THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul Armed to the Teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives Stayin' Alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on A Horse With No Name but so consumed with fumes

A fright occultist Thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from distant forbearance to nescient ultimatum and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam

Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at

In light of the recent flood of indie designers coming forth to call foul on fast fashion retailers for copying their designs (paired with a few not-so-fast fashion brands, which have been called out for copying, as well), a common question seems to be: Why is this ok? In particular, why is it perfectly acceptable for Zara to copy these designers’ work? How is this practice legal?

Well, put simply, copyright law is not necessarily a friend to fashion in the United States. This is a blanket statement, of course, but it bears quite a bit of truth, nonetheless. Since copyright law, the sect of intellectual property law that protects "original works of authorship,” such as books, paintings, sculptures, and songs, does not protect useful things, such as clothing and accessories, it provides little protection for those things in their entirety. Creative elements of a design that can be separated from the functional elements are subject to protection, which is why elements of a garment, such as a print that covers it, may be protected (as Pictorial, Graphic or Sculptural Works). This protection-by-separation method, however, does little to ward off copiers.

Moreover, unlike in most cases of the copying of garments, the copying of original jewelry designs often tends to give rise to legal ramifications as jewelry is afforded greater copyright protection in its entirety than garments are. However, as evidenced by Nasty Gal’s continuous sale of infringing jewelry designs, for instance, this also does little to deter copycats.

Other forms of intellectual property protection (think: trademark and patent protection) arguably are not ideal for fashion designs either. Trademark law only protects a designer’s name or logo – with some exceptions under the doctrine of trade dress which are relatively rare. Patent protection – namely, by way of design patents – is not terribly useful for designers because it is expensive (patent protection costs thousands of dollars to achieve) and takes a relatively long time (upwards of one year) to obtain. That’s simply too long for most fashion brands, whose business models depend on trends and season-specific wares. Taken together, this is why fast fashion retailers make hundreds of millions of dollars by copying high fashion designs and only are very rarely sued – let alone penalized – for doing so.

It is worth noting that this is not the case in other countries – namely, in the countries of the U.S.’s international fashion competitors. Copyright protection in the UK is not terribly dissimilar from that in the United States. However, the European Designs Directive introduced a unified system of industrial design rights for both registered and unregistered designs throughout the European Union. This allows for the protection of garments and accessories in their entirety.

Due to its history as the home of innovation in terms of high fashion, it is not surprising that France enjoys the most extensive and longstanding legal rights in connection with fashion designs. The country’s copyright system provides protection for garments and accessories. The same type of protection also applies to Italian designs.

So, it is within these loopholes that retailers like Zara, Forever 21, H&M;, and the like can operate legally (for the most part) and profit from the designs of others.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/****-formal-dresses

Run, Gemini child
And run fast
For tragedy is hounding
You in the guise
Of glory
And billing you
For excesses uncontrolled
The end is drawing near….
Though you have no fear,
Must you also have no shame?

Hide, Gemini child
And hide yourself well
Hold still, unmoving
Drop out of sight
And out of mind
For the consequences
Have exacted from you
A high price to pay
A form of revenge
Festering in your unkempt spirit
How could you live
As you have allowed yourself
To lead?

Destroy not your soul
For materials that put their
Patents on you…
Must you go so low?
Can you never go slow?
Downwards is a long
And empty route
It was not the road
That the heavens had
Destined you to take
Though it be the one
You will never, ever forsake…

Be kind dear Gemini child
And go down alone
If you think that you must
Your looks might be lasting
But your heart remains wanting
Let other people move on
And share not
This unnecessary pain
Let time be the judge
Nor excuses be made
For your living the fullest
Through irreverent ways….

Curse of the seasons
Child of the star
Rest but your head
On a pillow of stone
Walls that constrict
From maggots insist
Anaesthetize all emotions
That plagued you in life…

Meet me at Forest Lawn
Where to you I will sing
To wipe all your tears
And sunflowers bring
Moodust on my pocket
And one for the road
Dear Gemini child
Running from cold
Kiss to the fate
All the prophets fortold
Dear Gemini child
So beautiful and so bold
Mine is a love
That time can not fold
Depicted in stories
That shall never be told…

Run, Gemini child
And run fast
For tragedy is hounding
You in the guise
Of glory
And billing you
For excesses uncontrolled
The end is drawing near….
Though you have no fear,
Must you also have no shame?

Hide, Gemini child
And hide yourself well
Hold still, unmoving
Drop out of sight
And out of mind
For the consequences
Have exacted from you
A high price to pay
A form of revenge
Festering in your unkempt spirit
How could you live
As you have allowed yourself
To lead?

Destroy not your soul
For materials that put their
Patents on you…
Must you go so low?
Can you never go slow?
Downwards is a long
And empty route
It was not the road
That the heavens had
Destined you to take
Though it be the one
You will never, ever forsake…

Be kind dear Gemini child
And go down alone
If you think that you must
Your looks might be lasting
But your heart remains wanting
Let other people move on
And share not
This unnecessary pain
Let time be the judge
Nor excuses be made
For your living the fullest
Through irreverent ways….

Curse of the seasons
Child of the star
Rest but your head
On a pillow of stone
Walls that constrict
From maggots insist
Anaesthetize all emotions
That plagued you in life…

Meet me at Forest Lawn
Where to you I will sing
To wipe all your tears
And sunflowers bring
Moodust on my pocket
And one for the road
Dear Gemini child
Running from cold
Kiss to the fate
All the prophets fortold
Dear Gemini child
So beautiful and so bold
Mine is a love
That time can not fold
Depicted in stories
That shall never be told…

we both work in the postal service
but neither one of us
has ever sent a single love letter
maybe it's the drill of the job
maybe its the grind of the machines
or the clack of the keyboards
grind turns to a drone
and i look around to what we thought
were industrialized patents
were actually what we had once considered our friends
was that where they disappeared to?
instead of quitting the dead end
i had assumed too fearful to follow the leap
they hid away in mail bins and P.O. boxes
i thought i was alone
maybe i was
maybe they really did leave
their souls gone
with empty shells of bodies
remnants of what once was
yes
i am still alone
those who i knew have fled the building
in search of a more meaningful existence
winding in up in god knows where
anywhere but here
these gluttonous pantomimes only accept hopefuls
midlife crises who leap
at the opportunity for promotion
like increasing payroll would reduce their age
same as the twenty five year old liberal art grads who need a filler
to help pay rent while they work
on what will collectively become hundreds of thousands of volumes unpublished
here i stand
twenty eight years old
and strip off my badge
as it falls to the floor
i walk out the door
say hello to the next boarding train
(last stop your hometown)
and goodbye to the dead end road.

Alone:
It began when she moved to a small town. She was not the town's normal girl. She was different. Her skin tone, her voice, her eyes. She played suddenly, walked differently. She could and would never fit in.

She went to the school where she was made fun of. It was tolerable at first when she was younger. Buy as she got older it got worse. The one person who would stand up for her left. He left her to the torments and the teasing.

Soon all they did was relentlessly make fun of her. Push her buttons. They could not see what they were doing to her. They were destroying her. Her love for school turned dread. She would have to face their voices as they called out hatred, mock and scorn. She would dread seeing or talking to them.

The little things grew as she kept them to herself. They started small, inconspicuous. Then the grew. They grew bigger and bigger. Deeper and deeper till they became the center of her universe.

She would put on a fake smile everyday the real on had been gone for some time. Her love of school had faded some time ago, but now her love of life was like the faint flickering of a dying candle. She would talk to no one unless talked to. She ignored their looks and comments, but their whispers were heard like shouts to her.

Finally one day they pushed her over the edge. Three simple words. Three words that don't mean much to anyone else but to her, those where the words that finally broke her.

She went home that night knowing it would be her last. She was done with life. She had played their game and she was tired now. She was tired and she wanted out. She left no expiation. Just a short note saying that she was sorry.

A single gun shot rang out into the quiet night. Her patents came home later that night calling to her. She gave no answer because she was gone. Rushing upstairs her parents found her body.

Her mother collapsed. Her father broke. Her family that loved her mourned for her. Those who taunted her and teased her finally realized their wrong but it was to late. The damage was done. She was gone.

Patterned patents of black and white,
Stripes in vertical lines, swirls encircled
One point view and paths within a maze
Weary of single sided mirrored reality?

Look through my eyes, see elongated pupil
Let me be your mirror of a surreal reality
Where birds squint and fleet, feel and squeeze
Catch the breath and inhale the beauty

See the colored landscape of the universe
Walk on the aisles lighted with magnificence
Float in intermittent dimensional zones
Touch the peace within the chaotic world

For there was a time my mind and logic raced
Crazed with fear and delusional love cages
Fade in the wonder, bounce to enlightment
Pounce to freedom, be the wave of the essence

Oh, my name is Jack Stewart,
I’m a canny gang man
And a rovin’ young fellow I’ve been.

I’m a piper by trade,
I’m a ramblin’ young blade,
And ‘tis many the tune I can play.

Now here’s a simple song
To say what they done.
I told them about all those fears
And away they did run.
they sure must be strong,
And they feel like an ocean
Being warmed by the sun.

Their mouth is open wide,
The lover is inside
And the tumults done.
Collided with the sign,
They're staring at the sun,
They're standing in the sea.

I’ve got acres of land.
I’ve got men at command.
I’ve always a dollar to spare.

Note the trees because the
Dirt is temporary.
More to mine than fact, face,
Name, and monetary.

