Submit your work, meet writers and drop the ads. Become a member
cheryl love Jun 2014
Driving down a dull grey road
A road leading to nowhere.
A road that has ruby ribbons
attached to it.
Ruby cornfields in a sea of yellow.
Splashes of hollyhocks and pink
Poppies, amongst the green,
Under a brown bridge, blue drink
flows to and fro, side to side
with stripes of white inbetween.
Ruby cornfields in a sea of blue
Lavender, mauves and scarlet inside.
An English countryside waiting for you.
Jessica Hanna Jun 2020
To be a woman
Is to be property

To act ladylike
Is to mold into the stereotype

To speak up is unheard of
Just go crawl behind the white man you see in front of you

A glimpse
Of steel is all you see before
The warmth of blood drains every part
Every being you thought to be strong
Now gone

Pick up the pieces
Bandage that wound

We have a war
One that was fought before

Blood on the knife
Stained the suit of the man walking to the congress chair
He holds it up with a smile
And the other men in the house follow
As they add it to the closet of achievements

We are strong
We are not blind to perspective
We see in color

Stitch up the knife wound
Targeted at the abdomen

Property does not fight back
A piece of land does not speak words
The cornfields do not unite

To be a woman
Is to have a voice
One loud enough to be heard over laws
That prohibit natural human rights

Our bodies are not to be tagged by the market vendor down the street
Politicians now playing a game of operation in their makeshift white coats

Forgetting all that we have achieved
Women's bodies are now more dangerous
Than a gun on school property

To have a body
Is to have a choice

To be a woman
Is to bring justice and unity to all
I took a drink of cool, clean water,
That came from within a wishing well,
It tasted sweet and filled me deeper,
With precious life that came to me.

I wanted more, of this cool beverage,
So, took another drink, then took two,
It filled my body with such  robust flavor,
That on my journey I could now venture on.

When coming upon a run-down farmhouse,
Where wind blew whispfully in swaying trees,
I picked a pear from the nearest pear tree,
And held the fruit in hand so gracefully.

The pear was sweet, the juice ran rapidly,
Down on my chin, onto my denim shirt,
I felt the grit, the fruit soon was  tastefully,
Set fire to my tastebuds so endlessly.

I glanced upon the cornfields so lonely,
Standing tall and giant they reached for sky,
The greeness filled my mind with fancy,
Then, so I wandered to fields to further see.

Within the field, a lovely, young beauty,
Was pulling corn from the green, green stalks,
Her smile, a greeting, to me weary wanderer,
I took her hand and handled it so tenderly.

She said she spent her days in the cornfields,
I sensed she wanted to switch places with me,
To wander aimlessly, through nearby counties,
In search of self so then so senselessly.

But me, a mortal, mere man of mans' time,
Would what give readily to find all the day,
To stand silently within cornfields, green I see,
To shuck corn from the cornfields so handily.
Wilson and Pilcer and Snack stood before the zoo elephant.

     Wilson said, "What is its name? Is it from Asia or Africa? Who feeds
it? Is it a he or a she? How old is it? Do they have twins? How much does
it cost to feed? How much does it weigh? If it dies, how much will another
one cost? If it dies, what will they use the bones, the fat, and the hide
for? What use is it besides to look at?"

     Pilcer didn't have any questions; he was murmering to himself, "It's
a house by itself, walls and windows, the ears came from tall cornfields,
by God; the architect of those legs was a workman, by God; he stands like
a bridge out across the deep water; the face is sad and the eyes are kind;
I know elephants are good to babies."

     Snack looked up and down and at last said to himself, "He's a tough
son-of-a-gun outside and I'll bet he's got a strong heart, I'll bet he's
strong as a copper-riveted boiler inside."

     They didn't put up any arguments.
     They didn't throw anything in each other's faces.
     Three men saw the elephant three ways
     And let it go at that.
     They didn't spoil a sunny Sunday afternoon;

"Sunday comes only once a week," they told each other.
Lucy Tonic Oct 2013
You say you do it for your family
But all you see is money
You see in shades of blue
And your prophets for hire
Are starting to get greedy
And the chemicals you use for warfare
They weren’t made in a factory, made in a lab
They grow organic in the land
And the drug is death but it comes in a pretty package
Those who distribute are the same ones who deal
And the ones who deal are the ones who ingest
And the ones who ingest end up a in prison
Where experiments are done, degrading and dumb
Until the free man becomes the farmer
Planting death among the cornfields
sweet ridicule Apr 2015
lips become cherry red when I cry
and chasing cars hurts from my ears
                                                 down to my toes
because it was never wasting time

   I almost killed my jeep battery
(forgot to turn the lights off)
             drinking coffee to Iowa cornfields and a resurrected yearning
maybe I'll leave (I want to)
            --LA, Paris, Austria, Versailles, Rio, Carmel, Amsterdam, Mumbai--
I'm audacious and arrogant--much too proud of
                               my flaws
leaving would be easy: intoxicating
like caffeine
       stars
       fear
       laughing kisses
but staying means home and English and standing out like a sore thumb (a beautiful one) in public
            and the people I deeply love
                                      (and need) I can admit that now
so I'll watch the Capri Sun orange sunset
once again tonight
and try to intoxicate myself with
               cornfields, sassy 8th graders, my beautiful examples of true love, ADD, bashful boy,
                       and pieces of the world
  
                                                        ­              on my body
read read read
Upon the mighty raging sea, whirlpools of fiery sparks, Catherine wheels of light and mist mix with the foam of time. Tossed by unseen movements a tiny globe is floating on the tides and flotsam swirls around its contours, attracted by invisible smooth ripples. Dashed to smooth curves, rare and precious treasure pebbles dance in the flotsam, around the tiny globe, lost in that vast sea, tossed aside by finned entities. Together they ride the foam of endless ocean.

Upon his bed of green soft flotsam, in peaceful tranquillity, gazing out at other treasure pebbles, upon the most precious jewelled blue sapphire, swimming in the azure sea, the purple man soaks up the rays of green made by the yellow globe.

The purple man sees and understands.

The lines of his world are shining silver light, for him there is no darkness in the night. Beset by cares he glances at the fractal flotsam and sees himself reflected, unfolding, timeless. Cares melt in mellow green.

The purple man fades and expands, his nebula fills the ocean wide and everything folds, unfolds; breathes in and out. Allfather stands beside the gate.

Where the fish swim and water snakes, where rivers run and wash the mountains silt upon the shore, there one day the star man came descending from a ship that sails the ocean Sky. The purple man was dreaming as before. From far away where people live in light, from where there is no hunger, fear or pain, where none deceive because there is no gain, where power is within and all are free, Wayland came.

Sitting by the river in the mud his fingers sinking into rich red clay he saw this world so full of music and in love, he sought the matrix seeds that dormant lay. Weaving the matrix then this Wayland made a pair of people from the clay and calling to the green fire of life, he gave them this garden free, to care for and in which to learn and play.

The purple man, who on his misty pillow lay said to Wayland then,

“Will you not stay?” The star man answered,

“I have so far to go and there is so much I want to see, you stay here awhile and tell them this: they are the keepers now of flotsam Zu, and you can teach them all that they must know. Say to them and get it right, 'you are the children of the light, travel where you will; you are not bound here by the clay. In all who say, “I am“ there is the life, and all who live are one in truth, this moment does not pass away.' I will return to visit you one day.”

Purple light shines green around the gate and all pass to and fro. There were the flying elephants of old, bright butterfly wings and iridescent scales, and fire within they blew and rose to mate high in the careless foam of space.

“I see, I see,” the purple man exclaims, “And I will leave a legacy.” Then taking out his notebook draws a stone and then another, places both together high upon the hill.

“All shall know!” he cries and gives them eyes and crowns. Thrones they hold with firm rock fingers, king and queen in rock of jewels tiny crystal shimmers. Eyes gaze out along the silver lines of truth, eyes of stone, and he cuts a small notch in the place the eyes alight their vision.

“Now all will know.” He spreads his cloak and sleeps beneath the hill in quiet satisfaction but dreams he did the task and lost in thought forgets. Stones stand waiting in dreams of eyes that only dreamers see and ride the light that only globe green rays can ride in pale yellow day.

