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Jonathan Moya Sep 2019
Rapid City wears its patriotism like a shroud.
Corner streets are populated with less than
life-size statues of past presidents
squinting at the distant Black Hills
where the grandeur of Mt. Rushmore
casually crumbles their bronze dreams.

Wax settlers, loggers and gold miners
stake claims with souvenir hunters
touring a mine, panning for fool’s gold.

In nearby Custer, 75 breaths  from Wounded Knee,
shops hawk Chief Joseph, Sitting Bull, Geronimo t-shirts
proclaiming them “ The Original Founding Fathers.”
Mixed in are those in star-spangled letters and fireworks
proudly streaming “Welcome to America. Now Speak English.”

Rushmore was dynamited from a cliff
by a creator who spent the rest of his life
erecting grand Confederate gestures
out of ****** Georgia quartz monzonite—
finished and opened 100 years to the day
after Abraham Lincoln’s assassination.  

Thirty minutes from Rushmore, existing in its shadow
on private land filled with dusty trails,
unfinished after seventy years,
probably still unfinished after twenty  more,
facing away from these great stone faces,
emerging from the side of great Thunderhead Mountain,

on an ivory stead with a mane of flowing river and wind,
exists the Oglala Lakota warrior Tasunke Witko
the worm of Crazy Horse the Old and Rattling Blanket Woman,
sibling of Little Hawk and Laughing One, memory of the spirit of
Black Buffalo and White Cow who walked with an Iron Cane,
all enclosed with him in this massive breath of white stone.

The history of this great Indian space stretches the land,
four times higher than the Statue of Liberty,
extending beyond the warrior frown, the pointing left arm.
The horse’s ear alone is the size of a rusty  reservation bus.
When finished it will be the largest sculpture in history,
bigger than the land, breath and all of Indian memory.

It was the Vision Quest of Chief Henry Standing Bear to show the whites that the red man had great heroes, too.
In a man named Korczak he found a kindred spirit,
a storyteller in stone, a survivor of Omaha Beach,
who when the first wife faltered, found a second
who gave him enough children to carry, sculpt the Bear Dream.  

The big chief’s face is still the only finished part.
Korczak’s wife and children toil with the rest,
struggling to capture the essence of a warrior
who never allowed his shadow to be snared
in the false glow of the white man’s light,
trusting only the rain beams that fall

onto his people, mountains, plains and buffaloes,
onto Paha Sapa, “the heart of everything that is,”
where the Lakota huddled while the world was created,
now a land of broken treaties and dying dreams,
drenched in the dust of tears underneath,
while this white face torn from red gazes East.
Wounded Knee is not only the sight of an 1800’s Indian Massacre but the rumored burial spot of Sitting Bull.

The grand confederate gesture refers to Stone Mountain park, a Mt Rushmore etched with the faces of the Confederacy: Robert E. Lee,
md-writer Sep 2019
One day, in my travels, I found a monument to the forgotten.

I found footprints there, and though they fit my feet, I had no memory of being there before.

One side of the monument was blank, full of words that could not be read.

One side was burnt, and ashes twisted in the mourning breeze.

One side was covered with a sheet.

One side towered high, yet was gone before I fully looked away.

And all around, footprints.

All of them mine.
Aaron E Dec 2018
Searching for a monument to build,
to my stranger nature.
A display of living purpose,
but it's paper,
A failure to surface,
when the current spills
my hopes out to the maker.

I'm breathing toxic calamity like a vapor.
I'm receding, firing soliloquies over faders,
and waiting for it to taper.
The baser instinct to sink into
to a shape conforming destiny's favor, amazing
but it's death in a manger.
A gift of unrequested breath
to levy questions of our nature
impartial but starting to loose
the fruit for us to play with

Don't play with your food
the canopy vines can't seem to stay in the mood
when amity cries
just as we bite another layer
and hope our spirit affords an existential favor.

