its amazing what we’re capable of when pressed;
lunar launches
and shaman healing
hail marys
and fortunes of gold
heavy hauls
and broken borders
war, compassion
and treaties of peace

all those wild and lofty regressions from the mean;
soul re-settings
(from deadly deeds)
scores and scriptures
liberty and peace
walls, asylums
(in the jaws of defeat!)
channeled spirits
of warmth
and love
and connection

and sometimes, it’s just a little fodder;
pyramids and viaducts
aqua-lines and chunnels
spider climbs
and deep dives
(with base jumps near the high wire)
gardens, and divine art
and even water boards
(for beauty is always in the eye of the beholder!)

have a look around...
and let gratitude be your guide

for Those who eat ramen by choice, or not.*

I saw the best minds of my generation destroyed by disillusionment,
lacking egotistical sold, dragging themselves through the hip streets at dawn
looking for a socially self-aggrandizing fix.
Poets, as they sit in desks and discuss discourse
about discourse about discourse about discourse,
who fear that thinking itself was buried with Vonnegut,
who are lost in forests of brick walls,
inviting, because they block the wind of dying fall,
who swim in cesspools filled with academic sewage, yearning for freedom,
for truth, as they always have,
mining their minds for images, and searching for words to describe
-a reality which is virtual at its core and each act, another chore./
-a scene of life which reflects all that is poignant and sacred.
Poets seek musicians while musicians seek poets.
and the dog chases its tail, endlessly
and the dog chases its tail, endlessly
and the dog chases its tail, endlessly

These poets who search aimlessly for the feeling of feeling,
who are overwhelmed with meaning to the point where meaning
has no meaning in itself.
Who claim this poem as their own and continuously write themselves into it.
It is those who suffer in truth that live the poetic.
Those who sit in front of space heaters eating peanut butter sandwiches in winter,
who sweat unknowingly in summer, comforted in each’s odor.
Those who open Macbooks while squatting in empty flats.
Signing up, logging in and zoning out, forever disengaged.
Those who type prophecy on keypads and let keyboards gather dust-
stratification, signs of long nights spent in century-old homes still not renovated,
ceilings sinking at the sides while those above pogo to punk rock long dead,
or grind genitals to old soul, simulating all that is sensual.
Those who play archaeologist to their own layers of makeup, grimed on the sink.
Those who share their food with the roaches and the mooches who all have keys,
who use the books as shelves to hold ceramic mugs, stained with a single drip-drop,
who, with arms crossed, watch bands in basements play noise.
Those who replaced their nu-metal records with folk but kept the unkempt beards.
Those who drink stale beer on stranger’s rooftops.
Those who live with bags under eyes, themselves asleep, lacking a body,
sleeping naked together to stay warm,
sleeping naked together to stay sane,
sleeping naked together to stay touched.

Those who leave coffee in unplugged automatic pots, decaying rapidly.
Those who eat pizza for breakfast, cold or microwaved, as an act of ultimate indulgence.
Those who prance about in un-matching socks
from hardwood floors to vinyl floors to tile floors, all under the same popcorn ceiling,
dancing to the sound of rhythmic silence.
Those who fight with lovers about acts, but never once mention the act of love itself.
Those who don flannel plaid in springtime color, constructing Williamsburg,
who consider gentrification a new form of landed gentry,
who live in poverty as if it were a novelty,
capitalist martyrs sacrificing employment to hide being non-hirable,
who shop in online surplus department stores for unique vintage.
Those who, who, who hoot like the owls framed on their walls, eyes wide but beaks small.
Those who are oppressed by nonexistent kings ruling in imaginary suits.
Those who crave something new, not tired-as the form of this very poem-
something which is not-yet auto-tuned.
Those who, faux-hawked and shredded, rock and bop to Bowie doing Lou
on Sunday Morning from Station to Station shooting ******,
who walk swiftly with denim skin on their legs and refuse socks.
Those who, in their rightest mind, are the wrongest-minded.
Those who can reject privilege only because they are privileged,
who, in their uniform whiteness, denounce racism,
who, in their uniform straightness, claim immune to homophobia
who, with their ***** ***** in a row, claim to be feminists.

And those who search for revolution in a time when rebellion is conformity.
Listening to the  pounding sound of blog-protesters typing n o w.
who, in claiming to accept, don’t accept the unaccepting,
who got veggies tattooed on their sides while snapping bacon in their teeth,
who ironically infiltrated asylums and performed madness until the shocks came
and they were maddened, for good, eaten alive by volts resounding
ka-ching, ka-ching, ka-ching.
Who sleep naked together to be together but end up being alone,
exchanges from lips that move in pretentious drone,
and the dog chases its tail, endlessly.
When the abnormal is normal and the whole structure is inverted and
heaven is here and flames under the soil are no longer hell burning for soles of the
Converse, Adidas, and Nike sneakers on the bicycle pedals of poets who ride at night,
listening to the sound of owls that question:
who?
whoo?
whooo?

At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.

So let us now place monetary value on information.
Let us return to the source,
Mining & prospecting that fertile intel seam.
To wit: WWII and G-2 shenanigans.
Wild Bill and OSS-capades,
Artificial disseminations.
Partial recriminations.
And PSYOPS:
A literary nightmare--
THE CYCLOPS from The Odyssey,
For example,
If you lack your own,
Your own personal Bogey Man.
Or men. For me:
Allen Dulles or Richard Helms.

The Intelligence Community:
It was a small tightly knit crew,
Less than battalion strength in 1942;
A few myopic soldiers,
Who, although could barely type,
Were still too cerebral to
Waste as infantry fodder.
It was a huge converted Army-green warehouse,
Space strategically partitioned,
Sectioned off into cubicle-like spaces,
By giant 4-drawer file cabinets
Standing tall like MPs,
Sentinels & Guardians,
Monuments to pre-electronic storage,
Data relatively comprehensive, and an
Archive secretive & intimidating.

