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"beeches" poems
Especially when the October wind With frosty fingers punishes my hair, Caught by the crabbing sun I walk on fire And cast a shadow crab upon the land, By the sea's side, hearing the noise of birds, Hearing the raven cough in winter sticks, My busy heart who shudders as she talks Sheds the syllabic blood and drains her words. Shut, too, in a tower of words, I mark On the horizon walking like the trees The wordy shapes of women, and the rows Of the star-gestured children in the park. Some let me make you of the vowelled beeches, Some of the oaken voices, from the roots Of many a thorny shire tell you notes, Some let me make you of the water's speeches. Behind a post of ferns the wagging clock Tells me the hour's word, the neural meaning Flies on the shafted disk, declaims the morning And tells the windy weather in the **** Some let me make you of the meadow's signs; The signal grass that tells me all I know Breaks with the wormy winter through the eye. Some let me tell you of the raven's sins. Especially when the October wind (Some let me make you of autumnal spells, The spider-tongued, and the loud hill of Wales) With fists of turnips punishes the land, Some let me make of you the heartless words. The heart is drained that, spelling in the scurry Of chemic blood, warned of the coming fury. By the sea's side hear the dark-vowelled birds.
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Especially When The October Wind
I knew a man once who could read the trees He'd stand in a field with nothing on And look at them for hours (He couldn't talk to flowers) But he would pour over every branch Trace every knot and feel their bark He translated a sycamore for me once But oaks and beeches were his favourite He said he just preferred their type. The elbow bends told him of seasons The trunk's tilt told the prevailing winds Their denseness in relation to their neighbours Told him all manner of gossipy things. The colours and the hues told of the soil The moulds and lichens the local fashions He'd tell you if they'd ever been frightened By hippies, chainsaws, axes or lightening. And as I looked on, I realised something As I read his naked body with no clothes This man was obviously a stark raving lunatic.
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Jan 23, 2012
Jan 23, 2012 at 8:31 AM UTC
The Tree Whisperer
Tell me not here, it needs not saying, What tune the enchantress plays In aftermaths of soft September Or under blanching mays, For she and I were long acquainted And I knew all her ways. On russet floors, by waters idle, The pine lets fall its cone; The cuckoo shouts all day at nothing In leafy dells alone; And traveller's joy beguiles in autumn Hearts that have lost their own. On acres of the seeded grasses The changing burnish heaves; Or marshalled under moons of harvest Stand still all night the sheaves; Or beeches strip in storms for winter And stain the wind with leaves. Posses, as I possessed a season, The countries I resign, Where over elmy plains the highway Would mount the hills and shine, And full of shade the pillared forest Would murmur and be mine. For nature, heartless, witless nature, Will neither care nor know What stranger's feet may find the meadow And trespass there and go, Nor ask amid the dews of morning If they are mine or no.
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Tell me not here, it needs not saying
I. Here we halt our march, and pitch our tent On the rugged forest ground, And light our fire with the branches rent By winds from the beeches round. Wild storms have torn this ancient wood, But a wilder is at hand, With hail of iron and rain of blood, To sweep and waste the land. II. How the dark wood rings with voices shrill, That startle the sleeping bird; To-morrow eve must the voice be still, And the step must fall unheard. The Briton lies by the blue Champlain, In Ticonderoga's towers, And ere the sun rise twice again, The towers and the lake are ours. III. Fill up the bowl from the brook that glides Where the fireflies light the brake; A ruddier juice the Briton hides In his fortress by the lake. Build high the fire, till the panther leap From his lofty perch in flight, And we'll strenghten our weary arms with sleep For the deeds of to-morrow night.
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The Green Mountain Boys
It faces west, and round the back and sides High beeches, bending, hang a veil of boughs, And sweep against the roof. Wild honeysucks Climb on the walls, and seem to sprout a wish (If we may fancy wish of trees and plants) To overtop the apple trees hard-by. Red roses, lilacs, variegated box Are there in plenty, and such hardy flowers As flourish best untrained. Adjoining these Are herbs and esculents; and farther still A field; then cottages with trees, and last The distant hills and sky. Behind, the scene is wilder. Heath and furze Are everything that seems to grow and thrive Upon the uneven ground. A stunted thorn Stands here and there, indeed; and from a pit An oak uprises, Springing from a seed Dropped by some bird a hundred years ago. In days bygone— Long gone—my father’s mother, who is now Blest with the blest, would take me out to walk. At such a time I once inquired of her How looked the spot when first she settled here. The answer I remember. ‘Fifty years Have passed since then, my child, and change has marked The face of all things. Yonder garden-plots And orchards were uncultivated slopes O’ergrown with bramble bushes, furze and thorn: That road a narrow path shut in by ferns, Which, almost trees, obscured the passers-by. Our house stood quite alone, and those tall firs And beeches were not planted. Snakes and efts Swarmed in the summer days, and nightly bats Would fly about our bedrooms. Heathcroppers Lived on the hills, and were our only friends; So wild it was when we first settled here.’
