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"bosomed" poems
Selfies, I can smell the desperation, from here. odors of worry; rippling anxities of uncertainity. two dimensional, instantaneous impressions, pixelated presentations, and Teenage frustrations. up tilted camera. held against the light, Illuminating eyes , and eradicating spots. that looks like a good one. Vicarious representation; of how good one could look, fallible and hopeful. big bosomed dame showcasing blessed cleavage, pulsating the adolescent bulges. delivered to metal passenger, thereafter shown among peers. networked to unknown. Friends who'd never met eye, or touched skin, or even spoke. self conscious cropping of images. fat and fearful. wasted hours, dying for love. False dream of captivating the messes with her selfie. The very ugliness of impressions. Oh, how shallow we've became. The denial of the impact of aesthetics. laughable, torrents of judgement Skinny, fat, ugly, behold their desperate eyes behind the selfie.
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Jul 14, 2014
Jul 14, 2014 at 4:35 PM UTC
Shame of the selfie
Good-by, proud world, I'm going home, Thou'rt not my friend, and I'm not thine; Long through thy weary crowds I roam; A river-ark on the ocean brine, Long I've been tossed like the driven foam, But now, proud world, I'm going home. Good-by to Flattery's fawning face, To Grandeur, with his wise grimace, To upstart Wealth's averted eye, To supple Office low and high, To crowded halls, to court, and street, To frozen hearts, and hasting feet, To those who go, and those who come, Good-by, proud world, I'm going home. I'm going to my own hearth-stone Bosomed in yon green hills, alone, A secret nook in a pleasant land, Whose groves the frolic fairies planned; Where arches green the livelong day Echo the blackbird's roundelay, And ****** feet have never trod A spot that is sacred to thought and God. Oh, when I am safe in my sylvan home, I tread on the pride of Greece and Rome; And when I am stretched beneath the pines Where the evening star so holy shines, I laugh at the lore and the pride of man, At the sophist schools, and the learned clan; For what are they all in their high conceit, When man in the bush with God may meet.
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Good-by
Hymn to Aphrodite by Sappho loose translation/interpretation by Michael R. Burch Immortal Aphrodite, throned in splendor! Wile-weaving daughter of Zeus, enchantress, and beguiler! I implore you, dread mistress, discipline me no longer with love's anguish! But come to me once again in kindness, heeding my prayers as you have done before; O, come Divine One, descend once again from heaven's golden dominions! Your chariot yoked to love's consecrated doves, their multitudinous pinions aflutter, you once came gliding from the utmost heights, to the dark-bosomed earth. Swiftly they came and vanished, leaving you, O my Goddess, smiling, your face eternally beautiful, asking me what unfathomable longing compelled me to cry out. Asking me what I sought in my hopeless, bewildered desire. Asking, "Who has harmed you, why are you so alarmed, my poor Sappho? Whom should Persuasion summon here?" "Though today she flees love, soon she will pursue you; spurning love's gifts, soon she shall return them; tomorrow she will woo you, however unwillingly!" Come to me now, most Holy Aphrodite! Release me from my heavy heartache and anguish; grant me all I request, be once again my ally and protector! "Hymn to Aphrodite" is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his "On Literary Composition," published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, "Hymn to Aphrodite" may have been composed for performance within the cult. We do know that Sappho was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called "the Tenth Muse" and the other nine were goddesses. Keywords/Tags: Sapphic, Sappho, ****** translation, ancient Greek, hymn, Aphrodite, Zeus, daughter, immortal, goddess, holy, lady, heaven, enchantress, enchantment, love potion, charm, spell, persuasion, beguiler, beguilement, mistress, discipline, ********** prayer, prayers, chariot, heaven, descent, ally, protector, lust, desire, passion, longing, *** crush, girlfriend, women, grief
