letter to elana

for the poet elana bell

~

in a different cafe,
on a Manhattan streetscape where once, years earlier,
violence was the purview of West Side Story gangs,
ruling their internecine non-intersectionality territorial blood lines supremely

nowadays, violence replaced by the frenetic
noises of Lincoln Center theater goers,
student dancers, actors, musicians and poets joining the throng
of those who sup and run,
all hearing their own frantic
curtain calling, saying, announcing,
music dance voices words require your obeisance,
needy for a mutual worshipping reassurance fiat that:

life can be made transcendent
if even for just 90 minutes or 120 pages,
or a 3 minute poem reading

this city of millions requires billions of poems that spoon stirred  
and yet, almost always fail, to squeeze, all of the human essence that is in its ultimate source, clarifying nyc tap water,
containing the storied remnants of a hackable continuous,
single human stanza cell osmosis - a blockchain like no other

two poets sit side by side each in their own lapsed dreams,
she, a published poet of prize and rank, ^
he, a rank amateur whose only prize is his unpublished anonymity,
poetry, is his just a nightly soul cleansing,
an imported remnant of his Marrano piyyutim ancestry

one turns to the other,
in the inexplicable daily crazy miracle
of city fashionistas

in a city where stealing a parking spot, or the
forced squeezing creation of a subway seat space
where physics proves none exists,
are oft the roots of slashing and stabbings faithfully reported
on the 11 o’clock news,  
and trust and/or other encouraging words
are seldom heard and even less demonstrated,
the make-no-eye-contact of Camus’s L’Etranger anomie is the
normative, paranormal, paralysis cloak of we city separatists

“Can you watch over my electronics and stuff?”

Sure says the grayed and grizzled,
an all life long veteran of nyc,
judged to be trustworthy
based on a few seconds of being upsized and downsized,
a car wash (exterior only) perusal
despite a
“no direction home, like a compete unknown, a rolling stone,”  
this signage, yellow star permanently chest-affixed,
conveniently ignored, as it seems impossible
thieves don’t look like me,
don’t likely in their possess,
a distinguished head of gray hair (yeah, sure)

a thank you reward of (or did I imagine it) a lean-in,
a momentary head on a shoulder,
the chit chat now grows earned and earnest,
she confesses her cardinal poetry profession,
eliciting an ‘Oh Boy’ utterance from the poet
of a thousand names
and a thousand textual emendations

a fastidious nyc boundary is brief crossed for one short meal,
till the end when time sensitized IMRL intrudes and
the showtime calls out,
if not now, when? if not me, then who?

I read her poetry later in the praying supine first position of
three AM, and laugh with delight, at the contrast and no compare,
the styles clash and tho the stories told
are both writ in the aleph bet script,
there ends the Ven diagram overlap and
into the night’s coming of a Elvisian blue suede coverlet,
we both disappear, and if not for this recording,
history says, you old man confused, never happened,
just an imaginary poetry ink blot dream breaching...

~

postface:
another poetry book is no longer homeless,
comes to shelter upon my shelf, close to Angelou, far from Whitman,
now all the book’s nooks eyes collectively
reassessing the new old-owner, parsing his syntax,
undecided if his readership is worthy of them,
concluding that all these books are the
man’s owned roughened stones,
to be placed by human hands on the
serpentine curvature of his literary tombstone,
and until all stones fully read,
they all agree,
will they and he
be fully freed,
smoothing his legacy’s edges

“Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that *****.”
― Lili St. Crow

“What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat.’ And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.’” — Maya Angelou

“Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that’s just me) as if you’ve never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you’ll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.” — Neil Gaiman

“Meggie Folchart: Having writer's block? Maybe I can help.
Fenoglio: Oh yes, that's right. You want to be a writer, don't you?
Meggie Folchart: You say that as if it's a bad thing.
Fenoglio: Oh no, it's just a lonely thing. Sometimes the world you create on the page seems more friendly and alive than the world you actually live in.”
― David Lindsay-Abaire

“Now, what I’m thinking of is, people always saying “Well, what do we do about a sudden blockage in your writing? What if you have a blockage and you don’t know what to do about it?” Well, it’s obvious you’re doing the wrong thing, don’t you? In the middle of writing something you go blank and your mind says: “No, that’s it.” Ok. You’re being warned, aren’t you? Your subconscious is saying “I don’t like you anymore. You’re writing about things I don’t give a **** for.” You’re being political, or you’re being socially aware. You’re writing things that will benefit the world. To hell with that! I don’t write things to benefit the world. If it happens that they do, swell. I didn’t set out to do that. I set out to have a hell of a lot of fun.

I’ve never worked a day in my life. I’ve never worked a day in my life. The joy of writing has propelled me from day to day and year to year. I want you to envy me, my joy. Get out of here tonight and say: ‘Am I being joyful?’ And if you’ve got a writer’s block, you can cure it this evening by stopping whatever you’re writing and doing something else. You picked the wrong subject.” — Ray Bradbury at The Sixth Annual Writer’s Symposium by the Sea, 2001

“writing about a writer's block is better than not writing at all”
― Charles Bukowski, The Last Night of the Earth Poems

Biting my truant pen, beating myself for spite:
"Fool!" said my muse to me, "look in thy heart, and write.”
― Philip Sidney, Astrophel and Stella



“What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat.’ And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.’” — Maya Angelou

“Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that’s just me) as if you’ve never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you’ll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.” — Neil Gaiman

“I encourage my students at times like these to get one page of anything written, three hundred words of memories or dreams or stream of consciousness on how much they hate writing — just for the hell of it, just to keep their fingers from becoming too arthritic, just because they have made a commitment to try to write three hundred words every day. Then, on bad days and weeks, let things go at that… Your unconscious can’t work when you are breathing down its neck. You’ll sit there going, ‘Are you done in there yet, are you done in there yet?’ But it is trying to tell you nicely, ‘Shut up and go away.'” — Anne Lamott, Bird by Bird

“Now, what I’m thinking of is, people always saying “Well, what do we do about a sudden blockage in your writing? What if you have a blockage and you don’t know what to do about it?” Well, it’s obvious you’re doing the wrong thing, don’t you? In the middle of writing something you go blank and your mind says: “No, that’s it.” Ok. You’re being warned, aren’t you? Your subconscious is saying “I don’t like you anymore. You’re writing about things I don’t give a **** for.” You’re being political, or you’re being socially aware. You’re writing things that will benefit the world. To hell with that! I don’t write things to benefit the world. If it happens that they do, swell. I didn’t set out to do that. I set out to have a hell of a lot of fun.

I’ve never worked a day in my life. I’ve never worked a day in my life. The joy of writing has propelled me from day to day and year to year. I want you to envy me, my joy. Get out of here tonight and say: ‘Am I being joyful?’ And if you’ve got a writer’s block, you can cure it this evening by stopping whatever you’re writing and doing something else. You picked the wrong subject.” — Ray Bradbury at The Sixth Annual Writer’s Symposium by the Sea, 2001

“The secret of getting ahead is getting started. The secret of getting started is breaking your complex overwhelming tasks into small manageable tasks, and then starting on the first one.” — Mark Twain

“The best way is always to stop when you are going good and when you know what will happen next. If you do that every day … you will never be stuck. Always stop while you are going good and don’t think about it or worry about it until you start to write the next day. That way your subconscious will work on it all the time. But if you think about it consciously or worry about it you will **** it and your brain will be tired before you start.” — Ernest Hemingway

“Many years ago, I met John Steinbeck at a party in Sag Harbor, and told him that I had writer’s block. And he said something which I’ve always remembered, and which works. He said, “Pretend that you’re writing not to your editor or to an audience or to a readership, but to someone close, like your sister, or your mother, or someone that you like.” And at the time I was enamored of Jean Seberg, the actress, and I had to write an article about taking Marianne Moore to a baseball game, and I started it off, “Dear Jean . . . ,” and wrote this piece with some ease, I must say. And to my astonishment that’s the way it appeared in Harper’s Magazine. “Dear Jean . . .” Which surprised her, I think, and me, and very likely Marianne Moore.” — John Steinbeck by way of George Plimpton

“Over the years, I’ve found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.” — Norman Mailer in The Spooky Art: Some Thoughts on Writing

“[When] the thoughts rise heavily and pass gummous through my pen… I never stand conferring with pen and ink one moment; for if a pinch of ***** or a stride or two across the room will not do the business for me — … I take a razor at once; and have tried the edge of it upon the palm of my hand, without further ceremony, except that of first lathering my beard, I shave it off, taking care that if I do leave hair, that it not be a grey one: this done, I change my shirt — put on a better coat — send for my last wig — put my topaz ring upon my finger; and in a word, dress myself from one end to the other of me, after my best fashion.” — Laurence Sterne

“I learned to produce whether I wanted to or not. It would be easy to say oh, I have writer’s block, oh, I have to wait for my muse. I don’t. Chain that muse to your desk and get the job done.” — Barbara Kingsolver

“Writer’s block…a lot of howling nonsense would be avoided if, in every sentence containing the word WRITER, that word was taken out and the word PLUMBER substituted; and the result examined for the sense it makes. Do plumbers get plumber’s block? What would you think of a plumber who used that as an excuse not to do any work that day?

The fact is that writing is hard work, and sometimes you don’t want to do it, and you can’t think of what to write next, and you’re fed up with the whole **** business. Do you think plumbers don’t feel like that about their work from time to time? Of course there will be days when the stuff is not flowing freely. What you do then is MAKE IT UP. I like the reply of the composer Shostakovich to a student who complained that he couldn’t find a theme for his second movement. “Never mind the theme! Just write the movement!” he said.

Writer’s block is a condition that affects amateurs and people who aren’t serious about writing. So is the opposite, namely inspiration, which amateurs are also very fond of. Putting it another way: a professional writer is someone who writes just as well when they’re not inspired as when they are.” — Philip Pullman

I want to first thank all my
supporters and readership.
I will read as soon as
I have the time and I can
give your work the attention it deserves.

I've been overwhelmed.
I have to make my presents this
Christmas. But I found out I'm in
excellent company...

FROM APPALACHIA WITH LOVE

Gra'ma Annie had a mission
to help children in need
she lives up in the hills
where they grow their food from seed.

