hate
Of my own life
I’ve made my straitjacket
and in my footsteps you read
The Sutra of the Outsider

Out of the void and into your life,
Out on our own and into the strife,
Out in the world in search of a home,
Out on our own but never alone,

Out with the old and in with the new,
Out of our depth but making it through,
Out in the light away from the dark,
Out of the void and making a mark,

Out of our home- descending to hell,
Out of our zone- our comforting shell,
Out in the dark away from the light,
Out of control and into the fight,

Out of the team that made it this far,
Out on our own with many a scar,
Out of the flames- no love left to burn,
Out for the count- no hope of return.

No tomb like the present
A suffocating fact
I shan't see the crescent
A summer with no tact

There is a distinct, quiet suffering
That plagues the air every which summer
Though out there, the world is rapidly expanding
The smell of rot is the one that catches my nostril
As for what rots, I am not sure
Perhaps the trouble lies within myself
But in these days, I am slower, less responsive
And my conversations get more unhinged
With the entities in my living space
As for whether they are hallucinated
Or it's me yelling at bugs that have entered
I honestly would not be able to say

The air is thick, thicker than milky fog
And this thickness hurts the purity
Pure, white snow falls from my eyes
And cold, piercing winds from my throat
Icicles grow upon my fingertips
And my hair is made of frozen grass
I am the late autumn and early winter, I am
My stark and hailing demeanor freezes the weak
I am the very definition of an ice queen
Or at the very least I definitely pretend to be
Even though it's a charade everyone ignores

Have you ever sat in the back seat, while a parent drove?
You might even feel a bit of affection from them
So it is not so bad, not quite as impersonable
Not as horrifying as the passenger's seat
You are at risk but you are not the operative word
I am currently in the passenger's seat of my life
Have you ever felt similarly? Like you lost control?
My interactions are pure instincts and pheromones
My preferences are base level urges in all cases
Even the music I so enjoy, I entrust not to myself
But to the almighty, for their hand is far more sturdy
I shake, like an autumn leaf in a hurricane
Barely holding on the driver, which is always them
I will never learn how to drive a car

I often get called an adept storyteller
Some people call me vivid or imaginative, even
So I suppose I might as well ask the people in my head
To help me conjure up some short tales for you;
This one is of a young girl, dreaming

In some dreams she finds herself in a rancid, green room
There with her is another girl, a cynical kind
The two of them may have loved each other once, but
That time has long since passed
Acts of carnal urges and violence come to pass
Mold grows on the walls and ceilings
The camera slowly pans away from them, *******
To show the director and the audience

In some dreams, she finds herself in a small Japanese home
Discussing the fate of that infamous 100 ryo
"You'll never get it back" says the cynical girl
She vows to get it back and leaves the room
Most of the scene is silent, save for cicadas
In the night she returns, scars all over her face
She brutally dismembers the cynical girl
She simply was not meant to be a ronin

In some dreams she finds herself in a police station
The cynical woman is on the other ends of the desk
"We've got you by the *****, ****" she says
The girl answers only with a scoff and a crooked smile
"If you had me by the *****, this would be more enjoyable"
The cynical girl seems embarrassed, upset
The director shouts "More emotion, you dimwits, more!"
The camera zooms in, with shaking motion, towards the girl

In some dreams she finds herself alone, it's snowing inside
The cynical girl left. Surely something far more important.
She begins to draw a mural, in the style of Basquiat
A funky little guy, baby blue, bright orange, neon pink lines
Once done, she hears a voice: "It's been a while, babes"
Finally, he was back! It was the mural, speaking
Or in some sense, the very walls of the room spoke to her
"What's groovy, baby?" he asks, with his usual cheer

There's many more dreams to share, like the one where they reminisce
Or the one where they're janissaries, stationed in Serbia
Or the one where they're communists, in a bar during the Great War
Or the one where space has been conquered and they stayed back at home
Or the one where the mural learns to play drums, and the shadowy figure joins
I didn't even talk about the shadowy figure, even though he's a major character!
I mean hell, even I joined them occasionally, once they asked
They figured out I didn't know everything, and talked to me, what a lovely bunch
But obviously at one point, spunky little girls have to wake up

In this dream, she finds herself alone again, in a regular room
The heat of the scorching sun has been illuminating her abode all day
She remembers that in this reality, she plays improvised music
And yet, in such horrid weather, it'd be suicide to go play right now
She is sluggish, unconcerned, seemingly in another world already
No tomb like the present, she thinks and repeats, like a mantric chant
"No time! You keep saying the phrase all wrong!" a voice reprimands her
She knows and she deems it an unfit day to have yet more drama
"I know... I just thought the pun was amusing..."
She says in retort to herself, in order to pass the time.