Within the Army-green incunabula,
Scattered throughout the intel landscape,
Here and there a few commissioned officers,
A smattering of college psychology majors,
Personalities with predilections,
And penchants for mind games.
These self same WWII vets,
Would morph into Cold War Mad Men.
Stalwart, stouthearted men of Eisenhower,
And J. Walter Thompson,
De-mobbed, as they say in the UK.
Consumptive.
Self-indulgent,
Particularly when it came to the kids;
Children of the peace,
Called Baby-Boomers,
An entire generation enabled & destroyed.
Who would produce little of value
Except medical marijuana and
Coupons, clipped by that sober ruling class—
Fat interest-bearing college-loan portfolios
Held by that neo-Calvinist Elect: The 1%.
Fat cats one and all,
Loaded dice & canasta cronies--
In concert a stacked deck,
“Una mano lava l'altra.”
The words of my namesake--
My grandfather Giuseppe--
His vowels reverberating,
Rattling in my dreams.
Not friends, but
Fiends in high places, like
The Fed and dark liquid pools.
Thank you, Barack, for
Fooling us again.
For giving us
“Belief we can believe in.”

But I digress.
It was when the Government Secrecy Act,
In all its transnational incarnations,
Embraced capitalism in a big way,
Elevating the ideology to whole-Earth saturation,
Systemizing the ethos of Darwin,
Into one global Moby ****,
One solitary leviathan,
A multi-level marketing labyrinth,
Where wealth is the end game--
Greed: pure, unbridled & unrestrained.
Bond--James Bond—
Did his bit, supplying catchy
Slogans & tag-lines:
“For Your Eyes Only.”
“On a need to know basis.”
“Confidential Information.”
“Top & Ultra-Top Secret.”
“Hush, Hush & a Bag of Chips.”

The sealed letter sits in a locked drawer,
In that stout desk,
In the Oval Office
In The White House,
“To be opened by my VP in the event of my death.”
Another staggering work,
Of achy-achy-heart breaking genius,
The culture commoditized,
A disease containing its own cure,
Assayed, graded,
Portioned & packaged.
Priced accordingly,
To a logic that goes something like:
“Anything this tightly controlled,
Anything the government deems to be
This illegitimate and/or & secret
Must be really, really God-awesome,
Must really be Da ******* Bomb.”

Brother Coolidge was right:
“The Business of America is Business.”
And INFORMATION:
“The Most Valuable Commodity on Earth.”
So said Stanford Stuyvesant Whitehead III,
19th Century robber baron, and
Consummate Fat Cat.
Get the picture:
We were smoking cigars and sipping cognac,
Mighty comfortable in leather armchairs,
Muted billiard clicks,
Punctuating the atmosphere
In this spacious lounge,
His East Side
Downtown & private
Manhattan club.
I, his guest, had not the slightest idea
Why I was there.
"By God, man," he went on,
My eyes speared by his laser gaze,
His bushy eyebrows,
His monocle.
His bulbous nose;
His thick wet mustache.
And those EYES:  
Those crazy,
Insane eyes.

"I am talking about a profound change,” he continued.
“Back when the steamship
Gave way to electronic wireless radio."
He puffed smoke,
Removing the cigar from his mouth,
Holding it,
Examining it critically for a moment.
"I'm talking about communication,
Instant communication
With business associates, &
Cronies far away,
Way out there,
Far beyond the places we know well.
Picture it:
You're running a fleet of
Ramshackle Filipino banana boats,
Out of some nameless cove,
Indenting the south coast of Mindanao.
A cyclone comes out of nowhere.
Good God--there’s sixteen banana-packed
Coal burners lying on the bottom of the Celebes Sea.
Think about it:
You've got telegraph radio.
Everyone else has the post office.
Now, I ask you:
‘Who's going long,
Who’s getting rich on the
Caracas Banana Exchange?’
Good Lord, man, it would be
Like being omniscient!"
“This very conversation,” he went on,
“Could well be a verbatim transcription
Of a conversation right here in this very room,
Between people like: J. Pierpont Morgan
And some lesser Gilded Age nabob;
Some Astor, some Rockefeller,
A Gould or Vanderbilt,
Whitney or Duke,
Some Frick or Warburg--
To name just a few, old sport.”
He stopped suddenly.
He looked down at his hands,
As we both realized he had counted these names
Out on his fat curled fingers.
He looked at me and smiled.
I was afraid.
Why had I been invited to this meeting?
I smiled back at him,
Doing my best to mirror his
Carnivorous menace.

I knew it.
He knew it.
He knew I knew it.
Mr. Whitehead’s growling rabid jowls,
His slobbering canine smile held me steady.
“Okay. Touché. ‘Ya got me.”
He shook off the phony smile,
An absence, accentuating
His stare: lethal, carnal & rare.
“I never had much formal schooling.
I’ve been hungry.
Hungry enough to know for sure
That the correct fork,
Don’t mean ***** from shinola.
When I’m dining out, fancy-like,
Me manners is the least of me problems,
Far less important than
The dinner chit they
Hand me after I slake
My thirst & appetite.”
Again, he stopped suddenly,
Recognizing that, perhaps,
He’d revealed too much of his
Bedford-Stuyvesant pedigree.
He turned again and stared at me.
“None of that,” he said.
“None of that means squat to me, Boyo.
What matters now is I’m rich.
I’ve got mine, By God,
And ******* It!
Tough ***** on the rest of you losers;
The rest of you fecking whiners can go
**** yourselves over at Zuccotti Park.”
He pounded the armrest,
The padded armrest of the rich Corinthian leather—
( . . . ***, Ricardo?
Get your Montalbán
Mexicano ***, back in
Random Access Memory Land,
Where you belong.
**** ya’ Fantasy Island
Hospitality, Mr. Roarke,
Go be wrathful Khan Noon Singh,
Somewhere else.
Now is not the time, or,
Let me rephrase that:
This narrative will not allow your meme here . . .)    

Whitehead pounds the armrest again.
“My point is this:  
None of JP Morgan’s decidedly,
un-nattering lesser nabobs of negativity . . .”
BAM!  Again, he pounded the leather . . .

(Back in your ******* hole, Spiro!
Do you realize just how far back,
Just how far back
Maryland’s reputation
Has been set back by your venality?
Not to mention any shot at ethnic assimilation,
The rest of us grease ball non-Wasps
Have in this country?
You ******* Greek!)

