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Rae Mort Sep 2013
My name is Rachel
But others may refer to me as
Rach, Rachie, or Rae-rae.

I am nineteen years of age.

When I was a little girl
My smile was as bright as the sun
I ran and jumped and tumbled
I climbed trees that were so tall they touched the sky
And if ever I fell down
I picked myself up, still smiling.

It was when I was ten
That my smile finally faded
And my parents grew frustrated
With themselves
And the day they told my brother, sister and I
That they weren’t going to be together anymore
Was the same day I fell
And wasn’t strong enough to stand back up.

Four years
Of complete and total darkness
Is what followed

And then half my face froze up
Stuck in a permanent state of nothing
A paralysis of the nerves
Labelled ‘Bell’s Palsy’
Was what finally motivated my dad
To get me out of there
And after a while
I must’ve been smiling pretty hard
Because the paralysis went away.

And now I’m here.

If I were to describe myself
I’d point out that I’m five foot, four inches tall, on a good day
When anxiety isn’t weighing me down.
Rarely do I ever stand up straight.
I have deep, dark brown eyes
That observe more than they can really see.
They remain hidden behind thick framed glasses
For they, themselves, wish not to be seen.
My hair is as brown and ordinary,
Long and untamed and always in the way.
I’d cut it all off, like when I was younger
But I look older this way
And my friends like it.

I spend most of my time blogging
Even though rarely does anything exciting happen to me,
But then, that’s what John Watson said
Right before he met Sherlock.

I love television and movies
I love video games
I love books
Because I love stories.
Listening to them
Watching them
Reading them
I’d never get bored.

I like books, their pages dry and crinkling at my touch.
I put more effort into procrastination than I do into any sort of work.

Death laughs, and life depresses me.
I’m afraid of a lot of things.

Sometimes I feel too much,
Sometimes I feel nothing at all,
And that frightens me.

My imagination tends to run wild,
And sometimes it’s beautiful
But sometimes it’s brutal.
Sometimes I’m just paranoid.

I think about thinking
I think about other people thinking
I think about other people thinking about what I’m thinking
I’m an over thinker.

Secretly I’m a hopeless romantic,
And I hope to fall in love without getting confused by the idea of it.
But that’ll happen when I’m ready for it.

I believe in the equality of all things, though I’m hesitant to say it’s achievable.
I know there’s good to be found in people
But I don’t understand why all I keep finding is bad.

I’m proud and prejudiced against prejudiced people
Jane Austen is my hero.

If you ask me my name
I’d probably stumble over it
Like I stumble over everything
Words seems to curl my tongue
They do wonders at the tips of my fingers
But die as soon as they cross my lips.
I get nervous when I have to speak
Or look someone in the eye
And I’m pretty sure my mouth has a mind of its own.

I like being alone but sometimes I get lonely.
I’m moody and temperamental, and a little mental
But those that care for me don’t mind.

I’m more inclined to listen
If I can sing along too.

I’m clumsy and uncoordinated.
I walk into doorframes and apologize.
I stub my toe and laugh
But other people’s pain makes me cry.

I know a few words in Italian,
Even fewer in Russian,
And they’re all slang or swear words.

When I blush my entire face is painted scarlet,
And my skin is so sensitive it’s sometimes a blotchy mess.
I stutter
Unless I’m ranting.
Usually my thoughts make more sense
When I’m not thinking at all.

I am Rachel and this is barely scratching the surface of who I might be.
The length on this one is pretty long - I had to write it for English class. But there you go.
Dante Rocío Dec 2020
You could desperate hear me start weeping
Ruckus started to crying to crack tangerine
holds one still upright auburn
as an immortal's loneliness fogged or condemned
stays a Sahara burnt hot tambourine
a hangover led Arabian
a broken record
some shattered the bathroom bar.


I wonder for my brother's dowry
on beds too kempt to be called beds
and doorframes and lamps set never high enough to hit again,
to stand to kneel to lock to lash to hold to my brother's body
now felt to me like the female sold fragile to the greater cities with
a vote,
he clearly left his Argentina behind no matter
how she paled, ended struck.


No longer a child or sister to pass as
to take guests in alone
to stand our married couple's cries an unmuteable radio
can't go back to playrooms for imparallel dignities' sake
that made all the noise at night worth it to deal with
I, don't want to play the rook
if no horse of yours' beside.