“Forget, forget.” The whispers of the shining huntress sing sweetly and the residents of the butterfly house are soothed and filled with wonder. Dancing light reflects from yellow sand. Lifting hot feet to cool in baking oven rays.

Skating on tension, walking on invisible support a fish jumps from the water of a lake, cascading diamond spray around golden wings, then plunges back into the familiar world. Together all are one and life renewed. Wisps of purple smoke rise from a burning pile of old splendid green boughs now brown and brittle and delicious waves cook as chatter rises in anticipation. Toes muddy and wet warm as much as they dare and faces shine as globe of green gives energy. Wisteria sweet twists its tendrils on the gatepost and spreads its fingers wide to reach the stars.

The white and shining orb that, with full sails, is dancing with the flotsam sapphire tells her story in the ripples of a darkened pool. As in each drop the orb is, so it is with all and in all flows the green.

A grey cat-wolf with silky coat, who sweetly purrs sinks her teeth into feathers and warm nourishment flows from vein to vein. Carrying proudly to the doorstep leaves the gift but pricked purple fingers drip blood as tears flow for the tiny, feathered form.

Misunderstanding of the gift and weary sleep claim the mourner. In the corner stands a child of dusty clothes, untidy and ragged feathers. Grey coloured and brown his hair, face, and hair all dusty and brown. In mind of purple song was singing sad songs of green trees and fields of flowers and seeds. The child turns and eyes as old as time look deep as hands are stretched to greet. The purple man takes outstretched hands and they dance to music of the ocean deep.

“It cannot end, the green can never end, it just returns.” and round they dance, as the child is filled with light and transparent power touches purple hands and spirit surges to pull the purple man to stand before the gate.

Purple man rides on steed of unicorn; who sheds his twisted horn of white and says,

“With this you may write and tell the keepers of Zu to teach their subjects true.” His purple fingers hold the shining torch as on the saddle of his steed he carves the key, the binary. “All is here!” he shouts, “it is enough for all to be and all who will to see! Freedom is my gift to humanity!” Walking to the golden shore, he breathes the green fire to his steed, “Fly now and take my pattern home for all to learn.” The unicorn, now dragon born and horse is manifest, with fiery nostrils and shining fins swims into the long and winding currents of the thread of gold.

From that island home is cast the stone and off it goes into the seas of time, the circle seas. Music wafts around the globe as jewelled pebbles sing. The purple man, his eyes upon the depths, his head on soft flotsam pillow looks horizontally and wanders paths of space between.

A king of Zu in earnest thought upon the shore, a hornless unicorn has caught. A dragon horse who will not bear but shakes his saddle, burden gone he flies into the air. This trinket fine will grace the royal belt and a medallion the king does wear; magic token lost in time as those who knew could not stay and to the music danced away. Beyond the gate, into the ocean deep they to while away, until the wafting air lifts up the drops to bear.

Within the turbulence of that wild sea of calmness where regular tides disguise, mountains are ground, their pieces smashed and broken into shimmering beads of light. Each piece the matrix seed does hold within its crystal frame and life its energy. They shoot forth in forces, travel star to star, globe upon globe they circumnavigate and chaos brings movement to the stagnant ponds of flotsam, pools stirring, breathing life.

In Zu, the wanderers, who had no houses yet, who lived among the stars and trees, gathered round fires to eat their fruit and seeds at Mothers knee and told their oral histories.

Memories of mine and theirs and time distorts the tales so pictures made they to endure but meanings lost as careless child is watching dripping fat of meat and mouth is watering at the food to eat. Within the ring of warmth and fire the wild beast fears, the stories fall distorted on deaf ears.

“Remember well the lessons here: Once our world was full of fear. The seas rose up and swallowed whole the land of Zu, the air was cold. The globe its shining rays of green was hid beneath a reddish sheen of fire as worlds collided higher. The cold it came, the ice giants walked upon the land, so I was taught. Now eat this meat the hunter men have brought.” Within the shamans cave the purple man sleeps and walks on paths of many feet.

On bellies laid upon a hill of hot dry golden sand, the purple man looks down with his band of friends upon the tall city gate below. Beyond he sees the golden domes and tall white towers of so fair a place. A white wall stretches far as he can see and by the gate two fierce lions guard with swords of shining steel.

“I know not how to enter there.” he says, but then finds he is inside, alone and the white city walls are high around him. Trepidation grips his thought and on tiptoes he intrudes in wonder, clinging to the walls. The giant who stoops to lift him smiles, gold flashes from ornaments, turquoise beads on olive skin, and strong muscular arms pick up the purple man who looks around and down to see the white towers are but square pools of proportion huge. The strong hands plunge him down into clear water cool, so fresh it cleans, from showers of silver droplets a babe is raised up to the shining pale blue sky.

Seeing a tortoise then beside the waters edge, the purple man, still having horn of unicorn, inscribed the pattern of the nine with movement of the all, so that he would remember all that Wayland said. Then silence and dreams were once more inside his head.

Purple man sat at the foot of a great tree. A red furred squirrel ran up and down the bark, collecting food and going deep to keep its secret safe. Above the tree the globe was shining bright and yellow light was all around. The good folk who dwell in light transparent crystal vessels sang their song for all to hear and as the squirrel gathered food she heard their voices clear. Then, scampering along the ground quietly in case the purple man should wake, she buried down to the deep pools where three watch the water that feeds the sap. She hummed the song but had not listened to the words and got it wrong before those there to guide the destiny.

“Oh, careless child who listens not when at the fire, who now will tell the history?” The purple man saw the green sap of the tree within and understood.

“Make a machine!” the keepers say, “for you are bound by clay. Rip out the sapphires heart and give us power so that in darkness is the light of day. We have the words and wisdom here,” the keepers fight and hide the secret words, “the nine is ours not yours to know, we only have the power, is it not so? We are your keepers, guardians true; we would not lie to you.

“We took the power from Mother of the tribes to keep you safe from beasts who roam. They would not stay outside the ring of warmth and fire but come inside, devour you in your home.

“The seas rose up before and swallowed Zu, the people perished all except a few. Those few were chosen by the unicorn and here to us a tortoise bore its horn. We stole the fire that came on flotsam Zu, we have the lightening here entombed, the stars that fell in dire punishment, we kept them to remind you of your doom.

“We took the prophets all and kept their words, we wrote them down and only we can give those words to you. He who was here is gone for now but will return, to judge all those who will not heed our rule.

“We must make war to punish those who hate, we must sacrifice to please the beast. Then within our boundaries you will be safe in service to our cause for we are wise.”

The slaves of Zu who toil and sweat all day, all fearful of whatever comes their way; the slaves who have no water and no food and not because they have not loved the good, the slaves who weep for flotsam Zu, the ones who try to do what they believe is true, all listened to the keepers and were quiet, they had no heart to war and die in riot. They had no heart to disobey the rules well taught from their first day. Some turned and struck their fellows in dismay.

The feet upon the pavement hard in hardness crunch and shocks run up the legs and bounce the brains of those who cannot see. Purple streaks the sunrise comes and petals yawn to greet the sailing globe of yellow breathing green. Herded and obedient, the subjects of the kingdom of Zu wake and queue politely as keepers set the tasty morsels. Wheels and tides, time and ocean turn as globe spins in eddies and careless diamonds sprinkled in the flakes of cornfields tell the story unfolding.

Shadows play. The sickle shines its ****** sweetness horned and lovely; sparks of stars surround the misty blue. Knees and cries on time forget the sly insertions and nourish soon forgotten virtues.

A bell is ringing on the shore. Sound bounces wave to wave and lost in purple wandering a passing bee remembers that it cannot fly and hurriedly taking scissors cuts a fine raft of leaf, pointed as a ships bow and hops aboard to surf and glide on currents of the sky.

From the deep oceans light, Wayland sees and sends a whisper from his mind, the purple man is dreaming still among the many others of his kind.

“Its time to wake now, of slumber is enough. Zu needs to have its gardeners intact, its time to plant the Iris bulbs to grow in pasture and in desert before the ice comes back. Seeds of the rainbow must be sown on every track. When summer dawns on frosted fields, fingers of warmth probing into the hearts of seeds that sleep, come now its time for growing. Plough the furrows deep. When summer dawns on frosted fields, fingers of warmth probing into cold frost hardened hearts. Awake, its time for knowing!”

