The Original Sin: Rhyming Haiku!

Haiku
should never rhyme:
it’s a crime!
―Michael R. Burch

The herons stand,
sentry-like, at attention ...
rigid observers of some unknown command.
―Michael R. Burch

Late
fall;
all
the golden leaves turn black underfoot:
soot
―Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch

A snake in the grass
lies, hissing
"Trespass!"
―Michael R. Burch

Honeysuckle
blesses my knuckle
with affectionate dew
―Michael R. Burch

My nose nuzzles
honeysuckle’s
sweet nothings
―Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.
―Michael R. Burch

The moon in decline
like my lover’s heart
lies far beyond mine
―Michael R. Burch

My mother’s eyes
acknowledging my imperfection:
dejection
―Michael R. Burch

The sun sets
the moon fails to rise
we avoid each other’s eyes
―Michael R. Burch

brief leaf flung awry ~
bright butterfly, goodbye!
―Michael R. Burch

leaf flutters in flight ~
bright, O and endeavoring butterfly,
goodbye!
―Michael R. Burch

The girl with the pallid lips
lipsticks
into something more comfortable
―Michael R. Burch

I am a traveler
going nowhere,
but my how the gawking bystanders stare!
―Michael R. Burch



Here's a poem that's composed of haiku-like stanzas:

Haiku Sequence: The Seasons
by Michael R. Burch

Lift up your head
dandelion,
hear spring roar!

How will you tidy your hair
this near
summer?

Leave to each still night
your lightest affliction,
dandruff.

Soon you will free yourself:
one shake
of your white mane.

Now there are worlds
into which you appear
and disappear

seemingly at will
but invariably blown
wildly, then still.

Gasp at the bright chill
glower
of winter.

Icicles splinter;
sleep still an hour,
till, resurrected in power,

you lift up your head,
dandelion.
Hear spring roar!



Unrhymed Original Haiku and Tanka
by Michael R. Burch

These are original haiku and tanka written by Michael R. Burch, along with haiku-like and tanka-like poems inspired by the forms but not necessarily abiding by all the rules.

Dark-bosomed clouds
pregnant with heavy thunder ...
the water breaks
―Michael R. Burch

one pillow ...
our dreams
merge
―Michael R. Burch



Iffy Coronavirus Haiku

yet another iffy coronavirus haiku #1
by Michael R. Burch

plagued by the Plague
i plague the goldfish
with my verse

yet another iffy coronavirus haiku #2
by Michael R. Burch

sunflowers
hang their heads
embarrassed by their coronas

I wrote this poem after having a sunflower arrangement delivered to my mother, who is in an assisted living center and can’t have visitors due to the coronavirus pandemic. I have been informed the poem breaks haiku rules about personification, etc.

Homework (yet another iffy coronavirus haiku #3)
by Michael R. Burch

Dim bulb overhead,
my silent companion:
still imitating the noonday sun?

New World Order (last in a series and perhaps a species)
by Michael R. Burch

The days of the dandelions dawn ...
soon man will be gone:
fertilizer.



Variations on Fall

Farewells like
falling
leaves,
so many sad goodbyes.
―Michael R. Burch

Falling leaves
brittle hearts
whisper farewells
―Michael R. Burch

Autumn leaves
soft farewells
falling ...
falling ...
falling ...
―Michael R. Burch

Autumn leaves
Fall’s farewells
Whispered goodbyes
―Michael R. Burch



Variations on the Seasons
by Michael R. Burch

Mother earth
prepares her nurseries:
spring greening

The trees become
modest,
coy behind fans



Wobbly fawns
have become the fleetest athletes:
summer



Dry leaves
scuttle like *****:
autumn

*

The sky
shivers:
snowfall

each
translucent flake
lighter than eiderdown

the entire town entombed
but not in gloom,
bedazzled.



Variations on Night

Night,
ice and darkness
conspire against human warmth
―Michael R. Burch

Night and the Stars
conspire against me:
Immensity
―Michael R. Burch

in the ice-cold cathedral
prayer candles ablaze
flicker warmthlessly
―Michael R. Burch



Variations on the Arts
by Michael R. Burch

Paint peeling:
the novel's
novelty wears off ...

The autumn marigold's
former glory:
allegory.

Human arias?
The nightingale frowns, perplexed.
Tone deaf!

Where do cynics
finally retire?
Satire.

All the world’s
a stage
unless it’s a cage.

To write an epigram,
cram.
If you lack wit, scram.

Haiku
should never rhyme:
it’s a crime!

Video
dumped the **** tube
for YouTube.

Anyone
can rap:
just write rhythmic crap!

Variations on Lingerie
by Michael R. Burch

Were you just a delusion?
The black negligee you left
now merest illusion.

The clothesline
quivers,
ripe with unmentionables.

The clothesline quivers:
wind,
or ghosts?



Variations on Love and Wisdom
by Michael R. Burch

Wise old owls
stare myopically at the moon,
hooting as the hart escapes.

Myopic moon-hooting owls
hoot as the hart escapes

The myopic owl,
moon-intent, scowls;
my rabbit heart thunders ...
Peace, wise fowl!



Original Tanka

All the wild energies
of electric youth
captured in the monochromes
of an ancient photobooth
like zigzagging lightning.
―Michael R. Burch

The plums were sweet,
icy and delicious.
To eat them all
was perhaps malicious.
But I vastly prefer your kisses!
―Michael R. Burch

A child waving ...
The train groans slowly away ...
Loneliness ...
Somewhere in the distance gusts
scatter the stray unharvested hay ...
―Michael R. Burch

How vaguely I knew you
however I held you close ...
your heart’s muffled thunder,
your breath the wind―
rising and dying.
―Michael R. Burch



Miscellanea

Childless
by Michael R. Burch

How can she bear her grief?
Mightier than Atlas, she shoulders the weight
of one fallen star.

sheer green stockings
queer green beer
St. Patrick's Day!
―Michael R. Burch

cicadas chirping everywhere
singing to beat the band―
surround sound
―Michael R. Burch

Regal, upright,
clad in royal purple:
Zinnia
―Michael R. Burch

Love is a surreal sweetness
in a world where trampled grapes
become wine.
―Michael R. Burch

although meant for market
a pail full of strawberries
invites indulgence
―Michael R. Burch

late November;
skeptics scoff
but the geese no longer migrate
―Michael R. Burch

as the butterfly hunts nectar
the generous iris
continues to bloom
―Michael R. Burch



Haiku Translations of the Oriental Masters

Grasses wilt:
the braking locomotive
grinds to a halt
― Yamaguchi Seishi, loose translation by Michael R. Burch

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation by Michael R. Burch

The first soft snow:
leaves of the awed jonquil
bow low
― Matsuo Basho, loose translation by Michael R. Burch

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
― Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
― Matsuo Basho, loose translation by Michael R. Burch

One apple, alone
in the abandoned orchard
reddens for winter
― Patrick Blanche, loose translation by Michael R. Burch

The poem above is by a French poet; it illustrates how the poetry of Oriental masters like Basho has influenced poets around the world.



I remove my beautiful kimono:
its varied braids
surround and entwine my body
― Hisajo Sugita, loose translation by Michael R. Burch

This day of chrysanthemums
I shake and comb my wet hair,
as their petals shed rain
― Hisajo Sugita, loose translation by Michael R. Burch

This sheer kimono—
how the moon peers through
to my naked skin!
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

These festive flowery robes—
though quickly undressed,
how their colored cords still continue to cling!
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

Chrysanthemum petals
reveal their pale curves
shyly to the moon.
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

Loneliness —
reading the Bible
as the rain deflowers cherry blossoms.
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

How deep this valley,
how elevated the butterfly's flight!
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

How lowly this valley,
how lofty the butterfly's flight!
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

Echoes from the hills—
the mountain cuckoo sings as it will,
trill upon trill
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch



This darkening autumn:
my neighbor,
how does he continue?
― Matsuo Basho, loose translation by Michael R. Burch

Let us arrange
these lovely flowers in the bowl
since there's no rice
― Matsuo Basho, loose translation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch

The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch

Pausing between clouds
the moon rests
in the eyes of its beholders
― Matsuo Basho, loose translation by Michael R. Burch

The first chill rain:
poor monkey, you too could use
a woven cape of straw
― Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
― Matsuo Basho, loose translation by Michael R. Burch

Like a heavy fragrance
snow-flakes settle:
lilies on the rocks
― Matsuo Basho, loose translation by Michael R. Burch

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
― Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
― Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
― Matsuo Basho, loose translation by Michael R. Burch

Will we meet again?
Here at your flowering grave:
two white butterflies
― Matsuo Basho, loose translation by Michael R. Burch

Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
― Matsuo Basho, loose translation by Michael R. Burch

Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho, loose translation by Michael R. Burch; this has been called Basho's death poem

These brown summer grasses?
The only remains
of "invincible" warriors...
― Matsuo Basho, loose translation by Michael R. Burch

Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
― Matsuo Basho, loose translation by Michael R. Burch

See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
― Matsuo Basho, loose translation by Michael R. Burch

An empty road
lonelier than abandonment:
this autumn evening
― Matsuo Basho, loose translation by Michael R. Burch

Spring has come:
the nameless hill
lies shrouded in mist
― Matsuo Basho, loose translation by Michael R. Burch

This world?
Moonlit dew
flicked from a crane's bill.
—Eihei Dogen Kigen (1200-1253) loose translation/interpretation by Michael R. Burch

Seventy-one?
How long
can a dewdrop last?
—Eihei Dogen Kigen, loose translation/interpretation by Michael R. Burch

Dewdrops beading grass-blades
die before dawn;
may an untimely wind not hasten their departure!
—Eihei Dogen Kigen, loose translation/interpretation by Michael R. Burch

Dewdrops beading blades of grass
have so little time to shine before dawn;
let the autumn wind not rush too quickly through the field!
—Eihei Dogen Kigen, loose translation/interpretation by Michael R. Burch

Outside my window the plums, blossoming,
within their curled buds, contain the spring;
the moon is reflected in the cup-like whorls
of the lovely flowers I gather and twirl.
—Eihei Dogen Kigen, loose translation/interpretation by Michael R. Burch



The Oldest Haiku

These are my translations of some of the oldest Japanese waka, which evolved into poetic forms such as tanka, renga and haiku over time. My translations are excerpts from the Kojiki (the "Record of Ancient Matters"), a book composed around 711-712 A.D. by the historian and poet Ō no Yasumaro. The Kojiki relates Japan’s mythological beginnings and the history of its imperial line. Like Virgil's Aeneid, the Kojiki seeks to legitimize rulers by recounting their roots. These are lines from one of the oldest Japanese poems, found in the oldest Japanese book:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another excerpt, with a humorous twist, from the Kojiki:

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another, this one a poem of love and longing:

Onyx, this gem-black night.
Downcast, I await your return
like the rising sun, unrivaled in splendor.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch



More Haiku by Various Poets

Right at my feet!
When did you arrive here,
snail?
― Kobayashi Issa, loose translation by Michael R. Burch

Our world of dew
is a world of dew indeed;
and yet, and yet...
― Kobayashi Issa, loose translation by Michael R. Burch

Oh, brilliant moon
can it be true that even you
must rush off, like us, tardy?
― Kobayashi Issa, loose translation by Michael R. Burch

Standing unsteadily,
I am the scarecrow’s
skinny surrogate
―Kobayashi Issa, loose translation/interpretation by Michael R. Burch

Autumn wind ...
She always wanted to pluck
the reddest roses
―Kobayashi Issa, loose translation/interpretation by Michael R. Burch

Issa wrote the haiku above after the death of his daughter Sato with the note: “Sato, girl, 35th day, at the grave.”



The childless woman,
how tenderly she caresses
homeless dolls ...
—Hattori Ransetsu, loose translation/interpretation by Michael R. Burch

Clinging
to the plum tree:
one blossom's worth of warmth
—Hattori Ransetsu, loose translation/interpretation by Michael R. Burch

One leaf falls, enlightenment!
Another leaf falls,
swept away by the wind ...
—Hattori Ransetsu, loose translation/interpretation by Michael R. Burch

This has been called Ransetsu’s “death poem.” In The Classic Tradition of Haiku, Faubion Bowers says in a footnote to this haiku: “Just as ‘blossom’, when not modified, means ‘cherry flower’ in haiku, ‘one leaf’ is code for ‘kiri’. Kiri ... is the Pawlonia ... The leaves drop throughout the year. They shrivel, turn yellow, and yield to gravity. Their falling symbolizes loneliness and connotes the past. The large purple flowers ... are deeply associated with haiku because the three prongs hold 5, 7 and 5 buds ... ‘Totsu’ is an exclamation supposedly uttered when a Zen student achieves enlightenment. The sound also imitates the dry crackle the pawlonia leaf makes as it scratches the ground upon falling.”



