Municipal Gum was written by Oodjeroo Noonecaal. Municipal Gum is about the changes in society and the tendency of people to want to control everything. Oodjeroo uses various techniques to convey this idea.

At the beginning of the poem Oodjeroo is addressing the tree. This immediately creates empathy for both the tree and her people. By the last line she has emphasised this with the pronoun “us” to show that they suffer a similar fate.

This poem expresses how life in Australia has changes especially for Aboriginal people. In the first half of the poem Oodjeroo is talking about how life was for her and others. It explores the changes in society and the displacement of the Aboriginal people from their land.

“Whose head hung…Its hopelessness”, the author uses this as further re-iteration of the immorality of the situation and by the use of analogy comparing the tree to her people to further emphasise the shame and lack control of that the Europeans have inflicted upon her and the environment.

Oodjeroo uses extended metaphor technique in the very first line of the poem ‘Hard bitumen around your feet’. This means that the gumtree has been placed in the city scape where it is suppressed and not allowed to spread out and be unique in its own way. This is clear and immanently direct link to the pain and suffering endured by the Aborigines post European settlement.

Oodjeroo uses vivid language to present these ideas. For example the use of the word castrated is very effective. The connotation of the word is very demeaning. With castration often comes a sense of a loss of pride and power. The word castration is symbolic of how Oodjeroo feels the European have treated Aboriginal people and the environment. Castration also refers to the fact that what is done is done. Nothing can undo what they did and the damaged they have caused.

Other symbolism includes the title “Municipal Gum”, municipal meaning community, implies that the gumtree belongs to the community. One of the vast differences between European and Aboriginal law is that Aboriginal people did not believe in the ownership of land or of animals and plants. Municipal Gum is a reference to the Europeans assumptions that everything is theirs to own and control.

The rhetorical question, “O fellow citizen, What have they done to us?” is the conclusion of the implications that have been made throughout the poem. Oodjeroo, is advocating for her people and all things wronged by the controlling behaviour of the Europeans. Rhetorical questions are used to provoke thought and to stimulate a pre-determined response. “What have they done to us?” They have “castrated, broken… strapped and buckled” and ultimately changed things to a point that they cannot be fixed.

In conclusion, Municipal Gum is a poem about the constrictions and change that the European invaders forced upon the Aboriginal community and the environment she believes that the Europeans have deemed themselves ever powerful and practice their power in a manner that is immoral.

Form is emptiness
Emptiness is form

1. Sunyata (Emptiness) is the profound meaning of the Mahayana Teaching.

Two thousand five hundred years ago, the Buddha was able to realise "emptiness" (s. sunyata). By doing so he freed himself from unsatisfactoriness (s. dukkha). From the standpoint of enlightenment, sunyata is the reality of all worldly existences (s. dharma). It is the realisation of Bodhi — Prajna. From the standpoint of liberation, sunyata is the skilful means that disentangle oneself from defilement and unsatisfactoriness. The realisation of sunyata leads one to no attachment and clinging. It is the skilful means towards enlightenment and also the fruit of enlightenment.

There are two ways for us to understand this concept of sunyata in the Mahayana context. One way is to try to understand the explanation about its true nature. The other way is the realisation through practice. What we are going to discuss now is about its true nature.

Mahayana teachings have always considered that the understanding of sunyata is an attainment which is extremely difficult and extraordinarily profound.

For example, in the Prajna Sutra it says "That which is profound, has sunyata and non-attachment as its significance. No form nor deeds, no rising nor falling, are its implications."

Again in the Dvadasanikaya Sastra (composed by Nagarjuna, translated to Chinese by Kumarajiva A.D. 408) it says: "The greatest wisdom is the so-called sunyata."

This sunyata, no creation, calmness and extinction (s. nirvana) is of a profound significance in the Mahayana teachings. Why do we see it as the most profound teaching? This is because there is no worldly knowledge, be it general studies, science or philosophy, that can lead to the attainment of the state of sunyata. The only path to its realisation is via the supreme wisdom of an impassionate and discriminating mind. It is beyond the common worldly understanding.

2. The Significance of Sunyata and Cessation

The Buddha always used the terms void, no rising and falling, calmness and extinction to explain the profound meaning of sunyata and cessation. The teachings of the Buddha that were described in words are generally common to worldly understandings. If one interprets the teachings superficially from the words and languages used, one will only gain worldly knowledge and not the deeper implication of the teachings. The teachings of the Buddha have their supra-mundane contexts that are beyond the worldly knowledge.

For example, sunyata and the state of nirvana where there is no rising nor falling, are interpreted by most people as a state of non-existence and gloom. They fail to realise that quite the opposite, sunyata is of substantial and positive significance.

The sutras often use the word "great void" to explain the significance of sunyata. In general, we understand the "great void" as something that contains absolutely nothing. However, from a Buddhist perspective, the nature of the "great void" implies something which does not obstruct other things, in which all matters perform their own functions. Materials are form, which by their nature, imply obstruction. The special characteristic of the "great void" is non-obstruction. The "great void" therefore, does not serve as an obstacle to them. Since the "great void" exhibits no obstructive tendencies, it serves as the foundation for matter to function. In other words, if there was no "great void" nor characteristic of non-obstruction, it would be impossible for the material world to exist and function.

The "great void" is not separated from the material world. The latter depends on the former. We can state that the profound significance of sunyata and the nature of sunyata in Buddhism highlights the "great void’s" non-obstructive nature.

Sunyata does not imply the "great void". Instead, it is the foundation of all phenomena (form and mind). It is the true nature of all phenomena, and it is the basic principle of all existence. In other words, if the universe’s existence was not empty nor impermanent, then all resulting phenomena could not have arisen due to the co-existence of various causes and there would be no rising nor falling. The nature of sunyata is of positive significance!

Calmness and extinction are the opposite of rising and falling. They are another way to express that there is no rising and falling. Rising and falling are the common characteristics of worldly existence. All phenomena are always in the cycle of rising and falling. However, most people concentrate on living (rising). They think that the universe and life are the reality of a continuous existence.

Buddhism on the other hand, promotes the value of a continuous cessation (falling). This cessation does not imply that it ceases to exist altogether. Instead, it is just a state in the continuous process of phenomena. In this material world, or what we may call this "state of existence", everything eventually ceases to exist. Cessation is definitely the home of all existences. Since cessation is the calm state of existence and the eventual refuge of all phenomena, it is also the foundation for all activities and functions.

The Amitabha Buddha who was, and is, revered and praised by Buddhists around the world, radiates indefinite light and life from this "state of cessation". This state is a continuous process of calmness. It will be the eventual refuge for us all. If we think carefully about the definitions of calmness and extinction, then we can deduce that they are the true natural end-points of rising and falling. The true nature of the cycle of rising and falling is calmness and extinction. Because of this nature, all chaos and conflicts in the state of rising and falling will eventually cease. This is attainable by the realisation of prajna.

3. Contemplating the Implications of Sunyata and Stillness (Nirvana) by Observing Worldly Phenomena

All existences exhibit void-nature and nirvana-nature. These natures are the reality of all existence. To realise the truth, we have to contemplate and observe our worldly existence. We cannot realise the former without observing the latter. Consider this Heart Sutra extract, "Only when Avalokitesvara Bodhisattva practised the deep course of wisdom of Prajna Paramita did he come to realise that the five skandhas (aggregates, and material and mental objects) were void."

Profound wisdom leads us to the realisation that all existences are of void-nature. The sutras demonstrate that the profound principle can be understood by contemplating and observing the five skandhas. We cannot realise the truth by seeking something beyond the material and mental world. The Buddha, using his perfect wisdom, observed worldly existence from various implications and aspects, and came to understand all existences.

In summary, there are three paths to this observation:

a) We should observe the preceding state and the current state of conditions. i.e., Observation according to the concept of time.

b) We should observe existences according to their interrelationships. i.e., Observation via the concept of space (either two or three-dimensions).

c) We should observe the true nature of all myriad beings. This is like observing the worldly existences of a point, a line and an area. Those with supreme wisdom understand the true nature of all worldly existences by observing vertically the relationships between the preceding and current conditions, and horizontally the interrelationships. Then we can understand the true meaning of void-nature and nirvana-nature.

3.1 By observing the preceding-stage and the current-stage conditions, we can verify the Law of Impermanence of all worldly existences. All existences, be they material or mental, be they the material world, or the physical or mental states of sentient beings, are subject to continuous change.

The world may have certain states of beings where they stay static or are in equilibrium on a temporary basis (for example hibernation). But when we observe them with supreme wisdom, we will find that not only do they keep changing on a yearly basis, but also that this change applies to even every briefest moment. After the current state of conditions have ceased to exist, the newly-formed state materialises. This is the state of rising and falling. The rising and falling of each small moment reveals that all existences are ever-moving and ever-changing.

