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Martyn Thompson Aug 2011
Hear the bass, grace notes race all over the place
Cymbals paced, hi-hats chase, weaving between the bass
The piano - chords struck with wide spanned hands
Poly-rhythmic, multi-layered sounds in strands

The timbre of reed vibrating against warm metal
Precision; a sixth, a ninth and an eleventh interval
A major, a minor scale; a frantic modal sweat
A small sound for mankind; but a truly giant step

Each note slices through the eclectic beat-drop
Singing and whispering this post-modern be-bop
Multi-phonics scream, like controlled feedback
The seductive saxophone – this weapon of attack

The boundary is stretched, new ground broken
The holy saxophone has never thus spoken
And I pay homage, all my deepest respects
Go to the man who made those giant steps
Styles 12 Aug 2018


secrets at dusk
tasted vigorous as
Coltrane blues

in a smokey nightclub
under mysterious saxophone seas

this style is not my own
but it helps me swim better

I decided to adopt it
curious why it tugs ruthless
on spit fire sleeves

deliciously drowning me free.




forest moons at night

help you drop it all
bags of unwanted programs
flung from broken chimneys

violet threads pass perfect
through kitchen chipped glass

moth wings burning summer up
like her eyelash fluttering innocently on some other guy's cheek

shattering divisions snag
on moonlight betrayal dance

enormous sea hooks chop in
helpless lips seduced
mad quicksilver rush

reserve this room for my only friend

we have private letters to write
on a future night when
god dreams come true.

This is for you.





My only friend.


What weighs heavy is certain light
how it pierces
through troubled waters.

A million traces of faces
lit up in every beam.

One night I felt it bleed through me
using rivers of sun-fire screams.

Volcanic poetry spoke without a sound.

Jim Morrison breaking through doors
under spells of hypnotic waves
wild vibrant shimmering
on multi-colored sheets.

This style is not my own
but it helped me lava streak
across bitter shores.




Now,

my voice strays away.

Gone hunting

a broken well voice
picked up by an old cracked bucket
leaking simple worded wishes

deciding to voluntarily borrow her
stolen forest eyes.

I heard them speak translucent leaf
on a summer day
when clairvoyant kids
heard God speak

on pathways of brilliant blue lake

when sunshine
whispered us
in scintillating ripples

right before our astounded,
washed feet.




I am dripping funeral summer sweat
under tombstone studded trees

smiling while choking in
liquid clouded dark.

Alone but not alone.

Mighty Ghosts of heaven
holding my head up

making sure the Nile
doesn't gush out while
I still cannot even write or speak

turn my notebooks into confetti
nothing describes this mysterious sea

a new species of saxophone waves
has belted its killer wonderland
sound out across an entire broken stage.


*

I can picture us
walking barefoot
on star contacted sand

gazing out
under champion chandelier wonders

walking on Texas Lightning storm colors
bellies full on Rumi soul food

our secret flames
burning up
plastic playgrounds

violating propriety
on some nuclear guarded beach

schools of fish cut
by saxophone hooked seas

blasted by vaults of unwrapped poems
someone else wrote perfect
in our dreams

we hope one day
the unpredictable silence
of simple worded wishes

will help us

extravagantly bloom
new spring leaves
rain stamped on tender delicious works

after winter is done
savagely wishing us dead
we are touched by other worlds.
https://youtu.be/6xcwt9mSbYE

For Drew
1.

From our
safe windows,
we crane our necks,
rubbernecking
past the slow
motion wreckage
unfolding in Homs.

We remain
perfectly
perched
to marvel at
the elegant arc of
a mortar shell
framing tomorrows
deep horizon,
whistling through
the twilight to
find its fruitful
mark.

In the now
we keep
complicit time,
to the arrest
of beating hearts,
snapping fingers
to the pop
of rifle cracks,
swooning to
the delicious
intoxication of
curling smoke
lofting ever
upward;
yet
thankfully
remain
distant
enough to
recuse any
possibility
of an
intimate
nexus
with the
besieged.

2.

From our
safe windows,
we behold the
urgent arrivals of
The Friends of Syria
demanding
clean sheets
and 4 Star
room service at a
Tunisian Palace
recently cleaned
and under new
management
promising a
much needed
refurbishment.

The gathered,
a clique of
this epochs
movers and shakers,
a veritable
rouges gallery of
ambassadorial
prelates, Emirs and
state department
bureaucrats
summoned
with portfolio
from the
darkest corners
of the globe.

They are
eager to
sanctify
the misery
of Homs,
deflect and
lay blame
with realpolitik
rationalizations,
commencing
official commissions
of inquiry,
deliberating
grave considerations,
issuing indictments
of formal charges for
Crimes Against
Humanity
while
remaining
urgently
engrossed
in the fascination
of interviewing
potential
process servers
to deliver the bad news
to Bashar al-Assad
and his soulless
Baathist
confederates,
if papers
are to be
served.

Yes, the diplomats
are busy meeting
in closed rooms.

In hushed circles
they whisper
into aroused ears,
railing against
Russia’s
gun running
intransigence
and China’s
geopolitical
chess moves.