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Domicilium
It faces west, and round the back and sides High beeches, bending, hang a veil of boughs, And sweep against the roof. Wild honeysucks Climb on the walls, and seem to sprout a wish (If we may fancy wish of trees and plants) To overtop the apple trees hard-by. Red roses, lilacs, variegated box Are there in plenty, and such hardy flowers As flourish best untrained. Adjoining these Are herbs and esculents; and farther still A field; then cottages with trees, and last The distant hills and sky. Behind, the scene is wilder. Heath and furze Are everything that seems to grow and thrive Upon the uneven ground. A stunted thorn Stands here and there, indeed; and from a pit An oak uprises, Springing from a seed Dropped by some bird a hundred years ago. In days bygone— Long gone—my father’s mother, who is now Blest with the blest, would take me out to walk. At such a time I once inquired of her How looked the spot when first she settled here. The answer I remember. ‘Fifty years Have passed since then, my child, and change has marked The face of all things. Yonder garden-plots And orchards were uncultivated slopes O’ergrown with bramble bushes, furze and thorn: That road a narrow path shut in by ferns, Which, almost trees, obscured the passers-by. Our house stood quite alone, and those tall firs And beeches were not planted. Snakes and efts Swarmed in the summer days, and nightly bats Would fly about our bedrooms. Heathcroppers Lived on the hills, and were our only friends; So wild it was when we first settled here.’
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This is the weather the cuckoo likes, And so do I; When showers betumble the chestnut spikes, And nestlings fly; And the little brown nightingale bills his best, And they sit outside at ‘The Traveller’s Rest,’ And maids come forth sprig-muslin drest, And citizens dream of the south and west, And so do I. This is the weather the shepherd shuns, And so do I; When beeches drip in browns and duns, And thresh and ply; And hill-hid tides throb, throe on throe, And meadow rivulets overflow, And drops on gate bars hang in a row, And rooks in families homeward go, And so do I.
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Weathers
We become part of nature, part of sunflowers & leafy stature. By the running brook, quiet creek, Like snowflakes on jagged peaks. By sunny beaches, which the horizon reaches, In wispy woods & pristine beeches. Below the dark, cold depths of the ocean, Which moon tides draw in motion. Tis where my soul would go, For solitude, no friend, no foe.
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Dec 24, 2022
Dec 24, 2022 at 2:50 AM UTC
Where do we go when we die?
When my eyes are weeds, And my lips are petals, spinning Down the wind that has beginning Where the crumpled beeches start In a fringe of salty reeds; When my arms are elder-bushes, And the rangy lilac pushes Upward, upward through my heart; Summer, do your worst! Light your tinsel moon, and call on Your performing stars to fall on Headlong through your paper sky; Nevermore shall I be cursed By a flushed and amorous slattern, With her dusty laces' pattern Trailing, as she straggles by.
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August
Have you ever been impacted by the feminine vocals of this plight of legalistic acquittal? Let us travel northbound along those east coast beeches where the historical presence is tangible and innocent sexuality is exposed in oyster-bars of cobbled awareness. Acknowledge the fragrance of the hanging-basket in English country gardens, where nectar is extracted by nocturnal mammals. Do you have any suggestions about the outcome?
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Mar 9, 2014
Mar 9, 2014 at 12:14 AM UTC
Fragrant Botanical Courts
Not all was what it seemed Those dreams were never real The night lights shone Then faded like the moon. City streets were crowded People busy with there lives All seemed normal to the eye Who could see behind the scene. 1938 crowded parks and beaches full Ice cream stands and punch and Judy men Normality was all that children knew Family's made plans unaware of what lay ahead. Summer days flowers displayed there colours Work for dad.and children going to school Christmas time and snow covering the ground Another festive time was there with celebrations. The summer time of 39 stormy days ahead Young boys 18 plus answered to the country's call Not realising adventure was never there at all They lied about their age .in search of that adventure. So six long years they fought and died The survivers came home with open eyes Seeing the world for what it was there youth denied. The storm now over they now faced the calm. Time to move on now the war days had gone They found work and learned a trade Those night lights shone once more And the city streets filled with happy times again. 1945 the years move on the past now history It was a time to rebuild a future of hope And to find the will to carry on Back too the beeches sands and the ice cream man.