Conventional scholars have a very good explanation of these ever-changing worldly conditions. However they, including the practitioners of dharma, try to make sense of the reality from the ever-changing worldly existences. That is, they are fooled by the material existences and are not able to understand the deeper truth of all existences.

Only those with the supreme wisdom of the Buddha and Mahabodhisattvas realise and understand that all existences are illusions. They understand that existences are not real from the observation of the flow of changing existences. The numerous illusionary existences may well be diverse and confusing, arising and decaying. But when we look into their true nature, we will find them void and of nirvana-nature.

On the other hand, since all existences are of nirvana-nature, they appear from the perspective of time, to be ever-changing. They never stay the same even for the briefest moment. Impermanence implies existences do not have a permanent entity. This is another implication of the nature of sunyata and stillness.

3.2 From observations of existence via inter-relationships, we can conclude that nothing is independent of the Law of Causation, and that everything is without ego. For example, the Buddha explains that the individual sentient being is composed of physical, physiological and psychological phenomena. The so called ego is a deluded illusion which does not exist in reality. Its existence depends on the combination of both physical and mental factors. It is a union of organic phenomena. Thus we call it the empirical ego. It is a mistake to cling to it as an infatuated ego.

The Indian concept of the supreme spirit implies someone who rules. The spirit is the ruler who is independent of is self-dependent and all causes. In other words, the spirit is the one who is free from all primary and secondary causes (for physical and mental aspects). The spirit is the one who has the soul of his own body and mind. This is the ego or supreme spirit that the theologists cling to. From their view point, the only way to avoid physical and mental decay is to be self-determined and self-sovereign. In this way, the supreme being can stay permanent in the cycle of reincarnation, and return to the absolute reality by liberating himself from life and death.

But from the profound contemplation and wisdom of the Buddha and Mahabodhisattvas, we know there is no such reality. Instead, egolessness (non-self) is the only path to understand the reality of the deluded life. All existences are subject to the Law of Causes and Conditions. These include the smallest particles, the relationship between the particles, the planets, and the relationship between them, up to and including the whole universe! From the smallest particles to the biggest matter, there exists no absolute independent identity.

Egolessness (non-self) implies the void characteristics of all existence. Egolessness (non-self) signifies the non-existence of permanent identity for self and existence (Dharma). Sunyata stresses the voidness characteristic of self and existence (Dharma). Sunyata and egolessness possess similar attributes. As we have discussed before, we can observe the profound significance of sunyata from the perspective of inter-dependent relationships. Considering dharma-nature and the condition of nirvana, all existences are immaterial and of a void-nature. Then we see each existence as independent of each other. But then we cannot find any material that does exist independent of everything else. So egolessness also implies void-nature!

3.3 From the observation of all existences, we can infer the theory of nirvana and the complete cessation of all phenomena. From the viewpoint of phenomena, all existences are so different from each other, that they may contradict each other. They are so chaotic. In reality, their existence is illusionary and arises from conditional causation. They seem to exist on one hand, and yet do not exist on the other. They seem to be united, but yet they are so different to one another. They seem to exist and yet they do cease! Ultimately everything will return to harmony and complete calmness. This is the nature of all existence. It is the final resting place for all. If we can understand this reality and remove our illusions, we can find this state of harmony and complete calmness.

All our contradictions, impediments and confusion will be converted to equanimity. Free from illusion, complete calmness will be the result of attaining nirvana. The Buddha emphasised the significance of this attainment and encouraged the direct and profound contemplation on void-nature. He said, "Since there is no absolute self-nature thus every existence exhibits void-nature. Because it is void, there is no rising nor falling. Since there is no rising nor falling, thus everything was originally in complete calmness. Its self-nature is nirvana."

From the viewpoint of time and space, we can surmise that all existences are impermanent, all existences have no permanent self, and nirvana is the result of the cessation of all existences - the Three Universal Characteristics. But there are not three different truths. Instead, they are the characteristics of the only absolute truth and the ultimate reality. This is the explanation of Dharma-nature and the condition of nirvana. The three characteristics are the one characteristic, and vice versa!

We may cultivate our meditation, contemplating the impersonality of all existences. This will lead us to enlightenment via the path of voidness. Contemplating nirvana and complete calmness leads to enlightenment by the path of immaterial form. Contemplating the impermanence of all existences, leads us to enlightenment by the path of inactivity (no desire).

The Three Universal Characteristics are the other implications of Dharma-nature and nirvana. The paths to enlightenment are also the same cause of absolute reality. All of them return to the Dharma-nature and the condition of nirvana. In short, the teachings of the Buddha start from the observation and contemplation of all worldly phenomena. They are like thousands of streams of water competing with each other, and flowing from the top of the mountains to the bottom. Eventually, all of them return to the ocean of voidness and nirvana.

4. Sunyata and Cessation is the Truth (Nature) of All Existences.

All existences that are recognised by worldly understanding, whether materially, spiritually or intellectually, have always been misunderstood by us. We cling to them as real, physically existing and permanent. Actually, they are only unreal names.

The more precise meaning of the term "unreal name" is "assumption" or "hypothesis". It is an empirical name. It is formed by the combination of various causes and effects. (These include the effects of mental consciousness.) It does not exist by itself. Everything exists relatively. Thus, what is the ultimate truth? If we investigate existence further, we realise that all existences are empty. This is the fundamental characteristic and reality of all existence. It is ultimate and absolute. But we should not think that empty means nothing. It implies the disentanglement from the worldly misunderstanding of the existence of self, identity, and the realisation of the absolute.

In the Sutras and Abhidharma, the worldly understandings are sometimes referred to as all phenomena (Dharma). Sunyata is referred to as "Dharma-nature", and hence there is a distinction between "phenomena" and "Dhamma-nature". However, this is only an expedient explanation that helps us to realise the truth of sunyata through the phenomena of all existences.

We should not think that "existence" and "nature"; or the "phenomena of Dharma" and "Dharma-nature" are something contradictory. They are just concepts needed to understand the implication of sunyata.

We may analyse the exp

why did i ever go out on a friday night?
drinks with "friends" and hitting the essex
club "scene" -
well - no much of a scene -
there was never the music you'd want to listen
to: come friday or saturday -
even mid-week when all the rock kids
were "hanging out" -
what would be chances of being your own d.j. -
catching something really new...
POIZON - church is poizon -
cool mom - something between a crossbreed
of cage the elephants and nirvana on blew -
3rd view - moi -
but i used to: and i remember that gehenna of
a sobering walk - alone after a night out -
like some furious son of sam -
when youth still had the adrenaline with it
and a sense of anger ******* around with
disillusionment -

those were the friday nights: bon jovi highlights
and long hair and milking a somewhat androgynous
look - sometimes the mascara would come out...
those were the days of having milk skin
and a proper shave -
the long hair and the waistcoast and cravat: semi-,

the lonesome story before i met my beard:
fwyday mordaithceirch -
i actually have a name for it...
i forgot what's already the designated
whittle pecker mr. pritchard of the down down:
below...

oh, oh so what...
rough friday nights in my youth -
on the clubbing "scene" -
and always that moral hangover when it came
to drinking with others -
ever since i started drinking by myself:
i forgot the mirror and that bucket
of warm water beside my bed to put my hand
in before going to sleep...
once or twice the company was worth the drink -
but most of the time you only kept
such company: because you were drinking -
drinking was never an afterthought -

now... i like drinking alone -
at least i can keep fact-checking the company
and the odd vocab peacock taking to the catwalk
of a ruminating free-fall tongue waggle
and rummage - the needle in the haystack
adventure - or... the ******* bucket
of deshelled oysters...

there have been some awful friday nights -
but: seeing how i started to give my beard
a welsh name borrowed from a willem dafoe
novel - and how it simply became pointless
to wake the dead with the angry tantrums
of youth: and how i seem to have
forgotten where my 20s "went" -
somehow rooted in: da-sein and how
i "wasted" 2 years on one book by kant -
2 years on one book by heidegger -
and: how i didn't have the time to "catch-up"
on the greek classics -

oh these island dwelling people -
i try to imagine them not being a seafaring:
and their messiah / superiority complex -
with their breakfast that could hardly
be digested come the hour of noon -
or no messiah / superiority complex -
the traffic: indeed - works like clockword...
from left to right...
sidenote: what of fahrenheit and
the feet and inches - stones and pounds?
ounces?
the metric of: baseline 0 here,
baseline 00 over there...

no... Michele Campanella piano solo take
on wagner's das rheingelt: entry of the gods into
valhalla - it's hardly anemic -
it's... the last leaf of autumn falling -
because the crescendo has already happened...
a befitting closure...

the superior island folk and their...
hyphens and germanic loan words -
how almost all names in chemistry are still
in their germanic: intact form of: no hyphen:
broken leg or broken arm...

