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Mustafa Sep 1
I am the Road, I am the Road
People travel upon me to places near, places far
Some travel on foot, some on horses, some on donkeys
But horses and donkeys have now been taken over
By motorised vehicles, such as buses and cars

I am man-made, not nature-made
For animals do not need me, nor do birds
But human beings do not possess the directional sense
Given to birds and animals by the creator

Animals and birds can find their way about
They don't need any roads to get from here to there
Man, the intelligent animal gets confused, oh so confused
That's why he needed to make me the road

I am colored, decorated and named much like
An Indian bride before her wedding night
Accessories like signposts are put by my side
Much like the jewellery that brides wear

And I am painted in white and black colours
The way a bride is adorned with henna
And like a newborn, I am given a name
The Great North Road, Southern By-pass
And the like

The Eagle flying overhead looks on with amusement
Mancalls himself the most intelligent of all species
Yet without making and decorating a path
He is unable to go anywhere. He is lost
Yet lower species can find their way about
With or Without A Road
This poem is about the importance of a road to us humans
The car engine light is on
I sigh… I know what’s wrong,
The exact part that needs replacing
But the same problems, I keep facing

“Don’t make ‘em like they used to”
I sigh… I know what’s wrong
It’s me, the expert who knows nothing
To the world, I’m really bluffing

You see, the engine is my brain
And I’m slowly going quite insane
I’m just trying to explain
I’m not doing well

The fuel light blinks on
I… sigh. I know what’s wrong
I’m grasping for fuel
How I treat her frame is cruel

You see, that hunk-a-junk is me
I’m not kind to my body
It’s just my anxiety
I’m not doing well

So I cope, I smoke
I always feel like I’m alone
I don’t want to take this road
So, I turn off the key

The car door alarm is on
I sigh.. I know what’s wrong
The path might not be clear
But I’m walking from here
This is a poem about being in your head too much while you’re driving.
The world passed by this one road,
Where all things sailed.
Amidst the rocks of all kinds,
Two distinct pebbles prevailed.

Brought together by wind
East-West, their stories untold
These two pebbles of distinct land
Now stood by the road.

They were different, yet akin
Unmarked by time or tread
Two pebbles by the road,
Where silent stones are shed.

Take another just as alike,
And you wouldn't find a match.
Two pebbles by the road,
Could be one, if they attach.
So put them together under one hue
Then they will seem;
Too good to come true.
Tristă ne e povestea,
Și așa va fi pe veci,
Frântă-n valuri ne e calea,
În căutări de glasuri reci.

De uitare dătătoare
E tăcerea dintre noi,
O iubire trecătoare
Stinsă-n ceasuri fără ploi.

Se înalță norii-n vânt,
Peste tulburea mare
Poartă al nostru trist cânt
În cerul fără de hotare.
Lately my life feels like
A road leading nowhere
And that's exhausting...
Just hanging by a thread here...
Vedo la luce di un lampione,
in fondo alla via.

Dall'alto.

Non voglio illumini da sola la strada.
Non riesce bene.
Non è serena.

Lei non è fioca.
Ma non è viva.

È giallina,
ma d'un giallo che non sceglieresti mai
tra i pastelli colorati.

L’asfalto crepato, le erbacce secche, le case vuote,
ciò che illumina è familiare.
Ma non amico.

Non deve esser molto contento,
quel lampione,
come un padre che osserva, immobile,
il figlio morente.

Vorrei potesse andarsene
da quella staticità.

Da quella strada.

Da quel nulla.

///

I see the light of a street lamp,
at the end of the street.

From above.

I don't want it to light up the road by itself.
It doesn't work well.
It's not serene.

It's not dim.
But it's not alive.

It's yellowish,
but a yellow you'd never choose
among colored crayons.

The cracked asphalt, the dry weeds, the empty houses,
what it illuminates is familiar.
But not friendly.

It must not be very happy,
that street lamp,
like a father who watches, motionless,
his dying son.

I wish it could go away
from that staticity.