The purple man in forest sees green light of yellow globe is shining energetically its light on all, and one with all he walks in joyful song. Along a branch a leg is stretched, a long leg, there a person sits within the tree, smiling song of life,

“He's just like me!” the purple man does not intrude but curiosity is wakened as the man is standing tall and then is gone before his eyes of sight. A figure dressed in light, not vaporous, a solid man who flickers on and off he sees. The purple man perplexed is wondering, when at his side a figure tall and grey is standing, branches on his head, without a face in the full light of day. The purple man looks for the face, the seat of senses known to know who is it there and meets an eye as old as universe. The eye is looking for the same and as they meet in trap of combined senses all, there is a spark and purple man is travelling then, he is not in the planet Zu at all. The visitor who comes to show the way gives him a choice of paths to take, he forward walks along a narrow lane with strange and pointed leaves of maize. Rustling in the plants the other chases past, he greets him at the other side, and man of light is shining on and off out of the gate the purple man to guide. The rainbow bridge connecting all the worlds, the green path that all who live must share, the purple man looks for the visitor but turning finds that nothing's there. Then rippling wave of green comes flowing through the woodland and the day, it passes through all that lies before, and purple man is standing in its way. Green fire! The life! The sap of tree! I see! His spirit soars as Wayland flies away.

Looking down at hands and feet with rainbows shine, in great delight he finds he is not purple now but made of light sublime and at his step the irises spring bright.
I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.
Jason Cirkovic Nov 2014
The snow makes this humming noise
Can you hear it?
It’s the noise
That people described
When they were huddled
Around the campfires
Telling ghost stories
Back in the day
When the ground was soaking dry
And the tank top filled days
Ricocheted off of the boys
Chasing Bigfoot thought the cornfields.
The reflection of innocence
Left my mind
When reality kissed me
With her cigarette filled breath.
Leaving me
Cold,
Rusty,
Flaking away
From the radiant skin
That brushed off the cornfields.

The snow makes this humming noise
Can you hear it?
It sounds like my friends
Moving away
From the innocence
And transferring
To the school
Of harsh expectations.
They were forced
To take daily vitamins
Consisting of impractical expectations
Left by the people
Who said that they just couldn't do it.
You see,
My friends didn't follow the boy scout honor,
They left traces of themselves
Behind the cracks of my skull.

The snow makes this humming noise
Can you hear it?
Its sounds like the snow
Is giving a close shave
To the power lines
That crackle with apprehension.
I walk about the desserted Ice cream
That has foamed over the cornfields.
My feet seem to stick
To the people who wants me
To be just like my brother,
Whenever I creep
Through the creek of snow,
I get trapped by the vacant wasteland
All I can do is wait
For I am waiting for jack frost
to **** up my last breaths.
Crushing my soul
With the rhythm
of this humming noise
The snow makes.
Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer's blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk cans, pea tins, jam-pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills
We trekked and picked until the cans were full
Until the tinkling bottom had been covered
With green ones, and on top big dark blobs burned
Like a plate of eyes. Our hands were peppered
With thorn ******, our palms sticky as Bluebeard's.
We hoarded the fresh berries in the byre.
But when the bath was filled we found a fur,
A rat-grey fungus, glutting on our cache.
The juice was stinking too. Once off the bush
The fruit fermented, the sweet flesh would turn sour.
I always felt like crying. It wasn't fair
That all the lovely canfuls smelt of rot.
Each year I hoped they'd keep, knew they would not.
BURY this old Illinois farmer with respect.
He slept the Illinois nights of his life after days of work in Illinois cornfields.
Now he goes on a long sleep.
The wind he listened to in the cornsilk and the tassels, the wind that combed his red beard zero mornings when the snow lay white on the yellow ears in the bushel basket at the corncrib,
The same wind will now blow over the place here where his hands must dream of Illinois corn.
K F Feb 2015
Aimlessly through cornfields flying
        quietly and simply listening,
to conversations
to music that's not mine
to laughing and memories being made.

Going no where but not minding.
Numbers fade from importance
         and the dials behind the wheel don't matter.

Only the dirt, the road, the growing dark,
        no destination,
        no worries about going back.
Changing sky, and the people you just met
        but are certain you can't forget.
Shelby Young Jan 2011
The closest I can
get to you is
  the farthest I can
get from here -

the farthest I can get from
  these dreadful Columbus clouds
that protect me from
the unknown,
  the lonely cornfields that grow
and grow, but
only grow lonelier.

But I like the clouds that
blanket me at night, keeping me
  warmer than you ever could.
And I love the way the sun
rains orange and pink on the lonely
cornfield, and the way the cornfield
soaks it up and saves it
for another day.

I could love you if
  you could love Ohio's cornfields
and cloudy days.
Madeline Jul 2012
for you, we bundle into the car,
the littlest
(half my brother and twice my nuisance)
and the middlest
(14 going on favorite)
the bitterest
(only girl and pen-in-hand)
and the biggestest
(20 years
of bombastic nonsense)

30 minutes and four cornfields later
he'll start.
"i have to ***."
"there's a bottle up there, dad."
"dad, i have to ***."
"dad."
"dad."
"dad."
and he's going to *** in that ******* bottle
which will inevitably stay in the car for the remaining 8 and a half hours,
sloshing and yellow
too dangerously close to the color of something
you would actually drink.

the two youngest
will get into some sort of argument
some sort of argument that i will intervene in.
"shut up!" he'll say.
"chill out!" i'll shout.
"you chill out!"
and my father and my stepmother
will eye from the front seat
until one of them turns around
("relax, madeline!" sharply).

and then the oldest
like clockwork
will act like he knows more than he does about something
(my father will just chuckle, but i'll begin, "bullsh-" i'll begin, but my stepmother will hiss,
"madeline!" as if i've killed somebody
even though the 8-year-old curses even worse than i do).
he'll make a face at me
and i'll make a face at him.
the littlest will
inevitably
stomp on my seatbelt about 30 times a second
which i will not be able to stand,
and we'll get into an argument which will turn into me
versus
the whole car
(afterwards, much stewing,
and resentfully cranking my ipod up as loud as it will go).

9 hours and 12 thousand cliff-faces later

we'll get there.
we'll make it.
we'll only be
a little worse for the wear.
we will be swept up by our twelve billion aunts
our nine billion uncles
and our three billion cousins,
like we always are.

someday something will be missing.

first it was your back,
and the postponement,
and eventual cancellation of our trip.
then it was your surgeries
(why weren't they working?)
and then it was a series of words i don't understand

stage

                                                               ­                                           inoperable
           ­                                 3                               ­             

                                                               ­          cancerous                                                      ma­ss
lung
                            malignant
                                                                ­                                              radiation
                                    
            therapy        ­                                                                 ­                                                 chemo

you may crumple in
on that blackness inside you,
that's eating you alive
one lung at a time,
pushing,
on your back,
until you can't even stand.
the fabric of our family
is plucked by this
disease.
this is my poem, my plea
for you
and for us,
that you not pull into the blackness,
and that you fight the tumors and the tests
and that you win.
berry Oct 2013
torn jeans
dimples
station wagons
shifting eyebrows
eager hands

wry smiles
chapped lips
cheap beer
deep-set eyes
pirated music

hates his birthday
stoplight-kisses
star-gazing in cornfields
****** knuckles
broken minds

lanky limbs
poetry books
scruffy faces
jet-black coffee
calloused hands that still feel soft

adventurer's heart
jumping fences
midnight tokes
always gives you hickeys
always opens your door

worn sneakers
chewed pen caps
late for work
old windbreakers
dirt under his fingernails

omniscient smirks
expensive cologne
good intentions -
but is bad with goodbyes
hates himself for making you cry

broken cigarettes
aviator shades at night
a perpetually furrowed brow
and a laugh that sounds like autumn leaves as they crunch beneath your feet

m.f.
Some are laughing, some are weeping;
She is sleeping, only sleeping.
Round her rest wild flowers are creeping;
There the wind is heaping, heaping
Sweetest sweets of Summer's keeping,
By the cornfields ripe for reaping.

