Submit your work, meet writers and drop the ads. Become a member
Martin Narrod Apr 2014
Mew
as soon as these blue speckled
socks go, that's it. A new bright black death.A solemn weir on a stark horizon.Give me a reason to wear color. My hueless affidavit
runs me into the Earth, where I sprout up
a pallid keb- brain orf'd, you could drag my etiolated ebon
body through the ovine fold or take me to the theater. When I was just a minor teg, I sheared my mim kip, I fuckinggave it to you outright. In this little
cote my wan mien nigrifying; my calamitous black, quaffed full of congou in demitasse, of souchong & saucers. My atrous wethered body albicantly degenerating in the atrous sun. I'm crusting over with wanness and you, you're fortifying in the cwm where I used to yaff and stray. Your ovivorous hunger,something I never knew, when first you came for my jecoral flesh, just another bot digging through my soft toison. Like Dall's Prometheus being sheared from the flock-you cut me away. In this drab and achromic world, you put the wanness in my flesh, the gid in my heart. Still.
Just these blue socks are left.
Written Sitting against an Oak tree outside of a family friend's farm in Fond du Lac, Wisconsin
I

Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?

II

I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I comb'd I would sing and say,
'Who is it loves me? who loves not me?'
I would comb my hair till my ringlets would fall
                Low adown, low adown,
From under my starry sea-bud crown
                Low adown and around,
And I should look like a fountain of gold
        Springing alone
        With a shrill inner sound
                Over the throne
        In the midst of the hall;
Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
And all the mermen under the sea
Would feel their immortality
Die in their hearts for the love of me.

III

But at night I would wander away, away,
        I would fling on each side my low-flowing locks,
And lightly vault from the throne and play
     With the mermen in and out of the rocks;
We would run to and fro, and hide and seek,
     On the broad sea-wolds in the crimson shells,
Whose silvery spikes are nighest the sea.
But if any came near I would call and shriek,
And adown the steep like a wave I would leap
     From the diamond-ledges that jut from the dells;
For I would not be kiss'd by all who would list
Of the bold merry mermen under the sea.
They would sue me, and woo me, and flatter me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, and win me, and marry me,
In the branching jaspers under the sea.
Then all the dry-pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud, from aloft
All things that are forked, and horned, and soft
Would lean out from the hollow sphere of the sea,
All looking down for the love of me.
1042

Spring comes on the World—
I sight the Aprils—
Hueless to me until thou come
As, till the Bee
Blossoms stand negative,
Touched to Conditions
By a Hum.
There’s a whisper down the field where the year has shot her yield
  And the ricks stand gray to the sun,
Singing:—’Over then, come over, for the bee has quit the clover
  And your English summer’s done.’
    You have heard the beat of the off-shore wind
    And the thresh of the deep-sea rain;
    You have heard the song—how long! how long!
    Pull out on the trail again!

Ha’ done with the Tents of Shem, dear lass,
We’ve seen the seasons through,
And it’s time to turn on the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail—the trail that is always new.

It’s North you may run to the rime-ring’d sun,
  Or South to the blind Horn’s hate;
Or East all the way into Mississippi Bay,
  Or West to the Golden Gate;
Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big on the old trail, our own trail, the out trail,
And life runs large on the Long Trail—the trail that is always new.

The days are sick and cold, and the skies are gray and old,
  And the twice-breathed airs blow damp;
And I’d sell my tired soul for the bucking beam-sea roll
  Of a black Bilbao *****;
With her load-line over her hatch, dear lass,
And a drunken **** crew,
And her nose held down on the old trail, our own trail, the out trail,
From Cadiz Bar on the Long Trail—the trail that is always new.

There be triple ways to take, of the eagle or the snake,
  Or the way of a man with a maid;
But the sweetest way to me is a ship’s upon the sea
  In the heel of the North-East Trade.
Can you hear the crash on her bows, dear lass,
And the drum of the racing *****,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and ’scends on the Long Trail—the trail that is always new?

See the shaking funnels roar, with the Peter at the fore,
  And the fenders grind and heave,
And the derricks clack and grate, as the tackle hooks the crate,
  And the fall-rope whines through the sheave;
It’s ‘Gang-plank up and in,’ dear lass,
It’s ‘Hawsers warp her through!’
And it’s ‘All clear aft’ on the old trail, our own trail, the out trail,
We’re backing down on the Long Trail—the trail that is always new.

O the mutter overside, when the port-fog holds us tied,
  And the sirens hoot their dread!
When foot by foot we creep o’er the hueless viewless deep
  To the sob of the questing lead!
It’s down by the Lower Hope, dear lass,
With the Gunfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail—the trail that is always new.

O the blazing tropic night, when the wake’s a welt of light
  That holds the hot sky tame,
And the steady fore-foot snores through the planet-powder’d floors
  Where the scared whale flukes in flame!
Her plates are scarr’d by the sun, dear lass,
And her ropes are taut with the dew,
For we’re booming down on the old trail, our own trail, the out trail,
We’re sagging south on the Long Trail—the trail that is always new.

Then home, get her home, where the drunken rollers comb,
  And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and swing,
  And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They’re all old friends on the old trail, our own trail, the out trail,
They’re God’s own guides on the Long Trail—the trail that is always new.

Fly forward, O my heart, from the Foreland to the Start—
  We’re steaming all too slow,
And it’s twenty thousand mile to our little lazy isle
  Where the trumpet-orchids blow!
You have heard the call of the off-shore wind
And the voice of the deep-sea rain;
You have heard the song—how long! how long!
  Pull out on the trail again!