They have no running water
no facilities indoors
still heat and cook with wood
don't buy much from stores
there are folk so destitute
they still have dirt floors.

Li'l Annie was a scrapper
90 pounds if soaking wet.
But her heart is just enormous
as big as one can get!

She found out 'bout a drive
for children overseas
in Africa and Asia
Haiti and the Belize

How the people in those countries
had no presents for to give
their children at Christmas
they could barely live!

She contacted the charity
and said she'd send some toys
as many as possible
to the poor girls and boys.

Annie had no phone
so she walked far and wide
and asked all the hillfolk
throughout the countryside
to whittle and to paint
toys in which to pride!

Those people got together
and carved ponies and dolls
that had joints that moved
and real hair that falls!

They whittled and sanded
painted with rainbow hues
and when they had delivered them
it made world news!

The children overseas
who got them still recall
they kept their homemade presents...

THEIR FAVORITES OF ALL!


MY FATHER "NEVER HAD A CHRISTMAS"*

My father was a child
in a place called Isle la Monte
winter's are quite brutal
in that part of Vermont.

His family were farmers
they lived off the land
they had gardens and stored their food
they worked hard with their hands

They had to really struggle
to make the frayed ends meet
dad walked 14 miles total
through the snow and sleet
to get to his schoolhouse
sometimes with frozen feet

Every year at Christmas time
his mom would be in tears
she would never say much
but stated that she feared

there would be no Christmas
no presents and no tree
it was always the same.
Grandpa would agree.
So the children went to bed
every Christmas eve.

But they weren't sad
because they always knew
that Santa was coming
and so they weren't blue.

Sure 'nuf in the morning
they'd tumble out of bed
and in the once-bare corner
there was a *tree instead!

There were many presents
most carved and painted things
grandma got the practical stuff
no perfume or rings.

But the Christmas meal was cooking
and all through the home
the smell... that sumptuous dinner...

well. That's another poem...!

But before the feast was eaten
grandfather said Grace
and thanked the blessed Lord
and ALWAYS SOUGHT HIS FACE.


SoulSurvivor
Catherine Jarvis
(C) 12/23/2015


MERRY CHRISTMAS HOLIDAY!!!