woodwinds... perhaps... the violins providing
the humming of birds:
chirp chirp: no chirping -
and of course the horn - but the horns never
as prominent as those drank from...

something has happened today -
but i am... left without having any english
sensibility / egalitarianism -
somehow i always equate egalitarianism with
the english - the islanders -
a firework went off in the background -
mr. sloth awoke mrs. slouch after 3 years
for a firecracker celebration...

because who would want to be ruled
over by unelected: chocolatiers...
esp. after their trial run in the Congo -
but i have certainly had worse friday nights...

it can't exactly get much worse than...
say... listening to the siegfried idyll...
multitasking: drinking a cider, smoking a cigarette,
balancing act of folded leg sat on
perched on a windowsill solving a no. 11,289
sudoku from the 27th jan. 2020...
otherwise prior to:
imagine my disbelief at the pleasure -

with numbers to somehow escape thinking in words:
no grand arithmetic linear gymnastics -
of the end result -
certainly no logical statements -
just a whirlwind of numbers complimenting
these few words...
and what a fine friday night it has become:

the pizza was made - god save me from the perfume
of yeast... or checking on the rising dough
from time to time -
the leftover yeast gave me the opportunity
to bake an imitation sourdough crust pretty-as-a-picture
loaf that: would make any mushroom blush
and shy away from unfolding into an umbrella pose...
or a Y... curling outward-inward into an upsilon Υ...

because how could i forget the pleasure of
sifting through numbers?
by the time i attempted puzzle no. 11,290
i had to write a "map"

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
2)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
3)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x

come to think of it... where's a subscript?
if i'm going to use 1, 2, 3...
to tier the allocation of squares...
tennis and sudoku...
tennis: a game of 7 rectangles -
and how many judges and ball boys / girls?
sudoku - a puzzle of 10 squares - perhaps...
if i'll use tiers 1, 2, 3: a1, b2, c3...
what if... sudoku invoked letters rather than
numbers?

much later... oh believe me...
this is the antithesis of knausgård
writing about using googlemaps...
        
           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

it's still a schematic - the narrative is yet
to begin... otherwise...
there's nothing smart about this...
i have tired eyes sometimes:
i succumb and have to allow myself
to no acid-bath these eyes in words...

esp. since i speak so rarely -
imagine... in england and i spear
the bare minimum of english -
i can: i have to: i will - when being prompted -
but i can't remember the last time
i had an honest: informal exchange
of letters... lapped up by the glutton
tongue... i looked and looked
and with my silence i can attest:
there's a speech-impediment -
a stutter that's not born from nervousness...
but... an allusion to a "stoic" through
my lack of conversation...

at least on paper i can exfoliate -
enough cider and enoug whiskey and i'm all
sparrow McDermott!
ugh... the devolved scots and the likewise
welsh... devolved nations...
only this aspect of Brexit is... well...
imagine the "evolved" status of post-Yugoslavia...
Kosovo...
this is the only aspect of an otherwise:
fair enough that's... well...
if you lived for 3 years among the scots...
you'd get to appreciate them...
this is the only aspect of this whole affair
i will ever appreciate...
i would pour blood and **** into
the Welsh continuing their...
preservation of the iaith...
forever and the more - i would love to see
scotland start to dig trenches and
forget trainspotting gaelic -
parading like ponces and humpty dumpteys
with "harkccents"... glasgewian bull-runnings...
cousins aye and wee -

a thing of beauty: a thing of union...
but this... they were bullied in brussels...
they came back and started to bully the scots...
if you have lived -
the betas of cardiff - but they tongue: remains!
look far back and wales would encompass
cornwall -
ignorant i of a 26 year "servitude" on these isles...
quiz me on outside of London:
no point...
perhaps i too would wish for the lost
theta in Dublin - towing: to t'ink...
as any sanskrit H-surd does matter...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

but if i will replace... the side tiers of numbers...
the numbers in the puzzle will have to become
letters - greek... probably iota, epsilon and upper-case
gamma...

the bullied have returned from the palance
of the chocalatiers and: back to their old ways
of bullying the rest of these island folk...
because: it's infantile for me imagine
a resurrection of the crown (poland)
and the grand duchy of lithuania -
the commonwealth -
but somehow the united kingdom is not
fated to become the next yugoslavia -

i can confirm - up in edinburgh i was
confirmed by having the hat of Knox having
scalped me -
never is always metaphor: vaguely -
as in literally - in these quasi-paragraphs...
so it's not... infantile to even "think" that
the british empire can be revived?
zee window-licker spezials of
cross-breed h'americana postcards sent?
i nibble to attempt a joke...

oh i can bulldozer this whole narrative...
turn into a berserker -
i've saved enough money to deal
with the label loser...
all it will take is me having drunk enough -
sightseeing the slums of london's east end
and then hitting the brothel:
like an iron-head... to the pillow
and the ***** of a *******...

because i have had worse friday nights...
terrible company...
if i were not a michel de montaigne or a knausgård:
me me me, me me, me me me me,
write enough of that and:
to meme to grafitti... or to...
why are there no diacritical markers in
the english language worthy of recognition?
why would i...
rhoi fy **** y Cymraeg enw?
give my beard a welsh name?
and why is that not a cedilla C but a ******* K?
why not... Çumraeg?

on foreign shores i have made it adamant that...
this sense of foreigness does not
peppermint my presence with hopes to:
add to - an integration -
just borrow what the local have made: left-overs...
and work with that...

(insert snigger) - the neu-vikings of
northumberland...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

this really does have a linear narrative...
here goes...
3(c1), 9(c3), 1(c1), 2(c3), 2(c1), 2(a1), 9(a3), 8(c3),
4(c3), 8(c2), 8(a2), 5(b2), 7(c2), 3(b2), 3(b3), 8(b3),
7(c1), 5(c1), 7(b3), 5(c3), 1(c3), 6(c3), 1(c2), 3(c2),
9(c2), 9(b2), 6(b1), 6(b2), 6(b3), 2(b3), 2(b2), 1(b2),
1(b1), 9(b1), 9(a1), 8(b1), 8(a1), 5(b1), 7(b1), 7(a1)...

and then a "gamble" in the narrative...
the (7a2 and the 5a2 - interchange)....
it's a pleasure - not a chore -
5  9  4
2  8  7
3  6  1
8  1  9
6  4  3
7  5  2 - this line... what if it was 5  7  2?
1  2  5
4  7  6
9  3  8
if i want to solve this puzzle - i will solve it
and not read a tabloid article /
whatever the hell has become of youtube...
my diamond jukebox...

otherwise the "narrative" continued from
7a2 and the 5a2 interchange:
7(3a), 4(a3), 4(a2), 6(a1), 4(a1), 5(a1), 5(a3),
1(a3), 1(a1), 3(a1), 3(a2), 6(a2)... end result?

           a             b             c
      5   9   4   6   8   1   2   3   7  
1)   2   8   7   3   5   9   6   1   4
      3   6   1   2   7   4   5   8   9
      8   1   9   5   4   3   7   6   2
2)   6   4   3   7   1   2   9   5   8
      7   5   2   9   6   8   3   4   1
      1   2   5   8   3   7   4   9   6
3)   4   7   6   1   9   5   8   2   3
      9   3   8   4   2   6   1   7   5

because i can imagine this not being:
the most difficult Finnish sudoku...
i can almost imagine this puzzle
to be in greek...
where: 1ι, 2ζ, 3ε, 4χ, 5Σ, 6δ, 7Γ, 8β, 9ρ...

in the background all i hear is:
corvus corax' la i mbealtaine...
the greek version of the japanese puzzle...

           a             b             c
      Σ   9   χ   6   8   ι   ζ   ε   7  
1)   ζ   8   7   ε   Σ   9   6   ι   χ
      ε   6   ι   ζ   7   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   7   6   ζ
2)   6   χ   ε   7   ι   ζ   9   Σ   8
      7   Σ   ζ   9   6   8   ε   χ   ι
      ι   ζ   Σ   8   ε   7   χ   9   6
3)   χ   7   6   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   6   ι   7   Σ

half-way... i just wanted to "selfie" what
will become of this... i no longer write: i paint...

            a             b             c
      Σ   9   χ   δ   8   ι   ζ   ε   Γ  
1)   ζ   8   Γ   ε   Σ   9   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   9   Σ   8
      Γ   Σ   ζ   9   δ   8   ε   χ   ι
      ι   ζ   Σ   8   ε   Γ   χ   9   δ
3)   χ   Γ   δ   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   δ   ι   Γ   Σ

going... going... gone...

