AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
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The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
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Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
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First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing

Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So Jim, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul armed to the teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives staying alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on a horse with no name but so consumed with fumes

A fright occultist thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from 1967 to 2016 and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam

The Emperor's new shoes

Painted imitation leather, polished and treated with care
admired and envied, all eyes drawn, especially yours.
Look at me, envy me, look how I dance.
Look at my silhouette marvel at how I make you feel,
Throw yourself to me,  l make you feel so true
We are elite .
Walking stronger, dancing so much faster
How fanciful I am you,free unaffected
How do I make you look and feel, the emperor's new shoes,
Legitimizing your nobility

But how I pinch, and how I hurt you, how contorted you’v become,
How you twisted and bent to fit with me,  
contrived , like me ,our artificial natural .
Your need for me and performance reflecting my own.
This illusion , only granted by me.
You never really chose, i led you to believe you are some king.
Your allegiance will not be rewarded the crest has to fall,
You can not always dance for me .
Remember i am painted and cannot become worn ,
I will not become comfortable for you,
I will not become misshapen from accommodation and give.
I will not shine if you dull me, my radiance is painted ,
Only you my emperor masked our deceit.
Now i leave you barefoot .

You've got beet blood in your mouth and lies in your artichoked heart
you’re black eyes stalking through me
with a birdcage for ribs, that vultures trying to get out
it’s scratching your kidney wings
we’re no longer feeding ourselves, the raccoons are eating our dreams
pushing past our feeblery to keep them out, this morning I heard one sing:
there's a whole big world out there my son, be careful don't believe them.
there's a crazy old lady in the sun, she's angry can't you feel it?
if you don’t work hard you’re no son of mine, well I’ve earned these riverbeds
& I’ll drown you out until you’ve made me proud if you won’t learn you’re better off dead.
so, I’m digging in this farm yard trying to find the seeds
forgetting all I have left in this world of course that includes me
so I’m building and I’m learning and leaving nothing unsaid
all I am is all I have, I’ll take this garden for my bed
and these are not just words built like a city of dreams, we have no use for this kingdom
I’m proud of you my friends, may your lives be a symphony of freedom

I don't want to live forever. I just want to live for now
but the angel on my doorstep keeps pointing me towards that plow
so I’m digging in with both my hands, keeping one eye on the door
If I go looking I’ll probably find it, ...and get all I’ve been asking for

I don't want to live forever. I just want to live for me
but your faces just keep haunting ...sometimes it’s all I see
so I’m working hard at learning all I can I’m gonna give it all to you
I’ll keep making payments, until we’re all so straight and true

I want to paint seeds together, and follow you right up to the edge
filled up and spilling like carried cups, and watch the sun go red
but there’s poison right here in our water, and a shark somewhere in the well
I wanna show you my life, show me your life and tell me it’s not the devil
I guess I I feel the way I feel, you make me feel like I‘m alive...
and I’m alive, am I alive, i am alive so you can live...
please come and live, why don’t you live, you can live inside of me...
there’s a home for you inside me, inside of me there is a fire
inside my fire, there is more fire, and in that fire there is truth
but we take our furnace-chests, and run em neck deep into that lake
and let the coals stare us down, one last glare of doubt & hate
but we were wrong, no I was wrong, we’ll just be wrong about some things
and it will never be, it can never be, it should never be this easy
to wash away the fire that burns, we wash away our flame
my eyes saw fire, my heart said escape
i said my eyes saw fire, my heart did escape
it’s the beauty in the struggle has me going keeps me shook
sometimes I can see it in your face God but not in the pages of a book
and there's something in your eye that's asking
I got no answers, just clues for a path to truth
I thought it was you. but yeah, I thought it was me too.

I don't want to live forever. I just want to live for us
but the head on my shoulders keeps driving me to be careless
our brains don’t want to listen, ears squinting for some honesty
it’s gets slippery here, hold on....we are not ourselves probably

I don't want to live forever. I just want to live for you
but the devil round my doorway keeps singing me something new
so I’m listening with idle hands cupped tight around both ears
my minds open like a burned down house, I haven’t died at all this year

Power is indeed a corruptive force,
Through all of mankind’s history
This has always been true.
Emperors, Kings, Potentates,
Popes, Presidents and Despots too.

Gathering near the Throne are the
Eager Courtier leeches reaching to
touch the anointed one’s robe.
Declaring their undying loyalty,
In the process selling their souls.
Their rewards, a speck of personal power,
Castles and new riches of gold.

Like their Master, the entitled ones
will lie and cheat, while ignoring
The principals of right and good.
Believing “Decency” is but a
poor man’s word, Never uttered
within the hearing of the Ruler.
Never a considered artifact of
absolute power.

The slaves, serfs, the common people
Matter not, but to serve the Ruler.
The power elite will start needless wars,
or offer up sacrificial lambs, all to distract
the unrest of the common man.
They will suppress human rights,
free speech and defame, banish
or imprison their detractors.

All merely smoke and mirrors to conceal,
Controlling agendas of personal greed.
From ancient times down to today
This cycle repeats. Now we are living
our own Textbooks history of tomorrow.

Kingdoms and Nations have perished
From this kind of poisonous corruption,
Needless to say, it will happen again.
Perhaps it already is.

Hey Human! I am your Sibling.

Queen bee wings are Ripped,
bee niblings are Smoked
For Your Honey Sweet.
Hey human! Listen your Sibling’s Buzz.

Tiger lost bones for Medicine,
Fox lost fur for Fashion,
Sharks lost fins for Soup.
Hey human! Do Not Butcher Siblings.

Simba’s life is not your Trophy,
Jumbo’s tusks are not Decors,
Helmets of Hornbills are not jewels.
Hey human! Do Not Reap Siblings.

Emperors of ice continent lost land,
Economics is making Amazon less,
Logging makes Orangutans homeless.
Hey human! Do Not Invade Siblings.

Warm oceans bleach corals,
Water depleted in cities,
We ingest plastic regularly.
Hey human! Do Not Desert the Earth.

Overfishing is holocaust of aquatic life,
Livestock levitates toxic emissions.
Hey human! Do Not Prey on Siblings.

Lichens stunned by pollution,
Symbionts are disintegrating,
Biodiversity is declining.
Hey human! Be Together with Siblings.

Hey Human! We are Offsprings of Mother Nature.
Monera, Animalia, Fungi, Plantae, Protista
all have common roots.
We are branches of the one Phylogenetic Tree
rooting Common Ancestry unto LUCA.

Hey Human! We are Siblings.
Hey Human! Recall your Siblings.
Hey Human! Revive your Siblings.

hey, before kung fu fighting
was kung fu ***;
emperors practiced it and
would have lived to be Immortals
if not for the darned traitors and assassins

Crane sees Phoenix
and in Plum Tree Garden of Scents
Plum Tree Arms
Encircle Double Mountains;
Pine Reaches for the Skies

Drunken Monkey Jumps
and Pheasant Sings
and White Pearl Slips;
Dogs Unite and Clouds Merge
Tiger Bites and Lion Roars
Grand Dragon Withholds

Jade Gate Opens
Jade Stem enters
Wild Boars stampede
and Cherry Blossoms Fall

Drunken Monkey Sleeps
White Pearl Smiles
Drunken Monkey Awakes
and Blue Pearl Awaits -
and again Serpent on Rock hisses;
Wheels of Legs Rotate


hey, before kung fu fighting
was kung fu ***;
emperors practiced it and
would have lived to be Immortals
if not for the darned traitors and assassins

One night . . . a pitiful -looking skeleton appeared and said these words:

A melancholy autumn wind
Blows through the world;
The pampas grass waves,
As we drift to the moor,
Drift to the sea.

What can be done
With the mind of a man
That should be clear
But though he is dressed up in a monk’s robe,
Just lets life pass him by?

Toward dawn I dozed off, and in my dream I found myself surrounded by a group of skeletons . . . . One skeleton came over to me and said:

Memories
Flee and
Are no more.
All are empty dreams
Devoid of meaning.

Violate the reality of things
And babble about
"God" and "the Buddha"
And you will never find
the true Way.

I liked this skeleton . . . . He saw things clearly, just as they are. I lay there with the wind in the pines whispering in my ears and the autumn moonlight dancing across my face.

What is not a dream? Who will not end up as a skeleton? We appear as skeletons covered with skin -- male and female -- and lust after each other. When the breath expires, though, the skin ruptures, *** disappears, and there is no more high or low. Underneath the skin of the person we ****** and caress right now is nothing more than a set of bare bones. Think about it -- high and low, young and old, male and female, all are the same. Awaken to this one great matter and you will immediately comprehend the meaning of "unborn and undying."

If chunks of rock
Can serve as a memento
To the dead,
A better headstone
Would be a simple tea-mortar.

Humans are indeed frightful beings.
A single moon
Bright and clear
In an unclouded sky;
Yet still we stumble
In the world’s darkness.

Have a good look -- stop the breath, peel off the skin, and everybody ends up looking the same. No matter how long you live the result is not altered[even for emperors]. Cast off the notion that "I exist." Entrust yourself to the wind-blown clouds, and do not wish to live for ever.

This world
Is but
A fleeting dream
So why by alarmed
At its evanescence?

The vagaries of life,
Though painful
Teach us
Not to cling
To this floating world.

Why do people
Lavish decorations
On this set of bones
Destined to disappear
Without a trace?

No one really knows
The nature of birth
Nor the true dwelling place.
We return to the source
And turn to dust.

Many paths lead from the foot of the mountain,
But at the peak
We all gaze at the
Single bright moon.

If at the end of our journey
There is no final
Resting place,
Then we need not fear
Losing our Way.

No beginning,
No end.
Our mind
is born and dies:
The emptiness of emptiness!
.   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .   .

Rain, hail, snow and ice:
All are different,
But when they fall
They become the same water
As the valley stream.

The ways of proclaiming
The Mind vary,
But the same heavenly truth
Can be seen
In each and every one.

Cover your path
With the fallen pine needles
So no one will be able
To locate your
True dwelling place.

Little Toy Soldiers going off to war
None will ever live to  see age twenty four
None of them even  know what they're fighting for
Little Toy Soldiers going off to war

The world has always been this way
With Emperors and Kings
Fighting with toy soldiers
And the glory that it brings

Land, beliefs, religion
The basis of the war
fought by young toy soldiers
Who all die by the score

Time has taught us nothing
But, it's changed the way we fight
War is a full day job
Now that it is fought at night

The boards of little armies
Are now shown up on the screen
With all the little soldiers
Lit in different shades of green

They used to be all metal
Painted up in nice bright shades
With a General on horseback
Leading all his smart brigades

Then, the men were plastic
glued to bits of wood
Behaving as a unit
Just like a soldier should

Now, the war is different
They're up there in different hues
You can watch them fight in real time
Just like on the nightly news

The only thing remaining
The thing that's stayed the same
Is that nobody in power
Know the Little Soldiers names

Little Toy Soldiers going off to war
None will ever live to  see age twenty four
None of them even  know what they're fighting for
Little Toy Soldiers going off to war

That morning i awoke.
I felt the rising sun.
A glimpse of true restoration,
with kings crying, emperors imploring mercy, world living,
earth within.

The light of the rays
throughout magnificent pieces
of hollow stone.
I'm happy.
I'm happy.
The sun it did shine.

The sunrise, it was beautiful,
sitting in between the vast open crests of the mountains.
The sky's color orange.
The mountains a deep pink.

This view was a sensation of the universal language.
And the best part had to be the sun's
fiery,
multicolored,
rays!
Where the glory of this moment,
this sunrise,
originated.

What a bountiful moment.
It was filled with glory and strength.
The firefly lighting
inescapable and somewhat inexpressive.
Because of this, all insecurities melted away.

There was something comforting about this rise.
It was as if it was a message from God.
It had the energy of a new day.

No, not a new day.
Not another day to wake up.
Not ANOTHER PLAIN DAY!

No, this was a "new day".
The beginning of a new era.
That's what this sunlight told me.
Situations will now explode and dissolve.
In a benevolent way.

It said,
Feel the warmth of the sun.
Let it's warm welcoming waves of light
surround and caress your being.
Feel its care and courage.

Connect and let its power become yours.
Once i connected i no longer reflected.
The time for reflection ended.
And being pushed aside,
the time or immortality began.

The invincible
irresistible,
sensational,
nature of the sun brought a new wave.

The nine waves of the sun,
They touched me on that sunrise.
They touched my heart.
Just as they mixed and breed with
the unusually blue but now pink mountains.

The loving amalgamation of sunrise and environment.
It was truly a spectacle to behold.
This was a true sunrise.
The first true sunrise of my life.

THE SUNRISE OF THE NEW DAY.
MAY YOU SEE IT AS WELL!

Within the four walls of this library
sit three walls packed into the corner;
shelves, stuffed full of books with dog-eared pages
and slip-disc’d spines and fraying edges,
and a big white sign, which dangles from the ceiling
like a megabat hung on a cave mouth, sleeping and dreaming,
the word “NONFICTION” is inscribed on its countenance,
adjacent to signs shouting “MYSTERY” and “SCIENCE
FICTION” and “FANTASY” and “ROMANCE”
and a thousand other sorts of words
for myth and fabrication. But in this corner
live the rest, the et ceteras, the miscellaneous,
the kingdom of protists; for instance, care for some ethics?
Marx’s manifesto is stacked lazily beside a heap of essays by Rand;
you can practically see the two of them, shaking hands
uneasily, the will to never understand already forming
in their brains, and others yet remain;
Capote and the Clutters share shelf space
with the Mansons, hiding helter skelter behind
gnostic gospels and silent springs and a thousand
dreams for Freud to interpret (translated
from German for your convenience); nearby,
Orwell sings war songs in Catalan, accompanied
by the universe’s most elegant superstrings,
and the caged birds, singing of freedom,
harmonizing a melodious cacophony with the song
of the executioner. Butler criticizes his performance,
and she probably would have anyway, but Friedan thinks
he has a certain sort of mystique and Dawkins offers his own critique,
going on about genes and memes, extinction and delusion, but
not hallucinations—Sacks makes the distinction; let us continue
to praise famous men, and their children after them,
these naked apes, with minds so ***** that
they’re riddled with the emperors of all maladies; oh, Morris
Kinsey and Mukherjee could tell you all about these things,
maybe over lunch with Schlosser or dinner with Pollan,
minglings with Machiavelli over affairs of the state,
or affairs of space and a brief history of time; but,
if you're feeling too full to eat, or to pray, or to love,
ask Frankl what to do, let him change your life
with words from decades yore as he keeps on
his search for meaning just like every man before, at least
that's the case when these boys’ lives weren’t preoccupied
by artful war or bright and shining lies. And here,
by the holy bookend, lies some old and antiquated glossary
which lost most of its “glossy” many years ago,
for one flip through the pages will catalogue the changes
between what we thought we knew about the stars
and our bodies and doomsday as recently
as your last birthday, and all the things that everyone says
we now know that we know; speak,
memory, remember all you can
about this endless, sundry cosmos, and
the microcosms that it boasts; bury my heart,
if not at Wounded Knee, then maybe at this
library, where comprehension and speculation
find themselves in coexistence, packed into a single
point resembling the genesis, and fear and hope
take dueling forms, those of fact and mystery;
and now all that’s left to do is read,
until the end of history.

