Submit your work, meet writers and drop the ads. Become a member
emily c marshman Oct 2018
10:13 am. A text from you: what time are we leaving for Cornell? I’m embarrassed by your apparent lack of enthusiasm so I overcompensate with emojis, enough for you and I both. Three hours later I pick you up from your driveway, turn my music down, and hope to God you don’t hear which boyband I had been listening to. You get in and immediately fill up the entire passenger seat. You grow and grow and fold your right leg over your left until it’s encroaching upon my personal space and you turn the music up a little and then reach to roll down the window (to grow some more, I guess) and I have to tell you that my window won’t roll back up if rolled down and you acknowledge this but grow even more anyway, regardless of the fact that there’s nowhere else for you to go.
We’re awkward for a few minutes. This was to be expected considering our first few interactions had been drunken arm touches and Snapchats asking where are you? on nights we wanted to find each other even though we had no right to know where the other was. Then you break the silence, and we talk about where we’re from and where we want to go, and suddenly it’s not so awkward anymore. This is a conversation I feel like I’ve had before. I can envision conversations with you for miles to come. This is a conversation that makes a forty-five-minute car ride feel like five.
When we finally make it to Cornell, it’s 2:17pm and we decide to walk around a bit, together, to help you get your bearings. You can hardly contain your excitement when you see the baseball field – it’s endearing. We split up once we’ve finished our tour of Lincoln Hall, which is, appropriately, the music building. I leave you and walk around campus before finally settling in Goldwin Smith to journal for the fifty minutes before it’s time to meet back up. I’ve lied to you – you don’t know that the only reason I’m in Ithaca with you is to be with you, but I think it’s better that you don’t know.
2:46pm. I’m having fun with Peter. He’s cool. My journal tells a story I’d never be able to say to your face – I enjoy the time I’ve spent with you, though it’s limited and I know I’ll never have time like this with you again. This connection that I seem to have made has pushed my anxiety down into a part of me that it hasn’t seen it a while. Being here for today has been good for my soul … I feel good right now. These are words my journal hasn’t heard from me since at least April. Today has been a lot less awkward than I thought it would be I thought it would be a lot harder to just hang out, one on one, yet here we are. It’s really hard to be uncomfortable/an anxious mess around him.
I think about the stop sign that I almost ran in front of the admissions building, on our way to park at the Schoellkopf garage. I think about seeing my ex-boyfriend in front of the philosophy building. I think about the dance class I interrupted when I was trying to write poetry in the science building.
You text me and we meet in front of the statue of Ezra Cornell. I hardly recognize you, in your flannel, your legs crossed, on a bench, and I realize that I’ve never seen you sitting down. You make a phone call and I pretend not to eavesdrop but I can’t help it. I’m admiring the professional tone you adopt, watching people go by, wondering if they think we’re a couple, but we’re not sitting close enough for anyone to think that.
3:47 pm. We walk from the Arts Quad to Collegetown Bagels and I think that maybe you’ll offer to pay for my meal – I don’t know why I think this – but you don’t. You follow my lead, walking up to the counter to order your bagel. You decide to try the Big Sur because that’s what I tell you is my favorite on the menu, and I feel a warmth radiate outward from the center of my body until I’m sure I must be leaking happiness from my fingertips. I know then that this day won’t have been a waste of time in any way.
You ask questions and I respond, my mouth full of apples and honey and cheese, and I’m grateful that you don’t think any less of me for talking with my mouth full. I ask questions and you respond, bashfully, blissfully unaware of how intrigued I am by your every answer. I drink my Hubert’s Lemonade – mango flavored – and you drink yours, a brand called Nantucket’s Nature. The cap has a fact about whales on it, something about how hundreds of them live in the waters surrounding Nantucket, and you get excited, cleaning it off, gushing about how you’d like to give this to a certain Moby ****-obsessed professor.
4:31pm. The Ithaca Commons during Apple Fest is more hectic than I’m used to, but we make it all the way down to Taste of Thai and then back to the playground before deciding on a destination. As we meander you ask me if I’ve ever dated a boy shorter than me. I blush knowing my negating answer will make me seem vain. I catch your grin with my own and we walk into Autumn Leaves, a used bookstore.