            a             b             c
      Σ   ρ   χ   δ   β   ι   ζ   ε   Γ  
1)   ζ   β   Γ   ε   Σ   ρ   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   β   ρ
      β   ι   ρ   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   ρ   Σ   β
      Γ   Σ   ζ   ρ   δ   β   ε   χ   ι
      ι   ζ   Σ   β   ε   Γ   χ   ρ   δ
3)   χ   Γ   δ   ι   ρ   Σ   β   ζ   ε
      ρ   ε   β   χ   ζ   δ   ι   Γ   Σ

i don't mind a people being right...
but the overt-gloating...
without having to work around the sort
of paranoia associated with:
how the russians are not allowed to glutton
themselves on gloating -
because they are always made
to feel suspcious - the russians can't gloat
like most of the anglo- speaking world...
always suspect: russophobia evil genuises...
tip-toeing goliaths - less the blundering
fudge-packers of "global ****"...
and i kissed a boy and i liked it...
my genitals started shrinking
and my *** started to exfoliate with:
welcome all! welcome all hard and on!
and that tongue in my mouth always helps...
but imagine my surprise when
i started to navigate my hands
but the reply came:
timbuktu and mt. kilimanjaro will not be found
attached to this sort of torso...
wrong dog, wrong tree...

some things really do require numbers...
i once had a mathematics teacher in high school
bemoan the origin of modern numbers
and how we once: upon a time used these letters...
but did our arithmetic with visual aids
akin to the abacus... because...
you'd have to "read braille" when counting...
to differentiate the already: lettered numbers
and the letters being letters -
and all arithmetic functions
were "spoken of" but never depicted...
i.e. there was no VII + III = X...
there was no XV - XI = IV...
eh?! arithmetic was cat-intuitive...
not spoken of - done by either the visual
aid of fingers when haggling
in a market place -
or by the abacus aid in a bureucratic office!

i said this was the most perfect friday night...
what did i have to offer?
no clickbait title - some gems of wording
in between?
the patient reader - as ever - most rewarded -

but... oh my god... the sensation of
changing the bed sheets...
it's friday night and you're... changing your bed sheets...
and they are more crisp and clean
than any political event that the journalist leeches
are milking -
and you do it with a saving private ryan precision -
you will sleep in this bed: well into
11am of a today to come...
believe me: that you will...

- in that i am still walking among the germanic people -
if the germans will sing a: bretonisher marsch...
then the two peoples are alligned by
their sentiment for the crow as their godhead:
alles menschen totem...
what could possibly make me feel welcome?
french grammar is polish grammar...
matin de printemps - poranek wiosny -
spring morning in reverse in germanic...
how many more examples would i ever wish
to give?

there was a moment in my life where...
i realised my faults... i should have read
the Pickwick Papers... anything by C. Dickens to be sure...
instead came Stendhal, Voltaire, Balzac...
because if you said to me...
BBC radio 4... the archers...
and... thomas hardy: madding crowd?
you'd accuse me of being ignorant of:
London is a bustling cosmopolitan in-waiting
from the busy-body industrial proto-Beijing
it was of 100 years ago?    
the French had cosmopolitan intellectualism
100 years prior to the english...
100 years later and it's still not much...
is anyone about to cite me william hazlitt?!

the trouble with the english is that they hold dear
to that one old 19th century idea -
this waiting for: awaiting a revival of darwinism...
the "blatantly" obvious needs a resurgence!
because a michael faraday must most surely
be forgotten!
how many times will this already painful reality
need to be emphasised once more:
intellectually - via a darwinism?
no one stresses the copernican "upside-down"...
or what is copernican "west" up in space?
how does acknowledging the sphere
of the earth - ease you reading a flat map -
moving from point A to point B?

earlier this week - for once in my life i was
ashamed of what i wrote -
so i wrote for scribli per se: scribbles for
scribbles themselves -
the darwinian germanic folk who say:
alles von afrika...
how the hebrews debased themselves
in both aushwitz and breaking their bones
on the emoji hieroglyphs -
alles von afrika: ja... so sicher... so wahr!

ask any slavic person among the germanic
peoples...
where from? wir (ar) sind lesen und schreiben
"afrika": i.e. Indu...
if the african challenged the hebrews
with... "the best they had": egyptian emojis...
why would i not stress my birth
with pseudo cedilla Ş / इ... ☦ -
this indo-european is not... at home with
these african-germanoids...
pseudos and quasi -
these chocolate frenzied busy-buddies!

from the caucasian and further still from
that whittle sub-corinthian quote: continent...
somehow, "somehow" this part of this story
is read: south to north... always a grand
marker missing when the people went
east, squinted... learned skeleton existence,
atoms... and the frenzy of letters:
owls and ******* **** flinging beetles
back in the north eastern tip of
africa: in that egyptian haemorrhage of "idea"...

i assure myself... perhaps the form came from
africa... but sure as **** the tongue only arrived
in the lap of the Dalai Lama...
as did the "thinking" and the music
across prior to the Mongol's curiosity
over the tundra of Siberia...
something had to be placed on a loan...
and coming back to the cradle and the crux
had to happen like so...
not this current: ergo: so...
quickened and: what news from Damascus?!

first impressions count...
i made my bed... it's newly washed...
as crisp as falling onto a bed a prawn crackers...
without the crumbs' itch...
like listening to some german:
juggernaut... this will do... i can fall asleep
with this: grab hören zu der winderhall...
mehr flöte - weniger violinekratzen!
schlechtdeutsche? alle deutsche ist gut deutsche...
erwarten etwas isländisch zu sein
gesprochen insel von insel: auf diese inseln?!

to make a crisp bed of freshly washed sheets...
to sleep in them alone...
given the grammar is not that far removed...
are the french even remotely translated
as a germanic "sort of" people?
"they" or "we" share the same grammar...
and there are celtic freedoms that would
never be allowed to exfoliate under
strict anglo-ßaß obligations...

oh sure! great people! steam engine: choo-choo!
newton et al...
shakespeare: when they taught us shakespeare
they should have taught us bernard shaw...
when they forced jane eyre down our throats
we should have been reading
the pickwick papers...
the music will remain german -
because as much as vaughan williams...
holst and händel were "were" english...
esp. latter with his umlaut that spread over
toward i-and-j...

why wouldn't you **** at the pillar of the empire:
a past most assured - dust, books and moths...
like hell will i come to correct my ways
to state the: pish-poor Elgar... this poo'em too...
himmel... sky...
leerenhimmel - empty sky -
nein sonne während der tag:
das englischnebel: bedeckthimmel...
nein mond während der nacht...
nur so...

i of the lesser men of this world duly bow
my presence before the altar of the higher men
of these isles...
and hope and pray that their wisdom
will not bestow upon them any major calamity...
with not irony or ridicule i wish upon
these peoples... the right sort of oars
to turn this rooted island
into the people's imagined langboot...

there are only one british people a people
who will pursue to gloat having been
conquered by the romans...
being raided by the vikings...
integrating the anglo-ßaß...
a second viking coming via the Normans...
the push-over remains of the celts...
that somehow translated itself into
the: empire...
ideal: to compensate...
the islamic fervor for the... resurrected
caliphate...
jokes about the dritte ***** and the vierte *****...
that's pretty much the precursor jokes
surrounding: ein zweite ***** -
auf welche die sonne nimmer setzt -
ever wonder how that translates with the increased
cases of insomnia?!

again: bad german is better than
no german.

Dear Poet Friends, over the last few years I have seen some of our poets make passing remarks about Van Gog, thereby displaying their interest about this talented painter, who had died unrecognised!  Vincent gained full recognition posthumously, for which his brother Theo’s wife was greatly responsible. Hope you like this short and concise true story in verse. Best wishes, - Raj

   A TRIBUTE TO VINCENT VAN GOG’S
                      SUNFLOWERS
                        B­y Raj Nandy
  
”One may have a blazing hearth in one’s soul
  and yet no one ever come to sit by it. Passerby
  see only a wisp of smoke from the chimney and
  continue on the way.” – Vincent Van Gogh(1853-1890)

A BRIEF BIOGRAPHY :
Though during his brief life-span of 37 years he had
remained almost wholly unknown;
His artistic talents began to exhibit itself during his
early years, -
To become a colossus amongst post-impressionist
painters in his later years!
The son of a Dutch clergyman, he had worked in
various capacities, -
In his uncle’s art gallery, in a bookstore, and pursued
theological studies in Amsterdam University.
Also followed by a short stint in Belgium’s coal-mining
district as a lay missionary!
At the age of 27 years took to painting with financial
help from elder brother Theo,
Who encouraged and helped him for the next ten years
or so.
This was the most creative period of Vincent’s life,
Followed by an attack of dementia when he cut his
own ear lobe risking his life!
On 27th July 1890, he shot himself, bringing his
great artistic career to a tragic end!