I still have presents to make...
see you SOON!


~~~<☆>~~~

There was a poet on HP
Who had alot of ♡
He tried to stay
     out of the fights
He kept himself apart
He had a love of poetry
He lived for his art.

Talented, he made "the grade"
As "minded" poets do
But he didn't try
     to "people please"
And so mean writes
     eschewed.
When he encountered
     "lesser lights" he didn't
     make them blue
But put ♡s on them as well
For their hearts were true.

Time went by... how it did fly!
As if given wings!
He found he had "The Daily"
(When there was
     such a thing)
He tried to READ all poets
     but could not, everything...
So he decided just to read
The small group
     within his ring.

He would NOT be purchased.
He would NOT be sold.
He was TRUE to his beliefs
Of his Faith quite bold.

Not only did he ♡
He gave "thumbs up" as well!
He reposted and was good
In fact, the man was swell!

He had a grateful following
But, as fate is wont
He couldn't keep up
     with the load...
Found his health was shot
But he tried to be a light
He tried to give folks thought.

His readership got smaller
It seemed like every day.
He still tried to be genuine
And true in every way
But nobody wanted
     him no more
He began to fade away...
Where the
     rubber hits the road
He began to PRAY.

If you don't know
     who this is,
Replace the "he" with "she"
She believes
And truly grieves

That poet would be ME.


♡ Catherine

the famous czech immunologist (miroslav holub) got it right, holding his complete works, seeing the precious output,  then hearing him say it: 'i'm not against the repetition, but what the hell would i write if i lost my first ambition of a career? i would write dross, but i'm not against balzac or dickens doing the ironing work - but i just couldn't do it - better me likened to a butterfly that was the czech spring of '68. indeed mummified flowers between the pages.'*

the main reason poetry books will never be
shelved, itemised, on the inventory: BEST SELLER,
is because they use priceless things in their contents
section of approved poetics ticked off...
poets mention the moon, the night,
the sun, the orange glaciers of skin of suntans
bundled up in fat and sold as ****,
poets forget they are touching priceless things
with words, i'm sure a readership numbering
1,000 will dry your socks after that marathon
run on lake verbose in the middle of hunting season,
but it will never go past that,
that's the fury and the fear surrounding
hunting down the poet who exceeds producing
the noble prize winning output of a szymborska,
~100 poems a lifetime means you really did live
it out, and wrote with slithering undertones
the art, the paradoxical art of the ancient world
trumpet or saxophone - it wasn't philosophy
that attacked us... but the woodwind instruments,
the harps are safe, i stashed them while cracking
and playing bone poker dominoes with my fingers.
poetry doesn't attract the most socially acceptable
form of lying: namely fiction -
poets don't lie - there's no genre that does it better
than writing fiction - and if they do lie,
it's un-intentional - mechanical, like the world,
like the world being so mechanised it almost
feels self-content without applause but an opera
chorus of screams and other forms of hysterics.
some books talk of seen and unseen realities,
i beg to differ, i can claim certain unseen realities
in the seen realities, take for example
man's ability to walk the method of onomatopoeia
like virgil walking dante through the inferno...
man as an animate thing can clearly imitate
other animate things.... he can howl, meow and bark,
he can imitate the pig's and the deer's snout
when impregnating a mare...
the grunt hot breath riff of things...
but he misjudges his accuracy of recording sounds...
he simply cannot fathom the sounds of inanimate
things in the realm of onomatopoeia;
it's not that he mishandles the 26 symbols,
but when he tries to make the visible doubly-visibly-divisible,
to notate knocking on a door, to notate
the scorching sounds of the sun in the equilibrated
exchange of hydrogen & helium (sun gods
laugh after all), when he tries to notate
the carbonated water fizz, the beer bottle cap
charles i pop / apache scalping with a tomahawk...
he's off by a mile and a marathon...
we can't mutilate words into sounds just to see
certain sounds (primarily of inanimate things)
with letters... there's an impasse about the whole thing;
this is trans-verbosity, overt-verbosity that cannot stand...
it's pointless trying to see a complex sound
with letter governed by the onomatopoeia...
it's enough to hear it... touch it... seeing is not believing
in this instance... this insistence...
after all we're utilising priceless things to get out message
across... so if man makes it worthwhile,
an onomatopoeic antonymous decision i have crafted:
the sound of the universe's vacuum "silence"
is counterweight to neither the sound of atoms congregating
into celestial orbs... but rather the place where man
out to shove his parallel representation of thought.
you can already see invisible realities within the realm
of visible realities, the many missing and the many amiss
onomatopoeias of what animate things echo from when
interacting with inanimate things... paradoxically
atoms are in an inanimate equilibrium as animate things
likened to the celestial bodies in orbit,
but in fact they are inanimate in an animate equilibrium...
worth a worth's worth of study in a laboratory allotment...
and if it was a cow's digestive system you were investigating,
the inanimate equilibrium is being worked on:
the equilibrium of what sort of usefulness from experience
can be possibly passed on;
but wait, you can't write me the onomatopoeia
for the crating of carbon monoxide (CO),
or formic acid (HCOOH),
or myristic acid - nutmeg  (CH3 branch with twelve CH2
and the carboxylic ending),
nor the ester (RCO2R) - because now you're
using a chemical alphabet of the periodic table,
and all necessary onomatopoeias are lost
to the names of the necessary elements
that begin with hydrogen, and end with anything
remotely removed from a famous scientist
by the elemental name akin to einsteinium.

I do believe all poets must not only read a lot of poetry but read a lot about poetry. Of my 50 favorite poets, there is not one who has not written about poetry, the philosophy of their work and of the craft. That in itself is fascinating- and difficult, like the depth you find in NY Review of Books. I do about 2/3 (poems) to 1/3 (being books about poetry) From the most philosophic works of archetypes by Northrop Frye to the most public and basic questions of Zupruders good seller "Why Poetry?" .
That last book opened up a new reality for me, to I ask myself all the time who am I writing for, in context to all this reading...I realized I was really trying to communicate the poetic truths of living, of my own small life in the world so full of beauty, horror, paradox and death. I realized to do this I had to make compromises, to not try to impress or amuse myself with poems that could only be understood by me. The craft and presentation became as important as the message. That is currently my direction, I'm writing "collections" of poems with themes so a reader could enjoy a concrete theme. (The last book I just read, a signed collection by Ferlinghetti ( nice and cheap in a used bookstore) was just that- the theme of light in "How to Paint Sunlight." Accessible and very full of several poems about light)
So you are stating two different issues:
I don't like being not understood, Having people throw up there hands perplexed, I'd rather be popular.... Its lonely
But I cant write for others because than it would be feeling like a commercial venture My motivation would be destroyed.
Id rather be desolated and write for those few who get the twinge...
Well, first of all, we poets are possibly lucky because we ain't making beans for our poems. Forgetaboutit. Even our most lauded poets end up teaching to get the health care and severance. I suppose there may be 3 poets in Amerika that make a living on just writing poetry....if that many. Who's buying? I didn't see much word "poetry" once in this weeks NY Times review of books. Only some letters crashing last weeks review of Leonard Cohen, who the critic called a wonderful lyricist and performer, but an awful poet. These dialogues are important to me, but really, quite a small audience. Either way, lyrics and song paid the rent, not Cohen's books of just poetry.
I'm sure there is no immediate cure for your paradox. If you want to be popular you have to make compromises. If you don't want to alter your vision, you can get the joy of a smaller readership and forget the rest. You have to manage expectations is a world that hardly notices our craft.
It's hard to be both, I suppose you should stay true to your motivation. And if readers like me don't get it, **** em. Let it suffice we acknowledge the craft, and that we will get closer to some poems more than others be enough. For me, accessibility, the ability to engage a reader into whatever poetic truth I am feeling, is more important than in any way hiding the meaning in the poem in which I alone can understand it.
I want people who never read poetry, which is most people, pick up a poem by me and feel the poetry power without feeling intimidation which is what most people feel when they read most poems published today. For me its that fine line between letting the imagination do the work, and the poem setting up the narrative to allow it by inviting a reader into it. I get great joy reading my poems to non poets who are scared by even the idea of it, and get them to feel something new, that wonderful way Aristotle put it- that poetry provides an ultimate truth that is found beyond the boundary of philosophy.
Best Mark
…………………...

Admittedly I have gone off the rails focusing on the meta or man as dreamer. Are we not dreamers first before descending into the material, deadening the faculty of imagination or as the I Ching says "a darkening of the light"
I want to bring the reader up and when I read I want to have the sensation of ascending I try to give what I like to receive which is to be brought into greater fluency and light
Have we abandoned our inner life to such an extent that when confronted with it we find our selves strangers to it; reinforcing and amplifying a kind of cognitive dissidence?
Are we in a sense a stranger to our selves having lost the lucidity of our magical youth
Do we see the world as vacant utilitarian stuff and other humans predictable lusterless cogs in a wheel like cued robots?
Witches Seers, Voodoons , Hermeticists, Kabbalists and Occultists of very stripe know and use objects as essential to their operations and craft because they have hidden meaning and power.
Has the life of fantastical creative cognition been sacrificed to inveterate congenital pragmatism?
"Beloved imagination, what I most like in you is your unsparing quality".
Andre Breton
To transgress is to process ones madness as opposed to the customary botched behaviors of repressive modalities we hide behind . It seems to me that poetry is a great ground for that exploration.
Perhaps Its a good thing for a reader to think about what the writer means, albeit a difficult pleasure as opposed to the instantaneous and facile modes of naming and claiming Reading towards the abstract can be a mystical experience Most people who read are shallow readers Shall I than aspire to be a shallow writer?
What surrealism (Detailed descriptive language unmoored from linear rationality) affords the writer like pure abstraction to the visual artist is a great opportunity to explore the musicality of language ie the musicality of form i.e. the energetic configurations of architypes.
Part of our craft that makes things crackle as you know well remains sound play ie the strategy of syllables ... Long vowels / short vowels...the length of words and sound of words in relationship to one another
As you know Mark to analyze the subtle abstraction of sounds i.e. words to the ear is just like music and like music although not wholly translatable has an undertow of non verbal meaning especially if exploited out side the linguistic necessity of linear prose like poems i.e. a device that most never use consciously and strategically or certainly to its fullest potential.
So when we say a poem is beautiful do we impart mean its those amazing tintinnabulating sounds that ****** with their musicality? Poems that do that well stand out to me.
Further I think we are in error when we confuse the realistic with the materialistic. It seems to me realism has magnitudinal underlying meta elements that need to be felt in poetry and to think other wise in my opinion would be a dull conceit
A good example is thought itself
When we speak our ideas thoughts impulses we have no real sense of where they emerge from The processes are so meta their incomprehensible even to neuro science and scientists have little if any understanding of consciousness or its meaning as far as I know
So perhaps the surrealist has a place of worth too; and that is to remind people of their inner life out side the cage of end product think and commodification. After all what is a life and what is a poem?
Best Z

Hey hellopoetry people,
I recently had a poem of mine published in the Ezine: **** Art Let's Dance which is published through Nostrovia Poetry. I will also have two more poems published in issue #5 which will be live this August. Tell me what you think and give Nostrovia and FALD your support and readership.