Put money in my hand and I will do the things you want me to.
Vanity overriding wisdom, usually common sense.
Should I delete it? they said they'd read it.
They promised they would never ruin it with sequels.

So come fill up your glasses of brandy and wine.
Whatever it costs, I will pay.
So be easy and free when you're drinking with me,
I'm a man you don't meet every day.

Now picture this, I'm a bag of *****, put me to your lips
I am sick, I will punch a baby bear in his ****
Give me lip, I'ma send you to the yard, get a stick
Make a switch, I can end the conversation real quick
Okay nobody speak, nobody get choked
You wanna here a good joke?

The comedy of man starts like this:
Our brains are way too big for our mothers' hips,
And so nature, she devised this alternative:
We emerge half-formed and hope
whoever greets us on the other end
Is kind enough to fill us in.
And babies, that's pretty much how it's been ever since.

Now the miracle of birth leaves a few issues to address.
Like, say, that half of us are periodically iron deficient.
So, somebody's gotta go **** something
While she looks after the kids.
She'd do it herself, but what, is he gonna get this thing its milk?
He says as soon as he gets back from the hunt, we can switch.
It's hard not to fall in love with something so helpless.
Ladies, I hope we don't end up regretting this.

That was then,
this is the twenty-first century,
And there’s too much aggravation.
It's the age of insanity,
What has become of the green pleasant fields of Jerusalem?

This is the age of machinery,
A mechanical nightmare,
The wonderful world of technology,
****** hydrogen bombs biological warfare.

There used to be a guy for this type of thing,
An underwater guy who controlled the sea,
Got killed by ten million pounds of sludge from New York
and New Jersey.

Water dissolving and water removing
There is water at the bottom of the ocean
Under the water, carry the water
Remove the water at the bottom of the ocean
Water dissolving and water removing.

Then there’s the creature in the sky
Got ****** in a hole, now there's a hole in the sky
And the ground's not cold.
And if the ground's not cold, everything is gonna burn.
We'll all take turns,
I'll get mine too.

Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the cold again after the money's gone
Once in a lifetime, water flowing underground.

So I ain't got no ambition, I'm just disillusioned.
I'm a twenty-first century man but I don't wanna be here.
My mama said she can't understand me,
She can't see my motivation.
Just give me some security,
I'm a paranoid schizoid product of the twenty-first century.

When I was young, it seemed that life was so wonderful
A miracle, oh it was beautiful, magical.
And all the birds in the trees, well they'd be singing so happily
Oh joyfully, playfully watching me.
But then they send me away to teach me how to be sensible
Logical, oh responsible, practical.
And they showed me a world where I could be so dependable
Oh clinical, oh intellectual, cynical.

Then I had visions, I was in them.
I was looking into the mirror
To see a little bit clearer
The rottenness and evil in me.

You know I think my schooling was phoney?
I guess it's hard not to agree.
You say, "It all depends on money
And who is in your family tree."
Right (right), you're ****** well right,
You got a ****** right to say.
Right, you're ****** well right,
You know, you got a right to say.

Been around the world and found
That only stupid people are breeding,
The cretins cloning and feeding,
And I don't even own a TV.

Put me in the hospital for nerves
And then they had to commit me.
You told them all I was crazy.
They cut off my legs, now I'm an amputee,
******* you.

I don't need no education.
We don't need no thought control,
No dark sarcasm in the classroom.
Teacher, leave us kids alone.
Hey! Uncle Sam! Leave us kids alone!

We wanna grow up to be
A debaser.

“Look at me, look at me
Hands in the air like it's good to be
Alive and I'm a famous rapper,
Even when the paths are all crookedy.
I can show you how to do-see-do.
I can show you how to scratch a record.
I can take apart the remote control,
And I can almost put it back together.
I can tie a knot in a cherry stem.
I can tell you about Leif Erikson.
I know all the words to "De Colores",
And "I'm proud to be an American".
Me and my friend saw a platypus.
Me and my friend made a comic book.
And guess how long it took.
I can do anything that I want cuz

Who gives a **** about an Oxford comma?
I've seen those English dramas too; they're cruel.

So, why would you speak to me that way?
Especially when I always said that I
Haven't got the words for you.
All your diction dripping with disdain,
Through the pain, I always tell the truth.”

“Look at me, look at me
Just called to say that it's good to be
Alive in such a small world.
I'm all curled up with a book to read
I can make money open up a thrift store.
I can make a living off a magazine.
I can design an engine
sixty four miles to a gallon of gasoline.
I can make new antibiotics.
I can make computers survive aquatic conditions.
I know how to run a business,
And I can make you wanna buy a product.
Movers shakers and producers,
Me and my friends understand the future.
I see the strings that control the system.
I can do anything with no assistance because

I give a **** about the Oxford Comma!
I climbed to Dharamsala too, I did.
I met the highest Lama.
His accent sounded fine to me.

Now, why would you speak to me that way?
Especially when I always said that I
Haven't got the words for you.
All your diction dripping with disdain,
Through the pain, I always tell the truth”

Comedy, now that's what I call pure comedy.
Just wait until the part where they start to believe
They're at the center of everything
And some all-powerful being
Endowed this horror show with meaning.

Now, Uncle Sammy, did you hear about this one?
Tell me, are you locked in the punch?
Sammy, are you grinding on a pelvis?
Hey baby, are you losing touch?

If you believed they put a man on the moon,
If you believe there's nothing up his sleeve,
Then nothing is cool.

Moses went walking with the staff of wood.
Newton got beaned by the apple good.
Egypt was troubled by the horrible asp.
Mister Charles Darwin had the gall to ask.
Well I took out my dogs and them I did shoot,
All down in the county Kildare.
So be easy and free when you're drinking with me,
I'm a man you don't meet every day

And in the Twenty-First Century
From the height of the highway onramp we saw,
Two dogs, dead in a field,
Glowing on the oakland coliseum green seats wasteland,
Dogs, dogs we thought were dead,
They rose up, rose up when whistled at,
their rib cage inflating like men on the beach being photographed,
A guard dog, guard dog, for what? for what?
Against tofers ellis pennyless athletics fanatics,
Getting into games through a whole in the fence,
For the owner of the blue tarp tent,
Pitched by a creek beneath an onramp,
In the privacy of the last three,
Skin and bony tree, devoid of leaves,
And us undeceased, and our new cds,
Dippin' on goodies, oakland
it's hard to stand the sight of two dogs dead under a sky so blue.

But you think you can tell
Heaven from hell?
Blue skies from pain?
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?

I’ll say they secretly long to be some part of a car crash,
Long to see their arms stripped of the tendons,
The ****** of swelling exposed veins,
Webbing the back of their hands,
To be a red tendoned dog,
To be red tendoned dogs,
Blood breathing by the side of the highway.

Oh, their religions are the best.
They worship themselves yet they're totally obsessed
With risen zombies, celestial virgins, magic tricks.
These unbelievable outfits.
And they get terribly upset
When you question their sacred texts,
Written by woman-hating epileptics.
Their languages just serve to confuse them.
Their confusion somehow makes them more sure.
They build fortunes poisoning their offspring,
And hand out prizes when someone patents a cure.
Where did they find these goons they elected to rule them?
What makes these clowns they idolize so remarkable?
These mammals are hell-bent on fashioning new gods
So they can go on being thoughtless animals.

See the dwarfs an' see the giants,
Which one would you choose to be?
And if you can't get that together
Here's the answer, here's the key.
You can freeze like a a man of century thirty.

I'll save my breath and take it with me
Till a hundred years and so
Shame you won't be there to see me
Shaking hands with Charles de Gaulle.
Play it cool an' Saran wrap all you can
Be a century thirty man,
You can freeze like a century thirty man

So I live like everyday is my last,
But I plan for tomorrow as if I will never pass.
A Pharoah on the subway
Who never had dreams of jets but fell asleep on run ways.
I just know that one day, that anything I needed I could mold.
Get everything you want it ain't always good for the soul.
A mix of self-worth, some help, a little control,
And I don't know the rest, good as mine is your guess,
The recipe ain't the best, to make it though is our quest,
And if you choose to accept, the meaning of life is yes.

So, we ain't going to the town,
We're going to the city.
Gonna trek this **** around
And make this place a heart to be a part of, again.

That’s the dream but
There are times when all the world's asleep,
The questions run too deep
For such a simple man.
Won't you please, please tell me what we've learned.
I know it sounds absurd,
Please tell me who I am.

Is this my starring role
Or just a cameo?
Who am I living for?
Well, I can't take no more,
'Cuz when it rains, it pours
What am I living for?
I don't got much, but I got heart and soul.
I found myself through all the highs and lows.
Oh Will I drown in the pain,
Or go dance in the rain?
What am I living for?

So, I can lead a nation with a microphone?
And I can split the atom of a molecule?
Look at me, look at me
Drivin' and I won't stop
And it feels so good to be alive and on top
My reach, is global
My tower, secure
My cause, is noble
My power,
is pure.

And it’s the end of the world as we know it.
it starts with an earthquake
Birds and snakes, and aeroplanes
And Lenny Bruce is not afraid
In the eye of a hurricane, listen to yourself churn
World serves its own needs
Don't mis-serve your own needs
Speed it up a notch, speed, grunt, no, strength
The ladder starts to clatter
With a fear of height, down, height
Wire in a fire, represent the seven games
And a government for hire and a combat site
Left her, wasn't coming in a hurry
With the Furies breathing down my neck.