SERIES OF ELEVEN SUNFLOWER PAINTINGS:
Vincent commenced his famous sunflower series
to decorate his house in Arles, France,
While anticipating his friend Paul Gaugin’s visit in
advance.
His first four canvases had paintings of cut sun -
flowers in bunches of twos and fours;
Painted in Paris during Aug-Sep 1887, which the
world still adores.
But his later Arles series of seven still life canvases
are better known to us;
And this series of paintings had made Vincent
internationally famous!
The most valued of these seven is a vase containing
a bunch of 15 sunflowers, -
Now displayed at the Art Museum in the city of Tokyo;
A Japanese firm had paid 40 million dollars at an
auction for this masterpiece to show!

                    A SHORT CONCLUSION
Vincent brought his passion for sunflowers from his
homeland in Holland.
Which became synonymous with him like those ‘water
lilies’ with his contemporary painter Claude Monet.
Vincent painted the various stages of the flowers in bloom;
From its budding stage till it wilted and swooned!
Chrome yellow and yellow ochre made them look fresh;
And arid brown and somber shades showed its wilted stage!
Thus his paintings covered all angles of spectrum of life
itself;
In turn reaching a deeper understanding of how all living
things are tied together and made !
His explosive energy was displayed through his vibrant
shades of yellow.
Using red for passion, and green for conflict to show.
Grey shades were used for life’s inevitable surrender,
with blue symbolising infinity;
Thus this Dutch Impressionist painter harnessed a
moment of time in eternity!

Foot Notes:-
Dr Jan Hulsker, a foremost scholar on Van Gogh, had said that this Sunflower series of paintings brought Vincent eternal acclaim & fame! During his short life span he made 700 paintings, 1600 drawings, 9 lithographs & one etching. His ‘Potatoe Eaters’, ‘Red Vineyard’, ‘Starry Night’, - are all famous paintings. Paul Gaugin, & Claude Monet, were his other ‘Impressionist’ contemporaries. Impressionism  emphasised changing qualities of light & colour, visible brush strokes, open composition,  creating an impression of a moment of time! Derives its name from Claude Monet’s harbour painting titled “Impressions & Sunrise”. This art form became popular in 1880s and 1890s.
*ALL COPY RIGHTS RESERVED BY RAJ NANDY

'Tell me I'm not in a dream. Or one of my trances.' She uttered the two sentences between gasps and seem-to-be quickening pulses. In midair, the tension between them kept growing intensely, trying desperately to meet its peak every second, before finally disappearing into the sightless distance above it. 'You're not,' the man said, his voice distant even when his face was only a few inches from hers, and cupped his free hands around her chin to calm her pale face. Her cheeks were warm in his palms, as if being burnt by hundreds of heaps of dying, yet ravenous flames. She closed her eyes, recording the touch of his perfect skin that seemed able to charm her endlessly since the first time she had fixed her gaze on his shimmering features. The angelic voice which accompanied it woke her a few seconds later. 'And even if you are,' he traced his soothing fingers along the reddening skin of her cheeks, 'I'll bring you back to life. Which is here.' He emphasised the last two words with a smile, a heartbreaking, infuriating smile - because of its astounding beauty, before tenderly touching his cherrylike lips to hers, making her start to tremble uncontrollably in deep confusion. She was, again, in the middle of these steep rocks without any aid to support her unstable weight, meanwhile the air over their heads began to twirl in circles, the weather around them getting pink and turning red in five seconds' time. She was lost. In someone else's magical world, with a rendition of one of The Beatles' hit singles from the 1900s or 1950s - she could not exactly recall which period of years it came from - playing smoothly in the CD player in the languid atmosphere of the living room behind them.
After a moment of enjoyment the kiss brought them he pulled back, before slamming his left hand into the tiny depth of his shirt pocket and taking a silver locket out of it. He threw a confident smile at her, and in one blink of his eye, the room fell dark. Petrified yet washed out by the sudden darkness among them, the girl let out a heart-rending shriek, which was followed by her heaving her body onto him, making his head hit the floorboards and the long necklace break in half. In seconds, blood-red light began to shuffle out of the center of the torn necklace, mingling with the air outside its shell and sending the woman into gradually-coming unconsciousness. She could now only see shadows, muttering and brimming all over the weather around her, and had not the strength to stand up apart from lying helplessly on the feathered carpet beneath. Before her, she saw how he started to rise and reveal his claws, and fangs, and bright red eyes above her. He laughed mercilessly. Instantly, she covered her sweating face with her hands - which now felt too shaky and she hated it, she loathed it very much - and brought out a despondent, lamented sound of cry. Her evil lover, at the same time, continued to soak up as much energy as possible from the change of circumstance.
'Again, I successfully, harmlessly tricked you,' he whispered this to her right ear. Around them, the horrendous wind potter faster and faster meanwhile their invincibly powered circles got bigger. 'You should thank me for that.'
'Th... Thank you for what?' She abruptly gathered her courage to confront him. If this meant that the end of my life was approaching, I would be ready, she thought silently.
'For letting me bound my ways into your life again, Em,' his angelic voice replied, and before she realised what was coming next, she wailed with all of her might when she laid her eyes on his real monstrous, vampiric face before her.
'I am indeed sorry to say that you - a clever and sanguine girl like you - was granted the chance to relish your life only momentarily,' he cleared his throat. 'You have always known that you could not outrun us at the end..., and so have your family.'
'No,' she mumbled, and drifted her gaze to his face - his now burning face. 'NO!'
'No,' he mockingly repeated her words, 'or YES, my dear?'
'Don't call me using that 'D' word, beast,' she put her best effort to yell at the top of her lungs, ''cos I am not your dear, and prefer death to becoming one of you!'
With those last few words, she scrambled to her feet, and stood up in just two swift movements. In her both hands, which he did not know were protected by the two stashes of garlic and one wooden cross in her dress pockets, were two shiny swords with special blades carved onto their two edges which were designated to **** vampires. Get rid of them. And their malicious world of beasts.
She stepped forward, and new powers began to regenerate inside her - despite the cries she felt start to roll into her heart, upon knowing that her beloved Joe had died. Joe had been deceased now. He was lifeless, and no longer able to help her here. She should never have ditched him. It dawned on her now, when everything was already too late to fix up. But she knew that she should never give up. Javier and his vampire family might have tasted every single drop of her other family members - and the rest of Ludirus town's residents - including her Joe, before she idiotically kicked him out for this pathetic, heartless beast who wore a disguise to displace him. She stretch the first sword - the one in her right hand - out to him. He took a step back, his eyes remained focused on her.
'You won't hurt me,' he pretended to be in pain, and in one and a half seconds, he transformed into the figure of the innocuous, blue-eyed prince once more.
'I won't be deceived by your looks, pig,' spat her, meanwhile her brain rummaged through a thousand ways to stick the two swords into his chest. That was, in fact, the only way to **** him. To drain his evil life out of him.
'You were, once,' he laughed, the sound of his devious laughter echoed in the very room, and later left it in such dread and wariness.
'Not anymore,' she bravely took a step forward and, without any further doubt, without caring about her being imprisoned for the rest of her life before getting her blood dried by the fangs of Javier's two older brothers, she stabbed the swords into his chest with all the energy she had left. And the effects sprayed out by the action were beyond any of her expectations. Thousands of blood droplets poured out of his body and onto the floor beneath her, flooding the entire living room and finally the streets outside the building until no litter, little scraps of food, and wheels of vehicles were seen anywhere in sight. Surprisingly, these endless streams of blood did not cause any floods, and rapidly soaked through every single layer of soil the earth had on its surface. The blood that had been consumed out of the poor people of Ludirus, the rural village in South Ireland, famous for its cruel killing rampage for several thousand years, where a group of aristocratic vampire ruled the lives of humans and their own species. But now, there would be no more of them. No more of their horrible treatments. No more of their sneaking-up-on-humans tricks they secretly did at night - to savour human blood, which was lawfully removed from the protecting-human law renewed every year. It was all a lie. Yeah, a lie. A lie that allowed Javier's family to approach Lucinda's family members to be victims in their lifelong killing spree. But now, there would be no more vampires, thought Lucinda as she kissed her holy cross and sets of garlic affectionately. There would be no more blood sacrificed to fend for those beasts' hunger, even though it meant for her to live alone. Live on her own, as she no longer had anyone around her to turn to. To soak up her tears when she was scared away by the bunch of vampire kids on the way home from school. To calm her with her melodious chords at the piano. Mother. To serve her the best spaghetti in the world as a reward for her outstanding grades at school. Sister Sheila. To rub her back and put her to bed at night - at the age of sixteen! Father. Luce's tears just would not stop while she kept counting her memories, as every single shadows of her deceased beloved came back to her. And finally, the sight of her Joe lying his tired head on her lap, and reading out loud to her his newest poem he composed at the office for her. All were gone. Dissolved into the ravenous sea of blood in the guts of those psychotic, simpering, abusive monsters.
But she was satisfied. She felt, somehow, proud of her heroic, or at least, brave actions. She had taken control of her fear, and that was one of the most important characteristics a woman should have to succeed in this cruel world, her father had once said. Now she could prove to them all that she was a newly reborn person, and was no longer the old Lucinda. Lucinda Hale who had always been the 'tail' of her sister while they were six and four, and the little, spoilt daughter of Jim and Aileen Hale who could not hold a plate properly in every banquet their family was invited to. Luce knew that she was now completely a stranger to her family. She squinted her eyes shut, trying to imagine how nice it would be to show off her new self to her late family if only they were all alive with healthy pink cheeks now. In her own peace and this momentary solitude, she found herself sinking onto the floating warmth of blood, but strangely, she did not fall. She did not plunge into the limitless red colour underneath, and remained flowing above it while her tears started to crawl out of her eyes. She did not know, and did not want to know how long this remained until she eventually felt the rough surface of the bearskin carpet again. She woke up with a dizzy head and quickly threw a hasty look around her living room. The prince, beastly Javier had vanished. Oh, there are his remnants, she thought and unconsciously, chuckled quietly to herself when she came to take hold of several white, lifeless bones laid in front of her. Then suddenly she understood what had just happened. The legend in that book she had borrowed from the library transported the knowledge back into her mind. All the members of Javier's family had been crushed now. They were dead. Her sacred tears, which came to mix with the blood flood, became the cure for all the people who had been ****** by the vicious vampires in town. They were now freed, and reawarded, although still mortal, but yet a very rare, elusive, privileged chance to be alive once again and start their lives all over again. They must not be far from her now, thought her. Without any further wait, she raced out of the room, and wormed her way onto the street.
And here they were. The streets of Ludirus were no longer deserted. Traditional markets with a thousand-metre long series of antiques roamed them, occupying every single tiny space provided to place racks containing jewels, valuables, and gold pots. There were also shelves of books about cookery, traditional healing potions, sports, literature, and anything else someone ever wanted to buy. And then she spotted a book with a bright yellow cover, entitled 'Love Poems: From 1900 to the Present, by Joe Grogan.' Her breath seemed to stop at that time and suddenly, before she even got the opportunity to touch the cover of the copy in front of her, two warm arms wrapped her waists and turned her body around to face the owner. Once again, she was at a terrible loss for words. 'Joe,' she mumbled.
'I am,' the writer nodded solemnly. And just like the evil Prince Javier had done before, he pulled out a beautiful silver box and opened it. Inside, two rings shined beautifully before their eyes, radiating a smile as bright as the one seen on others' faces among them. A smile that celebrated the comeback of their long-lost independence. Before she knew it, Joe knelt before her, and presented the ring upwards onto her.
'What would you like to do first, Madam? Marry me, or buy my book?' He grinned and held both her hands. Before she could answer him, he inserted her left ring finger into the perfectly made ring, and helped her right hand fasten his own ring onto his finger. She lifted him up and wrapped her hands around his neck.
'Do you have time for both, Sir?' She rubbed his smooth cheeks and kiss them before looking deeply into his hazel eyes.
'Absolutely,' he answered firmly, and scooped her whole weight into his arms and spinned her around. Luce could no longer say anything when a sudden wave of happiness washed all over her, and became even at a more unfathomable loss of words when she caught the sight of her beloved father, mother, and her sister, all alive, start approaching to deliver their congratulations. Here we are, she thought with a satisfied feeling. We were, are, and will always be meant to be together.