http://www.nostroviatowriting.com/issue-004.html

Keep scribbling,
Harry J. Baxter

As potential grew, a desire to write, disclosed to few

Imagination immerse, but yet to thirst for knowledge, accrued ambition address

All aboard the express, thoughts of Harry, a plot to marry

From fanciful flights to greater heights

Capturing such visualisation, twas the formation

Characterisation, of wings to soar, with metaphor

From Dumbledore, yet taking shape

Professor Snape, assume the plot, lest thoughts forgot

A forest to roam, a philosophical stone

Such creative flair of which to share

Joining of the dotted line, artistic mind

Transporting train, journeyed acclaim

Of whom to impede, the will to succeed

The ability to write, the capacity to teach, the desire to reach

An impetus for change, a literary role, a priority

Of which to seek with tenacity

Beyond horizons, beyond confines, stand undefined

Awe-inspire, great readership, a due reply

To simplify, a noble shift, outstanding writer in the midst

Dynamic plot from pen to page, persistence through to published stage

A realised dream, challenge overcome

A victory won definably, stocked supplies to library

Broomstick flight phenomenon, a mystical tale was to become

Would generate, the bus of Knight, to render right

A rebuilt life, a legacy made

From chosen craft to final draft, a world of creativity

The right to type, to innovate, an intriguing wait

A shining star that would liberate



Written by Geraldine Taylor ©

only whites could have turned the
sacred mystic experience
of some drug known to the south americans
into a literature category
and thus made easier to sell...
but none of these gatsby's lovers
of par tee off could ever
re-sell a storm to care for a readership...
but the thrill was long gone
and the psychology behind it
was not worth writing about it -
white ******* stopped drinking the ****
and started to inject it; i barely had a chance
to try it, and i already feel i don't have to
seeing her seller's pressure to try it and
get addicted to van gogh of some sort;
take the ***** of experience whereever you go!
you can leave the flesh when writing about
south american hallucinogenic weeds
as you would leave words behind when embarking
on plastic surgery.

♪☺☻☺♪

Free verse was captured,
confined to a cell
by readers unraptured
in modernist hell.

And there he did languish
while chained to the wall
and desperate in anguish
gave forth a last call:

“Listen and read me—
my muse is the best!
Applaud and then feed me,
your starving guest !

Don’t fall for that beat…
Please ignore their old line.
I’m here. I’m effete.
I’m a modern divine…

I like it in prison
No, really — I’m free!”
(But his lock was awaiting
Your Readership’s key.

For the moderns all lie,
as your readership knows;
Modern poets don’t die—
they just decompose.)

Iamb, iamb, iamb, I plod along
in verse predicting I could write a song.
To call upon the muse of higher power
pour some wine, kick off your shoes and glower.

While putting best foot forward, don't forget:
cliches are lines that surely **** your wit.
Reality, you say, bears greener grass?
Abstraction always steps across as crass.

It's true you could walk on like this for days.
Your meter's tight, it rarely ever strays.
But what of clever feet and sounds succinct?
If images are dull, your verse will stink,

As blossoms dance upon the redbud tree
and oceans fill your squid with ink of glee,
remember what your mama always said:
mixed metaphors fill readership with dread!

Say: sonics surely sock a swelling swale,
Entwined, the twisted tongues tell not your tale.
Less is always more, the teachers say.
If tricks you train, then please just walk away!

I never knew how hard it really was
to write a poem that might parade a buzz.
I thank you moderators and big brass
for sticking yours so fully up my ***!

just when the provincials spoke the common tongue and ensured the urbanites were demasked, and all courtesy went out the window, and there were no actors left to fake an air of superiority and a stiffening of the upper lip... when the urbanites became baptised in a river of dung, mud and fear - and couldn't play our a theatrical adaptation of pseudo Oscar Wilde's: Airs and Superstitions... the champagne bottle-neck was chopped off in the countryside, not in the prosthetic urban environment... and god that bothered them... they could no longer fake being ultra-pro-xeno when in fact wholly anti - even having ethnically cleansed the Caribbeans to speak their own racist tongue didn't help much.

eye on the prize, there she sat, in the shop-window,
a beauty, a mandolin -
with my student loan un-amused i bought her
working three nights a week for a month
in a nightclub carrying empty glasses from
the dance floor and toilets -
got her in the end, my dear Antoinette mandolin;
all i ever wanted was to play the end
of Rod Steward's Maggie May to a girl
from a revised scene of Romeo & Juliet -
played it, her amused but she can no longer be seen,
unless crisscrossing South America in some weird
Paulo Coelho novel alt. - thinking a pharaoh would
be hiding cremated in a top hat along
with Alice's first impressions of wonderland -
years later i bought a Martins' & Son guitar
on debit, my ex-girlfriend's father ****** it up,
and gave my mandolin up for free -
the nightclub where i earned her? ***** near
the Edinbrugh train station - being almost cornered and *****
and serving my fellow compatriots of study made me
leave - not before i earned the mandolin -
the shop? *Scayles Music - they have no
jealousy on me these days, and i'd frankly give
writing up for my former health, i don't care
what readership i get - i'll keep at it - they can
submit their little Kafkaesque interrogations making
me into a fool - sure, they can, but we all serve
the higher lord above the knee-bending baron of god -
death claims us all - for the life i've had
i find it strangely appreciative to have a chance to
write it, and all the more thankful to live a cameo life,
because i hardly think it's proper to write
a book after having climbed Mt. Everest... it's just bad
etiquette (lack of tact) - the lesser life demands literate affairs -
the grander lifer demands portraits on horseback
and in the finest attire -
but what i accomplished thoroughly was buying
a mandolin, playing Rod Stewart's Maggie May outro,
and that's that... for the love of Scotland,
among the inbreeding locals of English suburbia -
proven by a low haemoglobin count of passion-fuelled
pigmentation, passions reduced to xenophobia rather
than xenophilia.

your poem throws me right into a nostalgia for it. The title of the poem alone captivates the reader and by the time one reaches the end of your beautiful verse, one feels the prairie in one's pocket. Simple down-to-earth images of "turkey", "rusty plumes" and "that other earth" in the poet's mind are not only powerful, but add a sense of humor, including that of carrying the earth in your pocket, which is part of your mindset. In fact, the poem does not only seed the earth inside the poet's mind, but, indeed, in the minds of his readership. Which is what a great poem does. The poet's exceptional craftsman is attributable to the subtlety, simplicity and imagery which make the verse flow and speak for itself :




today I exist through a heros twist paid fully to resist
inside of me grips the portion of sullen apathy...

Cuba is getting a bit colder after Castro took over
the in tuned harmony to its hidden beast reality

shelter through the leaves
taking over as you please

each haunted day we beg to borrow the need to pray...
fashionable Michelle Obama

silent through a fixture plain from deep enough to take over inside
conjunction junction what's your function

bargain basement blues
the set of Huey Lewis & The News,
a bunch of sprinkled dust scattered through the wind
late night bid in cell block 9 in prison,

those were the days getting caught in a purple haze
spot a high five to humbly keep your faith alive,
shadows break way from the frenzy within

At the risk of egotistically bragging
I love when my poems start trending.
I love knowing when I post a rhyme
That it’s not simply a sort of ending.
It tickles me to see that this one
Will still be in the universe out there
And won’t just be words that slip away;
The world at large isn’t unaware.

I love that so may people like the words
And so often react with love and sharing
Whether my poem is funny, or even sad
And perhaps sometimes extremely daring.
Sometimes it’s because I have written
What has long needed to be said,
And often because I did not leave
Ideas in my path as if they were dead.

Other times, I just take a chance
In the fervent  hope I am conveying
Something brand new and exciting;
Something that really needed saying.
It reinvigorates me to keep on writing
And authorizes what I am feeling.
It boosts up my self-esteem so much
That it sends me senses reeling.

So thank you, my readership all,
And take this sentence seriously,
I read every comment through.
Sometimes I laugh deliriously.
This kind of acceptance from you
Affects me more strongly than a drug.
Please take my heartfelt thanks
And a great big literary hug.

Whose words these are I think I know.
He's on another website, though;
He will not see me shopping here
To snitch his words for me to show.

My readership must think it queer;
I post ten thousand poems a year.
Between the copies, pastes and likes
I've barely time to chug a beer.

They give their addled heads a shake
And ask if there is some mistake.
The others call me out, a creep.
Who cares? They're just a bunch of flakes.

Their poems are lovely, dark, and deep,
But I have villanelles to sneak,
And lines to own before I sleep,
And lines to own before I sleep.

two sudokus down, one pending, and the drinking is insatiable, peering into the stack of books, there's a copy of seven years in tibet and in start to wonder: what sort of interesting life should ever produce a book? the majority of me is asking: really? 7 years in 7 sittings of reading this?! who imagines writing a book, having "completed" an interesting life, does not imagine the majority of the readership, discarding the actual book, and being tibet bound... jealousy is such a cheap emotion, to be honest jealousy is the cheapest of all emotions, cheaper to pay a ******* for an hour's service, than take a fine girl to dinner; what, was someone expecting an "oops" with that?

i sometimes can't imagine the quality of pop,
it's not a pedantic "observation" -
it's just: well, could have done better,
but then again: you clearly couldn't have.
    i like rereading shakespeare and thinking
than minor additions would make the works
stand in greater clarification,
notably in shrapnel -
- 1st witch: why, how now, hecate?
you look angerly.
- hecate: have i not reason, beldams as you are,
saucy, and overbold? how did you dare to trade
and traffic with macbeth, in riddles,
and affairs of death,
  and i, then mistress of your charms,
   the close contriver of all harms,
  was never called to bear my part,
   or show the glory of our art?
such minor revisions, pedantic, of course...
i.e. - how did you dare to *trade and
make trivia with macbeth -
      better still: trade & trivialise -
         and
   - in riddles, and in the affairs of death;
suppose we don't live in times
of man's "omniscience" etc.?
                but we do, and categorising ourselves
as such, we can only seem to test
knowledge via answering trivia question -
the triviality of knowledge oozes out
of game shows: where enough to be
knowledgeable is enough to known the most
encyclopedic set of facts...
    having to encompass all of man's
endeavours seems rather mundane...
             heidegger's aphorism 91 ponderings VI...
and the arrogance of writings maxims /
aphorisms...
        you read them as if they are basically true,
but then again: they're written as
propositions, rather than as presuppositions...
there's not a single word in the works
of nietzsche or la rochefoucauld
that supposes an observation to be true:
        a bit like the legal system dichotomy of
the english vs. the european courts:
  a. innocent until proven guilty, vs.
b. guilty until proven innocent...
                it's the ****** bombast of writing
maxims as propositions,
   there's no room for "error":
said content is: necessarily true,
                         but unnecessarily observed;
most of the time maxim notation is
an erosion of common sense, and subsequently
the killer proteins of alzheimer eating
away at the fatty tissue of the brain...
          mental exercise?
      who the hell wants a schwarzenegger's worth
of brain, i.e. exercise what?
           i don't like nietzsche's style precisely
because i don't like aphorisms or maxims...
          they're bombastic in assuming they're
true,
   i.e. once observed: forever replicated
to the same summa summarum...
  i think it's unsavoury to presume that one's
observations are fit for purpose of replica
observations taking hold of the reader...
if, perhaps, these aphorisms were written with
an overtone of presupposition,
             and left in the la la land of: supposing so -
they would be guarded by an element
of surprise...
                      an encroachment moment,
with an element of surprise...
         if only the loss of propositional bombast,
and the mediation of supposing-so,
   with an undertone of prepositional discretion...
stating the obvious in that stating
the obvious is stating an: unchallenged truth,
an unchallenged observation shared between
to people, well, aren't we talking about