Disdaining grass,
the firefly nibbles nettles—
this is who I am.
—Takarai Kikaku (1661-1707), loose translation/interpretation by Michael R. Burch

A simple man,
content to breakfast with the morning glories—
this is who I am.
—Basho, loose translation/interpretation by Michael R. Burch
This is Basho’s response to the Takarai Kikaku haiku above

The morning glories, alas,
also turned out
not to embrace me
—Basho, loose translation/interpretation by Michael R. Burch

The morning glories bloom,
mending chinks
in the old fence
—Basho, loose translation/interpretation by Michael R. Burch

Morning glories,
however poorly painted,
still engage us
—Basho, loose translation/interpretation by Michael R. Burch

I too
have been accused
of morning glory gazing ...
—original haiku by by Michael R. Burch

Taming the rage
of an unrelenting sun—
autumn breeze.
—Basho, loose translation/interpretation by Michael R. Burch

The sun sets,
relentlessly red,
yet autumn’s in the wind.
—Basho, loose translation/interpretation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

As autumn draws near,
so too our hearts
in this small tea room.
—Basho, loose translation/interpretation by Michael R. Burch

Nothing happened!
Yesterday simply vanished
like the blowfish soup.
—Basho, loose translation/interpretation by Michael R. Burch

The surging sea crests around Sado ...
and above her?
An ocean of stars.
—Basho, loose translation/interpretation by Michael R. Burch

Revered figure!
I bow low
to the rabbit-eared Iris.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Nothing in the cry
of the cicadas
suggests they know they soon must die.
—Basho, loose translation/interpretation by Michael R. Burch

I wish I could wash
this perishing earth
in its shimmering dew.
—Basho, loose translation/interpretation by Michael R. Burch

Dabbed with morning dew
and splashed with mud,
the melon looks wonderfully cool.
—Basho, loose translation/interpretation by Michael R. Burch

Cold white azalea—
a lone nun
in her thatched straw hut.
—Basho, loose translation/interpretation by Michael R. Burch

Glimpsed on this high mountain trail,
delighting my heart—
wild violets
—Basho, loose translation/interpretation by Michael R. Burch

The bee emerging
from deep within the peony’s hairy recesses
flies off heavily, sated
—Basho, loose translation/interpretation by Michael R. Burch

A crow has settled
on a naked branch—
autumn nightfall
—Basho, loose translation/interpretation by Michael R. Burch

Except for a woodpecker
tapping at a post,
the house is silent.
—Basho, loose translation/interpretation by Michael R. Burch

That dying cricket,
how he goes on about his life!
—Basho, loose translation/interpretation by Michael R. Burch

Like a glorious shrine—
on these green, budding leaves,
the sun’s intense radiance.
—Basho, loose translation/interpretation by Michael R. Burch



Yosa Buson haiku translations

A kite floats
at the same place in the sky
where yesterday it floated...
― Yosa Buson, loose translation by Michael R. Burch

On the temple’s great bronze gong
a butterfly
snoozes.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Hard to describe:
this light sensation of being pinched
by a butterfly!
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Not to worry spiders,
I clean house ... sparingly.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Among the fallen leaves,
an elderly frog.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

In an ancient well
fish leap for mosquitoes,
a dark sound.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Flowers with thorns
remind me of my hometown ...
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Reaching the white chrysanthemum
the scissors hesitate ...
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Picking autumn plums
my wrinkled hands
once again grow fragrant
―Yosa Buson, loose translation/interpretation by Michael R. Burch

A silk robe, casually discarded,
exudes fragrance
into the darkening evening
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Whose delicate clothes
still decorate the clothesline?
Late autumn wind.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

An evening breeze:
water lapping the heron’s legs.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

gills puffing,
a hooked fish:
the patient
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The stirred morning air
ruffles the hair
of a caterpillar.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Intruder!
This white plum tree
was once outside our fence!
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Tender grass
forgetful of its roots
the willow
―Yosa Buson, loose translation/interpretation by Michael R. Burch

I believe the poem above can be taken as commentary on ungrateful children. It reminds me of Robert Hayden's "Those Winter Sundays."―MRB

Since I'm left here alone,
I'll make friends with the moon.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The hood-wearer
in his self-created darkness
misses the harvest moon
―Yosa Buson, loose translation/interpretation by Michael R. Burch

White blossoms of the pear tree―
a young woman reading his moonlit letter
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The pear tree flowers whitely:
a young woman reading his letter
by moonlight
―Yosa Buson, loose translation/interpretation by Michael R. Burch

On adjacent branches
the plum tree blossoms
bloom petal by petal―love!
―Yosa Buson, loose translation/interpretation by Michael R. Burch

A misty spring moon ...
I entice a woman
to pay it our respects
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Courtesans
purchasing kimonos:
plum trees blossoming
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The spring sea
rocks all day long:
rising and falling, ebbing and flowing ...
―Yosa Buson, loose translation/interpretation by Michael R. Burch

As the whale
  dives
its tail gets taller!
―Yosa Buson, loose translation/interpretation by Michael R. Burch

While tilling the field
the motionless cloud
vanished.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Even lonelier than last year:
this autumn evening.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

My thoughts return to my Mother and Father:
late autumn
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Late autumn:
my thoughts return to my Mother and Father
―Yosa Buson, loose translation/interpretation by Michael R. Burch

This roaring winter wind:
the cataract grates on its rocks.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

While snow lingers
in creases and recesses:
flowers of the plum
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Plowing,
not a single bird sings
in the mountain's shadow
―Yosa Buson, loose translation/interpretation by Michael R. Burch

In the lingering heat
of an abandoned cowbarn
only the sound of the mosquitoes is dark.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The red plum's fallen petals
seem to ignite horse dung.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Dawn!
The brilliant sun illuminates
sardine heads.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The abandoned willow shines
between bright rains
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Dew-damp grass:
the setting sun’s tears
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The dew-damp grass
weeps silently
in the setting sun
―Yosa Buson, loose translation/interpretation by Michael R. Burch

White plum blossoms―
though the hour grows late,
a glimpse of dawn
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The poem above is believed to be Buson's jisei (death poem) and he is said to have died before dawn.

Lately the nights
dawn
plum-blossom white.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

This is a second interpretation of Buson's jisei (death poem).

In the deepening night
I saw by the light
of the white plum blossoms
―Yosa Buson, loose translation/interpretation by Michael R. Burch

This is a third interpretation of Buson's jisei (death poem).

Our life here on earth:
to what shall we compare it?
Perhaps to a rowboat
departing at daybreak,
leaving no trace of us in its wake?
—Takaha Shugyo or Yosa Buson, loose translation by Michael R. Burch



I thought I felt a dewdrop
plop
on me as I lay in bed!
― Masaoka Shiki, loose translation by Michael R. Burch

We cannot see the moon
and yet the waves still rise
― Shiki Masaoka, loose translation by Michael R. Burch

The first morning of autumn:
the mirror I investigate
reflects my father’s face
― Shiki Masaoka, loose translation by Michael R. Burch



Wild geese pass
leaving the emptiness of heaven
revealed
― Takaha Shugyo, loose translation by Michael R. Burch

Inside the cracked shell
of a walnut:
one empty room.
—Takaha Shugyo, loose translation by Michael R. Burch

Bring me an icicle
sparkling with the stars
of the deep north
—Takaha Shugyo, loose translation by Michael R. Burch

Seen from the skyscraper
the trees' fresh greenery:
parsley sprigs
—Takaha Shugyo, loose translation by Michael R. Burch

Are the geese flying south?
The candle continues to flicker ...
—Takaha Shugyo, loose translation by Michael R. Burch

Still clad in its clown's costume—
the dead ladybird.
—Takaha Shugyo, loose translation by Michael R. Burch

A single tree,
a heart carved into its trunk,
blossoms prematurely
—Takaha Shugyo, loose translation by Michael R. Burch



Silently observing
the bottomless mountain lake:
water lilies
― Inahata Teiko, loose translation by Michael R. Burch

Cranes
flapping ceaselessly
test the sky's upper limits
― Inahata Teiko, loose translation by Michael R. Burch

Falling snowflakes'
glitter
tinsels the sea
― Inahata Teiko, loose translation by Michael R. Burch

Blizzards here on earth,
blizzards of stars
in the sky
― Inahata Teiko, loose translation by Michael R. Burch

Completely encircled
in emerald:
the glittering swamp!
― Inahata Teiko, loose translation by Michael R. Burch

The new calendar!:
as if tomorrow
is assured...
― Inahata Teiko, loose translation by Michael R. Burch



Ah butterfly,
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation by Michael R. Burch

Because morning glories
hold my well-bucket hostage
I go begging for water
― Fukuda Chiyo-ni, loose translation by Michael R. Burch



Spring
stirs the clouds
in the sky's teabowl
― Kikusha-ni, loose translation by Michael R. Burch

Tonight I saw
how the peony crumples
in the fire's embers
― Katoh Shuhson, loose translation by Michael R. Burch

It fills me with anger,
this moon; it fills me
and makes me whole
― Takeshita Shizunojo, loose translation by Michael R. Burch

War
stood at the end of the hall
in the long shadows
― Watanabe Hakusen, loose translation by Michael R. Burch

Because he is slow to wrath,
I tackle him, then wring his neck
in the long grass
― Shimazu Ryoh, loose translation by Michael R. Burch

Pale mountain sky:
cherry petals play
as they tumble earthward
― Kusama Tokihiko, loose translation by Michael R. Burch

The frozen moon,
the frozen lake:
two oval mirrors reflecting each other.
― Hashimoto Takako, loose translation by Michael R. Burch

The bitter winter wind
ends here
with the frozen sea
― Ikenishi Gonsui, loose translation by Michael R. Burch

Oh, bitter winter wind,
why bellow so
when there's no leaves to fell?
― Natsume Sôseki, loose translation by Michael R. Burch

Winter waves
roil
their own shadows
― Tominaga Fûsei, loose translation by Michael R. Burch

No sky,
no land:
just snow eternally falling...
― Kajiwara Hashin, loose translation by Michael R. Burch

Along with spring leaves
my child's teeth
take root, blossom
― Nakamura Kusatao, loose translation by Michael R. Burch

Stillness:
a single chestnut leaf glides
on brilliant water
― Ryuin, loose translation by Michael R. Burch

As thunder recedes
a lone tree stands illuminated in sunlight:
applauded by cicadas
― Masaoka Shiki, loose translation by Michael R. Burch

The snake slipped away
but his eyes, having held mine,
still stare in the grass
― Kyoshi Takahama, loose translation by Michael R. Burch

Girls gather sprouts of rice:
reflections of the water flicker
on the backs of their hats
― Kyoshi Takahama, loose translation by Michael R. Burch

Murmurs follow the hay cart
this blossoming summer day
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The wet nurse
paused to consider a bucket of sea urchins
then walked away
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

May I be with my mother
wearing her summer kimono
by the morning window
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The hands of a woman exist
to remove the insides of the spring cuttlefish
― Sekitei Hara, loose translation by Michael R. Burch

The moon
hovering above the snow-capped mountains
rained down hailstones
― Sekitei Hara, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
― Kakio Tomizawa, loose translation by Michael R. Burch

Spring snow
cascades over fences
in white waves
― Suju Takano, loose translation by Michael R. Burch



Tanka and Waka translations:

If fields of autumn flowers
can shed their blossoms, shameless,
why can’t I also frolic here —
as fearless, and as blameless?
—Ono no Komachi, loose translation by Michael R. Burch

Submit to you —
is that what you advise?
The way the ripples do
whenever ill winds arise?
—Ono no Komachi, loose translation by Michael R. Burch

Watching wan moonlight
illuminate trees,
my heart also brims,
overflowing with autumn.
—Ono no Komachi, loose translation by Michael R. Burch

I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
—Ono no Komachi, loose translation by Michael R. Burch

That which men call "love" —
is it not merely the chain
preventing our escape
from this world of pain?
—Ono no Komachi, loose translation by Michael R. Burch

Once-colorful flowers faded,
while in my drab cell
life’s impulse also abated
as the long rains fell.
—Ono no Komachi, loose translation by Michael R. Burch

I set off at the shore
of the seaside of Tago,
where I saw the high, illuminated peak
of Fuji―white, aglow―
through flakes of drifting downy snow.
― Akahito Yamabe, loose translation by Michael R. Burch


Haiku Translations

As the monks sip their morning tea,
chrysanthemums quietly blossom.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

The fragrance of plum blossoms
on a foggy path:
the sun rising.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

The sea darkens ...
yet still faintly white
the wild duck protests.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Pear tree blossoms
whitened by moonlight:
a young woman reading a letter.
—Yosa Buson, loose translation/interpretation by Michael R. Burch

Outlined in the moonlight ...
who is that standing
among the pear trees?
—Yosa Buson, loose translation/interpretation by Michael R. Burch

Your coolness:
the sound of the bell
departing the bell.
—Yosa Buson, loose translation/interpretation by Michael R. Burch

As the moon flies west
the flowers' shadows
creep eastward.
—Yosa Buson, loose translation/interpretation by Michael R. Burch

By such pale moonlight
even the wisteria's fragrance
seems distant.
—Yosa Buson, loose translation/interpretation by Michael R. Burch

Leaves
like crows’ shadows
flirt with a lonely moon.
Kaga no Chiyo, loose translation/interpretation by Michael R. Burch

Let me die
covered with flowers
and never again wake to this earthly dream!
—Ochi Etsujin, loose translation/interpretation by Michael R. Burch