Once the world was pure in design
Twice the air was sullied
Thrice the demons came forth to dine

Once the world was pure in ideals
Twice the water grew red and muddied
Thrice by the angels who broke the seals

Once the world was pure in responses
Twice the earth was spilt
Thrice the gods of man spat nothing but nonsense

Once the world was pure in expansion
Twice the flora and fauna were made ashes
Thrice the world was thrown into hell’s mansion

Once the world was pure
Twice it fell
Thrice was made no more

Like a cell drawing in pure water, rejecting unnecessary, undesirable molecules.

Like a virus spreading multiplying, taking over with vigor and tenacity.

Like the bubbles on the burbling lips of a toddler, growing and popping and dripping.

Like a ronin samurai without a lord, coming and going like the wind.

Like a thought that just won’t quit, a feeling that burrows into the bones.

Like the intensity of a fire, when a steady wind presses the seat of the fuel source.

So is my passion for life.

All weapons of
   the fates you've sealed
Are no match for
   this pen I wield
The power to
   articulate
Ticking rhyme bombs
   to detonate
The conflicts waged
   gambling mankind
My perfect hand
   is treaties signed
Hellbent hounds pray
  like dogs, I hunt
Frontline this notebook
  battlefront
With metaphors
  of mindless drones  
Like similes
  to brainwashed clones
Whose C4 booms
  and IED's
Can't build bridges
  like ABC's

Or tear them down
  with death regimes
By rusting through
  the war machines
Flamethrowin’ my
  verbal grenade
With ****** noun
  scorched-earth tirade  
On militant
  cold-blood elite
King cobras know
  I'm packing heat
Seeking missile
  resolution
Winged raptor
  devolution
Prehistoric
  barbarism
Literacy
  cataclysm
Stockpiling
  extinction bones
We're cavemen carving
  fallout stones

My Hiroshima
  prose explodes
With nuclear
  bushido codes
Released from my  
  katana's ward
To free my press
  from shogun lord
Oppressing haiku
  imagery  
And samurai
  epigraphy  
Expressions of
  my ronin soul
Omitted by
  the daimyo
Satsuma is my
  poetry    
My final draft's
  Nagasaki
  
Ink cartridges
  strapped 'round my neck
I print no charge
  or background check
And ****** every
  live round free
Of innocent
  blood elegy
And killing sprees
  of gunned-down news
Domestic violence
  black and blues
A Number 2
  pencil dependent
Obsolete
  lead-head amendment
Open carry
  shoots a blank
Empty shell case
  at my think tank
So grip this peace
  then **** and pull it
**** my diction
  write the bullet

tarah is  bubbly olive skin beauty, works late nights on friday and saturday, and up to 8pm on monday, teusday and wednesday.*