  simply observing the perpetuated plagiarism
of what is "observed", without ever
deviating back into the "unobservable"?
       i believe that aphorisms (as a medium)
are plagued by a certainty inversion -
             sure, they're true, but they are also
true without a guarantee of replica -
                 for the most part they are placebo
ridden...
                and the only aspect of philosophy
that is unscientific...
                for the most part the style of writing
that's aphoristic is placebo,
        and not res replica...
           unless offensively forced - stereotyped.
if only the writing of an aphorism was
plagued by presupposing rather than proposing
a conclusive play on a voyeuristic act -
             the presuppositional attention to detail
would be tactful - and part of the cartesian
continuum...
             but propositional observations,
akin to making stereotypes, have no element
of founding one's thought in the cartesian dynamism
of doubt... there either is, or there isn't -
existentialism akin to the genesis in nietzsche
was born with the cartesian roller-coaster
of fusing an emotional regard for feeling,
i.e. doubt... negation being the prime ingredient
in existentialism, is oh so boring...
         ego negare, ego quasi cogito - ergo..
      i deny, i sort of think -
                                             therefore;
pretty obvious, we had to change the song -
we know so much already, in the current times,
that doubting would be pointless -
    doubting used to have a thrill of purpose
never being finalised,
   existentialism replaced doubt with denial...
so few things can be doubted,
   and when so few things can be doubted,
  we purposively lie, deny, lie, deny, to somehow
muster an origination of awe in emotive
experiences, which only bring failure -
  awe does not coexist with denial -
           you can't be in awe via purposively lying
to yourself...
  you can only seek awe by being forced
  into an emotional system of doubt...
but since existentialism eradicated doubt and replaced
it with denial...
     as already mentioned:
we deny, therefore, we sort-of think -
      we deny, therefore, we "think";
as the zeitgeist suggests - robotics, and other
forms of automation are taking over.
the argument still stands:
  if only the medium of writing aphorisms,
or succinct "truths" could be universally tested,
or at least universally observed as being true...
     if only there was a lost propositional(!) bombast
behind these pieces of writing,
or rather: a presupposition(?),
     since both approaches still converge in the realm
of supposes;
   a position is taken and one is for it -
while a supposing is given and one predates
it with a spontaneous unearthing of unnecessarily
having an opinion about it -
to presuppose is to not suppose -
since presuppositions are more archaic in always
being unforced observations,
  whereas propositions are enforced results
of having forced oneself to think: about something
with the end result of: a maxim,
or the extended maxim, i.e. an aphorism.
          - so who would actually want to make
language, and easy, and accessible, to the majority
of man?
          did not the power reside among
the priesthood who spoke latin, while the general
populace didn't?
   so why would anyone not decide upon:
speaking an english, within english,
   that the common englishman could not understand?

so many people seem to be only limbo dancing...
fat-diagnosed                         meta-humans,
                   and juxta...
they the are scorn of a thousand
chinese labourers...
                      who later squirm...
    i forget what speaking english was about...
it's this carelessness
  that somehow surmounts the ideal practicality of it...
  it's somehow shadowy...
  somehow removed from all need to:
extract a core of struct cipher...
             long before the software makes
man his decrepit-self, there's
the metallurgy of the conclave...
                           and the is the minor statement:
if man is to breach a culprit worthy of being denoted:
a meteor.
                      prior to the hardware,
there needs to be a software insurgence...
                  a fail-safe mechanisation,
with us, imprinted as: beyond the death of god,
the death of sleep... and the capacity to dream...
                      nihilism revolves around retracting the
last ******* cursor...
                               all machinery rests,
it's a question of whether organic matter ever
    contradicts its inorganic humanisation...
             if i am bound to rest, then i bound to not
be woken from such a rest via a nightmare...
   erradicate nightmares, thus erradicate the organic
cursor bound to invoke...
  all other contradications that counter the
originally intent escapade...
                               if indeed $ is a symbol that is insomniac
when 1 - 9 symbols are used toward no signifying σ...
that there is no actual prefix in arranging a - z
as there already is, perfecting arranging the 0 - 9...
   with the σ being the more: well addressed... in being
                           what is the reigning smmation of
the symbols a - z, as the simply unknown cradle...
   so if the symbols 0, 1, 2, 3, 4, 5, 6, 7, 8, 9 can be governed
by $...
            what number can govern
                               a, b, c, d, e, f... r, s, t, u, v, w, x, y, z...
if not Ø?                   emtpy talk...
                       0 is a symbol for negation...
                  say of 0, Ø: you get affirmation..
  and you can say as much as you want...
        it doesn't mean you'll get the proper mediation
of being nearly human in the endeavour, a mediation
that demands: losers and winners, paupers and kings...
    man outlived the concept of letters and words
having any worthy construction...
    anything worthy of collaborating with...
                 there is no higher grownd with words and letters...
   it's the five-sense endorsement man that's
at a loss...
                    as long as
  there's the fewest numbers
                        to posit, once the
              hierarchy of 0 is stated after the comma...
and the number of crude denials are mustered...
  toward the million-shared among the 1% and not
the 0.1%...
                  once the Tolstoy's opus is worth:
0.0000000001 readership...
                      and a poem is 1.000000000's worth...
    we'll continue with this warfare of symbol...
       hierarchy:
               the one denied by the many: is the hierarchy...
and the one acknowledged by the many: is the monarchy...
   somehow it was worthwhile reading Kant,
given he suggested 0 = negation...
meaning that 1 = affirmation, but that was the least
   bother for me to attest...
                       i just found
    disavowing myself from the argument of god
as befitting man: who had no standard in a termite mount...
or an ant colony...
                         if man was indeed prone toward
such perfection, i'd have no concern to form a politics at all...
    man, as a political animal, as an animal non-intuitive,
as an animal overcome with conscience,
  has no place in man: guarded by such angelism...
  coinciding with duty and fakery: for the worth of prayer
and an albino amnesia.
and never prone to intuition and a synchronisation of the senses,
but rather their divergence... epitomised with
sharpening them in the sphere of intoxication...
        if man was indeed prone to such perfection,
    i'd have no concern from a politics at all...
  man, as a political anima, as an animal non-intuitive:
as anima ego-centra...
    could be neither a tangens or an omni-servitude
divergence of all the species, on the palette...
esp.  wondering if he could be:
  insect prone, rather than bedroom fuelled by mammalian
        jealous prods into: ******* gladiators!
                          religion only relapses into upkeeping
this utopian dream of it never happening...
   of a congregation...
                    imagine the Koran or the bible in China...
    common-sense numbers of China said: nope!
               the Chinese would have said: me mongol,
and slaughtered each other... for the bride to be!
  i really didn't want to write this for a reason that it might
be made dogmatic, or kept for posterity,
or a welcome inquiry...
                              i simply wonder why we dream
of world peace, and yet come up with such
diabolical schematics as Jung's collective unconscious...
    and all that: as if dreams really did require a 1 + 1 = 2
rules of interpretation...
    and all our dreams where: **** or phallus dreaming...
protruding in the oven of being flacid, once, so overcome with
thoughts, than in dream, or Buddha's awakening:
pretty correct in being: full blodied,
  stood up to overcoming shyness...
                                     and at least said: an astronaut's hello...
     ego to hyphen, non-complex word... complex
word to Houston... why wasn't it mission Hermes 13?
     i don't think we should believe in those gods...
but it would make great strides in asserting them
as best in a modern vocabulary...
                              Hermes overrules Apollo...
               there was a message intended in that vanity project,
surely!

and i will immerse my index and ******* into the breathing grave of winter, of wetted belgian mud like railway lines expanding and contracting, so too the earth, and thus leave my thumb to be akin to Caesar's daffodils, prematurely sprouting in january: but the godhead of gladiators aching for their river styx to rekindle the zenith moment with shout clap blood-thirst & applause at the coliseum that leaves the koranic promise in comparison a foetus of faeces; what a lazy paradise; male lazy is called philosophy which women call idiocy... i call female lazy anything else but, a sort of aesthetic conglomeration.*

raise your children among dogs,
and your earliest adults among
felines: so that the former may
ring-bell-true an attachment of
feet unto print of the sphere,
and the latter work with a "bias"
of solipsism of ventured into
so many priestly truths dog-collared
for a lack of readership but awaited sermons;
only by reading does the priesthood become
worthless and funny due to the chosen attire.
for god be but a poly-solipsism or a diamond
mirror, each on the path to such a meeting
will see himself clearly and no other,
and with himself seen, will claim no false
knowledge of the other he once claimed
for the worth of the ridiculing joke.

When down and lonely,
We have an upper.
When unhappy,
We leave a smiley.
When isolated and alienated,
We have fraternity.
If you fear, find peace in readership.
If poor, there's free verse.
If under-appreciated,
We click like.
If under-valued,
We've no price.
If destitute, there's richness in language.
If thirsty, drink.
If hungry, devour.
When you're at loose ends,
We have tight compositions.
When conflicted, find resolutions.
And if you're disenfranchised,
We have a home.

Mike H. Excuse me, didn't we already do an interview?

Me. We did and although I asked some really hard hitting questions I feel your answers weren't up to par. Have you lost your edge?

MH. Lost my edge? Are you kidding? We spent hours on the interview!

M. Yea...that's kind of a ******.

MH. What are we going to do now?

M. Well personally I'm going to ask the same questions, your just going to have to up your game...

MH. Then should we get started...again?

M. Mike, I thought I'd never ask!

MH. Then take it away Mike!

M. So Mike it seems to me and I'm you so that would be us. Well we've been curious why every year in January you disappear from Hello Poetry.

MH. Well I like to take the time to refocus...

M. Epppp!!!

MH. What? What'd I say??

M. That's why I scraped the last interview....BORING!!! This is the new millennia and we're really not that interested in the truth.

MH. So should I talk about my being on the run from international spies?

M. Perfect!

MH. Or how while I was away I jet setted around the globe giving interviews to all the magazines about my world renowned poetry.

M. Do tell!

MH. And after that I was on a jungle safari and was kidnapped by that tribe of pygmies only later to be rescued by a jungle man calling himself Tarzan of the Apes?

M. You have been busy!

MH. But none of it is true!

M. Uh...your starting to bore me AND our mega readership again.

MH. Well after all that I canoed my way back across the ocean and here I am!

M. You know at times I truly amaze myself...

MH. Don't I though.

M. You know we should do these interviews more often. Hanging out with you otherwise can pretty much one...big...yawn.

MH. Did I mention the sharks?

.I: the minotaur teased at the labyrinth and the tornado

i was readying myself to keep these words stashed
long enough for the drawer to be overflowing with them,
i waited for the closet to grit teeth and give
birth to a skeleton - i waited and waited and i felt
like being a dam no more -
i wanted to keep the waters like i might keep
a foetus - but of man and pregnancy -
only a tapeworm at the end of this alley of wishing...
after all... what is a the umbilical chord without
a mouth - what is a tapeworm this hyper-reality
of scientific synonyms...
                              i wanted to write a few, a words...
like i might be a tourist in Dublin... mouth made into...
gob gloryhole having my teeth removed...
some sand poured into a sock the sock shoved into
the abyss whenever some ref. to Joyce might be noted...
ah yes... succinct beauty in words....
never that rambling narrative...