Seventeen I Was ! Much  Stupid To Be Called Sane ! Yes like every other girl I too had a dream world where I was “Marzi Ki Mallika” the very thought of being matured haunted me & being a teenager you just can’t avoid the driving crazy adrenaline rush that you get when you fantasise stuff of being in love. My fantasies resulted in prettily adorable pieces of poems and bits of stories where A Boy fell in love with A Girl. I had dated my dreams since forever & it was amazing & what justifies this statement of mine is that they never disappoint ! talking to people knowing stories making new friends and sharing memories with old one’s that was indeed perfect to me ! I always tried to describe that perfectly adorable moment of falling in love in the best possible way I could fantasise ! Not too soon I realized that moment cannot be emphasised !

THAT MOMENT IS A CAPTURED MEMORY

Turned 23 Yay ! Loads Of Birthday Presents ! Wishes ! Hearty Felicitations ! etc etc 6 years passed since then & I remained the same still much stupid to be called sane ! Maa smiles while she still wakes me up in the morning saying Kobe Boro Hobi (when will you grow up). I giggle and hug her knowing not when !! I see the beautiful stock of my soft toys which helped me remain childish when suddenly my mirror reported about how messy my hair was ! OH GAWED maaa… my instant reaction was !

I was told love happens when matured ! I herd the same but fortunately dared not to believe ! Th0 I knowingly knew that dating a girl like me a guy will have to fall in love with my messed up stuff he needs to constantly date my love for 3a.m coffee & my craziness for maggi accompanied with coke ! My idiotic obsessions with vampire & songs of Nusrat & Kishore & perhaps tolerate the constant humming of those part of songs which I loved ! Questioned my self quiet frequently about will my love accompany me while I trek through the mighty mountains will he accompany me in my best moments of life will he even accept me the way I am !?? such questions did nothing but made me fall asleep which ended up in GOOD MORNINGS with Bournvita !

Usual mornings and unusual days thereafter ! mobile rings I ran to pick up the call it was none other than my beloved going to be husband AASHIQ

Good morning ! come lets plan out something crazy  ! Adrenaline rush  What About A Trek At Ladakh ! Readily agreeing to the proposal I said yes ! We drove together as I discovered his playlist matched mine ! with each passing moment I got the answers to much awaited stupid questions ! while I was unanswerable to his lone question why I had smiled while he drove ! We got down  amidst green surroundings   he picked up a piece of sugarcane and nervously began to chew on it as he was humming one of my favourite songs, He looked at me like I was the only **** thing that’ll ever matter to him looking constantly into my eyes he blurred out ILOVEYOU&WANTTOMARRYYOU;

I always valued crazy memories but this was the craziest one perhaps ! I started laughing unwantedly pointing at his face ! His front tooth had broken! He had been trying to be a stud only to impress me he tried to peel the sugarcane with his teeth & somehow ended up loosing the bottom part of his front incisor !

I Blushed later ! My face betrayed two expressions – Amusement & Shyness !

I Fell In Love Unknowingly Without A Parachute ! much madness was added when I couldn’t resist saying ILOVEYOU

His eyes met mine with a sparkle of mischief  AKHO AKHO ME PYAR HOGAYA

Committed !  Not Confused !

Start Of A New Journey Hands In Hands We Start Our Trek ! !

too often you **** me with your
monosyllabic question: your lips
form it, so gradually, and hence,
inquisitively, that i,  i would not
miss that diphthong you emphasised,
that question of why - yet too often
i find myself unable to proceed
beyond because...

WE never camouflage with the masses nor follow trends and direction out of gullibility. The path WE're  on may signify bleakness in the days to come and may look filthy to some.

Wait, the plural emphasised  just struck my concern and weakness..are WE unified? or perhaps unity to US is all contrary and single word equivocation.  Wait.. who are WE?..that question repetitively asked by my subconscious sarcastically.."I" answer "WE are who WE are. The misfits"