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Nov 10, 2018
Nov 10, 2018 at 10:01 AM UTC
Benieth the candy coating.
abjectness is a form of inroads toil the Woodlands Trust all hail no coppiced beeches, my first sighted R.S.P.B Avocet the perplexed scale comparable to competing blank stares, endorphins withstanding, clueless  and unconscionable instinctual pomposity suffers Nature's either way.
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Dec 12, 2012
Dec 12, 2012 at 4:16 PM UTC
A broad unconsensus
*there you said it i like you because.. you’re sensitive me? sensitive? an ever mask but maybe with you maybe i can finally put that **** off and i like you because.. you really want to help me too face the darkness end a career i don’t like the so called doctor never voted for a strike even though i never earned a penny like these argentinian doctors they help them in hospitals, many in poor districts with poor people because they have nothing some not even a foot to stand and the doctors have everything they think as if they differ mentally they think there’s a difference between such rich and poor see nothing else so they always ask for more but nowadays for me it are just temporary words a weak or strong one doesn't exist because in weak times we all need a superman inclusive the man in red suit even Peter Pan one that comes with high speed still questioning yourself how superman has got so strong what does superman actually need? and now i say it that from the day i met you i felt it was different than all these times before because i simply can't compare and on my lucky day, you just opened the door the door of my cage so severe this beast in me finally free it felt so incredibly weird new things to see unusual, too that someone thinks and thinks pretty much like you all you told me, so sincere still questioning myself where has this been before? a burning soul like yours maybe because i always fell for the poor while you were being superman all these years, wandering sauntering through a poor land you slammed into exotic beaches that started with leeches and ended with peaches, beautiful flowers and grass, green beeches planted on the edge of the deepest oceans in my heart*
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Mar 31, 2015
Mar 31, 2015 at 2:31 PM UTC
Bottoms and blossoms
*there you said it i like you because.. you’re sensitive me? sensitive? an ever mask but maybe with you maybe i can finally put that **** off and i like you because.. you really want to help me too face the darkness end a career i don’t like the so called doctor never voted for a strike even though i never earned a penny like these argentinian doctors they help them in hospitals, many in poor districts with poor people because they have nothing some not even a foot to stand and the doctors have everything they think as if they differ mentally they think there’s a difference between such rich and poor see nothing else so they always ask for more but nowadays for me it are just temporary words a weak or strong one doesn't exist because in weak times we all need a superman inclusive the man in red suit even Peter Pan one that comes with high speed still questioning yourself how superman has got so strong what does superman actually need? and now i say it that from the day i met you i felt it was different than all these times before because i simply can't compare and on my lucky day, you just opened the door the door of my cage so severe this beast in me finally free it felt so incredibly weird new things to see unusual, too that someone thinks and thinks pretty much like you all you told me, so sincere still questioning myself where has this been before? a burning soul like yours maybe because i always fell for the poor while you were being superman all these years, wandering sauntering through a poor land you slammed into exotic beaches that started with leeches and ended with peaches, beautiful flowers and grass, green beeches planted on the edge of the deepest oceans in my heart*
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If slumber, sweet Lisena! Have stolen o'er thine eyes, As night steals o'er the glory Of spring's transparent skies; Wake, in thy scorn and beauty, And listen to the strain That murmurs my devotion, That mourns for thy disdain. Here by thy door at midnight, I pass the dreary hour, With plaintive sounds profaning The silence of thy bower; A tale of sorrow cherished Too fondly to depart, Of wrong from love the flatterer, And my own wayward heart. Twice, o'er this vale, the seasons Have brought and borne away The January tempest, The genial wind of May; Yet still my plaint is uttered, My tears and sighs are given To earth's unconscious waters, And wandering winds of heaven. I saw from this fair region, The smile of summer pass, And myriad frost-stars glitter Among the russet grass. While winter seized the streamlets That fled along the ground, And fast in chains of crystal The truant murmurers bound. I saw that to the forest The nightingales had flown, And every sweet-voiced fountain Had hushed its silver tone. The maniac winds, divorcing The turtle from his mate, Raved through the leafy beeches, And left them desolate. Now May, with life and music, The blooming valley fills, And rears her flowery arches For all the little rills. The minstrel bird of evening Comes back on joyous wings, And, like the harp's soft murmur, Is heard the gush of springs. And deep within the forest Are wedded turtles seen, Their nuptial chambers seeking, Their chambers close and green. The rugged trees are mingling Their flowery sprays in love; The ivy climbs the laurel, To clasp the boughs above. They change--but thou, Lisena, Art cold while I complain: Why to thy lover only Should spring return in vain?