Emperors on their

pedestals look over me --


into an old time.

an atypical journalistic interview sessions only lasts a few minutes: you know, you know, you knows... mostly arranged by eager liars and boxing-ring butchers of the chop & jabbed jobless... or as i like to call it to their faces when they recuperate at rock concerts with their slaughterhouse day-jobs: head-banging meat-heads; you know, one of the lads, yeah man, you know - can i start speaking sing-language from now on? i swear they're speaking sign-language already, i understand them in the boxing ring... outside of the boxing ring... huh?!

the same with modern music, it just loves
Bach or Chopin accents / diacritics / samples...
Salmonella Dub's song *problems,
i don't know why it acquires the said critique,
moby's porcelain...
these are accents of once world know narratives,
the narratives are gone, but the
accents remain... once we had Chopin's piano,
now we have transition pieces
akin to Thomas Newman's 18 from the American
Beauty soundtrack... now the Emperors say:
too few notes... cos it's a real tear-jerking masterpiece...
finally people of all professional categorisation learned
punctuation and the assembling of data,
the point of shelving things... of
not keeping thought for the purpose of simplified
narration, but as a way to escape into idea identifying
post-narrative ensured dynamos...
what remains of classical music, is but
a sense of diacritical marks not applied to language,
what is left as a wasteland...
the modern version of classical music is but an accent
of what classical music used to be: the alphabet,
the narrative, the narrative arrangement...
we're left with accents... the piano is an accent...
something Mozart used to touch...
when Mozart wrote the a b c,
                   Thomas Newman just wrote the acute
                           above the c...
    because classical music is so scarce, so rare
that it requires an elephant and a poacher,
but hardly the egg...
                                       so when Mozart wrote
a b c... modern licks of the piano
                   wrote a jingle... licks...
              modern resurrection of the classical
narrative, when Mozart wrote his bit,
Charlie Harper wrote the acute sign above something
resembling a character named C to make him into
chimney, thus the scalpel ', yes, that's the linguistic
scalpel         '                      , which isn't a comma,
to dissect words...             play me a ******* Irish medley
you ****!                        
                           sophism says: all punctuation marks
              revolve around securing emphasis.
tell that to a twelve year old, and in telling them that:
how to create an ontology to differentiate them from
politicians and establishing them as
                                          eager hands that became
                 the roots of modern China, and the principle:
         family, root, family, root,
                             or your granny with far more to worried
about than you standing over her grave, meaning
she ******* herself in a care home and you were like:
     but my life!
                                  i moved my great-grandmother into
my grandmother's house... they sarcastically called me
a beneficiary at her funeral, you know how family is...
they're always ******* cannibal, they want you to have
three arms so they can chew one of them off
and instigate the lazy option: Satellite Plato TV in
their homes... to lazy to even have a decent thought:
forget thought leading to morality,
let's just keep it French enlightenment: thought
precipitating into existence... which is hardly any sort
of triangular or rhombus square definition of
behavioural patterns of macaques.
for ****'s sake: when Chopin wrote c, modern
music sampled the same piano as the acute sign above
c, i.e. ć, dissection: Moby's Porcelain is Chopin i.e. c,
the two together are ć... which is read
by dissecting the words itch cheese chi chee and
putting them back together like some sort of Frankenstein
in order to just get the acute sense of stressed c...
CTRL... C and P... then it's either just African drumming
as in excess rhythmic when it was once woodwind
sections... so Chopin without Moby's Porcelain would
just be c... with Porcelain we get ć... it's not a representation
of an itch, or a twitch... it's just ticklish, mind you,
the two are inseparable: and the rest i just like
to call ambience, or anything you could never claim to
make an onomatopoeia out of - if only it was
that simple: i'd call the practice of onomatopoeia the
craft of carpentry or stone-masonry -
knock on wood: get a whale's mating call in the deep blue...
******* magic in the desert of pampered journalism...
pampered journalism... i like that, i like it like
the idea of defending Saddam Hussein... pampered
journalism... here's a fake... oh, and another...
here's another fake... mascara drool here... and another
one here... **** me, a miniature golf course of ideas...
hard not to be pruning the delusional idea of
"this is Utopia" by western media's *******
into a handkerchief that's designed into fishnets of *****
than that of tearful sympathies with:
well the animal stories always sum things up, don't they?

For all of you who thought 12 o Clock is a joke for Sardar.
During 17th Century, when Hindustan was ruled by Mughals, all the Hindu people were humiliated and were treated like animals. Mughals treated the Hindu women as there own property and were forcing all Hindus to accept Islam and even used to **** the people if they were refusing to accept. That time, our ninth Guru, Sri Guru Teg Bhadarji came forward, in response to a request of some Kashmir Pandits to fight against all these cruel activities.
Guruji told the Mughal emperor that if he could succeed in converting him to Islam, all the Hindus would accept the same. But, if he failed, he should stop all those activities . The Mughal emperor happily agreed to that but even after lots of torture to Guruji and his fellow members he failed to convert him to Islam and Guruji along with his other four fellow members, were tortured and sacrificed their lives in Chandni Chowk. Since the Mughals were unable to convert them to Islam they were assassinated.
Thus Guruji sacrificed his life for the protection of Hindu religion. Can anybody lay down his life and that too for the protection of another religion? This is the reason he is still remembered as "Hind Ki Chaddar", shield of India. For the sake of whom he had sacrificed his life, none of the them came forward to lift his body, fearing that they would also be assassinated.
Seeing this incident our 10th Guruji, Sri Guru Gobind Singh ji (Son of Guru Teg Bahadarji) made a resolution that he would convert his followers to such human beings who would not be able to hide themselves and could be easily located in thousands.
At the start, the Sikhs were very few in numbers as they were fighting against the Mughal emperors. At that time, Nadir Shah raided Delhi in the year 1739 and looted Hindustan and was carrying lot of Hindustan treasures and nearly 2200 Hindu women along with him. The news spread like a fire and was heard by Sardar Jassa Singh who was the Commander of the Sikh army at that time . He decided to attack Nadir Shah's Kafila on the same midnight.
He did so and rescued all the Hindu women and they were safely sent to their homes. It didn't happen only once but thereafter whenever any Abdaalis or Iranis had attacked and looted Hindustan and were trying to carry the treasures and Hindu women along with them for selling them in Abdal markets, the Sikh army although fewer in numbers but were brave hearted and attacked them at midnight,12 O'clock and rescued women.
After that time when there occurred a similar incidence, people started to contact the Sikh army for their help and Sikhs used to attack the raider's at Midnight, 12 O'clock. It continued and became a known fact that at midnight, nearly at 12 O'clock, it is very difficult to fight against Sikhs as the Sikhs get some Extra Power to save Religion, Nation and Humanity.
Nobody can fight and win against them at midnight; this continues till now. Nowadays, these "smart people" and some Sikh enemies who are afraid of Sikhs, have spread these words that at 12 O'clock, the Sikhs go out of their senses. This historic fact was the reason which made me smile over that person who say "sardarji 12baj gaya"  as I thought that his Mother or Sister would be in trouble and wants my help and was reminding me by saying off 'Sardarji Barah Baj Gaye'
All those shud feel ashamed of themself who used to click and enjoy the jokes on Sikhs and too made fun of them. The truth is that these Sikhs are born for others and they are real patriotic to Humanity and Religion. What are we all doing to these great Saints and Soldiers ???? Instead of thanking them, we all are making fun....

precursor - title correlation
body -

mind of:

C                oh

    oh                      Ri

n'ah.   (half an hour fiddling with a 502 bad
gateway; traffic these days! jeez!)

I.

it don't know what's more frustrating for the reasons that it's so good... i can't choose... it's a close call... either listening to Red Hot Chilli Peppers' B-sides from By The Way... ugh! why didn't they release that as a double album! Stadium Arcadium was not that good as a double-album... all the prior albums are MAGIC... literally... for ****'s sake: GOLDMINE is literally just that... there's that... i can't concentrate on making my own translation of Ovid... i'm yet to scribble down the translation i have... i can't even drink my whiskey properly... the other frustrating focus? watching Armand Duplantis break his own world record of 6.21metres... the ****** has still at least 10cm in him! a record that will have to stand-still for the next 20+ years... i'll be dead before this record is broken... Сергій Бубка best be sleeping... i'm listening to the music, reliving the end of the World Athletics and trying to heel-myself-in-the-buttocks: better get a move on boy... hmm! "trying"... i'm actually heeling myself in the buttocks: no time to wait... one can wait for a bus... one cannot for one's own incentive... ol' Lizzy is coming up the mountain... she's coming with the proper closure of the 20th century... however many popes she outlived... however many prime ministers and american presidents... come on Lizzie... just one more year... i'm actually dying to spend money with whittle Charlie printed on the notes... my fingers are itching... but **** me... music so good By The Way should have been a double-album... no! Stadium Arcadium was not the salvagable double-album worth session... i'm getting "schizophrenic" vibes... i know that poetry is not an entertaining medium: it's a complacent self-congratulatory, thereupeutic load of *******... it's obnixious when staged: the exasperated art of speaking with speed... today i realised that i much prefer drinking to having ***... i like the preservation of my brain with a hard-on of itchy fingers than any actual ******* hard-ons... the knife opening oysters or plucking out the eyes of deer... best the eyes be gauged out... than having deer stare into car lights... hybrid confusions of static, motivated to move... frozen in a make-shift imitation of root and clay and copper: bam! one more statue down...

II.

it's no wonder why i'm not looking for a girlfriend, it's no longer bewildering why i'm not looking for a wife, at best i'm looking out for that ancient custom of Roman emperors: to become a foster father, a surrogate - i'm yet to find a match-up... i almost did, but she undermined my chances by undermining her own seriousness in such affairs... but clarity does come... as much as i might be a surrogate father to her son or daughter: i wouldn't be faithful to her... i would steal the night and run away into a brothel... but there's something else... the whole dynamic of publishing has changed... the whole idea of a library has also changed... i own more valuable books in my private collection than the public library of Romford... which is me peering at the dire straits of what the public is fed... i know why i don't aspire for pair-bonding... perhaps man so levelled aspired toward the imitation of birds a long time ago... perhaps swans are truly noble creatures: for one hears of widow and widower swans... perhaps parrots: born from those monstrous beasts that were the dinosaurs can imitate our talk... all that's this reality within the confines of "perhaps": nonetheless, it's all true... but perhaps being the mammal that i am... i moved from a community of chimpanzees into a solo-ride of imitation-bear... perhaps i only entertain the opposite *** on the encounter of ***... i couldn't land a conversation with a woman outside the constrictive-framework of work, so much so: i would abhor the mindset of men that go on dates with women: buy them food and then EXPECT... i leave that ******* out in my interactions... pay-up-front for what you're about to receive otherwise don't play cat while the woman plays mouse... or rather... a rat in cat's clothing: the woman therefore becoming a rat-trap... mind you: i can't think of a more terrible idea than the modern version of: eat first, **** later... at the old ****** proverb states: a hungry ****** is angry... a filled ****** is lazy... god forbid i ever become tempted by those dating sites... i'm currently looking for the original Latin text of Ovid's the Amores book 2 poem 6... why? what i have in my hand... and what i'm finding... it's like what Robert Pinsky remarked about once: TRANSLATIONS differ so much from one translator to another...

they have done it... UEFA are mad... just to get my
accreditation for the women's Euros final
at Wembley they're asking me to bring my passport
with me... so is Wembley the JFK of Florida
          space-shuttle launch? Houston? am i leaving
the country?
                but the girls have done it...
funny: some other people are still complaining:
IT'S TOO WHITE!
   there's not enough diversity in the team...
          that's me also planning to go and live
in Kenya and become a model for toilet paper...
i'm sure i could replace that known Koala bear /
golden retriever or perhaps i could go there
and model for soap adverts...
it just so happened that racial tensions (only football
could create them) rose up for a little:
just one night the day England lost to Italy
on penalty shootouts... because... 3 black guys
were playing a rigged roulette...
            then again? me? and the African heat?
fat chance...

find me the original Elegy VI: the death of Corinna's
pet parrot...
oh man... and her name was Polly...
i sat up late last night trying to find something
interest on the television...
bam! thank you ma'am...
                       kurt cobain: montage of heck...
sort of reminded me of...
                           a SCANNER DARKLY...
                           mind you: i sometimes do enjoy
a one-man show... or at least two...
there was this brilliant show in the West End...
Stones in his Pockets...
       two actors... sharing the roles of...
                  about 15 people each...
but it was back in circa 2001...
so... maybe it was Louis Dempsey
                                                        & Sean Sloan...
mind you... i'd still love to see Samuel Beckett's
             NOT I...

Jack Trades says: i'm about to a heap
of hay of hate...
                                i'm everywhere sometimes...
if it's not music, then its visual arts,
then it's philosophy, then fine literature...
then something "oriental" in thinking...
then its coupling my fetish for Deutsche as:
father to the English zunge...
then it's back east to rummage in some Katakana...

i know why i'm single, Roger Moore remained
a bachelor until his death...
  courteous: as ever as forever always...
i'd be a terrible match-up... i've given pair-bonding
a chance: i can't bemoan why X is not Y...
the sort of men that pair-bond are claustrophilic...
they love the company of a mate...
each time i was ever in a "relationship" i already
had one foot dangling: tapping an imaginary
drum set...
recently i discovered the B-side of the Red Hot Chilli
Peppers... so for me it's a version
of keeping the 20th century alive with
the "dichotomy" of the Rolling Stones vs.
the Beatles... i'm more... R.H.C.P.'s A-sides
of R.H.C.P.'s B-sides?
                                        i'm busy...
                i'm always busy... i don't want to relax...
i want a Turkish barber to suggest that
i need  hot-towel and an arm massage after
my beard is trimmed and... i'm still going to state:
getting a Turk to trim my beard is a close
contender to oral *** from a Turkish *******...

but try finding me that original Latin of Ovid's...
ah! found it! let's see if i can compete with
my own translation... the one i originally read
and the one i found finding the original Latin
were so disparaging...

**** yes! well... there was Ted Hughes writing
about the Crow... poor ******...
should have killed himself: might have competed
with his terribly-wonderful wife of a poet...
i give her that: what noose?
best head in an oven...
and you want a shovel with that?
but this is Ovid... "complaining" about
the death of his lover's parrot...
immediately i jumped to conclusions:
not enough crackers...

(A) the Original:

Psittacus, Eois imitatrix ales ab Indis,
    occidit—exequias ite frequenter, aves!
ite, piae volucres, et plangite pectora pinnis
    et rigido teneras ungue notate genas;
horrida pro maestis lanietur pluma capillis,
    pro longa resonent carmina vestra tuba!
quod scelus Ismarii quereris, Philomela, tyranni,
    expleta est annis ista querela suis;
alitis in rarae miserum devertere funus—
    magna, sed antiqua est causa doloris Itys.
Omnes, quae liquido libratis in aere cursus,
    tu tamen ante alios, turtur amice, dole!
plena fuit vobis omni concordia vita,
    et stetit ad finem longa tenaxque fides.
quod fuit Argolico iuvenis Phoceus Orestae,
    hoc tibi, dum licuit, psittace, turtur erat.
Quid tamen ista fides, quid rari forma coloris,
    quid vox mutandis ingeniosa sonis,
quid iuvat, ut datus es, nostrae placuisse puellae?—
    infelix, avium gloria, nempe iaces!
tu poteras fragiles pinnis hebetare zmaragdos
    tincta gerens rubro Punica rostra croco.
non fuit in terris vocum simulantior ales—
    reddebas blaeso tam bene verba sono!
Raptus es invidia—non tu fera bella movebas;
    garrulus et placidae pacis amator eras.
ecce, coturnices inter sua proelia vivunt;
    forsitan et fiunt inde frequenter ****.
plenus eras minimo, nec prae sermonis amore
    in multos poteras ora vacare cibos.
nux erat esca tibi, causaeque papavera somni,
    pellebatque sitim simplicis umor aquae.
vivit edax vultur ducensque per aera gyros
    miluus et pluviae graculus auctor aquae;
vivit et armiferae cornix invisa Minervae—
    illa quidem saeclis vix moritura novem;
occidit illa loquax humanae vocis imago,
    psittacus, extremo munus ab orbe datum!
optima prima fere manibus rapiuntur avaris;
    inplentur numeris deteriora suis.
tristia Phylacidae Thersites funera vidit,
    iamque cinis vivis fratribus Hector erat.
Quid referam timidae pro te pia vota puellae—
    vota procelloso per mare rapta Noto?
septima lux venit non exhibitura sequentem,
    et stabat vacuo iam tibi Parca colo.
nec tamen ignavo stupuerunt verba palato;
    clamavit moriens lingua: 'Corinna, vale!'
Colle sub Elysio nigra nemus ilice frondet,
    udaque perpetuo gramine terra viret.
siqua fides dubiis, volucrum locus ille piarum
    dicitur, obscenae quo prohibentur aves.
illic innocui late pascuntur olores
    et vivax phoenix, unica semper avis;
explicat ipsa suas ales Iunonia pinnas,
    oscula dat cupido blanda columba mari.
psittacus has inter nemorali sede receptus
    convertit volucres in sua verba pias.
Ossa tegit tumulus—tumulus pro corpore magnus—
    quo lapis exiguus par sibi carmen habet:
"colligor ex ipso dominae placuisse sepulcro;
    ora fuere mihi plus ave docta loqui".

mein gott... in English it reads so smoothly reading
it while listening to Red Hot Chilli Peppers'
B-sides... quixoticelixer...
teatra jam (short)... and then thinking about it...
through to and through Going Li coupled
with trouble in the pub (instrumental version)...

i will never own a car...
              mind you: i already secretely own a house...
if i keep appeasing my mother and my father:
when reality kicks in and they're dead and i'm
project solo... it's not like i'm waiting for the day...
they are hoarders of shoes and screws...
literally... no metaphor...
  on my own: i will have to recycle so much ****
before i will put the house on the market...
and? i never pledged any allegiance to Essex...
England... i have: pledged an allegiance
to the English tongue...
                 but if not the Shetland Islands...
north... "god" send me north! even as far as
Greenland!
                i'm not willing to die in a place where
villages are flaring up in a July heat...

i can't bemoan what i honestly couldn't keep...
i sometimes get mad at my father for being
so submissive to my mother...
i sometimes get so mad at my mother for only
being able to talk about her chronic pains:
i'm alligned with my grandmother
who once said: she's just like your paternal
great-grandmother... every itch and scratch...
it's like writing with chalk on a blackboard...
hey presto! ruptures of the Grand Canyon...
that ******* bollocking of: ooh! ah!
           me? i don't understand people with tattoos...
me? i collect scars...
these two fading ones on my face are a disappointment...
i thought something more pronounced
could be kept from that bicycle-crach Francis Bacon
esque imitation of painting:
   the sort of painting where you can still revel
in brush-strokes being visible...
   because it's not rigid: Renaissance form painting...