From that street.

From that nothingness.
Written looking out the window in midnight
Reece Apr 13
As we walked through the wood,
I found myself oddly stood,
Amidst my peers and fellow friends,
As we searched to find an end,
For we believed we could.

There was a fork in the road,
Two paths diverged, their end unknown.
My peers and friends took the right,
While I stood, paralyzed in fright,
Not knowing where to go.

As they walked down their trail,
I hoped and prayed that they’d prevail,
But feeling called to look around,
I focused on the ground,
And studied, and eventaully prevailed.

The one to the left,
Had been more unkempt.
The right was more ideal,
Even though they hurt their heels,
They charged forward without regret.

However, deep in my soul,
I felt called, the origin unknown,
To walk the path that no one dared,
Not necessarily because they were scared,
But because the right had been controlled.

So, gathering my wits,
I took a step, with no intention to quit,
And walked down the path to my left,
A warm feeling spreading in my chest,
A sense of pride, I must admit.

The road I travel on,
Not many dare to step upon,
But those who do are,
Chosen by the stars,
To walk the road I travel on.
A shorter, not-so-subtle nod toward "The Road Not Taken" by Robert Frost.
Laokos Feb 27
I’m not good enough to write
this poem. these ******* words
won’t come. here I am, feeling
like a dried **** on the grass—
all hard, white and shriveled
obstinately sitting there, surrounded
by all that lush green.
this resistance is a real *******,
sitting on me like a sumo wrestler,
smiling in its power over me.
looking down on me
and controlling me effortlessly.

“you can’t write poetry,
you’re a nobody.
a real lukewarm leftover special.
no one will ever love you.
no one will ever like you.
no one will ever see you.
no one wants you to succeed.
no one wants to read your poetry.
don’t waste your time doing
something you’ll never be good at.
you’re not good enough.
you’re not strong enough.
someone like you could never
be someone like that.
someone like you could never
do something like that.
someone like her would never
love someone like you.
you’re gross,
nobody wants to look at you.
stay home.
don’t do anything.
don’t even try.
give up.”


I mean, this guy’s got a million
of these bumper stickers
and he slaps them all over
the inside of my car
all day, every day—
that is, when he’s not using
my chest as a seat cushion.
it’s gotten to the point where
I now can’t see out of my windshield.
I just wanna go somewhere
but he won’t let me see
where I’m going.
he won’t stop talking.
I can’t hear the music anymore.
I don’t know where I am.
I can’t breathe.
I just know that this car feels
more like solitary confinement
than freedom and the a/c
stopped working a long time ago.

I think I need to stop the car.
I need to open the door
and step out into the light.
I don’t even need to take
off the bumper stickers,
I think I just need to walk
for a while—
move at my natural rhythm again.
like children do before
we start in on them.
before we start building their car
around them and teaching them
to believe in it.

this is you.
you are this car.
except when you’re alone,
then maybe you can leave
the car but never in public,
never in front of other people.
this car will protect you from
them, from the world—
from yourself.
hide in it.

well, I left my car
on the side of the road
some ways back
with the keys in it
and a full tank of gas.
the door’s open,
take it if you need it.
hell, take it if you want it,
I don’t give a ****—
just don’t try
to pick me up in it
if you ever catch up.

                      signed,
                                 ­ 
                               nobody


P.S. watch out for the fat guy in the diaper.
Vitæ Feb 13
He drives dreaming,
     smoke writhing between
              gashed fingers keeps the
                                         wheel turning.
                                                  Sometimes,
                                an irresistible light
                     flares its hungry glare
           blinding the only eye
he can see with.
Sometimes,
     he's headlessly drifting,  
               and fears what's sprawled
                                 on the kerb might've
                                                        been him
                                    and when it isn't,
                              he pays a toll
       bound for the high way
black as a solstice night
     riding serpentine
          until he's no longer
                     prey to the break
                                              of day.
“Not a road long enough to outrun the dawn. Let the sun rise. I am ready.”
― L.M. Browning
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