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Nat Lipstadt Sep 2013
July 3, 2011


These were the orders of the day,
issued by admirals
who monitor the lanes surrounding
this sea island and that now include
my desolated, desecrated, heart waves
that wash ashore.  

With beacon searchlight,
high powered, prowl,
be a coast guard on the bay
of humanity, following wakes,
intersecting misaligned paths,
undoing crisscrossed roads
on a plane of water,
forever search,
permissioned only
to never cease, tasked only to:

Save the young ones.

For there is no cost
we will not bear,
take our mind's light,                
our speech, the music from ears,
the fiber'd essence of
our tissue-thin life's weave,
but let us be, leave us,
to save the young ones.

Leave us not becalmed, baffled,
broken, discovering
what sound we make
when our throats are
grief engorged beyond bound,
so leave us the young ones.

When we fail, what it is,
I do not know,
how to name it, cannot,
for I am forever
star gazing, star lost, confused,
with every breath ruptured,
my own value to wonder,
and on and on to ponder:

Is there no end to the reservoir
of tears that accompany these
spilled and spoiled thoughts,
stained kisses on paper
where ink and saltwater connect,
and lay upon the surface of
memories that can't be blotted,
never be replaced or,
cry out, cry out,
be added to?

How many sad poems.              
must yet invade my fingers,
ripping my mask of reason off,
making me unhappily familiar
with jagged edges of the sea,
each drop - a tipping point
into places I wanted never know,
a rendering reminder of
these days of disorder,

Save the young ones.
How I used to write...hundreds of poems in dustbins, but like this I right no more.
948 · May 2014
penne alla vodka
Nat Lipstadt May 2014
in the midnight hour
desperate men do desperate things,
this a tale of one man
facing down a terrible challenge

in the city that never sleeps, NYC,
especially this sleepless natty resident,
(of that fact, the bible speaks)
when there is nothing left to write or say,
could pick up the phone and order
penne alla ***** delivered to his bed
better yet, hot and direct

not sure
which I prefer,
the penne
or the *****

but in the absence annually
of my master mistress,
all bets are off,
she communes with nature,
I, with pasta

really?
really?

Frosted Flakes for dinner was not well and
sufficient?

have you seen you waist line lately,
or is that a physical impossibility?

drat rat

will forgo my pasta orange creamsicle,
but you will be sorry too,
cause instead you have to share,
to eat,
this awful poem in bed
next to me

12:34am
Ogdiddy Natsch strikes again
Nat Lipstadt Feb 2024
Upon appearance of an untitled poem with no body in my Drafts
<>
never have I ever
written an untitled poem,
nor painted a human sans
a head;  arms, legs, o.k., but,
but when the purging urging
enwraps me at 12:22 in the AM,
i cannot birth my babies
stillborn,
unnamed, forlorn,
it’s every breath would be
an accusation, of breach, malfeasance,
a child nameless, is the worst of all orphans,

the poem’s title is its inner essence, a preface,
a forward, and epilogue, just as your names is
both begin and end, a hint of who you are and from
whence you came, and where you are bound to be bound,
it is your birth name, and final resting place, a hint of who you
we’re, ared destined to become, to be, and to come,
an entitlement!

ah you curse or bless, thy given name, no longer do
you examine it, write it repeatedly, to despise or admire
the sounds of it exiting thy mouth, a roomful of teeth
and tongue in concert cooperating and conniving, silky
hissing your who-you-are-ness, you, who are poem, exist not,
cannot be, without your entitlement; ah you pause and say
to the sleeping woman who neither hears nor cares,
who am I, who I am, and the differences
entre deux
that are my
character

yes, a untitled poem is forever
unwished, unfinished
unwashed?
and to eternity, forever lost,
unsigned, unconsigned,
unfortunate
unconsummated
finis @2:52Am
2-5-2024
947 · Jul 2013
Trapped, A Sweet Nothing
Nat Lipstadt Jul 2013
Trapped, A Sweet Nothing*

Creaky floor boards reveal my hallways travels,
Squeaky door hinges give my essays away,
Climbing back into bed, rouses you,
You ***, then come back to me,
Swing your leg over mine,
Instantly asleep, I am trapped.

