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Left Foot Poet Jun 2017
one would think these old owls might have learned
a hoot of wisdom, and shut off the bright lights,
concisely concession con-seceded to the simple *******
of the union of the night and moon, its sleep crowning ownership
of these particular hours

let me not false claim that I speak for all the grandfathers,
nor raise myself as a caesar among them,
for there are too many shrieking claimants of all knowing,
know-nothings these troubling days

no longer do we revere or agree upon
the certainty of any incontrovertible self-evident,
truths and beauty we from early ancestors inherited,
fore-seeing the risky possibilities of a freedom-less future,
a melting planet without enough air or water to be shared
for our fast contentedly, asleep babies

no, no, I speak only for myself, and those few million of grandfathers who message each other in the wee hours about silly trivial concerns that keep them awake and writing foolish poems
3:08am nml
Left Foot Poet Aug 2017
<•>

the freight of fright (one by one)

you don't see them often
out east,
the coupled cars of trains,
so long, one single train, touching,
two borders of one middle-of-the-country-state,
simultaneous

that said,
rode those couplers once or twice,
even now, sitting free fared on uncut lengths of rebar,
quiet humming on my knees, Clapton's Layla,
heading to a city that claims need for another skyscraper

but the freight train I ride and rode a million passenger miles,
so many miles, I ride now gold free for life,
that of course,
a curse,
an ironic joke
on me

the freight of fright,
of waking up tired,
after just having falling asleep
worthy of only short story nightmares,
alligator eaten dreams,
running from and to
the silver bullet band's lullaby;

"running against the wind,
a young man,
running against the wind"


this train, all mind mine,
don't carry no commodities,
no cars or washing machines,
its load is men, mostly me,
carrying grades of fright,
adding on and up a few more rail cars,
in strange cities,
different chemical formulas
but all prime fright, fear,
of waking up, still breathing

guess I can quit here,
no excuse making time to make a tome,
fright comes in small measures,
coupled together, this train,
this tracked, cracked dry riverbed
of a train,
and it goes on bye,
one by one


12:57am
could be Monday, maybe, or Tuesday, too.
Left Foot Poet Aug 2017
the server (waiter) raps
praise upon the sushi,
its integrity,
the harmonic
of its construct,
the curated singularity of
each rice grain

the innate elegance of
the thin sliced,
nearly translucent,
au naturel, organic,
ginger root

the skin smooth paste of
green wasabi,
grown naturally
along stream beds in
mountain river valleys in Japan

genuinely puzzled,
when he,
the old erstwhile poet
unabashedly weeps before all

no hero he,
just an overcome one,
his tears flavoring his food

mourning the
celebrated abuse
of his verbal children,
those natured nurtured babes
the stuff,
the words of his definition

each weird word,
loved for their cultured,
unique quality of their history
grown in languages's
perpetual petri dish

asked if something was a matter,
answered yes,

"this plated performance,
such an extravagant essay
on the beauteous wonder
of life's bounty,
left me wordless"

and she, burst out loud in laughter
Left Foot Poet Aug 2017
for I work by day, but live by night*

not an axiom, a formula, for success and wealth,
not a suggestion, not seeking a reaction,
it is a plain as night
fact,
still don't recommend it as a way of life

but if the shoe/life fits
wear it,
even as no sleeps. speeds up your arrival
at the Grand Central Terminal

in black eyed circles, endless pointless future worrying,
in bad poems writ after midnight after midnight
when the quiet
keeps you company - a friend that asks for nothing

(but an occasional mention in one of the poems born
in the delivery room of the dark)

but through the nighttime writing escapades
I am more than renewed,
a born again human
with a covenant, armed to the teeth,
drinking his dis-owned fluids and juices,,
spilling out as staccato words,
ha!
splitting his infinitudes

if you had foreseen this as my future fate,
a lonely human up all night,
with the night and words making his
holy triumvirate, I may have thought
there are worse ways to prepare
for the silence that comes after
the no more arrives
and we depart
ensemble,
ensemble

8/31/17
2:28am
Left Foot Poet Sep 2017
"Shelter From The Storm"

Bob Dylan


'Twas in another lifetime one of toil and blood
When blackness was a virtue, the road was full of mud
I came in from the wilderness a creature void of form
"Come in," she said,
"I'll give you shelter from the storm."

And if I pass this way again you can rest assured
I'll always do my best for her on that I give my word
In a world of steel-eyed death and men who are fighting to be warm
"Come in," she said,
"I'll give you shelter from the storm."

Not a word was spoke between us there was little risk involved
Everything up to that point had been left unresolved
Try imagining a place where it's always safe and warm
"Come in," she said,
"I'll give you shelter from the storm."