Statesmen
boast of the
intrepid justice
of tipping points
and the moving poetry
of self serving tales,
weighing the impact
of stern sanctions
amidst the historical
confusion of the
asymmetrical
symmetries
of civil war.

Caravans
of Arab League
envoys roll up
in silver Bentleys,
crossing deserts
of contradictory
obfuscations,
navigating the
endless dunes
with hand held
sextants of
hidden agendas.

The heroic
Bedouins are
eager to offload
their baggage
and share
on the ground
intelligence from
their recent soirées
across Syria.

They beg
a quick fix,
the triage of a
critical catharsis
to bleed their
brains dry
of heinous
recollections,
pleading
release from a
troubled conscience
victimized by
the unnerving paradox
of reconciling
discoveries of
perverse voyeurism
with the sanctioned
explanations
of their respective
ruling elites.

The bellies
of these
scopophiliacs
are distended;
grown queasy
from a steady diet
of malfeasance
an ulcerated
world parades
in continuous loop;
spewing the raw feeds
of real time misery;
forcibly fed
the grim
visions of
frantic
fathers
rushing
the mangled
carcases
of mortally
wounded
children
to crumpled
piles of smashed
concrete that were
once hospitals.

We despondently
ask how
much longer
must we
look into
the eyes
of starving
children
emaciated from
the wanton
indifference
of the world?


3.

From our
safe windows
we wonder
how much
longer can
the urgent
burning
ambivalence
continue
before it
consumes
our common
humanity in
a final
conflagration?

My hair already
singed by the
endless firestorms
sweeping the prairies
of the world.

How can we survive
the trampling hoards,
the marauding
plagues of acrimony
fed by a voracious
blood lust aspiring to
victimize the people
of Homs and a
thousand cities
like it?


4.

From my safe
window I stand in witness
to the state execution of
refugees fleeing the
living nightmare
of Baba Amr.

The ****** of innocents,
today's newly minted martyrs,
women and children
cornered, trapped
on treacherous roads,
mercilessly
slaughtered and
defiled in death
to mark the lesson
of a ruthless master
enthralled with the
power of his
sadistic fascist
lordship.

I cannot avert my eyes
marking sights
of pleading women
begging for the
lives of their children
in exchange for
the gratification
of a sadists
lust.

My heart
is impaled
on the sharp
spear of
outrage
beholding
careening
children mowed
down with the
serrated blades
protruding
from marauding
jeeps of laughing
soldiers.

I drop
to my knees
in lakes of
tears
reflecting
a grotesque
horror stricken
image of myself.

My eyes have
murdered my soul.

The ghastly images
of Homs have chased
away my Holy Ghost
to the safety of a child's
sandbox hidden away
in a long forgotten
revered memory.


5.

From my safe window
I seethe with anger
demanding vengeance,
debating how to rise
to meet the obscenity of
the Butcher of Damascus.

The sword of Damocles
dangles so tantalizingly close
to this tyrants throat.  

The covered women
of Homs scream prayers
“may Allah bring Bashar to ruin”

Dare I pray
that Allah trip the
horsehair trigger
that holds the
sword at bay?

Do I pick up
the sword
a wield it
as an
avenging
angel?

Am I the
John Brown
of our time?

Do I organize
a Lincoln Brigade
and join the growing
leagues of jihadists
amassing at the
Gates of Damascus?

Will my righteous
indignation fit well
in a confederacy
with Hamas and
al-Qaeda as my
comrades in arms?

Do I succumb to
the passion of hate
and become just
another murderous
partisan, or do I
commend the power
of love and marshal
truth to speak with
the force of
satyagraha?

I lift a fervent prayer
to claim the justice
of Allah’s ear,
“may the knowing one
lift the veil of foolishness
that covers my heart in
cloaks of resent, cure
my blindness that ignores
my raging disease of
plausible deniability
ravaging the body politic
of humanity.”

6.

Indeed,
physician heal thyself.

I run to embrace my
illness.

I pine to understand it.

I undertake the
difficult regimen
of a cure to eradicate
the terrible affliction.

This
pernicious
plague,
subverting
the notion
of a shared
humanness
is a cunning
sedition that
undermines
the unity of
the holy spirit.  

The bell from
the toppled steeples
still tolls, echoing
across the space of
continents and eons
of temporal time.

The faithful chimes
gently chides us
to remove the wedge
of perception that
separates, divides
and undermines.

Time has come
to liberally
apply the balm
that salves the
open wounds
so common to
our common
human condition.

The power of prayer
is the joining of hands
with others racked
with the common
affliction of humanness.

Allah,  
My eyes are wide open,
my sacred heart revealed,
my sleeves are rolled up,
my memory is stocked,
my soul filled with resolve,
my hand is lifted
extended to all
brothers and sisters.
Lift us,
gather us
into one
loving embrace.

Selah


7.

From the safe
windows of
our palaces
we live within
earshot of
the trilling
zaghroutas
of exasperation
flowing from
the besieged
city smouldering
under Bashar’s
symphony of terror.