There are lilies, and there blushes
The deep rose, and there the thrushes
Sing till latest sunlight flushes
In the west; a fresh wind brushes
Through the leaves while evening hushes.

There by day the lark is singing
And the grass and weeds are springing:
There by night the bat is winging;
There forever winds are bringing
Far-off chimes of church-bells ringing.

Night and morning, noon and even,
Their sound fills her dreams with Heaven:
The long strife at length is striven:
Till her grave-bands shall be riven
Such is the good portion given
To her soul at rest and shriven.
Black and Blue Jun 2019
Be patient.
     His heart is guarded and he has built walls around himself to keep others out. He deflects with humor and light words, he deflects by always being “okay”, he deflects by comically dunking on you—but one day his dams will break and his walls will crumble. You need to be patient for the day that this will happen. You need to be patient for the day that he will truly let you in, let you peek at his raw emotions, let you marvel at his strengths and weaknesses. Maybe it will not happen all at once, maybe it will happen as slowly as a river carves a canyon out of rock. You must be patient with him.

Be kind.
     He needs kindness like we all need air to breathe. He might not always think so, but he needs kind words, encouraging messages, thoughtful gestures. He needs kindness, the world hasn’t shown him enough of it.

Be compassionate.
     He pretends he doesn’t need these kind, gentle touches and kind, gentle words but he does. He is a desert parched for soft rainfall—give it to him. Be compassionate when he opens up about his mental health, his deepest fears, his family, and those who he loves. He is a man who loves deeply, and you must love deeply too. He is a man who cares deeply, and you must care deeply too.

Be understanding.
     He carries a lot of pain and a lot of tragedy—he has been dealt bad hand after bad hand. But he is trying. He is growing. He is making progress. Be understanding of his needs and his journey, be understanding of him.

Be resilient.
     He will try to shut down his feelings and shut out the world—it’s his tried and true way of survival. Don’t leave him just because he needs to do a hard reset on his emotions. Don’t leave him just because he seems like he’s okay. Don’t leave him just because he’s quiet when it rains. Don’t leave him just because he tries to push you away in his silence. Be resilient and never ending in your reassurance of him. Remind him quietly, or loudly, that he is yours and you’re not leaving.

Be honest.
     You must continually be honest because he’s been lied to, too many times. You must be honest and forceful whenever he refuses to accept compliments, because his truth about himself is poisoned by the pain he’s carried around in his lifetime. You must be honest with what you’re feeling, he just wants to help you and he cannot read your mind. You must be honest in letting him in. You must trust him and be honest in return.

Be yourself.
     He has no tolerance for fake smiles, fake feelings, or fake people. He has no need or want for mistruths, half-spun lies, or false claims. He needs authenticity. He needs someone who is genuine. He needs someone who said what they said and did what they did...maybe someone with the ability to know if they were wrong but not lie about their missteps. He needs someone who will show him all of their highs and lows, someone who will be unafraid of who they are, someone who will proudly be who they are instead of who they think he wants.

Be strong.
     He has been strong for everyone else for far too long. He needs someone to lean on, someone to support his aching arms, someone strong enough to share the weight he carries. He needs someone that will allow him to feel as deeply as he needs to, to be as weak as he needs to be. Be strong and be bold—for he is strong and bold, and needs the same to thrive.

Be hungry.
     He has a hunger for life, for laughter, for enjoyment, for smiling, for telling stories, for eating at his favorite Mexican places, for playing his favorite games. He has a bottomless hunger for affection, for great hamburgers, for passion, for art, for beautiful words, for learning new things, for dogs & cats, for white chocolate mochas, for jokes. You must be hungry enough to keep up with his appetite.

Be protective.
     He has been hurt too many times and he needs shelter from the world. He still cares so readily, so openly, and still gets hurt time and time again. Be protective of his sweetness, his softness, of his gentle moments. Be protective of his weaknesses, his shortcomings, of his darkest moments. Keep them safe, hold them close to you and protect them. Keep him safe, hold him close to you and protect him.

Be ready. Of course be prepared, but also:
   Be ready to laugh. He is the funniest man I know. He uses humor to show those around him that he cares. He uses humor to show those around him that he’s okay. He wields humor like a knight wields a sword to protect himself and others. Be ready to laugh, but be ready to see through his humor.      
     Be ready to adventure. He needs adventure. He needs little adventures throughout the days and months in trying new things and going new places. He needs big adventures to draw him out of his comfort zone, to take him to new cuisines and maybe new countries.
     Be ready to love. You will fall in love with him and his ocher eyes and calloused hands and strong shoulders. You need to be ready, because whether that love happens all at once like summer storm-clouds pour rain on cornfields or whether it grows slowly from a seedling to a honeysuckle vine twining through your heart and squeezing it, you will fall in love with him and you must be ready.
     Be ready to wake up early. He is a morning person and he wants someone to fix him/help him fix/help him pick breakfast. He is a morning person that wants to roll around in the sheets and play with your hair and skim his hand up and down your arm while you’re half awake. He is a morning person who wants to listen to music to start his day even though he almost never sings in the shower. He is a morning person by necessity who has come to love it by nature; try to get up and see sunrises with him, try to get up and share the breakfast table with him, try to get up and see him first thing in the morning with sleep in the corner of his eyes and a deep rumble in his chest.
     Be ready to listen. He has so many stories in his mind, in his eyes, and on his tongue that need to be told. From the stories of his day, the jokes of his coworkers, the songs he loves, the recipes he watches, the feelings he shares, the games he loves, right down to the things he doesn’t say aloud...he needs someone ready to listen.

Be steadfast.
     He needs commitment. He needs a white picket fence and a dog and two or three children. He needs someone to always hold his hand and stand by his side. He needs someone unafraid of his darkness. He needs someone steadfast, brave, loyal, etc. He needs someone to call his home. He needs someone who will look a storm in the eye, adjust her sails, and drop her anchors where she stands.

Be good.
     Actually, be better than good. Be better than great. He only deserves the best this world has to offer. Too often he is Atlas carrying his pain, others expectations, his past, his deep desires, and the world on his shoulders. He deserves the best to stand beside him and remind him he doesn’t have to be alone. He deserves the best of women to hold him through his lows and soar with him on his highs. Be yourself, but be the best version you can be. Because he deserves only the best this world can give him.
for ERJIII
Elizabeth Novak Jan 2014
Hand out the window
treading air.
No seat belts and country songs
filtered through the radio.
Cornfields racing by in the peripheral.

I was quite in love,
with your old truck's feel.
I

What’s become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who’d have guessed it from his lip,
Or his brow’s accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what’s-his-name’s, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who’s to blame
If your silence kept unbroken?
“True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe’er believed
In more to come!” But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o’erweening
Pride alone, puts forth such claims
O’er the day’s distinguished names.

Meantime, how much I loved him,
I find out now I’ve lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks’ raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr’-inform’-ingens-horrend-ous
Demoniaco-seraphic
Penman­’s latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E’en so, swimmingly appears,
Through one’s after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were… Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor’s grace and sweetness!
No! she heard in its completeness
Truth, for truth’s a weighty matter,
And, truth at issue, we can’t flatter!
Well, ’tis done with: she’s exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I’d fool him to his bent!
Feed, should not he, to heart’s content?
I’d say, “to only have conceived
Your great works, though they ne’er make progress,
Surpasses all we’ve yet achieved!”
I’d lie so, I should be believed.
I’d make such havoc of the claims
Of the day’s distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin’s pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take *****,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness’ self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no ****?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian’s fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, ’tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there’s slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret’s ceiling, walls and floor,
Up and down and o’er and o’er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
“Give me my so long promised son,
Let Waring end what I begun!”
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent ’tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God’s creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what’s to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet’s mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who’s alive?
Our men scarce seem in earnest now:
Distinguished names!—but ’tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

“When I last saw Waring…”
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

“…We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel’s side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o’er its planks, a shrill voice cried
(A neck as bronzed as a Lascar’s)
‘Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne’er so big,
They’ll never let you up the bay!
We natives should know best.’
I turned, and ‘just those fellows’ way,’
Our captain said, ‘The long-shore thieves
Are laughing at us in their sleeves.’