I stopped thinking
When I realized Stanford Stuyvesant Whitehead III
Was reading my mind.
“So that’s what it’s really all about,” he said,
Rank smugness in his voice.
“So, I’m just a nouveau riche upstart,
A socially inept parvenu,
Yet they still let me
Join their tony clubs.
It chaps your ***, Boyo, don’t it?
I’m still Scotch-Irish, and
A WASP, Laddie.
Something your skinny
Greaser-Guinea-****-Spaghetti-*** ***,
Ain’t ever gonna be.”
But I digress, again.

So I joined one of Uncle Sam’s
Lesser-known clandestine services,
An assignment appropriate to my ethnic identity,
Namely GLADIO in Italy,
A NATO stay-behind operation &
Cold-War comedy.
I infiltrated the Brigate Rosse.
I drove the Aldo Moro kidnap vehicle.
I cooked minestrone for General Dozier.
I sliced off J. Paul Getty’s ear in Calabria.
Ironically, I lost my hearing during
The Stazione Bologna bombing.
I am consequently pensioned off,
Off both the radar and the payroll.
Years later now,
I live in one of those gated, golf-coursed,
Over-55, sunny southern California
Lunatic asylums.

Most days I am drunk at 9 AM.
I fill Bukowski mornings,
Conjuring up Jane Fonda,
Jazzercised in camo spandex.
She is high atop a Vietcong tank in Hanoi.
Or Daniel Ellsberg
Enjoying a second act in American politics,
Praising Snowden & Assange,
& Bradley Manning,
I summon up the ghosts of
Julius & Ethel,
Benedict Arnold,
Rose of Tokyo & Mata Hari—
And Ezra exiled at Rapallo,
And John Walker Lindh,
A Yankee Doodle Dandy,
Born in Washington,
District of Columbia,
By way of Afghanistan,
Taliban Americano,
Kangaroo-courted,
Presently residing at the
Federal Correctional Institution
At Terre Haute, Indiana.
Spies.
Traitors.
Saboteurs.
And Poets?
No longer capable of keeping secrets.
Desperate now to tell
The truth.

We, the invisible reasons for your problems, blind ourselves to the
dismal inevitability that we will
suffocate because you refuse to stop
the pillaging of the future for the sake of your own ******* lineage being able to further itself and potentially give you a chance to again close your mind and scream as loud as you can when confronted with your own toxicity

We, the ones who humbly take the bludgeoning from your self-proclaimed pious hand, know these chains are only on your bleeding wrists and ankles.

We, the silent and the broken, know Santa Muerta by the nicknames she had in college and all accompanying wildness she brought in her wake.
We still will stroke your hair while you
throw your tantrums and wail about what is and isn't fair on your deathbeds.

We will burn the mattress and all while cheering you on on your flight into the night sky you ignored for a lifetime.

We, the servants of streaming digits and stewards of bottled stardust, will create stories about how it wasn't your fault and how you shouldn't be hated for bringing the world crashing into the excrement of wasted potential so our children know there was a choice to be made.

We, the overly polite pariahs pry laughs and love and lust and learning from looming catastrophe like Burroughs writing Naked Lunch with a glassy eyed stare that burned holes in the veil hiding the tide of partially coagulated blood and ******* that YOUR world preached as milk and honey.

We, the proof in the moldy pudding still finding time to rot, will burn tobacco fields in your honor just to dance while getting drunk on the breaths you'll never waste.

We, the lovers of questions and haters of creeds, let tears stream in the hope that they are not considered part of our body's 75 percent while fantasizing about your ghosts seeing them and the dehydration they may be in spite of and quiet your tired old yelling and shaking of fists at the clouds when overcome by the slight sadness that whispers "its too late" lovingly into your ear.

We, the lovers, the thieves, the reviled, the *******, the witches, the junkies, the ******, the reptiles and worms under the rocks society deems unusable and misshapen, will be the ones lifting the crowns off your corpses and throwing them high as graduates do when full of a hope only ever dashed by themselves.

We, the drooling monsters you vehemently deny anything besides the cramped closets or the space between bed and floor in childhood bedrooms, will be the Valkyries to descend onto the blood-choked battlefield you set aside for your souls to suffer on and offer you respite in the form of soggy bread and wildflower honey while  ravens and jackdaws bicker over the eyes and fingers of those that once showed us how to ride a bike or drunkenly beat us beneath our favorite trees or touched us in dark rooms in ways that would chase Love away from the shadow of our hearts until we finally climbed high enough to see it all as someone screaming of war and bravery while running from the sound of steel biting steal because their protectors talked so highly of honor and duty that it seemed as if it were God and Adam touching fingertips on the arched ceilings of youth. that, then was painted on the crumbling walls of abandoned houses they would secretly indulge on the forbidden fruit soaking pages of a faded **** magazines or up skirts of blushing  girls who put on their mother's prudishness until fingers pushed past
cotton and virtue alike to the warm center they both melted in.

We, the unsung and numb, walk in spirals while the complexity you rebuked as devil-born becomes the sigils of yet-to-be kingdoms bringing about golden age after golden age in the distant mists rolling over hills and valleys of memories of moments yet to coalesce into rigid experience.

We, the eyes weeping blood atop crumbling pyramids, have seen the walls you want to build in futures dissolved in the winds blowing dust over the dream-roads we skip down and how it resembles the one you built to keep your heart from breaking from the pressing mass of what you can't file away as noise or heresy or communist propaganda;
We drew throbbing ***** and dripping ***** on all the blueprints we came across and tucked them back into the secret compartments of wardrobes and roll-tops passed down through generations.

We, the keepers of the singing stones you traded for cheap concrete, will embrace the tiny souls you neglected out of ignorance to the existential snake oil pitch you broke every tooth biting down on all because the salesman reminded you of your drunk father or mother imposing their wills like you make shadow puppets dance on peeling wallpaper in the silence that ensued after they had passed out on creaky couches reeking of Lucky Strikes and spilled ***** while the shine of the staticky T.V. set covered them like the blanket no one ever put over their slumbering forms because of those infinite lists of excuses used to skirt the skirmishes of showing any kind compassion even if they alone were sole witness to it.

We, the pieces of self the deathbed "you" sent hurtling backwards through time to shine lights on the siege seething at the gates of what you stand for, are only holding those lanterns to show you that fleeing is futile and your death is just a hallway with a door that leads to the knowledge that life is not a cell to watch time morph into tally lines scratched into cold stone as if they were epitaphs for the seconds bet and lost at the roulette table crafted from any slave ship the ocean never swallowed.