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The Serenade (From The Spanish)
If slumber, sweet Lisena! Have stolen o'er thine eyes, As night steals o'er the glory Of spring's transparent skies; Wake, in thy scorn and beauty, And listen to the strain That murmurs my devotion, That mourns for thy disdain. Here by thy door at midnight, I pass the dreary hour, With plaintive sounds profaning The silence of thy bower; A tale of sorrow cherished Too fondly to depart, Of wrong from love the flatterer, And my own wayward heart. Twice, o'er this vale, the seasons Have brought and borne away The January tempest, The genial wind of May; Yet still my plaint is uttered, My tears and sighs are given To earth's unconscious waters, And wandering winds of heaven. I saw from this fair region, The smile of summer pass, And myriad frost-stars glitter Among the russet grass. While winter seized the streamlets That fled along the ground, And fast in chains of crystal The truant murmurers bound. I saw that to the forest The nightingales had flown, And every sweet-voiced fountain Had hushed its silver tone. The maniac winds, divorcing The turtle from his mate, Raved through the leafy beeches, And left them desolate. Now May, with life and music, The blooming valley fills, And rears her flowery arches For all the little rills. The minstrel bird of evening Comes back on joyous wings, And, like the harp's soft murmur, Is heard the gush of springs. And deep within the forest Are wedded turtles seen, Their nuptial chambers seeking, Their chambers close and green. The rugged trees are mingling Their flowery sprays in love; The ivy climbs the laurel, To clasp the boughs above. They change--but thou, Lisena, Art cold while I complain: Why to thy lover only Should spring return in vain?
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Sing in love to the world! That mystery is from the shadows hurled! Into darkness and into light! May in harmony we unite! Sing a song of woe and gloom that ever emphasizes our painful doom! Let joyous ponds with lilies fair entwine with nature and Nature's hair! Let silver streams of moonlight clear enlighten us on our unending fears! May together the night and the sky bring love and joy that cannot die! May tunes high strung and beeches far bring joy to us! From Gaia the Fair!
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Jul 6, 2010
Jul 6, 2010 at 9:28 AM UTC
Poem to Gaia
these, these, knock this stranger's words on my screen knock reminding me of me knock In my stomach, a sinking slow In my chest heavy. Shoulders solid want to crunch into each other want to erase Helpless sad pain from leans bone into back your words back-bent behind birds and beeches I found Dreaming for seasons, I the sun miss the sun speak silent please miss the days I numbed myself while it was cloudy I'll drown even with a good chance of clearing up before noon, I in your words don't remember any of them remembering The flavor of my thoughts not was lost What do you say to the corpse that is lying in your grave? caustic You learn to accept that you're still here. golden You look yourself in the mirror and decide each day that you'll stay constant shake love out of your living limbs sorrow into the earth love with each step. is like Step. DANCING You become grateful for the beat. move with me Beat. &
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Oct 31, 2012
Oct 31, 2012 at 12:06 AM UTC
because together
The sun exits, ever so slowly, down behind the heights of bursting-into-leaf beeches as gym-shoe-running children are called in to supper and to bed. Voices sound from balconies and neighbours' gardens while blackbirds bid, contentedly, the day farewell. Lawnmowers cease their whirring sounds and clippers, rakes and hoes clank in wooden or plastic sheds. Fragrances roam the evening air, invading every square metre with terrestial joy, and cigarettes are passed around as the face next door has ceased being a removed nod and smile. Eventually, the curtains are drawn on a happy ending while tentative talk succeeds in silencing any riotous upheavals that might occur in the night's discourses and dreams.
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Aug 14, 2010
Aug 14, 2010 at 12:18 AM UTC
May evening.