This crumb of a sweet nothing,
Born and freed, another hidden tattoo
Inked, so no longer trapped,
Permanently free floating on the
Internet of us, but I, still plan my body's escape,
By kissing your neck's nape


7:34 am
7/27/13
Nat Lipstadt Sep 2024
Poems
1706 published / 43 drafts / 14 hidden


no matter how much spillage of
inspired words are perspired
into poetic
existence,
new ideas push themselves
to the top of the line,
with every eyelash
flutter to falling,
so there seems
always a restless but consistent cohort of
43 draftees
in my lipstadt persona
(one among so many)
inescapably
demanding,
like a dentist happiest
when commencing to
drill you in to submission
but smiling since
the novocaine
hasn’t fully…


that when
a poem,
even a  new tooth
is c r e a t ed
in the gum of you,
seed~ed but not fully form~ed,
somehow
a new title is
auto~entitled,
whisked into
a never cold cup of
“what’s next.”
a laundry line
of the great
washed
but needy
for drying out,
not yet ready
for prime time

thus this
never endingness
is one more
perpetual eternal,
a cousin to
gravity

a direct order to be
born/resolved/loved/
only to be sent away
with a firm loving
push
with
no word of
farewell

(and not forgetting
to mention the thousand
of half breeds,
started, left
writ incomplete,
in my official
cemetery
a/ka
my actual draft file)
all true

6:17am
9/18/24
945 · Jan 2014
Ode to a Kelly Rose
Nat Lipstadt Jan 2014
your beauty does not fade,
your self, remaking, and remade,
you see empty,
we see refilling,
seeking, dreaming,
but make no mistake,
isolation is not your condition,
no, instead think permutation,
you are skin shedding, evolving
the newer new, substance over
lip gloss of surface
and the voyage of transition
is wondrous to us.
Behold!
Behold, a
Kelly Rose!
Jan 25th, 2014
Postscript:

Tho the central sun warms the unfolding,
It is the bitter winded cold of the northeast that
Queries, what is the stuff of your composure?
Where artists litter the pavement, some rising,
Some falling, but all teaching by watching
You pirouette.

So when the inner quest is not sufficient,
Come to where the weather's central quest,
Is a reminder constant that there is no answer,
For humans are seasonal creatures,
Forever changing their skins or else
Slow dying under a tan that hides
No change

The postscript came to me later, obseving the snow flurries and and the NYCB dancers performing Concert Barocco (music by Bach) at the ballet now
945 · Sep 2013
To be (en)titled
Nat Lipstadt Sep 2013
Saturday morning, well armed
coffee cup and newspapers,
from days past and miracle!
even future, Sunday news,
prematurely birthed.
Content to content.

Pandora supplies the music,
outside, clouds of steam tinge,
decorate a pale blue sky,
freshwater pearls from man,
a choker to grace
nature's blue purity.

All's well, a weekend day as
God meant it to be, labor free.

Then I am weeping.

Dan Fogelberg, poet songwriter,
cancer victim, longtime gone,
weeps me into a memorable mess.

Leader of the Band,
a tribute to his father,
shipwrecks me on his
river of souls.

So much more, needs adding.

But songs end, and so do I.

But the tears keep reforming,
falling freely as I acknowledge freely,
my father too, a good man,
a cancer victim,
who led his band,
his fellow patients in the
doctor's waiting room
in spontaneous uplifting song.

I have no idea why
I was so entitled.
I have no idea
what to entitle this.