“In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!”—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
Says Vernarth: “Khaire to my beloved beings that surround me, including my ***** that move their tails to the rhythm of my awakening. To you my dear Brother, I stayed with my ceramic asleep and I could not sip from the last harvest of ideas and its temporary forks, which came from my parapsychologies. I am delighted among these blankets that smell like cornfields that prevented me from seeing him closer when I already had them in my hands. Now I not only see beyond what my arm measures in its omega, where my own estimating what flower I have to carry and see what it will have to carry in me!

Once upon a time, seven donkeys woke up, the first one who did it went to look for bread, milk, and honey, the second played the tambourine for his master, the third sprinkled the flowers with holy water, the fourth was vernacular in the others, the fifth was in charge of carrying stones and logs in bundles to make the elbows and the masts of the beams, the sixth reconciled the morning with the sun to have a clear day, and the seventh brought the akratismós on a tray, which brought a colt on its back and in a wineskin, bringing juice from the Procoro winepress and Akratos wine, which the colt eventually moved with its leg so that it could be served. Seeing that he gave signs of awakening and opening his bleary eyes, the seven of them laughed and brayed when they saw that he could not hold himself, but when he saw one of them who had had temporary amnesia, he faced him in the sunny morning so that he would face to the wind from the coast that began to bring them figs, like an Ariston or early lunch to strengthen him on his head, more remote of all because he thought too much. The third donkey would make two tortillas from neighboring cornfields that had just been baked, these he used as plates or trays to roll the fruits, vegetables, and barley bread. Vernarth laughs along with them and hugs them again. The containers that accompanied him had the solidity to fill with a few liters of water enough to bathe, after having fiddled with the ******, which reminded him of Orion, but of the meatus that would now be used to ink the thread of the spindle, which pretended to be divine. with hemp and cotton to rub the woods that he had destined for the main timber of the façade. Then he puts on his himation and on it the fibula that protected the serum from his right shoulder. He takes some pieces of logs and lights a bonfire to cook infusions and chalks of his personal medicine, from the collection of his private demiurge, Borker. He placed his tools behind a florilegium, where he received his astragalus by means of his jumping donkeys, and sometimes they would turn around him for hours to soften his immediate floor so that he would not be bothered by the rubbing of the grass and his pectoralis would over-sensitize. But in the end, they traced with him as seven divine golden numbers, which were added one next to the other, for each birth of his mother having to use a third of the womb to shelter them, like equid specimens in their 14 months of age. gestation. As if they were pollen sacs that were the origin of the androecium of all creation in the gynoecium sector. The morphology of this analogical floral relationship alludes to the anthos or flower that matures in the expression of the animals that surrounded Vernarth, and its filaments that derived from the spindle and its promised threads that connected with the fertile connection of the donkeys, making present the cellular magnetism of father and mother for them. Almost like a sordid weight that could not be supported in his genome, it was the serum that sweetly emerged from the nectary of his shoulder, rather close to the sternum, but his burritos produced good moments of the company for him, knowing that if he ran his hands over his satin back, he also longed to ***** the bristles of his stiff hairs, which decided his species, like bristly donkeys only pending his immunity.

Saint John and Etréstles approach and they say to him:
Etréstles comments: “It is said that I must be near you, just as I was in the forests near Piacenza, or after setting sail from Sardinia or Hylates. Then arriving on the coasts of Florence, La Spezia and finally Genoa, it is said that not far from here in Messolonghi, there are books that are written for you, they are wonderful, and everyone reads it, it is called Vernarth Alexandri Magni Macedonis officer Primum "Vernarth First Commander of Alexander the Great." It is said that there is a dispute over the guarantee of your magical verses for those who write it and for those who read it, as an experience that most pleases those who transcribe it because when you stop your verses, they mention that their infantry tale has not reached them. , which is being reborn in all necropolises, such as the Koumeterium of Messolonghi. It is said that there is an extreme reason for unity in the Divine Number of Gold that extends through the seas of Troy and Athens, in the patronage of Fidas for his agora of with the disciple of Agoracritus. It is said between June 21 and 24 the Sun or Shemesh for you, it begins to move away and flushes in its suspicious perihelion, it is said that we will dance in the sacred space, and Archimedes will dance together with us with his Elves, and it is said because I say it! We will have Mother Nature knocking her down at our melted feet, full of ****** Bern olive trees and rotten grasses that announce the freedom to be united, together with all the books in the world, under her great Hellenic library that will never stop going and running after the last leaves of the apocalypse "

Saint John intervenes: "My half reason, is my whole heart, my whole heart is my extreme half, which totalizes the segments of the magic of always surviving and resurrecting in the golden number, thus its length squeezes the shortest way to go behind of the donkeys and lose their memory, if not half sheep of my reason and my heart guiding them "

Neither the Oniros duo nor the third would impede Verrnarth to embrace them, but he was in his purging, behind a severe veil, but from the ductile ectoplasm that already separated them from their ethereal physical plane, it was only possible with donkeys to pass from one dimension to another. other. Thus the arcs of the circle of the sun surpassed the rule of being contained in the supreme analogy from above and below, only the points of ab / cb went beyond the spiritual eclectic portal, to attract them to ab / ac, hinting at the midpoint of the Equidae that brayed to thank Saint John for the Apostle who could be close to him and caress his ears, which were the highest and golden point of his omega garden.
Golden Donkeys
Shelby Young Jan 2011
The closest I can
get to you is
  the farthest I can
get from here -

the farthest I can get from
  these dreadful Columbus clouds
that protect me from
the unknown,
  the lonely cornfields that grow
and grow, but
only grow lonelier.

But I like the clouds that
blanket me at night, keeping me
  warmer than you ever could.
And I love the way the sun
rains orange and pink on the lonely
cornfield, and the way the cornfield
soaks it up and saves it
for another day.

I could love you if
  you could love Ohio's cornfields
and cloudy days.
Under the amber sky she flows as far as the sea
her bank on the other side is shrunk as eye can see
I have seen joys rise like tide tears mingle in hers
she is Ganga the one river mother of all rivers.

On her ceaseless journey from high up to the bay
melts snow in her flow springs life from her clay
worshiped as holy mother yet spoiled by her sons
she is ravaged time again slayed by evil demons.

For ages she has nurtured life tilled green her shore
around her have sown hopes its timeless folklore
her soils have sculpted cornfields and images of goddess
she is now an ebbing tide end's shadows on her face.

Hear once her moaning waves her ripples' silent sigh
from the silts clogging her breast her beds going dry
dying groans of the mother poisoned in effluent
choked by her people's waste killed without relent.
bucky Dec 2014
"oh, there you are", and i’m not sure
where i’m supposed to have been
here we are again angelflower
tying stones to our chests and waiting to drown (this is okay,
i swear to god, or something like that
isnt that what i’m supposed to say?)
i want to set the world on fire, gaslit galaxy
isnt it so fitting? isnt it just perfect?
i wonder how many astronomy problems you havent solved
and you say, "god
this isn't important right now
how can you be a god when you're not immortal"
sometimes i think you can feel me bleeding from 1643 miles away
this isn’t neverland anymore--
what are you afraid of?
something about cornfields and misery heartbeats and
almost like you said something you shouldn’t have,isn’t it? you’re always
so proud,
you’re always so hungry.
by god, you old man, you weathered, withered, beast
grab a shovel, grab whatever you can
this isn’t neverland anymore--
this isn’t andromeda,no galaxy here,
no stars or planetary confinement,
and you were never icarus.
David Barr Jun 2014
Phanerogams are plants which produce seeds.
The wanton harlot may be laid against the wall, with legs splayed, and may also have given birth to unbridled rage.
However, even though such stages of development can be entitled as “*******”, it is worth noting that all behaviour has meaning, my darkened companion of presumed sophistication.
The scholastic scribes will etch their wisdom upon the hardness of our vile vanity.
I hold in my hand a gothic stone, where those who stand before the courts accused of heresy and witchcraft can plead innocence before chanting crowds of bloodlust.
The reaper will gather the harvest at Lughnasadh, whilst the olfactory nerve propagates her funeral games amidst the cutting of ancient cornfields.
As we perch upon the gallows end, let us join hands and chant the mantras of old.
Photosynthesis is a forensic entrancement where there is no rest for the sinner.
Mark Eric bell May 2013
As I walk this fertile land
Sights of beauty I behold
Vallies of blinding awe
Cornfields golden green
Sweet bluebells,kissing
Foxes ,rabbits daily routine
Countryside smiling so serene
On the wind of January
  Down flits the snow,
Travelling from the frozen North
  As cold as it can blow.
Poor robin redbreast,
  Look where he comes;
Let him in to feel your fire,
  And toss him of your crumbs.