Our nostrils
fill with the
acrid plumes
of unrequited
lamentations
lifting from the
the burning
destruction
of shelled
buildings.

Our eyes spark
from the night
tracers
of sleeking
snipers
flitting along
the city’s
rooftops.

The deadly jinn
indiscriminately
inject the
paralysis of
random fear
into the veins
of the city
with each
skillful
head shot.

These
ghoulish
assassins
lavish in their
macabre work;
like vultures
they eagerly
feast on the
corpses of their ****,
the stench of bloated
bodies drying in the
sun is the perfume
that fills their nostrils.


8.

From our
safe window
we discern the
silhouettes of militants
still boldly standing
amidst the
mounting rubble of an
unbowed Homs
shouting;

Allah Akbar!!!
Allah Akbar!!!
Allah Akbar!!!

raising pumped fists,
singing songs
of resistance,
dancing to
the revelation of
freedom,
refusing to
be coward by
the slashing
whips of a
butchers
terrible
sword.


9.

From my
safe window
my tongue laps
the pap
of infants
suckling from
the depleted
teats of mothers
who cannot cry
for their dying
children;
tears fail
to well from
the exhaustion
of dehydrated
pools.

10.

From my
safe window
my heart stirs
to the muezzin
calling the
desperate faithful
from the toppled
rubble of dashed
minarets.

We can
no longer
shut our ears
to the adhan
of screams
the silent
voices that echo
the blatant injustice
of a people under siege.


11.

From my
safe window,
I pay
Homage to Homs
and call brothers
and sisters to rise
with vigilant
insistence
that hostilities
cease and
humanity be
upheld,
respected and
protected.


12.

From my safe
window
I perceive
the zagroutas
of sorrow
manifest as a
whiling hum,
a sweeping
blue mist,
levitating
the coffins
from the rubble
of ravaged streets.

The swirling
chorus of
mourning
joins my
desperate
prayers;
rising in
concert
with the
black billows
of smoke
dancing
away
from the
flaming
embers
of scorched
neighborhoods.


13.

From my
safe window
I heed
the fluttering
wings
of avenging
angels
furiously
batting
as they
climb
the black
plumes,
lifting from
the scattered bricks
of the desecrated
city.

It is the
Jacob’s
Ladder
for our
time;
marking
a new
consecrated
place
where
a New Adam
is destined
to be formed
from the
pulverized
stones of
desolation.

14.

From our
safe windows
we peer into
resplendent
mirrors
beholding
the perfect image of
ourselves
eying
falling tears
dripping blood,
coloring death
onto the
blanched sheets
of disheveled beds.


15.

From our
safe windows
our voices are silenced,
our words mock urgency
our thoughts betray comprehension
our senses fail to illicit empathy
our action is the only worthy prayer


16.

From my
safe window
I hear the
mortar shells
walking toward
my little palace,
the crack
of a ******
shot
precedes
the wiz of a
passing bullet
whispering
its presence
into my
waxen
ear.


17.

From my
safe window,
my palms scoop
the rich soil
of the flower boxes
perched on my sill.
I anoint the tender
green shoots of  the
Arab Spring
with an incessant flow
of bittersweet tears.

Music selection:
John Coltrane
A Love Supreme
Acknowledgment

Oakland
2/28/12
jbm
victor tripp Dec 2013
his name was John Coltrane, and when his long fingers,touched tenor saxophone keys, his notes slapped jaded, sullen attitudes, about jazz, including my own, musical notes ,leaped, bent, twisted, soaredin the air, as he played ,with eyes closed, as if lost in,a personal dream, the saxophone moaned, cried. whispered, told the good news, on the mountaintop, Coltrane was in the house, rocking it, he did it,simply, yet, unlike any other,ever heard before ,that moment, gone now, in the shadows of time, but his music, remains, still gathers new followers attention,pointing ,an indignant finger of cool, at those, who wish, they knew,coltrane, before he left, the station
Liam C Calhoun Dec 2015
The Crickets cackle “crisp,”
With an only interruption, being I,
Atop dust, whisper and
Desert highway.
I’d tell you if I were running,
But I’m not quite sure, not yet,
Leaving the Coyote to eat,
Respite, and devoured,
The singing Crickets,
A’howl later,
To deliver answers unimpeded.

I have a faint memory –
A snake’s grip promised, via hand and
Crystal contingency,
“Wiser,” once bestowed, the mystic;
An epic complete, atop 17 years of thunder,
Steel stained crimson,
Street stained whimper
And forever remaining,
“Under-construction.”

Symbolic a more relevant scaffold,
½ bamboo and the other steel, the tower,
Note ‘fore me, it’s only purpose –
Elsewhere, and anonymous,
While I tap my belly to some
Melody we’d once enjoyed;
Maybe something by, “Coltrane,”
Or maybe not; but music we’d both
Recognize and reminisce too.