space!
                               cascading words... and...
better no myopia... reading congested paragraphs
of Kafka...
it will be duly noted later...
                    a short poem about...
drinking 13: hop house lager... and a diet of bushmills...
making it up to 12 units per night...
and the full dosage of amytryptyline 25mg and
250mg of naproxen...
   and saying: better finding the dead...
the gun club - jeffrey lee pierce...
                   and just drinking... putting on the radio
and no longer... foraging for the d.j. headset...
as ever... sticking to new rules... nothing posted...
social media "grit"... attention ******* -
like counting falling stars of a niche viewing...
or some other grand muddle of things...
as i once told the doctor:
there was once a "carpe diem" narrative lodged
in my head...
there was the squirrel impetus for thoughts
the nuts that would become an entire tree and a day...
now? only shrapnel... riding the betting beast
of day-by-decay-by-day...
               if attempting to cook with hops...
i'd recommend sticking to hop lager...
stay away from the ale... stay away from the ale...
ale overpowers... with the hops...
i love hops more than i might ever love chocolate...
i love hops more than i might ever love chocolate...
but not when it's an indian pale ale...
it has to be a hop feast of a mr. guinness' lager...
and next to his stout... there's no other beer on
these isles i would be found drinking...
you learn to talk by talking...
you learn to walk by walking...
you learn to write by keeping your mouth shut...
keen eye - one eye blind...
as i have been...
walking under a constellation -
i call it scorpio or rather...
the exfoliating-צ (tsade) - and so too up-side down...
i too might have mistook the constellation
as... ayin (ע) but there's a spine to this up-side down
letter...
they dare not say the word: n•••••
but dare to say the name of the name:
ha-shem: tetragrammaton - as easily as the fizzy
fizzling out to a stalemate of jesus: hey'zeus!
just saying: there's not a kippah on me or a snippet
of ******* to be made into an earring "missing"...
i have no gamble in this...
perhaps... this is farewell poetry...
the adieu poetry of: what began with Casimir III
when the YIDS were given asylum in the north...
this musst be farewell poetry...

i never liked the word: jew... and yew: well...
that's a tree... well: to borrow from the ******* german
of the hebrew slang...
yiddish... and ergo... you have the yids...
which i find a more pleasing word to hear...
after all: a jew sounds a menace when...
compared to dew: due...   a matter of:
do i mind the sound of fork on porcelain?
do i mind the sound of nail on a blackboard?

how i once complained: the english and
their cats and kettles...
                                  and then... their cysts...
the greeks and their omicron and omega...
their (F) twins: theta and phi...
of course... no diacritical marks were harmed
in the process: since none were used!
what's not to like about 'ebrew and their
   two vowels that act as consonants
(ע) ayin and aleph (א) -
even if the argument stands:
the letters have a name, unique...
but we use the first letter of their name...
the prefix A- and discard the rest...
have i ever mentioned the minor a in 'ebrew...
the kametz? oh yes... there are five minor vowels...
well... there's only one minor vowel the 'a'...
given ayin and aleph...
the rest remain in the sheol of diacritical
marks... yes: left to right
               (ש)(ל)
                            indeed: where is tzere (e) and
cholem (o)?
         me too... can't see them...
because... they're not there...
just like a spanish... abajeño - abahenyo...
acompañada - (panyada)...
          there i see the equivalent of the hebrew vowels
in that halo and pentagram...
not in latin, in greek... the rubric...
A)lpha - a...
B)eta - b
G)amma - g
D)elta - d...         the prefix rule of letters
having names...
exceptions? a bit like roman numerals...
6,6,6    - X)i - 600 (χ)
            - Ξ)ι - 60 (ξ)
            - Σ(igma - the exception -
then again... a cardinal number...
             -    6 (ς') and that's always written
with an apostrophe...
akin to how... braille numbers are
                                         prefixed with ⠼

          why not expect the same prefix rules to apply
to hebrew?
    after all (א)lef ≠ (ל)ef
                          given (ל)amed
                otherwise... (ב)et, (ג)imel, (ד)alet,
                  and how did the other "adam"
get tangled up?
        well... he became tangled as a suffix...
                  of (ז)ayin... hitting the snoozzzzzze
button...  (L, B, G, D) respectively
                      and... (ע)yin ≠ (י)in
                                                        given... (י)od
           so much for pandering - cucking out...
                                      while... comparing the name of
the name within the name: ha-shem tetragrammaton
Æ: adam ******* eve...
but a minor "threat"!

II: change of pace

there had to come about a change of pace -
no point drowning in the fast paced logistics
of reacting to almost every opinion -
what words to describe drinking and sitting
these videos - a silent masochsim of sorts...

that and the cheap *****... waking up stinking
of ferret / cats' **** - which:
is what you end up perfumed as...
esp. after calling beer: the gods' ... same old...

one can simply tire of going to bed at 5am
with not much and still: not really admiring the sunrise
come the right month...
i won't even publish this now...
i'll publish it tomorrow...
why? it's a very niche observation...

******* until you're running on empty...
at least to imagine ******* is better than seeing
what i sometimes see...
imagine a sausage factor harem...
and picasso and dali contortions of flesh to boot...
imagine a human centipede...
i can't imagine a need to fall to sleep
fully celibate and "pure"...
unlucky me that i have to manually dispose
of the ***** that's not going to be used
for an egg... unlike a woman who does so...
automatically...
i have to manually dispose of the ***** that's
not going to be used...
otherwise: sperma ut caput!
         i'm empty down below... i'm somewhat
empty in the middle - the heart beats
but is numb - i'll go down and forrage
for a snack after the dosages are complete
after an hour's worth of toil...
then i'll bumilia it out the old fashioned
way... ticking the uvula and the third tonsil
with an index and *******...
till i feel a pinch between my **** and my
*****... that slit of skin that would sometimes
be called: how the coccyx was formed
from the scolded dog's tail...

and of course turn on fama.radio.pl -
between 10pm GMT and 6am GMT...
i don't mind the music they're playing -
when i'm aiming for a KO when it comes to getting
a 6h shift in the land of Nod...
i'm not going to play the pretentious high fidelity
d.j.            (either)...

i could be sitting up with these content
creators... by the way... since i leave no comments
on these type of videos...
having read the blood sports the beefeaters
and meathead bashing in general for the crab crown...
for an up-vote...
a commentary of "concerns"...

i could be doing that and waiting for a blitzkrieg
blah blah i'm usually prone to...
but...
there is an alternative... the radio.fama.pl alternative
of autopilot d.j. and no adverts...
rare footage of me choosing to sleep on
the other side of the bed...
for over 3 years i've only been sleeping on
one side of the bed... but the bed is made for two...
and through the radio and in between
twilight and deep nox "consciousness"
of still hearing the music, feeling myself breath...
the voice as if saying:
now i know what it feels like to sleep
with you: on the other side of the bed...

and other lyrics flooded my head -
each song became a solipsistic advent of only me...
nearing deep sleep or...
that period of the throes...
but i hardly death is knowing -
just somehow "me" telling: fall into the body...
turn the lights off...

i could waste my time with cheap *****
on all these people are are alive...
bogus alive... clickbait alive... video alive...
not exactly blockbuster friendly...
sure... competing with news channels...
but... these are not the good old blockbuster days
of VIDEO...
competing on the medium of opinions...
i binged on that...
but then i had a moment of revelation...
try looking for the dead...
drinking better alcohol...

so i came across the gun club -
notably jeffrey lee pierce - well... he's no bono...
or a kurt cobain... and even if he wanted
to be a chris isaacs... it doesn't matter...
i'll be in bed before midnight...
and all i will have accumulated...
no - no liter of cheap whiskey...
no 4 cheap 8% iders and roughly 35cl of
co-op brand whiskey...
i will have drunk...
what's better than an IPA?
what isn't better than budweiser? the HOPS!
the HOPS! but what's better than
an indian pale ale?

              a HOP HOUSE LAGER...
because you have more of the carbon dioxide...
and less of the staleness of an ale...
because it's a lager...
and... unless you're asking for...
a guinness... there's no better hop lager
than 13... which... is again a guinness...
every bottle every story...
i won't ditto what the bottle reads...

so i'll be drinking two bottles of that...
and... 5cl + 5cl.... let's say... roughly 150ml
of... BUSHMILLS irish whiskey...
yes... come to think of it...
who brews the best lager on these isles?
the irish do...
and who brews the best whiskey
on these isles? the irish do...
that's settle... i will write this before i take
to nod... but i will not...
imagine going to sleep with someone's
eyes prying in on this...
it would be like bedding something
worse than a ghost...
a voyeuristic c.c.t.v. mob-machine
i need my sleep - the reactions are not necessary...
lazily done in the day...
and i'll have forogtten about it...
occupying myself with... trying to remember
a word in braille... or something...
like making silesian dumplings...

it doesn't matter... niche writer for a niche
readership... let's not get too excited;
i'm not going to **** for a viral video
or a viral tweet or etc.

a youtube algorithm can still be found – from the good old days –
compliments: the gun club, mother of earth
followed by… the black angels, young men dead…
and if supposed to feel, less “puritanical” about *******,
while the girl has her ***** at the ready and a video-cam
broadcast… the cure’s album ******* while
watching a sasha foxx  VICE documentary…
before setting on… doing it over still photos imagining…
well… a crude Botticelli… visceral Matisse…
when Lucian Freud met up with Egon Schiele…

just empty empty before a good night’s and 7am beginning
of tomorrow’s borrowed time.

III: revelation 1:0 on the River Niger

i'll be very sensible for for little piece of trash -
i just hope it's worse than a column from
some tabloid newspaper!

honestly... i will bring out all the "self-cencorship"
sensibilities for this one...
it feels that the need has to be fed...

but... i'm sorry that you will not see
it as bi••er - you will see 2 bulls...
and the 2 hexes: &#x2022...

  or you would see motherf•••••...
then again: ck is not an acronym for calvin klein...
nor would it be a... crawling fahrenheit...

not even a Σ(νιγγερ) helps...
and because of all of that... you are ready
to watch pornographic material
and whatever floats your boat over on
rotten.com -

back in the day - we the first explorers
would come across such sites without any parental
control...
but i figured... if everyone is having
a hot day over a sour toothache bound
to the crunch of a pickle...

but if Σ(νιγγερ) is already crossing the deathpit
of sjw wrath...
either you, or i, do not deserve to see greek...
let's see who's ⠎⠝⠊⠛⠛⠑⠗⠊⠝⠛ in the dark then...
will you pluck out my eyes...
or will i pluck your eyes out?
or perhaps: you pluck your eyes
out and i'll just cut-out my tongue, how's that?

- i'll be honest... i'm not even going to compete
with will alexander's enclyclopedia lexicon...
and it's not like i have some...
repressed tauret's syndrome to boot...

   (tokens! tokens! tokens! they say...)

but i figured: you know...
i can listen to patti smith and her rock & roll
'igger...
              but because patti smith can...
doesn't mean that american head charge
can cover it...

but i did come back disappointed when
i put on... Grachan Moncur III's 1963 debut...
the çymbals got to me...
avant-garde jazz... it's no acid jazz...
and there i was thinking that
"too much" of alt-sax is bad enough...
                 not even i can stomach Mahler...
unless i want to self-harm...
holding a cat in my hands...
who's nails have not been clipped
imitating a sufi dervish while Mahler
is playing with the cat in my hands...
i'm terrible at such times...
when it comes to blinking with my eyes...
for fear? for fear of them being gauged
out by the cat... i prefer the scratches
on my hands...

     why would an östlichmann
why would an østligmann come to these isles
and no see a K in plain sight of (Plaid) Cymru?
why not immediately see:
Cornwall - as south Wales?
instead... he comes and attaches a tail...
calls it...                Çyrmru....

why oh why... perhaps because...
the word for dragon... for the östlichmann...
is... smok... the flag does the duty of:
in plain sight...

because there's a revelation at the end of this...
just today i thought: there are non-negotiable
historical events...
i was wrong... notably because of the holocaust
deniers...
you might think that some events in history
are non-negotiable...
i would think some things in life are tinged
with: non-negotiable standards of moving
