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Astrea May 2021
The dragonfly
that perches on your finger,
on the wall, at the doorstep,
like still life human history,
on the page, close to the vines,
balancing atop that blue teacup,
fanning steam

as time slips, whistles, rips
like stitches twisted, which
unravelled, like a wish
you made last summer
when horses snickered, reined by
steel knights sweating and kissing
gloved hands, ladies laughing
over earl grey tea and shipped silk,
the dragonfly danced upon
melancholic waters

what is skulking in the moist darkness
must come forth and answer
how one equates infinite and none,
vain, like history, snow, and gold,
before sung poetry from the old —
to live one’s life for something, you say,
is to live one’s life alone for something

what is repeated,
wars and manipulation,
mutual destruction, human reproduction,
drilling and penetrating,
with rhythm and with force,
Is intrinsically obscene,
the mechanics ancient and ******,
beastly brutal and brutally simple –
the human wheel of time

dawn broke
over churning waters, a cycle of
chalky, foamed flowers grew and died,
quivering is the white fish washed ashore
twitching, pulsating, then stilled

the dragonfly, sensing death,
skitters away
Gabriel Apr 2021
She plays mother,
wraps a scarf around her neck.

Red, once,
a proclamation of this,
of who she is.

In her letters,
she writes of little strong hands
taking her
up and up to the end of the world,
the breathlessness
of love, in which she thought,
and afterwards wrote,
and afterwards danced.

The world takes her
and she paints her neck
with something beautiful;
there’s a lot here
about getting to the roots
of it all.

And from this,
something grows.
Something, now, is cultivated
in the passive tense,
and then poets flock to her,
their little strong hands
grasping against her neck
for a taste of the bruises
and the colours.

But she is a spiral in herself,
a coil waiting to snap,
she is the roots of it all.
And the world wants
what the world wants;
to dig it all up
and plant something acceptable.

Still,
the silkworm woman
will not yield,
caught in the effervescence
of spider webs and champagne
she sings,
she shouts,
opens her mouth,
and silence pours out
of the wound.
From a collection of poetry I wrote for a creative writing portfolio in second year of university, titled 'Spiral'.
EmB Nov 2020
haughty and hateful or pitilessly played,
head freed from embroidered shoulders,
her heart beat, heavy, behind corseted layers.
Temptress or model maiden,
she fell just the same.
The jewel in a king’s crown,
cast away for the next shining stone.
Traveler Jul 2020
Challenge Thomas Case
from a historical figure's viewpoint.

(Pay no attention to the little man behind the curtains)

All my great inventions
An Emerald City of true paradise
An eye in the sky that watches all...
At the labor of the Munchkins
The city thrives on and on
  The four winds carry my famous name
The great and most powerful OZ!

There was ones a great disturbance
A march upon my precious city
The yellow brick road of evil
The Witches of all directions raised
Dorothy and her posy had arrived

Why can't they understand
I protect this kingdom
From the dangers of the outsiders
And the opinions of those unwelcome here in Oz!

But then it happened
Nothing would ever be the same
The Munchkins revolted
Red ruby glass slippers some witch made
Would over power my dictatorship

The Munchkins now ruling their selves
In league with some race of monkey elves
Left me no choice
So I returned to Kansas
Just behind Dorothy and her confounded little dog Toto

I joined the mighty Canaveral for a short spell
Still there and everywhere
Again and again evil dwelt among men
So beware
Until this day I still fight for the small people
..........................................................­................



                                    
                         W. Oz
Misty morning, clouds in the sky
Without warning, the wizard walks by
Casting his shadow, weaving his spell
Funny clothes, tinkling bell
Never talking
Just keeps walking
Spreading his magic
Evil power disappears
Demons worry when the wizard is near
He turns tears into joy
Everyone's happy when the wizard walks by
Never talking
Just keeps walking
Spreading his magic
Sun is shining, clouds have gone by
All the people give a happy sigh
He has passed by, giving his sign
Left all the people feeling so fine
Never talking
Just keeps walking
Spreading his magic.

BLACK SABBATH
Songwriters: John Osbourne / Terence Butler / Frank Iommi / W.t. Ward

Traveler Tim
Rossyam Hadi Jul 2020
We get on the ride
without any maps
or compass to guide us,
we create our own ways
and start the journey.

It could be dangerous,
but I feel safe
sitting beside you
as you take the wheel
and bring us
to somewhere new.

We will watch
every sunrise and sunset
while I rest my head
on your shoulder
and be your permanent passenger.

I want to see
the world with you,
we can go places
that we have never been,
seeing seven wonders,
exploring exotic and historical cities,
capturing priceless moments.

After the long trip,
I will always come back
to your arms,
my comfort place
and waking up
to your face,
my favourite morning view.
#PermanentPassenger🗺 is about when found the one that you can do everything together with - you can travel the world together and at the same they are the person that will be waiting for you at home.
Rupert Hearsey Jun 2020
He was an officer,
The lad from Bristol.
Went over the top,
With only a pistol.
One of my many ww1 inspired poems shown on my instagram account of the same name.
javert May 2020
Laying low and waiting
in the grass, see the sky.
Light above is grating,
caught, perfect, in your eye.
How the moon guides you by
its untroubled movements.
Pristine, untouched, how thy
hand makes no improvements.

With the spear you’re weighting,
once again you will try
in the dirt translating
(caught, perfect, in your eye)
that unbroken line. Lie
that your own amusements
could hold that light. Each sly
hand makes no improvements.

While you stand hesitating,
I place your hand on mine.
“Look,” I say, “duplicating,
caught. Perfect, in your eye,
the moon reflected, spy.
Despite the light’s influence,
to your beauty, his high
hand makes no improvements.”

In vain we satisfy
our heart with our reply.
All of us are truants--
all of nature’s students.
form is double refrain ballade per lewis turco's the new book of forms

I think i thoroughly mangled the english language here and for that, I apologize
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