THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of

Victor was a little baby,
Into this world he came;
His father took him on his knee and said:
'Don't dishonour the family name.'

Victor looked up at his father
Looked up with big round eyes:
His father said; 'Victor, my only son,
Don't you ever ever tell lies.'

Victor and his father went riding
Out in a little dog-cart;
His father took a Bible from his pocket and read;
'Blessed are the pure in heart.'

It was a frosty December
Victor was only eighteen,
But his figures were neat and his margins were straight
And his cuffs were always clean.

He took a room at the Peveril,
A respectable boarding-house;
And Time watched Victor day after day
As a cat will watch a mouse.

The clerks slapped Victor on the shoulder;
'Have you ever had woman?' they said,
'Come down town with us on Saturday night.'
Victor smiled and shook his head.

The manager sat in his office,
Smoked a Corona cigar:
Said; 'Victor's a decent fellow but
He's too mousy to go far.'

Victor went up the his bedroom,
Set the alarum bell;
Climbed into bed, took his Bible and read
Of what happened to Jezebel.

It was the First of April,
Anna to the Peveril came;
Her eyes, her lips, her *******, her hips
And her smile set men aflame,

She looked as pure as a schoolgirl
On her First Communion day,
But her kisses were like the best champagne
When she gave herself away.

It was the Second of April.
She was wearing a coat of fur;
Victor met her upon the stair
And he fell in love with her.

The first time he made his proposal,
She laughed, said; 'I'll never wed;
The second time there was a pause;
Then she smiled and shook her head.

Anna looked into her mirror,
Pouted and gave a frown:
Said 'Victor's as dull as a wet afternoon
But I've got to settle down.'

The third time he made his proposal,
As they walked by the Reservoir:
She gave him a kiss like a blow on the head,
Said; 'You are my heart's desire.'

They were married early in August,
She said; 'Kiss me, you funny boy';
Victor took her in his arms and said;
'O my Helen of Troy.'

It was the middle of September,
Victor came to the office one day;
He was wearing a flower in his buttonhole,
He was late but he was gay.

The clerks were talking of Anna,
The door was just ajar:
One said, 'Poor old Victor, but where ignorance
Is bliss, et cetera.'

Victor stood still as a statue,
The door was just ajar:
One said, 'God, what fun I had with her
In that Baby Austin car.'

Victor walked out into the High Street,
He walked to the edge of town:
He came to the allotments and the ******* heap
And his tears came tumbling down.

Victor looked up at the sunset
As he stood there all alone;
Cried; 'Are you in Heaven, Father?'
But the sky said 'Address not known'.

Victor looked at the mountains,
The mountains all covered in snow
Cried; 'Are you pleased with me, Father?'
And the answer came back, No.

Victor came to the forest,
Cried: 'Father, will she ever be true?'
And the oaks and the beeches shook their heads
And they answered: 'Not to you.'

Victor came to the meadow
Where the wind went sweeping by:
Cried; 'O Father, I love her so',
But the wind said, 'She must die'.

Victor came to the river
Running so deep and so still:
Crying; 'O Father, what shall I do?'
And the river answered, '****'.

Anna was sitting at table,
Drawing cards from a pack;
Anna was sitting at table
Waiting for her husband to come back.

It wasn't the Jack of Diamonds
Nor the Joker she drew first;
It wasn't the King or the Queen of Hearts
But the Ace of Spades reversed.

Victor stood in the doorway,
He didn't utter a word:
She said; 'What's the matter, darling?'
He behaved as if he hadn't heard.

There was a voice in his left ear,
There was a voice in his right,
There was a voice at the base of his skull
Saying, 'She must die tonight.'

Victor picked up a carving-knife,
His features were set and drawn,
Said; 'Anna it would have been better for you
If you had not been born.'

Anna jumped up from the table,
Anna started to scream,
But Victor came slowly after her
Like a horror in a dream.

She dodged behind the sofa,
She tore down a curtain rod,
But Victor came slowly after her:
Said; 'Prepare to meet thy God.'

She managed to wrench the door open,
She ran and she didn't stop.
But Victor followed her up the stairs
And he caught her at the top.

He stood there above the body,
He stood there holding the knife;
And the blood ran down the stairs and sang,
'I'm the Resurrection and the Life'.