Now once the scarcity of your voice,
if even morbid,
is to be greeted by me alone,
Adam and Eve we have unable to see,
just for the empty halls of your decision just for me to hit,
your turned leaf hidden agenda of relief,
I recognise my faiths of the old of your endless
mornings supposedly killed by snoring and your
vividness to my thoughts a foreign concept,
to note you resurrected out of mind and out of sight
the congruence picks me out and slaps me that
our cocoon and safe designed for you
was nothing short of a coma web in your eyes
to begin with instead.

...

I look out to my brother's dowry
to hold stubborn, fainted in my nook the head of my brother's body
to sit on his old air this house keeps like a sari gem
he will never long for
again.
A correlation of steamed mirrors, Arabian calls in yearning and melodious drabbling that overlap it endlessly, a skin in an onus shed aside to a corner once you can't feign yourself into a child's play, and the sibling you've often taken for granted till they go even if they do return at times for not so long. And suddenly you're the only one to think they might have been never truly free or themselves in the place you called home for them.
Acknowledgement, recognition, apology and broken renewal.
Dedication to the protagonist of this poem.
...
Be careful of close auditoriums
And thick stanchioned stadiums
Watch out for iron gussetted doorframes
And bar covered windows
For your loneliness will trap you there
Backed up against the steel barriers
And probe your trembling thoughts
With it's dark truncheon.

Stay away from mirrors
Which can reveal your state of solitude
Automobiles which will show your inertia
Rollercoasters which can skitter you into the past
Without so much as a roll-bar
And arms, perhaps most dangerous of all-
Just before nightfall.
Zach Gomes Feb 2010
1
The blurred light of our life, a match strike, burns wild bright
friends laugh, sing, and blare swing: fast alive; rise then die
cheap bright wine, a red flying glass splash from your hand
the beat rocks the boombox; pop and lock, fitful hop
it twirls down and smacks ground to shrill sounds, red spills out
in doorframes, with cold drinks necks are craned, loudness shrinks
we peal back the silence with dance moves gone violent,
all join in and dance crazed: tables, chairs, sofas, stairs
we fling ourselves everywhere, and shout bliss and smoke air
I seize, spin you around—music rolls, celebrate.

2
In black quiet foot taps and twigs snap to this stride
and white foxes march past, watch the dance, trot on by
the still night’s our dance hall, the cracked bark its sparse wall
but sway, speckled love pair! Do the twist, jump and jive
on sharp leaves, on damp moss that’s soaked green, on mild ives
our waltz splashes stream’s glass; showers spray gleaming rain
you smile while you pluck limbs from pines’ sides to wave high
a leaf-dressed baton wand—forest song, dance along!

3
A sharp glare through broad panes; the sun’s rays hit Gate Nine
whose slant windows’ black frames light up our silhouettes
we glide boldly, steps rapping sole glee in pepped time
on lined chairs all stiff-backed; golden pairs stare perplexed
a young boy’s worn headset and pre-packaged stale bread
and smooth-gliding walkways, duty-free shopping spree
the rust-orange light scores them:  shocked faces glow, see
our haphazard mad dance past absurd potted plants
your dress flies, behind lies a dazed crowd, we glide down
the beiged boarding ramp, stamp joyous notes, thrash the floor
‘til shafts flood the torn corridor, splashing tan light
Across grey; the crowd cheers, disappears, sings our names.

4
We grasp hands and stride out towards young couples, real haut
all decked out in fine braid, a myriad masquerade
of lined pairs in tight squares and there’s music: waltz airs
which spark movement like truth bends the light, rend the night
with drum rolls and solos whose crass brass part echoes
the slow dips of grasped hips—roll and sway, pick up pace
the sweet rhythms wind lines across lines of blind hymns
champagne clatters, cries clap: shatter that! Rattatat!
I, drunk happy, toast strangers’ masked faces, change places
with laced ladies, sweep three eight-step Balboa sets
while chairs flip, the drapes rip, cymbals crash, windows smash
the dance burns the house down with loud sound, I look round
you’re not far, but right then—a sudden roar, masks, thrown, soar
above, cloud-like hang, hover—we meet and now dance
amid vivid waves of bright stares raining down, masks surround
our close dance, the mass sweeps along past the main doors
and outside, the cool rain pours in sheets, perfect sheets
pale moonlight Aug 2013
I used to think
that maybe
if I tapped the doorframe thrice
or switched the lights on and off (nine times)
or missed every crack in the pavement
then maybe
just maybe I wouldn't lose you