Paranoia, paranoia,
Everybody's coming to get me.
Just say you never met me,
I'm running underground with the moles, digging holes.
Hear the voices in my head,
I swear to God it sounds like they're snoring.
But if you're bored, then you're boring.
The agony and the irony, they're killing me.

I’m dead but the world keeps spinning.
Take a spin through the world I left,
It's getting dark a little too early.
Am I missing the dearly bereft?

Timmy, Timmy, Timmy Turner
He was wishin' for a burner
To **** everybody walkin'
He knows that his soul in the furnace

Young man walkin', wishin' for a burner
Four, five, six, ten ratchets on 'em
Ten men with 'em, ten clappin' on 'em
Dead men with 'em, dead men, get 'em
Four-five rip 'em, four-five zip 'em
You talk money, young men get 'em
Beluga, beluga, beluga
he fell in love with the Ruger
he fell in love with his jeweler
he fell in love with the mullah
It's all about the rule
It's all about the move
It's all about the rules

That was then,
Now I am a man, man, man,
Up, up in the air
And I run around, round, round, round
this downtown and act like I don't care.
So when you see me flying by the planet's moon,
You don't need to explain if everything's changed
Just know I'm just like you.

So I pull the switch, the switch, the switch inside my head.
And I see black, black, green,
and brown, brown, brown and blue, yellow, violets, red.
And suddenly a light appears inside my brain
And I think of my ways,
I think of my days
and know that I have changed.

So, be easy and free,
when you’re drinkin’ with me
I’m a man you don’t meet every day.

……………………………………………………………………………………
           The figures stood still, a blank expression to fill. Their waxed complexion holding dust, soulless cages immune to rust. Light bulbs flash in rhythmic delirium, contrived joy running at a premium.
           Flocks of herds came to take notice of this brand new attraction, one designated worthy by an overriding faction. Social conscience had said its peace, and passed on its opinions in a shifty lease. Word had spread as fast as it could, regardless of whether it necessarily should.
           “T. Elsey Wax Museum” was the hottest ticket in the city. Vouched for by an annual subcommittee, composed of men of no esteem, and opposed to views deemed too extreme. Every vacant mind had jumped on board, its entrance fee was small enough to afford.
……………………………………………………………………………………
Prosperity renewed, discord unglued. The walls of Briar Field, seem to leave much concealed. It’s owner, a Mr. Holden Reeve, is a vain little creature beyond reprieve. He sees no value in an altruistic life, and seems to anguish in his everyday strife.
His facility has been thrashed in print, and regarded as no more than a publicity stint. Still, if true, his machine would be a marvel, something verging on plausibly being artful. Its said Mr. Reeve has tapped into the human soul, and made monetary gain his lonesome goal.
The patents of Mr. Reeve lay out the plan for an odd looking device, but it’s purpose isn’t made overly concise. According to speculation, the machine can resurrect an individual’s ideals, but I can’t tell you how worrisome that makes this reporter feel. Mr. Reeve is toying with the work of God, something he should know to be intrinsically unflawed.
……………………………………………………………………………………
Eliot Tern was standing in a ridiculously long line, it ran four blocks down to a street named Woodbine. Elliot had been there since midday, though he had begun contemplating whether or not he should stay. Looking back there was a hectic crowd, pushing and shoving in a manor quite loud.
Eliot had dragged his friend Henry along with him, though that boy thought their odds of getting in were pretty grim. Henry stood casually, kicking stones, outside the front of BMC Savings and Loans. A woman in front told him to knock it off, Henry called her a ****, but masked it with a cough.
It was two in the afternoon by the time the two boys were about halfway, a nearby baby cried as it spat up apple puree. Some of the sauce found its way onto a man’s face, he told the mother that her parenting skills were a complete disgrace. The woman slapped the man in vicious spite, though to speak truthfully she had every right.
The man screamed and pouted for a minute or two, then he calmed down, and began to clean up the child’s spew. He glanced around to see if anyone was glaring, and poor Henry was noticed hesitantly staring. The man pointed to Henry and began to call him a coward; he spoke with the type of veracity that made it quite apparent that he felt empowered.
Henry stood calm for only a moment, and then began to stare at the man like he was no more than an opponent. The boy picked up a large rock from a graveled path, and hurled it at the man with the feeling of contempt and wrath. The stone struck the man just bellow the eye, and for a moment it looked as though he would cry.
Then the man screamed with a furious hate, it became quite clear that he was now irate. Henry took off; leaving Eliot on his own, it wasn’t exactly a measure the boy could postpone. The man had begun pushing through the crowd trying to get to the boy; his face reflected no hint of joy.
Henry ran for about 10 minutes, he had pushed himself to no new limits. The man had given up the chase after leaving the line; he tried to reclaim his spot shouting, “*******! It’s mine!” The crowd booed the man as angry mobs do, and he had to walk his way to the back to calmly stew.
……………………………………………………………………………………
               Henry was only 12 when he walked in through the rusted doors of Briar Field, it’s hinges shrieked as though inadvertently sealed. A reception desk stood before a large, arched entrance, and there sat the owner’s, under-skilled, apprentice. The man spoke in a seemingly mocking tone, as though Henry was standing in a restricted zone.
         The boy, feeling mocked, turned towards the exit, the man ran up, in a manor quite hectic. He told Henry that he was only joking, just doing a bit of nonsensical provoking. He said to Henry that his name was Fredrick Barnes, grew up, quite happily, on several local farms.
           Fredrick, or Fred as he liked to be called, began explaining the nature of how he went bald. He told Henry that he had developed an addiction to charity, making his true nature no more than a parody. Lived for years with his ego at bay, and gave every dollar he earned away.
            It took its toll in rather short time; though to live vicariously makes it all seem fine. Fred ignored his dreams for far too long, believing God to be king making him just a pawn. Then one day, he told Henry, “I was caught in a storm”, he said, “The falling rain against the wind seemed so pleasantly warm.”
             Then a man came by, begging for some change. Fred had no issue giving up his entire measly, well-earned wage. His Christian nature told him he was no better, then this hungry man in a beat up old sweater.
            Fred handed over 1,200 dollars, a mere hours work for some uneducated scholars. The beggar began to smile, showing all of his teeth, there was a yellow glow from a plaque-ridden sheath. He then turned to Fred, with a more sinister grin, and Fred noticed then, that the man stunk of gin.
             He asked Fred if he had any money, timid, Fred responded, “This really isn’t funny.” The beggar pulled out a small caliber pistol, and said that, “one has a responsibility to be fiscal.” Skin peeled off of Fred’s wrist, as the beggar pulled at a watch through clenched fist.
              In the end, the beggar took all but Fred’s clothing, and left with a bang, as to not to seem imposing. He had only shot the man just bellow the knee, but blood loss had made it hard for Fred to see. He crawled and clawed his way towards a distant street lamp, but movements were elongated by the weight of his clothes, which, obviously, were quite damp.
              Fred laid hopelessly on the cold, wet cement, with the rain mocking him in its relentless dissent. The beacon he had crawled towards turned out to be a dead-end, the severity for which was hard for the man to comprehend. There in the stillness of the night, Fredrick Barnes became aware of the true nature of his plight.
              Holden Reeve had found Fred while the man was riddled with a complex terror, spouting off nonsense about living his life in error. Holden took the young man in through the doors of Briar Field, a museum, which, to the public, had yet to be revealed. It didn’t take long for Fred to fully recover; eventually he began to look at Holden as a brother.
             Fred turned to Henry and told the boy that was the end of his story, and now, it was time for the moment of glory. He opened the two doors hidden under the arched entrance, and Henry walked into the room, followed by Holden’s apprentice.
             When they entered the room Henry immediately asked, “Where’s Mr. Reeve? ...I’m sorry if he’s passed.” Fred laughed and told the boy Holden was most certainly not dead; in fact, the two of them were standing in the middle of his homestead. Then the boy noticed the nature of the room, and how cobwebs gave it the foreboding feeling of doom.
             There was another set of doors at the end of the room, but Fred turned and knocked on a bare wall with the backside of a broom. A panel slipped open and retracted into the wall, and out stepped a noble looking man, though, truthfully, quite small. There were no visible features on the man at first, so initially Henry was expecting the worst.
              Fred acknowledged him as Mr. Reeve, so Henry stood tall, and tried to make his back as flat as the wall. It wasn’t so much that the boy was often courteous, in fact, with regards to that sentiment, the boy was usually impervious. He just felt that in this particular situation, there was going to be no recapitulation.
              This was clearly a man who only spoke with the most precise of words, those capable of collecting and massacring mass herds. Though Holden Barnes would never speak to such a crowd, his absentmindedness for them would be hard to shroud. The man was indifferent to any collective thought, and his principles were to firm to ever be bought.
              Holden spoke to Fred in brief manor, those unheard of in the print of “The Banner”. He asked if Henry seemed like a reasonable boy, or if he was merely some shady companies plotted decoy. Fred vouched for Henry, who he didn’t know; playing a bluff, and hoping it wouldn’t show.
               Holden nodded and shook his friends hand, and spun to the boy, as though his motion had been a cautious ploy. “Who are you?”, and “Why should I care?”, Mr. Reeve asked Henry, the response for which seemed to be lost in the boys memory.

“If you can’t speak to me I don’t know if you should be here, I’m not the one in the room who you should naively fear. My greatest achievement lies just behind those doors over there, but if your this timid, you could get quite the scare. I’ve constructed a testament to the human soul, and it’s designed for any man to control.”