It’s an awkward alchemy of sorts,
As the Crickets, post-mortem,
Persist if only to chirp, and the Coyote mulls.
When the dust continues to cake.
When the whisper finds newer ears.
When interrupt’s abrupt, erupts,
Pacifies and interrupts again;
My precious distraction –
An amnesia loyal in away from, “then.”
Somewhere beyond, “there,”
And onward, “anew.”
You can only run for so long, and all it takes is one song to bring you right back.
Scottie Green Jul 2012
I’ve always been the quiet type, never one to do the speaking, just listening and observing the lives of those around me.
If I can remember correctly, I began as a light blue, sheltering a newborn baby, Conner, I was covered in wallpaper lined by teddy bears with white silk bow ties like pin stripe pants.
Those few days before his birth in ’62 were filled with anxiety and anticipation, with his parents sneaking in to gaze upon my blue coat, tears in their eyes for the gift that they were days away from receiving. However, they would soon find that the young baby spent little time in my embrace other than evening naps, otherwise his cries became loud with the longing for his mum.

Six years later the teddy bears came down from the walls along with the crib, to be replaced by a bed, the baby blue coat replaced by a loud red.
Watching him grow, I saw his good days and his bad, he was built for math, fast cars, and jubilant laughter.
He had come to me in the midst of April when the flowers outside the windows bloomed, and left for a university after they flowered a mere twelve times.
Once again, his parents visited me, with tears in their eyes as if by being with me his presence would be restored.

His father had talked of a promotion he’d dreamed of, so with more money they were off to a more luxurious home, I was not sad, I was not lonely, I was happy.

I was alone for a while, while the wallpaper had been striped from me and I lay bear and exposed for quite some time, only briefly being introduced to new families by a smiling woman with high heels and big hair.
A group of four moved in, Tom, Adam, Lana, and Louisa. They painted my walls a bright yellow and carpeted my wooden floors, they added filing cabinets, desks, a white board, a telephone, and a book shelf that decorated my left side.
The boys were mechanics, around thirty years at the time, and worked strenuous hours. They bent over their desks re-drawing, re-scaling, and re-shaping until perfection.
Blue prints poured from their cabinets. The two girls owned a boutique down by the grocery store, I saw them less often, but they didn’t bring home their work, only their stories and their stress. It was a short acquaintance with the group, as their hearts were set on the big city and soon their paychecks were capable of supporting that lifestyle.

I was not sad, I was not lonely, I was happy for them.

The following year in ’88 a family of four moved in.
John, Ali and their twin girls converted me to a gym with barbells and some odd-looking mechanism called a “Bo Flex” used for hanging up dry cleaning and attracting the dust.
By then my vibrant yellow walls had faded to beige and my beige carpet had faded to yellow.

I don’t know much about those folks, as in-home gyms are more for decoration than utilization, I guess. The girls visited on days when the heat was unbearable in the Texas sun, running in with loud laughter as they let their weight thud into the ground. They sprawled themselves out on my floors making snow angels, in my warm, worn carpet. Oh, how I loved their attention!

They also left the windows open unlike Adam and Tom, so even when they weren’t around the sunshine kept me company. After fourteen years Bailey left shortly after Annie. I rarely saw anyone for a year or so after that.
The house became too big for John and Ali, and they decided to make the move to Florida that they’d always dreamed of.

The movers came and lifted the heavy weights from my creaking floors, but I was not sad, I was not lonely, I was happy.

The last person that came to live among my embrace was the eldest daughter of three girls. She and I became the closest of all prior inhabitants. Perhaps it was because of the frequent lack of happiness in her eyes, it was the only time I’d had an issue with my inability to intervene in a situation and speak as opposed to listening.
She left my walls there bare color, but adorned me with newspaper clippings and photographs. I was never lonely because her sisters looked up to her, never wanting to leave me, because they never wanted to leave her.
She was more imaginative than the young boy, and more precise than the mechanics.
The music she played was constant and expansive, from Sinatra and Coltrane to A Tribe Called Quest and the Rolling stones. It all correlated with her mood, causing me great joy when the tempo was fast, and depression in times when the dark music fell upon the room.
Her life appeared to be a struggle, as she often threw herself upon the carpet crying until late hours in the night. Only to wake up before the sun rose to write lengthy accounts of the inexplicable sadness she frequently experienced.

Soon she found the help that I was unable to provide with a therapist who visited her in the privacy of her own bedroom. The kind woman encouraged her to participate in activities beyond the confines of my four walls.
She had dreamed to be a psychologist, she wanted to help people, because she knew first hand how much some really needed it. And at age eighteen, that’s exactly what she set off to become.

She moved to Boulder the university she had written about and had wanted to attend for years past.
So I was not sad, I was not lonely, I was happy for her.

She doesn’t rest within my walls and doesn’t watch my flowers bloom, but the sisters, they often come back to visit and roll up the blinds to let the sun shine in, practice their own talents, and fall in love with their own dreams, I am not lonely, they don’t leave me. In fact, one of them is sprawled out upon my floor now, taking over her sister’s absence with a pen and paper of her own.
This is something I originally wrote a few years ago when my sister was leaving for school. I read it to her and allowed her to edit it. Since then I haven't been able to find the original version so she deserves proper credit for the part she did in touching it up as far as word choice, punctuation, and small additions and subtractions to my piece of work. I hope you enjoyed it!
Thomas W Case Apr 2023
There's a passion that burns
within me that's never
more alive, than when I'm
In the garden.
And in the garden of
love, my favorite
flowers are the tulips.