now: i can sort of imagine what men couple up...
those who fear being alone...
those not interested in art...
those mostly interested in sport... but not all sport...
just some sports...
sports that they support "passing their lineage"
with according to the cult of football teams...
not all-sports... i.e. not an interest in fencing...
swimming... certainly guys who thought:
wow! tennis is great to watch!
   but squash is so much more fun to play!
cycling... well... if you love cycling per se:
watching other people cycle is a bit: BOO-RING...
what sort of other men get married?
probably those not interested in risque ***
with prostitutes...
ones interested in making money for a woman
to spend...
me? i'm not interested in money...
                       in terms of money:
i'm more likely to spend £30 on a book than
think about a dinner date...
                      
is that...   ??? i'm not even going to ask myself
that question that begins with a buzz-word
and the letters Mmmm... miso...
                             well... what is a boy to do...
figure out what to do with his spare time...
               i don't mind cleaning the house:
who ever said that it's the duty of a woman to keep
the house clean? i like living in a household in order...
i love cooking: it's like chemistry 2.0...
                      give me a bag of Indian spices and i'll
cook up a perfect storm of a curry...
but then again: i'm not work-shy when it comes
to using heavy-duty tools akin to the KANGO...
which... i later found out was a Japanese word for
Chinese in general... or the other way round...
i'd hate to be one of those Phil Collins types of
forgetting how many hands i have
by changing gloves like i might be an octopus...

and when it comes to children?
eh... it's enough for a boy in a buggy in a supermarket
pointing his finger at me as i walk past
making that chimpanzee face of OOH at me...
or a fist-bump with some teenagers at the London
Stadium... that's enough... i'm happy to play
the "secret uncle" role...
while women remain women: as fickle as the wind...
i've learned to live with that reality...
i scratch my beard and pretend that i'm playing
a violin...

plus, i'm a terrible drinker... i'm a loving-drunk...
i'm drunk right now...
if a litre of whiskey per night satisfies
my libido shortages i'm happy:
it implies i can write... i stop drinking and start
*******: alles goot...
                           today i was visited by a wasp...
i was visited by a bee before...
oh man... it was heart-breaking...
he was dying... i had to help him...
   i poured some honey onto the pave-,
and moved him towards the puddle...
he stuck his mighty Gene Simmons sucker out
and started to perform an OD on sugar...
i was glad... watching him die from a sugar-overdose...
it was: rather pleasant to watch...

TERROR! mix JAINISM with TAOISM
and fuse that in an European mind...
               but i'll still eat meat...
                        it's a parody of what's to be expected:
i prefer life with the possibilities of change...
with... curiosities of: extensive ulterior
possibilities that run counter to estblished norms
of expectations of a RIGID MIND...
i water: i flow...
      i fire: i dance...
i air: i whirl...
i earth: i rumble...
i lightning: i blink...
hey presto! the five elements!

in another language close to my heart:
since i was born with it...
the pronoun disappears:
ja woda: płyne
ja ogien: tańcze...
   ja powietrze: kręce się (odd)
ja ziemia: trzęse się (also "odd")
ja grzmot: mrygam

there are languages in existence where pronouns
hide... to be honest...
in ******? the pronouns are rarely used...
oh mein gott... when they're used in a sentence:
esp. the I... it's like... wow! i just found
a "nugget of gold"!
seriously... that how my mother-tongue
is structured: on English is the current
prounoun-circus available to watch...
i'm siding with the Somali pirates having
a giggle... playing blackjack with either Greeks
or some other Africans...

there are languages in English that cannot: will not,
succumb to the current Marxist onslight
happening in this tongue...
not because these languages will not:
they CANNOT...
mind you... it's such an intellectual low-bar
of achievement... but since it's piggy-pop...
it must be slaughtered on an individual level
before this DISEASE is allowed to spread...
thank heavens that English is only my second
language... how that allows me to bypass
buying into any sort of propaganda...
   my lingua Ingelese... my tongue for spreading
ideas...
    oh: and thank **** i' expressing in a medium
desecrated by the same people pushing these
sordid ideas... post-humous fame! 'ere i come!
obviously! who's in it for the "real" and immediate
if one isn't... fabricating a pickling of a shark
in plastic.... who? who?! woof!
   a-woooooo"

            my heart has shrunk and hardened to
the size and hardness of a pebble...
    i wish i could entertain cosy nights with a woman
watching some pointless movie about
the stereotypes of love... then again: no...
i'd rather not...
drinking alone: who the hell said i was alone?
i sometimes "hallucinate" someone crying:
of late... i'm like: this isn't Aud Lang Syne...
this isn't Shakespear...
then again i love the idea that my true readers
are yet to be born...
i'm happy, happy-bear-alone...
                       a Maine **** is sleeping in my
bed... i'll join him come the right hour...
but he's not looking at me... he's looking above me...
only yesterday i started to paparazzi
a wasp that flew into my bedroom...
          what the **** do i have above me?
please say letters... i will not do alright with a halo...
i'm not going to join that
archangel one minute... saint the next...
clip my ******* wings for a get-through-easy
card: no!
          
it became finalized today... i'm literally tired
of ***... i'm tired of *** when it's equivalent to not...
being tired of eating food... drinking water...
it's unnecessarily-necessary... *** as golf...
per say...
                2 months of delay in payment...
i'm thinking about rekindling my affair with that mountain
bike... i have to forget the streets...
i need the woods again... but for that i need new tires...
oh... hell... i no longer have anything
to prove in the brothel... blah blah whatever...
threesomes look great: LOOk...
like a block of cheddar looks great...
when shredded...
and then melting...
perhaps in pornographic flicks...
but in reality? the changing of condoms
from one mouth to another...
from one ****** to another...
                          
what?! peiple are having unprotected ***?
vermin ****?!
   **** me... well... at least i'm obnoxiously savvy
in that regard...
no no... it's too disappointing...
you have to split your attention up...
there's nothing good about a *******...
why? because, usually... of the two girls...
there's one you really want to be a screwdriver to...
while the other is just being a, *******...
a ******* bandwagon... leftovers...
a pair of **** you get to imitate ****** with...
it's a bit like:
coupling an elephant with a giraffe...
but i want to ride the elephant!
but i want to stroke the giraffe's neck!
but  i want to pretend the elephants's tusk...
no! not tusk! TRUNK....
that rectangular bit of ******* you shovel
your clothes in when travelling...
TRUNK... or a TRAMPOLINE!
no... not the bouncy layer...
TRUNK... sneeze! trambone! jazz! ******* Miles Daisies!
Davis!  trumpet *******!
no... don't get me started on the sax...

then again: i want a rhino's horn! ram-jam...
Black Betty Bam B'eh Lam!

- oh no... i moved along... R.H.C.P.'s: thanks for the t-shirt...
Big Bukowski style:
i hate the eagles... run through the jungle...
run Forrest! whun!
WHUN!
  and that's me... hardly a LAMNTIA of the Beatniks
tripping... me? enough whiskey
and the right song... and i'm grooving beside
an imaginary drum-kit...
in that: once upon a time...
when men grew their hair long...
they were the barbarians knocking
on the gates of Rome... rather than being
the implosion of Rome within with
all of Rome's degeneracy of transgender gimmicks...

mind you: i've given it some thought...
i broke it down toward the following schematic:

anonymous audience, commenting,
video making blah blah...
****** "schematic": if you can call it that...
mind you: the VAR in WIETNAM
had the best soundtrack...
just saying: hey! her?! hey! don't shoot
the messanger!
i'd rather work the Fulham opening night
with the new stand: Thames-side being opened
than attend Wembley for a Westwood...
Westworld... Westlife concert,
i'm all up for handling those Scousers:
northern monkeys?
southern fairies...
let's just call them for what they are...
northern TOURISTS...

but the dynamic of publishing has changed:
i already know the criterium first...
women and children first...
THIRST beccause water matters...
i'm thirsty too... one litre of whiskey and
i'm still typing like a machine...
i'll box my liver and kidneys
as long as i keep my brain and eyes happy...

but it's just a different dynamic...
the internet experience...
i know a lot of people miss it...
i can't force people to read my bollocking-riddles...
ergo? i don't stagnate into celebrating it
or therefore advertising it...
i'm either read or i'm STAUB...
   dust...
                
i can't! i'm only making something available...
i can't force people out of their democratic "wedlock"...
you like it? great! you don't? great!
but the psychology of those video creators that
mind how many views they receive and
how many comments they: likewise receive...
"false hits" with the number of hits of viewership?

me? i'm not bothered... i've been watching
the female Euro finals...
i was almost scared... what if the female England team
don't make it to the finals?!
me? i'm gearing up...
any rowdy hooligans up to speed?!
as much as i hate women not trying toi compete
in sports that are sexually-exclusive...
there's this... THIS... i watch the games because
the Colleseum is burning...
i'm only watching the fire...
    and i'm watching the women i'd love to ****...
this never would have happened if watching
tennis...

    the crisp biting attache of a sharpshooter
WONG sort of mixer-mix-up with a whiskey
and a pepssi...
me... reaching for a second glass
with one already filled like: *******... RAINMAN...

keep your horses!
i'm gearing up to a translation!
wait, the, ****, up! keep it cool in Doob-Lyn!
oh no... you don't get to tell me
i use too many vowels without me showing
you... you mishandled the vowel-to-consonant
dynamic... Doob-Lyn is Dublin: tow me...
no: not to me? tow me... now you're dragging me
along the snail-trail...

the disparaging translations:

(B) the A. S. Kline translation

Parrot, the mimic, the winged one from India’s Orient,
is dead – Go, birds, in a flock and follow him to the grave!
Go, pious feathered ones, beat your ******* with your wings
and mark your delicate cheeks with hard talons:
tear out your shaggy plumage, instead of hair, n mourning:
sound out your songs with long piping!
Philomela , mourning the crime of the Thracian tyrant,
the years of your mourning are complete:
divert your lament to the death of a rare bird –
Itys is a great but ancient reason for grief.
All who balance in flight in the flowing air,
and you, above others, his friend the turtle-dove, grieve!
All your lives you were in perfect concord,
and held firm in your faithfulness to the end.
What the youth from Phocis was to Orestes of Argos,
while she could be, Parrot, turtle-dove was to you.
What worth now your loyalty, your rare form and colour,
the clever way you altered the sound of your voice,
what joy in the pleasure given you by our mistress? –
Unhappy one, glory of birds, you’re certainly dead!
You could dim emeralds matched to your fragile feathers,
wearing a beak dyed scarlet spotted with saffron.
No bird on earth could better copy a voice –
or reply so well with words in a lisping tone!
You were snatched by Envy – you who never made war:
you were garrulous and a lover of gentle peace.
Behold, quails live fighting amongst themselves:
perhaps that’s why they frequently reach old age.
Your food was little, compared with your love of talking
you could never free your beak much for eating.
Nuts were his diet, and poppy-seed made him sleep,
and he drove away thirst with simple draughts of water.
Gluttonous vultures may live and kites, tracing spirals
in air, and jackdaws, informants of rain to come:
and the raven detested by armed Minerva lives too –
he whose strength can last out nine generations:
but that loquacious mimic of the human voice,
Parrot, the gift from the end of the earth, is dead
The best are always taken first by greedy hands:
the worse make up a full span of years.
Thersites saw Protesilaus’s sad funeral,
and Hector was ashes while his brothers lived.
Why recall the pious prayers of my frightened girl for you –
prayers that a stormy south wind blew out to sea?
The seventh dawn came with nothing there beyond,
and Fate held an empty spool of thread for you.
Yet still the words from his listless beak astonished:
dying his tongue cried: ‘Corinna, farewell!’
A grove of dark holm oaks leafs beneath an Elysian *****,
the damp earth green with everlasting grass.
If you can believe it, they say there’s a place there
for pious birds, from which ominous ones are barred.
There innocuous swans browse far and wide
and the phoenix lives there, unique immortal bird:
There Juno’s peacock displays his tail-feathers,
and the dove lovingly bills and coos.
Parrot gaining a place among those trees
translates the pious birds in his own words.
A tumulus holds his bones – a tumulus fitting his size –
whose little stone carries lines appropriate for him:
‘His grave holds one who pleased his mistress:
his speech to me was cleverer than other birds’.

(C) the  P. Green translation

parrot, that feathered mimic from India's dawlands,
is dead. come flocking, birds, to his funeral:
come, all you godfearing airborne creatures,
beat ******* with wings,
   mourn, claw your polls, tear out soft feathers
(your hair), and pipe high your sad lament.
Philomela, nightingale, the ancient crimes of Tereus
which you lament is long past -
    divert your grief to the obsequies of a rare and modern
bird: poor Itylus' case was tragic, but antique.
all wind-borne voyagers through the clear empyrean
lament now, and above all his friend the turtle-dove
they lived in complete agreement,
    their bond of faith held firm to the end.
what Pylades was to Orestes or Argos, that Parrot,
turtle-dove was to you - while fate allowed.
yet of no avail your devotion, your rare and beautiful
plumage,
your adaptable mimic's voice;
    not even the care that my darling lavished on you -
poor Polly, paragon of birdhood, is dead.
so gree his feathers, they dimmed the cut emerald;
scarlet his beak, with saffron spots.
no bird on earth could copy a voice more closely
or sound so articulate.
fate, jealous, removed him - that unaggressive creature,
that talktative devotee of peace,
with his tiny appetite , whose love of conversation
left him little leisure for food,
who lived on a diet of nuts, used poppy-seed to encourage
sound sleep: kept his thirst at bay with nothing but water.
quails spend their whole life fighting -
maybe that's how they reach a ripe old age.
carnivorous vultures, kites gyring high in the heavens,
weather-wise jackdaws, prophets of rain to come,
are all long-lived - while Minerva's bête noire, the raven,
can outlast nine generations. yet Parrot is dead,
that loquacious parody of human utterance,, that bonanza
from the eastern edge of the world,
greedy death almost always pickss off the best ones early -
it's the third-raters who reach a ripe old age.
Thersites attended the funeral of Protesilaus;
Hector was ashes while his brothers still lived.
what point is recalling the desperate prayers my sweetheart
uttered?
some stormy sirocco blew them out to sea.
six days he survived, and then, at dawn on the seventh,
his thread of destiny ran out.
yet somehow, though dying, he could still find utterance,
and the last words he ever spoke were: 'Corinna, farewell!'
beneath a hill in Elyium, where dark ilex clussters
and the moist earth is for ever green,
there exists - or so i have heard - the pious fowls' heaven
(all ill-omened predators barred).
harmless swaans roam after foot there, there dwells
the phoenix, that long-lived, ever-solitary bird;
there Juno's peacock spreads out his splendid fantail
amid the billing and cooing of amorous doves;
and there, in this woodland haven, the feathered faithful
welcome Parrot, flock round to hear him talk.
his bones lie buried under a parrot-sized tumulus
with a tiny headstone bearing these words:
r.i.p. Polly: this tribute from his loving mistress:
articulate beyond a common bird

the thought of LEMONS or perhaps
the IDEA of lemon...
then again: i can't refrain from
ORANGES and LIMES...
and the shy-sunlight of autumn
and the blooming of apples...
and operas...
             "someone"...
                              what pretty pies of
unfuckable wonders await...

divert your grief to the obsequeies of a rare and modern
bird: poor Itylus' case was tragic, but antique
(antiquated?).
all wind-borne voyagers through tge clear empyrean
lament nowm abd above all
his friend the turtle-dove, they lived in complete
agreement
   their bond of faith held firm to the end.
what Pylades was to Orestes of Argos, that, Parrot,
turtle-dove was to you - while Fate allowed,

i'm not even going to bother with a "bananna C"...
i woke up wild-awake with ideas...
brimming with Tao...
"non-doing" id est: point PROVEN
or rather point SERVED?!