They tapped Victor on the shoulder,
They took him away in a van;
He sat as quiet as a lump of moss
Saying, 'I am the Son of Man'.

Victor sat in a corner
Making a woman of clay:
Saying; 'I am Alpha and Omega, I shall come
To judge the earth some day.'

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."--
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."--
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away--
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"--here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a ***** flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?--It cannot be--
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth **** much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less--
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd ***** did melt
In blood from stinging whip;--with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?--
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?--
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?--
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests--the untired
And pannier'd mules for ducats and old lies--
Quick cat's-paws on the generous stray-away,--
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?--
Yet so they did--and every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

**.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done--succeed the verse or fail--
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To **** Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back."--"Good bye!" said she:--
And as he went she chanted merrily.

XXVII.
So the two brothers and their ******'d man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.--They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness--is ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's ****,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

***.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest--
Not long--for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.--In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,--the murderous spite
Of pride and avarice,--the dark pine roof
In the forest,--and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"--dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd us--happy days, or else to die;
"But there is crime--a brother's ****** knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.--"What feverous hectic flame
"Burns in thee, child?--What good can thee betide,
"That thou should'st smile again?"--The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her *****, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her vei

It faces west, and round the back and sides
High beeches, bending, hang a veil of boughs,
And sweep against the roof. Wild honeysucks
Climb on the walls, and seem to sprout a wish
(If we may fancy wish of trees and plants)
To overtop the apple trees hard-by.

Red roses, lilacs, variegated box
Are there in plenty, and such hardy flowers
As flourish best untrained. Adjoining these
Are herbs and esculents; and farther still
A field; then cottages with trees, and last
The distant hills and sky.

Behind, the scene is wilder. Heath and furze
Are everything that seems to grow and thrive
Upon the uneven ground. A stunted thorn
Stands here and there, indeed; and from a pit
An oak uprises, Springing from a seed
Dropped by some bird a hundred years ago.

In days bygone—
Long gone—my father’s mother, who is now
Blest with the blest, would take me out to walk.
At such a time I once inquired of her
How looked the spot when first she settled here.
The answer I remember. ‘Fifty years
Have passed since then, my child, and change has marked
The face of all things. Yonder garden-plots
And orchards were uncultivated slopes
O’ergrown with bramble bushes, furze and thorn:
That road a narrow path shut in by ferns,
Which, almost trees, obscured the passers-by.

Our house stood quite alone, and those tall firs
And beeches were not planted. Snakes and efts
Swarmed in the summer days, and nightly bats
Would fly about our bedrooms. Heathcroppers
Lived on the hills, and were our only friends;
So wild it was when we first settled here.’

Especially when the October wind
With frosty fingers punishes my hair,
Caught by the crabbing sun I walk on fire
And cast a shadow crab upon the land,
By the sea's side, hearing the noise of birds,
Hearing the raven cough in winter sticks,
My busy heart who shudders as she talks
Sheds the syllabic blood and drains her words.

Shut, too, in a tower of words, I mark
On the horizon walking like the trees
The wordy shapes of women, and the rows
Of the star-gestured children in the park.
Some let me make you of the vowelled beeches,
Some of the oaken voices, from the roots
Of many a thorny shire tell you notes,
Some let me make you of the water's speeches.

Behind a post of ferns the wagging clock
Tells me the hour's word, the neural meaning
Flies on the shafted disk, declaims the morning
And tells the windy weather in the ****.
Some let me make you of the meadow's signs;
The signal grass that tells me all I know
Breaks with the wormy winter through the eye.
Some let me tell you of the raven's sins.

Especially when the October wind
(Some let me make you of autumnal spells,
The spider-tongued, and the loud hill of Wales)
With fists of turnips punishes the land,
Some let me make of you the heartless words.
The heart is drained that, spelling in the scurry
Of chemic blood, warned of the coming fury.
By the sea's side hear the dark-vowelled birds.

I knew a man once who could read the trees
He'd stand in a field with nothing on
And look at them for hours
(He couldn't talk to flowers)
But he would pour over every branch
Trace every knot and feel their bark
He translated a sycamore for me once
But oaks and beeches were his favourite
He said he just preferred their type.
The elbow bends told him of seasons
The trunk's tilt told the prevailing winds
Their denseness in relation to their neighbours
Told him all manner of gossipy things.
The colours and the hues told of the soil
The moulds and lichens the local fashions
He'd tell you if they'd ever been frightened
By hippies, chainsaws, axes or lightening.
And as I looked on, I realised something
As I read his naked body with no clothes
This man was obviously a stark raving lunatic.