talk of empire can be a tedium to say the least,
the Maharajahs of India never felt more
at home with european literature and
culture overall, but class system doubly
emphasised - or as the television series proved -
hardly an affair for the pithy concerns of
pitiable folk - first season i never bothered to
sense a tightening -
you see, looking at colonialism is not looking
at racism - racism has a dynamic to it,
colonialism has a hierarchy - the two differ,
second season in i sense colonialism as the
intelligent form of racism, presuppositions too many,
racism for the poor and the idiotic and
colonialism for the rich and cultured and
Gentlemanly - pork buttocks for the fork to my care,
i said once i'm not into these post-colonial
dynamics in England - the only winners are
Australians, former convicts who care much about
preservation of the populace of crocodiles -
this 2nd season is really piling it in to differentiate
between barbaric discrimination and civilised
discrimination - i guess a prior history of instilled
hierarchy made the Maharajahs akin to the Brits
(the caste system, untouchables in Bengali),
the "great rulers" didn't mind, they were actually
trying to be kept in the commonwealth -
such aristocracy easily scared and even more easily
scarred - the aristocrats of communism came from
the intelligentsia - bookworms and hardly the
pompous old farts ready to hunt tigers replacing
goats with little children tied to wooden poles -
that's what capitalism fears, a coerced class of
intelligent people, coerced into a class, they fear this,
it's hard to control such people, collective ignorance
is too easily dissected and denied, via doubt -
hardly a reason to be a recipient of existence (out of
every instance per se, hence the sigma unfathomable) -
and to only be rewarded with entertainment?
these far-left intellectuals breed on thought to be
the sole existential reward, and subsequently entertainment;
i too find thinking a pleasure, when you assume that
there's no reward for it, or a reliability to it
being a kindred of an ***** phallus -
never mind - you see, this talk of empires has given
me an ideal conclusive remark:
landlocked empires, or, should i say,
empires that thrive on spreading via land alone,
ref. e.g. to the Mongol or the Alexandrian empire...
they're short lived, they increase landmass exponentially
and very successfully - their motto:
strike the iron while it's hot -
they depend on constant success - they require
a bacterial like membrane of being seemingly
invincible - these land locked empires come and go
very quickly -
unlike the second type of empire building,
those which also require more than horse hoofs
at a gallop, the ones that treat the power of the seas
as its arteries, and land as their veins -
the British empire, the Roman empire -
once an empire is dependent on sea and subsequently
trade, it will be convincingly successful and will
outlast all those brutal empires that spread via land alone -
russia is indeed an anomaly - but then again hardly
an anomaly given the harsh terrain it encompasses -
no one wants to live there, who in their right state
of mind would, anyway?
the russian pride has a weakness - siberia -
oh **** looks great, a 12" protruding **** of geography,
but it's Siberia, -40°C... the way i see it, Russia
is the size of from its borders with Ukraine
Belarus and the Baltic states and the Ural mountains...
the rest is Mongolia - the peoples are steppe Eskimos.
so to summarise - ambitions of empire building that
do not utilise the power of the sea are indeed
the largest but also of the shortest lifespan -
like that old fable of an old farmer dividing his land
among his sons - sooner or later it ends up
a complex intricacy akin to the Holy Roman Empire -
or as the Romans said: dub the germans holy
and you're going straight to hell! little princes that became
major beggars and leeches - the louse jealousy took over...
breadcrumb like land ownership:
20 kilograms of potatoes a year for each son,
enough to feed a pig for a month...
and yes, doubly conclusive, i don't know why
Christianity is blamed for the desecration of greek
culture, the so called "robbing of the greek culture" -
i can't imagine any singled out people
to be infused with ****** and keep it up -
Nietzsche blamed Socrates, the modern intellectuals
blamed Jesus of Nazareth... you know who i blame?
Alexander the great, a Macedonian after all,
and Aristotle (partially) -
that's the greeks though - the Mongols had nothing
prior and nothing after of note on the blank page
or care for a library, and perhaps that's all the better,
you hardly hear news from Mongolia in our
present age... they had the wind to write their history
in that great Genghis Khan Stampede;
i did tell you that the communist experiment took
place in Mongolia, didn't i? before it was accepted
as counter-Tsar pyramidal and later in the satellite states
it was first tested in Mongolia...
if you don't believe me, believe the guy who
sat in the UCL history library and was writing up
essay notes roughly 9 years ago.

Two miles is what it took
to hear that still small voice.
Two more miles is what it took
to realise that she needed to listen rather than run.
In that four miles were over 8000 steps,
little and big,
hard and soft,
energising yet exhausting,

The day had been long,
her soul craved the lake air.
She retreated to a quiet place
hoping that she could get her mind to still.
She doubted that He would speak wisdom,
as she has been a stubborn girl.
But she tried so very hard,
to listen, that is,  
and when she stopped running to catch both her breath and mind,
she was smacked with the love that only a father can give.
A taste of the freedom that she once had,
yet craved even more deeply than before.

He showed her great things,
her Father did,
allowing her to reflect on the moments when he had been faithful.
He emphasised the journey,
rather than the destination.
After He was finished,
she stood still and wept.
Agape love,
it is hard to receive.
With her music silenced and her running feet stilled
she walked back to the starting line,
retracing her steps.
Only this time it was different.
This time she allowed her Father to hold her hand,
as she was reminded that she was not alone.
Is never alone.

A decade on from creating the hit Galaxy dress that became a defining look of the noughties, Roland Mouret has celebrated the 20th anniversary of his label by bringing his catwalk show home from Paris to London for fashion week.

And that dress was back, too – in spirit, at least. “When I think about the Galaxy dress now, I see that it was all about the women who wanted to wear it,” Mouret said backstage after the show at the National Theatre on Sunday, referring to the curvy, back-zipped dresses that made him a star.

“It wasn’t the dress that said anything, it was the women who wore that dress who had something to say. It was a dress for a woman who knows her body. A woman who is in a relationship with a man but who also goes out into the world and has a life outside of that relationship, too. That inner woman is the icon, not the dress.”

The anniversary show – his first in London after 10 years of showing his collections in Paris – was a celebratory affair, with the foyer of the National Theatre turned into a catwalk. It provided a suitably theatrical atmosphere for the wearing of high-voltage dresses on a grey Sunday morning, and an appropriate setting for a designer who rivals Stella McCartney as one of Britain’s foremost names in red-carpet fashion. At last week’s Bafta awards, the author JK Rowling and the Star Wars actor Daisy Ridley both wore Roland Mouret.

The Galaxy elements on this catwalk were updated for 2017. The cleavage that was an essential part of the dress when it was worn a decade ago by everyone from Cameron Diaz to Carol Vorderman is now out of fashion, so the distinctive origami folds of the neckline were raised several inches higher and instead of framing a balcony-hoisted decollete, they accentuated bare shoulders.

The full-length back zip was present and correct, made even more steamy by being emphasised with a small keyhole of cut-out fabric in the small of the back. The fabric has also moved with the times, from stretch crepe to wool knit and velvet, which give the shape of the body a less stark frame.

Mouret was born in Lourdes, south-west France, where his father was a butcher, but now lives between London and Suffolk. His UK-based company employs 75 people, and has been a champion of British manufacturing.

Sunday’s show, which was attended by about 100 of Mouret’s best customers, as well as editors and retailers, was set to a ***** soundtrack that began with Burt Bacharach’s The Look of Love and ended with Leonard Cohen’s I’m Your Man. It was followed by a champagne trunk show at which orders were being taken for delivery in a few months’ time.

The only archive design Mouret resurrected faithfully was a dress from his pre-Galaxy days, of which no pattern existed because “in those days, I just draped and sewed the dresses on to the girls”.Read more at:http://www.marieaustralia.com/evening-dresses | www.marieaustralia.com/formal-dresses-2017

What does nineteen sixty nine mean to you?
The last dying tremor of the swinging sixties,
Woodstock and exotic moon landings,
Empty-headed teenagers and wasted hippies
Dancing in the fading glimmer of youth,
Their painted beads perished in the sun?

Or maybe you weren't even born then
And all you know is a tatty documentary film
About a media-created pop music fest,
And some footage of silver-shining Michelin men
Jumping about in lunar zero gravity,
(Which malicious rumour has it was faked -
Anything to distract the American public from
The inevitable national humiliation in Vietnam).

So let me remind you how it really, really was:
Swinging London was rocking like crazy,
Wow, it was so cool, the groovy discos served
Delicious lukewarm coca-cola after eleven p.m.,
And trendy Britain was a cute place to be gay
With homosexuality finally legalised
After a century of puritanical persecution,
Except that the law reform didn't apply in
Scotland or Northern Ireland or to the armed forces
And you had to be twenty-one and you could only do it
In private and if no third person was there.
And theatrical censorship was still in force
Which meant all naughty plays were blue-pencilled
By bureaucrats and narrow-minded prigs.

So let me remind you how it really, really was:
Religious riots in Belfast, Franco still in power in Spain,
And you could go there for a cheapo sunshine holiday
With watered down sangria in the shade of a bayonet;
The Berlin Wall an unchallenged affront to human decency,
Thanks to old man Kosygin in absolute power in the Kremlin,
His iron rule in force throughout Eastern Europe,
Poor Prague's defeat emphasised by occupying Soviet tanks.
And lovely Greece, birthplace of democracy, home to Zorba's dance
(Except that it was a criminal offence under the Colonels
To play any of Theodorakis' music because the most famous Greek
Was condemned as a ******* communist revolutionary *******).