We don’t have winds like this Here in the shire Right now the world is screaming Squirming on its axis 'I am here!' it shouts However much you **** me A deafening rush The trees could crush me The battling branches break, fell me The low clouds lumbar onwards Indifferent, closing down The last sneak of blue The west-south-westerly whips All grass and grain flat Against dark earth Freshly turned by the blade Autumn comes abruptly this year The leaves are torn to the ground The path ahead a boil of branches Lashing at me The dry-gold giant Hogweed Oscillates with insanity The tall beeches mope and weep above The wind an inferno Its sound like steam is cleansing The earth is separate today It says 'fuck you!' The wind can hear me It Shrieks at me My heart beats a little faster Once again that thought of oblivion Like diving under waves 26/8/20
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Apr 14, 2021
Apr 14, 2021 at 5:15 PM UTC
We don’t have winds like this...
Rain. Quenching summer’s green thirst, flaking hills rust. Pitted iron. Old bone beeches, alabaster reaching finger trunks and damp obsidian spines round crowns bronzed, pebbled umber arbors released, fluttering mast patina of carotenoids and iron browned and burnished from months of sun. Golden feathers molt from stands of birches, aluminum wire ghosts. First hard frost smokes up from the cinnamon stick curls of cherry leaves, and stainless pines in scrap metal hills.
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Jan 18, 2016
Jan 18, 2016 at 1:00 PM UTC
Burnished
see the mirror mirror the sea thyme scents sense time me and you sleeping sleep in you and me waves disquiet these quiet ways and continents wear down down where continents end barques dock while wild dogs bark at oars or at noon redcurrants, sand beaches, beeches and recurrence our morning mourning hour terns whirled there / their world turns
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Sep 16, 2020
Sep 16, 2020 at 8:13 PM UTC
enantiomorph
Whisper to me You tall beeches Whisper your shadows The words of your leaves On clouds I sit Chalk Your Boughs Long Shadows Like tresses Of hills Soft and downy With grass Listen beeches Remember your days The way the sun climbs And lowers itself Remember drifts of snow White as chalk Whisper your secrets of leaves Let me sleep Beneath your shadows Glad that summer is arrived Before Snow
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May 30, 2017
May 30, 2017 at 10:57 AM UTC
Wood on the Downs
Let us run with lunar amazement whilst celestial beings bring bizarre revelations to our finite comprehension. Can you hear the chanting of Celtic monks resound throughout the beeches of extraterrestrial seduction? Footprints are powerful, as they leave eternal impressions which will never be unrecognised by the mighty collage of our spiritual predecessors. I celebrate the continuation of what is deemed to be the future, simply because it is also a feature of the undefined end. The texts and languages of malevolent souls are open to the advice of familiars. Conjure my soul, oh forbidden mistress of ancient blasphemies. We will always be connected to the Hermetic Order of the Golden Dawn.
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Apr 5, 2014
Apr 5, 2014 at 11:18 PM UTC
Unwritten Manuscripts
Some prose poems patched in his hands Suddenly then, ecstasy or hypnosis faces him! As he was reading, bathing in scents of cedar She stands before him, disrobed, Phaedra-like and solemn! He mouthed those lines while blossomed within him A garden of secrets, rustling beeches The mused muse came to visit him when Every morning he read on, gold upon her head He never put the velvety book down The air heavy with laughter, desires, and rhymes The Western wind gently rocked them as they held Each other…Yet as the last poem echoed, she adamantly fled! Translated on April 17, 2019 Nancy, France
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Apr 17, 2019
Apr 17, 2019 at 4:40 AM UTC
Beauty and the Reader
Translated by Przemyslaw Musialowski 7/20/2018 And the sun seems to disappear in the west in beeches crowns, it sinks in green and the night like a king sits upon the throne and it shimmers in moonlight. And nothing has changed - ages are passing: the moon has not grown, the sun has not diminished, hunter and hare do not count the stumbles, no beginning will ever meet the end. The crows are cawing though I do not know what - allegedly they carry foretaste of winter and it so happens that my eyes water, because time turns winter's birthday into the autumn's funeral. The last travelers will sit for a moment as before the journey the strangers sat with the household members like a daisy with the most beautiful rose. And so is the Earth that there is enough space for everyone, enough water and air, fire and ash: for the rich, the beggars, for those experienced by fate - without favoring - it will host everyone. Wieslaw Musialowski 6/14/2008
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Oct 5, 2019
Oct 5, 2019 at 8:47 AM UTC
Invariability