I MEDITATE upon a swallow's flight,
Upon a aged woman and her house,
A sycamore and lime-tree lost in night
Although that western cloud is luminous,
Great works constructed there in nature's spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.
There Hyde before he had beaten into prose
That noble blade the Muses buckled on,
There one that ruffled in a manly pose
For all his timid heart, there that slow man,
That meditative man, John Synge, and those
Impetuous men, Shawe-Taylor and Hugh Lane,
Found pride established in humility,
A scene well Set and excellent company.
They came like swallows and like swallows went,
And yet a woman's powerful character
Could keep a Swallow to its first intent;
And half a dozen in formation there,
That seemed to whirl upon a compass-point,
Found certainty upon the dreaming air,
The intellectual sweetness of those lines
That cut through time or cross it withershins.
Here, traveller, scholar, poet, take your stand
When all those rooms and passages are gone,
When nettles wave upon a shapeless mound
And saplings root among the broken stone,
And dedicate -- eyes bent upon the ground,
Back turned upon the brightness of the sun
And all the sensuality of the shade --
A moment's memory to that laurelled head.
UNDER my window-ledge the waters race,
Otters below and moor-hens on the top,
Run for a mile undimmed in Heaven's face
Then darkening through "dark' Raftery's "cellar' drop,
Run underground, rise in a rocky place
In Coole demesne, and there to finish up
Spread to a lake and drop into a hole.
What's water but the generated soul?
Upon the border of that lake's a wood
Now all dry sticks under a wintry sun,
And in a copse of beeches there I stood,
For Nature's pulled her tragic buskin on
And all the rant's a mirror of my mood:
At sudden thunder of the mounting swan
I turned about and looked where branches break
The glittering reaches of the flooded lake.
Another emblem there! That stormy white
But seems a concentration of the sky;
And, like the soul, it sails into the sight
And in the morning's gone, no man knows why;
And is so lovely that it sets to right
What knowledge or its lack had set awry,
So atrogantly pure, a child might think
It can be murdered with a spot of ink.
Sound of a stick upon the floor, a sound
From somebody that toils from chair to chair;
Beloved books that famous hands have bound,
Old marble heads, old pictures everywhere;
Great rooms where travelled men and children found
Content or joy; a last inheritor
Where none has reigned that lacked a name and fame
Or out of folly into folly came.
A spot whereon the founders lived and died
Seemed once more dear than life; ancestral trees,
Or gardens rich in memory glorified
Marriages, alliances and families,
And every bride's ambition satisfied.
Where fashion or mere fantasy decrees
We shift about -- all that great glory spent --
Like some poor Arab tribesman and his tent.
We were the last romantics -- chose for theme
Traditional sanctity and loveliness;
Whatever's written in what poets name
The book of the people; whatever most can bless
The mind of man or elevate a rhyme;
But all is changed, that high horse riderless,
Though mounted in that saddle Homer rode
Where the swan drifts upon a darkening flood.

Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.

On russet floors, by waters idle,
The pine lets fall its cone;
The cuckoo shouts all day at nothing
In leafy dells alone;
And traveller's joy beguiles in autumn
Hearts that have lost their own.

On acres of the seeded grasses
The changing burnish heaves;
Or marshalled under moons of harvest
Stand still all night the sheaves;
Or beeches strip in storms for winter
And stain the wind with leaves.

Posses, as I possessed a season,
The countries I resign,
Where over elmy plains the highway
Would mount the hills and shine,
And full of shade the pillared forest
Would murmur and be mine.

For nature, heartless, witless nature,
Will neither care nor know
What stranger's feet may find the meadow
And trespass there and go,
Nor ask amid the dews of morning
If they are mine or no.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,--
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so--he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.

I.

Here we halt our march, and pitch our tent
  On the rugged forest ground,
And light our fire with the branches rent
  By winds from the beeches round.
Wild storms have torn this ancient wood,
  But a wilder is at hand,
With hail of iron and rain of blood,
  To sweep and waste the land.

II.