and I used to believe
that when the stars shone at night
they were sent to watch over
and keep me safe
from the things I may do

and I kept to my routines but
I woke up on a cold morning
and you were gone
and no tapping doorframes
or turning lights on and off
or missing cracks in the road
could bring you back

so I didn't bother

and the stars are burning out
and one day they may just end us all
they are no beings
sent to care
or calm
they are ruthless
designed to fight
and succeed

so I stopped believing

(you took away my dreams
when you left)
sofolo Oct 2022
Drag my feet across the space of time. Down the rungs of laddered rooms. So many doors. Most are locked now. Soles pricked by evergreen. Every remembrance, a splinter. Subcutaneous, then deeper. Hypodermic nostalgia. Pin-cushioned and pine-needled. I could pull them out. But relief is not found in extinguishing bushfires. This wooden heart needs to burn free. Poplar, ash, maple…there is a forest within me. Limbs upon limbs draping and dripping and gracing skin that falls away when the weight is too much. And the lightness never seems to last beyond three months. Appendages on oaken tombs. Endless hallways. Sealed doorframes. This winter is eternal, and my timber…a pyre. Lips pressed to polaroid.
I’ve become a jungle of eulogy.
A thicket on fire.
Kay Ireland Mar 2017
He is biblical.
I’ve never had the taste for it,
but I will take his communion
and believe in something,
anything.

I’ve been splitting my knuckles on doorframes
just to know some peace.
Broken skin doesn’t hurt like it should.
Where are your healing lips tonight?
Kiss the poetry away from me;
bury it deep and out of sight.
It will find a way to ruin this.
I don’t ask for eternity.
I ask for one lifetime
knowing where your hands have been,
what they have built,
and who they have destroyed.

He is biblical;
I have always worshipped
someone else’s god.
dani evelyn Mar 2017
the truth is that my heart feels like it’s broken and blooming all at once.
the truth is, i thought you might be the one
to reach in and rescue me.
the truth is
i cannot stop watching you,
i don’t know what it is that you want.
i don’t know if i could give it to you
if i knew.

the truth is that it has taken a long time for the pieces of my heart to fit right in my chest.
the truth is, i was just beginning to feel strong
again.
if only you knew how your smile has sent all my fault lines into a panic,
every inch of my body braced for the earthquake
bound to come, atoms
climbing into doorframes,
opening the bunkers.
even the way you put your hand in your pocket ***** me up. i can’t pretend anymore.
i’m not pretending.

the truth is i’d **** to put a stethoscope to your heart;
we can play doctor, two kids under the dinner table.
if you run out of here, full speed, i can’t promise i won’t follow.
the truth is,
i just want to know how it ends.
dani evelyn Jun 2017
restless twenty year old nights call to mind
warm sixteen year old ones,
running barefoot in the driveway,
sitting silent on the porch,
resting my head
so
carefully
on the shoulder of a boy
i thought i could predict.
at sixteen, i thought the best thing about the world
was that i did not have to participate in it –
i thought to shut my mouth and close my ribs
was a certain kind of honor.
i am reaching, reaching, reaching back to that girl,
wondering why she chose to throw all her joy away,
wondering if she knows
how much she must
remember,
how important it is
to learn how to care again.

if i could say one thing to danielle circa 2012
i would tell her to
buckle her seatbelt,
i would tell her to
remember the boy in the hospital bed.
i would tell her that
learning to open her chest again is
entirely worth the night she will spend
sobbing on the highway at 1 am.
i would tell her
to stop putting people in boxes,
i would say
to write more poems
that aren’t about dying.