Russia and China are clashing...
or rather sparring...
they're having their civilization-state
agenda being put in place...
while there's a "culture-war" in the "west"...
right... James Bond...
so we're refrrering to nation-stattes
as post-nationhood...
  "states"...
                    precursors to the globalist agenda
of fake space exploration via the ******* telescope...
if Russia and China are civivilasation-states...
then... whatever culture "war" is investing in:
or rather: digressing into... impliies
the FSA (federal states of america)
             is a culture-state...
                                                ­                 no?

personally? i don't like the current h'American culture...
it's absolute *******...
no! i'm not going to translate any more of Ovid...
i already read the better translation...
i found out only two minites ago that
i prefer drinking to having ***...
and keeping an eye on cats is just as rewarding
as rearing children: if you allow yourself
to give them a personality...

           so Russia is a civilisation-state...
while America is a culture-state...
                    well... no wonder...
                                            America is the zenith
that could be: but doesn't have to be
preserved...
the culture-state-of-the-sand-*******...
i wish: the Arabs clocked in lucky...
sitting on so much raw ill of oil...
bounce bounce libido bounce bounce...

hmm... "inner monologue"... i had that "thing"
once... i kost it... turning psychotic...
then again: within the confines of having
an internal monologue? i was passive...
       i was a passive agent...
                         upon losing it: having my soul
evaporate: becoming an "N.P.C."...
i became an active agent...
i opened my eyes a second time...

           i think my inner monolpogue became blocked
by:
został wyciszony... bo zaczoł być cykliczny,
tzn. nie po prostej:
       wymarł według koncepcji
sprawiedliwości...

even i know: the gods uttered the words:
shut the **** up! we know you're right!
but we're playing roulette!
shut the ******! we're playing cards!
shut up!
wait! wait your turn!
**** me, given the prowess at attaing
a concept of the differential of space comparing
time... i.e. speed... i'll be karma-happy
once i die...

i'm not translating the rest of that Ovid...
a girl's parraot died... great!
now i'm thinking about:
a bicyckle is a terrible idea... to ride...
on the roads towards St. Paul's... i think i might
require a horse!
i need a horse! bring me a hood, a hoof,
an apple and a toothbrush!
the last place i'm thinking about moving
to is California...
   and thank no god for that...
just the people who already live there.

III.

i sooner discovered the rare B-sides of Red Hot Chilli
Peppers than having realised... oh right...
they release two albums after By the Way...
i completely forgot about those two...
               guess i'm not as big a fan as i thought i was...
Go Robot... it's not oh so wo terrible now, or anymore...
oh woah woe... what a whale to ride into the night...

sometimes it just happens, a sort of blend of an Ezrra Pound
and a Charles Olson moment, poem, moment-poem...
it stretches for three days and you just don't want
to finish it... you kept repeating yourself writing seemingly
aimlessly with no focus...
at this point writing becomes theraputic...
by the simple act of writing: not theraputic regarding
what you're writing about: memories of frustration and
complications having finished Thomas Mann's Dr. Faustus...
unlike those joyous frustrations with Samuel Beckett's
Watt...
                  and on the third day "he" finished painting
four metal chairs a new colour of copperhead...
a copperneck painting chairs copperhead...
to me the colour of copper is more appealing than
that of gold...

if i still had that inner-monologue people speak of
i wouldn't be writing this,
that inner-monologue fantasy i once was a proud owner
of: i.e. the closest "thing" to the idea of soul
was also filled with so many doubts...
i simply don't care what the supposed benefits
of it were... that whole no-inner-monologue ergo
one's an NPC (non-playable character)...
    i remember that that when my first psychotic episode
slammed me on a rampage i started to see DIFFERENTLY...
it was as if a veil was lifted from my eyes...
if i didn't write terrible poetry back then...
i most certainly wrote very little...
             the inner-monologue doubts... a plethora of them...
no? psychosis = the osmosis of soul...
   the body has remained... the devils said:
but these idle hands and this idle intellect have to stay...
we'll pass on the message with your soul
as it leaves your body...
call it whatever you want:
   res vanus or the silence of the "mind"...
that's how you become more of an active agent...
it might be called writing but i call it digging...
a tunnel toward some variaton of: marrying Hades
with Tartarus...
                after all... Venus is the daughter of titans...
and she's the only Titan among the Olympian gods:
such is her perfection... almost on par with
   the patron of philosophers that's Sacred Sophia:
who entertains the foolishness of elder men
without being able to tell them apart from boys...

IV. if i were to translate Amores II. XI

would i be willing to add a D in the translation sequence?
i don't think so
there's no need... i like comparing the two i already
made available...
i just wanted to stress how unbelievable Latin is...
compared to the modern tongue, for example English...
how compact it is!
- and course, i prefer the second translation...
     it... exfoliates!
                     this is the point for me where i truly appreciate
Ovid to be on par with Horace...

side by side walking through the zenith-nadir of
man...

   i'm finally come across a sequence of events that
make me unwilling to stop typing: perhaps if i get
drunk enough and stumble on my first typo
perhaps a series of typos would end my ambition...

do i think men in the west are living
in a land of libido-insomnia? i think they are...
whoever said that watching one type of pornogrphy
soon spirals out of control and men start
scouting for more extreme *******:
hello outlier A! hello outlier B!
where's outlier C? oh... he's coming...
at a time when women are supposed to be these
sexually liberated creatures while men
are either STAGS with harems or limp biscuit *****...
thank god i managed to catch the train
of having the ***** of walking into a newsagent
and buying a pornographic magazine to ******* to...
stashed about six in a folder behind
the radiator in the bathroom at 21B Beehive Lane,
Gants Hill...
                         mind you: i started prematurely...
8?
     i switch off with western ****** antics:
people are either having too much ***: ergo the kinks
or not enough of it...
outlier in the middle: when it's too hot
i leave the insects to do their lineage pride...
cooler temperatures: *** like rubbing sand-paper
on a ****** paint-job...

                         makeshift boney **** of the hand...
well: at least ******* makes me more interested in
the **** than **** ***...
but i did the opposite... i need to keep a sack-of-sanity
atop my head...
beside adoring the Katakana...
i very much adore Japanese tamed sexuality...
     グラビア アイドル (gurabia aidoru)...
back in the day when the English tabloid newspaper
the Sun had a page 3 girl...
back to basics... a show of *******...
    a show of cleavage... perhaps even the breast
like the eye... the sclera of the rounded breast...
the darkened skin at the iris and then the pupil
as the ******...
  floral patterns of the *******...
                  back to basics...
                           a photograph of a naked woman
and all the imagination at work: what wouldn't
i want to do with her?

well... if you begin pleasing yourself while concentrating
on the kiss between Venus and Cupid
in one of Bronzino's beauties of paint-strokes...
you're hardly going to go down a rabbit-hole
of "hide and hide": wihtout seeking it out...
people and thier kinks...
while a minority: dodo-project sexuality of
homosexuality is celebrated: garnerded unto the guise
of "pride": i can't stomach shame...
but hey: look at me! i'm about to parade my sexuality
like and ******* latex-clad gimp readied
for being given ***-favour-orders...

outlandish! god-forgiving god-fearing...
  hardly every god-loving...
           a settling in of a blue that's not the sky
but a melancholy... i'm finally willing to end this
"diatribe"... to start afresh... again and again...
like mixing: Dreams of a Samurai with
Hans Zimmer's spectres in the fog...

                      my ***: going back to figuring out
the premature adventures into ***...
one boy passing on the secrets of *******
to another while sharing a bath:
the cruel curiosity of the circumcision:
in a secular environment: without the kippah
or the niqab: the submission of the women...
i will not give up the "sheath" to my "sword"...
i will keep my teeth with my twirling tongue...
if ever an improvement on the aesthetics?
clipping the ears of Dobberman dogs...
banning clipping the clipping of their tails...
but still: the preserved atrocity of male circumcision...
i could agree...
once a woman is devoted to her man...
a circumcision like putting on a wedding ring...
noble swans... oh noble swans...

a melancholy that's sort of azure...
amass enough water and you will see blue...
amass "too little": freeze it...
a paleness somewhat grey...
but then the icebergs roaming that are
the Cistercians...
            all i need right now is for some lonely
dog to start barking into the night...
or the cackling "laughter" of a fox...
    
    but all those sexless lives...
            "lucky" me for taming my consumption down...
where would i be without it?
i didn't ask for a *******...
i wa offered it... i will never forget how she clamoured
for the opportunity...
she couldn't stomach being rejected twice...
she just had to clamour like a crab in a crab bucket...
even if she thought she thought she succeeded:
she was the spare wheel...
what i've learned... i prefer one-on-one interactions...
but i gave in...
   it would have never worked out:
not like it "works out" in pornographic flicks...
the sharing of saliva and other juices...
we're responsible adults...
unlike in the pornographic flicks...
          two women: one man...
the changing of condoms...
                           i had to think quick:
there's only one way i will not be undermined...
snuggling up to the one i really wanted
to spend an hour with...
                       kissing neck and cheek...
while she did a hand-job...
   the other just sat there sort of idle...
                          until i figured out... those *******
could be of some use...

- i couldn't pull off a Jesus look...
long hair and a beard is not my "thing"...
even with a sly undercut...
i chose the better option.... short hair, a beard, yes,
but a "fu manchu": an elongated love-spot...
competing with the length of the beard...
i really "don't understand" why i have no memory
of my chin and neck...
it's like there was never the idea of using
water as a mirror... perhaps poor Xerxes lashed
at the Aegean for hiding his reflection
when he had one of those Narcisstic moments
of anguish: he forgot how he looked like...
but then the sides of the moustasche also drooping:
elongated... that work much better than
a beard and long hair...
it's so unfashionable these days...
i don't get why men think beards and long hair
"work"....

then again i never figured out why Khadira
wanted to have unprotected ***...
  how she insisted that it was just plain o.k.
for me to ******* into her...
how i snapped and dived in into her pandamonium
of multiples springs of irritated ****...
all slobbering with oyster-tongue
and knose...
                               all that informed me...

companionship? what a rare commodity...
it's enough to have a mother to know
how a woman's company can quickly sour
the already sweet grapes...
one word: tell a man he's LAZY...
while he's just tired of being pushed and shoved...
if a mother can do that to a son?
what could a wife do?
                          and i'm come across curiosities of
men who waged wars with their mothers...
at the Tyson Fury boxing match...
i was trying to calm the **** down a guy
who was having a panic attack after being
"abandoned" by his mother...
who bought the tickets... and drinks...
i squeezed him hard... told him: but i'm here for free!
nay! i'm here and getting paid for it!
blah blah...
               i hate seeing panic attacks in men...
it makes me either feel like
more than a man or less of a man...
it makes me think of the men prior
with shell-shocks... or women exploiting
the challenges of p.t.s.d.

                                    i've seen so many people fake
a mental illness... i've spoken at length
to them... how easily open up to their own struggles...
while i'm left alone with whatever ones
i have...
                   maybe because my "mental health issues"
have morphed into philosophical caviats
implies that i'm immune to outright sharing
the details... and boring people to death...
so i listen...
        i listen...
                            in one ear out the other...

i remember days in high school when we would love
to change the subject, create a game:
SLAP-BALL... imitation of Tsar Peter III prior
to tennis... an imitation court... with a fence between us...
or just playing BLACKJACK...
cards... that was big... we understood that ignoring
women was best done with / by playing cards...
at one point: i remember it to this day...
Samuel Richards grabbed Ian Goodman's neck
and pinned him to the floor...
we tried to intervene...
i don't know whether it was about the actual
game of cards or whether it was about
Sam bailing out... he was about to move to France...
and ****** off from pur in-group...
started playing basketball with the black-boys...
forgot he was supposedly the "PUNK" in the school...
i remember skateboarding with him...
he actually stole his mother's credit card and bought
a skateboard for me...
but his ******* MOHICAN was ****...
it didn't entertain the entire length of his skull
meeting his spine...
but we did walk back from Romford
toward Ilford this one night...
underage drinking... singing Backstreet Boys songs...

ha ha...
         time is a museum of melancholy...
while space is a museum of furthering whatever is left
of leftover potential...

i'm so despondent about this life having to end...
today i cycled up to the traffic lights
on my ******... ******?! £125 viking road bike... say the word
****** one more time... what was i facing?
a solitary man in an Aston Martin...
behind him? some solitary guy in a Porsche...
right... "alphas"...
i'm on my bicycle... but these two guys
in those choicest of motor-examples?
that's the thing with "competing" in life rather than
sport...
     i like my bicycle... i love my bicycle...
i am yet to wash away the blood from my head
from the crash...
i don't have a broken leg: i just have an outgrowth of bone
on my shin where my bone should have cracked:
i love milk...

competing with these men... **** me...
i was thinking about the Porsche guy...
nice game... but it's not playing cards...
i taart myself up: compete...
what do i get? i get a Porsche...
     but then ahead of me there's this guy
in an Aston Martin: mate! i'm ******!
oh blue blue Hue... the Aston Martin looked like
the bomb that is already was...
the Porsche? the Porsche looked like
a ******* Ford Mondeo by comparison...
Civic Extra... if that's even a car...
i was sort of happy to by cycling...
i figured... well: i'm not using my legs...
to walk... i'm peddling...

ever heard the expression "push-bike"?
i heard that only recently... what a werid coupling
of words... a motorcycle is distinguished from
a a bicycle by the term: "push-bike"
this half-brain-dead coworker...
what the **** am i pushing?!
it's just as weird as calling it a peddling-bicycle, no?
eh?
but what am i pushing? a bicycle is a bicycle
a turtle is a turtle... i still have to figure out
what's being pushed...
what comes first? the donkey, the carrot, or the stick?!

mawn the lawn: sieve the sand...
mawn the lawn: sieve the sand...
keep nurturing the spacing between numbers
but also keep lost track of the alphebticaal
queue...
never the type to rehash a refurbishment
of SPAWN...

           i simply don't want this day-dream to end...
around me people cowering into sleep...
i'm left in limbo...
            between consetllations and the scythe
of the moon... dearest: moooooon...
i'm itching to break the silence with a howl...
but first: the thirst of a dog barking...
i hear a dog barking i'll start to howl!

aren't we simply becoming the same
tired people of old?
              more impetus...
more gravity! more fire! more tides!
more the quaking of the earth!
more whirlwinds! more! more!
one Pompeii is not enough!

                       almost one litre of whiskey
into the session and i'm sober-tense...
i'm starting to think that entertaining
hell is not a bad "gimmick"...
                  there's the imaginary hell-crowd
and there' some also doubly-imaginary
crowd of people that yet to be bound to imitation-migration
focus...
           next time you ask me:
i'd rather be eating ice: crunching on
ice than drinking water...
i want to burn my tongue...
licking ice...l i want to burn my tongue
licking ice: but first i want to be dipping
it in coridnader-cumin-chilli-turmeric mix-up
of spiders...

i want to first bruise my knees before
i lick them clean...
i want the strict juices of: not tomatoes?
red is red: ergo blood is blood...
vulture ****...
there's an open window:
there's an evaporating night too...

best refrain: 6 by 6s refrain on 9s...
since? there's plenty of 0s / oopses...
by this "flesh and blood"...
i heave this sand and timer
like: i was sadly woken up with
an inheritance of salt...
boiling blue bloods and boiling gravy...
a smile that reads: clenched teeth...
a smile so awkward that
it make^ a parrot think twice about
imitating human speech.

^a notable typo, i think i might require an editor
(insert a snigger); two alternatives:
1. it might make a parrot think twice,
2. a smile so awkward that it makes a parrot think twince...
all depending on the tense.

My lips can no longer hold back.
The muted tones cannot bring out the infinity that hides
discretely
points
to an exit sign.
Certainty waves goodbye. My only function now is to collapse it.
To put the past behind.

The barred doors allow the bottleneck to tighten for a few hours,
but memory has a way of sounding the alarm in the morning
when the early birds rise,
armed with ancient lessons
that remind me they're the ones who are eating well.

I want to come up from the dirt and drink from the well.
My low-life self can no longer heed the worm's advice:
"Sleep all day and you won't get eaten."

Out.

Out with your tepid voice and halfway disposition.
Out with your elevated mind, your profound commitment to the mediocre task
of enlightening the little people.

The empire you fabricate may stay stitched for a while.
But the clothes of emperors always burst at the seams.
A workaholic, addicted to the common
you're winning your converts with tired dreams, vicarious imaginings of those finer roads, well tread by shoes that are not your own.
You don't believe in the masses. Fine. But get the *******
your throne.

Reciting badly drawn poems at four in the morning
(it could have been worse e.g. I could have wrote "mourning")
looking to insight myself,
not into a passionate frenzy
like Bacchae drunk on the moonlight.
No -- I want piercing red. That's what I want to be.
Want to show the heavens how I use the precious wine.
Sip it.
Out the undulations go.
Sweating out the great myth that time forgets when it flows.

My pagan-witch ego has put me on the hunt for blood tonight,
and the full moon is giving rise to ****** undulations,
washing up teeny-book explanations
of loves once lost.
But I'm far from my being,
and from the infinite ocean.
And the only sound I can hear right now is my one hand clapping at the curtain call,
retiring my broom,
bowing goodbye.

King wing nut fancied himself a fashion savant. No one was ballsy enough to tell him "you caahnt".
                                               He sewed a nice shirt from riverbed dirt.
                                              
"Wonderful sire was the obliging blurt.
                                               He stitched a cocked hat made from rooster
                                               Fat.

"Mahvelous sire was the rat a tat tat.

                                              He sewed wooden trousers
                                              to so many wowsers !!!

                                              His stockings were crafted from gobbledygook.

Superlative sire!! and "Oh goodness look"

                                              The Vapid sot laid down on a cot for a nap.
                                               He woke at two,recharged an refreshed.
                                              
He stripped down to the skin and proceeded to sew a suit from the thinnest of air.
He stepped to his throne from the twilight zone.
bemused and with hardly a care.
                                              What say ye now said the simplified oaf.