How the dark wood rings with voices shrill,
  That startle the sleeping bird;
To-morrow eve must the voice be still,
  And the step must fall unheard.
The Briton lies by the blue Champlain,
  In Ticonderoga's towers,
And ere the sun rise twice again,
  The towers and the lake are ours.

III.

Fill up the bowl from the brook that glides
  Where the fireflies light the brake;
A ruddier juice the Briton hides
  In his fortress by the lake.
Build high the fire, till the panther leap
  From his lofty perch in flight,
And we'll strenghten our weary arms with sleep
  For the deeds of to-morrow night.

This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly;
And the little brown nightingale bills his best,
And they sit outside at ‘The Traveller’s Rest,’
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.

This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate bars hang in a row,
And rooks in families homeward go,
And so do I.

We become part of nature,
part of sunflowers & leafy stature.
By the running brook, quiet creek,
Like snowflakes on jagged peaks.

By sunny beaches, which the horizon reaches,
In wispy woods & pristine beeches.
Below the dark, cold depths of the ocean,
Which moon tides draw in motion.

Tis where my soul would go,
For solitude, no friend, no foe.

When my eyes are weeds,
And my lips are petals, spinning
Down the wind that has beginning
Where the crumpled beeches start
In a fringe of salty reeds;
When my arms are elder-bushes,
And the rangy lilac pushes
Upward, upward through my heart;

Summer, do your worst!
Light your tinsel moon, and call on
Your performing stars to fall on
Headlong through your paper sky;
Nevermore shall I be cursed
By a flushed and amorous slattern,
With her dusty laces' pattern
Trailing, as she straggles by.

Not all was what it seemed
Those dreams were never real
The night lights shone
Then faded like the moon.

City streets were crowded
People busy with there lives
All seemed normal to the eye
Who could see behind the scene.

1938 crowded parks and beaches full
Ice cream stands and punch and Judy men
Normality was all that children knew
Family's made plans unaware of what lay ahead.

Summer days flowers displayed there colours
Work for dad.and children going to school
Christmas time and snow covering the ground
Another festive time was there with celebrations.

The summer time of 39 stormy days ahead
Young boys 18 plus answered to the country's call
Not realising adventure was never there at all
They lied about their age .in search of that adventure.

So six long years they fought and died
The survivers came home with open eyes
Seeing the world for what it was there youth denied.
The storm now over they now faced the calm.

Time to move on now the war days had gone
They found work and learned a trade
Those night lights shone once more
And the city streets filled with happy times again.

1945 the years move on the past now history
It was a time to rebuild a future of hope
And to find the will to carry on
Back too the beeches sands and the ice cream man.

why do they write about what's essential... well... ~essential... there's no universal proof of it, or the exhibition of a certain use of the currency of words... the elevated vocabulary... currency... they're at the mercy of a lion, a fox and a lamb compost heap of bone... they write as if the things they're longing for are essential... they're not... they were never meant to be experienced with democratic uniformity, no man is born equal, hence the dream of democracy... the dream of democracy was born from the obvious tradition of inequality... democracy is what stunted the agile strong man from bringing home the bacon, a critique of Christianity is nothing compared to a critique of democracy... how avidly we spectate in affairs of sports where one beats another in a sprint of a boxing match, and then comes this crucifix whining about equality... if Christianity is Platonism for the people... then Democracy is Platonism for the powerful.