The corporeal farce of the mortal coil
Where I'm going, what I've done,
who I am, who I have to become

Who am I to give a ****
about what has to be done
will I be actualized
if I inhabit the gun
will I be dazzled to find
that I should never have won
that all my fevers of prayer
were only threads to be spun

I am the definition of survivor's bias
clamoring for comprehension to a writer's silence
buying into lines reverberating in my mind
and all the while I soak
in revelation of the killing kindness

an absence of a unique purpose
a lavish elusiveness revealing
time as worthless, when I dig for deeper meaning
but seemingly informed by enduring
anguish in a world to test which
axiom I'll push the furthest
my reluctance to lift the curtain
My redundancy in spilling refusal
sooner empty than truly certain
My abundance of energy
filling the room
I bask in knowledge
Honoring the right to never learn it

And so I paint
I drape the walls and fall into
the sordid echoes,
calling through the mist.
Simple soothing bruising lips
They whistle darkness
move your hips
I'll leave a mark

I'm through with this.
Everyone wants to find that connection between their spirit (soul, self, being) and the rest of reality. That's mostly what this is about, with some tangents. Getting things out and in stone. Exploring, building, creating our own purpose, or finding the value in the purpose others have created for themselves in an existence that can seem bleak or meaningless at times. There's more in there, but that's sort of the broad strokes. Enjoy, and thank you.
Blois Nov 2017
I'm a builder.
My poems are houses.
Crooked,
ghost houses.
Mad houses.
Burn victims hospitals.
Pet cemeteries.
Monuments
to unknown soldiers.

But also, sometimes,
they are what they are meant to be.
A beating heart with space enough
for them all to dwell.

Usually, not even that.
Only rubble.
Only silence.
Seema Sep 2017
The winds whistle my name
As I walk on this lonely path
Everything looks almost the same
Except the monuments ruined art

The heart was stained red
Tear marks on it's face I saw
The monument looked sad
On this bright day, it refused to glow

As I looked closer, I felt drips of water
Over my shoulder, as I stood near
A feeling of a mother, missing her daughter
In those still eyes, sipping out was its tear

I never thought stones could really cry
Crafted by men, a persona beautiful art
Even if I wipe out its tears to dry
I wouldn't feel the pain it bears in its heart...

©sim
An orange
sought crunch
as nightfall
waned in
northern tier
and would
annex more
than south
as it
lied encumbered
with KE
when Robert
E, Lee
incandescently drew
lion's share
of resistance
in Yorktown.
"A patriot with remark"
The Dybbuk Jul 2017
A lonely spider,
No bigger than a tack.
He has built his home,
A sturdy web between two great wooden pillars,
Overlooking the lake.
His silk is strong as steel.
His web is a silent monument to his will.
Tunde Lakanu Jun 2017
Preserved for calm hue
The river of lava rests
More dancing for rain
Star BG Jun 2017
I am a monument of love,
sitting with pen in hand.
I breathe deep inhaling fragrances, for inspiration.
I open ears, to hear birds sing enhancing thoughts.
I dance, moving with energies that carry me in breeze.

I am a monument of light,
writing to fill hearts
I focus, to ignite dreams of self inside song.
I invite all to come,
as love anchors inside my roots to share.
I bow with gratitude,
as the world evolves in blossoming fields of love.

Come, stand beside me
as I write to cradle hearts inside the moment.
A moment, where light leads the way,
as my monument stands tall
and I scribe to guide in grace.

StarBG © 2017
inspired by  Leydis
There's a monument outside of town
I go there when the sun goes down
And I listen....

The names upon that granite slab
Are worn and rusted, slightly drab
Still  I listen

There's a silence hanging in the air
Hiding the thoughts of those not there
And I listen

I sit upon the steps below
In rain, or sun, and even snow
And I listen

Thirty men remembered here
Though none of them are buried near
So I listen

I've met others beneath this pigeon roost
Whose spirits I have tried to boost
As I listen

I wait to hear them from the grave
The voices of the dead, the brave
And I listen

None has spoken out to me
I know they watch and they see
As I listen

I keep watch throughout the night
I head home when it is daylight
And I listen

During the day there's too much noise
To hear the voices of these boys
But, I listen

So each night as the sun goes down
I venture once more out of town
And I listen

I listen.....
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