We, the flames mimicking those dancing girls you longed to have squeal under the idea of your thrusting masculinity amidst the graffiti on the bathroom stalls in seedy dive-bars or the paupers playing prince you follow giggling with hope in hand like a bouquet of baby's breath and daisies for that one day they would stop and turn and smile so handsomely that your knees would shatter against one another and wedding chapels would bend down to tie tin cans to bumpers of beat up Buicks and Oldsmobiles your fathers give dowry and the crowd could watch "just married" poorly written in shaving cream on the back window grow small until it disappeared over the horizon.

We, the dreamers, are tired of sleeping and are in need of a old tree to swing from, to bury our dreams like beloved pets under, and watch as it lets its leaves fall to the hungry earth that is more patient then anyone closed eyed and humming ancient syllables beneath crooked branches could ever be.

All the trees you climbed and kicked and fell in love under have died from too many hearts around intials being carved into them or were used to make fascist pamphlets you yourself passed out at churchs mistaking the mask with bone structure or the river for the people it swept to sea.

We are laughing;
like a loving mother at her clumsiness on display in her cackling child and not like the crowds gazing at the sideshow stage as the curtains pull back and stage lights illuminating John Merrick's flesh and the intricate dissonance it lent to minds.
Minds that afforded only sips of bliss as monotonous stints on factory floors but were preached about like they were some heaven-sent golden cobblestones laid lovingly all the way
to the beach where Heimdall will one day sound his horn, one foot feeling the grit of the edge of the world and the other washed clean for the grave we will all step in.

So, all these words, all these images, all of it is intended to be a moon so all the stagnate tide pools that have forgotten their origin and the freedom they used to give form to lesser forms they forage forgetfulness from.

We, the ones beneath you on the climb to the summit of our collective potential, beg you to think of something beside yourself when taking a ****.

It is not just ******* in the wind if there isnt wind and we are right below you and dying of thirst.

It is not an inalienable right if someone else is deprived of the same.

It is not Heaven's gate if the brilliant gild has a melting point or if it remains latched to any soul's approach.

It is not "liberal *******" or a myth if whole flocks of birds fall from the sky or schools of fish wash up on beaches while people snap photographs for their feed.

It is not "god" if love dispels it like smoke hanging in the kitchens your great grandmother sat in and told you about a witch shapeshifting into dogs without heads to scare drunks stumbling home because she was a ******* racist.

It is not just food if someone's organs fail from starvation that even the worms and flies are free from.

You wave your banners and let your war-horns echo and you wear your ignorance as armor.

We, the eaters of life and death, will chisel a name into stone and pick your bones clean if you think we should march to the sounds of drums and trumpets just because you were stupid enough to think it was anything other than your masters convincing you to whip yourselves ****** because "at least God hath been kind enough to give you a purpose" or "he works in mysterious ways".

**** that.

Look at what it has brought out of the swirling sea of " all that could be" while you write the same song about how shiny and numerous the scales of the prize are.

We are not responsible for pillaging God's bounty.

We are the bounty and our emptiness and lack of foresight are in jeweled bowls at your feet, but in your hubris you believe it to be the slaves that come to wash the dirt from between your toes.

We are Death and She is the wet-nurse that will give us intimacy to fertilize our hearts by refusing us her breast but turning our heads to your silhouettes shambling off the edge of existence far off in the distance only a decade or less could be confused for.

[AS ONE VOICE WE SING/SANG/HOWL:
Lux amor potentia restituant propositum dei in terris.]

As if it were as easy as holding the hand of a dying tyrant afraid they cannot the luminous terminus while wearing your father's face as a mask to trick radiant angels or the contortions of gods reeking of struck matches by those trembling and their swirling black hearts closed to the breeze carrying leaves celebrating their liberation and caressing a cheek they were too ashamed to kiss when opportunity was their ally.

We shouldn't hate these piles of skulls all parroting the same axioms to those who only show up to add another or leave an empty bottle turned into a candle holder, wax dripped down the neck and froze before any trace of tallow could finally unite with the dirt it longs to become one with;
icicles hanging from the eaves of abandoned asylums.

This place was supposed to be alot of things but that is what lead THEM to drown in the sound of buzzing bees, birdsong, and abundance in all directions.

I suggest we stop trying to squeeze it into a shoebox we scribbled Promised Land on and just let it be the open armed paradise it inherently is.
Let it be the heart and home as well as the hostile territory because it is only ever that and what we wont find in any Oracle's Prophecy.

I'll end my rambling with a question and it's answer.

How do you turn a police station into a hospital and a schoolhouse?

Burn it to the ******* ground.

I have always thought that if
you can touch someone's hand
without them
cringing
and
if they can drink
out of the same bottle as you,
then,
you are close.

Age is an illusion (to me),
and time is made up.
I love to indulge in philosophical conversations
and decadent flavors of people.

When I was six I spilled
a gallon of milk
down the stairs
and I cried and cried for days.

I still don't know my lefts from my rights
but
I sure as hell know my wrongs.

I have always tried my best to
sweep myself under the rug
out of fear
of running into
that Fiery Unearthly Woman
and the green-eyed man.
Who doesn’t know art
without a fist.

I am often told I have an old soul,
but my conjoined twin
lingers
in the aroma of incense and
tequila sunrises.

I grew up in slummy pubs
with scruffy men
chomping on tomato guts
who reflect on their
******* visits and complain
about their payroll.
To this day,
people watching
will always be my favorite sport.

Bludgeons to the head are not
self-inflicted,
Everything's a choice.
Only,
I have been influenced by
crooked bodies who don't
know the meaning of
a little something I call
Peace
and
Love
are all you need in a world
where the people
are too busy tying their shoes.

Reincarnation is one of my many beliefs,
however,
I Refuse
to tie myself down,
I like to say I'm a
“free spirit”,
whatever that is.

And
if I were a cat
with nine lives,
I'd be pushing number seven
by now.

But I still stick by the fact that
I was born to the wrong place
at the wrong time.

I know that if I were a speck of cosmic dust
I would be content,
but until then
I fill the void with
unrequited love and chocolate milkshakes.

I have an obsession with dying my hair,
but I'm too chicken to do anything drastic.