The grave they kept on the lonely beach Lay under a foot of lime, Most of the pile had washed away With rain, and the tides of time, It had been so long since its stone was laid As a warning to who went there, The rough-cut name had begun to fade, To the solitary word, ‘Despair!’ It said, ‘Despair if you dig it up, Despair if you set it free, It savaged the girl called Maidenhair It ravaged this fair country, It roamed the farms at the dead of night And tore into sheep and hogs, The farmers called it the devil’s blight When they found their blood-spattered dogs. The only monk that was left to tend The grave, now lay in the church, His Order gone, now the only one To fend off the tidal surge. The church was almost a ruin since It had shattered the oak-backed doors, And blasted the Brothers altar with Its devils breath, and its claws. But the monk lay ill, and he knew full well He never could make the beach, To pile the lime on the Beast of Time And the sea would surely breach. His fellow monks were all laid in clay On the upper side of the cliff, Their duty done, they had one by one Passed on, and lay cold and stiff. A crack appeared in the bed of lime With a rush of air from the shore, And something groaned with an eerie moan, The seed of the devil’s spore. A whisp rose out of the open grave To join with a gully breeze, That sent it whirling along a wave And into a grove of trees. And then an ominous rumble rose As a whirlwind formed on high, It whipped the waves to a surly peak As it rose to blacken the sky, A tempest, such as had never been Tore trees, like beeches and birch, And cut a swathe like the path it paved, On its wayward way to the church. The monk lay there with his gilded cross As he heard the beast outside, It gave a roar by the shattered door And the monk had almost died. But a gentle hand took the cross from him, A hand that was soft and fair, And held it up to the beast so grim, The ghost of Maidenhair. It shuddered once as she stood with ease And the cross then drove it back, The whirlwind died to a gully breeze As it fled back down the track. It seemed confused, and it seemed to lose Its overwhelming reach, And sank back into its limestone grave On that long deserted beach. The sea had battered the arching cliff Hung over that limestone shore, It now collapsed in a final lapse With the monks who’d passed before. And beneath a thousand tons of earth That is holding off the sea, There’s a rough-cut stone that says, ‘Despair, Despair if you let it free!’ David Lewis Paget
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Mar 30, 2015
Mar 30, 2015 at 4:22 AM UTC
Maidenhair
The grave they kept on the lonely beach Lay under a foot of lime, Most of the pile had washed away With rain, and the tides of time, It had been so long since its stone was laid As a warning to who went there, The rough-cut name had begun to fade, To the solitary word, ‘Despair!’ It said, ‘Despair if you dig it up, Despair if you set it free, It savaged the girl called Maidenhair It ravaged this fair country, It roamed the farms at the dead of night And tore into sheep and hogs, The farmers called it the devil’s blight When they found their blood-spattered dogs. The only monk that was left to tend The grave, now lay in the church, His Order gone, now the only one To fend off the tidal surge. The church was almost a ruin since It had shattered the oak-backed doors, And blasted the Brothers altar with Its devils breath, and its claws. But the monk lay ill, and he knew full well He never could make the beach, To pile the lime on the Beast of Time And the sea would surely breach. His fellow monks were all laid in clay On the upper side of the cliff, Their duty done, they had one by one Passed on, and lay cold and stiff. A crack appeared in the bed of lime With a rush of air from the shore, And something groaned with an eerie moan, The seed of the devil’s spore. A whisp rose out of the open grave To join with a gully breeze, That sent it whirling along a wave And into a grove of trees. And then an ominous rumble rose As a whirlwind formed on high, It whipped the waves to a surly peak As it rose to blacken the sky, A tempest, such as had never been Tore trees, like beeches and birch, And cut a swathe like the path it paved, On its wayward way to the church. The monk lay there with his gilded cross As he heard the beast outside, It gave a roar by the shattered door And the monk had almost died. But a gentle hand took the cross from him, A hand that was soft and fair, And held it up to the beast so grim, The ghost of Maidenhair. It shuddered once as she stood with ease And the cross then drove it back, The whirlwind died to a gully breeze As it fled back down the track. It seemed confused, and it seemed to lose Its overwhelming reach, And sank back into its limestone grave On that long deserted beach. The sea had battered the arching cliff Hung over that limestone shore, It now collapsed in a final lapse With the monks who’d passed before. And beneath a thousand tons of earth That is holding off the sea, There’s a rough-cut stone that says, ‘Despair, Despair if you let it free!’ David Lewis Paget
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