They're especially inviting
after a bottle of Chianti
on a hot July night, with
John Coltrane seductively
blowing from the CD player.

Equally captivating, is the little
bud that lies North of the
tulips.  And with the right
amount of attention, the little
bud, the pea in the pod, creates
a nectar of the gods that tastes
sweet, like honey to my soul,
like maple syrup to my spirit,
a heavenly sap that flows like
the beer on tap at an
all you can drink club.
Like Dylan Thomas at a
pub in Wales, my heart sails drunk on the tulip's fine wine.
And then like magic it occurs,
when ovulation yearns for
procreation, and on those nights,
On those nights...
I could spend forever in
the tulips.
ottaross Sep 2014
Rain soaks through my shoulders
And trickles down my spine
Like fingers over cracked and fractured stone.

Your breaths come like zephyrs
Your limbs tangle up with mine
Your voice, the only one I've ever known.

   And Coltrane blows a story tall
   To a bass line like a siren call
   Building tapestries of Cashmere
   For a dry and blistered blank concrete wall.

   You'll always be the bright full moon
   That filled my chest and filled the room
   While Rome is burned to embers
   The drums of war rose carrying the tune.


Footsteps on city walls
Hands upon splintered wood.
The battles lead to losses for all sides.

Honey comes from stinging bees
I'd get some for you if I could
But winter left us lost on drifting tides.

   Still Coltrane blows a story tall
   To a bass line like a siren call
   Building tapestries of Cashmere
   For a dry and blistered blank concrete wall.

   I'll offer you a silk cocoon
   A watercoloured afternoon
   While Rome is burned to embers
   The drums of war rose carrying the tune.


Morning sun brings the day
The smell of candles still
Clothes hang to dry from chairs along the walls.

Take our time to wake up
Arms protect you from the chill
"Yesterday," the radio news recalls.

   Then Coltrane blows a story tall
   To a bass line like a siren call
   Building tapestries of Cashmere
   For a dry and blistered blank concrete wall.

   The sunrise like the silver moon
   Paints us in gold and fills the room
   While Rome is burned to embers
   The drums of war rose carrying the tune.
Rich Sep 2018
Alice Coltrane, your music brings something out of me,
Something nameless
something I keep buried.
As I lay on this bare mattress, humming along to “Turiya And Ramakrishna”
I ponder if you knew your legacy.
If during those last days in 2007, you ever thought your work could inspire poets of the next generation
or was that even a question lingering between your tempels?
Perhaps not.

Well as this pen dances to the melodies you wrote,
I think, and think
and blink
and sink
I wonder if my last hours will happen a year from now or a decade
or a month
or a week
And what will remain of my creations
Have I touched enough lives
Have I loved enough souls
Have I danced enough
Gave enough
Laughed enough?

I envy the sand devoured by oceans
because it’s simply moving on to its next life
I envy photographs because their moments last forever
I envy the tortoise’s shell
I envy the hourglass because its fate is no mystery
I envy those who do not envy
I envy the days before sundials
when days simply couldn’t fit onto paper squares

I...don’t want you to worry.
I am a spark
Finite but furious
bright, unstable, contagious
and capable of lighting your way before I fade

At least I hope.
david badgerow Jan 2015
women say they want a sensitive man but they mock me when i sit at the piano crying for hours holding a lighthearted paper candle and a smile tucked in between my lips

they say they want a hard working man with ***** fingernails but
they claw at me if i turn a sun-browned shoulder against them in bed

they say they would love a cultured man but they cringe when i kiss them with lips tasting of whiskey & cigar smoke or touch them with fingers gentle as soft old paper

they say they dig the cold but they huddle in blankets when i stay up all night dancing naked across the lawn listening to joni mitchell in january

they say they want their own sugar space but turn sour when i linger and wake up dreaming of becoming an astronaut

they say they're comfortable with my past imperfections but it's my fault when i have a nightmare about being strung out on the perfume of another woman

they want a man who can write a song but they struggle when i anchor a poem to their delicate ankles and fill their empty rooms with shamefully broken pencils

they love my beautiful tattoos and piercings but shake me when i spend days wrapped inside a coral shell singing a lullaby

they want the idea of a man they've read about in books but won't tolerate me when i read them the atrocities in the sunday paper under the lampshade of an oak tree

women say they'll take me as i am but get lonely when i wander for a week and come home buried in the scent of a rock and roll bar

they say they make friends easily, like me, but can't stand to come home to talking & laughing cynical & drunk in a house full of strangers

they want a quiet man who loves them like the stars but scream when i learn to fly at the mercy of the weather & can't be captured

they want to live naughty with the thick musk of a man but act bewildered when they're caught soaking wet and weak in the knees