On the wind in February
  Snow-flakes float still,
Half inclined to turn to rain,
  Nipping, dripping, chill.
Then the thaws swell the streams,
  And swollen rivers swell the sea:--
If the winter ever ends
  How pleasant it will be.

In the wind of windy March
  The catkins drop down,
Curly, caterpillar-like,
  Curious green and brown.
With concourse of nest-building birds
  And leaf-buds by the way,
We begin to think of flowers
  And life and nuts some day.

With the gusts of April
  Rich fruit-tree blossoms fall,
On the hedged-in orchard-green,
  From the southern wall.
Apple-trees and pear-trees
  Shed petals white or pink,
Plum-trees and peach-trees;
  While sharp showers sink and sink.

Little brings the May breeze
  Beside pure scent of flowers,
While all things wax and nothing wanes
  In lengthening daylight hours.
Across the hyacinth beds
  The wind lags warm and sweet,
Across the hawthorn tops,
  Across the blades of wheat.

In the wind of sunny June
  Thrives the red rose crop,
Every day fresh blossoms blow
  While the first leaves drop;
White rose and yellow rose
  And moss-rose choice to find,
And the cottage cabbage-rose
  Not one whit behind.

On the blast of scorched July
  Drives the pelting hail,
From thunderous lightning-clouds, that blot
  Blue heaven grown lurid-pale.
Weedy waves are tossed ashore,
  Sea-things strange to sight
Gasp upon the barren shore
  And fade away in light.

In the parching August wind,
  Cornfields bow the head,
Sheltered in round valley depths,
  On low hills outspread.
Early leaves drop loitering down
  Weightless on the breeze,
First-fruits of the year's decay
  From the withering trees.

In brisk wind of September
  The heavy-headed fruits
Shake upon their bending boughs
  And drop from the shoots;
Some glow golden in the sun,
  Some show green and streaked
Some set forth a purple bloom,
  Some blush rosy-cheeked.

In strong blast of October
  At the equinox,
Stirred up in his hollow bed
  Broad ocean rocks;
Plunge the ships on his *****,
  Leaps and plunges the foam,--
It's O for mothers' sons at sea,
  That they were safe at home!

In slack wind of November
  The fog forms and shifts;
All the world comes out again
  When the fog lifts.
Loosened from their sapless twigs
  Leaves drop with every gust;
Drifting, rustling, out of sight
  In the damp or dust.

Last of all, December,
  The year's sands nearly run,
Speeds on the shortest day,
  Curtails the sun;
With its bleak raw wind
  Lays the last leaves low,
Brings back the nightly frosts,
  Brings back the snow.
Katelyn Billat Jul 2018
I was making my way down
The highway,
Cornfields on both sides of me.
The moon shined even though
It was still day time.
The sky was a light lavender shade
That oozed into a faded blue
Twilight, you could say.
I caught a glimpse of a doe
And her baby
Walking through the endless field.
My mind wandered.
Where did they come from?
Perhaps they came from
Deep in the woods,
Where the birds sang
And the creek bubbles,
The sun seeps through the trees.
Perhaps all the animals got along,
Or maybe,
They came from an open field,
Maybe they had a family,
A buck, a herd,
Possibly even a few more fawns.
Maybe something drove them from there.
Maybe a gun,
Maybe a predator,
Maybe weather.
My mind wandered more,
Where were they going?
Were they looking for somewhere safe?
Or were they only trying to survive?
I wished I could see more of their journey.
I wanted to root them on.
Keep living!
Keep fighting!
Where ever you're off to, keep going!
Then the moment passed,
They were long out of my sight.
I hope they are still alright.
I hope they were alright.
Mark Eric bell May 2013
As I walk this fertile land
Sights of beauty I behold
Vallies of blinding awe
Cornfields golden green
Sweet bluebells,kissing
Foxes ,rabbits daily routine
Countryside smiling so serene
jad Sep 2013
There are places I have found. There are places that I have gone. People give strange looks with laughter in their eyes when a child walks off on her own into where the ground is not covered with cigarette butts and nothing is paved. Because of them, I go more often and I laugh louder. I have many of these places that are just for my brain and me to inhabit for a while. When I find a less temporary escape from the sickening truths of my own humanity, probably in an UFO, I hope to find others like me tagging along with the aliens that comes to destroy us. And we will all be laughing our ***** off; we saw this coming and packed our thoughts in airtight containers. For now, my thoughts are packed in a backpack with music, a hammock, and some seltzer water. I am walking to get out of here. I find myself getting lost in cornfields and peeing in the woods. It’s rejuvenating. Fresh air and headaches are a perfect match.
                    I am sitting, swinging, hanging from the dancing trees of the crack ******* forests. I think about how every time I chase a squirrel it attacks me. They are fluffy and cute but they want to get inside my house; they want to pry away at my poorly assembled pieces. I’m so unused to that attention and curious affection. I think about my subtly strange mannerisms and my lack of cautious paranoia. These things have had a tendency to intimidate, to make people leave the crowbars in the basement and eliminate any sort of prying. My attributes are intimidating to all but the squirrels. They only seem to see them as weakness. I am still swinging, but my hammock is slipping from the branches now, clinging onto them, a child to its mother. The instructions told me it could hold up to four hundred pounds but even I can hardly hold the weight in between my shoulders. Heavy thoughts are pulling me down. Ropes are slipping more and I can already feel my *** getting sore from this drop. But I do not get off. I keep swinging. My brain is telling my legs to move, my heart is screaming “Save me,” but my legs are not replying. I stay on this hammock, praying that my legs will pull me off before I fall to the ground. I am afraid of being even near to this littered ground. I want the heights. I call for help but only a sigh leaves my mouth. There is no one around to save me anyways. I chose a place in the woods; I chose a place that could grant me the illusion of seclusion…an escape from the trivialities taken too seriously. I cannot wait for someone because this slipping will not even wait for me. I will crash if I do not save myself. I try to coast and the swings get shorter and shorter until they have stopped and I am stationary. In moments I will have more broken parts than I can count.
                     I lie there silent, unmoving, not thinking any longer. Only waiting...finally, I hear snaps of the branches falling and breaking. The ground came up fast. It punched me. It crowded me. It abused me like a misguided lover. I do not wish to be in its arms any longer. But the ground is holding on to my bones, pulling me in. I hit it hard. The drop was farther than I expected. I have no feelings anymore. My nerves have shut off. I am scared. Someone take me some place safe, some place sound…no, take me some place wild. Lying on my back, numb and careless, my eyes are glued to the blueness of the sky above me. I am so relaxed. I hear screaming. I see blood, but I don’t feel pain. I don’t want to know what’s going on, I keep my eyes staring straight up at the view. I ignore everything but the wind-shaped clouds. My mind is gone, lost like all the rest of time. It wore away because I remembered too many times how my father’s hands smelled of sawdust and how they felt like the sandpaper he that used to make it. I try to avoid addressing the situation at hand, things are turning redder. My eyes are filling with blood and it is hard to see. I think about life and the lack of it. All it is really is just memories, without those the only thing that exists is right now. Which doesn’t exist anymore, it’s a different second, and now another. Life is nothing but the time we are losing. Maybe this view of the tree tops framing the sky will be the last thing I see, or maybe I will lay below them again tomorrow. I am glad that everyone must die. It is more beautiful that way.
                          I gulp, a gust of air fills my stomach and it feels like floating. I am still lying down. The smells of illegality, fire, and cut grass fill my ears just like music. Everything mixing together, all into one entity. I am the only thing alone, still lying on my back in the middle of some trees. The same trees I have been crowded by for all of these years, but dug up and replanted on the other side of the country. All of a sudden, I hear something pop. It is the elevation still stuck in my head, the headache I couldn’t defeat. The pain persists and all throughout my head the places and the people that I had made my home were telling me to stay. I am glad that I did not. There is no place or person who could carry my weight. I am my own constant. I am on the ground, just another fallen leaf,  and I am finding a place inside my brain in an attic of ideas where I can peruse the shelves and maintain my insanity. No matter if I am here or elsewhere, I must maintain. They will not make me sane, I won't have it.  Even the pain I feel now, sticks jabbing into my ribs and fear everywhere else, will not be enough to dull me.
                     I had dipped off the path to find myself away from what was familiar and now it pounds in my head, the lack of altitude. Without it my brain doesn’t know what to do. I am worried what I will become when I am alone here. I hear the chapel bells chime in, four rings and then they fade away. I still hear it ringing in my ear, though minutes have passed since it sounded…
                  Ringing…
        Ringing…
Ringing…