either entertainment or no attainment, make a choice! democracy is belittling me post-Victorian with omni-education - they want me
to write an *X when i should be writing my name,
why am i suspicious of democracy?
at least in the alternative you have one, clear, target,
in this ****-hole you have too many to aim at,
and i'm sure, dead certain that we're not selling
nappies in Westminster with all the bold speeches,
is that Mr. Blair trying to wriggle out being compared
to a former Mr., Milosevitch (Milošević: Meelohshevitch)?
there goes the linguistic alphabet,
use the placebo language that doesn't use accent stresses
and apply the languages that do, up yours upside down
omega! /ˈhəʊpfʊl/ v. hopeful, e.g. there;
it was a bountiful night, walking home trying to
find a place that sold the Saturday edition of the times,
didn't find one, stopped in a street,
a house without curtains, plain sight view,
like in the old days, one television per street,
after extra time, Germany v Italy in the quarter-finals,
watched the entire penalty shootout from a street
looking into a stranger's house... the old way of
watching television, the feeling? better than HD,
or flat-screen, whatever quality is to be minded,
Œzil missed, Schweinsteiger too....
now image the lost influence on me by a television,
i didn't eagerly sit till the match ended,
took a few beers for a walk, watched the shootout
like a mid-20th century person, through
a neighbour's / stranger's window -
and all this world around me, happening,
and yet in the vicinity... nothing... a pigeon *******
in flight, a dog barked, a car was parked,
a family photo was taken... even with all this
faking of global unity via the internet and the television...
the world is still largely minute, i know
that globalisation allowed astrophysicists and
darwinists (anti-historians) make bold claims
of the encapsulated individual -
an average ape shaved on an grain of sand
orbiting an average star - our ancestors the cavemen
and the flint - **** me, chicken oven baked in an
hour, egg boiled in 5 minutes for a runny yoke,
a marathon: Radcliffe's 2:17:42 (almost like citing
the bible) - you want me to be conscious of
what came prior so many years ago?! this is *******
ridiculous, it only means we're speeding up -
and the crowning zenith prize of our scientific inquiry
is crippling old age everyone seems to be afraid of...
**** yeah! we are speeding up, having this arm's reach
into prehistory isn't slowing us down,
not with 24 / 7 underground of New York,
"christ's" critique of the Sabbath in full swing...
it's a clear and utter barricaded proof of a burn-out,
imagine having the routine of a 9 to 5p.m. when
all the major tasks at hand were mediocre by comparison
to fishermen or coal-miners... what then?
burn-out... the first critique of Marxism didn't work...
the second one will, and it will be silent, less warring,
less prone to national agendas and borrowings from
Hinduism... there is a second Marxist critique coming,
but it will turn out to be a masochism for those that
didn't embrace the first critique - as a way to embrace
the invigoration of the category of species rather than
the individual - we now have a species inside a species:
individuals - not necessarily true to the point,
the stresses of biology were perfectly suited to communism,
the stresses of physics are perfectly suited to capitalism,
Oppenheimer: now i've become death, the destroyer
of worlds - given enough 'heimers and we will not necessarily
need atom bombs, just a carbon footprint and a few
selfies on the beeches of Goa, Morocco or elsewhere.

Whisper to me
You tall beeches
Whisper your shadows
The words of your leaves
On clouds I sit
Chalk
Your
Boughs
Long
Shadows
Like tresses
Of hills
Soft and downy
With grass

Listen beeches
Remember your days
The way the sun climbs
And lowers itself
Remember drifts of snow
White as chalk

Whisper your secrets of leaves
Let me sleep
Beneath your shadows
Glad that summer is arrived
Before
Snow

abjectness is a form of inroads
toil the Woodlands Trust
all hail no coppiced beeches,
my first sighted R.S.P.B Avocet
the perplexed scale comparable
to competing blank stares,
endorphins withstanding,
clueless  and unconscionable
instinctual pomposity
suffers Nature's either
way.

there you said it
i like you because..
you’re sensitive
me? sensitive? an ever mask
but maybe
with you
maybe
i can finally put that **** off
and i like you because..
you really want to
help me too
face the darkness
end a career i don’t like
the so called doctor
never voted for a strike
even though i never earned a penny
like these argentinian doctors
they help them in hospitals, many
in poor districts with poor people
because they have nothing
some not even a foot to stand
and the doctors have everything
they think
as if they differ mentally
they think there’s a difference
between such rich and poor
see nothing else
so they always ask for more
but nowadays
for me
it are just temporary words
a weak or strong one doesn't exist
because in weak times
we all need a superman
inclusive the man in red suit
even Peter Pan
one that comes with high speed
still questioning yourself
how superman has got so strong
what does superman actually need?

and now i say it
that from the day i met you
i felt it was different
than all these times before
because i simply can't compare
and on my lucky day, you just opened the door
the door of my cage so severe
this beast in me finally free
it felt so incredibly weird
new things to see
unusual, too
that someone thinks
and thinks pretty much like you
all you told me, so sincere
still questioning myself
where has this been before?
a burning soul like yours
maybe because i always fell for the poor
while you were being superman
all these years, wandering
sauntering through a poor land
you slammed
into exotic beaches
that started with leeches and ended with peaches,
beautiful flowers and grass, green beeches
planted on the edge of the deepest oceans in my heart

If slumber, sweet Lisena!
  Have stolen o'er thine eyes,
As night steals o'er the glory
  Of spring's transparent skies;

Wake, in thy scorn and beauty,
  And listen to the strain
That murmurs my devotion,
  That mourns for thy disdain.