maybe someday
twenty four year old danielle
will write a poem to me,
and maybe she will say
there’s a big storm
coming; maybe
she’ll sing sonnets to
the love and loss
that will one day buckle my knees
and send me running
into doorframes.
and maybe it’s okay
that i don’t have a raincoat.
maybe that’s just
how it goes.
Greenie Dec 2014
And in the mirror is an older girl from yesterday, for it was then that I wrote every fantasy for which i've yearned upon a golden sheaf and I tied it to a kite, black and red and orange, and I watched it sail up and up and up and forever away from here, for what will dreaming do me except milky teardrops and sagging doorframes. I'd like to live a life in peace away from falsities, and it is for that reason which I cringe at the lies and shallow untruths which are spoken around my core, too close, I push away. If I could fly I would go to the seas with whitecaps of pearl and ruby fishes jumping across my lazy, sundried belly, impregnated with ideals, puffy with a folly that gives the only true happiness. But if is but a word and I am but a girl and maybe with my grandmothers looking down upon me I will be that emerald eyed fox running for the moon.
Sam Temple Mar 2017
~




Mars flashed like a plane coming in
brightness and rotation of color
reminded me of stock footage
nuclear tests on an atoll
      reds and oranges play in blue hues

wisps of black cloud impeded my view
and I thought about young men in trenches
love and comradery I would never know
Mars peaked back into view
      I considered Russian and Chinese prophecy

my own heartbeat became a marching army
covering the land in mist and smoke
thunderous explosions disjointing doorframes
whimpering children under dusty grey rubble
       loudspeakers reassuring danger has passed

golden curtains  move with the wind fire creates
a scorched lawn with a twisted fence
Pennsylvania Avenue potholed and transient
beyond that the ghettos smolder  
a nation bleeds life back into poisoned soil
       a lone perched eagle surveys before soaring into the dawn    /
jordan Jan 2016
it’s hard to know what i’ve truly written
and what i saved to rearrange later
but tonight a mother pulls her daughter by the hand and
walks her down the beach
thigh deep in water, a daughter holds her breath
dives under and is no longer hungry
tonight i dream her love is a needle I can see the point of

tonight i’m finished with god
i’m tired and i’d rather my words incoherent
and my eyes a distant place
tonight i’m seven and it’s the first time
i’ve breathed in to feel my rib cage
scraped clean

i sit indian style
core deep with space clear for you
a child’s heart is no place for
white powder and mailboxes
but i sat there, indian style

i cleared space for you
on the curb on palms and sawtelle
i learned here that no levee stands a chance
against people flooding over

tonight holy water burns through a house
with an ornamented christmas tree
two cars, and a beautiful daughter

i am still learning to forget claw marks
on the doorframes
that the crossing of state lines
doesn’t always turn wreckage to flowers
v Jan 2019
Because blue blood runs dry
her lips were ugly words.

Because
I envisioned my body splayed on pavement,
Life leaving slowly,
skulls shattered on doorframes
A non-existent lust for life you promised to nurture

Mens Sana in Corpore Sano
Boys sanity in corporate security
Because his hands followed me down every hallway,
Through every lesson
Every no turned to yes turned to quietness.
all I ever learned was to be quiet.

It’s why so many combust
high - among the stars
Pressure compacted and shot into darkness
By the sound mind
The sound body
The sound of a body hitting the ground
The sound of my body hitting tile
Your hands grasping my skull.
What lies beyond this dour door
that leads to things ahead?
I stand and wonder what’s in store
behind this portal grimy with dread.

Its glass is cracked, its lead paint is chipped
while its brick wall is turning to sand.
Its handle doesn’t invite to be gripped,
nor does it tell me where I’ll land.

I look all up and down the street
and see only more doors that look the same.
Before each one are more: their feet
wish to walk away from these doorframes.

Each one of us is seized by impotent rage
at facing a choice that’s no choice,
to be fixed as if in a steel cage
and finding no cause to rejoice.

But one of us in this bleak boulevard
must be the first to twist the ****
with the will to face the path that’s hard,
to not let our lives by fear be robbed.

Let each of us kick in our doors of fate
and overthrow their grips on our lives,
smash the clock and pass through that gate
with heads held high, fearless of where we arrive.