I am a
non-meat-eating-
soul-searching-
animal-rights-digging-
bit-of-­a-hippie-
pacifist -
with a coexist bumper sticker tattooed on my forehead.
Yes, I am that girl
who writes letters to Congress
regarding the cruel treatment of chimpanzees in circuses
and the brutality of foie gras.

If I could
I would save all the polar bears
and clean up all the
littered gum wrappers,
but I am fatigued by the
immorality
of it all.

I hate horror,
thriller,
and gore,
but,
that doesn't stop me from
watching documentaries on Anne Frank
and mental asylums in the 1950s.

According to white lab coats and
shattered spectacles-
My capacity for durability is dwindling
and it's only a matter of time before
I collapse like an abandoned building.
I suppose it's much too difficult
for a “disturbed” “young” “lady”
“like” “myself”.

When I was 7 I drew a picture of a family
and a white picket fence
for my mother,
who never truly understood
how hard it was for me
to color in the lines,
and,
who didn't think twice
as she shredded it
into fourths
in front of my face.

I still remember that day
when she locked the door and
tried to close her eyes,
and I still remember the day
I tried to do the same.
There's this prepreprenatal desire
for little beings
I can sing “Danny's Song” to
in a rocking chair.  

Despite all my goals in this life,
they will always come first.

I chew on my nails when I'm nervous
and I pace when I'm scared.
Fear will always be my strong.point.

I'm an artist
in that
I'm an actor
in that
I'm a person.
Even though,
I'm not
exactly sure
what any of those are
yet.

I have a horrible habit of biting my lip
and re-washing every piece of silverware
before I use it.

I'm all about the classics.
There is beauty
in the
skipped
heartbeats of vinyl
and I don't mind the
crackling sound
one bit.

When I was 8 I would give
the night sky
“moon cookies”.
I thought that She must get hungry,
having to fold in and out
by dusk.  

I love the smell of garages and old books,
but I wouldn't want to make a habit
of living in either.
Being stuck in the residue of past instances
is not my cup of tea,
I prefer chamomile,
and I prefer to keep moving.

I drink my coffee black with extra ice
while my therapist drinks it
light and sweet.
I think that says a lot about our personalities.

In the rare times when
my neutered temper gets the best of me,
my eyes turn a disgusting
shade of green.

The movie “Grease” gives me
melancholia. And I often feel
like I'm wasting my
“youth”
on perpetual thinking patterns
and preparing for christmas in mid-July.

I really wish I could be a
“beauty school drop-out”,
but it's much too unstable.....
which is why I'm going to be an actor.

Selective memory causes me strife;
I don't recall
the distributive property of division,
but I sure as hell can tell you every
word you've ever said to me.

Bittersweet nostalgia
makes me gag now-a-days
because I can't relive
those tender moments
quite as often
as I need to.

I am terribly
afraid
that I cling
too much
to the saviors
I deem dear
to my existence.

I get attached
way
too easily,
and I fear
I stifle wings.

It has taken me an insane amount of time
to value the breath
that flows in and out of my
stale lungs.

Luckily,  
angelic spirits
got my back.

Tape doesn't hold everything together,
but band-aids do help.
And
It bothers me that in ten years
I probably won't speak
to any of the people
who have ever meant
something

and
eventually
everything will
drift away
into unattainable
oblivion.

If I could I would live on a bus
and drive around the country
like a silly gypsy child,
but I don't have the energy
or desire
to
leave it all behind.

In the end,
I am completely aware
that I'll always be
a decomposing mess,
but,


I don't mind existence.

this is not a goodbye,
this is my death, the epitome of my burried-7ft-under-the-ground
naive with both eyes wide ******* open
this, i said, is not a goodbye
this is my war, another version of daily sword cry between my body and the body of my body
both bleeding, both pleading
this, my friend, is never what a goodbye should look like
this is just me, hanging, begging, knocking and crawling,
just another tv show about breaking plates, or lost planes, or abandoned planets
just another boring 195 minutes episode of empty asylums, dry lips, and false alarms

or this is
the paragon of your goodbye,
alongside with my everyday asked question of “so what comes after death?”
or “how many nights was it my mom cried after the divorce?”
or “how do two souls that used to see each other bare drift away with full armor of clothes?”
or how much more do i have to pour, because i have dried all of my words, and metaphor,
there's only so many ways of describing how it feels like to be destroyed

(but this is time for me too to realize that without a goodbye, it's still
you
and me going straight back to
0
or -1
or -100)

i understand so this is your way of saying goodbye ; not even saying it at all
so there was no closure
just me left confused in a never ending roller coaster ride
so this is your way of saying goodbye ; you ******* erased the word 'good' out of it

There was a saviour
          Rarer than radium,
     Commoner than water, crueller than truth;
          Children kept from the sun
          Assembled at his tongue
     To hear the golden note turn in a groove,
Prisoners of wishes locked their eyes
In the jails and studies of his keyless smiles.

          The voice of children says
          From a lost wilderness
     There was calm to be done in his safe unrest,
          When hindering man hurt
          Man, animal, or bird
     We hid our fears in that murdering breath,
Silence, silence to do, when earth grew loud,
In lairs and asylums of the tremendous shout.

          There was glory to hear
          In the churches of his tears,
     Under his downy arm you sighed as he struck,
          O you who could not cry
          On to the ground when a man died
     Put a tear for joy in the unearthly flood
And laid your cheek against a cloud-formed shell:
Now in the dark there is only yourself and myself.