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Mar 22, 2020
Mar 22, 2020 at 2:51 AM UTC
Sappho "Hymn to Aphrodite" translation
Hymn to Aphrodite by Sappho loose translation/interpretation by Michael R. Burch Immortal Aphrodite, throned in splendor! Wile-weaving daughter of Zeus, enchantress, and beguiler! I implore you, dread mistress, discipline me no longer with love's anguish! But come to me once again in kindness, heeding my prayers as you have done before; O, come Divine One, descend once again from heaven's golden dominions! Your chariot yoked to love's consecrated doves, their multitudinous pinions aflutter, you once came gliding from the utmost heights, to the dark-bosomed earth. Swiftly they came and vanished, leaving you, O my Goddess, smiling, your face eternally beautiful, asking me what unfathomable longing compelled me to cry out. Asking me what I sought in my hopeless, bewildered desire. Asking, "Who has harmed you, why are you so alarmed, my poor Sappho? Whom should Persuasion summon here?" "Though today she flees love, soon she will pursue you; spurning love's gifts, soon she shall return them; tomorrow she will woo you, however unwillingly!" Come to me now, most Holy Aphrodite! Release me from my heavy heartache and anguish; grant me all I request, be once again my ally and protector! "Hymn to Aphrodite" is the only poem by Sappho of ****** to survive in its entirety. The poem survived intact because it was quoted in full by Dionysus, a Roman orator, in his "On Literary Composition," published around 30 B.C. A number of Sappho's poems mention or are addressed to Aphrodite, the Greek goddess of love. It is believed that Sappho may have belonged to a cult that worshiped Aphrodite with songs and poetry. If so, "Hymn to Aphrodite" may have been composed for performance within the cult. We do know that Sappho was held in very high regard. For instance, when Sappho visited Syracuse the residents were so honored they erected a statue to commemorate the occasion! During Sappho's lifetime, coins of ****** were minted with her image. Furthermore, Sappho was called "the Tenth Muse" and the other nine were goddesses. Keywords/Tags: Sapphic, Sappho, ****** translation, ancient Greek, hymn, Aphrodite, Zeus, daughter, immortal, goddess, holy, lady, heaven, enchantress, enchantment, love potion, charm, spell, persuasion, beguiler, beguilement, mistress, discipline, ********** prayer, prayers, chariot, heaven, descent, ally, protector, lust, desire, passion, longing, *** crush, girlfriend, women, grief
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32
Lo! where the rosy-bosomed Hours, Fair Venus’ train, appear, Disclose the long-expecting flowers, And wake the purple year! The Attic warbler pours her throat, Responsive to the cuckoo’s note, The untaught harmony of spring: While, whisp’ring pleasure as they fly, Cool Zephyrs thro’ the clear blue sky Their gathered fragrance fling. Where’er the oak’s thick branches stretch A broader browner shade, Where’er the rude and moss-grown beech O’er-canopies the glade, Beside some water’s rushy brink With me the Muse shall sit, and think (At ease reclined in rustic state) How vain the ardour of the Crowd, How low, how little are the Proud, How indigent the Great! Still is the toiling hand of Care; The panting herds repose: Yet hark, how through the peopled air The busy murmur glows! The insect-youth are on the wing, Eager to taste the honied spring And float amid the liquid noon: Some lightly o’er the current skim, Some show their gayly-gilded trim Quick-glancing to the sun. To Contemplation’s sober eye Such is the race of Man: And they that creep, and they that fly, Shall end where they began. Alike the Busy and the Gay But flutter thro’ life’s little day, In Fortune’s varying colours drest: Brushed by the hand of rough Mischance, Or chilled by Age, their airy dance They leave, in dust to rest. Methinks I hear, in accents low, The sportive kind reply: Poor moralist! and what art thou? A solitary fly! Thy joys no glittering female meets, No hive hast thou of hoarded sweets, No painted plumage to display: On hasty wings thy youth is flown; Thy sun is set, thy spring is gone— We frolic while ’tis May.