women say they love men with a tolerance but get jealous when i'm dizzy drunk at dawn on cheap tequila and the memory of my mother

they want a man who lives inside a corridor of words but hate me when they realize artful compliments are only cages of pretty lies

they're helpless for a man with grace but hate me when i'm pitiful and clumsy in the dark after blowing out candles and closing windows in the middle of june

they say they'll only fall in love with a lover of music but audibly cough when i hush them as Coltrane makes dazzling sodium fall across my face

they all wish for a man with careful eyes
but mine are blue and empty in the end
& it gets lonely
so i will no longer carry a song for them in my heart
like a trail-weary cowboy
no lust
no memory
no guilt
no cups
no whistles
or jewels in my vulnerable shadow
Monk tinks tonight
fine glasses clink
convivial banter
bubble pop blink

in breathing rooms
bit woofed and stirred
the smoke mint sound
we dare exhale

Monk swings about
a bell do ding
the huey blues
bird bops on wings

hips juicy moves
rubby mounds wet ****
slow drum rolls blow
dance steady bump

Monk rocks the house
the clock do tick
me feets be tappin
gonna busta trick

key ******* bounce
mouths all agape
we gettin down
like crazy apes

Monk’s muzik rides
a sonorous beam
levitatin hipsters
to places unseen

gosh groovy tunes
a **** good gig
we all stoked up
Monk we do dig  

Monk played alright
some swingin tunes
Happy B Day Monk
you over the moon

Thelonious Monk
(October 10, 1917 - February 17, 1982)

Thelonious Monk
with John Coltrane
Trinkle ******


10/9/13
Suffern
jbm
I want to put on Coltrane
to experience the verbs
of a sweet bastardization
oh kind whippoorwill
sing to me

jbm
Oakland, NJ
09/86

Music Selection:
John Coltrane
Wise One
Jordan Alexander Sep 2010
is just another word for control freak.
But let me back up.

Who decided that things are FTW?
**** competition.
I apologize for line 4, but I wanted to make sure you know
I’m being serious.

Winning is meaningless.
The one thing the Arts had going for them
is gone.
It’s all about being the best
and it’s devastating G-d.

When I play my saxophone
at the right time with right mind
I swear John Coltrane
couldn’t recreate that.

When I write a poem
about truth or of it
I swear ee cummings couldn’t
have written it.

Expression is all that really matters,
but only to me.
The world doesn’t accept it, so
it doesn’t accept me.

That’s just the way it is.
I’m not concerned with success.
I’m not like all the rest.
I am happy and blessed.

Does my mind deceit me?
We’ll see
When I face Judge
Edward Coles Aug 2018
The coffee cups are *****
But it’s the cleanest way
To drink whiskey here.

The barman lost half his right fingers
To a wood chipper in his early 20’s
And spent the rest of his adult life
Flipping the world off.

He got it down to a fine art
By the time I showed up.
He didn’t smile when I ordered my drink.
He didn’t smile at all.

The jukebox hasn’t changed
For two stagnant decades
And most everyone but the regulars
Are too scared to use it.

It’s the same rotation
Of Elvis,
Muddy Waters,
BB King,
John Coltrane,
And early Bruce Springsteen.

Not a woman in sight
But every song is about them
And we are all here
Because of them.

Certain patches of carpet
Have not seen a crack of light
Since the Berlin Wall fell.

Nothing changes here but the customers-
And that change is incremental at best.
The same filthy etchings over
The same filthy cubicle doors.

The same Cherokee Indian
Smoking a Cuban Cigar
In the heartland of America.

I can’t find myself here
But there is no feeling of loss.
There is no profundity in anything here.
Just squalor

And enjoying one’s squalor.
I think that is what it means
To be truly happy.
05.05.2018
C
Terry Collett Dec 2013
Delia
once seduced

the house maid
in half term

home from school
some posh place

where she had
with success

oft bedded
the new young

maths teacher
whose glasses

thin wired
she took off

before ***
in her room

for extra
tuition

(her father
from his fat

wallet paid
for extra

maths not ***)
then after

leaving school
and the young

maths teacher
(sad female)

and having
bedded her

young cousin's
French nanny

she went to
some college

to study
the cello

and music
she had ***

the first day
with the thin

trumpeter
on the floor

above her
a girl with

luscious lips
and dark eyes

who after
a good ****

could play like
Miles Davis  

so cool that
Delia

would play her
cello ****

like lovers
embracing

she and her
instrument

then have ***
to the sound

of Coltrane's
saxophone

and the girls'
******

wanting more
sighs and moans.
Terry Collett Jul 2014
Nima looked bored
as we walked
the art gallery
she was only allowed out

of the hospital
for a few hours
promising no drug fixes
or *****

can't we go elsewhere?
she asked
bored here
I felt her boredom

it seeped into my bones
let's go for a coffee
I said
so we went for a coffee

in a coffee bar
across the road
and had a smoke
you were late

she said
I only have a few hours
out of that mad house
sorry I popped

into the jazz record shop
and left me waiting
in Trafalgar Square
she said

what did you buy?
nothing yet
I said
I'll go back later

saw a Coltrane LP I liked
I said
***** that jazz stuff
she said

we drained our coffees
and walked back
to the train station
and I saw her

on her train
and kissed her
at the window
and the train went off

and I watched
until she was out of sight
then back tracked
to the jazz record shop