We talk about The Hobbit and David Sedaris and my favorite poets and poems and I buy Dracula, because it’s four dollars and because I’m so intoxicated with adrenaline that I can’t not. I learn that your favorite movie is Fever Pitch because, honestly, why wouldn’t it be. We leave the bookstore, my backpack a little heavier and my heart a little lighter. We should be holding hands, I think, and immediately I’m terrified you can read my mind but I know there’s no way that’s possible.
As it’s Apple Fest, you claim it’s only appropriate that we eat an apple each, even though I’m pretty sure I’m allergic and I’ve had more than enough apples already that day. You offer up two dollars in quarters to the man behind the stand and ask what he’d recommend. He turns our attention to the resident apple expert, who asks what our favorite apples are, and you tell her that mine is Fuji. I don’t remember telling you this about myself. We are told to try an apple called ***’s Orange Pippin, and we’re intrigued until we find the basket – it’s full of ugly apples. The apples we do eat are too sweet, too big, and we can’t finish them. We laugh together – what if those apples, the ugly ones, the ones too ugly for us to eat, were the best apples of the bunch? We tell each other that we’re *******. We’re *******. We just stereotyped those apples! How could we do that?
We duet “Africa” by Toto as we leave Ithaca, the sun warming my face, your laugh filling the car. On the ride home we talk, more than we did on the drive down to Ithaca. You ask if I’ve watched Doctor Who and I smile because there’s no way you can’t read my mind, at this point. I tell you about the T.A.R.D.I.S. shirt I saw on the Commons and how I almost asked, but I didn’t, in your words, want to sound like a ******* nerd. We talk music and I find out you’re a Beatles fan who’s never seen Across the Universe so I ask you to play “I’ve Just Seen a Face,” and as we sing along it dawns on me how this would seem if we were in a romantic comedy. I’ve just seen a face. I can’t forget the time or place where we’ve just met.
7:41pm. It wasn’t a date. It wasn’t a date. It wasn’t a date, I tell myself as we pull back onto school property. You’ll be getting out of my car soon, my car you just helped me name, and you’ll be heading back to your apartment to catch up on Saturday night drinking, and I’ll be scaling the hill to the athletic center to watch my friends kick each other’s ***** in a game of unprofessional basketball. We’ll go back to our lives that probably will never intertwine again – and maybe they weren’t meant to in the first place. As I walk back to my room, I’m hit by how exhausted I am. I’m hit by how hard I must have been working without even realizing to seem like a normal human being, one whose brain isn’t constantly trying to keep them from going outside. I’m a firm believer in having to work for what you want, and I worked for you, but maybe I didn’t work hard enough. Or maybe I’m working for the wrong person.
This is an essay I wrote for my beginner creative nonfiction course in undergrad. It is most definitely about a boy I had a crush on at the time. If he ever finds this, I will be thoroughly mortified, but I'm also too proud of it to hide it forever. I changed his name, of course.
Shannon Aug 2018
The only time in an ordinary life that dying seems beautiful is when you are a teenager. That beautiful time where your skin is tightly wrapped around you like Saran Wrap and your mind believes every tear you push out of your eyes matters, counts towards something. You cry because your heart got broken? That matters, put it in your portfolio of beautiful broken pieces. You cry because you did not make the team/the grade/the cut/the audition/the clique/the bus … all of these things matter when your book is full of hauntingly empty pages. What nobody tells you is that once you fill your book with these small slights, you have less and less pages left for the big stuff that’s coming. The big stuff that should really fill your book. By the time you have something to write in your big book of beautiful broken pieces, you’ve filled it with so much crap and nonsense that there is nothing left to say.
I have nothing for you then.
Stop readingStop mother ******* reading.
I have nothing.
I am ******* empty.
I have nothing.
This was the beginning of a short story I am writing. I came back to it a bit later and think it would make a great essay.
Awake Manimeth ... wake up !!
fire goes out on the horizon
the horizon line curve your hands as if your two
absorbed will press tu face burning fire,
burning your nose in your clasping his temples into the void ...