at the checkout buying my beer and whiskey,
'how much do you drink?'
asked the a & e paramedic...
'a bottle of whiskey a day, a few beers
in between, prior to i cook a gorgon curry.'
the matter ended, net day i hear of
passive-slavery... who owns MY liver,
me or you?
i think i can track the multiplier on that one
with all the multiple questions...
I DO... YOU CAN *******!
I OWN MY LIVER! *******!
i hate scientific humbling techniques
akin to a dogmatism, a religiosity...
at least religion makes you fearless
when it comes to death, and does not impregnate
you with so much knowledge...
you're basically ignorant, and the reward is
a garden of bliss... with the science tactic
you end up thinking of darwin's birthday date
to keep you cool, keep you sane,
keep you in the repertoire of things discussed.
i hate it... i achieved a respectable level
of understanding in chemistry and took nothing from it,
like all those contestants in game shows following
the money only because they didn't listen to
the a-level information and leave empty handed.
should have listened when it was justified to usurp
an ronin any other stance.
there was i with tarah in the robot aisles of tesco...
what about those zero hour contracts
like doctors on call, i heard lidl pays 10.50 an hour.
tarah said the 0 hour contracts aren't that bad,
it's outside the contracted hours.. you get excess hours
when they need you...
but it's not as bad as lidl with 10.50 pay...
german ethics... sorry... german ethos of work?
yeah, here you get to multi-task,
stack the shelves and then get to use the aisle cauldron
of bar-codes...
oh...
the managers walk about the place like gold gilded fur
monkeys like snobs with up-turned noses and stiff upper lips...
what about here?
see that manager in the shirt and tie?
yeah.
works over hours... stacks shelves on friday.
so he doesn't feel superior?
exactly!
mingle imagination with an excess of sexuality
and you'll get the renaissance with counter-reformation,
or the current counter of islamic reformation.
sorry?
no, not you, me.
you asked me your name, what's yours?
tarah, i'm wearing a ****** name tag!
i don't look at name tags, i look at faces tarah.
so those 0 hour contracts aren't all bad?
i guess they are not as bad as auschwitz shifts.
so if jesus saved the necrophilia of egypt,
turned the pyramids into churches...
you beg to wonder...
the coliseums of olden days with the neo-gladiators
kicking ***** rather than decapitated heads...
you'd think it was all perfect like refereeing in football
as if it was rugby... but alas the matrimony earthquakes...
graves are no distractions nonetheless,
football stadiums are indeed perfect to distract the populace...
of course marital carbohydrate bonds will suffer...
but we're debating the concern of animate things
making inanimate things animate with choke of a
chanting choir... we're not talking "inanimate" things
making inanimate things animate with tourism...
hardly a spectacle given that a football match ticket costs
less that a tourism to egypt...
i said it simple in my head... now that it's out,
i have to mind the intelligence of sophia
and she's a child of the fickle one who is asexual.

that hat seller
he’s a Maverick
itinerant, wanderer
no monkey business
no dependence, his own man
busy, he has one thing to do:  
to sell his hats

Hats, hats, hats
hats for sale
Blue hats, black hats,
gray ones -
will lend you some dignity
while on your heads

they’d not want to help him
they liked to brand him
so he said: **** you,
I’d rather go on my own

moving from one place
to another
like a masterless samurai, a ronin
no monkey business for him
but the monkeys do come to him

he knows the monkeys
they’re everywhere the same -
pinching, covetous, not giving
but eager hands for taking;
and he throws his own hat down
and the monkeys imitate;
and he collects what is his
and he moves on, as he must
for his work is everywhere
busy, he has one thing to do:  
to sell his hats

*Hats, hats, hats
hats for sale
Blue hats, black hats,
gray ones -
will lend you some dignity
while on your heads

sorry... have to be pedantic all on you...

   you ever think that some people
are born illiterate, at leat,
partially, to escape the label: dyslexic?

sounds to me, that pretty much
all h'americans are...

     is H... neither a vowel
nor a consonant?
you ******* eating steam-****
curry or something?

fill me in...
last time i heard...
you'd doing what the Hindus do to H...
they put it in,
but classify it as neither vowel,
or consonant...
   some whacky orthographic
insertion...
        
        certain languages treat H
as a... surd...
       you write it... but you don't speak it...
it's like people forgot the pivot letter
for either harking up phlegm...
or laughter!

   and Al Paccino can have his ***** fit
in the devil's advocate
all he wants...
                that famous:
look, but don't taste,
touch, but don't taste,
taste?! but don't swallow.
   sorry... own a DVD...
   because you know how the English
variant of sorry, goes, in England, right?
you're not...
i always thought that
the h'Americans had a terrible
problem with having their
personal "space" infringed...
weirdos...
  a part of conversation is also
a part of what monkeys find
the last bit intimidating,
close contact...
            touching each other by the fur...
tugging along...
     H though?
   it's a surd, not a vowel,
not a consonant in the english language,
a "revised" replica of
Hindu orthography...
which inserts the letter,
as neither vowel, or consonant,
but as a surd...
           oh but the Judea pundits will
what to know this info...
  like?
  you forget harking up phlegm in
clearing your throat for rhetorical
purposes,
or you forget how to pivot on a letter
that encompasses both sighing
and laughter?!
      your choice...
         so is the first H of
ha-shem a sigh of relief?
  and the second H a pivot for laughing
into a vacuous space
of planets, stars, and orbits?!

i cannot not be pedantic about language,
there are rules to language,
which is how, people like me,
ensure it's sustained,
and doesn't devolve into
internet EMOJI hieroglyphics...

         savvy?