To reveal how your heart flowers,
sway like the summer grove.
—Tagami Kikusha-Ni, loose translation/interpretation by Michael R. Burch

In the thicket's shade
a solitary woman sings the rice-planting song.
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

Unaware of these degenerate times,
cherry blossoms abound!
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

These silent summer nights
even the stars
seem to whisper.
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

The enormous firefly
weaves its way, this way and that,
as it passes by.
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

Composed like the Thinker, he sits
contemplating the mountains:
the sagacious frog!
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

A fallen blossom
returning to its bough?
No, a butterfly!
Arakida Moritake, loose translation/interpretation by Michael R. Burch

Illuminated by the harvest moon
smoke is caught creeping
across the water ...
Hattori Ransetsu, loose translation/interpretation by Michael R. Burch

Fanning its tail flamboyantly
with every excuse of a breeze,
the peacock!
Masaoki Shiki, loose translation/interpretation by Michael R. Burch

Waves row through the mists
of the endless sea.
Masaoki Shiki, loose translation/interpretation by Michael R. Burch

I hurl a firefly into the darkness
and sense the enormity of night.
—Kyoshi Takahama, loose translation/interpretation by Michael R. Burch

As girls gather rice sprouts
reflections of the rain ripple
on the backs of their hats.
—Kyoshi Takahama, loose translation/interpretation by Michael R. Burch

Keywords/Tags: haiku, tanka, oriental, masters, translation, Japanese, nature, seasons, Basho, Buson, Issa, waka, tanka, mrbhaiku

(Sorry Friends, for posting educational type of poems, I know Haiku are easier to read & comment! But if you happen to like this true story, kindly recommend it to your other friends! Thanks, -Raj)

STORY OF EUROPEAN RENAISSANCE: PART TWO

THE CITY-STATE OF FLORENCE :
The city of Florence lies in the historic valley of Tuscany ,
Along the banks of the Arno river, surrounded by hills
of scenic beauty !
Here during the first century BC , the conquering Romans
established their ‘Colonia Florentina’,
To settle the war veterans of Caesar’s army in Northern
Italia !
But later after the fall of Rome , it became a battleground
for the Holy Roman Empire and the Pope ;
But the independent nature of its people refused foreign
yolk !
They preferred commune rule led by a powerful leader –
called the Signore ,
Just like the city-states of ancient Greece, in those days of
yore !
But unlike Greece , Florence saw no Democracy ,
Since the Medici family finally usurped power in this
city of Northern Italy !
Unlike Venice , Florence is landlocked and not a port
city ;
Relying on banking and trade to prosper economically .
Their gold coin florin became the standard coinage
throughout Europe ;
While through the export of its quality textile and woolen
goods, great wealth got secured !
But to become patrons of art and letters mere wealth is
not enough ,
One must have a refined taste to become a true lover of
letters and art !
And here the Medici carved out a niche for themselves
under the Florentine sun !
Writers like Francesco Petrarca , Dante, and Boccaccio ;
And artists such as Giotto , Lippi, Dontello, Leonardo ,
and Michelangelo , were all born Florentines !
Even classical Athens couldn’t boast of such a vast
galaxy ,
Of artistic talents within such a limited time frame of
History !
These artists embellished their city with their literary
works, sculptures, architectures and paintings ;
Made Florence to reawaken, dazzle, and shine ;
Carving out a proud moment in history for the
Florentines !

CONTRIBUTION OF MEDICI FAMILY OF
FLORENCE :
Giovanni de Medici (1360-1429) :
This Medici family became the Godfather for the Italian
Renaissance ,
And I feel obliged to narrate their story tracing their
historical source !
In those early days Art was considered a lowly craft ,
There were no art galleries, and one couldn’t make a
living out of Art !
Without patronage the artist and his art couldn’t survive ,
So I speak of the Medics, who had originated from the
Tuscan countryside !
Gaining power through wealth and political astuteness,
And not through military force for dominance !
The founder of family’s fortunes was Giovanni de
Medici ,
An educated man with a simple life style , who
traveled on a donkey !
A humble man who had never aroused any enmity .
He established the Medici Bank with innovations
in ledger accounting system ;
And became a pioneers in tracking credits and debits
through a double entry system !
He opened branches of the Bank in Rome and Northern
Italy ,
Facilitated bills of exchange and credit bills, to multiply
his money !
After the return of the Papacy from Avignon to Rome ,
The Medici Bank was made the official bankers of the
Pope ;
And Giovanni became the wealthiest man in Italy , if
not in entire Europe !
In 1421 Giovanni was made the Chief Executive of his
city ,
And he commissioned its leading architect Brunelleschi , -
to glorify Florence city .
The challenging task for Brunelleschi was to build the dome
of the Cathedral of his city .
This was the first octagonal dome in history , a breakaway
from the earlier Gothic structures ,
And even surpassing the Roman Pantheon as a marvel of
Florentine architecture !
It took sixteen long years to complete this huge dome ,
And stands today as an icon of Renaissance Europe !
Giovanni had taught his son Cosimo to follow a simple
life style ,
To patronize art and letters, and to his people be kind !

COSIMO De MEDICI (1389-1464) :
After Giovanni’s death , Cosimo the Elder built upon
his father’s inherited wealth ;
Absorbed most of the 39 Florentine Banks, operating its
branches in London and Bruges as well !
The greatest rival of the Medici fortunes were the Albizzi ,
They plotted against Cosimo and the Medics ;
And in 1433, exiled Cosimo and his family out of jealousy !
But after a year the Medics were recalled back as heroes ,
Since the Florentine coffers without the Medici Bank , -
had become almost zero !
But both peace and prosperity are needed for flourishing
of art and culture ,
So Cosimo engineered the Peace of Lodi (1454) with Milan
and Venice , -
To prevent future wars and misadventure !
Scholars were made to collect precious manuscripts from
the East, and the churches and vaults of Europe ;
And an ensured period of stability , contributed to Early
Renaissance’s growth !
Sculptor Donatello’s bronze **** David stood up as an
unique art form ,
And with paintings of Fra Angelico, and Filippo Lippi , -
the style of art itself began to reform !
Architect Michalozzo built the famous Medici Palace ,
And Cosimo opened the Medici Library for the spread of
classical knowledge !
After the fall of Constantinople in 1453 , the Greek scholars
with their classical manuscripts fled to Italy .
They flocked to Florence where Cosimo established a
Platonic Academy !
Renowned Humanist Marsilio Ficino became its President ,
And complete works of Plato got translated from Greek
to Latin !
Thus the growth of Early Renaissance owed much to
Cosimo’s patronage ,
And the Florentines inscribed “Pater Patriae” on his tomb , –
(‘Father of His Country’) after his death !

LORENZO THE MAGNIFICENT (1449-1492) :
Cosimo’s son Piero the Gouty died within five years ,
Never achieved anything spectacular worthy of tears !
The Medici Bank had loaned large sums of money to
King Edward IV of England and Charles the Bold of
Burgandy,
Failed to recover getting into bad debts and insolvency !
So when Cosimo’s grandson Lorenzo succeeded at
the age of twenty one ,
He focused on other areas of creativity, and the period
of High Renaissance begun !
Lorenzo , a genuine lover of arts, also wrote poetry in the
dialect of his native Tuscany ;
Following the footsteps of Tuscan born poets Donzella ,
Davanzati , and Dante the author of ‘Divine Comedy’ !
On 26th April 1478 , the Pazzi family in connivance with
the Archbishop of Pisa and backing of Pope Sixtus IV ,
Tried to assassinate the Medics during the High Mass, -
in the Cathedral of Santa Maria del Fiore !
Younger brother Giuliano was fatally stabbed , but they
failed to **** Lorenzo .
All the conspirators were hanged including Pisa’s
Archbishop !
Ecclesiastic censure was issued against Florence ,
And Lorenzo was excommunicated by the Pope !
But Lorenzo worked out a treaty of peace with the King
of Naples ,
And became the undisputed ruler of the Republic of
Florence !
Unfortunately , Lorenzo died young at the age of forty-
three ,
At the dawn of the great Age of Exploration and
adventures by sea !
During his rule Renaissance reached its Golden Age ,
And literature, art, and architecture blossomed with
Lorenzo’s patronage !
It earned him the title of ‘Magnifico’, now know to
us as Lorenzo the Magnificent !
Leonardo da Vinci , Michelangelo , Raphel , Giovanni
Bellini ,Titan, Veronese, Correggio , Tintoretto ;
All became superstars of the Renaissance era ;
Their works are cherished, valued and treasured to
this day of our Modern era !
In the year 1492 with Lorenzo’s death , Italy entered
a period of turmoil and instability,
And the Renaissance saw a period of decline in Italy !
But the flames of the Renaissance spread to other
parts of Northern Europe ,
And in the 16th century reached England’s shores !
The Medici Family had also provided three Popes to
Italy, and three Queens to France ;
Besides patronizing the growth of the famous Italian
Renaissance !
Now dear readers, to do justice to Renaissance art ,
architecture, and literature briefly ,
I propose to narrate its story in Part Three !
-- By Raj Nandy of New Delhi .
*ALL COPY RIGHTS ARE WITH THE AUTHOR

how rho uncouples -** and attaches itself to the remnants of alpha, given the suffix -lpha is done away with it, to create: ρα (fragrance of the woo ha ha lingering in the air) - ρα- ρα- ρασπυτιν! lover of the russian king... imagine rasputin in the hands of placebo - counter the original ghost story of: daddy cool... imagine! it's all Disney!

some say i reminded people of the φ:
                      some compare φ to outer beauty,
φ being the golden ratio: all bets are off:
whenever there is beauty, there's a number;
                           Proclus.
2,500 years ago: it's not that Greek civilisation
declined, it's only that so many bright skylarks
came in at one: akin to the Renaissance -
there was no decline, there was just a massive
******* of talent, it seems that Zeus
did the ******* with a swan and and an eagle,
and... bob's your uncle...
           there was decline, but there was no decline
because there was the sudden onslaught of instigation -
a decline would mean: first came Copernicus,
then Galileo, then Newton, then Einstein,
                        steadying revision
centuries apart... comparative association?
a gold rush... looking for nuggets and maulers
of rough cold - it was a collective light-bulb
moment... akin to the cold theory of
Jungian psychology that's the collective unconscious...
although the collective light-bulb moment
is particular in terms of history, in terms of
science, as is the Italian renaissance concerning art -
Martin Luther is the Socrates as the end of debauchery...
debauchery in a good sense: let the geniuses
seize, and the common man absorb their findings:
whether right, or wrong - we need common
threads of their offshoots, rebellious,
we need a common denominator.
back to φ (external beauty, and plastic surgery,
the perfect symmetry of the face,
from Phidias: the sculptor and mathematician -
can anyone tell me why *David's head is
over-sized? well, no φ went into that piece...
head's bigger than a watermelon,
body is proportioned well according to
limb-for-limb, but the head is a
balloon, why is it a classic? oi! send Isis
in to smash that **** to pieces!) -
so φ is all about external beauty,
we all know ψ (psi) stands for internal beauty,
psychological dynamics -
                                           plastic surgery,
in fractions: 1/2 (half), 1/3 (third), 1/4 (quarter),
                           1/5 (fifth) -
       apologies to Proclus: wherever there's a linguistic
symbol that symbolises both encoding of sound
   and a mathematical transition: there's double the beauty:
         1/φ,     2/φ,            3/φ              4/φ            -
       how when was the golden ratio made into a suiting
  equilibrium?
                          one leg shorter than the other?
   some say a lazy eye is as if an monocle -
            for all the constants it's the fractions that
  are decisive - the width of nose and the extent of
it's length is based on a 1:1 ratio
              ah crap! now i know my confusion!
   i was thinking of a silver fraction!
    never mind -
                               think gambling: 7 to 1...
          7/1                 maybe that's why i forgot ratio
    uses  colon, or, comparative emphasis -
                     the width of the mouth has no length,
               it's simply 1, or none -
                                      but from the edge of the face
to the first eye is measured as 1:φ
               i.e.                      eye                  eye
         [                               (    )                  (    )                            ]
     ­     <                1               >
          <                         φ                        >            
                                                                ­                             edge of face
top countries for face and head cosmetics:
   brazil: 10.8%         of global Σ, 430,375 procedures,     1st place,
   america: 10.4%      "      "       ", 413,140           "         ,     2nd   "    ,
   south korea: 7.8% "      "       ", 311,571           "         ,     3rd    "    ;
still, i'm more interested in how,
   you take rho and alpha and craft out Ra -
                     ρ               α                            Ρα -
    and where does -**               and -lpha go to?
                no wonder the Russians are the scientists
kindred heart of greece, and the inheritors of Latin
sing so much, fame themselves on music -
that's about right: the Slavs think well enough,
                    but, **** me... they can't sing for ****!
   jeeze! Disco Polo? that's one experience you
have to go through to understand -
                  what with Mendelyev
щ - e.g. szczypce (pliers) - shch - YZWZ - alter. -
             i.e. щypce -
            ш - e.g. szaszłyk (skewer) - шaшłyk
me? i'm standing at the time when god said:
oh, that ****** tower of Dubai? looks like we need
to spot the architect watching minding the glue...
э - well, that's currently know as the euro (currency) -
     so why ч (che / cha v. cze / cza)
   allowances, could be in addition also chu and cho and χ
           but... then it comes to
   ю (yu)              we have no yo, yi, ye, but instead
                       я (ya). peacock? me?
    just bemußed - and they're talking about an
identity crisis, never felt one, up to 2004,
when the floodgates opened and i wasn't the only
Pole in school - i hid all this time in English society,
and i was kinda accepted as a freak accident,
but then... after 2004... nothing special -
so like i once said: a psychological mongrel:
   yes, in English ß is: s-z-interchange -
sometimes smoothed, sometimes sharpened.