“Though to put it in such terms is hardly fair, it’s just not something that easy to compare. I’ve gotten to where I am, if you’ll dare me to say, through myself and am not one to decline the pay.  My invention just doesn’t seem to arouse much attention, in the press Fred says I haven’t even stirred up a mention.”

“I tell you this though, it’s been their mistake, for what I’ve created here is no preposterous fake. I’ve created a method of speaking with many various forms of reason, though to them it’s some form of religious treason. They seem to think I have resurrected the soul, ghostly figures ripped out of a black hole.”

“But that simply isn’t true, as you’ll come to see, now Fred tells me your name is Henry. You have to choose now before your walk through those doors, if your ready to dance on such hallowed floors. The mystery my seem quite vague to you, but understand this offer has been made to but a few.”

“I don’t understand, what should I say?”

“To ask such a question, here I thought you were a stray? An opinion, like ego is something to treasure, not cast off at someone else’s pleasure. This decision is yours and yours alone, you can use no alchemy from the philosopher’s stone.”

Henry was caught up in an odd predicament, one with no true equivalent. He had no real idea what he was choosing between, but he knew that he couldn’t let that fear be seen. So Henry said yes, without further discussion, and hoped along the way there would be no major repercussion.
At the end of the hall there stood an entrance, Fred stood by acting as apprentice. He told Henry to try and open the door, as Henry pushed his feet slid across the floor. Fred laughed and said that it was locked, and could only be opened one way, Holden kicked a loose rock imbedded in the wall, and soon, the door moved, quick to obey.
The room was not nearly as large as Henry had pictured, and distant light bulbs scornfully flickered. There was only one object in the center of the space, here Henry began walking with a quickened pace. It looked as though it was just a large computer monitor, but its framework seemed composed by an ancient astrologer.
Objects spun about with contact precision, and small fractures of light seemed to meet through collision. The spectacle was truly something to behold, though Henry still had no idea what was about to unfold. Mr. Reeve walked up to the machine and began to touch its screen, and all the lights stopped, and then seemed to reconvene.

“Alright Henry, I suppose it’s time I explained the true nature of this device, but somehow I only now realize you got in here free of price. No matter, it’s been a while since it’s seen someone new, I’m curious what some of these people are going to say to you.”

“What you are looking at now is a labor of scientific process, but believe me when I say there is no need to be cautious. There is no black magic at work here, though many have said so without coming near. This machine I’ve created does what some say to be impossible, like Nemo’s creation, just far less nautical.”

“This machine collects and records all forms of the written word, sweeps them in like collecting some massive herd. It organizes and sorts data of all different norms, and emits it in a conversational form.”

“You see this creation has given man a chance to talk to those of the past, allowing for a legacy only time can outlast.”

Henry stopped and stared at the man for quite a long period of time, and tried to figure out why Mr. Reeve looked so perfectly sublime. Henry now thought he understood the nature of the device, in fact Holden had made it all seem so concise. The machine would allow Henry to talk to anyone from the past, as long as there had been enough information amassed.

“Who do you want to talk to first? I’d suggest Ayn Rand, if you’re okay with being coerced.”

Henry had no idea concept of Mrs. Rand, so the concept to him didn’t seem overly grand. He lingered on the thought for a second or two, not wanting to pick an individual who could be considered taboo. Then, it came to Henry like a sudden case of dysentery, he saw this man as more than a visionary.

“Is it possible for me to speak to someone who didn’t actually exist?”

“I can see what I can do if that’s what you insist?”
……………………………………………………………………………………
Eliot was furious as he saw Henry; the boy had been gone so long it had slipped from his memory. He stood and waited for Henry to ask to step back into line, and then he would make it clear that everything was not fine. Eliot was now standing at the front, to just let Henry in would be a great affront.

“I’m going home.” Henry said as he let his eyes roam.

Eliot felt sick as Henry walked away, then he became curious how he had spent the last three hours of the day. “No matter” thought Eliot as he waited patiently, he’d have his victory soon enough, and he would take it graciously. Very suddenly a woman opened up the front doors of the institution, and thanked everybody for their “contribution”.

“It’s time to say goodnight. The museum will be open at 9 o’clock tomorrow, during daylight.”

The woman very casually walked away, as Eliot was in complete dismay. Then he had a calming thought, none of the creations were going to rot. All he would have to do is come back the next day, everything, he thought, will be okay.
……………………………………………………………………………………

Now.....
When It Comes To How I Think...
I’m Just A... REALIST...
  
So Don’t Deal In Fallacies...
I’m Real Like... REALITY... !!!
  
So Reality’s What Feeds...
My Use of Poetry...
That’s Born From Big V..  
  
Or Yes That’s Right Big Virge...
A True Word Connoisseur...
of... REALITY Verse... !!!
And Truthful Spoken Words...
  
That REJECTS The... Absurd...
And Unlearns What’s Been Learned...
  
That Makes Some Humans Turn...
Into People Who Hurt...
As If... It Is Their Work...
To Deal In What’s Fake...
Instead of What’s Real...  
And Embrace Things Like Hate...
Like It’s Some Tasty Meal... ?!?
  
Like What Is These Folks Deal...
Are These People For Real... ?!?
  
You See I’m Just A REALIST...
Whose Poetic Thesis...
  
Believes That MORE TRUTH …
Will Be What Is Good...
For Us All To Improve...
Our Unbalanced New Groove...
  
Which Is Why When I Move...
I’m Aware That My Hue...
Is Too Dark For Some Crews...
  
So Always Stay Attuned...
For Those Quick To Hate...
Who Start To Make Claims...
That I’m In The WRONG Place...
Just Because of My Race...
Natty Hair And Dark Face... !!!
  
I’m Just A... REALIST...
When It Comes To Such Things...  
  
Like Why My Writing Talents...
And... Poetic Patents...
  
Are Not What The Masses...
Are Talked Into Having...
By Those In The Business...
Who Claim To Want Realness...
  
You See I’m Just A Realist...
  
So Yes Do Catch Feelings...
When It Comes To Women...
And Seeing Our Children...
Taught To Use Thinking...
Logic And Visions...
To REJECT Divisions... !!!
  
But I’m... Just A REALIST...
Who Prefers... REALISM...  !!!
  
And Sees That These Isms’...
And Divisive Prisons....
In Which Most Are Living...
Are Indeed UNFORGIVING... !!!
  
And Have Been... Since Systems...
Have Been Money Driven... !!!
  
Realism In View...
Like This Corona Flu...
Is Fuelling Conditions...
Mandating Positions...
For Working Transitions...
  
But Certain Restrictions...
Are NOT Yet Forbidden...
Like Seeing Racism...
On Our Televisions... !?!
  
That SHOULD BE But ISN’T... !!!
  
How Much Realism’s...
BEHIND These Petitions...
To Stop Racist Killings... ?!?
  
Well Here’s My Opinion...
And I’ll Keep It SIMPLE... !!!
  
If Governments Want...
Racism Extinguished...
  
When A Male Is Convicted...
of A... RACIST Act... !!!
  
Cut Off His *******...
And Keep Him Imprisoned...  
  
And For These Racist Women...
DENIAL of Children...
  
And NO CONTACT With Them...
And NO BAIL Conditions...
Just LIFE In A Prison...
Where Blacks Are In Vision... !!!
  
Then Racists Might DIE QUICK...
Or Might Just Start To QUIT...
Acting Like Foolish Kids... !?!
  
So You See How I Think...
Deals In Being HONEST...
  
NOT Resorting To Tricks...
Nonsense Or Falseness... !!!
  
My Poetic Scripts...
And Lyrical Twists...
Simply Represent THIS...
  
When It Comes To Our Lives...
And How We... Co-Exist...
  
... “ I’m Just A Realist “...

benjamin franklin was created by benjamin franklin
one of his most ingenious inventions
you could never read all the books about him
when you finish one, two more have been written
i party in his colossal footsteps
thanks ben, for lending me all those volumes from your library
you invented bifocals, i see clearly
your stove warms my heart
i give away my **** too -- no patents for me either
let’s jam sometime on your glass armonica
i’m packing one of your divided soup bowls on my next ocean trip
i’m sick of losing my clam chowder to the waves
these terms you added to the lexicon:
"battery," "positive," "negative," "conductor," "discharge"
i’m positive i bought a battery the other day
you designed the first penny – only now an anachronism
no matter how many of those saved pennies have been earned
all those aphorisms, my god
i bet you mumble them in your sleep
you started the philosophical society, me the secret music society
you studied whirlwinds and gulf streams when sailing to london for a cup of coffee
you designed flippers, hung onto a kite for windsurfing
used the kite to summon lightning
invite me next time you blow up a thunder house with an ungrounded lightning rod
we’ll make pittsburgh tremble
and congrats on the grounded lightning rods
you saved millions of people and neutralized religion
it’s not the deadly finger of god, the vengeance of the lord
it’s just a buzz
lighting the streets at night comes in handy
though the night watchman concept has gotten a bit fascist
brokering the french alliance was stellar for our onion soup supply
but your suggestion that we unite these states
i’m not sure that one’s gonna stick
and thomas jefferson was a cockblocker
we declare independence from his scolding us for all our mademoiselles

I don't like deleting certain emails
for the simplest of comforts
seeing the sender's name provides,
they are...

a hot tea on a "still sick"sick day,
an unexpected "how are you" inquiry,
or a late summer blossom,
a lavender Rose of Sharon,
shockingly discovered through a
country kitchen window on an early fall day,
or a poem born effortlessly,
it's existence unbeknownst to its creator,
just minutes earlier, unaware of its arrival,
just like this one...

or not deleting a newly gifted photo,
uncovered while closing one's eyes
past the midnight hour when
the old day hands off to the newly born incoming,
sending yourself off to bed
with a smiling chuckle;
of a young child's first day of school photo,
her plaid skirt and black patents,
a cherry-topping smile radiating hints
of both a pleasured future, a happy home,
and a growing-up maturity earned
from a third summer marked upon this planet...

so I keep that  email and that photo
handy-filed so they are stored,
fresh faced in my inbox or screen,
a friend's name, now a symbol of caring,
a child's photo, emblem of a kind of love,
that parented this poem, so that happily both *****
the armor of the commonplace
of both the everyday,
and the unforgettable world weariness
of having been there years before when,
when the mind sudden recognizes the new day's
sad refrain, sadder name and its most
saddest anniversary and these
disparate comforts,
both say, rest easy friend,
and now off to sleep...