The Lord knows what we may find, dear lass,
And the deuce knows what we may do—
But we’re back once more on the old trail, our own trail, the out trail,
We’re down, hull down on the Long Trail—the trail that is always new.
rattletaptap Jul 2015
The hollow night awakens
As I breathe the monochrome.
It will all be over soon I say,
All I need to do is have the will
To wait for only a little while,
The morning will surely come.
But I wonder, Will it be my last?
Will my heart be frozen in time?
There is nothing to cut this silence.
All which surrounds me is as dull
As the edge of the overused blade of life.
The horror thickens as even the last
Piece of whiteness turns to black.
I feel as though I'm drowning in mud,
It fills my lungs and I lose myself
With each passing moment.
Westward on the high-hilled plains
Where for me the world began,
Still, I think, in newer veins
Frets the changeless blood of man.

Now that other lads than I
Strip to bathe on Severn shore,
They, no help, for all they try,
Tread the mill I trod before.

There, when hueless is the west
And the darkness hushes wide,
Where the lad lies down to rest
Stands the troubled dream beside.

There, on thoughts that once were mine,
Day looks down the eastern steep,
And the youth at morning shine
Makes the vow he will not keep.
Michael Walker Mar 2017
So often I inhale your cathartic cocktail;
it swoons me from my study, my brain trails.
Homogeneous with my velvet red intertwines, all else hails.
All exhales whisper, loftily, a separate tale.

Your embers are like no other;
they glow of yesteryear and retract into the present.
The warmth and the darkness, you segment.
Each draw, intoxicating, one after another.

Like a con artist you remain vague, and disappear;
any remaining inflection sails beyond the oculus;
presence constant, but hueless.
Those unacquainted always sneer.

Knowing not, your gift is of the most diverse;
but, in the end, like all else, your essence is a curse.
Cathphosphenes Aug 2013
He's hueless
But the brightest
I don't know how bright he is
But what i know
His flaw is only hued
But still
I just saw the hueless part
Ceyhun Mahi Aug 2021
This artful mind of mine colors the white,
And lightens up the dark upon my page,
Hidden within my since-birth hueless sight,
Getting much more volume with every age.
This artful mind of mine colors the ears,
Which is a way right to the soul and heart,
Who's shielding it away from all the fears,
Making them strong, by manifested art.
This artful mind of mine is like a saint,
A flawless light of Truth, helping the poor,
By offering them a radiant paint,
Not touched by evils, but from within the core.
    Today I came to a truthful conclusion:
    This artful mind of mine, is my solution.
Tammy Boehm Jan 2015
I am falling
Carded wool and eiderdown
Muted hues in the resonant ghost of you
My words drift
Shadow soft before the deluge
Of an angry sky
I pray for rain
Even though I cower under cover of your grace
Myriad tears from heaven broken
Etch the epitaph and rune stones
Twist the light to brazen
Blanched in acid
Your brilliance blinds me
Sunlight spilled on fallow ground
I am soaked to the marrow
Weathered and weary
An the abyss whispers ever closer
Embrace the profane till the flesh burns ashen
Nati sumus solus et nos solus perire
Deo autem non est sine interiori lumine
You follow me sombrous through the maelstrom
Trade my hueless soul
For the ecstasy of light
In raptu lumine vestit me


we are born alone and we die alone
Without God there is no internal light
Clothe me in the ecstasy of light

TL Boehm
11/13/2012
David Betten Mar 2017
TEUHTLILLI [aside]
            The unknown guests which call me to the east
            Are such a hoax-like sighting as may lend
            To superstition credence; rumors, weight.
            I fear some rash infection has arrived.
            Reports pour in of towers on the waves,
            Maneuvered by a spectral race of men,
            The truth of which I must submit to test.
            And so it goes: The fleet of hueless troops
            Approaches from the seashore as I speak.
            Now, after weeks of waiting in the sticks,
            At last, my first glimpse of these lily-skins.
            Gods grant that they behave.

                          Enter CORTÉS, ALVARADO, SANDOVAL, AGUILAR.

AGUILAR                                              Be­hold, Cortés,
            Your foremost model of a Mexican.

TEUHTLILLI
            Hail, friends of Mexico! Which is your chief?

                                         Enter MALINALLI.

CORTÉS
            Well, Aguilar?

AGUILAR                        He speaks a nonsense tongue.
            We’re too far north. I can no longer help.

TEUHTLILLI
            I ask again: Where is your leader, friends?

MALINALLI [aside]
            (Now, silly girl, or never.) [indicating Cortés] This is he.

TEUHTLILLI
            What’s this? A mediating concubine?

AGUILAR
            You speak his language, girl, as well as mine?

CORTÉS
            What, will this slave girl double-cross us all?

MALINALLI
            Our humble chieftain greets your emperor
            And many times does kiss those regal hands.

TEUHTLILLI
            That’s well.

AGUILAR                That’s well!

CORTÉS                                   This all seems to be well.

AGUILAR
            Rejoice, Cortés! This maid is double-tongued.
            She’ll translate his words into my Chontal-
            From him to her, from her to me, to you.

CORTÉS
            Then let us test these true but tedious links.

MALINALLI      You were saying, sir?

TEUHTLILLI      How many braves trail in your train?

MALINALLI       How many warriors tread in your wake?

AGUILAR          How many soldiers shadow you?

CORTÉS           Five thousand.

AGUILAR          Uh, five thousand.

MALINALLI       They’ve a thousand, sir.

TEUHTLILLI
            I’ll see your thousand and I’ll raise you two.
            [to a servant] Deploy two thousand men to build them huts,
            [aside] But crammed with warlocks, witch doctors, and spies.
                                                          ­                                          Exit a servant.
AGUILAR
            This works well.

CORTÉS                           Thus the fragile chain is forged.
            Friend, you must look upon our advent here
            Not with unease, but as a world of good.
From my play in verse, thefloralwar.com

— The End —