What a city I murmur to myself looking at its map.
We approached the city known as Dis,
with its vast army and its burdened citizens.
At last we reached the moats
dug deep around the dismal city.
What destroys the poetry of a city?
Automobiles destroy it,
and they destroy more than the poetry.
Dante and Virgil chased by 7 or 8 dangerous devils
Grumpy, Happy, Sneezy, Sleepy, ***** . . .
Our heroes reduced from metaphysical philosophers
interested in god and what man has done to man
to improvising primitive tools for survival.
Hope abandoned, we rate our chances of expiring
in the nuclear fire – excellent –
during the decline of western civilization.

On the other hand, I hope
our current problems are only temporary
and it’s just a matter of time before
the public ignores the 24-hour news cycle.
Bad news sells but the good life’s all around us.
One feels love and devotion
even for the 60 million who voted for our opponent.
Vaclav Havel said with a wisdom well beyond brilliance:
“Either we have hope within us or we don’t.
It is a dimension of the soul, and it’s not dependent
on some particular observation of the world or estimate of the situation.
It is an orientation of the spirit, an orientation of the heart
that transcends the world as it’s immediately experienced.
It is not the conviction that something will turn out well,
but the certainty that something makes sense
no matter how it turns out.”

It resembles grief. But it's not quite grief. I'll give you grief.
Certain days planned to be eventful I look forward to for weeks.
Let the peaceful transfer of power proceed. The sorrow and the pity.
Never may the anarchic man find rest at my hearth.
When the laws are kept, how proudly the city stands!
When the laws are broken, what of the city then?
We are moving through some allegory between a City of Hope,
where history has been abolished, and a City of History,
where hope can be slipped in only as contraband.
Failing to achieve understanding, we're searching
outer space for an entity to unite us as humanity.
That person, or city, is consciousness.
Two ancient female poets are a revelation,
the clarity of their complaints: lost lover, lost city.
Our enemy eventually becomes our brother,
his misery lifted by coming to her city.

you asked me why I smoke
as frequent as I do
but what do you do
to satisfy
a longing
that could never
be expressed?
there are many things
I wish I could tell you
but
I inhale
my
every
intention
to speak

why do most want a
love that is detrimental?
a love that shatters
your teeth
as you try to speak
a love that inflicts
a stream of butterflies
or makes you appear
as if you've had
too much caffeine
by the way your
delicate
being
shakes

I have shaken
and clamped
my tongue this time
to stop the promises
from leaking out
I decline to drink coffee
so you don't believe
I'm quivering with words
unspoken

I decline to mention
that I dream of your face
in the future looking worn
from every obstacle
we have hurdled through
in our years
I decline to mention
every morning that
you're softly breathing sleep
I hold your face
and softly mumble
"mine"
I decline to mention
my excess of
"I love you's"
is caused by an
unshakable longing
to promise a forever.
but why?
why does it seem so
unattainable
why do I reject the thought of
a promise to you
for
something
so
precious?

I am tired of shaking
I am tired of a placebo
I'm tired of over used
empty apologies
I'm tired of reminiscing
remembering
" I will always love you"
"forever"
I am tired of my lovers thoughts
being elsewhere
I am tired
I am worn
my butterflies have turned
into the
ash
I flick
off
my
cigarettes

I used to write novels
for the people in my life  
I've loved until I saw how
empty
others were
while doing the same
I used to whisper "I love you"
and sweet meanings.
I have experienced
the truly empty
of this world
I have loved
the damaged
the angry
the sad
and
the broken

they spoke a hollow shell
of the same words
i purred with meaning
Suddenly
I lost
my appetite
for

forever

I don't want to live in utopia
For once you peak, you decline.
However, aiming for a world that's better than yours is hardly a waste of time.

My utopia is a world
Where I'm happy with myself
Where myself and the people around me
Are happy and in perfect health.

My utopia is a place
Where there's always a reason to smile
And finally it is a place
Where utopia lasts a long while

In tunnelled darks, pastes of reminisce
Outward disjoint points to irrelevance
Spooned and coned in cold mountaintops
The darks of sorrows and trails of struggles

Persistence patterns of self satire in gloom
Sunken in identity crisis of broad oceans
Stormy seas spotlighted by beatific stars
Trajectory of spilled ice in recurrent motions

A mere past cocooned by fears and tears
Clouded in thoughts that cruise and decline
Greyed white imprinted by sudden sadness
Madness echoes on arched ancient bricks

Checkered maniacs of fulfilled passions
Filed and iced in cased prolific memories
Cascades of sunshine tickles to warmth
Orchards of glow that bloom and grow

Picked, ticked and unpacked from boxes
Attacked, nurtured and stored in bliss
Eventful lessons unfolds in untold augury
A mission as the known permeates and fade

Windowed eyes all line up in parade
Mirrored lights digest the haunted haste
A stranger to self, an ally to another
A dance of bright entwine a twist of blur

The power of music
and friendship
heals dead connections;
a well-meaning member
of a jam session
offers me a guitar.
I politely decline,
embarrassed by my disability,
and they shrug.  Your choice.
The familiar curves
beneath my arm
like a woman
from my past,
my amnesiac left hand
reaches for the
muscle memory
of fifty years' practice.
After an agonizing minute,
the G chord miraculously plays,
as I played it at five,
the three big fingers alone
strong enough to hold it.
The switch to C impossible;
so I play a variation.
Doesn't sound bad with the group.
My God, I might play a D7
by the next time it comes around
in the song.
The gang is playing old standards,
Ohio State music;
three chords and a cloud of dust,
which suits my present skill(?) well.
I almost cried when a few tunes later,
we sang A Horse With No Name
to my accompaniment.

Beethoven was deaf, yet heard the Ode To Joy.
Hawking is paralyzed, and travels the universe.
I have three good fingers,
and no good excuses.

Gloriously green in spring and summer, these leaves
turned to bright shades of flame, lit up the fall,
and autumn's winds tumbled them to earth.

Decaying, their remnants now enrich the earth,
and winter buds fatten for next year's leaves,
which in their turn, we know, will wither and fall,

an endless cycle of growth, decline and fall.
We too decline, return at last to earth,
and memory is all our existence leaves

until we rise in new leaves, and fall again to earth.

This was written in 1998 by my daughter as a comparative study in her 11th grade English class. Her instructor said it was the best piece she had ever received in the thirty some years of teaching.
-------------------------------------------------------­-----------------------
Beowulf or Christ?

by
Kristen Stevens

Two Standards are raised on the field of battle. The armies rush forward knowing there can be no middle ground, no halfway assault. Each knows only one can leave the battlefield the victor. In the epic tale of Beowulf , good and evil clash in the forms of Beowulf, Grendel, Grendel’s mother and the dragon.

Beowulf journeys to Herot in order to free King Hrothgar’s kingdom from the grip of the monster Grendel. Beowulf is a problem solver and Grendel is the problem. “The monster’s thoughts were as quick as his…claws: He…snatched up thirty men, smashed them…and ran out with their bodies” (119-122) Beowulf portrays Christ. He leaves his home for one purpose; to withstand evil. Christ left Heaven and went out into the wilderness to withstand the devil’s temptation. Beowulf and Christ both wrestle with the dark forces but in different ways. Beowulf used his hands “That mighty protector of men meant to hold the monster til its life leaped out”(791-792). Christ uses scripture to beat back His opponent.

Man does not live on bread alone, but on every word
that comes from the mouth of God (Duet. 8:3).

Do not put the Lord your God to the test (Duet. 6:16).

Worship the Lord your God, and serve Him only (Duet. 6:13).


Neither opponent could break free without losing something.

Beowulf and Christ are both more than human. Beowulf has phenomenal strength and Christ is God’s son. Christ “came to save the world” (John 3:18). Beowulf leaves his home of comfort and peace to save his neighbors. “Beowulf…heard how Grendel filled nights with the horror…proclaiming that he’d go to …Hrothgar”(194-200). No man alive could match Beowulf and no man can ever match Christ.

Both of them go through a change. Each is “baptized”. Beowulf is baptized twice: once, when he jumps in the lake and once again by fire. When he comes out of the lake he is a changed man. He initially goes for fame but not the reason anymore when he heads home. “So…proved myself…guarding God’s gracious gift” (2177-2181). He is baptized the second time by fire from the dragon’s mouth. The first baptism is a wash or a cleansing. The second is a purifier. Fire refines. Beowulf is refined into a better man for eternity when he fights his last battle. “Beowulf fell back; its breath flared and he suffered, wrapped around in swirling flames” (2593-2595). Christ was baptized so that He could begin His work on Earth. “Then Jesus came from Galilee to the Jordan to be baptized by John” (Mat. 3:13). Before Beowulf’s baptism people see him as just a great man, but after people see him as a king. Christ was just a carpenter’s son, until he was baptized and became the King of Kings.

To compare Beowulf and Christ’s last battles, you have to look at what they were fighting. Beowulf fights the dragon. The dragon symbolizes death and our own reluctance to die. “The gold and jewel she had guarded for so long could not bring him pleasure much longer” (2239-2240). Dying means man has to leave behind all his material wealth. Beowulf is old when he fights the dragon. He is coming close to his death and it frightens him. He wants to protect his people. He is willing to lay down his life for them. Just like Christ laid down his life to save us from our dragon. When faced with death, Beowulf and Christ rise above human expectations. Beowulf defeats death - he killed the dragon. Christ overcame death and rose three days later. Both act as an intermediary between danger and their people. Beowulf stands before the dragon. He blocks the path to his people. Christ stands between humans and God. Through Him God sees us as pure. Christ blocks the judgment that mankind deserves.

The last similarity between Beowulf and Christ is what happened after their deaths. After Christ died and rose, God’s chosen people went into a decline. They rejected Him and brought misery upon themselves. For two centuries they were persecuted by Rome. For two millennia they have been shoved aside and animated many times. Beowulf’s people took the treasure and the curse that came with it. “The spell…solemnly laid…was meant to last…Whoever stole their jewels…would be cursed” (3068-3070). Beowulf’s people have misery awaiting them.

As the army retreats, their brave general having fallen, they know they have won. The cost is great, but it had to be paid. Even today the battle rages on and the war will not end until the last enemy falls. Beowulf and Christ, both paid the price for their people’s protection and freedom. The enemy exacted its toll, but it was not enough. The hero and the Savior live on today.

I speak in praise of the *******, yes,
and as a male, I decline to be clandestine about this.
The reason I so admire the ******* is that it's the female's key
to being multiply *******, and frankly, I'm in awe of this.

You see, the male ***** can't compare
because, of course, it has a dual purpose.  
It wasn't put there just for bliss,
which is the only purpose of the *******.

Males must just resign
themselves to their dangling ganglia, the ****,
which is so easy to malign compared to the delicate paradigm
of the **** and its remarkable economy of design.

Now I realize that females may be suspicious
of my focus on their *******
but actually, I think it’s ingenious.  
My own discovery of this was serendipitous and propitious.

You see? Really, I’m envious of the *******
because it's indefatigable and delectable,
(I think she likes a little nibble),
and anyway, there’s not much point in trying to distinguish
between ******* and the *******.

So there's my poem to the little ****
with admiration and respect.
I speak in praise of the *******.
Truly. A gift for all of us.

(Quote by Spike Milligan)

One very wise man sat and said
That, long before this world is dead
This planet’s problems won’t be solved
By reasoning which, though now evolved,
has got us, where we now do sit,
Afloat neck deep in mankind’s ****.

There’s SARs, Ebola, AIDs, Bird flu
And in the woodwork, West Nile too,
Each replicating viral spat
To mutate, (at the drop of a hat),
To complicate enviro’s stew
Of global degredation’s brew.

Urban spread and over stocking
**** deforestation’s shocking,
Depletion of aquatic life
Intrinsically creating strife,
Industrial pollution’s goo
Ozone depletion... ALL FOR YOU!


Environmental degradation
Means the world’s a weaker place,
Susceptible to malady
Wide spread across the human race.
Those animals in corn fed stalls
Who never get to see the sun
Or graze green grass where honey bees
Are vanquished by varroha’s fun.

Too late to save the Hector’s dolphin
Conservation’s lost it’s tools,
Rastafarian hootchie smokers,
Save the whales to **** the fools.
Governments sell the carbon credits
Everybody smells a rat
Restorations for the birds
And social conscience creamed the cat.

****** greenies own the airwaves
No one gives a flying ****
That good artesian water’s poisoned
By good farmer’s leached out muck.
CO2 in global warming
Sings it’s song of fast decline
Glacial retreat a-roaring
Bass relief in blood *****.