As Dan wrote/sang,
cry when you have to,
it's part of the plan.
From seven months ago. My father died of cancer many years ago.   A god man.   If you don't know who Dan Fogelberg is, find out, so you can say, "he wrote/sang that, I love that..."
945 · Apr 2014
Of Chocolate Moons
Nat Lipstadt Apr 2014
of chocolate moons,
dried, well-preserved seascapes,
A-Tisket, A-Tasket
none of which he had ever seen,
understood,
but nonsense alliteration garners
fast and vast attention of the interned masses,
for somehow easier to comprehend
the silly notions of what does not exist,
chocolate moons, dried, well preserved,
museum-quality wet seascapes and word-plays
that require no Hail Mary passes or penitence

so let us rose compose of frosted flaked flowers
of folklorish hobgoblins,
ice cream coated,
of Crunch 'n Munch Sweet Gourmet Popcorn,
a ConAgra "Food" grown only on
Arizona highway-crossed landscapes,
where babies, snatched from above, into moving cars,
taken from, then to, the lost and found
of kidnapped earthlings
are awaiting your reading pleasure

if nonsense pleases,
nonsense scrip'd and delivered,
all we aim for is temple offerings
of what crowd-pleases,
around the tepee fire
we peyote ancestor tales
mostly glorified white men's defeats, legitimized,
ignoring the concentration camp existence and
USDA excess garbage food,
a god, with love, delivers

the components of sewing needles,
a hole and a little sliver of silvered steel,
stitch word worshipping poets into frenzies
of imagined images that cake bake the crowds
with football arena'd pleasures,
their brains all the while,
being measured for a casket,
A-Tisket, A-Tasket,
this poem making
perfect sense to those
who sleep no more
I have no recollection of writing this, but apparently I did.
Nat Lipstadt Oct 2017
The Daily Prayer                               The Daily Prayer
AUG 2010                                            OCT  2017

Be forever young 'n humble;   seven yearlings of plenty famine;
Feel ancient and royal;              youthful graybeard commoner now,
Ride tall in the saddle;              old hoary, crooked headed ancien
Do something nifty;                   content to just, just walk crookedly

Take someone's hand                if they permit, for hands gnarled,
Unexpectedly:                             roughened and time toughened,
Drive home in the slow lane;   only the city bus, now bows, kneels,
Do the de minims;                      how has the minimalist become
Do the de maximis;                     the max, the best old-dog-in-show?
Leave a book on a park bench;  forgetfulness, unintended bonuses,
Use pen n paper, write a letter; the fingers shaky press cell button,
Take a chance, make people laugh; your appearance quite the joke,
Barrel into contention;                 a barrel casket, half your wardrobe
Show mercy to the confused, no arrogance, have mercy upon poets,
Show anger to the abusers. for they fear voices calling out, account!
Bless a child with both hands; now take their blessings returned
Grasp your soul; throw it down, others sidle, it's our time, now,
Then raise a child to the sky.       to raise you up father of fathers
Straight up,                                    straighten your time bents, curves,
Build a continuum,                       honor thy work ever continuing
You and they,                                 we, and you, we are all your steps,
              on a ladder of each poem, to guide us heavenward


*each poem a prayer, each prayer a poem, passing back, coming forth in the crests upon the beach and bay you so loved, the moon and sun both shine simultaneously while it rains straight,
                                    all come, each to recite,
even the One with whom you vociferous argued, unrepentantly,
all here, together placing that weighty last period at the end of
                                        your daily prayer.
https://hellopoetry.com/search/poems/?q=a+daily+prayer

a suggestion- read each side as a separate poem, then across as one

8:37am 10 years later, 10 years lateral, 10 years lovely. 10 years in the writing
942 · Sep 2013
Teach me art
Nat Lipstadt Sep 2013
Teach me art

Teach me art appreciation,
Line and Texture,
Light and Composition,
Collage, Montage.

I 'll pay you in kind.
Teach you to write without saying
****.

Teach you to see that beauty
You possess,
That it does not you,
Own,
Unless you let it.

Paint your nails,
Ask your therapist,
Does your coach know what I know?
That the talent and the vision swamped
Neath the necessary but overwhelming anger.