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Ode On The Spring
Lo! where the rosy-bosomed Hours, Fair Venus’ train, appear, Disclose the long-expecting flowers, And wake the purple year! The Attic warbler pours her throat, Responsive to the cuckoo’s note, The untaught harmony of spring: While, whisp’ring pleasure as they fly, Cool Zephyrs thro’ the clear blue sky Their gathered fragrance fling. Where’er the oak’s thick branches stretch A broader browner shade, Where’er the rude and moss-grown beech O’er-canopies the glade, Beside some water’s rushy brink With me the Muse shall sit, and think (At ease reclined in rustic state) How vain the ardour of the Crowd, How low, how little are the Proud, How indigent the Great! Still is the toiling hand of Care; The panting herds repose: Yet hark, how through the peopled air The busy murmur glows! The insect-youth are on the wing, Eager to taste the honied spring And float amid the liquid noon: Some lightly o’er the current skim, Some show their gayly-gilded trim Quick-glancing to the sun. To Contemplation’s sober eye Such is the race of Man: And they that creep, and they that fly, Shall end where they began. Alike the Busy and the Gay But flutter thro’ life’s little day, In Fortune’s varying colours drest: Brushed by the hand of rough Mischance, Or chilled by Age, their airy dance They leave, in dust to rest. Methinks I hear, in accents low, The sportive kind reply: Poor moralist! and what art thou? A solitary fly! Thy joys no glittering female meets, No hive hast thou of hoarded sweets, No painted plumage to display: On hasty wings thy youth is flown; Thy sun is set, thy spring is gone— We frolic while ’tis May.
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50
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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Oct 12, 2011
Oct 12, 2011 at 10:25 AM UTC
Succumbing to the Succubus
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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51
I laid nose-to-nose, in tall, old grasses, with a spirited coyote, some nights ago. He said to me, with lips unparted and low, shiny eyes - to listen. Hesitantly, I inched forward and nudged that coyote with my face, prodding him for something more. But, nothing came. He simply stared back at me, unblinkingly. “I listen!” I shouted with a heart on fire. “I listen more than anyone I know!” The coyote continued his staring game, quieting my bosomed flames. Stubborn - they erupted, something ugly, from the valley, into the mountaintop. Spilling from eyes, in the mountainside, I screamed back into his so loud, The mountain ached from its shut in echo. Patient " the coyote waited. So, I stopped. Somehow surprised, I found that, after the flames subsided into greys of ashes, in silence, I had begun to listen. That coyote’s eyes were urging eyes, unmoving " unrelenting. Obedient, I drew forth my worn, careful bag out and placed it, gently, in the dirt between us. The coyote snatched it, in the grain between our breaths, and held it between clenched teeth. I glared at him with challenging eyes " he stared back at me, just the same. I reached out to grab it, but halfway there, I heard the coyote command me, “Stop.” The coyote lay there, my ashes raging about loudly " still silent, my bag between his teeth. As the ashes settled, his glaring eyes mellowed, and I watched as he gobbled it up. -- A crow cawed somewhere. The full moon shone down approvingly. My soul sighed once. My body followed. The coyote slept - I bowed my head in silence.
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Jul 27, 2011
Jul 27, 2011 at 2:09 PM UTC
I Ain't Cryin' At That Coyote No More
I laid nose-to-nose, in tall, old grasses, with a spirited coyote, some nights ago. He said to me, with lips unparted and low, shiny eyes - to listen. Hesitantly, I inched forward and nudged that coyote with my face, prodding him for something more. But, nothing came. He simply stared back at me, unblinkingly. “I listen!” I shouted with a heart on fire. “I listen more than anyone I know!” The coyote continued his staring game, quieting my bosomed flames. Stubborn - they erupted, something ugly, from the valley, into the mountaintop. Spilling from eyes, in the mountainside, I screamed back into his so loud, The mountain ached from its shut in echo. Patient " the coyote waited. So, I stopped. Somehow surprised, I found that, after the flames subsided into greys of ashes, in silence, I had begun to listen. That coyote’s eyes were urging eyes, unmoving " unrelenting. Obedient, I drew forth my worn, careful bag out and placed it, gently, in the dirt between us. The coyote snatched it, in the grain between our breaths, and held it between clenched teeth. I glared at him with challenging eyes " he stared back at me, just the same. I reached out to grab it, but halfway there, I heard the coyote command me, “Stop.” The coyote lay there, my ashes raging about loudly " still silent, my bag between his teeth. As the ashes settled, his glaring eyes mellowed, and I watched as he gobbled it up. -- A crow cawed somewhere. The full moon shone down approvingly. My soul sighed once. My body followed. The coyote slept - I bowed my head in silence.