                                              All eyes drifted skyward as he strutted about.
                                              to applause and stifled guffaws.

"Your majesty has outdone himself".
"Leave the rest of your clothes in the closets and shelves.

                                              Nothing more needs be said.
                                              Gassed up and content with an over-sized head.

‘Abá Cloak or mantle; a rough, coarse shirt.[1][2]
Ábádih
‘Abbás AR: عباس lion
‘Abdu’l-Bahá AR: عباس افندی Servant of Glory Title of ‘Abbás Effendi, the eldest son and successor of Bahá'u'lláh, meaning Servant of Bahá (Glory), i.e., Servant of Bahá'u'lláh. He preferred this title over others because it emphasized His servitude to Bahá'u'lláh.
‘Abdu’l-Hamid AR:  عبد الحميد servant of the All-Laudable
‘Abdu’l-Husayn AR:  عبد الحسين servant of Husayn
‘Abdu’lláh AR: عبد الله servant of God
Abhá AR: أبهى Most Glorious, All-Glorious A superlative form of the word Bahá’, "glory", or "glorious"; a form of the Greatest Name of God.
Abhá Beauty AR: جمال ابها A title of Bahá'u'lláh. See also Blessed Beauty.
Abhá Kingdom Most Glorious Kingdom The next stage of existence, or "the next world", i.e. the world of the afterlife.
Abjad system A numerological system, i.e. a system assigning a numerical value to letters, which creates a new layer of meaning in Scripture. For instance, the value of the word Bahá’ in the Abjad system is nine, lending that number a special significance.
Abu’l-Faḍl AR:  ابوالفضل father of virtue
‘Adasíyyih A village near the Jordan River where some early Baha'is lived, working as farmers at ‘Abdu’l-Bahá's request.
Adhan AR: أَذَان announcement[3] Also Azán. Muslim call to prayer.[2]
Ádhirbáyján FA: آذربایجان Also Azerbaijan. A region in northwestern Iran.[4]
Afnán AR: ﺍﻓﻨﺎﻥ twigs The maternal relatives of the Báb; used as a surname by their descendants.
Aghsán AR: ﺍﻏﺼﺎﻥ branches The male descendants of Bahá'u'lláh; has particular implications not only for the disposition of endowments but also for the succession of authority following the passing of Bahá’u’lláh and of his son ‘Abdu’l-Bahá.
A.H. After Hijirah. Date of Muḥammad’s migration from Mecca to Medina, and basis of Islamic chronology.[2]
‘Ahd
Aḥmad AR: أحمد to thank, to praise An Arabic given name from the same root as the name Muhammad.
Aḥsá’í AR: أحسائي from Ahsáʼ An Arabic demonym referring to a native of the Ahsáʼ region in eastern Saudi Arabia.
Ahváz FA: اهواز the Khuzi people A region in southwestern Iran.
‘Akká AR: عكّا A penal colony of the Ottoman Empire (now part of northern Israel) to which Bahá'u'lláh was banished by Sultan 'Abdu'l-'Aziz.
Akbar AR: اكبر great Great, or greater. See Alláh-u-Akbar, Ghusn-i-Akbar.[2]
‘Alá’ AR: علاء loftiness The nineteenth month of the Bahá’í calendar; the month of fasting.
Alí
Alláh-u-Abhá AR: الله أبهى God is Most Glorious A form of the Greatest Name of God. Commonly used as a greeting by Bahá'ís. Repeating Alláh-u-Abhá 95 times a day is a law binding on all Bahá'ís, as written by Bahá'u'lláh in the Kitáb-i-Aqdas.
Alláh-u-Akbar AR: ٱللَّٰهُ أَكْبَرُ God is Most Great
Alváh
Alváḥ-i-Saláṭín
Amatu'l-Bahá AR: امةالبهاء Maidservant of Glory Title of Rúhíyyih Khanum, the wife of Shoghi Effendi, meaning Maidservant of Bahá (Glory), i.e., Maidservant of Bahá'u'lláh.
Amín
Amír lord, prince, commander, governor[2] Also Ameer, Emir. The word originally signified a military commander, but very early came to be extended to anyone bearing rule.[5]
Amru’lláh
Anzalí
Áqá FA: آقا Sir, mister, master Also Aga, Agha. A dignitary or lord; used generally as a term of respect.[6] Title given by Bahá’u’lláh to ‘Abdu’l-Bahá (translated as "Master").[2]
Aqdas FA: اقدس‎ most holy Most Holy. Used in the title of the Kitáb-i-Aqdas.
‘Arabistán A former Arab Emirate that now forms part of the Iranian province of Khuzestan.
Aṣl-i-Kullu'l-Khayr AR: أﺻﻞ ﻛﻞ ﺍﻟﺨﻴﺮ words of wisdom A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Asmá’ AR: اسماء names The ninth month of the Bahá’í calendar.
‘Avájiq FA: آواجیق The westernmost city in Iran, located in the province of West Ádhirbáyján.
Ayádí
Áyah AR: آية verse, sign, miracle Also Ayat. A verse, esp. of the Qur'án.
Ayyám-i-Há AR:  ايام الهاء days of Há A period of four or five intercalary days in the Bahá’í calendar, celebrated by Bahá'ís as a Festival marked by charity, hospitality and rejoicing.
Azal
‘Aẓam AR: اعظم greatest[2] See Ghusn-i-‘Aẓam.
‘Aẓamat AR: عظمة grandeur The fourth month of the Bahá’í calendar.
‘Azíz
B
Term Source Meaning Definition
Báb, The AR: باب door, gate Title assumed by Mírzá ‘Alí-Muḥammad after the declaration of His Mission as the promised Qá'im (or Mihdí/Mahdi) in Shíráz in May 1844.[2] A Manifestation of God whose dispensation preceded that of Bahá'u'lláh, and who foretold His coming. Founder of the Bábí religion.
Bábí AR: بابی of the gate A follower of the Báb, or an adjective used in relating something or someone to the Bábí religion.
Bábí religion The religion established by the Báb.
Bábu'l-Báb AR: باب الباب gate of the gate Title of Mullá Ḥusayn-i-Bushru'i, the first person to profess belief in the Báb.
Baghdád AR: مدينة بغداد bestowed by God[7] Also Bagdad.[8] The capital city of Iraq, to which Bahá’u’lláh was exiled in 1853. He took up residence and lived there for the greater part of a decade. His House in the Karkh sector of the city is a site of pilgrimage, although it was destroyed in 2013; a garden in the city's Rusafa sector was the site of the events celebrated during Riḍván.
Bahá’ AR: أبهى glory, splendour The Greatest Name of God, meaning "glory", or "glorious". The first month of the Bahá’í calendar. Title by which Bahá’u’lláh (Mírzá Ḥusayn-‘Alí) is designated.[2]
Bahá’í AR: بهائی of glory A follower of Bahá'u'lláh, or an adjective used in relating something or someone to the Bahá’í Faith. It is important to note that "Bahá’í" is not a noun meaning the religion as a whole; i.e. "She is a member of the Bahá'í Faith" rather than "She is a member of Bahá'í".
Bahá’í Faith The religion established by Bahá'u'lláh.
Bahá'u'lláh AR: بهاء الله Glory of God The Founder of the Bahá'í Faith, the Manifestation of God for this age.
Bahíyyih Bahíyyih Khánum, “Greatest Holy Leaf” (born Fáṭimih Sulṭán, 1846–15 July 1932)
Bahjí AR: البهجة delight A site outside the city of ‘Akká where Bahá'u'lláh spent His final years, in the Mansion of Bahjí.
Bait al-Adl AR: بيت العدل House of Justice Also Baytu’l-’Adl. The House of Justice, an elected legislative institution ordained by Bahá'u'lláh.
Bait al-Adl al-Azam AR: بيت العدل الأعظم House of Justice Also Baytu’l-’Adl-i-A’ẓam. The Universal House of Justice, also referred to as the Supreme House of Justice, the elected institution that currently serves as the head of the Bahá'í Faith.
Balúchistán FA: بلوچستان Southwestern province of Pakistan
Bandar-‘Abbás FA: بندرعباس A port city and capital of Hurmúzgán Province on the southern Persian Gulf coast of Írán
Baqíyyatu’lláh Remnant of God Title applied both to the Báb and to Bahá’u’lláh.[2]
Bárfurúsh FA: بارفروش a town in Mázindarán, now known as Bábul (Babol)
Bayán AR: بیان‎ exposition, utterance, explanation Title given by the Báb to His Revelation, particularly to His Books, and especially to two of His major works: The Persian Bayán and the Arabic Bayán.[2]
Bayt AR: بيت house, building
Big Honorary title; lower title than Khán.[2]
Bírjand FA: بیرجند city in eastern Írán
Bishárát AR: ﺍﻟﻄﺮﺍﺯﺍﺕ good news, glad-tidings A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Bukhárá FA: بخارا city in Uzbekistan
Burújird FA: بروجرد Capital city of the province of Luristán, place of the governorship of Mírzá Buzurg
Búshihr FA: بوشهر Iranian city (once the primary port of Írán) and province on the Persian Gulf.
Búshrúyih FA: بشرويه a town in Khurásán, 55 km NE of Ṭabas and 70 km WSW of Tún. It is the birthplace of Mullá Ḥusayn, first disciple of the Báb.
C
Term Source Meaning Definition
Caravanserai FA: کاروانسرای caravan palace An inn for caravans, i.e. groups of traders, pilgrims or other travellers, engaged in long-distance travel.[2][9]
Chihár-Vádí FA: چهار وادی four valleys “Four Valleys” by Bahá’u’lláh. Addressed to Shaykh ‘Abdu’r-Raḥmán-i-Karkútí.
Chihríq FA: چهریق Fortress in Kurdish Ádhirbáyján, designated by the Báb as Jabal-i-Shadíd (the Grievous Mountain)
D
Term Source Meaning Definition
Dárúghih FA: داروغه high constable[2]
Darvísh FA: درویش seeking doors; beggar Also Dervish. A Muslim mystic, often a hermit or ascetic who wanders the land carrying a begging bowl (kashkúl). Equivalent to the Arabic faqír.[10]
Dawlih state, government[2] See Vakilu'd-Dawlih.
E
Term Source Meaning Definition
Effendi FA: افندي master A title of nobility.
F
Term Source Meaning Definition
Fárán Pers. small village in Ardistán
Farmán FA: فرمان order, command, royal decree[2] Also Firmán. An edict given by a sovereign, particularly for decrees, grants, passports, etc.[11]
Farrásh FA: فرش footman, lictor, attendant[2]
Farrásh-Báshí FA: فراش باشی The head farrásh.[2]
Fárs FA: فارس a southern province of Írán, from which the name Persia derives.
Farsakh FA: فرسخ Unit of measurement. Its length differs in different parts of the country according to the nature of the ground, the local interpretation of the term being the distance which a laden mule will walk in the hour, which varies from three to four miles. Arabicised from the old Persian “parsang,” and supposed to be derived from pieces of stone (sang) placed on the roadside.[2][12]
Fiḍál AR: فضال grace The fourth day of the week in the Bahá’í calendar, corresponding to Tuesday.
G
Term Source Meaning Definition
Ganjih FA: گنجه (Ganjeh) city (2nd largest) in Ádharbayján. It was named Elisabethpol in the Russian Empire period.
Ghuṣn-i-A‘ẓám FA: غصن اعظم Most Great or Greatest Branch, i.e. ‘Abdu’l-Bahá.
Ghuṣn-i-Akbar FA: غصن اکبر Greater Branch, i.e. Mírzá Muḥammad-‘Ali. Also The Chosen Branch, i.e. Shoghi Effendi.
Gílán FA: گیلان a northern province of Írán on the Caspian Sea.
H
Term Source Meaning Definition
Ḥadíth AR: حديث occurring, happening, taking place
Ḥájí AR: حاج Also Hajji, Hadji. A Muslim who has made the Hajj, i.e. pilgrimage.[2][13]
Ḥajj AR: حج setting out Also Hadj. The Muslim rite of pilgrimage to the holy city of Mecca.[13]
Hamadán FA: همدان Hamadán city in Írán, 144 km NE Kirmánsháh. Originally Ecbatana of the ancient Medes.
Ḥaydar-‘Alí AR: حيدر علي noted early Bahá’í, born into Shaykhí family of Iṣfahán. Known as the “Angel of Carmel”.
Haykal AR: هيكل temple; large building, edifice
Himmat-Ábád FA: همت اباد city in Raḍawí Khurásán Ústán Province, Írán
Howdah AR: هودج A litter carried by a camel, mule, horse, or elephant for travelling purposes.[2]
Ḥusayn AR: الحسين (diminutive form of Haṣan “Good”) Name of the third Imám, Ḥusayn.
Huvaydar village north of the city Ba‘qúba, which is 60 km NE of Baghdád
I
Term Source Meaning Definition
Ibráhím AR: إِبْرَاهِيْمُ A given name referring to Abraham, Patriarch of the people of Israel.
‘Idál AR: عدال justice The fifth day of the week in the Bahá’í calendar, corresponding to Wednesday.
Íl clan[2]
‘Ilm AR: علم knowledge The twelfth month of the Bahá’í calendar.
Imám AR: إمام leader A Muslim religious leader; specifically, the title of the twelve shí’ah successors of Muḥammad.[2]
Imám-Jum’ih FA: امام جمعه Friday leader The leading imám in a town or city; chief of the mullás, who recites the Friday prayer for the sovereign.[2]
Imám-Zádih FA: امامزاده The tomb or shrine of an imám; or, a descendant of an imám.[2]
Iqán AR: الإيقان certitude being sure, knowing for certain; certitude. Also refers to the book, the Kitáb-i-Íqán.
Irán FA: ایران Írán, the kingdom of Persia proper. Derives from the name Aryán ("of the Iranians"), the self-identifier used by ancient Iranian peoples.
‘Iráq-i-‘Ajam FA: عراقِ عجم Persian ‘Iráq. ‘Iráq between the 11th to 19th centuries consisted of two neighbouring regions: Arabic Iraq (‘Iráq-i ‘Arab) and Persian Iraq (‘Iráq-i ‘Ajam). Arabic Iraq = ancient Babylonia (now central-southern Iraq), and Persian Iraq = ancient Media (now central-western Iran). The two regions were separated by the Zagros Mountains.
Iṣfahán FA: اصفهان Persian city 340 km south of Ṭihrán.
‘Ishqábád FA: عشق آباد Ashkhabad/Ashgabat; capital of Turkmenistan, known as the “City of Love”. A strong Bahá'í community developed there in the time of ‘Abdu’l-Bahá.
Ishráqát AR: ﺍﻻﺷﺮﺍﻗﺎﺕ radiance; radiation, eradiation, emanation; illumination A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Ishtihárd a village 69 km SE of Qazvín and 54 km SW of Karaj
Islám AR: الاسلام submission, resignation, reconciliation (to the will of God in every age)
Ismá‘ílíyyih AR: الإسماعيلية Isma’ilism (Ismá‘ílí sect)—branch of Shí‘a Islám that followed the Imám succession through the eldest son.
Istarábád FA: أستاراباد See Astarábád: “City of Mules”, on south eastern Caspian Sea border of Írán. Since 1937 called Gúrgán (Gorgán).
Istijlál AR: استجلال majesty The sixth day of the week in the Bahá’í calendar, corresponding to Thursday.
Istiqlál AR: استقلال independence The seventh day of the week in the Bahá’í calendar, corresponding to Friday.
‘Izzat AR: عزة might The tenth month of the Bahá’í calendar.
J
Term Source Meaning Definition
Jalál AR: جلال glory The second month of the Bahá’í calendar. Also the first day of the Bahá'í week, corresponding to Saturday.
Jamál AR: جمال beauty The third month of the Bahá’í calendar. Also the second day of the Bahá'í week, corresponding to Sunday.
Jamál-i-Mubárak FA: جمال مبارک “The Blessed Beauty” Title used by some Bahá’ís for Bahá’u’lláh.
Jásb FA: جاسب rural district, Markazí Province, Írán
Jubbih AR: جبيه Also Jubba. A cloth cloak or upper coat.[2][12]
K
Term Source Meaning Definition
Ka‘bih AR: كَعْبَة cube Also Kaaba, Ka'ba, Kaabeh. An ancient shrine at Mecca; the most holy shrine of Islam, located at the center of Islam's most important mosque, the Masjid al-Haram.[2][14]
Kad-Khudá FA: کدخدا Chief of a ward or parish in a town; headman of a village.[2]
Kalantar FA: کلانتر mayor[2]
Kalím FA: کلیم one who discourses[2]
Kalimát AR: كلمات words The eighth month of the Bahá’í calendar.
Kalímát-i-Firdawsíyyih AR: ﺍﻟﻜﻠﻤﺎﺕ ﺍﻟﻔﺮﺩﻭﺳﻴﺔ words of paradise A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Kamál AR: كمال perfection The ninth month of the Bahá’í calendar. Also the third day of the Bahá'í week, corresponding to Monday.
Karand FA: کارند A village about 100 km SE of Ṭihrán.
Karbilá AR: كربلاء Also Karbala, Kerbela. A ****’ite holy city in ‘Iráq where the Imám Ḥusayn was murdered and buried, and where His Shrine is located.[15]
Karbilá’í AR: کربلایی A Muslim who has performed the pilgrimage to Karbilá.
Káshán FA: کاشان One of the oldest cities of Írán, located in north central Persia.[16]