Here by thy door at midnight,
  I pass the dreary hour,
With plaintive sounds profaning
  The silence of thy bower;

A tale of sorrow cherished
  Too fondly to depart,
Of wrong from love the flatterer,
  And my own wayward heart.

Twice, o'er this vale, the seasons
  Have brought and borne away
The January tempest,
  The genial wind of May;

Yet still my plaint is uttered,
  My tears and sighs are given
To earth's unconscious waters,
  And wandering winds of heaven.

I saw from this fair region,
  The smile of summer pass,
And myriad frost-stars glitter
  Among the russet grass.

While winter seized the streamlets
  That fled along the ground,
And fast in chains of crystal
  The truant murmurers bound.

I saw that to the forest
  The nightingales had flown,
And every sweet-voiced fountain
  Had hushed its silver tone.

The maniac winds, divorcing
  The turtle from his mate,
Raved through the leafy beeches,
  And left them desolate.

Now May, with life and music,
  The blooming valley fills,
And rears her flowery arches
  For all the little rills.

The minstrel bird of evening
  Comes back on joyous wings,
And, like the harp's soft murmur,
  Is heard the gush of springs.

And deep within the forest
  Are wedded turtles seen,
Their nuptial chambers seeking,
  Their chambers close and green.

The rugged trees are mingling
  Their flowery sprays in love;
The ivy climbs the laurel,
  To clasp the boughs above.

They change--but thou, Lisena,
  Art cold while I complain:
Why to thy lover only
  Should spring return in vain?

Sing in love to the world!
That mystery is from the shadows hurled!
Into darkness and into light!
May in harmony we unite!
Sing a song of woe and gloom
that ever emphasizes our painful doom!
Let joyous ponds with lilies fair
entwine with nature and Nature's hair!
Let silver streams of moonlight clear
enlighten us on our unending fears!
May together the night and the sky
bring love and joy that cannot die!
May tunes high strung and beeches far
bring joy to us!
From Gaia the Fair!

these, these,
                                                                                                                      knock
this stranger's words on my screen
                                                                                                                       knock
reminding me of me
                                                                                                                        knock

In my stomach, a sinking
                                                                                                                                         slow
In my chest heavy. Shoulders
                                                                                                                           solid
want to crunch into each other
                                                                                        want to erase
Helpless sad
                                                                                                                   pain from
leans bone into back
                                                                                            your words
back-bent behind birds and beeches
                                                                                                             I found
Dreaming for seasons, I
                                                                                                              the sun
miss the sun
                                                                                          speak
silent
                                                                                       please
miss the days I numbed myself while it was cloudy
                                                                                                   I'll drown
even with a good chance of clearing up before noon, I
                                                                                                          in your words
don't remember any of them
                                                                                   remembering
The flavor of my thoughts
                                                                                       not
was lost



What do you say to the corpse that is lying in your grave?
                                                                                                                            caustic
You learn to accept that you're still here.
                                                                                                                              golden
You look yourself in the mirror and decide each day that you'll
                                                                                                                  stay      constant
shake love out of your living limbs
                                                                                            sorrow
into the earth
                                                                                      love
with each step.
                                                                                                is like
Step.
                                                                                                                   DANCING
You become grateful for the beat.
                                                                                                                move with me
Beat.
                               &

The sun exits, ever so slowly,
down behind the heights of bursting-into-leaf beeches
as gym-shoe-running children
are called in to supper and to bed.

Voices sound from balconies and neighbours' gardens
while blackbirds bid, contentedly, the day farewell.
Lawnmowers cease their whirring sounds
and clippers, rakes and hoes clank in wooden or plastic sheds.

Fragrances roam the evening air,
invading every square metre with terrestial joy,
and cigarettes are passed around
as the face next door has ceased
being a removed nod and smile.

Eventually, the curtains are drawn on a happy ending
while tentative talk succeeds in silencing
any riotous upheavals that might occur
in the night's discourses and dreams.