Write easy, be easy,
Let the light enter and fill the space
Like a Vermeer, open up by letting in,
Just one tiny window, all that's needed,

So if you teach me art,
I will teach you how to write a poem
About painting beauty buried within,
About anger, letting go.
AM
942 · Jun 10
A Liquid Moment
Nat Lipstadt Jun 10
flux.
a word whose very sound connotes its meaning, a sloshing state of change

a liquid moment,
for we solids,
of bone and flesh,

though
we may be islands of stolidity,
entrenched, focused, organized,
when the surround sounds
of change are all about
you too are
fluxed

the serenity of splendid isolation
is not an impervious shell,
close eyes, ears, nostrils, mouth
these liquid times we abode,
inescapable from the roller coaster of
crashing storms of our
environment

try as I might,
cannot recede into a
white sealed envelipe,
cannot secede from
the froth of current events,
in the age of no distances,
and the rotational revolution of
but one lever,
a single beating wing
can disrupt the
the supply and communication
channels of our normative existential machinations

let me retreat unto my poetry trance,
but that choice
is currently unavailable

be wary of the calm of routine,
we live in a time of
the olympics of change,
and we cannot walk
on water,
nor tread forever

flux.

the liquidity curse of our
ever curving intersections
The year of 2025
940 · Mar 2014
Vignettes
Nat Lipstadt Mar 2014
Vignettes**



every read is not a feather
but a fearsome weight,
every poem~repast unique.
the desert,
toujours la même chose,
always the same thing,
self~loathing,
for now
thy questioning overwhelms you:
now what, what's next, what's left?
~~~
French bread speaks only in one tongue:
the earthy brown crust language of
soil and sun, announcing I am the flavor,
white flour is but a process
~~~
when the
breadwinner
can no longer provide,
he suffers twice:
once,
the hunger pains he inflicts,
felt more keenly,
then again,
for the dishonorific the world
does crown him,
man of no value,
bread-loser
~
my favorite raindrop is
the one that lands on my
nose and rolls slow
onto to my tongue:
a nose drop twofer!
~
all art begins with stimulus.
stimulus breaks the comfort of habit.
habit is the blackout shade
that strains out the light of creation
~
no two dancers will dance
the same choreography
exactly the same way,
no two poets will employ
the same words
exactly the same way,
the small differences
are the heart of the origins of our specie,
great art,
Vive la difference!
~
Let us give our worst performance,
Write our worst essay,
If it pleases but one,
Its success makes the great ones tremble
with envy
Random thoughts of the day, the few that were remembered.
Nat Lipstadt Sep 2019
https://artsofthought.com/2018/07/04/why-i-always-carry-tissues-2008-the-poem-i-love-the-best/

To My Children:

I’m laughing at myself,
As I am prone to do because
Why I Always Carry Tissues
Is the title of a poem
I write for you.

There is a story here,
Of parenting, and responsibilties
That transcends yourself, defines me,
Vis-a-vis you,
then and there, and maybe now.

When you were small,
I took you by the hand,
The cement canyons, trails & rivers
of West Eighty Six Street,
Together, we would ford.

Periodically, as Fathers are prone to do,
Your hand, from my hand,
I would release
So you could fall down,
All on your own.

It bemused me that I could see
Three or four paces ahead of thee
Exactly which crack,
Upon which you would trip,
And come crying back to me.

Back-to-me.
That was then.
And now,
Yes, no more,
Back-to-me.

But I always had tissues
to dry your eyes
And no surprise,
I still do,
Always will.

These days, they,
more likely used to dry mine,
As I have forded that Styxy river,
When crossed, you spend more of the day,
Liking Back more,
Than looking ahead.

No matter, by right and tradition,
It is still my mission, that when!
when you need, when you bleed,
as I know you surely shall,
These pocket tissues will be there
Ready, willing and able, fully capable,
of snatching away your tears.

When you need,
When you bleed,
And you surely shall,
These pockets of mine,
Of tissue made,
Are waiting for your tears,
And you, to fill them,
For without them,
Their raison d’etre is unfulfilled.

These used tissues are my history book,
Re the art of loving, and the arch-i-texture of life,
Of tears and hearts,
And concrete spills,
That need knees to be complete.

That is why you will find me, without fail,
Ready, willing and able, holding my
White Badge of Courage at the ready,
Waiting patiently, for my mission to be redeemed,
Missions known as parenting schemes.

The scheme is clear, even if
my tissues you no longer request,
You will let your own babies
fall n’ fail, then take their tears
Put them in your pocket,
keep them forever wet,
Like my memories of you
the ones I cherish best…

Perhaps a tradition
We will start,
Unsightly bulges in our pocket rear,
Where we will store our packet of saver-saviors
Removers of our dear one’s fears.