2:31 am
Sept. 11, 2014

Where the hell is humanity
All I see is insanity
Focusing on wars and vanity
Speaking up gets people mad at me
Nothing on this planet is flattering
People starving and freezing; teeth are chattering
Police taking blankets from the homeless
Even in the places where snow is
People are so violent and shameless
Is there even a way to tame this
Or do our efforts further inflame this
It's time to collectively claim this
Look at all the problems that we make
By blindly following the side we take


Politics and money are one in the same
Why must we think life is all about fame
We have so much more that we can do
Like question why the sky isn't blue
What are those lines that expand all day long  
Is questioning their safety so ******* wrong

Everything on this planet is basically toxic
And people wonder why we're all so sick
Plastic, chemicals, metals, and poisonous water
Feeding processed foods to your son and your daughter
When the aquifers are empty, what will you think
You're going to rely on toxic water and oil to drink?

I swear to God you need to look around
In the sky, at the world, and what's underground

Did you know that bees are life and so is clean food
If the elite continues to rule, we're all ******* *******
False flags, terrorism, furthering their plan
For a one world government, that rules all the land
We're already slaves, but it will get so much worse
If we continue to forget that we all come first
Nobody should get left behind or feel like they're stuck
Let's show each other love and actually give a ****

Selfishness and narcissism run rampant in our world
Walking around like we own the place, our lips slightly furled
Looking into each other's eyes but there's not much there
I see shallow complacency, that infamous fluoride stare

The world is going down, unless we turn it around
Look at Syria, Palestine, and all areas that surround
Fear, violence, and terrorism is life
No husband is safe, no child, no wife
They're eating the grass
And rotten food from the trash
Starving and freezing throughout the winter
They can't even leave their towns, they're stuck in the center
They've been targeted by rulers of this sick twisted place
The banksters are evil they don’t belong in our space  


How can they be so far removed from the rest of the planet
If anything benefits us they make sure to ban it
LSD, mushrooms, cannabis, and DMT Anything good for cancer: B17 and CBD
Essential oils are what's next on their list
I swear if they take my lavender I'll be so ******* ******


Alternative energy is more than suppressed
The need for clean energy should be more vocally addressed
But when it is, someone intervenes and hides great inventions
Laws and patents are created to stop our intentions
For a clean world and a safe place
The elite couldn't care less about the lives that they waste
They build on the dark side of the moon or possibly Mars
They're preparing themselves a new world, while they **** up ours

I only feel solace when I look into space....
Why must it be so hard to save the human race?

Houseflies always buzz,
In the key of F.

Sometimes people come across,
As something different than they are.

A woman attending Clark,
Didn’t think she was smart.
But that was proved untrue,
With her one sixty-five I.Q.

There is No Child Left Behind,
But what is there for children already ahead.

Thomas Edison, holder of a thousand patents,
Was once called stupid by a teacher.

If I ever die, I’d like it to be,
In late March. That way, I’ll have
Winter to go with me, and
I’ll leave the world warm.

In New York, one person’s job is,
To check all the musical instruments,
And make sure they’re in tune.

Oh my life give me a way
Wander for gratification in sun's ray
Waddle adrift,but never thought
My seclusion and silence be got fray
Completely deluded by the world
Pleasure,luxury,leisure all nod nay
hurriedly come,my final day!
How propitiate GOD by timeless pray.
Inculcate goodness & need wickedness to slay .
Reverence mentor,patents,elders & must to obey
With their emotions neither delay nor play.
Submission to GOD & mould life right from today
By shaffu@

Knight drawn from patents of nobility
Forgery lines emblazon humility
Aided duties fit to pantomime
Birthed in the fake lands of Liechtenstein

Check engine brings in the sufficiency of evil.

How does this work? Re
cognition, I suspect, a seemingly tireless system,
each day releases a sufficiency of evil,
just
enough to re
mind me-you, I see everything, I know

--- within the system of ignition and motive power

peace is after the first explosion begins to turn the crank.
all the piston resistance is pushed toward fore,

and we are off
the line ready

-- and I drive on to exit 28

The Madness of Crowds,

find what my tweets should be today,
read all the madness streams venting
into
the
new ideology of
entertainment,
consider comes up as a word, verb, I paused to look to the stars,
with their shine
to see me

as some bit of all that.

Far from the madding crowd maddened
by the noise we make in preparing
for war

from the foundational texts, in context,
time relative to everything, before
now, position point
meta data do the ID ea, ificate,
ego, go go on, wonder if

what if
hapt
ha, that one worked, eh? We.
You read, I write,
output input output with the effect of input,

loop once, and get the idea that this may
go on, never off,

well, we may imagine that goes nowhere,
round and round, balanced, as the best
1800's steamy perpetual motion patents were
compared
to vaporous IPO's in 1999,
which were overly faith-biased,
as a man thinketh in his heart, the whole world
seems to be… what the mind of the crowd can
conceive, with grip taken, hold on and lift
toward the top of the ripple,
balance
to the tip… of next…

here, put a gate.

Leave a legend of a fiery sword,
impressed
on the mind of a child living in a world
lit only by heaven and fire stolen
from the earth,
go mad with kuriosity

mad on me, mad on you, mad in us is used
to make us choose to believe or not,

dared? were we dared to doubt,
dared we be of two minds
in the matter of time and my being any thing?

Aye, and art, the wit of knowing, we are mortal,
don't forget,

how happy shall we be in ever, is there a demo?

May we try your way a while,
at the speed of thought
in unspoken words

read words in constant presentpast state, the angel
or the thought asreal,
read, but add the phenomenal experience of knowing

this one word is coming to me
from one level lower than the creator of all,
from one little measure above common
mortal humis based life…

where is peace in now?

An intention pledge, above the ethic moral tide,

as sea levels rise, tides rise, settle
us…
be the unem, see the top, from the bottom.

I look up.
BUT THEN SEE
the word realm I reside with
in time and chance,

such as the first fit word was serendipitously sung
in the sixties most recent,

along the marked ***** twisting thread through
the eve of destruction survived
by everybody getting ******,
according to Phoebe Zeitgeist, my once intimate
Tinkerbell fixation,
**** pixie,
in words.

Spin or real, side real, re
al Rheastatically
Hopft hopes to

twistit
little bit,
{which way, apriori flaw, *** of u and me}

-lefty loosy, righty tighty was known at the ***** line
so, ***** you, tighten
the connection,
let less - power - flow, {force me, Luke, make me look}

Hopfordsensation spun'n'set to spin on and on unless

- un less, add, subtract prove this equals that
- this is odd
- what if there is always a way good wins?

Spin or real, side real, re
al Rheastatically
dimmed to minimum spark, flash 10 second rewind,
I lost my mind
I set a reminder for a live feed proper propaganda
event for the latest contender
arisen to question the faith that is in me,
is me, I am
after all, covered
in the entire line of promises which,
culminate in Christ, if you know what I mean,

other wise,

you call truth liar. And there you are.

Wishing you knew if I were
you
would I lie about something as serious as happiness,
the state?
the condition?
the I'll go rhythm schism prism sparkling down the dusty trail…

mind wandering in ever after, as we have done, un
thinking, epi-
evolved by
tuning to those early greyscale programs with random snow
of many colors, when
you were of a bubbled state happy to watch the noise
of the universe
rippling through time to me via amplified CRT bursts
sans earthly input filtering output.

The white room we all remember,

staring in white room mode at whatever is on tv

see, think, imagine doing, that's it, that's it… nope, no good,
you feel bad when things go wrong,
even on tv,
we see.
These bits of us that make no sort on reality verification,
- there is no standard zero to divide by,
- and all the ones are whole
physical, hardwired, nurtured knots and nuts and bolts and
fast-ening things, thoughts that snag
hang-ups,
run the silk, expose the flesh, pierce the epi dermis

determinus outer-most
me,
into innermost you. In a given word, long ago, I think.
Life began to leak from ever before into ever after,
through now,
like this… quarkishly entangled with every thread of ever,
from then to now,

at any point in time, imagine, this is peace of mind, I MADEITUP!

--- a lessoning, to me today
--- opportunity to take responsibility, noticed,
there in our perifery,
leaning
left horizontal attitude adjust

POV straighten up
fly right.

Cultural norms super impose, form a me you may re
cognize in any mirror here on in…

that is not a clue, that is what you do. Now, or re boot day 7.