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30
The rain splutters at me in foreign tongue As my mind hurdles under a mushroom Shelter from the pelting lashes Of nostalgic memory Such vulnerable home from woes Like a rodent hole in flooding summer They tell me I am a finicky rat That will not survive outside Sakubva Ratatat-tatatatat-tart! Oh but how true! Each day I walk out in the morning Come evening I pick every footprint I left Back home Prompted by need to use my footprints Once more Take care! The radio blares Save save save save The television frowns Wise up Recycle is the trick in these hard times Discarded beliefs, discarded memories, discarded tastes Can be recycled Recycled dreams, recycled husband, recycled wife... I scrap my bottom in amazement After all there is always a grain of virtue left In what we discard - O how I love the scent God has made it that way That each time you **** Before you go You save a nostalgic glance at your **** Suppressing a sense of loss For a part of you left behind Like kites tied to strings we are We regale in our false splendour At time's mercy The fruits of mental ************ Deflowered by new ****** worlds Of lewd dreams in striking G-Strings Gyrating ***** of fantastic insanity That lure us Into the heavy -bosomed clouds Pregnant with cultural retribution For the anarchy coursing our veins Like the burning pain on my back Each evening when I bend double To pick up and bag my footprints I left in the morning This is not madness When I tell you to let your beak Of tolerance peck and peck On your **** What difference is there Between **** in your belly and **** steaming betwixt your legs? What difference is home When you are young and when old? Riding on the back of butterfly dreams When I am a newborn macho In the bullring of entrepreneurship Or O such cosmopolitan hunk In the realm of fashion and modelling... Sounds like sheltering under a mushroom That springs and dazzles but a day Hope I will hurtle back Hope sweet home, home sweet home I am a finical rat That won't live away from home. -dougwa-
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Feb 23, 2012
Feb 23, 2012 at 11:21 AM UTC
Hope Sweet Home
The rain splutters at me in foreign tongue As my mind hurdles under a mushroom Shelter from the pelting lashes Of nostalgic memory Such vulnerable home from woes Like a rodent hole in flooding summer They tell me I am a finicky rat That will not survive outside Sakubva Ratatat-tatatatat-tart! Oh but how true! Each day I walk out in the morning Come evening I pick every footprint I left Back home Prompted by need to use my footprints Once more Take care! The radio blares Save save save save The television frowns Wise up Recycle is the trick in these hard times Discarded beliefs, discarded memories, discarded tastes Can be recycled Recycled dreams, recycled husband, recycled wife... I scrap my bottom in amazement After all there is always a grain of virtue left In what we discard - O how I love the scent God has made it that way That each time you **** Before you go You save a nostalgic glance at your **** Suppressing a sense of loss For a part of you left behind Like kites tied to strings we are We regale in our false splendour At time's mercy The fruits of mental ************ Deflowered by new ****** worlds Of lewd dreams in striking G-Strings Gyrating ***** of fantastic insanity That lure us Into the heavy -bosomed clouds Pregnant with cultural retribution For the anarchy coursing our veins Like the burning pain on my back Each evening when I bend double To pick up and bag my footprints I left in the morning This is not madness When I tell you to let your beak Of tolerance peck and peck On your **** What difference is there Between **** in your belly and **** steaming betwixt your legs? What difference is home When you are young and when old? Riding on the back of butterfly dreams When I am a newborn macho In the bullring of entrepreneurship Or O such cosmopolitan hunk In the realm of fashion and modelling... Sounds like sheltering under a mushroom That springs and dazzles but a day Hope I will hurtle back Hope sweet home, home sweet home I am a finical rat That won't live away from home. -dougwa-
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70
Mid autumn’s eve Dancing dust and flickering campfire alive The slumbering women With narrow waists Fan the white-hot humidity Rising in our ***** We are torn by a peculiar ***** pain And an Ancient Whisper tells us to take them But a Hollow Echo retorts our hammering heart To be patient in our sleepless heat As a watcher in the woods Until the women’s voices Are darkly wet with desire—                But we cannot wait . . . An impish grin then pulls our lips When the sinister silence Drapes over the desirable women We span their length with our imagination Full bosomed and tawny skin— Musk and wildflowers lavishly call us And we, carefree with the flames Take them with a Ruling Passion Fast dance and star fire Clawed and kicked fought and spit Struggling dearly to save their thighs Against the Velvet Night Blood smell becomes the campfire Dancing dust dies And we return to our sleepless side Our Eternal Hunger satiated for the moment And the narrow waists Lying spent and used were Murderously Furious—                But we could not wait . . .