          Two proud, blacked brothers cry,
          Winter-locked side by side,
     To this inhospitable hollow year,
          O we who could not stir
          One lean sigh when we heard
     Greed on man beating near and fire neighbour
       But wailed and nested in the sky-blue wall
Now break a giant tear for the little known fall,

          For the drooping of homes
          That did not nurse our bones,
     Brave deaths of only ones but never found,
          Now see, alone in us,
          Our own true strangers' dust
     Ride through the doors of our unentered house.
Exiled in us we arouse the soft,
Unclenched, armless, silk and rough love that breaks all rocks.

so it begins when it begins
    blasé grass serrates
past herds of carabao dreaming anxiously
  of the day's toil;

the countryman stilts through
   mounted in gray mountain
with dippers, casserole, mirrors
with imprints of ******* clad women
    and women who are (really ******* clad) ready for bathing work,
    collections of red days and even
    tenderly the ***** sing attenuated songs of rooming-houses —

  the crunch of basil over the afternoon.
waft of a pasture's death my eyes well
    up rivers and ponds of elation. dog days, feral nights limp behind rusted
   kennels and makeshift asylums

   there is nothing left of the world
(this small world
            that only rises when bellows
  of festivities harangue the many streets
             bending in them, the curve)
  men moving from neck to neck
    of bottles — (in the north there
      is only four corners of bottle: gin,
   pristine brook; in the Visayas is
      the redolent Vino Kulafu of the same
   potency) plucked out of the vermilion
   and on benched careening on half-painted gates crooning Sinatra
     gets stabbed, bloodied on the floor,
named after elegies; native chicken held
     upside down and beheaded as many blacker days stifled; what do you make
    out of this?
    
      carabaos, equines, hens line up
   the slaughterhouse behind the
      TODA; you know a fine day when
         it happens — breaking eggs
  against the lip of the kaldero. crumbled
    archaic sensurround, barrage of
      simmer round the clock cycling
before the child wakes and wails to suckle
          our mothers, faster than repose
  of milbrightlions of stars falling asleep
      to silent radios, leaving windows
   open revisited by the eve of cold.

I’ll lay here and let the sun make love
Penetrate the shielded part of my being
to bear the brightness of its warmth
right to the base of the unmoved core
and when hysteria sizzles time passes
right to the century of the ancient timeline
where women sadness was denied access
only to be healed by a scientific ***** massage
that gentle movement of finger in the pelvic
to bridge the eruption with the explosive paroxysms
where a woman would relive forgetting
all the unattention behaviour bore by their husband
women wombs would be removed so as not to feel
women ****** desire would be numbed so as not to feel
women would be sent into asylums so as not to feel
They are ****** women confiscicated to a domestic gloom
Let them tend to the men and gain no societical standing
until the doctors got tired of it all, with broken hands
those cramped fingers and supportive bandages
tired of motioning and fumigation of the libia
with sweet smelling and relaxing oily lotions
It was as simple as that...... the change of notions
and the innovation of the handheld vibrators
eradicated hysteria in mere 1952........

The aliens are already here
The aliens- hip, square and clean
The runaways, they've disappeared
Down pipes and drains and holes of
Sewage garden, gangs and green

There's a silent anarchy stirring in the heights
From it flows a saturnalian wine
For this free country
Can't stop drinking
Stretching its mouth to indulge in extravagance
It must be everyday, it must be more-
Take it all
Create a proxy war
And as the black *** sits and waits,
The kettle cries wolf

I pledge allegiance to the grandest of institutions
Where the last, best hope on Earth is hidden underground
Where only married fools are allowed to divide and conquer
And make gracious dents of our lives

Keep marketing death
And selling hope
Chips in our heads and
Veins full of dope
Mental warfare
Gangster mentality

The revolutionaries you hired are losing
So you better add more fuel to their fire
Till you got newspaper gods and TV messiahs
And all the innocent ones are pariahs

Capitol I and little u
Here's a free copy of our corporate Bible
Don't read the fine print
You Dead Peasant
Cause we might just put a policy through
Our Mammon's still hungry
Mommy's little terror

Bed right and woo
Bilderberg *******
Underground railroad of hate and hypocrites
You sell prison Gods
And sunny asylums
A life full of plastic
To die wrapped in plastic-
No wonder the blues originated here

We would have settled for the Silver Age
Even if it was Iron in disguise
But you kept it out too long and let it rust
Telling us it's ok-
Ashes to Ashes, Dust to Dust

We believe in something
But it's been called by the wrong name
For thousands of years, we've been insane
(What's in a name?
Your fascist-military-papal gain)
Dropping bombs on the peers
You've pressured before
Going off to make new friends
***** diamond

Wish you a water burial when alive
So you simmer in your beloved element
Better be mindful of death
You'll never die
But beware when that elixir explodes in your face

All we want is a world where sinners sin sincerely
And the narcs are narcoleptics
And the dearest of the devil dare to see more clearly

Let's put the prisoners in a church
The congregants in a prison
The crazies in an art school
The students in a parachute-prism;
We'll send them off to all four corners
With crayons, canned goods and doves (for the mourners)
In hopes of one day seeing a world
Where expression is survival, the beggars twirl,
(And no one goes hungry with a palette of rainbows
On a day when only true praise is hurled.)

Art is made to forget we're slaves
To show the world's flaws
With a tinge of beauty
So it's bearable
How ****** up things are
How we need change
But the true lovers
Are not at the top
True lovers' passion lies in bottomless alleys
Seething baths of sweat
Relieving sins imposed by a lonely man
A ceremony of the streets- Not your false ritual

"You're all talk and no action-
Where are the answers?"
Well, sweet inquisitor
We just don't have the power
And those that do are pinball wizards-
Deaf, dumb and blind,
And friends of time
Why should they care
In their own little Edens
With fortresses of gold
And platinum eyelashes?

Aquafuck and Aquafina
*** and water
Rings called sacred
But profane down under

No Xenia, no refuge, no candle in the dark
Pyramid pointless
Your fascist brigade claims its people are fasting
Least you could do is use your paper wisely
Add impresario to your resume
And let us have our heyday

It isn't how it feels
But how it looks
We could've been healed,
But they burnt the books
Better get a gun
Technology won

They say war is over when you want it
So I'll sleep in bed all day
Throwing pennies in my dream-well
Letting my weak flag fly

And I wonder why Africa, Egypt, Eden's eating me
As the host to a ghost they pray so sweetly to
It all boils over in oil to who's royal
And what ever happened to loyalty?
(With no boundaries)

Powers that be
I need to put you out of my misery
So here's your shut-up money
Your gilded cage becomes
My blank page
Your sedition becomes
My intuition:
The last standing land mass- No woman, don't cry
Ain't that a gas?
Better take to the mountains and the trees
Before you say this too shall pass

We all bleed the same
Cultivated and wild
Fragile dust
Abandoned by a mercurial God
Waiting to be saved by a beaten sailor

It started as a shade of green and blue
And golden sands and cosmic plans
Transformed to the home of me and you
Where 100 shades of grey steam the sky
And colors fly to a place we'll never reside