           the language stays,
but sure, you can run along and play your
little, pseudo / + crypto- linguistic game
of whatever the hell
a correct spelling doesn't suffice...
mind you...
i'm dyslexic on certain words in english...

e.g. vetenerian...
   as you already know,
it's actually veterinarian...

  and that's because of what, exactly?
quasi-stenography bound to english...
e.g.?

     don't: do not
      isn't: is it not
           won't: will not...
you get the drift?!

   i call that the highest form of
cannibalism,
eating letters...
                  serving the apostrophe
Canni...
            and yes, a (indirect article),
the (direct article),
               's (possessive article):
there is a third article in play when
reading english grammar...

but eating certain letters
within the construct of crafting simple
compounds - i.e. -
simple sentences?
no wonder the spelling errors...

back in Poland?
    you don't have dyslexics -
you have orthographic ronin -
the clarification of syllables
is, to my knowledge, ever question...
but in English?
always.
     i make the mistakes...

the English are a race
of linguistic cannibalism,
they eat certain letters out of existence...
never having noticed
that H, is neither vowel, or consonant...
but a surd in most
obscure instances...

    esp. in that "cultural appropriation"
dynamic of borrowing Hindu words...
or Urdu, whichever...

              hatchet -
  hovering -
              hay -
   wasn't it the Cockney shlang
that ate the H out of existence?
    'ay,
           'atchet,
     'overing...
                  oi! 'ate me sum more!
i swear the Cockney accent
don't allow H...
                      but did the Cockney's
laugh more?
  or sigh more?
   the H is about to become dodo
and people are still desiring to use
it for either sighing,
or to pivot on it for the consummation
of, laughter!

  odd... isn't it?!
       and it's the English who are
attempting to **** of H...
                  via Cockney,
having introduced the surd Hindi
H in... say... words like
dhāl (see how the H "suddenly" disappears,
the macron elongates the spelling to dhaal?) -
lentil curry, decent provided
enough chillies...

not funny anymore?!
      How will you laugH?
witHout this letter?
    oi! Cockney sHdders!
      tHe **** are you going to pivot on?
wHat's your tigHt rope, replacement?!

let's just say...
some of us, are pedantic enough,
to care about setting standards
of literacy...
or at least? up-keeping them...
like gardeners...
tending to the gardens of Buckingham palace.

on my quest, i come upon the shores of long night.
i can smell the butter and the iron blood
of my Shogan. fat and lean in the smoke of my misadventure.
i draw my sword with a crayon
and a pearl from a cut.

i cannot move when the rice is sleeping.
i cannot drink when the Sake is broken.
i cannot hold a vulnerable flute
and be nothing.

In this chapter of life,
I decipher decisions with my knife,
resting under a tree,
staying out of the light,
i know i must stay alive,
resting my hand on the hilt of my sword,
standing for battle once more,
I lower my mask,
to show my evil core,
a wondering ronin bent on settling a score,

I fight for family,
and poverish,
and anyones who's suffered,
my katana will strike for you,
pride of the samurai,
fire falls from the sky,
let the gods cry tonight,
tonight, tonight,

Using my thumb,
I release my zanpakuto from its sheath,
I'm ready to strike at any time,
but first i think of the ones i love,
for if it wasn't for them,
I wouldn't be standing today,
glancing down to see the three skulls hanging from my waist, residing next to my knife,
the man whom taught me to fight,
the day he died,
he lied in my arms,
i love.....
never getting to say who,
might have been the first time my father cried,
the same king hath slain dad in my eye,
was the same man,
to burn my son alive,
only proceeding to **** and **** my wife,
she ceased to cry,
I never shed a tear,
just held their screaming heads for all to hear,
i started to walk,

I fight for family,
and poverish,
and anyones whos suffered,
my katana will strike for you,
pride of the samurai,
fire falls from the sky,
let the gods cry tonight,
tonight, tonight,

With every clinching strike,
I **** the demons underlings,
slicing and hacking,
I remember each and every soul,
I'll pray for them,
not to be ***** in hell,
standing before the demon king,
grabbing my sword I don't even need,
I could **** this man with one bare hand,
he'll cower in fear as my kin never did,
I cut him once across his chest,
splitting his cage of once were ribs,
his organs spill to the ground,
finger through the blood,
lower down to grab his heart,
palmed his head in my bare fist,
raising my sword to his neck,
you think this is pain?
try hell,
with that said,
I split his head from his neck,
tying his hair to my belt,
a fourth skull i must hold.