If we are truly wise
Those tissued memories
We will keep,
Die among them contented,
Knee-scraped deep when!
When tears fall…

©Nat Lipstadt 2008
https://artsofthought.com/2018/07/04/why-i-always-carry-tissues-2008-the-poem-i-love-the-best/
Nat Lipstadt Sep 2014
Past the green copper bell-ed,
Thru the the single trees, un-felled.

Do you see that solitary-sentinel chair,
Empty? No, not.
Can you not see the sweep,
The vista, the poems hanging about,
Ripe for the plucking from the quiet,
Nestled in the soil, on the wings of gulls,
Who do not fly, but let the wind keep them
And their cargo, standing-still, in place,
Awaiting my attention, my need.

You read less and less,
The more and more I write.
It's ok, I understand that.
Blessed to have found the spot,
Where the poems make a crowd,
And the giving is good and healing, easy.

A long as there be ten righteous,
The Lord acceded to Abraham's plea,
***** would not be destroyed.
I am less demanding,
For I am just human.

As long as but five,
Acknowledge the caring,
Lick my wounded words like vanilla,
Is that too much to ask?

If but one finger points and marks it
Read, is that not sufficient to let this
Battle be ended, tween ego and truth,
Pride of craft, and, weak craving for attention-no-deficit?

If it be, that only the sea grasses, rooted deep, sway,
On the beach, a few feet from where, the chair spends its days,
Clap their hands silently to
Acknowledging the harvesting of the words,
That too will be noise enough to satisfy
The Lord who tendered them, all this, to me
For safe keeping, and giving me no choice but to write,
If but to honor all words, and their creators,
Each and every one.


See my photo, to better undertstand...
Writ a year ago, when I picked poems from the air, there for the taking like fallen fall leaves that decorate the world, this September   chilly and chilling Monday...bless y'all for liking this so much...really physically and mentally blocked, for many reasons so I repost the old ones when appropriate...
Nat Lipstadt Jun 2014
Yo! Yo! My Drug of Choice (**** Poets)**


Yo! Yo!
Member of the troupe?
You up all nite?
You always hungry,
Making trouble, rite?
You one of those?

**** poets!

Exist on strict diet?
Pleasured-pain,
Constant-continual surges
Turn into urges,
Full-time suspense,
Juices always flowing.

**** Poets!

Yo! Yo!
You one of those?
Never knowing,
What? When?
The eyes gonna invert
Retina images into words
Brain signaling, semaphoring the fingers
Yo! Yo!
You don't get nine months,
Maybe nine seconds,
Then mother-birth another verse,
****** poets!

Yo! Yo!
Remember your first real high,
That moment
No absolution, no return.
That moment
When you admitted, confessed,
to yourself:

I am
Forever forward,
A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet

Yo! Yo!
So you do recall,
The exact moment,
God-spark-within, ascendancy gained
You lost control,
Wept words instead of tears!
A ****** poet ******!

Yo! Yo!

Sophie's Choice.
You chose writing over breathing,
Worshiper of the purest pleaure,
******* in deep the smoke-high of
Head-nodding discontented contentment
Stealing anything you saw
For to satisfy the need, the craven
Craving.
****** poets!

Yo! Yo!

Don't you're ever sleep?
Hear that the city, the state,
Gonna methadone your kind
In a special program
Teach you only language to sign.
**** poets!

I am a ****** poet.

The first step taken.
Admission.
Poetry is my default rest position,

My drug of choice.