Wonders of the world
Don't require human hands
A heart is all you need to plant seeds
And touch the sky
A mystery it was
And a mystery it'll be
Even if it's all dust
And matter and debris

Still, I wish I could pull a brick
And watch the whole thing crumble

Blood splatter
Brain matter
Arms crossed
Children lost
You shouldn’t get
To look away

Cold metal slabs
Filled with bad
Rooms brimming
Ready to burst
With the sad
You shouldn’t get
To look away

Bone fragment
Metal shards
Bombed out buildings
Scarred the yard
Flowers crushed
Before their time
You shouldn’t get
To look away

Open wounds
Pacifier soaked in blood
Children in school
With nowhere to run
Can’t hide from
A bomb
Can’t find a tunnel to sanity
While this goes on
You shouldn’t get to look away


Madmen don’t live in asylums
They wear suits and ties
Eat power lunches
While bombs fly
Turn a blind eye
For profit
No matter what it costs
You may try to hide
Let others decide
Who lives and dies
But no one should get to look away


See what’s left
Feel their pain
Give me your reasons
Try to explain
But as long as it happens
Again and again
No one should get to look away

Light spills from doorways and streetlamps
Reaching for you but always falling short.
You are alone in a pool of darkness
Windows yawning and empty.
Shards of glass glitter faintly,
Strewn in the dirt around you like stars orbiting a black hole.
Vines twist among the bricks
Digging into the intimate parts of you,
The cracks and weaknesses,
Prying back doors and invading your drainpipes and fire escapes.
Long since collapsed,
The roof hangs in shreds
Letting the night pour into you
Cool and unsettling
Like black water.
You are not empty
You are filled.
You hold what I hold.
Something different.
Something ancient.
Something cold.
Life creeps into you
Around you
Crawling, unseen, through the basements and shuttered rooms
Crumbling ancient paint so that it falls from the walls and ceilings
In sheets like heavy rain.
You are filled with deathly life
You are filled with
What cannot die,
What endures.
You are not a ruin, not to me.
You are a shrine to things lost
To moments of silence and suffering
You are an echo of the dark power that seeps up from the dirt and coils in my stomach
Whenever I step outside at night.
I press my palms to you:
Nourish me.
Feed me darkness
And I will feed you
Secrets.
Give me silence.
Give me peace.
Give me
Solidity.
Make me stone.

Sometime ago, years as it would seem
I saw the devil in my room
He was sitting there in the corner watching me
And I didn’t know why

He sat with pus-filled eyes and patchy skin
He sat naked holding a can of black spray paint
I was nine
It felt like it could have happened yesterday
But it was some time ago, years as it would seem
Since the devil visited me and it wasn’t a dream


He didn’t talk to me; he remained still and quiet
I was afraid but then I wasn’t
I went to bed and he tucked me in
And I didn’t know why

He placed his fingers to my lips, gesturing to be silent
I obeyed and watched as he walked to my door quietly
It was 9pm
But it felt much later in the night
When the Devil paid me a visit in my home
Killing my family and leaving to roam.


Before he left he showed me my mother, on the ground
My father in the bath
My sisters, in pieces in the sink
And told me to embrace the moment

“You never knew it, but these people didn’t love you”
He told me soothingly, “They wanted to hurt you”
It was December 9th
But it felt like October, as he sprayed the number on the walls
“Are you the devil I asked?” Tears ran down my eyes.
“Yes.” He said, “I’m your liberator.” He advised.


I never saw the Devil like that again.
I left my house and told the neighbors.
And the police came and took me away
I never said goodbye to those who raised me

I was raised by an uncle until I was eighteen
Then I left to become more than what I was
I had always wondered if I would see the Devil again
I was 19
When I vowed to find him, the liberator and murderer
I would take him back to hell and back even further


Years later, now in adulthood
I long to search for the Devil again
The same devil who paid me a visit when I was a boy
The same that liberated me through false hope

Years under training, through police cadet then detective
I stumbled through the underground of vigilance
The underbelly of corruption and deception
It was 2009
I had seen the darker side of people: the slaughters, poisons and infant killers
The victims of **** and molestation, the beatings and thieving distillers


From one clue to the next I found
Families murdered, but with one member still alive
Whether a boy or a girl.
To lay witness to the acts willed by the one

A pattern was laid and I followed it accordingly
I was hot on the trail, chasing records in asylums
Convicted kidnappings, victims’ confessions
I was 29
A 911 called was patched, describing a man breaking into a house; it was him
I took the call and hurried to the address, to stop the lights from going dim.


I drove to the inner city, an unknown borough
And was surprised to find the address I received was to a closed down church
A Catholic cathedral, condemned and left to dust
But I saw lights inside and broke through the doors

The church was old and dark; cold without spark
The lights came from the Altar, where sacrifice was offered
It was 9pm
There I saw the Devil in the flesh, with a little child
And his appearance was the same as I remembered but more wild


He outspread his arms and welcomed me to his home.
All around him red candles were set ablaze
My heart sunk and drifted in fear
My skin sweated from the sweltering heat I revered

“Why have you done this!?” I yelled, “All this time?”
He smiled and wiped the yellow tears from his eyes
9 children
Walked out from the altar, carrying pitchers of unknown liquid.
I was silently subdued by what was unexpected and wicked


The door slammed shut behind me. The stone figures of angels moved
They crawled from the stone and moaned; touching themselves
They encircled me. They grabbed hold of me
“Why?” I cried, asking the devil who approached me.

“I liberated you from a life without truth.” He said
“I showed you the reality of God’s domain.” He told me. I was left weak
“Why nine?” I asked
I asked again. “Why nine children, the nine liberalizations and family deaths?”
“Because you were led astray” He said, “Was is it 9 or is a 6?” he whispered under his breath.


I looked down and indeed there were only six children.
Along with three demons.
Laughing and dancing as the church was consumed
In a blazing fire in the night of the devil.