this, you utter your conscience gema rance decorating your
mind since the beginning of their training,
then manimeth sat with his face to the sun;
this stroked his hands and fell on his altar,

saying...:

" i meditate on my heart that wants slow its beat,
you want to beat my mind as heart deserter.
hold my senses whose hands beating,
without it is felt by my conscience.


they slip jewels of the universe for my thoughts
looking sit shore maze of ideas ...
ideas for those of the shores of the sit of edge
invisible planet to me now situate them
away from an image as the desert rushing the
cosmos ... "

that over Sun ...., look wheel by tiger eye iris
as a party lights,
transparent wheel and bouncing off the moon brains out. those are crushed envious by evil,
believed to enjoy bliss of pardon for their sins ven slips on themselves not falling the storms of flower seeds on themselves.

my locked tongue  snaked
my fingers clubbed ...
but the surge of infinity breath of faith  
embrace a creed,
illogical swings embrace the path that is pursued by the logical paths.

Look at that hunt ... !!
accecivity is rotating in your arms portals
it is your illogical outfit uncover your personality,
sheltering beautiful but your radio influence
**** about feeling kingdom kindness of you and your evil,
in a dialogue on allowing a ***** sheet for you
you are feeling for your pleasure human luck
it levitating or for response to where can
losing my world comfort foliage of my true
world...

but me accecivity headlines
enrich my delicate sides harmless.
the accecivity during a month ago pain
in my sides of my increasing progression winds,
without passive dominate chastise my sorrow.

but my altar in his platform
admit my dreams of eternity making my
fire, sun and moon as a whole,
and these three elements astrophysics  be myself wish
light ends but not born.


Manimeth wake, the offense !! here she comes
flinch you comes your depth impure
it comes from the **** that is cut your belly,
is torn of your life as a minute  
pressed to become the second of your life
by leaving your altar for the occupy another.


Wake araise up manimeth,
he opened his eyes and saw all the brown,
vio his hands embodied in flowers,
vegetative as psychic strength dermis and growing herbs.

your eyes dwarfed compassed
basin as lost their eyes suns
galactic orbits looking to occupy.

Manimeth but is illuminated,
and then quantifies wind gusts
they occupy your space that as wind dies
your roam in between ,
as rivers of light with new species of light protecting
messages for detainees interfered.

winds here are understood,
go there for you receive them
willfully why he decided
traveling my words mounted on the wind
to arrive to you.


In the oven,
where the hosts of devolution swept
violent with feeling my beloved ...
it is hence the examination of my self-awareness  
mammalian waves as you want all breastfeeding order by continuing creation of new exams
of worlds in creation
in lines and creating stable appearance worlds ...
floating stable wishes ...

i crossed as parchment
bowling for that wind fragile,
carrying my heart fire sealing
for the whole universe my doubts,
heartrending voice screaming like
inertial manimeth running away from me,
only leaving me sitting in my altar jeweled
only with my hands in flower converted
and my mind as ethereal form compressing
worlds now meditate in my heart ...


Jose Luis  Carreño Troncoso
August 8, 2002
TANTRIC MANIMETH MEDITATION KUNDALINI
Einstein-Rosen Bridge

"A wormhole can be visualized as a tunnel with two ends, each at separate points in spacetime (i.e., different locations and/or different points of time), or by a transcendental bijection of the spacetime continuum." -Wikipedia

UFO

A metallic or translucent disk with
little people, gray skin, large eyes
also translucent or ephemeral and
moving within a fixed space.

Ask yourself;

"What do people from the future look like?"

"What would someone see if they looked through the other end of your tunnel?"

Think about it;

"In the future our Sun becomes destabilized altering the physics of our local space therefore an Einstein-Rosen Bridge is possible once the star begins to collapse."


Our Sun is dying

We are studying the past...
                                                               not physically here,
craft move erratically
                                                           because they are not physical.

The other end of the bridge.
                                              They are us.

The tunnel moves, jostles
as physics, space-time, change.
Who watches The Watchers?


Physical beings cannot
                                                      travel through time,
Can they see through it?
                                  Can you?

You're traveling through time right now,
in your mind,  
                                                     with your imagination.
                                                    ­  


What does the other end of your tunnel look like?

A
UFO
?
UFO's solved
The shortest distance between two points of travel.

The fastest method for achieving a result.

Quickest answer for a resolution.

Marrying equals.

  All terminology meaning essentially the same thing; synthesis. That is what the two-party system is meant to be doing. It is the point of checks and balances. A check is a stopgap. A balance is a measure.