We don’t have winds like this
Here in the shire
Right now the world is screaming
Squirming on its axis
'I am here!' it shouts
However much you **** me

A deafening rush
The trees could crush me
The battling branches break, fell me
The low clouds lumbar onwards
Indifferent, closing down
The last sneak of blue

The west-south-westerly whips
All grass and grain flat
Against dark earth
Freshly turned by the blade
Autumn comes abruptly this year
The leaves are torn to the ground

The path ahead a boil of branches
Lashing at me
The dry-gold giant Hogweed
Oscillates with insanity
The tall beeches mope and weep above
The wind an inferno
Its sound like steam is cleansing

The earth is separate today
It says '*******!'
The wind can hear me
It Shrieks at me
My heart beats a little faster
Once again that thought of oblivion
Curls up like the sea
Now I am diving under waves

26/8/20

Im glad Penguins are happy at London Zoo!
But am I not like a little Penguin too?
Im sociable, and a good swim, is a nice treat.
With cupped hands, and fins on my feet.
I can hold my breathe, not as long I know.
Catch fish with my mouth, in my Tuxedow.
Please illuminate me, And show you care.
Smash your machines, "go on I dare".
Sweep up your plastic, it pollutes our Earth
Please mister man, let's have a rebirth.

Rain. Quenching summer’s green thirst, flaking hills rust. Pitted iron. Old bone beeches, alabaster reaching finger trunks and damp obsidian spines round crowns bronzed, pebbled umber arbors released, fluttering mast patina of carotenoids and iron browned and burnished from months of sun. Golden feathers molt from stands of birches, aluminum wire ghosts. First hard frost smokes up from the cinnamon stick curls of cherry leaves,
     and stainless pines in scrap metal hills.

Some prose poems patched in his hands
Suddenly then, ecstasy or hypnosis faces him!
As he was reading, bathing in scents of cedar
She stands before him, disrobed, Phaedra-like and solemn!

He mouthed those lines while blossomed within him
A garden of secrets, rustling beeches
The mused muse came to visit him when
Every morning he read on, gold upon her head

He never put the velvety book down
The air heavy with laughter, desires, and rhymes
The Western wind gently rocked them as they held
Each other…Yet as the last poem echoed, she adamantly fled!

Translated on April 17, 2019
Nancy, France

The grave they kept on the lonely beach
Lay under a foot of lime,
Most of the pile had washed away
With rain, and the tides of time,
It had been so long since its stone was laid
As a warning to who went there,
The rough-cut name had begun to fade,
To the solitary word, ‘Despair!’

It said, ‘Despair if you dig it up,
Despair if you set it free,
It savaged the girl called Maidenhair
It ravaged this fair country,
It roamed the farms at the dead of night
And tore into sheep and hogs,
The farmers called it the devil’s blight
When they found their blood-spattered dogs.

The only monk that was left to tend
The grave, now lay in the church,
His Order gone, now the only one
To fend off the tidal surge.
The church was almost a ruin since
It had shattered the oak-backed doors,
And blasted the Brothers altar with
Its devils breath, and its claws.

But the monk lay ill, and he knew full well
He never could make the beach,
To pile the lime on the Beast of Time
And the sea would surely breach.
His fellow monks were all laid in clay
On the upper side of the cliff,
Their duty done, they had one by one
Passed on, and lay cold and stiff.

A crack appeared in the bed of lime
With a rush of air from the shore,
And something groaned with an eerie moan,
The seed of the devil’s spore.
A whisp rose out of the open grave
To join with a gully breeze,
That sent it whirling along a wave
And into a grove of trees.

And then an ominous rumble rose
As a whirlwind formed on high,
It whipped the waves to a surly peak
As it rose to blacken the sky,
A tempest, such as had never been
Tore trees, like beeches and birch,
And cut a swathe like the path it paved,
On its wayward way to the church.

The monk lay there with his gilded cross
As he heard the beast outside,
It gave a roar by the shattered door
And the monk had almost died.
But a gentle hand took the cross from him,
A hand that was soft and fair,
And held it up to the beast so grim,
The ghost of Maidenhair.

It shuddered once as she stood with ease
And the cross then drove it back,
The whirlwind died to a gully breeze
As it fled back down the track.
It seemed confused, and it seemed to lose
Its overwhelming reach,
And sank back into its limestone grave
On that long deserted beach.