I was burned out from exhaustion buried in the hail
Poisoned in the bushes and blown out on the trail
Hunted like a crocodile ravaged in the corn
"Come in," she said,
"I'll give you shelter from the storm."

Suddenly I turned around and she was standing there
With silver bracelets on her wrists and flowers in her hair
She walked up to me so gracefully and took my crown of thorns
"Come in," she said,
"I'll give you shelter from the storm."

Now there's a wall between us something there's been lost
I took too much for granted, I got my signals crossed
Just to think that it all began on an uneventful morn
"Come in," she said,
"I'll give you shelter from the storm."

Well the deputy walks on hard nails and the preacher rides a mount
But nothing really matters much it's doom alone that counts
And the one-eyed undertaker he blows a futile horn
"Come in," she said,
"I'll give you shelter from the storm."

I've heard newborn babies wailing like a mourning dove
And old men with broken teeth stranded without love
Do I understand your question man, is it hopeless and forlorn?
"Come in," she said,
"I'll give you shelter from the storm."

In a little hilltop village they gambled for my clothes
I bargained for salvation and she gave me a lethal dose
I offered up my innocence, I got repaid with scorn
"Come in," she said,
"I'll give you shelter from the storm."

Well I'm living in a foreign country but I'm bound to cross the line
Beauty walks a razor's edge someday I'll make it mine
If I could only turn back the clock to when God and her were born
"Come in," she said,
"I'll give you shelter from the storm."
in our thots, as we shelter-in-our-place Fla. refugees
Left Foot Poet Sep 2017
The muse inquires,
knowing that a question such as this is
cannon fodder, an off-the-shoulder-blouse tease,
just a hint of cleavage, a whiff of parfume,
something to make poet sneeze,
ejecting an answering essay
without a clue where to go, but,
now the fifth gear engaged,
compulsion full,
immédiatement, en ce moment, laisser's aller!
and he knows exactly what to say

what if poet possessed a special character,
to define the sadness that reflects that
summer has had its memory card wiped,
and even though today,
will be a Saturday of
jeans shorts, a halter top, sort of day,
the chill of dreaded winter is not coming,
already present and accounted for,
enchanté, déjanté,
has already encased his heart in ice so thick,
that even if poet drank a Joni case
of his fav summer quaff,
un provence rose,
his seasonal loss cannot be overcome,
the summer man~king is dead

all that in but a single character, a precise capture,
a labor and  time saving device, but
a character with no character
for the labor would be love lost

yet you swear by your succinct emojis,
their immaculate efficient composition,
and I would not trade one accidental,
just-slipped-out I love you
even for ten thousand disheartening heart symbols

would you prefer
|£%!<#
instead of:
I love you so much it is
driving me batshit crazy!


I'm stuck with my troop of twenty six
and their multiple endless quilted rearrangements

call me old and out of fashion,
to your question,
this poem is my ask and answered at 5:13am
In Autumn

Mark Irwin
When within ourselves in autumn we feel the autumn
I become very still, a kind of singing, and try to move
like all things green, in one direction, when within ourselves
the autumn moves, thickening like honey, that light we smear
on faces and hands, then touch the far within one another,
something like autumn, and I think when those who knew
the dead, when they fall asleep, then what, then what in autumn
when I always feel I’m writing in red pencil on a piece
of paper growing in thickness the way a pumpkin does,
traveling at fantastic speed toward orange, toward rot, when
in autumn I remember that we are cold-smitten as I continue
smearing red on this precipice, this ledge of paper over which
I lean, trying to touch those I love, their bodies rusting
as I keep writing, sketching their red hands, faces lusting for green.
Left Foot Poet Sep 2017
spend /broke

I am here.  I could spend all my days reading your wires.  I could spend all my nights writhing writing responsa psalms.  
perhaps I do, for after all, I am here  
{~for Mara, Denel, Liz B.; Patty~}

I string fences too, bury birds, insects, living sons, tho just out in the back of my ex-mansion brain. want to write simple, effectively, like you guys, and want to live simple ample effectively. cant cursed, cursed canticle Kant cant.  so the day commences   2000 plus emails chirping read me and I've just arrived, but I do not, bury them in a mass grave with an effective 'delete all,'  not even thinking what might be missed, missed

what happens when u run out of fence, land, good silences, and spending becomes broken? spending, breaking, chicken, egg, simple, too many words, to read, to write, so which will come first?