Copyrights and patents
"What up reality?"
"Whatch you got for me today?"
The Marksman ****** on his cigarillo
His voice was distinct
A whirring voice
Vocable word choices
A man of great aptitude
Never blinked, never winced
With acute paranoia
And a metallic nucleus
Daft
He heard voices
Egging him on
Baiting him
Taking ****
Nuisances
"How's the ulcer oh glorious gunman?"
They said
"Hurts doesn't it?"
"Ready to give out?"
"Put that plastic bag on your head and end it"
The Marksman pivoted and headed toward the kitchen
And made a stew of whatever he could find under the sink
And ate it
"Hail to the chief and send my complements to the chef!"
He put the barrel in his mouth and pulled the trigger
He was buried and had the most dignifying funeral I ever had the privilege of attending

      -Tommy Johnson

Gynecology appeals to the rooting instinct and not just among pigs,
apartment-dwellers too crave the spotlight especially in cheap digs
A tree puts strength in its cambium membrane, seeds, bark & twigs
whilst outgrowing the imperilment of remaining grounded as sprigs
It was not long before the Rolling Stones were being paid for gigs,
in the day when greasy Guineas plugged sheenies & cultivated figs,
decades before sainted negroes thrived as reactionary brillos & nigs
when a schweinehund on par with Club of Rome's lard-*** Al Gore
was realistic enough to accept his natural vocation as a male *****
even though no Avon salve could rescue him from being still sore,
he collected for prostitutional services that there existed no bill for,
while at Sea World Shamu can't fit through a pinniped or seal door,
as whale flesh ain't no antidote for pill-heads on America's pill tour
Keep whacking the side of your head to hammer out doubt till sure
you become of religious piety while acting out a radio-active story
that destroys tumors and fecundity while rewarding war-won glory,
for critical menticide administered to each Margaret Thatcher Tory,
to render brains slack so that each id's reduced to a formless slurry,
and made denser & dumber than the dumb-*** mind of Ann Curry,
who sits around picking fleas off her pet rats calmly with no worry
like a pederast whose name is Marion but likes to be called Murray
because of thickset hair that was as curly as Bill Clinton's was furry
it made Hillary's perverse predilection into a ****-emergency hurry
as she faced extortion rackets entailing mucho homosexy potpourri
It's I.T.T., A.T. & T., F.P. & L. and A. & P. in lieu of slave-holder
In a demi-godly role of being everyplace looking over my shoulder
Like advice taken to heart by a ***** the tenth time you told her
On the occasion of the hundredth time that a ****** **** sold her
Put down that rifle and also that cup as there are doggedly two ratty
trees of wood: wood I stole & wood I shoplifted as doggy eats pup
Congratulations *******, you won the Nobel prize for shutting up
Move from a hovel & put down that shovel as there are 2 unkindly
kinds of wood: stolen & discounted as my rabid ***** eats her pup
****** Mary Jane Christmas to Quakers winning gifts for rutting up
Return my shovel and **** a guppy as there are 2 hunks of wood:
wood I stole & wood shoplifted as a dog ***** eats a hungry puppy
Cheers cancer-ridden surgeon, here's the Shaw prize for cutting up
The tall first wife, who was fleet of feet, was the easiest to book for
she preferred rat tail over bat wing and won as a dream to cook for
she hid herself very obviously therefore she wasn't hard to look for
her manifold athletic talents made her the leanest witch to hook for
Give me your hirsute/textile/hombre love you lovely hairy rag man,
with your pointy nose, unlimbered leg & warts from Larry Hagman
who from the horse's mountable side snuck up like an airy stag ram
Don't take what little's left via state Santa Christmas merry bag ban
Let's dress like women in debt at the oldest Chuck Berry drag stand
My happiness is easily seen in blood-letting cirques as corpuscular
while my rippling backwards frontage is of a physique so muscular
that it is known by fat aunt Joan as socked-in and highly avuncular
In icy Florida I pine for Klondike my favorite Alaskan lesbian lover
who, in our gay igloo, resembled that big oily ****** Danny Glover
whose **** buddy Mel Gibson made him half less pockless gaining
☹a little more of plenty above Kenai's northern-lit blinding darkness,
and punctuated by those empty promises of ****-driving starkness
that were dogged by monster sightings quite common to Loch Ness
where **** Welshmen smoke Scottish-spiced cigarillos smockless
Fear not as chronically-starved people are traditionally not so tough
so feed the hungry & while they are eating steal their bags and stuff
as unarmed Cymry won't do more than storm off in a Goidelic huff,
akin to a Tom Jones hissy fit of ***-wriggling dancing and gay fluff
This normal man wonders: How much public ******* is enough?
Pushing Fukushima scenarios beyond the point of a no-return bluff
and extraneous of a federal Continuity of Government powder puff
while parked on a decrepitly-reliable-ever-burgeoning-lard-*** duff
white men, like coal miners, mine mineable depths of Filipina ****
gynecologically like the average gynecology enthusiast off the cuff,
rejecting Bicol pathogenetic carpet chaw to dip Copenhagen *****,
a sprinkling 'tween lip & gum proves that no slanted ****'s too tuff
A trans-orbital lobotomy's necessitated when plants are root-bound,
Hello Addisonian crisis dysfunction when adrenal glands are found
insufficient when production of adrenaline is diagnosed as unsound
Mormons note the absent look of foremen in the Book of Mormon
and an absence of the Book of Mormon in the outlook of foremen
You hid it 'cause I can't find it every elsewhere a package for string
this catastrophe that threatens tragedy above the tryst below a fling
With cords knotted tightly around something tumorous I won't sing
It is the chlorine that cancels detergent in that electric washer thing
beneath cellar steps that David Niven's wife fell down while hiding
I lost her you found her, it's a dollar for riding plus a fee for finding
all broads blinded to inequity and to chick Nazis' unguided guiding
Oh Lord with such ease the slippery have slid into slipshod sliding!
The frailties of free men're exploited by N.S.A.'s jingoistic deriding
General Ike exposed the military-industrial-congressional complex
which strikes against the citizenry by venomous rattle snake reflex
faster than a dope-crazy Marilyn Monroe could reach for a Kleenex
thru curvatures in a third-dimensional, spatially-pornographic helix
that approximated the Mexi-milkers of actriz: la doña María Félix
rutting elephants in musth must respect advisory: kneel-harm-****,
to honor the moon-hoaxing memory of chronic liar Neil Armstrong
as obviously for **** Rosie O'Donnell her gay meal alarm's wrong
Johns familiarized themselves with Lillian Russell by buyin' ** Lil
as masochists meet masochistic needs with movies of Ryan O'Neal
Sadists satiate sadistic surges sharing sermons sold Séamus Ó Néill
& beheld-redemptive pleasures for patrons of free mass soul appeal
I'm nailed in my sub-par carpentry by all do-gooders of the nail ban
to the point where I'm willing to mail my big sister to the mail man
who's part & parcel of a mail-fraud plot & brother's can't-fail plan
Escaped & uncaught I will be no prison monkey's cell-mate-jail-fan
'Cause shorts clothe Richard Simmons' lard *** he has a pale can as
oil-from-rock Daniel's been given the pétrole epithet Ol' Shale Dan
Latino block & cinder create distortive Hispano-Américano rubble
'cause stirring up spics & greasy wetbacks invites N.C.L.R. trouble
Stand back anti-pope as I am about to burst your pederastic bubble!
Your egg-shell-thick pate's no match for a black jack as this club'll
smash its way thru cardinals, reverends, ministers, priests & dukes
to make cream taste like ***** and turn cake into what a dog pukes
Under U.S./Euro socialism there'll be no guy who's a young codger
and popular forenames will be banned including Preston and Roger
Trans-national entities whip horse dung into curdled cottage cheese
while denying rescue inhalers to asthmatics enjoying a bad wheeze
so as to avail publicly purpled aureolae of ready women who tease
Now is the time to release the promised South American killer bees
as the hour's passed to exact vengeance for a beheaded Robert Lees
Mafiosos contract that Joseph Valachi-types be capped at the knees
then hanged by their what's-her-names from il duce poles and trees
in such a fashion that'll tighten the ropes by cough, belch or sneeze
Long legs, wrong eggs, strong pegs, King Kong begs with a song of kegs
Let us dog dealers of wieners & corporate schemers: those 2-bit reamers
extend a left leg into the sacred space of my right one for time remaining
It's easy to harp on topics commiserate with crap profitably entertaining
A man who courts dogs & a court manned by dogs quibbles over kibble
Dogs devoid of canine teeth are not as happy to gnaw and to nibble
The Arc of the Covenant bestowed ancient promises metaphysical
shedding cockroach-scattering illumination that set courses tragical
on a populace & citizenry that were more attuned to an era magical
Before Zionistic Elders prepared an Order within cabals strategical
Beneath plum sunsets & catchy maladies that deafened folks lyrical
“Turn me on dead man” the Beatles backwardly warbled mystically
as the means and the method to sexcite vampresses gynecologically
For all shoulder-locked movements sway men anthropomorphically
Let us seek bi-lesbians who fear concerted opposition diametrically
as their prized packages remain barren, as they spawn ineffectually
Sappho's ovarian host pouch is barren as ***** meld ineffectually
as Western, Fallopian-tubed freakazoids are ****-probed habitually
Sapphic ovarian balloons shrink when hens ******* reciprocally
On Pearl Harbor Loch a false flag blackened Mister Moto's beacon
by shadowy, white manipulators under a U.S. sinister, proto-deacon
who, as a cousin-marrying-pipe-******* *******, emulated Lincoln,
the war-loving queer who went above & beyond his task to weaken
the will of sovereign states to sustain free-market economic health,
by exacting confiscatory taxes resulting in punishing capital wealth
The Beatles were creatures of M.K. Ultra's institution at Tavistock,
lost to a shocking future as shown by Alvin Toffler in Future Shock
whereas nothing can help us from taking an epidemiological knock
by Mao a la Trotsky, a la starvation wages via phony-baloney stock
in the image of Pol *** a la Lenin contrary to righteous John Locke
Our fused-egg brothers gestate together, flying as a migratory flock
dolled up in vestry wardrobe: papal bikini brassier, ******* & frock
awaiting George Orwell's 1984 English socialism known as Ingsoc
X number of years before Nancy Kwan wed ski champ Peter Pock,
& after Bob Ripley's Oriental/Occidental miscegenation ****** talk
as it was curlier than was Nimoy while he portrayed Vulcan Spock,
whose sweetness was unrehearsed, unrestrained & of a sickly mock
once taken, out of time as taken twice daily on any ol' broken clock
flesh stripped & exploited as the flightless relic of Earth's great auk
enjoying the laze of Sunday oblivious to extinct Darwinian schlock
as chastised love is Leonard Nimoy-pitiable with chastity-belt lock
Upon a Massachusettsian shore puritans purified Plymouth's Rock!
Forever amounts to nothing in betrayal of Heinlein's empathic grok
Back off quack as I'll **** the next 1 of you applying scalpel to ****
as a dad must regarding neo-Kantian, fatherless-**** Johann Bach
Deep in hell's bowels fricassees Jew Elizabeth/***-to-Death Taylor
who did every Joe Nobody from Captain Crunch to Norman Mailer
A harlot ***** was she from 10 niggerly toes to scary mulatto tone
as hellishly deep in Liz's brain was a splinter of hamster wish bone
& her ***-end was broad from fat foods Safeway to her would loan
Beneath her 3rd world-chiding heft Larry F's lawn chairs did groan
as this princess of whales never said no to hog jowls and corn pone
which made an interesting cut-out to novices of the porpoise prone
There won't be another Liz till Rockefeller perfects a Warner clone
with the aid of sewing machines to hem-stitch hems that need sewn
& a positronic brain stem to achieve mortality previously unknown
since Alex Bell pilfered **** inventor Antonio Meucci's telephone
Truth is light that Illuminists keep shadowed, darkened & unshown
for Hank & Phoebe Snow and Johnny Winter who would not atone
Thomas Edison stole or bought the patents to ingenious inventions
that he was more than happy to claim as his brilliant contributions
to the wealth & state of inquisitive Mankind's Earthen conventions,
also he took credit for Biblical allusions to immaculate conceptions
Which Bible books Tom Edison wrote no G.E. employee mentions
as stealing, purloining and commandeering were his 3 predilections
True historians know well charlatan Edison's dastardly elaborations
To pinch a hairy, chapped man is wrong as it puts him in more pain
For century-old Harry Chapman Pincher pinching made him insane
His unholy joy was to lay prone with mouth open to catch acid rain
& then hop into the commode to affect a toilet-related ankle sprain,
not too unlike Richard called **** & Jean who liked the name Jane
whose corpulence demands a piano coffin burial with crawler crane
Formaldehyde replaced 7 quarts of blood that went down a drain as
the proverb fits: when there's nothing to lose there's nothing to gain
Alan Ladd snuffed himself over a self-destructive hatred for Shane
and because Sue Carol preferred men of height Ladd couldn't attain
without elevator shoes & leading-lady actresses walking in ditches,
the love-life that humbles a netted shrimp into paralytic twitches as
Alan often got nothing from Brentwood ****** & witches because
****** pimps don't scrape **** off them Hollywood swanky *******
Tragically it's true that God's in the details & Satan's in the glitches
when Hippocratic Oath-denying doctors say don't bandage stitches,
it promotes infection needing treatment that add to a quack's riches
Apply no anti-bacterial salve unless your unbandaged wound itches
Amerika will be a Marxian paradise after we guillotine the snitches
harvest their organs, cremate & consign their ashes to crude niches
Give me, give me, give me, I can subsist not on a mere, single bean
Hey cheapo, get off your greasy ***, take me to Dairy Queen as my
**** is shaved, bra's padded & all kinks are relaxed by Afro Sheen
Western ***** are fattened for slaughter as sloped slants grow lean,
for lack of appendix, tonsils, adenoids, warts, piles, moles & spleen
Refugees flee what's so repressively dangerous that it's forever fled
The bloodied blood biz passes pathogens to bleeders bloodily bled
It is a dreadful situation that ****** folks find difficult not to dread
A gent is obliged to face conflict face first short of living in a shed,
plying the rough trade, rough-necking with ******* or playing dead
When my cruddy teeth are encrusted I brush the crud off with Crest
while working drainward with this golden cake of soap called Zest
Like a woman on public assistance I refuse to let my choppers rest
There was a time when talk of quiz was a precursor to an Iowa test
My basic skills are determinedly under-cutting my housewife guest
whose stems run north to her malignant tissue free mammae breast
In movies shooting orphans with high-powered rifles is done in jest
'cause in Amerika making ammunition is what wage-slaves do best
When I'm not utilizing forks for recreational after-meal dog-jabbin'
I am staking out hog farms for the planning of gainful hog-nabbin'
or making log-planing modifications on my pine-logged log cabin,
before crossing teamster picket lines for wage-earning job scabbin,'
I take pains to avoid being skinned in a Jimmy Hoffa mob stabbin'
A thousand Confucian truths drive my happy dreams to nightmares
as bi-****** pass out on Calexico-Mexicali-low-calorie light beers
I haven't the moxie to skate through hydrants of fate terminological
as those 78 crumb-bums behind T.V. “comedies” wax scatological
Ernie killed Chip & Robby to stamp his father a cipher biological
He hadn't room for women for production smacking gynecological
The last time he looked skyward his thoughts weren't cosmological
S.O.B. Ernest cursed routinely at arthritis diagnosed gerontological
He gives not a harlot's hello for innumerable faults anthropological
nor to lend his energies to scopes that abuse harmonics hormonical
as he stumblingly falls prey to meanderings sickishly trophological
Lord of Hostesses salvage carcass mine from insults cancrological
Redeem me in sudden form humanoid of activities pathogenetical
We mourn in Gettysburg's city as unrepentant lesbians on probation
Defying errors inflicted upon soldiers who forsook proper vocation
Anti-poping Argentine Francis as he's ****** to Satan's invocation
It remains the best course to abide by stellar laws of spatial rotation
Whether one's nationality is Romanian, Finnish, British or Croatian
Lost people will eat food outside their region &