The sea had battered the arching cliff
Hung over that limestone shore,
It now collapsed in a final lapse
With the monks who’d passed before.
And beneath a thousand tons of earth
That is holding off the sea,
There’s a rough-cut stone that says, ‘Despair,
Despair if you let it free!’

David Lewis Paget

Translated by Przemyslaw Musialowski 7/20/2018

And the sun seems to disappear in the west
in beeches crowns, it sinks in green
and the night like a king sits upon the throne
and it shimmers in moonlight.

And nothing has changed - ages are passing:
the moon has not grown, the sun has not diminished,
hunter and hare do not count the stumbles,
no beginning will ever meet the end.

The crows are cawing though I do not know what
- allegedly they carry foretaste of winter
and it so happens that my eyes water,
because time turns winter's birthday

into the autumn's funeral. The last travelers
will sit for a moment as before the journey
the strangers sat with the household members
like a daisy with the most beautiful rose.

And so is the Earth that there is enough space for everyone,
enough water and air, fire and ash:
for the rich, the beggars, for those experienced by fate
- without favoring - it will host everyone.

Wieslaw Musialowski 6/14/2008

Rhiannon,
quick nymph,
tell me a story;
teach me to
speak to the
trees.
Magic may be a
secret, gone
for the telling
but language,
she needs to breathe.

Do the beeches creak
or grumble? I’m sure
the pines are rustling
whisperers and the willow,
old weeper,
is sighing
near the oak
who admits in a moan
that times they’re
always a-changing
the sapling soon
will be grown.

Rhiannon,
sweet girl,
I’ll join you
near the babbling
river, that fool
together we’ll sing
to the ancients
within us
their knowledge
will pool. In
time our ankles
will lengthen
earth-hungry, plunge
into the ground, our
bodies
amber and gleaming
will reach
bark-clothed, sky-bound.

Rhiannon,
dear rowan,
do you remember
all that we
used to be?
Boughs tangled, roots
curled together
weave our tale
in the language of
trees.

I've been to many photography venues,
the equilibrium of exposure
the trade-off between exposed light,
can't say I have made  any friends
just recommended some classic cameras
like the OM1 and Canon EF SLR
with different exposures.

Seen Dungeness twice
the first time was like early  Christmas
with a certain light quality
caressing the wooden huts and boats
but we don't have a Mediterranean climate here

Herbaceous borders way lay me
stopping for a singular rose
in the Weald of Kent
the garden of England
the native bluebells
blend in the palm of my hand

Down the Greensand Way in Surrey Dorking by Juniper house
Field studies council
I solemnly believe the simple things are the best
as is High Beeches Garden  in Sussex
an independent woodland and water garden

the bracken fields
fill with rainwater
the submerged cartwheel rots
as kale sways
in the outlier fields

After the languid storm
cold against the grass
winter beeches thrive
as the flotsam swirls by
the Riverside
fills their proverbial prose

healing happens --
     birch bolettes
     and beeches

songs of "the dead"
as beauty
     forever reaches

Your beauty is still as fresh as dew even as middle age tilts,
It's now obvious that you and happiness can never split,
The lamp of kindness, you lighten up lives with, is well lit,
It is in your life that God's favours have the best fits.

Prosperity comes into your life to dance to the best beats,
You hosted success and made it to sit on its most preferred seat,
Your cool mien remains unwavering even under the worst heat,
The air of freshness that comes out of you is always very neat.

Your blessings are well-acknowledged even when it is a fact that you don't cheat,
Your enemies run in trepidation because you give no room for their friendly *****,
That's because God has taught you how best to remove the weeds strangling your wheat,
Your smiles send joy to whoever your soul is pleased with.

Love fills your heart chambers and affection is what comes out of it,
Wherever you graced your wisdom becomes an instant hit,
Because in all situations your intelligence is used to the hilt,
Since your greatness still talks even when you give noone a minute hint.

God's favours now finds comfort in your home on a chair made out of wood of beeches,
Blessings in your life are now as plenty as the sands of the beaches,
Success paddles its boat into your home filling it with the scents of the freshness built into it from planks of a teak.
Your enemies just watch jaw-dropping as the goodness of the Lord keeps increasing in your life as the clocks tick.