Kawthar AR: ٱلكَوْثَر abundant, plentiful Name of a lake or river in Paradise that Muḥammad saw on his mystic night journey (Qur’án, surah 108).
Kázim AR: ٱلْكَاظِم “One who suppresses his passion or anger”. The title of the seventh Imám of the Shí‘ih.
Kirmán FA: کرمان capital city of Kirmán province, Írán
Kirmánsháh FA: کرمانشاه Province and city in western Írán.
Khán AR: خان caravanserai A roadside inn where travelers (caravaners) could rest and recover from their day's journey.[9]
Khán-i-'Avámid FA: خان آوامید The caravanserai in ‘Akká where Bahá'u'lláh used to receive guests, and later the site for a Bahá'í school.
Khanúm FA:  خانم lady, Madame, Mrs. An honorific title given to women of high social status.
Khurásán FA: خراسان sunrise; orient Province in the north-eastern part of Írán until 2004—replaced by North Khurásán, South Khurásán and Razavi (Raḍawí) Khurásán Provinces.
Khuy FA: خوی (Khoy) city in and the capital of Khoy County, West Azerbaijan Province, Írán
Kitáb AR: الكتاب book A book.
Kitáb-i-‘Ahd FA: کتاب عهدی Book of the Covenant Testament of Bahá’u’lláh, designated by Him as His “Most Great Tablet”
Kitáb-i-Aqdas FA: کتاب اقدس The Most Holy Book by Bahá’u’lláh, written in Arabic
Kitáb-i-Íqán FA: کتاب ایقان Book of Certitude by Bahá’u’lláh
Kull-i-Shay’ AR: كل شىء all things The 361-year supercycle of the Bahá’í calendar, which consists of 19 Váḥids.
Kurdistán FA: کوردستان Greater Kurdistan, a roughly defined geo-cultural historical region wherein the Kurdish people form a prominent majority population and Kurdish culture, languages and national identity have historically been based.
L
Term Source Meaning Definition
Láhíján FA: لاهیجان Caspian sea resort in and the capital of Láhíján County
Lár FA: لار city in province of Fárs
Lawḥ AR: ﻟﻮﺡ board, blackboard
Luristán FA: لرستان a province and an area in western Írán in the Zagros Mountains
M
Term Source Meaning Definition
Maḥbúbu’sh-Shuhadá’ AR­: محبوب الشهداء Beloved of Martyrs Mírzá Muḥammad-Ḥusayn. Brother of Mírzá Muḥammad-Ḥasan, both from Iṣfahán.
Maḥmúd AR: محمود praised, commendable, laudable, praiseworthy A common Arabic name; a form of the name Muḥammad.
Mákú FA: ماکو a city in the West Azerbaijan Province, Írán
Maláyir FA: ملایر city SSE of Ḥamdán, Írán
Maqám FA: مقام site, location
Marághih FA: مراغه city 75 km south of Tabriz, Ádhirbáyján
Marḥabá AR: مرحبا welcome, well done A customary expression of greeting or welcome.
Masá’il AR: مسائل questions The fifteenth month of the Bahá’í calendar.
Mashhad FA: مشهد‎ place of assembly place where a martyr or hero died; religious shrine venerated by the people, especially the tomb of a saint
Mashíyyat AR: مشية will The eleventh month of the Bahá’í calendar.
Mashriqu’l-Adhkár AR: مشرق اﻻذكار Dawning-place of the praises, prayers, remembrances or mentions of God Title for a purpose-built Bahá’í House of Worship.
Mázindarán FA: مازندران A province in northern Írán, on the Caspian Sea. Ancient stronghold of the Parthian and Sassanian Empires, and the ancestral home of Bahá’u’lláh.
Merv FA: مرو‎ Also: Marv. Ancient city located on the Silk Road near the modern-day city of Mary, Turkmenistan.
Mihdí AR: ٱلْمَهْدِيّ‎ One who guides aright, the Guided One. A title of the Twelfth (expected) Imám or Qá’im. Mírzá Mihdí (“The Purest Branch”)
Mílán FA: میلان A village 23 km SW Tabríz, in Ádhirbáyján.
Mírzá FA: میرزا of noble lineage Derived from amírzádeh, meaning child of the Amír or child of the ruler. A term of respect which generally indicates a literate person. When used at the end of a name, it denotes a prince.[17]
Mishkín-Qalam FA: مشكین قلم One of the nineteen Apostles of Bahá'u'lláh, and famous calligrapher of 19th century Persia.
Mithqal AR: مثقال‎ Also Miskal. A unit of weight commonly used in Persia.[12]
Muḥammad AR: مُحَمَّد praised, commendable, laudable Also Mohammed. A common Arabic name, referring to the Prophet of Islam.
Muḥammarih Former name of Persian city Khurramshahr
Mujtahid AR: مُجْتَهِد‎ one who strives or one who exerts himself A mujtahid in contemporary Írán is now called an áyatu’lláh.
Mulk AR: ملك dominion The eighteenth month of the Bahá’í calendar.
Mullá FA: ملا A member of the Muslim clergy.
Munírih FA: منیره luminous, radiant Munírih Khánum, wife of ‘Abdu’l-Bahá (mid 1848–28 April 1938)
Mustagháth AR: مستغث the one called upon for help Used as the name of God by the Báb.
N
Term Source Meaning Definition
Nabíl
Najaf
Najaf-Ábá­d FA: نجف‌آباد A city in Iran's Isfahan Province.
Náqiḍín opposers, violators Covenant-breakers.
Násiri'd-Dín FA: ناصرالدین شاه Protector/Defender of the Faith
Naw-Rúz FA: نوروز new day The new year of the Bahá’í calendar, falling on the day of the spring equinox, i.e. the day on which the sun enters the constellation of Aries as viewed from Tehran.
Nayríz FA: نی‌ریز‎ A city in Iran's Fars Province, southeast of Shíráz, and the site of a major struggle between Bábís and authorities under the Qajar dynasty.
Níshábúr FA: نیشابور A city in northeastern Iran's Razavi Khorasan province, and former capital of Khorasan Province.
Núr AR: نور light The fifth month of the Bahá’í calendar. Also
P
Term Source Meaning Definition
Pahlaví, Pahlawí belonging to a city; a citizen
Q
Term Source Meaning Definition
Qádí AR: قادی judge A civil, criminal, or ecclesiastical judge.[2]
Qádíyán AR: قادیان City in Punjab, India. The birthplace of Mirza Ghulam Ahmad, founder of the Ahmadiyya sect of Islam.
Qá’im FA: قائم He Who shall arise Title designating the Promised One of Islám.[2]
Qalyán FA: قالیان hookah A pipe for smoking through water.[2]
Qamṣar village 25 km south of Káshán, Írán
Qawl AR: قول speech The fourteenth month of the Bahá’í calendar.
Qayyúm permanent, lasting, stable Superlative of Qá’im [the Báb], the Most Great One Who will arise [Bahá’u’lláh]
Qayyúmu'l-Asmá The Báb's commentary on the Qur'an's Surih of Joseph, characterized by Bahá'u'lláh as "the first, the greatest, and mightiest of all books" in the Bábí Dispensation.
Qazvín a city 140 km NW of Ṭihrán.
Qiblih AR: قبلة Also Qibla, Qiblah. The direction to which people turn in prayer; especially Mecca, the Qiblih of all Muslims.[2][18]
Qúchán city and capital of Qúchán County
Quddús The Most Holy
Qudrat AR: قدرة power The thirteenth month of the Bahá’í calendar.
Qum holy city 130 km SSW of Ṭihrán, location of the Shrine of Ma’ṣúmih, the sister of Imám Riṣá, the eighth Imám
Qur’án AR: الۡقُرۡآنۡ recitation, reading, the word
Qurbán AR: قربان sacrifice[2]
Qurratu'l-ʿAyn A title of Táhirih, meaning Solace of the Eyes.
R
Term Source Meaning Definition
Rafsinján city and council in Kirmán province, Írán
Rahím merciful, compassionate one of the names (ar-Raḥím) of God
Raḥmán merciful, compassionate (God)
Raḥmat AR: رحمة mercy The sixth month of the Bahá’í calendar.
Rasht city in province of Gílán
Rawḥání good, agreeable, clean and pure (place)
Riḍván AR: رضوان paradise The "King of Festivals" of the Bahá’í Faith, commemorating Bahá'u'lláh's 1863 declaration that He was a Manifestation of God, in the Garden of Ridván outside Baghdad. Also used literally in other contexts, to mean "paradise".
Rúḥu’lláh Spirit of God A designation Muslims use for Jesus. Son of Mírzá ‘Alí-Muḥammad-i-Varqá
S
Term Source Meaning Definition
Sabzivár F­A: سبزوار city in Khurásán Province
Sadratu’l-Muntahá AR: سِدْرَة ٱلْمُنْتَهَىٰ‎ Lote Tree of the Farthest Boundary Symbolically, the Lote tree in the Seventh Heaven; the utmost extremity, a boundary which no one can pass.
Ṣáḥibu’z-Zamán FA: صاحب زمان Lord of the Age One of the titles of the promised Qá’im.[2]
Sárí FA: ساری A town in eastern Mázindarán province. (GPB p. 40)
Sháh FA: شاه king, emperor, sovereign, monarch, prince A title given to the emperors and kings of Persia and other societies under Persian influence.
Sháhansháh FA: شاهنشاه‎ king of kings The full title of Persian emperors since the Achaemenid dynasty.
Shahíd AR: شهيد martyr Singular form.[2]
Shahmirzád FA: شهميرزاد‎ A town in the province of Semnan, 170 km east of Ṭihrán, Írán.
Sháhrúd FA: شاهرود a mighty river; name of a river Name of a crossroad city 330 km NE of Teheran. Also: a type of lute (musical instrument); the thickest cord of a musical instrument.
Sharaf AR: شرف honour The sixteenth month of the Bahá’í calendar.
Shaykh AR: شیخ A learned man; generally used for elders, chiefs, professors, or heads of dervish orders.
Shaykhu’l-Islám AR: شيخ الإسلام Head of a religious court, appointed to every large city by the king or ruler.[2]
Shí’ih AR: شِيعَة‎ followers, i.e. of Ali Of or relating to Shia/****'ih Islam, the second largest branch of Islam.
Shíráz FA: شیراز‎ The capital of Fars province, Iran; birthplace of the Báb, and the site of His Declaration.
Shuhada AR: الشهداء martyrs Plural form.[2]
Shushtar
Simnán FA: سمنان‎ A province in northern Iran.
Sísán FA: سیسان Seysan, Sisan-e Qadim. A village in Eastern Ádhirbáyján province, Iran.
Sístán FA: سیستان‎ land of the Saka A historical and geographical region in eastern Iran and Southern Afghanistan; known in ancient times as Sakastan.
Síyáh-Chál FA: سیاه چال‎ black pit The dungeon south east of the palace of the Sháh and near the Sabzih-Maydán in Tehran in which Bahá'u'lláh was incarcerated for some months in 1852. It was originally built as a reservoir, storing water for the public baths nearby. In the Persian language, "Síyáh-chál" (Persian: سیاه چال, literally "black pit") is the common name for a dungeon.
Siyyid AR: سيد‎ A descendant of the Prophet Muhammad.[2]
Súfí AR: ٱلصُّوفِيَّة‎ one who wears wool Of, or relating to the mystical practice of Islam.
Sulaymán AR: سُليمان Solomon An Arabic given name referring to Solomon, King of Israel and son of King David.
Sulaymániyyih AR: السليمانية‎ A town in Kurdish Iraq. Bahá’u’lláh resided as a dervish in the mountains surrounding the town from 1854 to 1856.
Sulṭán AR: سلطان sovereignty The seventeenth month of the Bahá’í calendar.
Sulṭán-Ábád
Sulṭánu’sh-Shuhadá’ AR: سلطان الشهداء King of Martyrs A title given to Mírzá Muḥammad-Ḥasan of Isfahan.
Sunní AR: أهل السنة people of the sunnah, i.e. majority tradition Of or relating to Sunni Islam, the largest branch of Islam.
Súrih AR: سورة tablet, chapter Also: Surah, Súriy. A tablet, or letter. The chapters of the Qur'an are known as súrihs or surahs.[2]
Súriy-i-Ghuṣn AR: سورة الهيكل Tablet of the Branch Also: Súratu’l-Ghuṣn. A tablet of Bahá’u’lláh in which He confirms a high station for ‘Abdu’l-Bahá.
Súriy-i-Haykal AR: سورة الهيكل Tablet of the Temple Also: Súratu’l-Haykal. A tablet of Bahá’u’lláh published in Summons of the Lord of Hosts, which includes his messages addressed to five world leaders: Pope Pius IX, Napoleon III, Czar Alexander II, Queen Victoria, and Násiri'd-Dín Sháh.
Súriy-i-Mulúk AR: سورة الملوك Tablet of the Kings Also: Súratu’l-Mulúk. A tablet of Bahá’u’lláh published in Summons of the Lord of Hosts, addressed collectively to the monarchs of the East and the West.
Súriy-i-Ra'ís AR: سورة الرئيس Tablet of the Chief Also: Súratu’l-Ra'ís. A tablet of Bahá’u’lláh published in Summons of the Lord of Hosts, addressed to ‘Alí Páshá, the Ottoman Prime Minister.
T
Term Source Meaning Definition
Tabríz FA: تبریز flowing hot capital of Ádharbayján Province, Írán.
Ṭáhirih FA: طاهره‎ clean, pure; chaste, modest, virtuous The pure one
Tajallíyát AR: ﺍﻟﺘﺠﻠﻴﺎﺕ lustre, brightness, brilliancy, effulgence A tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Tákur FA: تاكور village 40 km south of Núr and 47.5 km NE of Afjihin. It is Bahá’u’lláh’s ancestral home.
Ṭarázát AR: ﺍﻟﻄﺮﺍﺯﺍﺕ ornaments A royal robe, or rich dress ornamented with embroidery. Name of a tablet of Bahá’u’lláh published in Tablets of Bahá’u’lláh.
Tarbíyat FA: تربيت education, upbringing, teaching, instruction, pedagogy The name of a group of Bahá’í schools established in Ṭihrán around the turn of the 20th century.
Ṭashkand FA: تاشکند city of stones; place on a hill Tashkent, capital of Uzbekistan
Tawhid AR: توحيد‎ unification, union, combination, fusion Oneness of God, the most important article of faith in Islam.
Thurayyá AR: الثريا The Pleiades; a star cluster once seen and described by the Prophet Muhammad. Used as a female given name (Soraya).
Ṭihrán FA: تهران‎ a warm place; Tir's abode; bottom of the mountain Tehran/Teheran, capital of Írán, birthplace of Bahá’u’lláh.
Túman A sum of money equivalent to a dollar.[2][12]
U
Term Source Meaning Definition
‘Ulamá AR: أولاما knowers Also Ulema. Learned men of Islam, i.e. theologians, canon lawyers, professors, muftis, etc; a council of the learned, especially in a Muslim state.[19]
Urúmíyyih FA: ارومیه water town Also Urmia, Orumiyeh. City in West Ádharbáyján Province, Írán, located near the lake of the same name.[4]
Ustád FA: اوستاد master A master craftsman.
V
Term Source Meaning Definition
Vaḥíd FA: وحید alone, solitary Superlative form of ‘waḥada’, to be alone. Numerical value of 28.
Váḥid FA: واحد unity The 19-year cycle of the Bahá’í calendar.
Valí-‘Ahd FA: ولیعهد heir to the throne[2] A crown prince, or chosen successor.
Varqá FA: ورقا Dove
Vazír FA: وزیر burden-bearer, helper[20] Also Vizier, Vizir, Wazír. The chief minister and representative of the caliph, and later, of the head of state of the Persian and Ottoman Empires.[20]
W
Y
Term Source Meaning Definition
Yá ‘Alíyyu’l-‘Alá “O Thou the Exalted of the Exalted” or “O Thou the Exalted, the Most Exalted”. A form of the name of the Báb, used as an invocation.
Yá Alláhu'l-Mustagháth AR: يا الله المستغث “O God, He Who is invoked” or “O Thou God Who art invoked”
Yá Bahá’u’l-Abhá AR: يا بهاء الأبهى “O Glory of the All-Glorious” or “O Thou the Glory of the Most Glorious”. A form of the name of Bahá’u’lláh, used as an invocation.
Yaḥyá AR: يحيى John A common Arabic given name, referring to John the Baptist.
Yazd A province and city in central Írán, notable as the primary centre of the Persian Zoroastrian population.
Z
Term Source Meaning Definition
Zádih son of;[2] descendant of Also Zadeh, Zada. A common patronymic suffix.
Zanján Also Zenján.[21] City between Qazvín and Tabríz, home of Ḥujjat; site of a major battle in which Bábís were massacred.
Zaynu’l-Muqarrabín “the Ornament of the Near Ones” or “the Ornament of the favoured”

This is neither history nor theology;
this is Romance:

                                       A Liturgy for the Emperor

In memory of
Patrick Joseph Donovan,
Stratiotis

Processional

How, then, will we find death?  With rifle in hand,
Perhaps, or flowing with the warm, worn prayers
That slip with beads through one's fingers and soul.
Rifle or Rosary, either will do.
One's death might rise in the boldness of youth,
Or in the wearied wisdom of old age,
In wild combat against ancient evils,
Or softly, while planting a red-apple tree
For grandchildren to summer-celebrate,
In wild red martyrdom, or obscure white.