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Sep 25, 2018
Sep 25, 2018 at 2:58 PM UTC
The Ravishinig
Eat thou and drink; to-morrow thou shalt die. Surely the earth, that s wise being very old, Needs not our help. Then loose me, love, and hold Thy sultry hair up from my face that I May pour for thee this yellow wine, brim-high, Till round the glass thy fingers glow like gold. We’ll drown all hours: thy song, while hours toil’d, Shall leap, as fountains veil the changing sky. Now kiss, and think that there are really those, My own high-bosomed beauty, who increase Vain gold, vain lore, and yet might choose our way Through many days they toil; then comes a day They die not,—never having lived,—but cease; And round their narrow lips the mould falls close.
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1.3k
The Choice: 01
She saw the kids on the slide, each with their own burden to bear: burn scars, post operative patients, cancer victims counting the last days on their thin fingers, a kid with an eye gone, lid sewn.   And she, Anne, amputee, bad tempered ***** 12 year old, big bosomed, fine of remaining limb, scanning the rest, seated in the wheel chair, Skinny Kid behind, hands on the handles, warm breath on her neck. She was bored, sun too bright, kids too noisy, nurse fart-arsing near by, taking temperatures, changing wound bandages, crouched to see eye to eye, thighs showing stocking tops. Hey, Kid, she said, get a peek at that, indicating the thighs and stocking tops on view. The Kid, thin arms and legs, short hair, 11 year old, stared, took in stocking legs, black, warming, looked away. Don't get to see that every day, Kid, unless you're their old man or fond lover, Anne said, grinning ear to ear. Skinny Kid, stood, loyal, whispered into her neck, want me to push you to the beach? sure, Kid, get me from these wounded ones, these dying doomed, let me smell the salt and sea, let me hear the sea's song. So the Kid, pushed the chair, arms out stretched, over lawn, down path, she singing, rude lyrics,   her one remaining leg rocking to the chairs' move, the stump, showing where her skirt ended, shook and rocked.   Out the back gate, onto the path by the beach, out of the nurse's sight, or sound of voice's reach. She thinking of the Kid's loyal touch, his heaving her from chair to bed, the night before, his thin arms clutching tight in case she fell, the warm bed embracing, holding her down, he standing there, gazing at her bare stump with that innocent stare. He thinking, as he pushed along, how red her stump was the night before, how the thigh of her other leg was white as snow compared, going red as he stared.
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Nov 22, 2013
Nov 22, 2013 at 2:53 PM UTC
ANNE' KID.
She saw the kids on the slide, each with their own burden to bear: burn scars, post operative patients, cancer victims counting the last days on their thin fingers, a kid with an eye gone, lid sewn.   And she, Anne, amputee, bad tempered ***** 12 year old, big bosomed, fine of remaining limb, scanning the rest, seated in the wheel chair, Skinny Kid behind, hands on the handles, warm breath on her neck. She was bored, sun too bright, kids too noisy, nurse fart-arsing near by, taking temperatures, changing wound bandages, crouched to see eye to eye, thighs showing stocking tops. Hey, Kid, she said, get a peek at that, indicating the thighs and stocking tops on view. The Kid, thin arms and legs, short hair, 11 year old, stared, took in stocking legs, black, warming, looked away. Don't get to see that every day, Kid, unless you're their old man or fond lover, Anne said, grinning ear to ear. Skinny Kid, stood, loyal, whispered into her neck, want me to push you to the beach? sure, Kid, get me from these wounded ones, these dying doomed, let me smell the salt and sea, let me hear the sea's song. So the Kid, pushed the chair, arms out stretched, over lawn, down path, she singing, rude lyrics,   her one remaining leg rocking to the chairs' move, the stump, showing where her skirt ended, shook and rocked.   Out the back gate, onto the path by the beach, out of the nurse's sight, or sound of voice's reach. She thinking of the Kid's loyal touch, his heaving her from chair to bed, the night before, his thin arms clutching tight in case she fell, the warm bed embracing, holding her down, he standing there, gazing at her bare stump with that innocent stare. He thinking, as he pushed along, how red her stump was the night before, how the thigh of her other leg was white as snow compared, going red as he stared.