It's a downer to express the largest-scale tragedy of my lifetime

over and over again.

I've combed through 10,014 medical malpractice reports of young people who had been strong and without complication up until receiving the one-eyed technocratic snake bite that supposedly has nothing to do with their suspicious deaths,

I've gone through 25,117 autopsy reports (not every report: I scanned bunches of 250 reports in 10 groups of 25 reports or 25 groups of 10 reports at a time for very specific details, though I've read some of the reports 5 or more times) of elderly people who had survived world wars, epidemics, pandemics, and many outbreak and spikes, only to succumb within 72 hours of receiving whichever junk SGT inoculations that have nothing to do with their untimely deaths—

that occurred in North America
over a 2 week period.

I'm not supposed to talk about it.

I'm not supposed to express anything
other than expressions of agreement
that Delta variants and the unvaccinated
are killing the vaccinated

or express nothing at all.

I'm not supposed to express that I know the ingredients, and the processes involved to source ingredients, on chemical, molecular, cellular levels; that I know the MSDS and LCSS documentation, and patents, involved.

But, I do express it, just as I did again above.

When someone claims that their significant other didn't die from the shot that they had received within 24 hrs of dying,
I'm supposed to agree with the cheap, disloyal, dumbed-down, brainwashed, bootlicking, unscientific, pseudo-intellectual, spineless coward

who is hurting from losing a loved one.

I'm sorry.

I'm not supposed to express that we've known since 1991 that the synthetic chemical digitized mRNA, that isn't really mRNA, causes the host to spin-off variants of multi-drug-resistant and multi-vaccine-resistant super microorganisms—subtype variants of virions and bacteria that are often variants of variants of variants.

I'm supposed to stay zipped-up
or—encourage!—offer support
and congratulations to people
who are suiciding and committing
****** and euthanasia

without proper informed consent.

Be positive about it. Smile. Nod.

Have it be whatever you want it to be.
Use mockingbird skills to make it real— abracadabra!—it's en vogue, all the rage
to parrot percentages of efficacy,
to virtue signal over standing with
trillion $ industries and special interest
against Earth and humanity.
Insert cash money and mirages
into the soul-******* jukebox, baby.

Rage With The Machine.
Rage For The Machine.

Yesterday's false-positive
is today's false-negative.

Thomson Reuters will fact check you
into a cancer case to vindicate delusions, stubbornness, and negative pride.

I'm not supposed to express that within the principles and disciplines of medical ethics and the Hippocratic Oath, it's ethically corrupt and illegal to use political and emotional coercion, especially while simultaneously dangling fear over the intended target, to enforce/push any drug treatment, regardless of situation.

I'm supposed to use dope and *****
and a movie
to switch tracks
from my passionate obsession.

I watched a movie that included
a medical health scam to entrap the people
in a fashion similar to when the Germans believed that they were receiving vaccines
that helped to defend against typhus.