5:07am
June 12, 2013


PostScript:

cherish these flawed ones,
gentle these frail but gritty,
the Lord has tasked them
to be prophets in one tongue untied,
undo the strife of Babel's division.
Happy First Anniversary to this poem, a favorite...
Nat Lipstadt Jun 2015
~~~

(This one is for me)

~~~
The hardest thing to do,
being strong,

for everyone else
Nat Lipstadt May 2014
leave the tv on switching channels every minute
for something you have not seen,
then lose the remote somewhere in the bed,
now, you stuck on an infomercial for fulfilling
a need you did not know you were needing

play ka-glom, an older version,
of candy crush
while not watching tv,
but hearing the sounds as warmth, comforting

read poetry, write some,
trivial sit puff stuff,
like this or
stuff about suicide - argh
and every pandora ballad
rhymes with everyone sad

poet up to take a ****,
visit the vast emptiness
of the refrigerator cause
you ate it all, and was
consumed thereby


The two concessions to
Pretend
is you leave her side of the bed
undisturbed
and the lights off

and when she calls
and asks how ya sleeping,
you say fine, for what else
can you say,
you already wrote
so exquisitely,
re life without her here,
sad mad bad

the boss knocks into your chair,
around three in the sleepy afternoon,
thinking
"that boy, what a party animal!"

*ain't that the truth...
Nat Lipstadt Jun 2020
read his stuff
https://hellopoetry.com/r-2/

n.b. nowadays I write here only in praise of others,
as the rewards are far greater than any of the meager
stuff I got  laying around.

a poem for his summer soul-stice
<>


self-confessed to the priest, we us, both, meeting
in the confess-******, wee needy for a solid projectile
purging, me, cause, I’m a plagiarist of inspiration

**** it every time a ce r tain poet writes,
its a sock to my multi faceted square sided~head,
discoloring my eye shadow, my maskara crazy running,
frustration, admiration, mortar and pestle pounded

into a white powder of unadulterated adultery with a
frothy topping of a jealousy muse laughing face, at me,
cappuccino made from bitter herbs and pink sea salt.

in eight lines the man accomplishes
what would take me eight, eight full
poems, even then, not coming close

still failing to retake his brevity skills,
his summer solstice way of seeing,
by keeping the dark away,
by inviting the dark in,
making it under duress,
spill the beans of his life’s
ironies, some hellish,
some not, all well kept,
in Georgia granite stoney face.

the softest steeling of words that irritates
me into a fine frenzy... what’s the use,
point made, in how he undresses
the eyes
into just outright gasping,

and that is the only
permissible comment emoji.


______

r

Her verse
I need to taste the salt
of her soliloquy
be drunk on the sobriety
of her verse
those words she writes
behind my eyelids
makes me want
to crawl inside her skin
and listen to her heartbeat.
https://hellopoetry.com/r-2/

*************

Postscript:
as a poet, knee’d & head bent, asking you Lord,
would it have soiled a vast eternal plan,
to throw some kosher salt, on mes écrits,

let a soliloquy make my case, my summer
soul-on-ice, hangover from the drunken sobriety
that stays, retained, the sense of loss remains
long after he has left my screen, and I’m

wondering if he gets him poems from that
old yellow dog, if true, no fair, but o.k., I’ll
take it right, any way, I can, **** it. and you.
Nat Lipstadt Apr 2017
~
for yasaman yohari
~
salute jahari,
jewel flowering faithful in our desert of the quiet misbegotten,
where more most eyes closed by sandstorms torrents of...

this child Jasmine girl, oh!
how I adore her happiest melodic smile,
eyes are opening, gleaming black dots so white bright,
explicitly explicably mystery perfect,
either could substitute for our shared sun master,
or our shy, face changing, hiding traveling moon

listen so carefully to the melodies
of a tired old man, why, no idea,
it has no literature, can paint no drawings,
yet somehow, his yasaman heart blossoms
pricked to revival, renewal, at your devotion,
deepest affection
so a bargain struck

*the old gent,
wise in the way of words,
gladly will tutor you in an  
accented peculiar New York English,
if you can teach him how
a brother can - to- for-
a sister, a family,
love with joy brimful pure,
an added recompense,
I will take her Persian name as well
936 · Aug 2014
Love After Love
Nat Lipstadt Aug 2014
by Derek Walcott (1930- )

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
Trying...
Nat Lipstadt Sep 2013
On The Great Lawn of my mind,
The city's biggest dance floor,
Upon its cushions, stepping lightly,
The spring breeze, feeling its way,
Making, reawakening, a thousand acquaintances,
Absent parent kissing each long-lost babe-blade of grass

Breeze takes each blade of spring grass:

Cajoles, asks not,
With windy hands, guided missiles,
gentle/firm
push/pull
engage/ disengages,
open/closes

Breeze makes each one
Neck, caress their neighbor,
A thousand pas de deuces of  
fresh faced green children.
All in all a triumphant processional,
Cloaked in robes of sky blue velvet,
Crowned by the sun's burnt orange kisses.