So, let me remind you how it really, really was:
Nixon in the White House, half a million American troops
Fighting a losing battle for democracy in Vietnam
(More accurately against democracy, but the jury is still out on that),
And nearly as many US citizens on the march against the war.
Whilst the rest of the world looked on in indifference,
Since they had had enough common sense to stay out of it.
And when we think back to such a terrible, terrible year,
All the media seems to tell us is the insipid lie
That nineteen sixty-nine was a lovely summer of love.
It wasn't like that, it was boring and provincial and I was there.

i studied chemistry, i'm not going to write you poetry like someone who graduated university with a degree in creative writing or English literature, i told you, time and again... philosophers have a strain on them to become scientists, but scientists have a strain on them to become humanists... philosophy is the only medium that chemists, biologists or physicists can become remotely humanistic in expression... and even if they do! humanists don't like it! it's just the same repeat of: et tu, Brute?! no one wins... not if you want to escape this Tartarus and gain some respect for the universality of man in hell taking tea with Mussolini and pass from their realm... not otherwise you won't; and i'm way past Dada.

writing Brexit Smokescreen / Cromwell and the Parliamentarians
i just had a few equations in mind -
at bit like mathematics - only slyly different,
slyly i mean - not really sly -
self-evident from lack of encouraging it:
predating the instigators of existentialism we have Descartes,
and that predates Kant's influence,
in simple geometric rubric, invoking = meaning therefore,
but not necessarily continuing from - to sequence,
more as pinpointing a a chiral symbiosis overcome -
ending with Sartre - the concept of bad faith and
the prime negation, meaning the lost utility of thinking,
a lax, preserved organically with a demented expression -
so:

i think = i doubt                  thinking does not precipitate
                                                  into existence

since many who exist do not necessarily question / think
out their existence - they do not equate the mere act
of thought as the prior expression of existing -
and that's egotistical - many say necessary, i agree -

i doubt = i'll attempt denial* - which turns all cognitive aspects
of my being in unreasonable examples lessened,
less mind more heart -
which is a precursor of something greater in the diminished
sense of responsibility to come undervalued -
the constraint without a straitjacket -
and so after attempting denial away from doubting i
can't exactly think, since my heart is no longer wavering,
hence my mind can't be either - i am bound
by the omni pre: precursor, predestined,
given a script before acting etc. -

i deny = i'm not thinking - and so much is true,
instead of saying that denial = not thinking, it also means
i'm left with apologies, i'm therefore not a thinker
but an apologist - notably C.S. Lewis - meaning i
have a script readied - so that i fake not having a conscience -
me? i wants to sees a striptease dances of politicians
and silver-back ancient gorillas shaving -

then where's China when i start digging from
the point of i think? well, it remains in i think,
one cubic of atmosphere experiences a butterfly flap somewhere,
while one cubic of atmosphere experiences a hurricane,
or the quantum theory exclusively partaking electrons
solely - meaning i think doesn't exactly equate to
a proof of existence per se, well, it does, i think
is a proof of i am per se, given the two are acquainted
with solipsism and mundane question
of being serf-conscious: cartesian solipsism is i think = i am,
but at the same time i = thought ≠ being -
the unwritten bestseller, the uncontested 100 metre sprint
to be challenged, e.g. - but this is carstesian solipsism,
this like a deviation in religion is not an orthodoxy -
based on a presupposition that Descartes wouldn't have
minded the addition (of solipsism to explain) -
what's more pronounced is bound to the explanatory
pivot-reflection ipso facto rather than per se, minding
that we have i think to take care of - and that's one
of the two units of solipsism - the other being i am,
ipso facto or simply alter ergo - rephrasing in the
superimposable Chiral, unlike simple Nietzsche's sum ergo cogito:
but as in sum ipso infacto - cogitatio -

(i am, by the fact
in-itself - thought - meaning i exist by a fact in-itself
compared with all other facts that are bundled up within
replicas / phenomena - the being thought, a factual
reference above: i brushed my teeth in the morning
two days ago - a as in a medium of what's being emphasised
on distractive enterprises, twins of atheism α- -θέ - as one points
as something, the other always points at itself without
the thing pointed at by the other, affirmative orientation
including nothing, or the grey multitude of the urban throng
and a self-worth - with a de-affirmative orientation
and a passerby, including self-perpetuation in the cartesian
cinema) -  
                       I TRUST THE RUSSIANS TO LOVE
                       READING...
                       NEVER TRUST THE ENGLISH
                       TO READ... THEY CAN'T READ,
                       BECAUSE THEY DON'T ENJOY IT!

the one abstract trans-grammatical
association, requisite of moral explanations and deviations
from the placebo of solipsism as being an utter
non-interactive entity - crudely as with cogito ergo sum:
sum ipso facto... now thought isn't allowed to finish
that equation - hence the perplexity at criminals -
i am by the fact itself - whereby guilt passes from the reins
of the perpetrator to the instigator - the crude: think,
therefore be - so many failed deviations from over-simplifying
this; i never write about philosophy as if i know -
i say: thought the precursor of knowledge,
given the benefit of doubt, meaning a heart,
not thinking being the precursor of ignorance,
given the benefit of denial, meaning the genitalia -
so many mistake their thinking as what others
define thought to not be -
and v. v. so many mistake their being as what others
define being to be - most notably
the contemporaries of prior Socrates were said
to be idiots - given Plato and Aristotle - only
later they regarded the pre-Socratics are equally footed
to be called philosophers as the un-adventurous academics
of Athens.

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The intoxic flame framed phrase, burned my heart.
The unholy sin was unspoken, foreshadowed in the words.
Her captivating silky hair were surely not washed of fain, but of something more cleansing something more, concentrated.
Soft silence on her tongue, emphasised her words because the rose she spoke of was never found anywhere, but smelled in her books which had no bookmark.
The brightness that highlighted dark, was traitor
It represented her unkindliness with grace,
What looked in her coy, was actually pride
And her trap shaped in a window to good times.

Her scent was morphine, her smirk another shot, her plead an order, her wish, motive.
With guilt formed wrong thoughts of her, with pleasure her image.
But she was someone wise, who carried a knife and killed with smile.

a highly educated traveler
traveled
to European country
a problem
gave explanation
emphasised from
his education
but
was not agreed
and declared him
uneducated
Coz
his education
not valid
in that country
now
He understood
The meaning of stranger
he carried all along......

to live this moment over what would I do differently?
would it make a difference to the outcome
would you be less ******
would I have kept my mind
would we be bounced along a slightly different path but would up here anyway?

can I do this moment over again?
say it differently and emphasised more ...or less
not reacted ...or perhaps exploded
would the outcome have been different?

if we lived this moment over.....
would you be less ******
would I have kept my mind
would we be bounced along a slightly different path but would up here anyway?

can I do this moment over again?
if I had never said ....or said I something more
been numb. ...or felt something more
would the outcome have been different?

is the trap of fate real
we can't really escape
the alternate path would bring us to this point because....
that's the point
there is only one moment in time
it was always going to happen this way.

#thisjourneyofdays

Simply Words
Mirror - like and well chosen
Leaving no doubt,
No quotation or wisdom
Immediate, closer,  then,..
Not.
The words will bring to light
Just the juicy Parts,  the secrets
Six, seven,..  More...  Meaningful
In so certain the delivery
The point emphasised and
embellished, properly placed
Anger where the most damage
Is borne of self loathing, laying
Hidden pitfalls,  rotten props
Simple words.

A new year means to start fresh
to replenish the fails
to put my strenght to precision
no more dilute
let God handle the vindictive
to not become pallid
in the face of destruction
to  elaborate on the
elaborated
and to see the old
and the new differently
i will envy
but not become enviuss
I will put emphasis
on what is emphasised
and tone down the rest  
i will be a
PHENOMENON
in God's eyes
and mine
The eyes that matter
No matter what

Every morning is the same,
I inevitably wake up
With a smile, always mine.
It reminds me of who I am,
Where I’ve been.

The dimples my father loved so
No one sees, except me,
Voluntarily secluded
For them not to vanish
And for Them not to steal them,
Sheltered from unconscious thieves.

Crafted sea sand reflects the depth
Of my pupils, dilating as I approach
The image on myself
While my brown iris get lighter
And I fixate on the red capillaries
Emphasised by lenient time.

Every morning is the same,
Coffee and cigarettes for breakfast
News to keep in touch
With a world They call ‘real’
As I travel in the maze
Of my own.

If ever I step out of my abode
My mane is responsible for my protection,
Thick curls dropping before my eyes
For Them to think I do not see
While indeed I see it all.

Each vibration, humour, anger or pain
Penetrates me like knives
The apple on my head.
The Circus does not amuse me
And I rush to grab my wine
Bring it safe back home.

I live in a Universe immense,
The reason behind my smile.

He knew this was a special day
Her beauty took his breath away
His throat went dry as he said hello
Fearing she would turn and go

She smiled at him, so he took his chance
And through bated breath asked her to dance
She clutched his hand, they danced all night
They laughed and joked; things just felt right.

Decades pass, now both retired
They still share wedded bliss
Emphasised each morning
With a gentle loving kiss

She’s awakened by the dawn chorus
As distant church bells peel
She looks across and smiles at him
But his body is cold and still

Her heart now badly broken
She knew this day would come
She cannot face the future
Without her one and only love

She joined him shortly after
They’re once again together
The lives and love they shared
Will always last forever

I scattered both their ashes
Beneath the apple trees
And I’m sure I saw them smiling
Together dancing in the breeze.

One doesn’t have to
witness the splash
to read the ripples.

Feeling vibrations on
webs if compassion is
empathy, emphasised.

Invisible stitching is the
tailors art, but scars of
emotion cannot be hidden.