forward...
                    
but if there's a word that one black man can slander
another black man...
because... whatever the etymology...
someone giggling on the River Niger...
or someone giggling in Nigeria...
the time in nigh... a sigh prior to the gig of giggles...
i get it...

but if a black man can have his own term...
to call another black man with a wink of...
ridicule... then as one: this being black on white...
i should have my word too...
and that's without a screetching mob of leftist
propaganda tools...
or whatever you want to call "them"...

now the eyes can be flooded with all the *****
films and all the masterchef episodes of
how the chinese prepare streetfood...
how a dog has to be beaten dead...
so it will taste more tender...
no... the actual cuts of meat of the dog
are not cured... made tender while the animal
is dead... the animal has to die by:
a softening of a good beating...
some would say that...
europeans didn't become wholly barbaric...
and changed their ways...
because... in them... there was something
of an animal-lover... a safety-net...

             but if a black man can call another black
man a n••••• in a rap song...
it came... via a song by m.d.c. (millions of dead
cops) - john wayne was a... n•••...
communist is dry... although some in the former
eastern bloc would find that offensive...
offensive enough to not speak an apology
to a fellow family member and vice versus
with regards to a papist and born again catholic...
etc. (born again under communism)...
and take that apology / non-apology to the grave
or otherwise stand over the grave and say:
and where was god for you, papist...
as he is for me, your supposed "communist"
brother-in-law? now standing over your grave?

a ****** revelation... come to think of it...
it will never catch on...
if a black man can call another black man a née-ni-ni...
i should be able to call another pig in blanket
a na-na-na...
but no... it will never catch on...

IV: No brainer brain-dead hard-on

i just have come to expect anything
by the standards "western chauvanism":
the world is no privy over my output
come a certain hour...
11pm is the cut-off point...

everytime they mention "eastern european" -
eastern... as in... 1 hour ahead of
gmt?
not the sort of sodden bed-fellows just
30 years ago... and the whole death of communism
bonanza of the early 90s dried up...
"our" women were just "your" women...

clearly: the **** of the sabine women
turned out to be: the revenge of the sons...
or... how the mothers would play off...
the daughters and the sons of the rapists...
against them... if not first generation...
then at least one... down the line...

accents accents... spoken by people with
no diacritical markers...
today i visited a vet... with two cats...
he still spoke of Velencia as if there
was a Greek phi or theta lodged in his teeth...
not a whisper... not a lisp...
an F where a C is embedded into text...

the world is not welcome after 11pm...
therefore this will remain a draft...
until tomorrow, or maybe not tomorrow...
i want to have a good night's sleep...
i'll be waking up at 10 to 7 in the morning
in order to properly shuffle my feet...
and... catch-my-shadow-off-guard...
because i will not be boxing the alpha-to-beta
alphabet of ontology with regards to
man- and -hood...
as one might... at least the circumcised
yids don't gloat...
about their circumcision...
no waving the h'american flag as there's
no waving of the kippah...
or throwing a kippah like a mortarboard
upon a high-school graduation...

does exactly what it says on the tin:
you already did your college graduation early...
*******... tool...
i still need my "beauty" sleep...
no output after hours...
like those laws in germany...
no work related phones, text or emails
after 5pm...
none! no obligation to reply!

england... the country of workoholics...
pish-poor russian alcholism does not
compensate... and that's really stretching
the sterotype canvas...

all i have to do, is think of tomorrow...
and how... i'll suddenly be thrown into
my neighbour's house... the eddie gain no more
to let the dog out...
albeit... there's no immaculate locked-off
room where the mother slept...
even by "western" standards...
they're not quiet sure what to make of me...
a doctor needs an assistant when he "tries"
to help me...
whenever solipsism is mentioned as a cipher...
a cipher is given because:
something needs to be deciphered...

now i'm writing for the drawer... the shelf...
the closet... the skeleton...
it's not much of an "in-crowd" to begin with...
the goalposts keep changing...
once it was a turkish kebab...
soon it was the curry... then the persian sour
grapes... then came the sushi...
then some chinese noodle soup...
sooner or later a pizza sputnik...
old rivals... but i'm not money...
i need to sleep...

p.s. and as much of this last "verse": poo'etics...
is anger: grrrr gritty and how much of
it is a response to niche comedy?
the in-club the breakfast club...
the pandering to the rubber-ears?
        the regurgitated - well once upon a time
they would meet in secret...
but now... they meet in the open...
and anyone can just... sift themselves in...

and this whole... identifying the periphery
of western culture... in eastern europe...
no... not in greece... or the balkans...
eastern europe...
from under the iron curtain... immediately
shoved under a silicon veil...
change of masters...
once a satellite state of the soviets...
warsaw pact blah blah... now...
the leftovers from: and what if the mongols
and the ottomans just... walked all over us...
why didn't ****** start digging the EUROTUNNEL
instead having that hard-on for the luftwaffe?!
thought like an elf...
or... ang...         never took notice of any dwarfish
grit... hey! daydreaming....
fifty shades of black vs. 50 shades of bleach...
there's the cinnamon man,
the chocolate man...
the star anise man... the oak man...
the auburn autumn man...
there's all that:
                 − · 
                 · · 
                 − − · 
                 − − · 
                 · 
                 · − ·             since i'm the ham man...
the piglet pink ms. cuck...
   no... for anyone who goes blind later in life...
i don't see the point of braille...
morse-braille yes... you need tender fingers
to read braille, ergo: you can't even learn
to play the guitar... perhaps piano...
               coco? 'coz' what?
                          i'm a... *******                − · 
                                                                    · −
                                                                    − − · · 
                                                                    · · 
an NZ (נ)(ז)... yes yes... a new... zealander...
which is the hook bait... and sinker...
for that alt. r.e.m. song...
the one that goes... shiny happy pep... pep...
trigger happy woke zombie b-listers...
     there's a name for almost anything in this
shitshow of what a Hamleys Regent St....
boutique of toys would look like...
when you used to play with toys like a puppeteer...
aye'up! as they say in york-shyre.

in spirit, a grey kitten
curls into
the crystal ball
of an old black man
whose white readership
never materialized.

across town, the man’s first book
is buried beneath a tree    
that was not a tree
when the book was buried.

as a character
in a far death experience
a white woman with a shovel

     her face a storm cloud
above a prison yard
with no prison

adds a bit
of humor.

Language can be used to unify
representing our cultural groupings
of religion,
caste,
region

Language is power,
the power to name
It is the most potent instrument of culture

Language is sweet tongued
riddles in speech
beautifully balanced rhythm
in original language
A widespread...language game

A game with hidden rules:
indigenous structures and rhythms
referring by analogy to something else
with hidden meanings which must be searched for

Take our language away and
We have fallen apart
A foreign tongue will send tremors of fear into every heart
“Oh Lord, save Thy people”
The great Evil has come:
Language of the small and elite
the petty-bourgeoisie readership

It has established a kind of presence
It has created its own momentum.
It doesn’t go anywhere.
There’s nothing you can do with it to make it sing.
It’s heavy. It’s wooden.

A strategy of language manipulation
The darkness drops again

Translation is a battleground,
mere anarchy loosened upon the world
The neutralizing alternative
interlanguage,
mimicking
A gaze blank and pitiless as the sun

Take our language and our center cannot hold
Things fall apart.

Or construct the lens through which understanding takes place:
What is it in your dialect?
The result is incredible.

if i can read with sympathy and empathy,
it can only translate into: when reading my
own bits & bobs i’m an executioner -
with my work being charles I -
but that’s relevant, i can’t be a one-man
stalking sycophantic groupie,
and for whatever criticism comes my way
i know the price of the maxim:
true virtue is unafraid of criticism,
oddly enough because it is already overly self-critical -
e.g.? the peacock and the encyclopaedic content
of the cantos of ezra pound almost desires to
be sung and not squared-up to be relevant,
given that in the majority of life’s canvases
the privacy of such thinking is for the reclusive readership
allowance, that might undermine all
reckless speeches that either slither through the amassed
audience like an electric serpent to stage a furore,
or simply attract ridicule and dispersion
with a joke’s punchline drum roll - tu dum tss.

well, death isn't going anywhere, it's there, if you think talking about it is taboo, censoring it is normal, trying to rationalise death with thoughts of suicide is morbid, you're really on your way to a neo-stalin system of censorship... what if thinking about suicide is a coping mechanism of having to rationalise death per se, to rationalise mortality... who are these secular gods hiding behind curtains of theory?! who are they? what if thinking about suicide is thinking about death itself? where is this Stalin of capitalism?! where is he?! i need a word with him - because if i can't have the freedom of thought i have no extending freedoms to participate in life - a cog in a clogged up mechanism... but let's not get all hot and bothered and frantic... no, seriously, where's this shady Stalin who doesn't have a podium but a puppet theatre? i know, words like capitalism are grandiose, almost cryptically absurd, as is the word bureaucracy... too many people depend on it... but the french absurd philosophers were given the freedom to wonder about suicide as a way of consolidating mortality... we're not immortals... why aren't the english children given that freedom of such bewilderment, instead reduced to self-harm as a way to paradoxically alleviate the contemplation of mortality, with the thought of suicide as a coping mechanism of the ****** inescapable fact?! hide the cemeteries and i'll agree.*

a funny article in all honesty,
entitled: stressed, depressed,
lonely and anxious. is your teenager ok?
i remember when i was one,
yeah, i have a life,
a bottle of whiskey to finish,
see you 70cl under the sea
of what used to be the shoreline
or a table - you can never take a medium
too seriously, i mean, what painter
would take a blank white canvas seriously?
if he did, he wouldn't have painted on it,
but writing to get +1 thousand
hits of readership? what a weird mathematical
need of voyeurism, you see no **** no ***
no shower scene... you're just addicted to
numbers, and they're not even your savings
increasing for a place in a care home...
oh pooh pooh a tear... fragile souls of
passing on resentment... hey! i'm in the queue
why you barging in? i only have
a can of sardines and a bun to buy...
you have a full trolley of goods for
a family the size of Lichtenstein!
but i get it... europe's disneyland is switzerland,
all the death rides you can imagine,
esp. with an imperial russia banknote with
tsar nicholas ii on it, i'd get a pass on every ride!

should i be more mistaken  and more impressed by
a readership, or by the general
population of the world? can everything, literally,
that i touch turn graphite into diamond?
      we, who have magpie
value, are really under-dressed
for the peacock parade...
but wouldn't you
love to kiss that pretty sheen
where the sun don't skine...
i can't be east end, i''m
essex bound... farmer out of his
comfort zone...
next tier come the cow ****...
and if that ain't a bear-knuckle
fight, i don't know what is
drinking home-made wine, with
all that fog and murk, and
everything i wish i could never bring
myself grievances over...
   like a tightening of the ansus,
of losing virginity via the age of 16...
i don't know, you start to
fake the more you age, but since
i'm not reallt ageing, i'm bound to be
one of those: sinister dogs
thrown into the kennel of the streets,
all because i said:
hush your pretty mouth,
we're boundless in knowing who might
kiss it again...
  i mean: dumb as ****, but then again
i kept neithe friend, nor onspirator
akin to Guy Fawkes...
   then you had two children you wanted
to boast about, and i had 20 bottles of wine
i wanted to boast about...
the two never seemed to congregate....
and i was left barren, and said:
and deserts need to exist,
and you said something about
rainforests, and how you needed more squashed
wood for paper for the office -
     toilet cubicles, because the koala
paper was running out...
and ******* a **** out
with grit and sand-paper was no way
to go about wiping your ***....