At the middle school dance,
The walls are portrait painted  
with the shy ones,  
The ones-who-don't-know-how-to-ask.
Passover's children
Needy for a Moses.

Student of the spring breezes,
This silly earnest teacher/chaperone,
Grand-pa-rent will:


Cajole, ask not,
With hands, guided missiles,
gentle/firm
push/pull
engage/ disengages,
open/closes

Under his tutelage,
Every boy and girl
A dancer, a blade,  
Each a Passenger on the fuselage
Of his Spring Ballroom breeze.

These are my spring rites  
imagined,
Visions of my sight  
unimpaired,
Present and future  
clarified.

Soon we will teach our own  
Little Princes and Princesses,
The shelter of dancing,
Feel the embrace of nature,
Under the mantle of an  
A Capella choir of tree leaves,
We will lie side by side,  
Skyward pointing,
Sharing our spring-sprung imaginings,
Performing each and all  
Upon the breeze to carry away,
For all to gleeful applaud!
Another old one
936 · Jul 2016
Carl: "no road is sure"
Nat Lipstadt Jul 2016
<>
"I am learning a little—never to be sure—
To be positive only with what is past,
And to peer sometimes at the things to come
As a wanderer treading the night
When the mazy stars neither point nor beckon,
And of all the roads, no road is sure"

Experience by Carl Sandburg

<>

summarizes my life, the fits and starts,
at every fork, the wrong road taken

and I lean back,
pensive from my shame,
knowingly confessing
that I would make the
wrong choices again

maybe, sadly, most likely...

the maps they provided early on,
were ok, but I never lived
on their edge,
never went far enough,
warned off,
all bordered in the red of
"go no farther,"
so stuck to the worn and grooved paths,
ventured out,
but retreated to safe center court
covered with the wounding cuts of
self-castigating tears,
for my lack of courage
and the waste and burdens
engendered permanent

maps for me,
are now no longer necessary,
for any road of mine is
closer my god to thee,
and my notice that
"the-show-is closing"warning
is a nearing destination,
slips quietly into my back pocket

now, I permission routine
to drive my simpler life,
where easy, gentling kindness
of the usual, the regularizing
steady as she goes,
are my comfy shoes upon
to tread the familiar road of surety...

that sates but doesn't fully satisfy

for the harsh hanging judge,
my resident permanent
on the top floor of my brain,
sentenced me as a young man
me to life imprisonment
in my very own self-built
asylum insane,
where all the tempting ladders were
maps that led to
This Way Out

was so fearful
to grasp and vault
from the top rung to
the uncertain pleasures
of the unknown of the other side

only here,
in the paths of my poetic words
do I venture across boundaries
and back over lines
that dare and
dare not
be refused

the great exposition
the great expiation
the great explication
of one man

words are my living will,
my testament,
my behests, my bequests,
my medals of discourage and
urges not followed,
tarnished but worn proudly

left to my
children's children
as a lesson plan
of one man

of a life poorly well and almost lived
these words are the rebar to build,
to cartograph,
to illustrate
new maps,
better ways,
signed posts
to take the risk of writing,
go gadget go abroad,
create new poems, new styles,
better than those
I that live~leave-left rightly
behind for
fellow travelers,
grandchildren,
who will - who must!
use them
to unmake the errors
I herein freely confess


12:07 Sunday July 10th of his sixty fifth year
935 · Aug 2013
Good Night To You
Nat Lipstadt Aug 2013
Nearer to the midnight hour
Than thee,
My ship sinking neath lids of iron,
I lay me down and entrust my soul
To the muses,
The Gods of Poetry and Art,
My poems to keep.