I guess the little children’s future
Most depends on lady luck,
Humankind in mass denial
Most don’t give a flying ****!

Marshalg
In retreat to Taranaki’s green haven in the gales of the equinox.
21 September 2011

When a daffodil I see,
Hanging down his head towards me,
Guess I may what I must be:
First, I shall decline my head;
Secondly, I shall be dead;
Lastly, safely buried.

I'm considered to be nerdy
Awkward, not flirty.

They call me gay,
Because I Cosplay.

I must be a dork
Because Zelda's my lord,
And she's way cooler than any sport.

Could someone love me?
That couldn't be.

I watch too much anime,
And BBC.

I praise The doctor and Spock.
Even Sherlock.
Cause in my opinion
They're better than jocks.

Being nerdy is quite fun,
But you make me sound dumb.

We're accepting and caring
But please stop staring.

Am I making this boring?
Don't start snoring..

Just give me a chance.
I'll make it last.

We could play Skyrim or league.
Wait, don't leave!

I can be cool,
Just like you!

I can calculate big numbers in my head,
Or make a fortress out of my bed

I can be an ork, elf, or spy.
Just as long as it's allowed by the die.

I can cast spells online.
Don't worry, you'll be fine!

I can role play to the extreme!!!
That's right, I call it d&d.;

I'm proud to be a geek.
Yes, we're very neet!

We know our facts!
We're anime maniacs.

I'm good at mtg!
It takes skill to be like me.

I'm cool I tell you!
I'm grand.

But at the same time,
You don't make me feel great.

I'm a loser,
A dork

No, I don't like baseball, football, or hockey
I can't bench and I don't lift.

But I go to some pretty intense parties...
On Xbox.

My heart is bigger than my head..
No, not literally.

I'd bring you a rose
And write you a poem

You'd be my Rory.
This isn't the end of the story.

I'd love you more than
video games, Star Wars, and D&D.;

In the end,
You're always my MVP.

You don't have to lie,
I know you'll decline..

but my feelings won't change.
They'll always be the same.

Maybe I'd be cool..
If I were with you.

But that'll never be
Because you fail to see OTP.

Then again,
It's all good in the end
Because..

Roses are red
Violets are blue
Manga costs less
Than dinner for two.

**** and chips
buried in the bass-line
All shaken heads tossed
listening to the misadventures of a ****-talker
Her lips taught and dry
sporting a second skin of ripped denim
Thick eyelashes caked in spiderwebs
Hustling on doc martens
crunching teeth beneath toes
Ankles taught with leather
A pretty ***** touched
like flowers dipped in chalk
stuck in choke it down memories
Quietly screaming
     look for me

A deep breath—I fill my lungs and close the airway. Submerge my face in a pillow and resolve myself to wait until my lungs burn—I await the pain. My senses screaming, my lungs driving me to let them have the oxygen they so desire—I decline. Funny how I chose that which offers peace to the weary, an item that invites comfort to rob myself of that most archaic means of surviving. I find it interesting how calm I feel while denying myself that which I know I cannot live without. Isn’t it odd how we only become aware of the subtle currents of air that tickle our skin, raising chill bumps where it finds us bare when we deny ourselves its luxury? Luxury. That’s an interesting way to phrase it really—Breathing as a luxury. A gift of power, smug in our abuse and neglect we fail to see what we loose when we breathe. Lying here refusing to give myself life—for that’s what air is really, and breathing is living. I laugh. Oh yes, I find it funny. I catch myself readying to breathe again and I still that notion. Shove it down; subdue it until it is nothing but a stinging memory in my chest. It takes a lot of strength to deny yourself to breathe. But somehow that only drives me to test that strength.
I wonder if I will forget how? Could the muscle memory that pilots such a necessary involuntary act be forgotten? No, of course not. But perhaps the feeling of fresh air full of life could be. Could it? Perhaps not. For even as these words find themselves onto this page I find myself remembering what it feels like to expand my lungs, for the blood to cool as it gathers its fill with oxygen as it travels on its wending cyclical way. I laugh again. The burn begins to spread and I feel my muscles atrophy. Yet they tighten and tense as if under assault, screaming at the atrocity wrought upon them. Though still I refuse to breathe.
I roll away from the pillow, open my face to the still air and feel it tickle as it tries to find a weakness. Denying my lungs for so long I begin to feel my skin breathing. Absorbing oxygen as cellular mitosis continues in spite of my flirtatious dance. Maybe I am just dreaming. I feel the fire subside. As if my body accepts its doom. “No breath for you,” I say. “No easy outs.” And resolve continues.
Amazing how long a person can go without breathing, pushing ever closer to that most primal fear—that of not being able to breathe. But I can. I feel my chest involuntarily expand, demanding the very thing I strenuously withhold. I know by that alone that I can breathe, I can live. But still not once do I begin to inhale the sweetness that I need. I want it now, but the primal is so enticing. After all, it is when we fear that we truly know what it is to live. That’s when we feel life. As if it were a tangible being that we’ve strapped to ourselves so that it won’t escape. I’ve set mine free. I’ve let go. Maybe it will return to me. Maybe it will leave me in my vain attempts to deny myself to continue fickly on to another. But which do it want--Perhaps neither, perhaps something more. Beyond breathing, beyond mere muscle memory, beyond what I cling to. The Pain returns.
I want to breathe. I want to live. I want to feel the rush as all my body awakens and revels in new existence--Rebirth. Its odd how something so ordinary can redefine a person, how something so obviously taken for granted and ignored can make us anew—a Renaissance of living, giving new life to life, helping life live. That’s just funny to say. My chest chuckles--I can’t laugh. I can’t breathe so how could I anyway? I smile. Vanity is alluring. I am vain. I deny that which defines life just to feel alive. Vanity, Luxury, Rebirth, Pain—such is the nature of my breathing, the archaic nature of involuntarily driven muscle memory.
Would I even know how to breathe if it wasn’t burned into the most ancient quadrants of my brain? I don’t even know the part that drives the muscle memory. Perhaps when people die there are a few lingering moments where their lungs contract like the twitching mouth of a decapitated fish, gulping at air to fill dead lungs. Maybe breathing is so primal that it doesn’t end with the rest of the body.
The burn has come. I can feel the fire inside my chest. I welcome its warmth, rubbing my hands over the radiating inferno as if I just came from the dead winter cold without the weathering to block out the chill. The warmth permeates through me. Would breathing feel better than this? Could it? I doubt. Only at the razor edge of life while teetering upon the precipice stealing insecure glances to the other side on the off chance that we may glimpse a greener field do we know what living really is.  So aren’t I living now more so than ever before? Whilst denying myself a breath, aren’t I more aware of what it means to be alive? I laugh. Denying yourself air only leads to an end. No, the end--Death. Yet I appreciate life more so dying than living. I deserve to die. Taking for granted that which is stolen from innocents daily. Innocent? Now that’s a peculiar ideal. They are the same. I wonder if they are aware that they breathe. That’s absurd, of course they are. How could they not be? ******* life, ******* air, but do they know what it means?
I feel my lungs contract again—Pain. That’s all it is now, but why? I know I can breathe, yet I choose not to. Is it the act of forcing myself not to take a fresh breath, or the fact that I have yet to do so that hurts? Maybe it’s because I now know what I’ve been doing all these years. At the brink I realize what it means to live. Was I living before? Yes, but I wasn’t alive. Interesting that, to live without being alive—sounds as if I’m hooked to a load of machines keeping me from decay. That’s all they do really. Awareness, that’s living. Breathing is merely the means. The end is being aware, awakened to the fact that an action which you can’t control is the only thing keeping your head above ground. After all, even when drowning the body wants to breathe.
I open my mouth. I lie to my body. I still fill my lungs with nothing but stubborn desire, desire to delay my breathing. I imagine what it will feel like to take that first breath—a Renaissance of living. I can feel the blood in my veins bubble in anticipation. My body wants to be alive. My heart can’t beat fast enough. Striking a furious pace it pumps my blood through my body spreading life and oxygen to every limb making me light headed and delirious with its purity.
I’ve decided. I’m going to breathe again. I’m going to live. And what’s more, I’m going to be alive.
My mouth still open, my lungs still closed, still screaming, still burning, still tightening in their involuntary way—breathing air that isn’t there, air that they know is there, available to them at their whim. I open my lungs.
I exhale. Now that is interesting. I’ve denied myself the life of breath until my lungs begin to pump out of sheer memory and longing for that which gives them purpose. Denied that which defines life, that which I want—that I need. And I exhale?!? Further delaying what my instinct has told me to take? How is that logical?
Air rushes into my lungs. Funny, I scarce expanded them at all. I feel the life rushing to my fingertips, to my toes, to my ears and eyes—to my kidneys even. I am alive. It’s funny though. Part of me feels like I’ve just died, like I’ve ceased to live. I laugh long and hard, throaty and merry and so brim full of life. I began to live again, became alive at the very instant I ceased to exist. And it is so funny.

Waiting at an auto place
Mourning the decline of the horse
as good a ride as any
except if they went lame.

(Quote by Spike Milligan)

One very wise man sat and said
That, long before this world is dead
This planet’s problems won’t be solved
By reasoning which, though now evolved,
has got us, where we now do sit,
Afloat neck deep in mankind’s ****.

There’s SARs, Ebola, AIDs, Bird flu
And in the woodwork, West Nile too,
Each replicating viral spat
To mutate, (at the drop of a hat),
To complicate enviro’s stew
Of global degredation’s brew.

Urban spread and over stocking
**** deforestation’s shocking,
Depletion of aquatic life
Intrinsically creating strife,
Industrial pollution’s goo
Ozone depletion... ALL FOR YOU!


Environmental degradation
Means the world’s a weaker place,
Susceptible to malady
Wide spread across the human race.
Those animals in corn fed stalls
Who never get to see the sun
Or graze green grass where honey bees
Are vanquished by varroha’s fun.

Too late to save the Hector’s dolphin
Conservation’s lost it’s tools,
Rastafarian hootchie smokers,
Save the whales to **** the fools.
Governments sell the carbon credits
Everybody smells a rat
Restorations for the birds
And social conscience creamed the cat.

****** greenies own the airwaves
No one gives a flying ****
That good artesian water’s poisoned
By good farmer’s leached out muck.
CO2 in global warming
Sings it’s song of fast decline
Glacial retreat a-roaring
Bass relief in blood *****.

I guess the little children’s future
Most depends on lady luck,
Humankind in mass denial
Most don’t give a flying ****!

Marshalg
In retreat to Taranaki’s green haven in the gales of the equinox.
21 September 2011

i have a break at 12 o'clock
will you please come over
you don’t have to knock
i’ll leave the door open
it will be unlocked
a bouquet of flowers
i’ll have in stock
a vase and a candle
a knife and a blade
a face and a cigarette
its all about the way we explain
i mean rationalize away
do time-lines justify our decline into tyranny
send me back again to sublime infancy
retrofit the celibate instigator
lemniscate the elephant’s fingerprints
impress me with wit and charm
storm troopers unarmed
star-gazers, shadow-haters, sand-blasters, ice-skaters,
morning's lovers, fathers, daughters, shoulders and elbows
rub brows and crease foreheads
wrinkles in your timelines
define lines as destiny unwinds
reminds me of blinding light
the heights of old empires
sire warriors, stories as tall as soldiers
for real, heal the split between mind and body
kindly, lovingly, bump up against me
and kiss me again
i am music fused together with eternity
space and dust and rusted armpits
a hundred diamonds, drops of sweat
skin like leather, weatherproof, foolproof too
determine to use it all
for you are the muse of all
do as you need to
fuse it together lest it come apart again
return to heaven and mend the tear
split the hair or the atom
magic is a language
tragic is the cancerous neglect of syntax
emptiness is manic
gargantuan attacks of presence
defenseless, we are taught worthless ****
neglect it, but remember important words
stories, looms of drawings
forming in my mind’s eye
i cannot be bought or controlled by pirates
the best moments are private
you are not invited
so go home and create your own zone of entertainment
its necessary
your gentle fingers
blessing my soul
courage to roll with life’s blows
no need for stoics
or poets who deny reality’s arguments
slippery slopes
walking tight ropes
can you cope with all this mistletoe
restring your bow
dance in the snow as if everyone knows
you are crazy in love with the whole
motionless vision swift as an arrow
roofless rooms
prom queens flip you off and turn you on
sons and daughters, lions of the prairie
a child portable and small
respects the walls that you’ve made
they are not your cage but your shelter
self culture is affluent and not arrogant
sand mandalas tall as waterfalls
golden rainbows pour from the faucet in the sky
like mighty images
wisdom bridges the gaps in our imagination
i can’t wait to get this on the page
written in stone, reflecting thrones
made from the bones of pharaohs
consciousness narrows as you approach
are you a cockroach, coach or a student
strokes of wonder for different folks
cold call your own homes
do you prioritize lightning over thunder
words over rubber
sandwiches to clutter
are you interested in diamonds or other
precious gemstones
that flutter like butterflies when i utter
emeralds like butter
do you waste time arranging your clutter
stuttering utter nonsense
frequencies wasted, gentleness chased away
fantasies radioactive
magic lacks targets
darkens our fathers
keep chasing actions
satisfaction is attractive
your eyes are like fragments of rubies in the fire
i see beauty in desire, features in the sky
i look skyward and see higher
minds are wired to remain stagnant
stranded in a lack of entertainment
change this and make your own amazement
wonder over thunder, lick me down under
gone asunder like the burning acropolis
topple this bottomlessness
can't stop this, its impossible
i wonder do you make blunders
in underground mountains
we shout words like fountains shoot water
curtains topple over
and form a blanket over our consciousness
after our performances
swarms of crazy people leave the theater
shattered and too stunned to speak
to ****** to leak they keep walking down south
toward Plymouth Rock,
Mammoth Mountian or Rehoboth Beach
take stock of the situation and just move
first one out is rewarded
sordid and sorted like straw from the hay stacks
caskets of black iron casings
tastings of wine whose shelf-life is expired
past due cheese overripe and stinky
like mustard dusted with lightning
striking on time is all that we have
thinking that was a close call
we fall down and get up, remove the uppercuts
and lowercases from our mouths
doubt is a ***** word heard too often,
coughing from a coffin she offers me her hand
cold as ice cream, these nouns are deafening
love is lazy like a muffin
and hot like a dumpling
but a liaison with time cannot be rushed
i have lived long enough to learn this
a privilege to give birth to this moment
again and again vintage feathers
send me your sweaters
detest impostors who give robotic answers
i am in wonder at all this grammar
that i was unaware of
ignorant as mustard
and smooth like custard
in this blustery weather
i am glad i wore a sweater
and have an umbrella
to keep me dry and safe
i am in love walking toward the gate
and boarding that plane
i am your heart served on a plate
with a side of coleslaw, soul food for dinner
you are a winner and i am your hunger
a porcelain gravestone
a copper bathtub with claws
stored in your basement
storerooms cold as a skating rink
please don't think, unless its about me
let sentences drift away
while we chase arguments from yesterday's
armistice