to buy the Coltrane LP
thinking of Nima
and the time
we had a ***

in that cheap hotel
by Charing Cross
and the bed creaking
and the odd

hot and cold water taps
and she and I
laying there
I walked back

to the gallery
for a last look around
thinking of the Coltrane
and the Coltrane sound.
A BOY AND GIRL AND A QUICK DATE IN 1967
Terry Collett Jan 2014
Having met Julie
at Victoria railway station
and travelled by tube
to Charing Cross Road

you sneaked
into Dobell's
jazz record shop
and listened

to some Coltrane
in the small record booth
up close
she having got out

of the hospital
for the day
although
the drug withdrawal

was getting her tight
her short skirt
was riding high
as she sat there

squashed up
near to you
her eyes closing
and opening

her hands
in prayer mode
in her lap
can we go now?

she said
I need a drink
and smoke
so you left the booth

giving the guy
back the Coltrane
record sleeve
and left the shop

taking it on foot
to the café
and ordering
two coffees

and she took out
her smokes and lit up
and she gave
you one too

and she talked
of how her parents
hadn't visited
and how

the whole show
at the hospital
was getting her
on the edge

and you sat
watching her
the dark hair
drawn back

with a black ribbon
the red
high necked jumper
the short black skirt

her eyes bright
as stars
her lips making
a large O

then closing up
and going
like a narrow slit
you remember

that quickie
we had
in that small cupboard?
she said

those brooms
and boxes
and then she smiled
and you smiled too

that was my last time
she said
last time I had it
she said louder

she took a drag
of her smoke
and sat silent
watching the smoke

rise before her eyes
Warwick’s worried
about you
you said

is he now
she said sarcastically
well he can go pray
to his God

for me then
she said
sitting back
in the seat

yes you thought
the ***
had been good
but quick

unexpected
out of the blue
she in her night gown
(and little else)

and in the background
the music playing
from the radio
some Beatles' song

along the hospital ward
what did you think
of the Coltrane album?
you said

breaking the silence
in the café
bored my **** off
she said

I’ll get it anyway
you replied
and she looked out
the window darkly

as if someone
had fingered her
slowly
then died.
A BOY AND GIRL MEETING IN 1967.
Terry Collett May 2014
Each finds
their own salvation
or not,
Nima said.

Birds fed
in her hair.

Her eyes ******
in black holes,
gave birth to dreams.

I sat beside her,
drank black coffee,
smoked menthol cigarettes,
heard Coltrane
on the HiFi.

How deep
does my soul go?
She asked,
what is *** after all?

I inhaled and looked
at the cavern
of her small
firm *******.

Cold turkey,
she said,
rather have
a cool fix.

I sat exhaling
menthol smoke;
the Coltrane runs
on saxophone
caught in my ears.

I think I’ve spiders
in my ******,
she said;
******* ones
with hairy legs.

I closed my eyes
supping on
the menthol smoke,
sensing Coltrane's sound
invade my soul.

Nima lay back down,
legs spread,
black beetles
and insects
inside
her drained out
head.
A BOY AND GIRL IN A HOSPITAL WARD IN 1967.
Donall Dempsey Sep 2018
NEW YORK STATE OF MIND

Walt Whitman
walks by me
somewhere in 1891

I nod to him...he nods to me
lost in himself
Clinton is being inaugurated

Brooklyn Bridge
saunters by
dressed in the summer of '67

the subway
wears its best graffiti
the music of trains and Coltrane

the Flatiron Building is jaywalking
the Empire State
chats him up

a child's hopscotch
almost washed away
a moment's masterpiece

Robert Moses
looks across Long Island
longs to build the city only he sees

he gazes into my future
I look into his past
I pass Robert Mapplethorpe

a man in a white suit
nailed to the darkness
by so many stars

an old saxophone player
busks Rogers and Hart in Central Park
"...I didn't know what time it was..."

two obese Chinese
take up most of the sidewalk
both speaking fluent - Irish

Leaves of Grass
lies scattered across the road
read now by the wind

a car caught in traffic
blares out Joel's
"New York State of Mind"