“H­ello?”
“Finally you pick up your phone, I’ve left three voicemails today…are you okay?”
“…”
I can hear him,
Hear him long 'fore I sees him.
Can hear him stompin
Stompin 'cross the ceilin
Of the earth like he mad at the world.
Mad at us for just bein.
Rain Man stomp so hard
he send the wind runnin
runnin hard runnin mad
kickin up dust an' pickin up leaves
Screamin at the top of her lungs
Pull down ya garments
and shut up yo hatches.
Call in yo chillun's 'cause
Lawd I declare
The Rain Man comin'
 
I can see him now
sees him off in the distance.
Talltoweringhulk of man.
Skin real dark.
But not that ******-baby
kinda dark what look
like somethin dead been
drug through the mudndipped in tar
with fat uncooked sausages for lips
like they got in the picture shows
an shoppin books.
Nah this that pretty kinda dark
Night sky kinda dark
dark so deep
ya get lost in it and find God there too.
Yeah, he got that pretty dark.
But he got them eyes,
them pretty white eyes
sparkle so hard like God
plucked the North star and the Pointer star
right out the sky and stuckem
in his face.
His hair, thick black coils of hair,
grow like kudzu stretch down
his back and move in the wind like
snakes with minds of they own.
He turns his head backnforth
sendin them vines
flyin
stretchin stretchin to forever till
CRACK
they snap back,
snap back so hard they like to
split the air with fury
that shook me to my soul.
 
I can feel him now
feel him as he wraps me in his arms,
what seem to be made of steel, and
pull me into that chest made of
mountain stones firm
firm like the earth I ain't no
longer standin on 'cause he
picked me up clear off my feet
no connection to the ground but him.
I wrap my birdy lil arms round
his neck and bury my
bony lil fingers in the
layers of his hair.
I can feel the warmth
roll offa him in waves
waves like the ones cornfields
make when they kissed by wind,
or maybe even waves like them from
the sea as they reach out for land to
save them from drownin just 'fore
they fall back into the sea, I just
know that he feel good.
 
I can smell him,
smell every bit of him as I
bury my head deeper into his neck.
He smell warm like the earth,
like red clay smell after he and sun
done made out all day, warm like a
man smell after he done spent
all day hunch backed starin
at the earth tryna trick her to
give'm just a lil somethin to eat.
Even his clothes, holey rags they are,
smell like smoke but not that
cold angry smoke what come from the
factory, not that black stuff what
puff itself up to block out the sun
like he mad at her for shinin so pretty.
Nah, his smoke smell like that soft
gray smoke that drifts lazy-like from
daddy's shed after he done bled a
pig for us to eat during winter.
His smokeyness smell like earth.
 
I can taste him
taste every memory of him
as I kiss blindly startin at his
neck workin my way up
tryna find his mouth.
Every inch of his face taste sweet,
like the caramel candies them old
ladies at church carry round in they bags,
made even sweeter by the salty tang
of each bead of sweat as it tumbles
down his face and drips on my blouse
stainin the pretty lil flowers.
All I know is he taste good.
i. when i was a little girl,
i wanted to die on the countryside
my lighthouse eyes straight ahead
and my head laid against the cornfields
to breathe in the daylight and breathe out the mo(u)rn

my mama said that would be
a very long time from now

(i'm sorry to disappoint you, mama)

        ii. my house was whisked away to oz
when i fell asleep beneath the cherry-red poppies
i ran and fell down the rabbit hole on the way back

my hair entangled with the willow trees
autumn leaves stuck to my rain boots
as my jacket stuck to close to my skin
and i felt human for the first time in ages

(i'm not a child anymore)

       iii. asleep during midsummer
i am sunbright and innocent

(someday, my sweetheart)

       iv. little miss sunshine,
i miss your bird sing-song voice
and your bottle-it-up laughter

your macaroni hair and
your sweet acorn eyes
that cheshire cat smile

but most of all, i miss your reminiscence
and the memories we never had together

(now you're sleeping' six feet under)

       v. the sun set in your eyes
for the very first time.


i think of you among the sunflowers.
Mike Essig Sep 2015
Anonymous English Folk Song.*

A holiday, a holiday
And the first one of the year
Lord Donald's wife came into the church
The Gospel for to hear

And when the meeting it was done
She cast her eyes about
And there she saw little Matty Groves
Walking in the crowd

"Come home with me, little Matty Groves
Come home with me tonight
Come home with me, little Matty Groves
And sleep with me 'til light"

"Oh, I can't come home, I won't come home
And sleep with you tonight
By the rings on your fingers
I can tell you are Lord Donald's wife"

"But if I am Lord Donald's wife
Lord Donald's not at home
He is out in the far cornfields
Bringing the yearlings home"

And a servant who was standing by
And hearing what was said
He swore Lord Donald he would know
Before the sun would set

And in his hurry to carry the news
He bent his breast and ran
And when he came to the broad mill stream
He took off his shoes and swam

Little Matty Groves, he lay down
And took a little sleep
When he awoke, Lord Donald
Was standing at his feet

Saying, "How do you like my feather bed
And how do you like my sheets
How do you like my lady
Who lies in your arms asleep?"

"Oh, well I like your feather bed
And well I like your sheets
But better I like your lady gay
Who lies in my arms asleep"

"Well, get up, get up", Lord Donald cried
"Get up as quick as you can
It'll never be said in fair England
I slew a naked man"

"Oh, I can't get up, I won't get up
I can't get up for my life
For you have two long beaten swords
And I got a pocket knife"

"Well, it's true I have two beaten swords
And they cost me deep in the purse
But you will have the better of them
And I will have the worse"

"And you will strike the very first blow
And strike it like a man
I will strike the very next blow
And I'll **** you if I can"

So Matty struck the very first blow
And he hurt Lord Donald sore
Lord Donald struck the very next blow
And Matty struck no more

And then Lord Donald he took his wife
And he sat her on his knee
Saying, "Who do you like the best of us
Matty Groves or me?"