The nights still whisper how the Emperor fell,
Fell with a faithful few upon the walls,
The old land walls of Constantinople.
But we are not to speak of martyrs whose
Transcendent beauty reproaches our times,
Our drifting dark age, drab, dreary, and dim
Our tomb-like lives cluttered with small darkness,
Our talk all common, colourless, and cold:
The thoughts assigned programmed into our souls,
Daymares programmed into us for our good,
Pitiful, pattering, prosthetic prose,
Cacophonies of casual cruelties --
No brave iambic lines for golden dreams.

But dare we also whisper truths, and speak
Of what a wind-wild people once we were,
And we will want our syllables to sing
In honour of the Martyr-Emperor
And those who followed him into his death,
And in this knowing of him we can live
Among those souls who are forever young.

Introit

In Nomine Partis, et Filli, et Spiritus Sancti

We will go to the Altar of God
To God, Who gives joy to our youth
We will go to the Altar of God
We will go to Byzantium

Kyrie

Lord have mercy -- when the shadows surround us
Christ have mercy -- when we forget the Three Romes
Lord have mercy -- when we forget You

Gloria

Glory to God in the highest
And peace to His Byzantine people
And all His peoples
Lord God, Heavenly King
who once blessed us with Emperors
Send us another
Send Your waiting people their Emperor

The First Reading

As Constantine his walls he watched, he wept,
Lost in the Gethsemane of his soul
His tears they fell upon the ancient bricks
Warm with centuries of sun, saintliness,
And the passions of a glorious race

The City!  Long reigning on the Golden Horn
The Summer Country of our childhood dreams
There playing, praying, working, selling, and,
Yes, sinning too.  Passionate *Romanoi --
What a magnificent people we were.

(fast)

When armies marched to the Byzantine beat
Sophia ruled from her Byzantine seat  
When Byzantine sails sheltered Odysseus' sea
The wave-roads of trade were open and free  
When Romanoi feasted, blood mixed with wine
Daggers drawn over a dancing concubine
A newer Helen who provoked desire,
She seared men's eyes with her own Greek Fire
When Blues and Greens howled in the Hippodrome --
Such rowdy citizens in Second Rome! --
Then even Emperors in purple shoes
Feared stoning by Greens or hanging by Blues
The rough, loud democracy of the street --
Mobs also marched to the Byzantine beat

The Second Reading

(slowly)

But –

Above all rose Justinian's gem
The holy place where God called us to Him
The Mother Church of dawn-lit Christendom
Sophia -- the Queen of Byzantium
Where Patriarch, patrician, people, and priest
Gave worship.  Then the greatest and the least
Abandoned sin to hear the sweet bells ring,
Stood penitent before our God, our King:
In consecrated hands, through wine and bread

Christos Pantocrater fed us Himself

And then all hearts were cleansed, all souls were fed

(Very slowly)

But centuries passed, and this City of God
Heart of the Empire, became the Empire,
As lands and peoples were lost forever
to the creeping new age.  When Constantine,
The last Constantine, was called to the Throne,
All that was left was The City herself,
The Morea, and islands, and memories.
The fleet whose sails had shaded the Inner Sea
Was but a few hopeless hulks in the Horn

From the dust, dark shadows metastasized,
Shadows who stole and slew their way to power
And swept the land bare of free folk and fields
And more and more the shadows grasped and held,
A dead world of slaves whose backs were bloodied
Beneath the whips of masters, slaves whose eyes
Were cast carefully, cautiously to the ground
Lest demeanour manly and bearing proud
Attract the executioners' busy blades.

Finally, after devouring lands and souls,
The shadows coveted Constantinople,
The Red-Apple Tree where continents meet,
The City they could never build for themselves
And nothing stood between them and their lust
But one bold man: Constantine Dragases.
The faithful few who stood the walls with him,
Gathered around proud, stubborn Constantine:
Workers and monks and nuns, beggars, merchants,
Proud, arrogant Byzantines, and the few
Wild Latins From the barbarian West
Whose Greek was in their hearts, not on their lips,
Who gave their loyalty late to their liege lord,
The Emperor, who could have safely lain
A shadow's golden-caged slave, obedient,
Well-fed, well-bedded from the shadows'
Catalogues of pretty girls and prettier boys,
A memory of what had been a man.

But Constantine stood proudly on his walls,
Defiantly, bravely, sadly there on
His crumbling ancient walls, and gave his faith
To God and the City, to his people,
Even to the faithless ones, even to his death.

And others came, From Rome and Spain and France,
From Germany, and even from the Turks,
Brave, lonely men with reasons of their own
For ending their lives there on the Land Walls.

But they were not enough.  And late that night,
After the last Mass in Hagia Sophia,
The Emperor knew that his was the blood,
The blood of sacrifice that would be shed
In remembrance of ****** Golgotha,
For the people he was given to rule,
For the people for whom he chose to die,
Sheltering, protecting, until his end.


A Gospel

No angel appeared to the Emperor,
No voice of God from a burning bush
He parted himself from his followers
And for a few minutes grieved alone

And this was given Constantine to know:

The eternal Constantinople is
Never to be lost, never defeated --
In every Christian flows Dragases' blood
Every village is the Holy City
Every church is Hagia Sophia
Every prayer is a Mass for the Emperor
Every children's foot-race the Hippodrome
Every poor family's poor supper
A banquet under the Red-Apple Tree.
Constantinople will live forever.
Know that, and, laughing, give your last earth-hour,
And your joyful eternity, to God.

Credo

We believe in God's holy empire too,
Byzantium, eternally golden
The Red-Apple Tree in the eastern sun
The City that echoes with laughing light
Through memory and history and beyond.
We believe in God and His Emperor,
And we believe that in the absence of
The Emperor, even then we must be
The Emperor's subjects, stubborn and true,
Wherever God has chosen to send us.
We then must rule our passions and our hearts,
Tend our gardens as if they were Eden --
Because they are -- and care for our children
As if angels were visiting tonight,
Until our God restores our Emperor,
Restores His City where the Earth-halves meet,
And finally, some day, some happy day,
Returns Himself to sit and rule enthroned
In His Three Romes, and in Jerusalem.


Communion

Constantine shook himself, and gave commands,
Commending all to duty and to God.
Above him the dome of Hagia Sophia
Glowed eerily on that last, wild night
While lightning slashed among the sliding clouds
Byzantium rose again for one glorious hour
And the world marveled that such things could be,
That Christ and Rome and Constantinople
Could be found in one man at the end of an age.

Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
Blood, *****, screams, and death;
blood, *****, death
Blood, *****, screams, and death;
blood, *****, screams
The glory is that there is no glory.
Chaos.  Horror.  Stench.  Sweat.  Pain.  *****.  Death.
Hi­s -- His -- body broken again for us.

On that dark morning of a dark new age,
Constantine turned and faced its slithering shadows
With a Byzantine end to his ruler's art,
With the peace of Christ and a hero's heart.

DISMISSAL

The Mass is ended.  Byzantium is ended.  
Escape, if you can -- make Byzantium live.
Escape to live in some peace, if you can.
Escape in peace to love and serve in exile.
Escape in peace to love and serve the Lord.

"O Lord save Thy people and bless Thine inheritance;
And to Thy Faithful king grant victory over the barbarians.
And by the power of Thy Cross, protect all those who follow  
          Thee"1

Not an End at All

1Troparion for the Sunday of the Elevation of the Cross, Divine Prayers and Serves of the Catholic Orthodox Church of Christ, copyright 1938.

Many thanks to Mr. Tod Mixson and others of St. Michael's Orthodox Church for assistance at many points, both liturgical and artistic, to Dr. Dan Bailey, of happy memory, and Dr. John Dahmus of Stephen F. Austin State University.

My conscience is loud
yet my voice never comes,
It's disarming what dependency can do, altering your character,
until you are simply a character,
weaving falsities into strands of fools gold, until you're living in an armor
of the emperors new clothes.

I swore to myself,
that I would never again be this person, the one with my finger
on the self destruct button,
but sliding down the hill
comes much easier than climbing.

And at the bottom,
numbness awaits me,
making me fearless.

I feel the cold wash over me,
goosebumps all throughout my being,
as the waves begin to rise.  

She covers me,
salty yet sweet,
and everything makes sense.

The meaning of life in a pretty peach casing.

I am Invincible.

I am Oblivious.

She peaks and soon crashes,
repeatedly against me,
making me feel like the world could end and I wouldn't even think to care.

But what at first seemed exhilarating, wears on me to no end,
the buildup and constant let down.

She's lost her novelty,
and with that,
the numbness fades.

Sobering up for long enough to realize,
I am the definition of insanity.

Inviting you back in so often,
I no longer have defenses against you.
You snuck into my priorities without me ever noticing.
Like that song you hate so much but can't help to sing.

Will I ever get rid of your tune in my head?

Will I ever be able to say no when you call?

And winds they wither and they accentuate cosmic dithers
Ducks become swans and butterflies fly in the air of rivers
We should soon begin to question who we are on this plan-et
A bucket or cube, a form of strings finding tune
They said there’d be purveyors and pilgrims
These sages would then show the way in a web of disarray
So the picture plays and their gleam is seen
Incarnating from distant streams
’yes they call them starseeds

They have been helping societies feel secure, giving answers
Contributing to the developments thereto
Some called them heroes, psychics or star-soldiers
It was forgotten that they were merely messengers, creating vortexes so the many
Would get to the essence or heart of Creation and Divinity
The problems began with the worship of the commissars of Divinity
And the gods their parents, being merged into a monotheistic god
For artificial synchronization of stealing light and doctoring it into dark light
To subdue the power of Darkness
So with more people being manipulated and hooked by crystals
And chips, scrapping their memory of their once absolute multi-dimensional divinity
They began to forget and this energy was channeled to the heads of darkness and their fortresses
And as such humanity grew weak and the solutions were left to be found by the so called heroes

With the growing human-farming, as the hybrids being created then were used as mere sheep or even cattle  
With the decaying or ceasing dignity of the human conscience, they were made to be intermediary-conscious
And so the lives of the Messengers and their affiliates became the epitome of living for the many
Absurd as it is, the human races with its varying colours and fragrances, each soul being unique in its right
And now with this bombardment of doctrine that set a standard of being
These laws not culminating the commonwealth of many
Not governing humanity in its best interests, so the heroes began to be sacrificed
Their lives weren’t pure, they were planned before they were even born
Corrupting the consciousness of individuality and essential or sincere being

And they came in Kings/Priest Kings or Sorcerer Kings
And who would blame them, it is their Parents who set out or designed these paradigms
And so these corrupt thought forms of half truths and duality and dark light became hereditary
The times changed and these heroes took on the impressions of Presidents, Wealthy business men or Emperors of Commerce
Finding themselves in the modern Capitalistic World,  a world which was manufactured prior to their reign
The grave concern is the death of Identity and the Integrity of the Soul
And the lives of Pastors/Chanellers/Pilgrims/Shamans  or what have you became the mirror of Divinity
As opposed to Divinity mirroring in the clear view of people having identity and a sincere embrace of the heart’s mysterious logic
So it is safe to say that this would create a world robotic

This wouldn’t last forever though for some Parents are responsible and they care
So the Earth then would be visited by the Golden ones once more
Apparent with the recent UFO Sightings, crashed UFOs and the bodies of Extraterrestrials
Alien Abduction confessions, cavern findings
With this people would begin to remember and would not load their worries or problems on the shoulders
Of a few individuals as they would learn how big the world is
As Humanity would identify, if for the first time, who or what God is
Furthermore Who or WHAT THE Source is
And once the lives of heroes would cease to be manipulated, so too would the lives of the many
We would learn that there needn’t be “special” people for we will have found the Divine elements in each of us
And that the sooner we can enhance Intelligent Life working together without the need for hierarchies we can soon develop a
High Level of Spirituality and be an Independent Race
Heroes are beings too who have lives and ambitions, have flaws and afflictions, have faced convictions and submissions
The gods are beings with their mistakes as well, some who have lied and have not revealed the whole truth to
Protect their children for it could have been noted that they were too “young”
But humans will grow and God they will know, the Source furthermore, and there will be a shift in thinking and thus in being and Living
It has begun, Finding the answers following the Dignity of the Conscience,
Cosmic blueprint, a song sung for parents absent
A play of star glow, uplifting the wayward ways of the big show
Living in the Integrity of the Soul, following the Dignity of the Conscience.

Nero kicks Vespasian

1
Nero plays the lyre
He’s Emperor
so all must admire
but Vespasian goes to sleep
so Nero exiles Vespasian
and poor Vespasian now minds the bees

I am the Emperor
and all must admire
when I sing
or play the lyre
for I’m also a god...




Time kicks Nero*

2
But Nero goes to extremes
Rome burns, Nero kills
and soon events turn against him
and the Senate declares him
Enemy of the State
and Nero kills himself;
and the beekeeper Vespasian
through events played staccato by time
becomes Emperor Vespasian
and begins construction of the Colosseum

And Emperors too die
and I think I’m dying
Hey - help me up
for an Emperor must die on his feet
And hey! you know what?
I think I too am becoming a god!

Family is that  familiar word for the go-getters, the thoroughbreds of the families, those nearest and dearest applaud the strong to thrive, and yet a painful  forgotten word, for the lost generation,  ignored and despised,special and different, terminally unique, were only as strong as our weakest link lost black sheep and shepherds sanity on the brink of exposing the lies, waiting for the train that will never come to the station;
In time...

Forget
About
ME
I
LOVE
You

Screaming "Do I even exist? ******* LOVE ME!"As he tightens his headlock, begging to be loved, from a desperate rage of rejection.

"But why won't you love me the way that you don't? I'm a lovable hopeless drunk loser ,who hasn't washed in months, I'll be the prodigal son  if you want ,coming home and we can sit at the table for lunch ...wishful thinking! If only! you could love me unconditionally ,and not just on a hunch!
If  you want me, Just a touch of acknowledgement will do! I'll give you my soul on my sleeve, just some crumbs from your lofty plinth, to my slum will suffice!
I'm so ******* lost in the dark of the night, I forgot I was looking for love  and soulmates at first sight!"

Screaming to be acknowledged from the four corners of the globe since time began, everybody knows there's a pink elephant in the room being ignored, like the emperors new clothes.  Couples desperate to procreate, using frozen embryos. Those still remembered ,who died ages ago,
Forget me not , everyone wants to be known,Everyone misses someone, and children yearn to be grown. Don't forget all those lost childhoods, Once my heart was my home, a long long; long time ago!The machine advertises  the have's and the have not's ...all those special qualities, some of us just don't got.... were what's  lacking in our family units cost... and immediate vicinities. Thank God for the internet, hounding us  to forget our inherent need to be loved and belong, feeding us with toxic seeds of disconnected, anti-life and discombobulated lifelong wrongs, from  a plethora of sources transmitting The current Perfect archetypal family systems ,propagated  through the myriad of deadman tv shows, and films ,promoting an unblemished, should be family values and traditions, most of us know we will never live to experience. Force feeding us with a yearning of an unachievable contentment in our innocence , hoping in our wildest dreams ,we try to ignore the facts displayed in the constant narrative dictated through the mean instrument of mental emotional and spiritual propaganda...**** your tv licenceS! and smash the ******* thing into public artistic scenes!, smash them into smithereens!don't be ambivalent! No one wants to sit down on the fence as a family and watch on the screen the colour purple riddled with ****** and seriously toxic themes for participants.