I laugh at such
a happenstance
a walk-on-part in my own movie

escaping the borders
of the body
I walk through times

I am all the times
of the world
they intersect in self

Walt and I
sitting on a park bench
waiting to go somewhere else

an 1990's rain
falls on an 1870's NY
they are beginning Brooklyn Bridge

I meet my self
coming and going
an older and a younger me

time held prisoner on the wrist
I turn and walk away
into this the newest of centuries
Jack Saintjohn Nov 2013
Amerikeisha tapping out the drumbeat with her see through plastic mechanical pencil  
Me sidewinding my way through highschool
Dizzy Gillespie's  trumpet waking the souls that are buried in the lockers,
Chick Corea and I are returning to forever
The land where summer is the only season
And daisy dukes are greatly appreciated,
John Coltrane is helping me realize
How beautiful girls in white dresses with blue satin sashes are,
I've been dancing to Dave Brubeck since this morning
And I can't get Maria out of my head
I just picture Maria
As this girl
Feeling Pretty
Oh so pretty
I imagine if I saw her in the street
I wouldn't double take
But Take Five    
Charlie Parker playing saxophone like
It's as easy as brushing his teeth,
Nat King Cole
Serenading Hispanic women with his soothing tone
Robert Glasper experimenting with his music
Burning you brain like mentholated cough drops
Sean Critchfield Feb 2014
Sometimes we are made aware of beacons in the rest of the dark.
Like stars littered across the attics we trap ourselves in.
Sometimes we chase rainbows with beggars eyes and wishes like children.

Some people are like soup soaked bread crumbs and wool mittens with the fingers cut out.
The rest of us are chimney soot.
And they are ‘chim chim cheree‘.

They are song filling every corner of the antique shop.
Silver under tarnish and weights and measures
balancing on the hands of the scale
suspended from the spear of a woman in white robes
with blue eyes that match the sky when we stare at it
and it usurps the corners of our eyes
and we are made aware of how small we are
as we get lost in how complete it is when it is with out clouds
with silver linings that never seem to follow through to rain.

And some of us?

Some of us are rain.

And thunder that shakes your soul.
And images of gods in black and white that burn themselves onto our minds
for us to study with our eyes closed.
And some of us are doing the best we can.
And some of us are not us.
But are the others.
And we would be lost without them
to point beyond red sails on sundown ocean horizons,
just before the world turns blue.
And some are the pops and cracks between the notes of Coltrane on Vinyl.

And you.
You smell of confessional walls and a nursery.
You smell of camp fire blankets and bruised roses.
You move like corner of the eye shadows
and windshield wipers with no chance of beating the rain.

You write like stone tablets and feathers.
Blown bubbles and spun webs.
And you feel like chance.
And love.
And strength.

You change like ropes on ship decks and tarot meanings from gypsy to gypsy.

And you are beautiful.
And beautiful.
And beautiful.

And everything.
And everything.
And everything.

Strong like ropes on yard arms of old ships in ancient seas.
And you go and you take us there.
And we go, because we want to see too.
And we want to be full on wild flowers and raspberries.

And we want you to show us the line on our palm
that separates the dark from the light.
And we want bed time stories and lullabies.
And with my eyes.
And with your own too.
And more importantly.

You.

You are the place where there is hardly no day time and hardly night. Things half in shadow and things half in light. On the roof tops of forever. Coo. What a sight…
This was an exercise. I enjoyed writing it. Sometimes it feels a little too obvious. Forgive me.
MJL Mar 2019
It's spandex
It's flannel
It's all the same
Grunge took over metal
Get back to jazz
Viper baby
Not on display
Not a novelty
No sneaking
Sneak out...
Louis Jordan
Cab Calloway
Robert Johnson
Howlin’ Wolf
30’s speak nasty
Melody Room
Parker
Coltrane
History
Dolls and The Doors
Intimacy
Feel it
Underground
Cabaret
Something wild
Mystery
Evil
Johnny Cash
Whiskey Sam
Drive on
Rainbow baby
Sunset
Snap
Duke said,
“People pray in many different languages
and God hears them all.”

I’m equally a Jew and Muslim,
both living in perfect peace within me.

I’m a little bit Baptist and a little bit Episcopal.
I yearn to swim in the living waters,
and hunger for the cup and bread.

I’m more of a Quaker then a Buddhist.
Only because I’m American and I can’t speak good Chinese yet.
But Buddha’s Lamp is my constant companion,
illumining my every step in this dark world.

I’m also equally composed of east and west Indies
and sometimes even druid.
The Great Spirit and Tantric arts
remain mysteries to me.
I only know them by feeling.

And yes our Afro Heritage.
The drums, the whistle, the dance,
synchronizes our heart beat
to The Beneficent One’s finger taps.
Yes we celebrate The Holy Spirit
with cymbal, voice and drum.

I am a full dues paying member
to the 2nd Hoboken Chapter
of the Unitarian Universal Catholic Church Respectively.
We meet down the block from Sinatra’s Synagogue.
We are all apostles and responsible
for our small spaces that we rent here on earth.

I know I’m 100% Zoroastrian.
I am mesmerized by the fire.
My heart aches for the light.
I tend tiny candles
and listen for the lonely fire
of Coltrane’s sax.

I’m a nun and
a Thelonious Monk.
We run an inn for weary and lost travelers.
We build hospitals to cure the infirm;
and schools to teach the golden rule of love.
We try to do things differently.

Dizzy practiced the Behai faith.

“OOM BOP SHE BAM” I pray.

Music Selection:
Dizzy Gillespie,
Swing Low Sweet Cadillac

jbm
Oakland
12/26/98

— The End —