the greatest lesson i learned concerning life was what Ezra Pound refuted... it came from Tao - and on that 86 bus heading to school i have learned it like an arithmetic rubric - my only lesson came from Tao, all my lessons came from Tao - from a Buddhist revision... the lesson? the only way to aid the world is to let the world forget you, and you in turn forgetting the world be. for that what speaks to the entombed heart, the heart of hearts when the mountain crumbles into rubble, and you're left picking your fancy until the diamond is found among seashells, before you the sea of time gnarling with gnashing of shattered teeth - shoo shoo shoo as if tiresome of the green-bottom flies who's spawn is readied overly... the *******... i can't call them anything respectable in African sensibility... the ******* at the back of the bus and the white harlots too... me in the middle sitting reading a book... Stendhal romanticised me, but Tao taught me reality... i know it wasn't the original Tibetan slit eye, it was Japanese... the only way to help the world is for the world to forget you and you forget the world... which i relearned reading Heidegger, who suggested i should be transparent in engaging with the world through concern (being there, or dasein), even a Heidegger apologetic in me turned into Ronin - Asiatic apathy is courtesy, European apathy is simply impoliteness - the latter has too many ****** expressions - i summarise my life with the anonymous Taoist monk who said these words... anti-celebrity culture, they burn like fire in my mind - they burn like fire in my mind - they are my mind - but i had to show him the European verbiage and the ferns of European thought to prove him right, and i did. Heidegger's concern became the ***** Berufung, soon the concern fizzled and was masked by wife and children - but better a Heidegger apology than a Christian one - what meditation can a crown of myrrh provide while being crucified? none! the Rastafarians keep singing about Babylon... the tree wise men came from that region... so the fourth magician... the four horsemen of the apocalypse? Melchior, Caspar, Balthazar, Jesus  it's still a profanity of the tetragrammaton - four horsemen, four canonical gospels... and that ***** that's Gematria - the undermining of all serious study - you can keep those Rabbis in the museum with Grecian  marbles to collect dust, as i mention Tolstoy and that passage from war & peace: pierre bezukhov - the freemason friend (chapter 13) - l'empereur Napoléon  (666) - l'empereur Alexandre - la nation russe - comte Pierre Bésouhoff - sub z for s (Chiral Gemini) - + de und le - le russe bésuhof = 671 - omitting e (incorrectly) - l'Russe Bésuhof - BINGO! - the orthographic gag - most Anglo never heard of such graphic, having never made auxiliary use of it - but i stick to the lesson in Tao - the world does not recognise me as acting in its fate, and will not remember me as even the hushed - i rather not remember it in whatever guise it might provide for me - the first lesson in Tao, is the last lesson in Tao - Stendhal might have taught me romanticism of the ideal heart of woman - but that one maxim of Tao taught me how to not hunger for women, as if i were the Paraclete - perhaps what Christianity wished for was a placebo of the Paraclete - given that so many already believed the other figure being extinguished in the wake of the 20th century - but in talk of religion, such is the limited vocabulary, and such the impossible task ahead, in that grand masquerade of identifying all with one, and one with all:
as an atom:
                                       omni
                          
                  omni           mono         omni

                                       omni                                  or

(around me everything, i must concentrate on myself)

                                                        ­      nihil

                                         nihil             omni          nihil

                                            ­                  nihil  

(around me nothing, therefore i must encompass it all)