  No one wants to ban personal firearms. No one wants mentally-ill people to own them. No one advocates violence by school teachers to assuage future potential violence. No reasonable person wants children to grow up in a police state school system. No American believes that State and Federal government can agree on what should be done in all states.

  We will not be arming teachers. Nor will we be banning guns. There will never be armed guards at public schools. States and the Federal government disagree on so many levels there will never be consensus on change when it comes to this issue. So, change the issue in a way that offers a stopgap as a measure.

  The President of The United States issues a proclamation that all land directly adjacent to the front of all public schools will be bought by the federal government at today's market price. That price will be fixed provided the states do two things. Use state eminent domain laws(every state already has them) to file a claim on said properties and assess the value thereof for the federal government.

  Secondly, establish police precincts on said property.


    Ask yourself;

"How many children would die if the local police were directly across the street from the school at the time of the shooting?"


And,

"Would Conservatives or Liberals be against this proposal?"

  
Also,

We should all remember that these shooters plan their attacks and would have to plan around the police being there immediately after they begin one.


  Problem solved...
                             ...and no one touched a gun(right) to do it.
From the BBC today,


Excerpt

Why does Taylor Swift write so many one-note melodies?

"It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master.

Take, for example, her first US number one, OUR SONG

Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song."

That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope.

But Our Song also establishes another of Taylor's trademarks: The one-note melody.

Excerpt

Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech.

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

Rebuttal

Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands.

ALL POETRY BEGAN AS RHYME IN SONG.

Cadences are singing statements that confer a discipline and unity.

Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion.

One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state.

It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE.

If you want to sell and make money you better start thinking about the 99% of people who are not geniuses.

If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine.

You are not an artist.

You are an employee.



"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ



                                           BECOME
                              EVERYONE ON EARTH
               ALL POETRY BEGAN AS RHYME IN SONG
                      HOW BADLY EVERYONE INSISTS
            NOT SHARED BY THE MAJORITY OF PEOPLE
                                         HOW BAD
                    
                 artist?
or employee?
BBC article conclusion.
Dr. F. Wilhem discovered it by accident you see?
   The first man downloaded was no longer man.
He suffered dearly until the plug was pulled,
    and we started over again; with biologists.
Geneticists, Embryonticians, TransEugenecists,
    all celebrated the new fast-growing body.
No more deaths at old age expiry, on battlefields.
    for a price all would live eternally; eternity here.

It did not work. The bodies worked, the software recorded
    but the people were insanely bi-polar. Insane in fact.
Until we switched the torso and genetics in tandem.
   then somehow the surviving person retained all memories!
They were in fact; themselves! Just in a different gendered body?
   Unfortunately for everyone this was a major psychological shock.
Unexplainable, sure, evolution took four billion years so...
    ...more time, more time, more experimentation is all we need.

Wilhelm changed it all.
When he added the shock,
added the <human> response,
turning the machines into
Humans.

They are truly A.I.
...verily human in fact.
Animal-ish, peaceful
then angry, terrible or
violent.

Artificially Intelligent;
Humans.



"What good is it to change a person,
              ...merely into someone else?"
-Al Abd Azaz


To see beneath the surface,
and know the ocean tydes.

To see beneath the surface,
and know the ocean tydes.

To see beneath the surface,
and know the ocean tydes.

When one is forced to stop drinking, the first thing felt is shame. It is recognition that coerced abstinence was inevitable. The court told me No alcohol and I said Okay. An assessor of the state told me If you picture life past 30, you stop now: he might have added For the longevity of both you and your relationship(s), but it might be his own history stopped him. The morning I crashed my car was not cold like today. Suburbs are generally quiet at four-thirty; runaways choke-chain drooping eyes to a bedpost for a few more fickle hours, hoping (praying) body keeps pace with hunger. I was hungry, and we went to get food. My brow beats ripples into the airbag. In county my sheltered white life was a blanket doused in gasoline. The sheltered white mind may scream but the sheltered white body cowers under concrete. In class I was assured Alcoholism runs in the family. The gene plagues Hendrix men as a curse of choice. It's a gun in a knife case. Six months sober; it still itches. I'm still hungry. The state told me I was Lucky [I] didn't **** someone. I was selfish. I was selfish because I thought they meant me.
This poem is inspired by Mary Hickman's second book, "Rayfish."
Next page