Spurred by the clarion call: it came to pass
our pent up waters burst the dams.
No captives are we! We struck en masse:
Battering rams forged out of lambs.
louella Dec 2022
in the ballroom
your eyes like comets
mine like phosphorescent lights
in the humid july sky

our arms moving like seaward ships
caught you stranded amidst the violence
eyelashes that swayed in the wind
you saw me, you asked me to dance

i don’t believe everything is as it should be
it was just a kiss, i don’t think i actually miss you
or maybe i’m slowly getting addicted
to the cadence of your voice
every night, it’s back to that july or was it november weather?

you touched my hand with a fiery blaze that pranced inside that stuffy room
you gave me a glance, i gave you a chance
you could’ve tumbled from the balcony
would my reaction time have been as swift as when you had caught me by surprise?

why am i such a fool?
if it had started with you
we could have fled together like panicked soldiers
from the esteemed battlegrounds their forefathers fought for so their successors could lose their next battles
and get captured and chained against walls

and i wanted you, i was only a husband away from kissing you,
touching you,
impaling you

you were moments away from calling my bluff
it’s enough, i’m in handcuffs
while you stand in the ballroom
your eyes on me like you’re the spotlight and i’m your stage device

we danced like we meant it
would you have given me up for a fairer maiden?
one with less personality issues and without a right hand man?
would you have stopped if i told you that dancing is for ghosts in empty hotels?

i would have died trying in a slashed wedding dress
if the force i called my lover didn’t snag my clothes on his irregular branches

i can’t see beyond these singing cliffs
please kiss me
on the dock of my yacht
i’ll adore you until you ***** me over
or until i ***** you over
and we become ashes on the riverbed
that was the location where my lips touched yours
on the grass
not on the ballroom steps
not with a cigarette in your mouth

you were slipping through the gloves i wore?
i don’t recall, did the background start to get blurry
when you swept me off my feet?
did i panic?
did you love it?
did you notice the electricity escaping from my palms?

i spotted your pupils become lucid
the lights didn’t even change colors
and you danced with some kind of suitor
but i don’t know who you are
or what your motives are
just know that the mirror can only hold evil if it’s as marvelous as you

the patterns of your footsteps in my nightmares or perhaps
in the trances my exhilaration transports me to

are

lurking in the shadows
in the doorframes
the hallways of trains i haven’t stepped toes in
complaints flooding the mailboxes i happen to own

i loaned you my heart as a temporary ornament
you could dangle like candy
in front of adored damsels looking to be courted
i’m becoming the focal point in your daily
struggle to gain power over the situation that sadly owns me

waltz inside of my irises instead of on the floating platform
that is about to crumble beneath the soles of our dress shoes

my conscience buried in the thawing soil

did you lose sight of the plans you foiled?

whistle to the carriage you paid for
open the door for the feeble woman in the backseat
it would have boiled your blood,
and so i would’ve kissed your lips

but ghosts don’t dance in ballrooms;
they just sit
and watch everyone else become brides and grooms
and they feel the tug every single time
the room erupts in sudden laughter
they wait like stubborn angels  
at the noisy soirée
anticipating the collapse of young souls
like me and you

and therefore; the downfall we have will be a spectacle
your disintegration in the mirror will be a quotidian one
as i watch your bones dance in your body like little puppets in a silly drama

catch me when i fall for
the doors i have entered
before haven’t
restored my soul
and i would have kissed you
or even said i missed you
if he wasn’t the person he was
if you weren’t the person you are
and if i was completely unaware of the consequences of mistakenly false coincidences
perhaps i would have put my lips to yours
outdoors
as the creek entertained our obscene selves
and heard our dramatic moans
and groaned
“good riddance”

“good riddance indeed”

our tempers fizzled and the skeletons were evicted from our closets
good causes, it’s my fault—it’s
just that i said all those cheery things to impress you
as if you were Socrates or someone of such high standing;
undoubtedly, you are

but the cliff i leaped off of slowly became you—the ghost in the castle walls
who waltzes with gorgeous girls
just to dream of what it would be like to
kiss them,
touch them,
impale them

i wonder how it felt to be in control
to hold me like i would puncture your skin
like some breed of lovesick vampire

i was only a girl in love with a future
she could not let unfold
because she had a husband waiting at home

waiting for her to slip up
feeling less and less in control

but with your gaze like lightning
ignoring is such a demanding reality
and
i want to kiss you,
i miss you,
this isn’t a petty joke
join me in the meadow
hands in mine
and touch me,
kiss me,
impale me
wow. super proud. just found out. this is vague. listen to suki waterhouse right now. byes

12/14/22

— The End —