I drop to my knees.
I keel over, coming hard.
My **** in your mouth;
My throbbing **** in both your palms,
I sink calmly into oblivion,
The happy ending devoutly to be wished,
For any ******* worth its salt,
What most matters to draftees of the Legion,
Roman plebeians applying most of their salary
To local honey BJs.
Salt:  the poor man’s ******.
Go ahead sacrifice my life for Rome,
Waste me in Gaul or Britannia,
**** me away for the Empire,
Exploit my wives,
Demean my offspring prostitutes.
But, please,
Just leave me my *** and TV,
Free Velveeta and Obama-Care.

The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas.  Hercules had a simple time,
Rinsing those stables:  a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers?  You.
                               You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony:  a look to numb
Limbs:  not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
          Imagine:  the world
****** to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand.  Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
           So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
                         You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout.  Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre?  The tear-dazzled
Sorrows of Malfi's gentle duchess?
                                   Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
                         To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.

While satellites come close and leave,
whole moons and the swirling dust
of reflective obeyers,
it arrives from distance.

Running a course through weight
from a pencil-thin horizon brow,
it might have streaked across darkness.
With the dead shines behind,
washed clean in a trail of wild flame and
then fallen, bolide broken into cascade.

Or rising to collide,
only skim the surface.
Ruffle the sheets of land,
wrinkle fertile leas and parched sands.

No, to strike full and shudder
the core and extinguish
light and life.
With unswerving smite.

From underestimated range
and unmeasured haste,
a peacock tail drags far behind.
Each one diamond dolefully eyed.

Is this eccentric orbit
the only the path seen?
Fastened to your celestial belt
and looped in an endless trajectory.

the sign of our impending decline
is all conjuring conjecture and magic
- tricks, you might say, an illusion

but there's nothing ephemeral here:
the mental composition of goodbyes,
congenial farewells without tears

we could sleep in separate beds
without being tied together,
bound up in proximity

the real magician's play here
is that we still pretend to worry,
weigh and measure and provoke

failing that, this house of cards
comes drifting down, soft-sweet
sad too, the sadness of warning

take caution, take care, look!
see here's a rabbit in my hat,
another 'i love you' in the dark

what's with this hobby of keeping friends?
i've got two friends that
only say meow...
          and i'm kinda not rooting for
a Colombian hottie for a wife...
                 i abhor this idea of a "loner",
i haven't heard any monks being called that...
  but then again monks do live in a monastery...
why do people always seek each other's
company? what's wrong with liking your own?
it really bothers me... i mean, by current
standards of denoting this man a loner
would make Spinoza laugh...
                  is it because you need to be the quintessential
hermit living in a clay urn or in a hole
in a desert?
                              each night i drink something,
without fail: i feel better for it...
               i'm hoping it'll **** me...
but so many times people who don't known
how to drink get so ******* melodramatic
that i think about ensuring they are banned from
abusing the amber...
                        i hate melodramatic drinkers,
you either utilise the sedative of the amber to
an overcoming potential... short: Kant's
transcendental methodology... you you won't
drink and whine... or bash people about...
and that, i must say: is a rare art.
     1 litre of amber and i'm as silent as a mouse...
i'll say it again:
    there are too many melodramatic whinge-bags
out there... i don't get them...
    i mean i get them: but i abhor them...
                i could really do with a pupil,
nietzsche would do, about time he stopped dropping
those barbiturates and learned to dance!
         tanz! tanz herz im freuer!
yes, sometimes the trip was long
the N86 from romford to goodmayes and
into the brothel near the train station...
but every time i played a folk song,
usually dikanda's ketrin ketrin i'd sit on the bus
for about 40 minutes... aflame...
                i find that prostitutes are only fed the myth
of a tender touch and a complete lack
of experimental perversity... even a kiss is
the beginning of their myth-making...
   ordinary girls are fed the myth of movies,
and how it all works out...
    each time i went to the brothel i sat for the journey
time like a Sufi meditation with the
              dervish dance in my mind...
                 and that's the truth... mind you,
i have a grandfather that supports my work
and buys me cigarettes... then again he lived in a time
when he could age and get a state-pension,
as he does... he's not ailing in any sense, and he lives
in a post-communist country... and i just spent
3 weeks over there... which means my state-sponsorship
in england has amounted: that i could take out
110 quid and give it for a *******...
                and i could remember myself aflame...
  on a bus with a dervish dance in my mind...
           drunk, as usual: but that's the fun part of it...
i could wave my *** at all those
melodramatic drunks you get at parties and in other
public places who suddenly speak and only moan
how unfair it all is...
                      first time i went? well... i did go to
uni after all, the sacred land of getting a good score
for later life... what a sahara when it comes to ***!
   like with prostitutes it still turns out to be a case
of hard facts and harder choices...
                  money...
                        and­ the white historians and who else
in the etc. cul de sac are wondering why our ethnicity is
in decline... it's quiet a thing to be bemused by the freedom
of women and not addressing the point fairly...
                   the women are so free i had to find my own
freedom with a *******...
                         i got bored of too many darwinian examples
being incorporated into the act... once it's the peacock,
next it's the mantis and the black widow...
of sure... there's so much to gain if endorsing some sort
of chivarly, when next door lives a babe with a sugar daddy...
   ***-starved ******* can go elsewhere,
       wild-eyed logic and no manifesto...
literally: there's no hope for a manifesto here...
             there's no manifesto...
                    this is absolutely not a manifesto...
         i'm actually happy that as an ethnicity we're in decline...
  i found talking to other ethnicities a bit restrictive
and boring... i had to censor vocab fluidity with dams
and other ****** architectural constructs...
    so i looked at the shows on television,
a bunch of child-genuises were on...
   i never thought that spelling was like arithmetic...
   but it is... it is, oh hell it is...
  the judge says the word in that odd jumble that a word
is when you have alphabetical distinctions
   in vowel, consonant and syllable form...
    but the languasge is so different, after all
language is not really an optical language as such,
mathematical language is truly anti-phonetic...
and it comes down to the simple example:
      spell the word: onomatopoeia
  start saying the alphabet and it sounds nothing like
this word put together,
   the syllable ono-                
                       then -ma-
                               -to-        and now the tricky bit...
peya...          but what of the grapheme œ?
                you'd really be able to break your tongue
on that syllable suffix...
                       and when the children started spelling
the word: it look as if they were going cross-eyed
   trying to translate the sound into image...
    mathematical language doesn't have that problem,
do the following airthmetic (e.g.)  
   1 + 2 - 5 + 6 - 4 = ?
                                          0...
but that's different when you are told to spell the word
   renaissance -
                                  doubly more difficult if
you are told to create syllables without diacritical mark
distinctions...
               back to drink, like being asked for
a wine connoisseur's palette, when the wine you've been
given has been diluted...
   or in this case fudge packed so there are no
clear distinctions, too much french influence
      and siamese twin graphemes seperated...
excess vowel that i've heard means: kissing...
i'm sorry how the story goes,
i just can't be forced to **** a kenyan penny-picking
                tragedy with my humour...
        i'm bewildered by the arithematic
and the "arithmetic" of putting words together...
                  the internet has quietly become a war
for a freedom to talk... it's more a freedom to think
than talk...
                  and god forgive me feeling so obscure in
what i wanted to think, but given the social structure of
events happening, i had to do a minority report on
it being said, and me not typing this on
a medium of defeat, that i ended up on a warring stance...
i mean, i can understand obscurity per se,
i can't see how i can attach myself to it on a basis
of a phenomenon...
                          so unearthed we are from a structure
that a rebellion against
                  the szlachta was viable...
what the hell grows on concrete? coconuts?!
      i already said: this is hardly a manifesto...
and i truly demand it to be thoroughly agreed to...
                   then comes the shortcoming
barrage of: i knight you the nigh of not worthy...
                        and then the recycling process
bombards you with: many more squint-eyed *****
to come where you did, come from.
       urbanity has forsaken man attached to an organism,
but is feeling it right now,
                 he's attached to an inorganic farbic of testament...
i haven't walked the soil or toiled in it
to feel it's breath between winter or summer..
           i once had so much one-dimensional inclusion
in this world, then my sight was diverted,
and i came across the numbers, who took to being
***** whales and gulped me in one cascade of
the feeding...
              and i was told to walk it alone.
once actors were abhorred by society,
but then there was no office folk to compete for
utility biases when it came to giving gratitude to
pristine plumbing...
                          back when man was highly
economical... and thus actors had to be abhorred...
  to create a tsunami of sadism to keep them
staged... and true enough:
         if christ was crucified in the colliseum
there would have been fewer than none churches to
establish that event... given the colliseum is
made into a subject-trophy cabinet of holiness -
               and how the colliseum did morph...
it's sad talking about being human as excluding humanity,
as it's sad talking being human by including humanity...
               but thankfully (or not)
there's still that case of the arithmetic of the two tongues...
        say the word colliseum
                             co- -lli- -se'um.
      i mean, that means something...
  take to numbers and of the 26, care to call c = 3
               18 + 33 + 24 13 21
                            +                      2 1 2 = 5
                                                    4 3 1 = 8
                            + 58
                                    = 109
    
kabbalah is *******... mysticism was squandered with
gematria... but islam has no alternative either...
sure... if you have to establish a mirror image
of having a care for theological parasites...
   then you turn a into 1, and b into 2 and z in 26...
and then fiddle about until you get a *******'s worth
of bashing about because you couldn't write
a play entitle Macbeth...
               did any of these holy alternatives die
in Auschwitz? most of them living in America didn't
serve in the Israeli army...
                 who wonders whether they died in
Auschwitz?
                 no! they didn't!
       they were bemused by this correlation of
numbers and letters, thankfully we already can read
the opposite of the kabbalistic practices
prostate in the Deutronomy...
           say 10 a thousand times... adds a few more zeros
but leaves the 1 intact...
            please enlighten me as to who wrote the first
koranic recitation if not khadira? please! for the love
of god tell me it wasn't khadira!
         oh wait... given the hispanic um...
it's khadija - the h is silent and the j is actually a hatch...
          a bit like in the west, with y and j trying to
be a grapheme... a load of ******* *******:
and yes: i have to be crude on the matter...
   so we have the first verse written by a woman...
  or was it a bit like saying...
Aisha wrote surah no. 114... i can just picture it...
the young wife said to her ageing husband:
pray with these words, you lecherous *****!
say: say it you ageing carcass!
i seek refuge in the lord of manking,
the sovereign of mankind...
      the god of mankind...
     from the whisper of the retreating whisperer
(gabriel must have left him once the 13th wife arrived,
of god! the symmetry with jesus' disciples!)
     who whispers into the ******* of makind
(evil is in the brackets) -
from among the jinn and mankind.
conscience really can be a ****** to master.
but the geometry of the koran (glutton the q if you want,
makes no impressions on me) -
is that it starts thick... ends up anorexic...
           so much to say at the start,
but then shrinks... it's beautiful in that sense...
given the miracle of muhammad was that he was
illiterate...
  so someone had to write the words for him...
            i'm guessing khadija wrote the best part of it...
i like to think of her writing the first revelations...
    but i also like to muse that aisha wrote the latter
half of the: how do they stress the ******* q k c so much
that it sounds like it's not coming from the mouth
but coming from the nose?! qu-ran... i need
a hanky and snorkel that **** out... qu sneeze! i-ran...
          it's glutton and it's nasal, and it's almost like:
the back of the throat... and then comes the la la la all-hubris
in that song five times a day...
                but seriously... you tell me the man was illiterate
an this book exists... so who wrote it?
   women!
                                         the merchant of mecca in
Finland... left the scandinavian penninsula after one year
and never came back...
                   but how can you have so much
at the beginning and so little at the end?
   a different woman, who was literate (and the man
wasn't) wrote what needed to be said...
    i just look at the surah an-nas as a way to suggest
that the prophet: al suma mal ley *** blah blah
had been asked to repent... repent you paedo!
          that's crude, i know... and i'm drunk,
i'll wake up sober tomorrow and cook a pork curry
and think about leather shoes and shoelaces and belt...
and how camels are dirtier than pigs and how you
can eat almost all of pork offal and when i see a camel
i just think of chewing tobbacco and spitting into
a copper tin... or camel-jockeys...
        or how i think arabs are cursed with oil
and dyslexia and diabetes... how most of them will
end blind or amputee due to their diabetes...
      how a lot of them would like something more
than turkish coffee and baklava, and how
it stops looking cool after a while...
           arab oil, dyslexia and diabetes...
which probably means a palestinian balaclava
at the end of the sequence...
   i'll never know: i'm not planning to have
a stop-over shopping spree in Dubai, any time soon.