Forgotten and ignored are the origins of the word family... famula-serving woman or famulante-servant or even familiarcus -house hold slave...So it should come as no surprise that the human race has been plagued and fractured with slavery throughout our brief brutal AGE.From a creative perspective I can understand the widespread epidemic curse in the hearts and minds of manhate and mankind,of the feeling that we do not belong to our very own families our communities and the societies structured to evoke the black sheep syndrome .It is this lack of feeling apart of, and that we do not exist , that has inspired an overwhelming need for us to persist and create our own families,tribes,gangs,communities, groups and fellowships. From the tower of babel, its as if  we have  been programmed to automatically divided, segregate and become as alien as possible to each other sides.Separating cultures with borders and religion,class and access all areas for members only. Blood is running through my body just like yours, and I done a big massive **** this morning! Do you identify? Nothing like a good ****!
This has become one of the defining factors of the human experience our evolutionary process and diversity.Not our **** similarities! Yet it is these differences that have caused over a billion to be killed! Thats a lot of hate and anger,pain and suffering ...And I'm adding up everyone whos ever been killed because of there differences...Just imagine?..Its probably a lot more! why can't we just get along? and stop all the wars? Everybody wants to be right, Everybody yearns to be wanted ,needed and loved,to feel they exist and that they belong.But with a record number of divorces,broken families and runaways in a culture spiraling further and further away from the original family structures intention, where do we go from here?What is our inheritance? Why do we always fight over money? Why not just care to dare to share?

I find in this day and age, we the broken human family, searching for all these possibilities of experiencing the human experience in the wrong social utilities . Such as gang warfare,militia, online gaming and the plethora of virtual communities available from facebook and myspace to mental health and suicide forums, social toxic rearing, which mimic a sense of divergence,preference, belonging and being apart of something other than feeling so alone! Which in reality we are!  Deepening our deepest wounds the one thing that we yearn for more than anything on the face of the earth is to feel connected,wanted ,needed and loved, everything a family is supposed to provide, not ruin and despise.

The most horrific emotions, I have ever felt was the rejection and abandonment by my mother, when I was just a special wild child, the terror and dread of not being wanted was horrific, and created a deeply destructive state which infected my core, and has grown into a great toxic spiritual tumor 30 years later. I fear I will never get over it! With my head in the sand, so many relevant individual grains just swept under the carpet like a hidden beach, and so I search for the love I was denied in a thousand ways and a million times I seek. From hunting for my mothers love in another woman or a man. I can't even begin to explain the pain my father inflicted upon me. lest I curl into a ball and die right now! Its as if he hated me more than words ,and yet I loved him so much. Left me seeking comfort in despair in the pit in the belly of the beast, through alcoholism and addiction of every kind! none of these methods was sufficient in filling the void inside,The hole in my soul can't breathe,for all to see, especially me ,can't hide but only these things expanded it , creating a deeper hunger and leaving me more broken and empty. My desperation to remain part of the family was displayed in my familiar slave like demeanour(desperate to please my mother) by cleaning the whole house  from top to bottom with a toothbrush. I would lose myself in the neverending chores, it was never a bore, as long as mother didn't let me go, but it was never enough, and it seems as if I was doomed to be a cast out! on my own, exposed to the harsh reality of being alone my worst nightmare coming true... me dying from loneliness! They say its true! and I can understand now how that could be possible ....

There are so many different types of families, and ways for us to feel as if we are connected to a greater community, to feel as if we fit in. But often children grow without a father figure to balance ,protect and nurture them ,lead them! But what if there father is a drunken ,violent,gambling ,deranged bully? what then? Surely they would be better off without such a toxic head of the family, infecting his sons and daughters with the sins of the father. Who of us is cursed with being the blacksheep of the family ? having to toil for the rest of our days in the vastness of our existence, primarily alone ,we search in vain for surrogate mothers and sisters and fathers and brothers. But we find them not, because substitution will never suffice in order for us to truly count and heal within and feel alive ! We must heal this broken bridge that has crippled us to the core in our very short miserable lives.

Its up to us to give love where we have been denied. Invite the broken souls inside, shelter them from the  bitter cold, Just to see another friendly face can mean so much! why is life so tough?, leave us like Lazarus risen from the grave,or Adam and Eve and able and cain to the prodigal son, we have always suffered when we were on our own and alone, I know you prefer your own company, but we were born to surpass ourselves and continue to co-exist beyond our own morality...Ub3

I am descended of Lilith,
I am a child of eve,
I am cast out, i am trod on.
I am likeness of Kali,
re-incarnation of Aphrodite.

In my arms nations
  have been built
  and destroyed.

My kiss has charmed
    and killed.
My hips have
    cradled kings and emperors,
   borne beggars and lepers.

I am all this WOMAN.

Woman
  not of hips and *******
  and womb.
Woman
  not of servitude, meekness
  and petty deceit.

I am Woman.

Woman
  of pain and love
  and hate.
Woman
of blood rivers and
  barren deserts.

I am Woman.

So heed me
Heed my pain,
watch my deeds,
for my meekness,
  my servitude,
Are mere cloaks worn
  to shield, to imprison
  to impede...

And as the soul sheds the body
So do I now shed
  this lie, this deceit
You create for all to believe

And become just
    WOMAN

In the valley of the Pegnitz, where across broad meadow-lands
Rise the blue Franconian mountains, Nuremberg, the ancient, stands.

Quaint old town of toil and traffic, quaint old town of art and song,
Memories haunt thy pointed gables, like the rooks that round them throng:

Memories of the Middle Ages, when the emperors, rough and bold,
Had their dwelling in thy castle, time-defying, centuries old;

And thy brave and thrifty burghers boasted, in their uncouth rhyme,
That their great imperial city stretched its hand through every clime.

In the court-yard of the castle, bound with many an iron band,
Stands the mighty linden planted by Queen Cunigunde’s hand;

On the square the oriel window, where in old heroic days
Sat the poet Melchior singing Kaiser Maximilian’s praise.

Everywhere I see around me rise the wondrous world of Art:
Fountains wrought with richest sculpture standing in the common mart;

And above cathedral doorways saints and bishops carved in stone,
By a former age commissioned as apostles to our own.

In the church of sainted Sebald sleeps enshrined his holy dust,
And in bronze the Twelve Apostles guard from age to age their trust;

In the church of sainted Lawrence stands a pix of sculpture rare,
Like the foamy sheaf of fountains, rising through the painted air.

Here, when Art was still religion, with a simple, reverent heart,
ived and labored Albrecht Dürer, the Evangelist of Art;

Hence in silence and in sorrow, toiling still with busy hand,
Like an emigrant he wandered, seeking for the Better Land.

Emigravit is the inscription on the tomb-stone where he lies;
Dead he is not, but departed,—for the artist never dies.

Fairer seems the ancient city, and the sunshine seems more fair,
That he once has trod its pavement, that he once has breathed its air!

Through these streets so broad and stately, these obscure and dismal lanes,
Walked of yore the Mastersingers, chanting rude poetic strains.

From remote and sunless suburbs came they to the friendly guild,
Building nests in Fame’s great temple, as in spouts the swallows build.

As the weaver plied the shuttle, wove he too the mystic rhyme,
And the smith his iron measures hammered to the anvil’s chime;

Thanking God, whose boundless wisdom makes the flowers of poesy bloom
In the forge’s dust and cinders, in the tissues of the loom.

Here Hans Sachs, the cobbler-poet, laureate of the gentle craft,
Wisest of the Twelve Wise Masters, in huge folios sang and laughed.

But his house is now an ale-house, with a nicely sanded floor,
And a garland in the window, and his face above the door;

Painted by some humble artist, as in Adam Puschman’s song,
As the old man gray and dove-like, with his great beard white and long.

And at night the swart mechanic comes to drown his cark and care,
Quaffing ale from pewter tankards, in the master’s antique chair.

Vanished is the ancient splendor, and before my dreamy eye
Wave these mingled shapes and figures, like a faded tapestry.

Not thy Councils, not thy Kaisers, win for thee the world’s regard;
But thy painter, Albrecht Dürer, and Hans Sachs thy cobbler bard.

Thus, O Nuremberg, a wanderer from a region far away,
As he paced thy streets and court-yards, sang in thought his careless lay:

Gathering from the pavement’s crevice, as a floweret of the soil,
The nobility of labor,—the long pedigree of toil.

616

I rose—because He sank—
I thought it would be opposite—
But when his power dropped—
My Soul grew straight.

I cheered my fainting Prince—
I sang firm—even—Chants—
I helped his Film—with Hymn—

And when the Dews drew off
That held his Forehead stiff—
I met him—
Balm to Balm—

I told him Best—must pass
Through this low Arch of Flesh—
No Casque so brave
It spurn the Grave—

I told him Worlds I knew
Where Emperors grew—
Who recollected us
If we were true—

And so with Thews of Hymn—
And Sinew from within—
And ways I knew not that I knew—till then—
I lifted Him—

we did not Dye in vain!
by michael r. burch

(from “songs of the sea snails”)

though i’m just a slimy crawler,
     my lineage is proud:
my forebears gave their lives
     (oh, let the trumps blare loud!)
so purple-mantled Royals
     might stand out in a crowd.

i salute you, fellow loyals,
     who labor without scruple
as your incomes fall
     while deficits quadruple
to swaddle unjust Lords
     in bright imperial purple!

Originally published by The American Dissident

Notes: In ancient times the purple dye produced from the secretions of purpura mollusks (sea snails) was known as “Tyrian purple,” “royal purple” and “imperial purple.” It was greatly prized in antiquity, and was very expensive according to the historian Theopompus: “Purple for dyes fetched its weight in silver at Colophon.” Thus, purple-dyed fabrics became status symbols, and laws often prevented commoners from possessing them. The production of Tyrian purple was tightly controlled in Byzantium, where the imperial court restricted its use to the coloring of imperial silks. A child born to the reigning emperor was literally porphyrogenitos ("born to the purple") because the imperial birthing apartment was walled in porphyry, a purple-hued rock, and draped with purple silks. Royal babies were swaddled in purple; we know this because the iconodules, who disagreed with the emperor Constantine about the veneration of images, accused him of defecating on his imperial purple swaddling clothes!

Keywords/Tags: royal, purple, imperial, Tyrian, Byzantium, porphyry, swaddling, clothes, porphyrogenitos, mollusks, sea snails, royalty, kings, lords, emperors, popes

I knew you forever and you were always old,
soft white lady of my heart. Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house. And I
see you as a young girl in a good world still,
writing three generations before mine. I try
to reach into your page and breathe it back...
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz. I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover. Tonight your letters reduce
history to a guess. The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors. When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago. I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body. You let the Count choose
your next climb. You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser. You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne. The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you. You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy. You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face. I cried
because I was seventeen. I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July. One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze. You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine. I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony. And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.

ah yes,
the crush

that festering,
infected,
growth
on your heart
that,

right now,

seems small
and
innocent
and
peaceful

but give it time

it will grow

increasing in size
and power until
you can’t deny it;
like genghis khan
knocking on the door
of those pompous,
Abbasid emperors
of a thousand years
ago

then you’ve lost
you can’t fight it
you don’t even want too
you just want to love,
to hug,
to caress,
to kiss,

her.

and then it all comes crashing down with a simple

no

but you know
what they
say:

“it’s only a crush”

and boy
how right they
are

No, no, no,
that's not how it happened at all.
Precocious children
have never been afforded that much influence
and Emperors, then as now
are largely unafflicted by shame.

And it's a good thing too
- why, if the story had gone
the way Anderson had it,
neither I nor any of the men of the town
would have our jobs
at the Magic Cloth factory

You do realise
that the trade in Magic Cloth
supports all the world's major economies now,
don't you?

Nor would the aristocracy
look half so stylish,
sashaying hither and thon
in the glorious altogether,
applauded by the taste-makers
and notably contemptuous
of child-like observation.

see him strut
see him preen
the nicest
he has ever been
but look to close
and you will see
underneath
the real he

Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.

Originally published by Romantics Quarterly. Keywords/Tags: frog, *****, toad, prince, princess, curse, kiss, fable, true, love, magic, spell, croak, kingdom



Happily Never After
by Michael R. Burch

Happily never after, we lived unmerrily
(write it!—like disaster) in Our Kingdom by the See
as the man from Porlock’s laughter drowned out love’s threnody.

We ditched the red wheelbarrow in slovenly Tennessee
and made a picturebook of poems, a postcard for Tse-Tse,
a list of resolutions we knew we couldn’t keep,
and asylum decorations for the King in his dark sleep.

We made it new so often strange newness, wearing old,
peeled off, and something rotten gleamed dull yellow, not like gold:—
like carelessness, or cowardice, and redolent of ***.
We stumbled off, our awkwardness—new Keystone comedy.

Huge cloudy symbols blocked the sun; onlookers strained to see.
We said We were the only One. Our gaseous Melody
had made us Joshuas, and so—the Bible, new-rewrit,
with god removed, replaced by Show and Glyphics and Sanskrit,
seemed marvelous to Us, although King Ezra said, “It’s S—t.”

We spent unhappy hours in Our Kingdom of the Pea,
drunk on such Awesome Power only Emperors can See.
We were Imagists and Vorticists, Projectivists, a Dunce,
Anarchists and Antarcticists and anti-Christs, and once
We’d made the world Our oyster and stowed away the pearl
of Our too-, too-polished wisdom, unanchored of the world,
We sailed away to Lilliput, to Our Kingdom by the See
and piped the rats to join Us, to live unmerrily
hereever and hereafter, in Our Kingdom of the Pea,
in the miniature ship Disaster in a jar in Tennessee.


More Nonsense Verse by Michael R. Burch


There was an old man from Peru
who dreamed he was eating his shoe.
He awoke in the night
with a terrible fright
to discover his dream had come true.
—Variation on a classic limerick by Michael R. Burch


Although I prefer
onions
to bunions,
begging your pardon sir,
I still primarily defer
to legal ******.
—Michael R. Burch


Anti-Vegan Manifesto
by Michael R. Burch

Let us
avoid lettuce,
sincerely,
and also celery!


Ding **** ...
by Michael R. Burch

for Fliss

An impertinent bit of sunlight
defeated a goddess, NIGHT.
"Hooray!," cried the clover,
"Her reign is over!
But she certainly gave us a fright!"


The Flu Fly Flew
by Michael R. Burch

A fly with the flu foully flew
up my nose—thought I’d die—had to sue!
Was the small villain fined?
An abrupt judge declined
my case, since I’d “failed to achoo!”


The Humpback
by Michael R. Burch

The humpback is a gullet
equipped with snarky fins.
It has a winning smile:
and when it SMILES, it wins
as miles and miles of herring
excite its fearsome grins.
So beware, unwary whalers,
lest you drown, sans feet and shins!


Hell-Bound Hounds
by Michael R. Burch

We have five dogs and every one’s a sinner!
I swear it’s true—they’ll steal each other’s dinner!
They’ll **** before they’re married. That’s unlawful!
They’ll even ***** in public. Eek, so awful!

And when it’s time for treats (don’t gasp!), they’ll beg!
They have no pride! They’ll even **** your leg!
Our oldest Yorkie murdered dear, sweet Olive,
our helpless hamster! None will go to college

or work to pay their room and board, or vets!
When the Devil says, “*** here!” they all yip, “Let’s!”
And yet they’re sweet and loyal, so I doubt
the Lord will dump them in hell’s dark redoubt...

which means there’s hope for you, perhaps for me.
But as for cats? I say, “Best wait and see.”


Menu Venue
by Michael R. Burch

At the passing of the shark
the dolphins cried Hark!;
cute cuttlefish sighed, Gee
there will be a serener sea
to its utmost periphery!;
the dogfish barked,
so joyously!;
pink porpoises piped Whee!
excitedly,
delightedly.
But ...
Will there be as much glee
when there’s no you and me?


Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’
the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.

as you hear the orifices of space calling out to you
the ropes of time tenderly start embracing you
as you march out of all infinity
you see more than the trace of you

The universe sings to you
and a question begins with tune
beyond the multiverse see you the  original Creation Family?
And what's to say that that was the only Family?
As there is more than verse in song
where are the other chords of sing along?
The verse cries out in song a sing and sing but what of the bells of ring and ring

Would we be astounded to learn that the One True Source, the FATHER, that even He has a home
It was not all revealed when ruled in Rome
so how are we to dare to think that we aren't swimming in folly's foam?
1+1=3 in Binary, but Binary is not the only numerical scene
What if the FATHER has a brother or two?
What if The Source has more than one wife,
what if is what if
but “if” is enough for imagination
if wills that it is
for: "How Can I Think I Know if I do Not See What I Say"
who is the director rolling the film on display?

How do we make it out of time and space?
This tube that has us trapped in planes
not to say the Fairies haven't decorated
however the Grey and Lizards have doctored
beyond the Universal Emperors, we're told of one True King
and this is the True Light
the source of light and sound
but did you know of wind and smoke?
Do you that there's a place where this does not choke

Would you think that the multiverse or omniverse is just one country in a massive continent,
do you know of the potential creation in places that have no energy?
See you then the carpet and curtain
the ceiling that reveals this tapestry
if in fact we're an expanding atom, where has the scientist gone to?
Should we know the purpose of our creation impromptu?

Standing on the balcony of space, you learn that time and space are one but balance is none
Until we return home to the Source and with the Light we are One...
We'll then soon learn of the other numbers...

For if planets are dots then imagine the multiverse to be a ball
and what's more the clown is juggling more than one ball, and what's beyond is that it's a whole circuis
Geniuses or Comedians?