The six children poured the pitchers down on the ground.
“You will bathe in the blood of their families and burn in this fire.” The devil said
9 minutes
I felt the the fire and the collective blood engulf my body whole
My skin burned and crisped. Everything burned including my soul


Once again I was released from a world of pain
Both accounts were not of my consent
And only one I agreed with
Save the moment I met the devil

It was many years ago when it all happened
My family butchered, the number nine sprayed on the wall
I was 9 years old
But then again maybe I was 6. And the Devil was me; a desire to ****
The demons were my guilt and I took my own life to stop the thrill

But it was some time ago, years as it would seem
Since the devil visited me and it wasn’t a dream

If you stare out of a window
Across a bleak garden some September morning
If the neem tree in the garden reminds you of home
Vast, old, timeless
If you remember playing under a neem tree in Allahabad
And you can almost hear the laughter of children as they play
In the heat of a sultry afternoon in June
And because the window is small and barred and cannot open
Because you want to breathe freedom
Because you want to shower without them watching
Because you silently swallow your screams
Because your mind is starting to get fuzzy
Because your tongue is starting to slur
Because you have started drooling
Because your fingers shake when you write
Because the words Ritalin Prozac Depakote Lithium
Have started sounding like poetry
Because you feel your resistance slowly dying
Because you start to say the words they want to hear
Because you know the glazed look in the eyes of others
Is in your eyes too
Because this confluence of muscle and bone is wasting
Because you sleep for hours
Because you now smile at your doctors
Because you scream when the ECT paraphernalia is wheeled in
Because no one cares
Because once you’re labeled, you will be forever
Because asylums were once freak shows
Because asylum is not what it means
You go back to staring
Staring
Staring
Staring
Staring
Staring
­ Staring
Staring

You and I
You
And
I

- I
Could drown myself in melted polar ice caps, or illusions of Niagara Falls (or does it?)
Could join a nudist colony
Could dismember my body parts 'recreationally'
Could (or will) document my own downward spiral/lay eggs in vast and immeasurable labyrinths/where the paradox of my self-pity mingles with my bragging/swaggering teen angst and date!-mate!-procreate!- into a thousand descendants of my rotting fleshhhhhh

- You
Present yourself in -
Hallways rambling in front of me with asylums spilling into corridors of confusion
Rrrrrrriiipppp of either paper pulling from notebooks or flesh pulling from bone
Virtual college applications tabbed over with two different Buy Your Own Russian Wife! websites and ignored by your -loving parents-
An arrogant 18-year-old boy standing before the Committee of Elders (pleading insanity)
Twenty-four permanent markers with generic names
The pseudo-poetic lure of "Call _ For a GOOD TIME" graffitis on the bathroom wall of a Whole Foods you spend six weeks jacking off in

- Look, that's great and all, but
I think you are a (beanstalk), no time to (talk), less of a (walk) and more of a climb - to reach your face, and when I lean to kiss it (fee fi fo fum) I smell the blood of a human one

(I'm tired of stooping and I'm tired of looking at old people)

You
And
I
Could have Been Anyone!
But no,
Just more of the same.

I wrote this a few months ago on a flight across the country. Not my best, but it healed me a bit

Thinking about you doesn't get any easier and even at 30,000 feet in the air the feeling you left with me somehow manages to suffocate me, through twenty different layers of clouds and pressurized cabins. The lady sitting next to me has a sad look in her eyes. Maybe she is suffering through some kind of heartbreak herself, just like me. She orders her coffee black. I want to reach out to her and hold her hand, but it's probably too cold, and she might **** away from my touch, the same way you did that day when you left. She smells like cheap perfume and the lies of lovers she has tried too hard to forget.
I wonder about jumping right out this plane right now. I wonder if I'd land with a *splat and if a nice young man would arrive with a broom and pan, sweep me up, and discard me into the nearest trash can, like they do in the carnivals. Would I regret it the moment my feet left the edge of the plane? Would I get the same feeling in my stomach on the way down as I did when we were together? I think I'd only jump if I were holding your hand.
I wrote “I miss you” in a too big sharpie across the front of my notebook on Tuesday. Colored it in blue because there’s not enough green to feel much else when you're not around. Two hours to go and my entire life is falling down around me. (Leave me be leave me be leave me be.) I want to be the space that water fills between your toes and hidden among the things that keeps your rusty heart beating. But I can't be the oil that makes your wheels keep spinning. At best I'm the hot hot steam that keeps your hands from burning and bleeding. You don't want me and you never fell in love with me. You fell in love with words I learned to recite and looks I knew when to give and this carcinogenic smile.
Apologies don't sound as true as they should and I never really say what I mean. I'm just as ****** up as you. And these are words carved into walls of abandoned asylums and painted on canvases with blood in lieu of paint and this is the only way I know how to say that I know what you're going through and what you've been through and how sorry I am that I can't be everything you expected of me.

As I sit on this assigned desk
ears drooling with institution gel
I swirl on the seat, the wind pause
Musing in evangelised dilemmas

Lobotomised to jerking veracities
Sagacity amateurs boost egos
Stooping and stooging in asylums
Barricading others progression

Regressed losing solid grounds
Jurisdictional custodial supervisions
An infused scent of propagandism
Scenes of robotic observational modelling

Unprincipled to insist on another destiny
Calculating targeted risked predictions
Regulated to invigilate and unroll a matrix grid
Who am I? To forge his,her or their trench

I long for what I’ve never known: a word
that captures the foreign feels of speech surging
from my throat, the ways they shake and crack with
fury and failure as I break away
from the safety of silence, in jagged
and fragmented sentences–I’m desperate
to seize meaning, trying words like puzzle
pieces, I’ll force them to fit together
to form the spaces of pieces missing.
My greatest fear is to be incomplete.

And I’m constantly reminded of this
over coffee-talk and shared politics
as I recoil shyly in forced defense
of each vowel, and every consonant
and the myriad of their constructions:
they are stuck behind my eyes. I am left
apologizing for my vagueness and
for the grey shades of embarrassment and
finite language–when a dictionary
is never a long enough read for the
lone, longer walk around the circumference
of my head–or any red eye flight I have
ever caught that takes me from thought to thought:

the moving belts of baggage claim don’t
have to tell me of the luggage I lost.
As possessions were plucked from circuitry
I clung to the emptiness as if it
was mine and took it home as leverage.
I write in circles ’til I’m motion sick.
I write myself into thought-asylums
where silence is another language:
a slow germination of roots lacing
down the bell-curve of my spine.
A foreign tongue, An othered alphabet.