Back when I was nine
When I don't know what are beyond the line
Where everything was "just" a touch
Even when she did it at night in couch

When I turned twelve
They said dress according to yourselves
I wear a skirt that I feel
Every eyes are wanting me to peel

I remember a horrible day of fifteen
I wear shirt and pants of green
A cold sweat flush
A strange man grab my ***

I thought eighteen will be fine
Maliciousness will decline
Until someone asked
Join them in bed, I feel aghast

Now I'm twenty-one
Fear lived, doesn't gone
Every looked has a meaning
A memoir of harassing

I

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
                              But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
                        Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

II

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
                                          Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.

III

Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plenitude nor vacancy. Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning
Tumid apathy with no concentration
Men and bits of paper, whirled by the cold wind
That blows before and after time,
Wind in and out of unwholesome lungs
Time before and time after.
Eructation of unhealthy souls
Into the faded air, the torpid
Driven on the wind that sweeps the gloomy hills of London,
Hampstead and Clerkenwell, Campden and Putney,
Highgate, Primrose and Ludgate. Not here
Not here the darkness, in this twittering world.

Descend lower, descend only
Into the world of perpetual solitude,
World not world, but that which is not world,
Internal darkness, deprivation
And destitution of all property,
Desiccation of the world of sense,
Evacuation of the world of fancy,
Inoperancy of the world of spirit;
This is the one way, and the other
Is the same, not in movement
But abstention from movement; while the world moves
In appetency, on its metalled ways
Of time past and time future.

IV

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?
Chill
Fingers of yew be curled
Down on us? After the kingfisher’s wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.

V

Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.

    The detail of the pattern is movement,
As in the figure of the ten stairs.
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being.
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always—
Ridiculous the waste sad time
Stretching before and after.

4 harmful foods that benefit us too
Maintaining a healthy diet isn't easy as one has to be careful of every morsel of food or sip of drink that they consume. So when research reveals a positive angle to some harmful dietary habits, what should one do?

A recent study in London showed that those who increased their coffee intake by more than a cup a day were less prone to have Type 2 Diabetes. On the other hand, caffeine is known to increase blood pressure and isn't good for the body in the long run. Here is a list of food items that are considered harmful, but benefit us in some ways as well...

WHITE BREAD

Why it's bad: For a while now, white bread has been pushed to the back seat due to the growing notion that it leads to increased blood sugar and can ultimately cause obesity. The grains are processed in such a way that it strips the bread off all nutrients. Scientists at Tufts University in Boston also found that eating white bread increases your waistline, when compared to brown bread. Fitness expert Wanitha Ashok adds, "Eating white bread makes you hungry in an hour or so. When it comes to nutrition, it doesn't get the top slot."

Why it's good: Eating white bread isn't necessarily a bad thing as long as you eat the enriched variety that contains nutrients, especially those that are topped with oats and nuts. Research done by the Irish University Nutrition Alliance showed that white bread contributed as much iron and fibre to an Irish diet as meat or fish. Nutritionist Ryan Fernando says, "The only time we recommend white bread to anyone is after a good workout. Sports athletes, especially, eat white bread as it helps replenish glucose faster and it's beneficial for the muscles."

FROZEN VEGETABLES

Why they're bad: It is believed that fresh vegetables are better than frozen ones because of all the processing that takes place to freeze them and keep them fresh. A study done by the Department of Nutrition and Dietetics in Turkey concluded that thawing frozen veggies before cooking them led to the loss of Vitamin C. "This is just convenience food. Anything you store for a long time begins to lose nutritional value. Also, in India, there are so many electricity fluctuations, so it's better to keep fresh vegetables," says Wanitha Ashok.

Why they're good: Lately, a lot of reports say that frozen veggies are better than the fresh variety because they are picked when they are most ripe and frozen so none of the vitamins are lost.Also,a study done at the University of Chester shows that there was a decline in the nutritional value of fresh veggies when refrigerated com - pared to frozen ones.

EGG YOLK

Why it's bad: It's known to increase cholesterol, which is why people with heart conditions avoid egg yolk. It also contains a lot of fat,which isn't good for people who gain weight easily. A Canadian study says that regularly consuming egg yolks can lead to plaque build-up in blood vessels. Why it's good: "Egg yolk has essential nutrients and vitamins, especially when compared to egg whites, which don't have as much. One or two eggs yolk a day are recommended for children, whereas adults should have one to get their intake of necessary nutrients," says Ryan Fernando. The cholesterol in the yolk is needed for elders and children who have adrenal issues.

CHOCOLATE

Why it's bad: Not only does consumption of chocolate gradually increase one's weight,but people tend to cut down on it because of its caffeine and fat content. "Children get addicted to chocolate when their consumption is not moderated. It's harmful for diabetic people and the sweeteners in it are bad for the teeth," says Nainatara S, a consultant nutritionist. The high oxalates in chocolate are known to cause kidney stones. A study by the American Society of Clinical Nutrition showed that the higher the consumption of chocolate by elders, the more likely they were to be affected by bone disease.

Why it's good: Nutritionist Murali Subramanian says one benefit of eating chocolate is its antioxidant content. A study in the University of Illinois showed that consuming dark chocolate helped lower cholesterol and blood pressure. The antioxidants in the chocolate also help reduce chances of obesity and Type 2 Diabetes.Read more here:www.marieaustralia.com/formal-dresses-2015 | www.marieaustralia.com/formal-dresses-adelaide

I would rather drink than eat,
And though I superbly sup,
Food, I feel, can never beat
Delectation of the cup.
Wine it is that crowns the feast;
Fish and fowl and fancy meat
Are of my delight the least:
I would rather drink than eat.

Though no Puritan I be,
And have doubts of Kingdom Come,
With those fellows I agree
Who deplore the Demon ***.
Gin and brandy I decline,
And I shy at whisky neat;
But give me rare vintage wine,--
Gad! I'd rather drink than eat.

Food surfeit is of the beast;
Wine is from the gods a gift.
All from ******* to priest
Can attest to its uplift.
Green and garnet glows the vine;
Grapes grow plump in happy heat;
Gold and ruby winks the wine . . .
Come! Let's rather drink than eat.

Dare any swain escape his youth intact,
Soon after the fringe of courage will discolour into fade,
Until one day the pause,
The morning mirror, the tics and taunts,  
Who is this clumsy old man his story will complain.

His bruise of reputation echoes back as tease,
The ***** and sag of masculine decline,
Is journaled in the bloom of brown blotch on his hands,
The tattered skin, the oaf and clownish frown,
The aberrant fur in ears and nose,
The quitter’s curve now cues to crooked spine,
There is no bath, no rub, nor miracle devine,
From here on in he culls and manages decline.

you weren't around much
i wasn't worth your time
you left and said we'd stay in touch
but the days we spent together began to decline
you stopped coming around
you didn't even call
but as I got older I found
that my tears weren't worth it at all
you always said you loved me
but we both know that was a lie
you weren't built to raise a family
you didn't really try
your actions spoke louder than your words
which isn't saying much
your actions showed us you were a ****
considering you left in such a rush
you made it seem like you always put your kids first
when in reality you treated us the worst
i don't really consider you my dad
only because almost every memory I have of you is bad
this is the side of you, that you always hid from me
from now on the only thing I can call you is a deadbeat