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114
anti-narcissism, painters with self-portraits, the damnable face used to kindred of inanimate things taken for granted via still-life or impressionism, damnable visage, yet not exactly a finite banality of narcissism and acting, it’s just there, if it isn’t being bosomed by kissing it might as well be painted, shame to leave it to simply frown, or undue the english stiff-upper lip with the fisherman’s hook, that phenomenon of the fisherman’s / elvis’s upper lip aha hum hum: it’s a twitchy eye when you mind the nerves and just say: i’m in r.e.m. stages of parkinson’s: rapid eyelid movement: got a joke coming with the tourists, find your face in the throng and give it four walls, a floor and ceiling and a campfire.
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Feb 29, 2016
Feb 29, 2016 at 8:12 PM UTC
self-portraits / anti-narcissism
There is a lady like a crayon and she's melting in the rain She's moldy yellow, streaked and mellow, drifting down the drain. But as her fattened thigh hits tide, she pulls up from the gutter Out she gets a cigarette, and a lighter that just sputters. Standing sadly, dank and dreary, she flicks her bic again, a yellow candle without flame, a waxy tower of chins. With luck a tiny fire sprite wakes up to light her smoke, and there the crayon lady stands like slimy, shaky yolk. She covers up her cigarette and forgets about herself, Her thin hair runs in gross grey lines down her bosomed shelf. Like a lemon with grey mold on top she teeters to and fro, disgusting people passing by, with her extra citron growth. But the lady takes no notice for She's got a game to play; to finish off her cigarette before she melts away.
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Jun 23, 2013
Jun 23, 2013 at 6:48 PM UTC
The Lemon Lady
here in the husk of noon now bleached, now yellow oracle of time. we have made a place, neither inside nor outside. behind the city and under, nightfall. she planes the land, herself slaked as butter to grease the worm pits. we languish as cohorts to the deepening exile vexing from us, as flapping bats nocturnal, pardoning the night its bounty to the shame of diurnal reap. there is an uncertainty now bosomed in the fog of twilight. behind us, the interest in truth. but we never came for pleasantry. we came for nothing. absolute; the daughter of another time swathed in the naivete of childhood.
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Oct 14, 2015
Oct 14, 2015 at 8:23 PM UTC
Untitled
Let sleep erode the ground Rest in its leisurely pleasure bosomed and entwined If I whispered over the miles? would you hear the resonance? sprinkled with sense of gesture Let the night overcome the day Rest in the autumn set suprise blossomed and entwined
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Sep 3, 2017
Sep 3, 2017 at 3:51 PM UTC
Nite nite
fulfilled two hoax with one tree express stix and stones upon greenest branches high birth dwell assemble ducks straight wood delayed bosomed under **** hyperventilating incubated ******* red face blemished mild to wild *** harassed plucked feathered a ram pecker bird sext for just a tuppence second ***** ladies tweet ravaged scramble long white tees unclothe eggshells knocking hollow full of yoke hard pounding missionary position french foreplay kisses ****** ***** in holster expelling spermatozoa in suspension
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Sep 7, 2016
Sep 7, 2016 at 3:59 PM UTC
Erotica Teased Birds
i’m siding with the barber of tel aviv and the butcher from jerusalem, what the hell do you mean by trying to salvage celebrity culture with the crucifix clenched into the 22nd century?! we've got dinosaurs to mind... this is no time to be a monkey! to quote st. paul: i left behind childish things and started to toy with serious words like toys having found very little meaning in them, and so in order that i ironed and tailored a banker’s suit with the words: i took for inspiration, and i did forget the childish things i once cherished, but the phoneticism after, which i kept, dwarfed the childish things i bosomed once, and even though i took great depth to monk myself into kissing the first corinthian like a samaritan, i forgot the testament of cato, and instead spoke like nero although through the mouth of seneca; because i did abandon all childish things, but i changed concepts of love hope and faith into frivolity spoken of frequently but exercised as if a memory of youth in that rarity worth a marketplace and religion.
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Sep 29, 2015
Sep 29, 2015 at 12:49 PM UTC
to quote st. paul
Take a walk with thyself softly, secretly an hour before the dawn thy feet feel grasses caress and time awaits you by unseen  hand drawn   down to the bosomed river plunge thou naked body   and be reborn
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Aug 4, 2015
Aug 4, 2015 at 8:43 PM UTC
Good advice