If we ever find ourselves in opposite sides
and positions as we are currently,
please offer proper informed consent
to the people.

They try to breakya
with the new
agenda then they'll
mendya when you're broken,
promote you as a token of
new enterprise and we know
deep down it's all a load of ******'
lies,
but we voted
didn't we?
for this parliamentary witches crew
who
empty whatya got into the ***
take the ******' lot and tell you
you're not worth a light,
right?

It's time we spoke out
time we broke out,
time we stormed the citadel and
sent the cauldron and the coven screaming into hell.

The division bell will sound unless we smash it first and send it underground,
we should tear the mother down and start from scratch.

if you're broken there's a patch for it, a plaster that will cover all the broken **** they put you through, but
the parliamentary witches crew hold all the patents, latent ******* that's all they are.

AN ABSTRACT & BRIEF CHRONICLE OF THE TIME

Dónall  Dempsey has
asserted his right to be

identified as the author of
this moment

in accordance with
the Copyright, Design & Patents Act

of this very
now.

All rights reserved.

This moment is his
& his only.

Sea and sky both
have walk on parts.

A mountain is an extra
with no speaking part.

The tiniest of *****
sits enthroned upon

a sea-stained copy of
Prufrock's Love Song.

No one knows of this
moment

except Dónall  Dempsey
who lived it all

by himself
in his own aloneness.

He has turned the
moment into words

of his own
devising

so that you to
whoever you

may be
can partake

of this long lost
forgotten moment

until, human voices
wake us

". . .we drown. . ."

"...IT HAS PLEASED THE GOD OF BATTLES..."

General Dan is visiting
his leg

at the Military Museum
for 50 years now.

The one he lost
at Gettysburg.


Walt is visiting the wounded
and the many dying

at the Patent Office
press ganged into a makeshift

hospital
in glass cases

patents stare
at patients

"every kind of invention
it ever occured..."

the poet remarks
"into the mind of man


...to conceive."

A soldier laughs out loud
even as the President visits.

He has been handed
a religious tract

"The Sin of Dancing"
he who

has
no legs.

A crop of amputated feet
grows higher and higher.

How human are
a man's toes.

A dead Confederate
is dragged into position

to make
a better photograph.

Bushfires rage
through the Wilderness.

The scream of the wounded
being burnt alive

begging to be shot
"Did we or did we not

do all
that men could do>"

Shot through the socket
the eye bulges out

both brothers and
yet both survive

Microscopium constellation
looks down upon

this world of men
amazed to find itself

nailed to the Museum's floor
by some man's art

sharing the space
with General Dan's lost leg

that still lives on
in its glass case.

Obscure and barely visible
to the naked eye

just like the constellation
of the dead.

Man now
in a museum

falls asleep with
a book upon his lap

"Lost, Missing and
Troublesome Stars"

Like a musket shot
it wakes the sleeper up

turns heads as
1863

becomes
2003

How do I put away words when they can spread maturity?
How can I exercise deeds when wisdom doesn't call for them?
How can thoughts ever have effect if they are not cognised into words or deeds?
How can objects of the macro level ever be justified if they are not used at the macro level?
How can minutia ever be justified if they are not employed in technology?
A quantum computer on every phone or in every home by the time I die!
How can prayer ever be worthwhile it doesn't inspire these things?
Who will be an exponent of knowledge in a field of ignorance where each person must criticize another knowledge to build up there's?
The school of life is full of naysayers.
It is also full of special interests who wish to keep me questioning the dignity of dignified politics.

The world needs unity, our President has propounded.
Yet who am I to set forth ideas for laws?
I am a vessel for love, for idealism.
How do I spread idealism, when my deeds say "moderation"?
Smoking cigarettes, non-alcoholic beer, **** art, *******, and God forbid: coffee!
On the other side: vitamins, vegetarianism, exercise, meditation, martial arts, math, and science.
For some reason I have a picture that idealism equals fundamentalism.
When in reality idealism is love and unity.

When spoken of as love for God shared with others, love can be a foreign word.
If God can never, ever be fully seen or known, wouldn't the only love of God be love of humanity?
Also, when knowledge is the main focus of life, love loses meaning and love is love of knowledge, while any other love than this is petty.
There is also love of excellence.

From a child it was the admiration of a kind one, an athlete, a musician, and artist.
It soon turned into a love of companionship, both friendship and romantic.
Yet due to my diverse nature, I found no one to share a moderate life with.
So I turned to companionship centered on alcohol and drugs.
Then I finally realised it was really just love of drugs that kept us together, and that without them I was as nothing to them.
So friendship ext became a sort of intuition.
The institution of religion.
Where even the proximity of a religious person was as dear friendship to me.
And any differences between us were joys of freedom of belief.

Next, without school or work I was as an outcast, because religious friends are interested in my work for humanity or too often an outer institution of knowledge.
With no compass for even writing down my thoughts to give me confidence, I did the only thing I could: I copied an Isaac Asimov introductory physics book word for word.
Physics my senior year created such a love for physics that my only dear expression was in copying that book.

Then, one night I realised I could copy Holy Scripture to strengthen my virtue.
And with one copy of a verse, my world came caving in.
My newfound spiritual power found the only avenue for my ignorance in violence toward my father.
I was hospitalized for mental health at 19.
First I argued with the staff thinking I didn't need medication.
Then I realised that cooperation was the only road out of the hospital.
I became docile and sedate.
My first day out my father recommended that I start his style of meditation.
Previously I had wanted to do my own style of meditation, but when I shared my insights with him, I was met with: "That's not what so and so teaches".

Now I found myself docile enough to begin his meditation.
After three months I felt focused and one-pointed.
After 18 months I had my first enlightenment experience.
Then, after I continued, The meditation started to make my strong and capable virtues waste away.
I was, unknown or rather known to me, a prisoner of my meditation.
My fields of study changed form music to philosophy and religion.
I moved away from home.
I worked unrelated jobs.
Then, due to my interest in spirituality, I entered an unaccredited spiritual school.

They challenged me to practice different techniques of inspiration, meditation, concentration, journaling, and diet.
I felt it was time to change my meditation practice which I by then had fully assimilated form my father.
But now I differentiated form him.
I used my own eyes like they had never been used before.
I finished a higher college degree.
I got married.
Then I was tested harder than I ever had been, and still never was.
I battled for normalcy by going off my medication ending up estranged in jail, only to come out with a wife who filed for divorce.
With her unforgiving and weak heart, never wanting to see a husband go through such tests again, the marriage ended.

I at once felt cut off from the world and became depressed.
Now on two meds I once again managed my life on my own.
I worked while going back to school to study electronics.
Afterwards, my interest in physics grew and grew.
I devoured all I could in my free time away from my job.
Then work was taking me too far away from my studies, so weirdly enough I had a back/hernia problem at work, which caused me to quit.
That same week my roommate, a best friend, had moved out of state, my cat who was catching mice for another fiend wasn't allowed back into my apartment by management, and my grandad had died not too long before.
I was weak, exhausted, felt displaced, and companionless.
I immediately took a 90-mile Uber trip to my dad's.

He let me study without a job for three months until I felt my life wasn't progressing without a job.
Two jobs later I find myself as a dishwasher/deliver/food prep worker at an upscale restaurant.
With blue collar humor mixed with female energy, it is quite exciting on busy nights.

Almost 21 years since I finished my first physics class, with an electronics degree, and over six years of self-study, I have little to show the world of my love for this knowledge of math and physics.
With Grassmannian geometry, momentum event horizons, and galaxies moving in all directions at all accelerations, with the inconceivability of witnessing a graviton, and the cover up of the US government reverse engineering extra-terrestrial technology.
With local laws helping free us from the grid being squashed by state governments, and thousands of secret patents, and inventors killed.
I can hardly make any ethical movement in technology and science without first coming to terms with the Native American, Black, and Hispanic brothers ans sister being systematically devalued, while women don't have equal pay with men.
So my mind wishes to grapple with science while in reality that path can hardly be entertained, or entertained only as an outlet for curiosity.

Meanwhile, seeing with my own spiritual eyes, my meditations have developed into a kind of zen, although I have no formal teaching in it.

In writing my poems, it's always my quest,
to take the time, to make it rhyme, but I'm in distress.
I wanted to convey, how much better I rest,
Since the purchase of a great mattress.
My problem you see after plenty of test, I bought a "Purple,"
and "Dang Me" the only thing I found to rhyme was, "Maple Surple."
One of the the worlds favorite pigments, after centuries of time,
has not a single word to which in can rhyme.
A color once held in history as the royal shade,
even now leaves this poet, his poem unmade.
A purple fruit, from which wine we could make,
And someone chose, to call it a "grape."
I say it's high time to correct, this to long slight,
And save the word "Purple" from it's unjust blight
How about you Auto Makers, with your Durango,Sienna, and Tesla.
Come up with a sporty "Verpule," if you wanna Impreza.
Hey, Disney you once rhymed, Supercalifragilisticexpialidocious,
would doing "Purple" be so atrocious.
Big Pharma, with your colorful, zides, mycins, and statins,
maybe you can use an "urple" in your next covid patents.
You TikTok influencers I'm calling on you,
#Purplechallenge, together, let's see what we can do.
Well, I was really pumped, but now, I just sit here sad.
The Purple Company, sent a gift, an "ORANGE" mattress pad.
So now I pull out my ceremonial sword of "Silver,"
and commit this poem to: "Hari Kilver."