As one who in his journey bates at noon,
Though bent on speed; so here the Arch-Angel paused
Betwixt the world destroyed and world restored,
If Adam aught perhaps might interpose;
Then, with transition sweet, new speech resumes.
Thus thou hast seen one world begin, and end;
And Man, as from a second stock, proceed.
Much thou hast yet to see; but I perceive
Thy mortal sight to fail; objects divine
Must needs impair and weary human sense:
Henceforth what is to come I will relate;
Thou therefore give due audience, and attend.
This second source of Men, while yet but few,
And while the dread of judgement past remains
Fresh in their minds, fearing the Deity,
With some regard to what is just and right
Shall lead their lives, and multiply apace;
Labouring the soil, and reaping plenteous crop,
Corn, wine, and oil; and, from the herd or flock,
Oft sacrificing bullock, lamb, or kid,
With large wine-offerings poured, and sacred feast,
Shall spend their days in joy unblamed; and dwell
Long time in peace, by families and tribes,
Under paternal rule: till one shall rise
Of proud ambitious heart; who, not content
With fair equality, fraternal state,
Will arrogate dominion undeserved
Over his brethren, and quite dispossess
Concord and law of nature from the earth;
Hunting (and men not beasts shall be his game)
With war, and hostile snare, such as refuse
Subjection to his empire tyrannous:
A mighty hunter thence he shall be styled
Before the Lord; as in despite of Heaven,
Or from Heaven, claiming second sovranty;
And from rebellion shall derive his name,
Though of rebellion others he accuse.
He with a crew, whom like ambition joins
With him or under him to tyrannize,
Marching from Eden towards the west, shall find
The plain, wherein a black bituminous gurge
Boils out from under ground, the mouth of Hell:
Of brick, and of that stuff, they cast to build
A city and tower, whose top may reach to Heaven;
And get themselves a name; lest, far dispersed
In foreign lands, their memory be lost;
Regardless whether good or evil fame.
But God, who oft descends to visit men
Unseen, and through their habitations walks
To mark their doings, them beholding soon,
Comes down to see their city, ere the tower
Obstruct Heaven-towers, and in derision sets
Upon their tongues a various spirit, to rase
Quite out their native language; and, instead,
To sow a jangling noise of words unknown:
Forthwith a hideous gabble rises loud,
Among the builders; each to other calls
Not understood; till hoarse, and all in rage,
As mocked they storm: great laughter was in Heaven,
And looking down, to see the hubbub strange,
And hear the din:  Thus was the building left
Ridiculous, and the work Confusion named.
Whereto thus Adam, fatherly displeased.
O execrable son! so to aspire
Above his brethren; to himself assuming
Authority usurped, from God not given:
He gave us only over beast, fish, fowl,
Dominion absolute; that right we hold
By his donation; but man over men
He made not lord; such title to himself
Reserving, human left from human free.
But this usurper his encroachment proud
Stays not on Man; to God his tower intends
Siege and defiance:  Wretched man!what food
Will he convey up thither, to sustain
Himself and his rash army; where thin air
Above the clouds will pine his entrails gross,
And famish him of breath, if not of bread?
To whom thus Michael.  Justly thou abhorrest
That son, who on the quiet state of men
Such trouble brought, affecting to subdue
Rational liberty; yet know withal,
Since thy original lapse, true liberty
Is lost, which always with right reason dwells
Twinned, and from her hath no dividual being:
Reason in man obscured, or not obeyed,
Immediately inordinate desires,
And upstart passions, catch the government
From reason; and to servitude reduce
Man, till then free.  Therefore, since he permits
Within himself unworthy powers to reign
Over free reason, God, in judgement just,
Subjects him from without to violent lords;
Who oft as undeservedly enthrall
His outward freedom:  Tyranny must be;
Though to the tyrant thereby no excuse.
Yet sometimes nations will decline so low
From virtue, which is reason, that no wrong,
But justice, and some fatal curse annexed,
Deprives them of their outward liberty;
Their inward lost:  Witness the irreverent son
Of him who built the ark; who, for the shame
Done to his father, heard this heavy curse,
Servant of servants, on his vicious race.
Thus will this latter, as the former world,
Still tend from bad to worse; till God at last,
Wearied with their iniquities, withdraw
His presence from among them, and avert
His holy eyes; resolving from thenceforth
To leave them to their own polluted ways;
And one peculiar nation to select
From all the rest, of whom to be invoked,
A nation from one faithful man to spring:
Him on this side Euphrates yet residing,
Bred up in idol-worship:  O, that men
(Canst thou believe?) should be so stupid grown,
While yet the patriarch lived, who ’scaped the flood,
As to forsake the living God, and fall
To worship their own work in wood and stone
For Gods!  Yet him God the Most High vouchsafes
To call by vision, from his father’s house,
His kindred, and false Gods, into a land
Which he will show him; and from him will raise
A mighty nation; and upon him shower
His benediction so, that in his seed
All nations shall be blest: he straight obeys;
Not knowing to what land, yet firm believes:
I see him, but thou canst not, with what faith
He leaves his Gods, his friends, and native soil,
Ur of Chaldaea, passing now the ford
To Haran; after him a cumbrous train
Of herds and flocks, and numerous servitude;
Not wandering poor, but trusting all his wealth
With God, who called him, in a land unknown.
Canaan he now attains; I see his tents
Pitched about Sechem, and the neighbouring plain
Of Moreh; there by promise he receives
Gift to his progeny of all that land,
From Hameth northward to the Desart south;
(Things by their names I call, though yet unnamed;)
From Hermon east to the great western Sea;
Mount Hermon, yonder sea; each place behold
In prospect, as I point them; on the shore
Mount Carmel; here, the double-founted stream,
Jordan, true limit eastward; but his sons
Shall dwell to Senir, that long ridge of hills.
This ponder, that all nations of the earth
Shall in his seed be blessed:  By that seed
Is meant thy great Deliverer, who shall bruise
The Serpent’s head; whereof to thee anon
Plainlier shall be revealed.  This patriarch blest,
Whom faithful Abraham due time shall call,
A son, and of his son a grand-child, leaves;
Like him in faith, in wisdom, and renown:
The grandchild, with twelve sons increased, departs
From Canaan to a land hereafter called
Egypt, divided by the river Nile
See where it flows, disgorging at seven mouths
Into the sea. To sojourn in that land
He comes, invited by a younger son
In time of dearth, a son whose worthy deeds
Raise him to be the second in that realm
Of Pharaoh. There he dies, and leaves his race
Growing into a nation, and now grown
Suspected to a sequent king, who seeks
To stop their overgrowth, as inmate guests
Too numerous; whence of guests he makes them slaves
Inhospitably, and kills their infant males:
Till by two brethren (these two brethren call
Moses and Aaron) sent from God to claim
His people from enthralment, they return,
With glory and spoil, back to their promised land.
But first, the lawless tyrant, who denies
To know their God, or message to regard,
Must be compelled by signs and judgements dire;
To blood unshed the rivers must be turned;
Frogs, lice, and flies, must all his palace fill
With loathed intrusion, and fill all the land;
His cattle must of rot and murren die;
Botches and blains must all his flesh emboss,
And all his people; thunder mixed with hail,
Hail mixed with fire, must rend the Egyptians sky,
And wheel on the earth, devouring where it rolls;
What it devours not, herb, or fruit, or grain,
A darksome cloud of locusts swarming down
Must eat, and on the ground leave nothing green;
Darkness must overshadow all his bounds,
Palpable darkness, and blot out three days;
Last, with one midnight stroke, all the first-born
Of Egypt must lie dead.  Thus with ten wounds
The river-dragon tamed at length submits
To let his sojourners depart, and oft
Humbles his stubborn heart; but still, as ice
More hardened after thaw; till, in his rage
Pursuing whom he late dismissed, the sea
Swallows him with his host; but them lets pass,
As on dry land, between two crystal walls;
Awed by the rod of Moses so to stand
Divided, till his rescued gain their shore:
Such wondrous power God to his saint will lend,
Though present in his Angel; who shall go
Before them in a cloud, and pillar of fire;
By day a cloud, by night a pillar of fire;
To guide them in their journey, and remove
Behind them, while the obdurate king pursues:
All night he will pursue; but his approach
Darkness defends between till morning watch;
Then through the fiery pillar, and the cloud,
God looking forth will trouble all his host,
And craze their chariot-wheels: when by command
Moses once more his potent rod extends
Over the sea; the sea his rod obeys;
On their embattled ranks the waves return,
And overwhelm their war:  The race elect
Safe toward Canaan from the shore advance
Through the wild Desart, not the readiest way;
Lest, entering on the Canaanite alarmed,
War terrify them inexpert, and fear
Return them back to Egypt, choosing rather
Inglorious life with servitude; for life
To noble and ignoble is more sweet
Untrained in arms, where rashness leads not on.
This also shall they gain by their delay
In the wide wilderness; there they shall found
Their government, and their great senate choose
Through the twelve tribes, to rule by laws ordained:
God from the mount of Sinai, whose gray top
Shall tremble, he descending, will himself
In thunder, lightning, and loud trumpets’ sound,
Ordain them laws; part, such as appertain
To civil justice; part, religious rites
Of sacrifice; informing them, by types
And shadows, of that destined Seed to bruise
The Serpent, by what means he shall achieve
Mankind’s deliverance.  But the voice of God
To mortal ear is dreadful:  They beseech
That Moses might report to them his will,
And terrour cease; he grants what they besought,
Instructed that to God is no access
Without Mediator, whose high office now
Moses in figure bears; to introduce
One greater, of whose day he shall foretel,
And all the Prophets in their age the times
Of great Messiah shall sing.  Thus, laws and rites
Established, such delight hath God in Men
Obedient to his will, that he vouchsafes
Among them to set up his tabernacle;
The Holy One with mortal Men to dwell:
By his prescript a sanctuary is framed
Of cedar, overlaid with gold; therein
An ark, and in the ark his testimony,
The records of his covenant; over these
A mercy-seat of gold, between the wings
Of two bright Cherubim; before him burn
Seven lamps as in a zodiack representing
The heavenly fires; over the tent a cloud
Shall rest by day, a fiery gleam by night;
Save when they journey, and at length they come,
Conducted by his Angel, to the land
Promised to Abraham and his seed:—The rest
Were long to tell; how many battles fought
How many kings destroyed; and kingdoms won;
Or how the sun shall in mid Heaven stand still
A day entire, and night’s due course adjourn,
Man’s voice commanding, ‘Sun, in Gibeon stand,
‘And thou moon in the vale of Aialon,
’Till Israel overcome! so call the third
From Abraham, son of Isaac; and from him
His whole descent, who thus shall Canaan win.
Here Adam interposed.  O sent from Heaven,
Enlightener of my darkness, gracious things
Thou hast revealed; those chiefly, which concern
Just Abraham and his seed: now first I find
Mine eyes true-opening, and my heart much eased;
Erewhile perplexed with thoughts, what would become
Of me and all mankind:  But now I see
His day, in whom all nations shall be blest;
Favour unmerited by me, who sought
Forbidden knowledge by forbidden means.
This yet I apprehend not, why to those
Among whom God will deign to dwell on earth
So many and so various laws are given;
So many laws argue so many sins
Among them; how can God with such reside?
To whom thus Michael.  Doubt not but that sin
Will reign among them, as of thee begot;
And therefore was law given them, to evince
Their natural pravity, by stirring up
Sin against law to fight: that when they see
Law can discover sin, but not remove,
Save by those shadowy expiations weak,
The blood of bulls and goats, they may conclude
Some blood more precious must be paid for Man;
Just for unjust; that, in such righteousness
To them by faith imputed, they may find
Justification towards God, and peace
Of conscience; which the law by ceremonies
Cannot appease; nor Man the mortal part
Perform; and, not performing, cannot live.
So law appears imperfect; and but given
With purpose to resign them, in full time,
Up to a better covenant; disciplined
From shadowy types to truth; from flesh to spirit;
From imposition of strict laws to free
Acceptance of large grace; from servile fear
To filial; works of law to works of faith.
And therefore shall not Moses, though of God
Highly beloved, being but the minister
Of law, his people into Canaan lead;
But Joshua, whom the Gentiles Jesus call,
His name and office bearing, who shall quell
The adversary-Serpent, and bring back
Through the world’s wilderness long-wandered Man
Safe to eternal Paradise of rest.
Mean while they, in their earthly Canaan placed,
Long time shall dwell and prosper, but when sins
National interrupt their publick peace,
Provoking God to raise them enemies;
From whom as oft he saves them penitent
By Judges first, then under Kings; of whom
The second, both for piety renowned
And puissant deeds, a promise shall receive
Irrevocable, that his regal throne
For ever shall endure; the like shall sing
All Prophecy, that of the royal stock
Of David (so I name this king) shall rise
A Son, the Woman’s seed to thee foretold,
Foretold to Abraham, as in whom shall trust
All nations; and to kings foretold, of kings
The last; for of his reign shall be no end.
But first, a long succession must ensue;
And his next son, for wealth and wisdom famed,
The clouded ark of God, till then in tents
Wandering, shall in a glorious temple enshrine.
Such follow him, as shall be registered
Part good, part bad; of bad the longer scroll;
Whose foul idolatries, and other faults
Heaped to the popular sum, will so incense
God, as to leave them, and expose their land,
Their city, his temple, and his holy ark,
With all his sacred things, a scorn and prey
To that proud city, whose high walls thou sawest
Left in confusion; Babylon thence called.
There in captivity he lets them dwell
The space of seventy years; then brings them back,
Remembering mercy, and his covenant sworn
To David, stablished as the days of Heaven.
Returned from Babylon by leave of kings
Their lords, whom God disposed, the house of God
They first re-edify; and for a while
In mean estate live moderate; till, grown
In wealth and multitude, factious they grow;
But first among the priests dissention springs,
Men who attend the altar, and should most
Endeavour peace: their strife pollution brings
Upon the temple itself: at last they seise
The scepter, and regard not David’s sons;
Then lose it to a stranger, that the true
Anointed King Messiah might be born
Barred of his right; yet at his birth a star,
Unseen before in Heaven, proclaims him come;
And guides the eastern sages, who inquire
His place, to offer incense, myrrh, and gold:
His place of birth a solemn Angel tells
To simple shepherds, keeping watch by night;
They gladly thither haste, and by a quire
Of squadroned Angels hear his carol sung.
A ****** is his mother, but his sire
The power of the Most High:  He shall ascend
The throne hereditary, and bound his reign
With Earth’s wide bounds, his glory with the Heavens.
He ceased, discerning Adam with such joy
Surcharged, as had like grief been dewed in tears,
Without the vent of words; which these he breathed.
O prophet of glad tidings, finisher
Of utmost hope! now clear I understand
What oft my steadiest thoughts have searched in vain;
Why o

“every man wants to be a tyrant when he fornicates"— marquis de sade (philosophy in the boudoir)
in murky region of my mind flickers shanty town of wickedness and all who burn betray me are tortured murdered buried on outskirts of this moot province not entirely devoted to revenge shadows dart lascivious exchanges shadow economy back alley shenanigans soundproof rooms filled with hunger for beautiful women sole source of my arousal female lust japanese silk braided ropes bowls hoses drop-clothes vibrating toys anticipating mischievous acts town’s folk love esteem me applaud my fiercest turpitude fathers offer their daughters mothers perfume girls with wild flowers in their hair whispering accommodating instructions ultimately i decline their generous offerings opting instead for steadfast soul confidante accomplice closer in age she knows how to mommy my genitals get me off and i the same for her churning simmering caldron of desires dazzling aromas through center of town runs sacred blue river constantly replenishing innocence upon dust filth criminality also many enchanting bridges connecting dark side to bright side in elegant rundown art museum hang several of my paintings next to jackson ******* ad reinhardt anselm kiefer gerhard richter albert pinkham ryder francisco goya susan rothenberg and public library shelves brim with volumes of my writings next to james joyce william faulkner sophocles sylvia plath rainer maria rilke milan kundera franz kafka gabriel garcia marquez thomas bernhard patrick suskind  pablo neruda oriana fallaci annie proulx lydia davis during mornings everyone busies themselves making things practicing yoga swimming cooking friends gather for lunch munch comically gossip about previous night’s dramas in afternoon go back to their interests at sunset all citizenry come together look to west watch fiery orange globe sink beyond purple mountains wonder reflect sniff their fingers as night falls on little village each goes about deciding what to wear then meet for cocktails in local taverns and commotion begins

I am your Dystopian girl
got a black leather vest
here at the bottom of the world,
wearing shades so I can't see the decline.

I stand in the dark and wait for nothing
under this rusted and broken street lamp.
Heat from crowded streets and hustling alleys
keeps the blood moving in my veins for now.

Lament if you need, cry if you want
buy into the creed, it's Dystopia baby
that we made by hand with our friends
we like to call misery and disease.

We're always looking for a hero
to step up to the plate but the
early bird special is apathy baked.
It's Dystopia baby, wake up and smell the decay.

They will take it away
Whittle it down
To the point
Where spell check
Is the only way to spell correct
Where Google
Is the real arbitrator of truth
And the words, lazy on our tongues
Cling to the warm recesses of our mind
Un-rebellious
Forever happy
Easy
Easier, still
No hurdles to jump
No trees to climb
Hail,
The obedient citizens of our Earth
No wrong
No unpleasantries
All good and fine

Silence
Drops a dark void on deep thinkers
The wool over their eyes
The sound of their cries

Silence
Pulls the rug out from under legs
Hopes drop to the ground
Dreams shatter to pieces

Silence
Gives time to think for the mad
Time to mourn for the sad
Time for decline of the joyous

Silence
Darkness engulfs the area surrounding
There is nothing
There is no one

Silence
It injures
It ruins
It kills

Silence
It never ends