738am
Liz B.Fledgling

Traci Brimhall
I scare away rabbits stripping the strawberries
in the garden, ripened ovaries reddening
their mouths. You take down the hanging basket
and show it to our son—a nest, secret as a heart,
throbbing between flowers. Look, but don’t touch,
you instruct our son who has already begun
to reach for the black globes of a new bird’s eyes,
wanting to touch the world. To know it.
Disappointed, you say: Common house finch,
as if even banal miracles aren’t still pink
and blind and heaving with life. When the cat
your ex-wife gave you died, I was grateful.
I’d never seen a man grieve like that
for an animal. I held you like a victory,
embarrassed and relieved that this was how
you loved. To the bone of you. To the meat.
And we want the stricken pleasure of intimacy,
so we risk it. We do. Every day we take down
the basket and prove it to our son. Just look
at its rawness, its tenderness, it’s almost flying.
Left Foot Poet Sep 2017
trust in the shape of a key,
good god how corny is that?

satisfactorily nonsensical, a Pharisee phrase,
so offal illogical,
it borders on the poetically reprehensible

who has time to state this stuff,
pretend it is worthy of something respectful,
work it into a Nobel Prize awarded script,
nominated for "really bad ****?"

an ordinary hardware key, brass gleamy,
and the squealing grinding noise
heard while a blank progenitor is reimagined,
so so annoyingly ludicrous in this century
of plastic replicators but the noise,
comfortably familiar as a sound of
things being made

run thumb test over the cuts,
as if your thumb should know
what order the points and bevels,
the toothy gap spaces should be,
the correct disorderly order of the teeth

there are very few locks on a farm;
indeed the front door key
has not
been seen
in many a year

what's that you ask?
ok ok - I get it - in harvest time
it is early to bed and earlier to rise,
conclude this mystery key,
red winter wheat needs laying down,
stop your word seeds germinating

there may be few locks on a farm,
everything rusts so quickly anyway,

but stop to comprehend just how many locks
the human body employs  -
at least 613,
maybe many more,
and only one master
for them all

a shiny gleamy thing,
strangely,
its cuts and grooves seem to
spell a word
trust

go figure

1:05am in the city
yes, for the Canadian Iranian
Left Foot Poet Sep 2017
"my day will be different today"

she declares, when she sees herself hidden in
in a passing spending and breaking broken
drive-by scribbled-pretend, urgent poem,
stumbled upon by a heavenly calculated accident

gladdened, saddened. now dressed to the nines,
that piece of me, wherever it be, the parade ground,
where the words and letters assemble,
where the firemen train,
adding logs, love, accursed ego,
to the hearth,
steady on burning, to practice putting out the
ohms and uh-uh's
of electrical resistance that
your response, a shiny knife of a self-reflecting observation
has...** ** **
sparkling stabbing mirror

this one, a simple script, a written pyramid,
built by an Israelite, who by command, perforce
mustn't but does write prophecies
that may or may not come to being,
poem pyramids,
surely none will not survive Darius's desert sandstorms
ravaging kisses of time's forgetting

but your simple complementation
fits inside quite nicely, for its simplicity,
because it is a
provocation stabbing piercing  a self-questioning, of
why to write I need pen paper and ink,
and don't forget those stupid teardrops in the clear vial

the Zola j'accuse
of every poet, even the gone-ones,
looking down
at highest bar in poetry!

did I really do that?

even for a brief moment,
a nanosecond,
me words
modify the entire continental shelf
that another writer occupies,
change its axis, the rate of spin,
the angle of another's
solitary human's day

nah  

all i did was read (all) her poetry, imaging imaginng
a life so foreign, putting me inside of thee, and
let my stubs, the remains of worn fingers do the rest

so I guess it could be true
what you wrote,

but about me

"my day will be different today"

and why I practice this
wonderfully ridiculous
craft,
cause the pay is so
**** good

10:36am
I came across your poem by chance. Could it be you have read my poems too? Honored to be in this exchange. My day will be different today.
Left Foot Poet Sep 2017
BG: On High, (He/She)  ranting about a new alphabet!

https://hellopoetry.com/poem/2140791/a-poet-wondered/


YOU wrote, He/She read...

down looking to make some trouble,
what he likes to do on weekends,
heard about your poem,
trying to create a new alphabet,
and got mightily ******
(at you)

we have an open IM,
and live crosstown
from each other,
and he/she is kinda shy,
(from gender confusion,)
asked me to relay this to you,
Madame BG Star:

you, who writes a new poem
on the hour, got a *** of nerve,
dissatisfied with the limits
of your tools, should not overly complain!

you got gifted, and use up your allotment
of alpha rearrangements and never get billed,
should be more considerate,
and just
write more.

and then he said something else,
because he always gets the last
word...

you have an affinity for the letter L
it would appear, so here is your punishment,
for the rest of the week
write like a madwoman


but no words that employ this lala sound!

how do you like that my little lollipop ******?

having scored some five and dime bags,
(cannabis legal not, up above)
went home to run the world in his
usual state
of (dis)grace

don't b-ame the messenger,
cause he said over his shoulder as departing
on his fiery chariot,
that applies to you too
u troublemaking

_Eft Foot Poet
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