whatever the answer, i sought, and found mine,
it was in Tao, and nowhere else.*

there's never a talk of transparency
in politics - politics isn't
about transparency - it's about
the vaguest and the foggiest -
you all should know this by now -
but ado with George Orwell's double-think,
or simply doppelgläuben -
you believe to disbelieve - that's what the
doppelgläuben does - if religion be the ******
of the masses, then engaging the masses with
politics is engaging them with
hell-raisers - diluted alcohol from 40 to 15%.
no wonder they're ******-off being prescribed
status quo placebos;
politics was never about transparency, all those
near the pigsty troughs know the motto:
you scratch my back, i scratch yours.
the electorate think this applies to them
also true between their daily squabbles, but it doesn't.
doppelgläuben: you believe to disbelieve;
and of course we want objectivity, we want
cages after all... Darwinism is perfect for
an objective expression, which is why poetry
is sidelined as Loser St. -
we all want perfect abs and the opportunity to
sell yogurt rather than Mongolian Yurts
in swimwear shorts... but how long will this
Siberian talk of rationality serve the mammalian heart?
how long will objectivity given Darwinism seem
sensible to keep? are we at the butchers' or
reflecting on life? raw meat, maggoty meat, well done?
we all know that the majority of us are losers,
but drilling this in will never allow us to
speak objectively... well, it will... like in Munich,
an 18 year old lashing out from what he heard
his father being called: Scheiße Auslander -
this is the rational benefit of objectivity so keenly expressed
in argument - which is why so many people have
turned to poetry, but they don't yet see that
the ****** was worn for much too long -
and given democracy, they get lost in the whirlwind
of so many people feeling the same.
hence? Tao lesson no. 1 - aid the world by the world
forgetting you... and you in turn forgetting the world
so the world can be best aided, and you kept free
without minding the c.c.t.v.

what about that "strange, mortal" coinage of: i just don't want to be here?!

i just can't imagine               why
   i landed among  you depressed rejects -
i really can't, i wrote
poetry, and i guess that's
my excuse,    but i like emotional
retards - it makes me feel
alive, i can feel like i can have a beer
and talk Pamplona and Hemingway
and ****, oh yeah, they mentioned
go easy on them*,
   there's me and my blabber mouth,
or as the n.s.a., make new friends that aren't
required extras for the new Hobbit Movie,
jokes aside, i am actually making a investment quote,
no new movie, New York and all...
hmm? what a ****** question,
certain words should never be a question,
rather... what a ****** word to leave a question with;
i mean, what word is imbededed with nuance? oh, right,
the underlined one, robotics microsoft
villa and the twenty two toilets... hmm,
too many guests taking a **** i guess;
i mean (i can say this with a hardened expression
learning to be my father while he un-buried his to
be a father to me made only welcome to a mother,
and no celebrated deity of flesh worthy of **** and whatnot.
it's not fair given the 1990s and Bon Jovi,
and Ghost, and Swayze... it's, just, not, fair!
so agonising to be the choirmaster, you get me?!
no, of course you don't, cos you're Harry Potter.
i know your benevolence,
and it's truly a Ronin tale, all i know is a no toward
Samurai of your idle heart to save a beat, my heart a Shogun,
that was to be - yet more verse i wish to write impaled
worth the pain, for your eyes to sleep entombed
missing spring - as you are, unknown to me, Greek,
because i know no other love worth a mention.

As to this
cobbled together understanding:
The universe despises absolutes, and
cares not for truth seeking.
The grand spiral needs no faith.
It is not with the master's death, then
that we have become spiritual ronin,
beholden to none;
without obligation -
without the comfort of purpose....
Instead, here we are,
the rain dogs of the cosmos;
lost and alone
on a strange world
with no scent to follow.
We are the orphans of sun and moon -
bad parents if ever there were.

Skipping lightly on surface tension
hopping lotus pad to pad
barely left a ripple leaving
the domestic shenanigans.

Now rogue ronin rock,
no master no disciple
I wander without orbit
gliding between

Thirty suns warming
cockles of a deadened heart
dreaming a home

In the warring states, they called us men of the waves: 'ronin'.
Masterless, we drifted in and out with the tide because we understood the nature of movement was nothing more than 'hi's' and 'byes'. So we wave both: peace.
It was in this freedom that we arrived at the fearlessness of dying.
We completed ourselves: one with our shadows, our hearts as broken compasses,
scars as maps and our souls held as swords to leave the mark of our nameless legends on the pages of history books that tried to forecast our fate. They now call us men 'a dying breed', though it was by facing death as a way of life that we became immortal.
We were light on our feet to the point of buoyancy, for you could not keep a man of the waves down.
You should have seen us in our element.
We pretty much flew.

Cast a drab shadow on my adjacent soul
And protecteth it from Helios above.
Neglected in shrouded shalom, contoured in kohl
You indefinite ruin, You darkened dove.
Obelisk towering as my shaded shelter
Untied to serve no master in dark.
Forged with fire, with brimstone in welter
Obliged to nothing, Ronin sharpened arc.
Ripped through tear of flesh and blood
Gave way my physical being of desire.
It punctured through altar, frustum of mud
Veiling ethereal magnificent, we all acquire.
Eastern deities and imperial gods,
Match not with what I awed.
Erased, my heart is not.