even if the eastern europeans...
just about the time you deemed my ethinicity
vermin... just about then i turned
all königratte on you...
and said a quiet allegiance against the "free" world...
so said about "free" people, i say: about as free as
your need to maintain a routine...
  and counter wind-farms with
hamster-treadmills...
                            oh man, if you
didn't mention my ethnicity as being bound of
rats... if you only forgot about my baptismal excuse
relevant to the schwarz pest -
    that's so uncool man...
  that's like a Jewish joke when only
Jewish mothers laugh... it's like a joke about
being circumcised... and then having to really
give it your all for a ****... because with your
******* missing... she had all the gags with
her *******, who she nick-named Dorace...
and that like... ****... a keeping a plant
that belongs in the Amazonian rainforest
inside a potting urn... for no better word for it.
but hell, me being an ethnicity bound to rats?
what does that make you clean shaven,
axe-weilding, metro-****** super-gnat?
no, i can see big ben tic toc tic toc...
     i just can't see you making up the cavnas...
talk about reclaiming your capital...
        that sure seems like all the war movies
are obsolete these days, meaing
it's all about a coach trip from Debry to London Victoria...
meaning in the real world...
meaning getting any education at all
was a bit pointless...
   arm wrestling in the cantine would have made
more sense than being taught darwinism...
   darwinism can, somehow, undermine
your natural bully strength...
    and there i was duped into thinking:
survival of the fittest... call it what you like
in theory, in reality it's called:
mind the ******* pedestrian!
   the granny, the pregnant woman...
oh sure, get rid of god, i'll also yawn...
but why give so much prayer / thought toward
a system that can't incorporate you as ruler,
when every parasite is bound to scheme a return
to the privilege of a tapeworm?
don't get it... tell me how that sort of politics works
while i see hurricane katrina in replay...
            mingle the omni rhetoric with
a mathematical rubric, and then couple that to
egocentrism... you basically get the western civilisation...
so much for protest... and so much for everything else...
i lost count trying to keep up with the perfected
chinese... the truest nature adherents...
                the easiest way to control god
is to argue he doesn't exist... well, **** yeah! get a tattoo!
a bit different when you have to argue
against parasites... to later equate them with
the emergence of new technology and the excess of
libido and the unemployed...
                i have absolutely nothing profound
to say... but why obliterate the reason to
find an escapism in a god, when all we're given
to replace theology is: sky, believe in better...
or disney, i.e. dream in technicolour...
                the main point though?
it's war when you equate my ethnicity with vermin...
not enough **** in your system to know better?
wait wait... this is post-colonialism, right?
    mater rus turb...
turbanus sikh vanus... either way ya plonker...
we can add that you eat the same breakfast
7 times a week, and on the 6th day i ate the *****
of having ate breakfast on day 5... and hence
the seagull was born.
    what a caged ******, it almost seems like
the englishman was born to remain abroad,
or better still, along with the tabloid
avenue of recounting his stay in Ibiza...
where he was all hail mary for no one to see!

i must have a **** taste in
art should i be getting
jealous of the readership quota
for some of these poems...
mm ha ha!
edit me as anti-vindictive
and simply over-baking the buns
in the oven of my eyes
as if the ones not settled
yet beginning to rise -
the sea in the seashell - and
every other paranormal easy,
explanation of parallel assortment.

like a "sickness" in the stomach *** 7am
    after only going to bed at 2(am) -
       and not from any considerable mention /
allusion to a "lack of sleep";
     in that "sickness" is more or less
    akin to a metaphor of a centipede wriggling
about on a hamster wheel /
   a rollercoaster of sorts...

   tough-chew of a fiddling with imitation
   walking...
             prized pins in the feet that have
turned to custard-hardening numbness...
immediately a towing of verbiage
seems more apparent than ever...
   perhaps an interlude of

   'and here's one i prepared earlier'...
          
//

  besides: no one really wants to write something
maxim esque every other sentence:
feeding a readership of
exasperation and sighs - from what i've
heard writing maxims and / or aphorisms
can be a rather tedious undertaking -
for all the times that: when should be forgotten /
'suppose i dreamt it?'
              - and any other offer than can
come with: working out a best lived towards
the amnesiac astral domain...

it just came out of a deep need for perhaps
conversation - then again i am too tired -
             a tiredness that probably sounds better
if i push for some eloquence and
technicality - a miasma is too strong a word -
i'm trying to focus on ancient "things" -
   a chimera variation of a turtle -
               a talking sequoia (but an oak would
do just as well)
                                        and a jellyfish...
  from centuries old... lethargy...
                            with this living:
                                        a tryst a harangue
a search for catharsis -
                                 if need be for a mystery:
loitering on the promise of -
                                    by the gallows on
                                         a Sunday -
                                            in a year were all
such days could be: literally read as being borrowed
from the benevolence of
that                                monstrous UV bulb;
and her copperskinned serpent
                          monstrosities of trickle a tease
of skin's to sizzle: undertones of
                 thrashing water against a window
in the ear reach(ing) a pitch higher...                
                                                                                    //

towing too much space: nudging forward
a shy rubric - an omni- litany (by any other
prefix, squalor)
            between a noun like shy
    and an adjective shyness - formality:
a word genus out of identifying it as such -
a technicality of teaching / learning
                                this (a) language...

- but it dawns on me that i have perhaps
eroded too much of origin and thought
and perhaps even an originality via
the cameo cinema of memory (fickle creature),
but it also dawns on me that
perhaps 10 years apart (circa

                                          ) is enough "time" /
the same sort of space that would allow
a rereading of a work that's
             either Herr Watt (ha    ah      ha)
or a Thin Geon  
                           Anne's Wake -
                    for what use to i have for any
more of that democratic endeavour -
   if only to reprise upon: from the catacombs,
the labyrinth, the ancient library,
the depth of sea upon sea of paragraph-congesting
a drawing-up a coming up for air
akin to (verbatim)

- ****, Nick & the Naggies / Glugg &
    the 3 riddles - Chuff etc. -

   in the house of breathings lies the word,
all fairness. the walls are of rubinen and the glittergates
of elfinbone. the roof hereof is of massicious
jasper and a canopy of Tyrian awning rises and
still descends to it. a grape cluster of lights
hangs therebeneath and al the house is filled
with the breathings of her fairness,
  the fairness of fondance and the fairness of milk
and rhubarb and the fairness of roasted
meats and uniomargrits and the fairness of
promise with catatonia and avowals...

that from out of nowhere and for reason
other than: in order to write proper  & "proper":
tossing and fidgeting the little oystertongue
like imitation(?) i.e. forget conversational
standards of languid, lingo, linguine -
in a frock of half down and in a tuxedo of
half up
                for none of this could possibly
make it into: it's a Thursday morning
   by now all the newspapers have,
                               have been printed...
                  perhaps i'll tender a pause to imply:
pounce-stealthily-hidden in
                                                         wait:
  trainspotting & *****-tickling itch-not-itchy...

now that would be a-happening of sorts:
beside all the bog-****-sodden autobiographical
miasma and fog...
beside all the fog-coup-nudging shadow
with elbow and prayer to a nuke-UV-bulb...
a heart a sparrow a ribcage:
                when farting into the wind
when throwing a stick against a tree
in a forest -
                        when the unbelievably
corrupt sense of self is content, pure,
             by pure i'm only aiming at:
                           uninterrupted -
                           or... without a conjunction
like                                            and...

                that's before: that's a before veering
toward:                          image - begin, again:
a chandelier made from champagne flutes...
       on a side:
i can stomach divulging and bulging in
                                   shackles and monkey's
cackling imitation giggles -
some existential angst (although not something
grandiose as a 20th century sort
or "European" / 19th century precursor)
  
       on the periphery of some "now" (a variation
of when, what if - how, what?)
       such that it is a beautiful lie:
this life...
              and my newly  found estimation
of revising esteem for: not wriggling
in worm-food and silly-ink:
a medium of tedium of being taken
seriously (even if as a "reverse psychology"
reversal of joke)
    
       a puncture a wound that "word-thing"
compilation of:
       well beside something as interesting
as: it's an essay by a lucy ives and
                 it's an essay but for me it's more
a shortcut a footnote parade for my own:

   would it ever (at all) be better
to cure an itch by a pinch
   or in(deed) by a scratch...
             gravestones and heads of matches:
possibly very itchy specimens
it's not hard to imagine
******* on a pebble: no, not imagining
it to be a toffee (landrynek)
              
but honest to god and all that's
Port & Geese (Frugal, Portent - i forgot
the attached -al in s.p.e.l.l.i.n.g)
                 i have nothing equivalent to:
beba babe caco (clot)...
in my own in nomine patris
            since: what is much dissimilar
besides... "******": baba implies
               old woman / peasant woman /
         or woman as harangue (of sorts)...
even though babka =
                        a sort of cake (elevated
sponge, elevation = more bite to it)...
   then comes the suffixation of
the diminutive (adjective)
                             to the word...
babeczka, babusia... babcia
                                              (grandmother):
no language policing here or alt.
   wizardry / frothing at the "salad" i.e.
         concretely (in conc.) a D. Pignatari ref.

but for me: unless not congested (at least
like so) then latin is: loophole it see-through
it's almost flimsy it's barely visual:
why-because-it's-so-******-pragmatic
& why-because-it's-so-utensil-where-none-required
& economically sound
& sieve & water & thirst &
it's hardly an M like Ⰿ
                     or Ⱄ as S
                                let alone an I (pronoun)
i.e. not vowel(,) which is a syllable compound
of Ⱑ   (let alone Я) -
                          perhaps via some distinction
between vowel and pronoun
                    and aye i.e. yes...
             i̊ must say if the pronoun is so bothersome
and more: cut the head elsewhere
sınce ıt's there by no real dıstınctıon
when compared to              får
                          when compared to fát...
                    unless that dıstınctıon be made:
also elsewhere - ȷust like so (Jettıson Bothersome
& Blues)
unless: bothersome camouflage like
a broccoli in a sea of cauliflower akin to
ınınınınınınınınınınınınınınınınınınının
nnnnnnnnnnnnnınnnnnnn­nnnnnnnnn
when "oops" and Bob's your uncle
   i.e. ınınınınınınınınınıninınınınınınının

...never mind - i've been here before
but for the sake of convention (ctrl-c-ctrl-p)
     as clear as day:  
                                  i̊ might add...
       because it would not (otherwise)
  in any other way not suit me -
              thrice up ¡¡¡           thrice down !!!      

all in all: a leisure of an exercise in...
                              terms of waiting for such
pennies of a wording to drool off
a muse's heavenly gob.

It was a slim blue book, a pittance of acutely sounded words, dropped from a shelf and fell upon the floor, rustling its pages from the full extension to the readers’ counter; and I felt its unmistakable attraction touched in late October of last year; and thought : “This poet who has chanced his world and been ignored, beckons and shields himself from vivisection by an absent readership but I shall tie the broken, knot and mend, stamping today the slip with lustrous ink.”

I am going through some trials.
I must go off site for a while.
I wish to thank my readership
for their support...

These are only a few. I have been posting about this all day. Many poets have already been mentioned.
But I want to try to mention everyone!

elsa angelica
The Masked Pimpernel
Nancy E Tracy
Protector
Chris Smith Dark Soul Poet
Elizabeth Squires

There are many more I want
to thank... I will TRY to mention everyone!

Love
Catherine