And then up spoke his own dear wife
Never heard to speak so free
"I'd rather a kiss from dead Matty's lips
Than you or your finery"

Lord Donald, he jumped up
And loudly he did bawl
He struck his wife right through the heart
And pinned her against the wall

"A grave, a grave, " Lord Donald cried
"To put these lovers in
But bury my lady at the top
For she was of noble kin"
As is always the case with traditional songs, there are many versions of this. These are the lyrics chosen by Fairport Convention in 1969. Doc Watson did a very different but compelling version of his own.
Far spread the moorey ground a level scene
Bespread with rush and one eternal green
That never felt the rage of blundering plough
Though centurys wreathed spring’s blossoms on its brow
Still meeting plains that stretched them far away
In uncheckt shadows of green brown, and grey
Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only ******* was the circling sky
One mighty flat undwarfed by bush and tree
Spread its faint shadow of immensity
And lost itself, which seemed to eke its bounds
In the blue mist the horizon’s edge surrounds
Now this sweet vision of my boyish hours
Free as spring clouds and wild as summer flowers
Is faded all—a hope that blossomed free,
And hath been once, no more shall ever be
Inclosure came and trampled on the grave
Of labour’s rights and left the poor a slave
And memory’s pride ere want to wealth did bow
Is both the shadow and the substance now
The sheep and cows were free to range as then
Where change might prompt nor felt the bonds of men
Cows went and came, with evening morn and night,
To the wild pasture as their common right
And sheep, unfolded with the rising sun
Heard the swains shout and felt their freedom won
Tracked the red fallow field and heath and plain
Then met the brook and drank and roamed again
The brook that dribbled on as clear as glass
Beneath the roots they hid among the grass
While the glad shepherd traced their tracks along
Free as the lark and happy as her song
But now all’s fled and flats of many a dye
That seemed to lengthen with the following eye
Moors, loosing from the sight, far, smooth, and blea
Where swopt the plover in its pleasure free
Are vanished now with commons wild and gay
As poet’s visions of life’s early day
Mulberry-bushes where the boy would run
To fill his hands with fruit are grubbed and done
And hedgrow-briars—flower-lovers overjoyed
Came and got flower-pots—these are all destroyed
And sky-bound mores in mangled garbs are left
Like mighty giants of their limbs bereft
Fence now meets fence in owners’ little bounds
Of field and meadow large as garden grounds
In little parcels little minds to please
With men and flocks imprisoned ill at ease
Each little path that led its pleasant way
As sweet as morning leading night astray
Where little flowers bloomed round a varied host
That travel felt delighted to be lost
Nor grudged the steps that he had ta-en as vain
When right roads traced his journeys and again—
Nay, on a broken tree he’d sit awhile
To see the mores and fields and meadows smile
Sometimes with cowslaps smothered—then all white
With daiseys—then the summer’s splendid sight
Of cornfields crimson o’er the headache bloomd
Like splendid armys for the battle plumed
He gazed upon them with wild fancy’s eye
As fallen landscapes from an evening sky
These paths are stopt—the rude philistine’s thrall
Is laid upon them and destroyed them all
Each little tyrant with his little sign
Shows where man claims earth glows no more divine
But paths to freedom and to childhood dear
A board sticks up to notice ‘no road here’
And on the tree with ivy overhung
The hated sign by ****** taste is hung
As tho’ the very birds should learn to know
When they go there they must no further go
Thus, with the poor, scared freedom bade goodbye
And much they feel it in the smothered sigh
And birds and trees and flowers without a name
All sighed when lawless law’s enclosure came
And dreams of plunder in such rebel schemes
Have found too truly that they were but dreams.
Kiernan Norman Dec 2013
It was July and something inside of her began to thud. small and light as a pulse grew from a seed at the bottom of her belly, weaved and braided with veins, commandeered organs like ivy on headstones. washed up and sprouted from her chewed down fingernails, popped blood vessels in her eyes. she thought, 'if this isn't dying then it must be blooming.' this new presence was abashed by the absence of Arabic script and an African summer. it wept at dogs as they panted; they could let go so easily- a few deep heaves and they're back to pure. easy and breezy and not the sad, harsh tear of skin below shoulders, the bruises creeping over wrists and the shredded esophagus. the soiled heart and tar-heavy soul. it panicked more and more as the calender blew past. it sobbed as tomorrow became today and today became yesterday.
i lived a hazy summer. brown skin and hair that turned red at the crinkly ends as it baked. i walked through cornfields and slipped on husks. landed on my back and erupted in giggles at the snowglobe sky protecting me and caging me. incense and gin were as consistent as the advent sun. music blaring and bodies bumping and no release. no escape. my little book of plans was solid and secure. and then smashed. ripped. no poetry and braids. not dreamy just silly.
just found this in an old school notebook from fall 2010. i probably wrote it during class about the previous summer.
I spot the hills
With yellow ***** in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.
Holly Salvatore Aug 2013
I. That summer the radio
Played nothing but Cat Stevens
While I hummed harmonies
In my first car
It was a wild world indeed
when kudzu overtook
The cornfields
All the ears were foreigners
The leaves basked in light
That dead-ended on route 15

II. That fall we spotted UFO's
Shining over the municipal
Park
We chased them across the
Ballfields
To the high school cross country course
A dirt track running
Through the woods
And when there was nothing
Alien lurking there
Our hopes fell
Faster than the stars

III. The following winter
Three inches of ice cut the powerlines
Impounded our school supplies
With the outtages
And the temperatures plummeting
Seventy percent of our hearts froze
All the parts that were water
Expanding our chests
Like balloons
Expanding our vision too
We thought this was the beginning
Of the end of St. Clair county
We though we'd all get out someday

IV. By spring the graveyard smelled
Like lilacs
And dead town elders
Came out to dance in the scent
We played capture the flag there
On school nights
And the cops could never catch us
Behind the headstones
Of our family plots
We wrote our own epitaphs
"I was water and I could have been
A fine wine"
*I fell asleep in sweet green clover to the sound of smalltown sirens...
Simpleton Sep 2014
Remember when you carved your name into the tree in the courtyard
Thinking it would last forever 
It was uprooted when the house got separated into half 
Because two families could not live together 
And the baby who you held and loved
Grew to hate you
The relative his mom spoke so much of 
All bad things
All one sided 
The nan who once wanted to hide you in her hug 
So they would leave you behind 
Sent you on your way 
Miles and miles so far
The friend your made
The one you met at every party 
And promised to keep in touch with 
Got married and you both got lost in your lives
People built houses on the cornfields you ran in that night 
The open fires that once fascinated you 
The tv missing from every home 
A way of living that you admired
Turned into gas cookers 
And tuning into the latest serial 
The village dwellers sought the city life 
Of technology and comfort 
And the community life was dismantled 
Relations distorted 
All in the name of progression
jo spencer Jan 2014
The soon to be beached meadows shimmers
as the heightened sun dehumidifies  the outlying cornfields
evaporating the ground cover.
Scarabs appear postulating
the broken bonds of  farmer
and nature.
In the combustible sands
Great things will be birthed.
Joe Nov 2012
We drove on
the air outside thick
so hot you could taste it.
The cornfields skeleton fingers of
the homestead graveyard

we drove on
while pools and ponds withered
and left rings of crying cracks in the earth
1, 6, 10 foot below before.
And cattle scrambling for thin shade in the ragged trees
the trees singing the dustbowl blues
like the last grandfathers and mothers who still remember it true

we drove on
in hopes of catching rain
thunder that cracks the sky open to drink.
We chased our shadows in the heat of the drooping sun
thinking and hoping it can't last forever,
that the hot thick air will grow cool and wet
and sweet pungent rain will meet nostrils and aching knees that knew,
it had to come.

We hope and pray because we have so little left,
that if cut open, our veins would flow with water and
not find that we had become only the dust.
THE PEACE of great doors be for you.
Wait at the knobs, at the panel oblongs.
Wait for the great hinges.
  
The peace of great churches be for you,
Where the players of loft pipe organs
Practice old lovely fragments, alone.
  
The peace of great books be for you,
Stains of pressed clover leaves on pages,
Bleach of the light of years held in leather.
  
The peace of great prairies be for you.
Listen among windplayers in cornfields,
The wind learning over its oldest music
  
The peace of great seas be for you.
Wait on a hook of land, a rock footing
For you, wait in the salt wash.
  
The peace of great mountains be for you,
The sleep and the eyesight of eagles,
Sheet mist shadows and the long look across.
  
The peace of great hearts be for you,
Valves of the blood of the sun,
Pumps of the strongest wants we cry.
  
The peace of great silhouettes be for you,
Shadow dancers alive in your blood now,
Alive and crying, "Let us out, let us out."
  
The peace of great changes be for you.
Whisper, Oh beginners in the hills.
Tumble, Oh cubs-to-morrow belongs to you.
  
The peace of great loves be for you.
Rain, soak these roots; wind, shatter the dry rot.
Bars of sunlight, grips of the earth, hug these.
  
The peace of great ghosts be for you,
Phantoms of night-gray eyes, ready to go
To the fog-star dumps, to the fire-white doors.
  
Yes, the peace of great phantoms be for you,
Phantom iron men, mothers of bronze,
Keepers of the lean clean breeds.

— The End —