Tuck me in, kiss my forehead,
They smile knowingly.

I ask in the slow, punctuated,
Indistinct voice
Of drowsy,
"Will I see you tomorrow?"

They reply:

"Soon we shall meet again
In dreams most colorful,
Whether in this world,
Or the next,
T'is another's choice,
All is chance."


*Then they soft whispered:
But new poems will lie by your side,
Pillowed beneath thy head,
Guardians and Friends,
Wherever, Whenever.
For once a poet,
A poet forever.

So journey on,
Good Night To You,
Our child."
12:04 pm.

Companion poem to,
(6 days ago)
"Good Night To Me"
Nat Lipstadt Sep 2014
for Kitty Prr*

there is no boundary,
Mason Dixon Line, 49th parallel,
uptown, downtown grooves,
separating human from poetry,
but there is living, daily scorekeeping,
push/pull of taking each breath
in a right mannered way

sometime you gotta dig a ditch
to learn to climb a mountain,
pay dues and even get paid back
for living in a wrong mannered way,
which requires laying down of the pen,
doing shovel ready projects
needy for completion,
yet-to-be plans needy for
formulating details,
forethought and caring, putting the
poetry aside,
on top of the dusty piano

sometime you gotta drink it black,
pass on the milk, cream and the sugar,
even if the waitress just brings it,
pour ice water on top.of your head
just for yourself alone
the how-to-cleanse the eyes and head,
sometimes you got to let the
poetry stand aside

sometime you have to open that
black briefcase^ treasure hoard of
all things soured and soliloquy of
missteps and judgement errors,
letting the
poetry stand aside

sometime you gotta do the laundry,
rediscover the bottom of the sink,
watch the washing machine movie screen
picture making,
asking for its very own poem,
but you know this day,
gotta let the
poetry stand aside
and you stand up
and climb,
straighten up,
back creaking,
joints cracking,
first find the place to rest the body safely,
and when the chores of living crossed off,
then only
ready and somewhat good,
dust the piano,
dig out pen and paper
from the kitchen drawer of miscellania,
and let the reign of poetry
rekindle the Phoenix's ashes
Nat Lipstadt Sep 2013
You would wake up, clocked, alarmed,
lost in the crossover transition,
from dream to live beauty,
and find me writing
laughing, crying, simulcast.

If you slept with, beside me,
you would put your head
on the chest that warms, enlivens,
the few who ever privileged to touch it,
shape-designed to give what needs taking.

If you slept with, beside me,
your vocabulary would contain
new creations daily, poems, words,
like nippilicious, and thatsridikulus.

If you slept with, beside me,
The first thing you would see thru the window,
that chair, angled toward the sun rising,
where I everything,
and sigh-smile simulcast.

If you slept with, beside me,
you would laugh at that man who takes
that newly arrived coffee mug,
and lifts it to warm that naked chest,
heat external thru skin,
waking up his heart, caffeinated for you.

If you slept with, beside me,
you would get to choose,
your fav body part,
a choice tween tongue
and tongue.

If you slept with, beside me,
we would argue mightily,
what be best,
multitudinous colors of the sky,
grass lush green or,
calm bay blue treading waters,
Bach or Billy Joel.

If you slept with, beside me,
you would not have to read this,
for this would part and parcel your life,
no need to say and see things twice.
  
6:43am sept. 14th

Postscript:
If you slept with, beside me,
You would to bed dispatched,
With the taste poem, of me, lullabyed,
And awake to the poem-chronicle
Of the first few moments of this day,
And in between, a duet,
Sleep, and a poem, entitled, me.
First poem of the day.  From actual to digital in a heartbeat, from the USA to you, so close, yet so far away, from me to you.   If you slept with, beside me...
Nat Lipstadt Jan 2014
so listening to Sondheim talking
art, composition and
inspiration,
he says something that so astounds me, my core shaken.
hundreds of songs composed,
but only one,
only one!
autobiographical.

ashamed. I am ashamed.
99% of what is scribble-scribe, about myself,
so I flunk my very own poem exam.

worse, I knew it true
but would not say it lest,
my shame public pronounced,
till now.

his target market was the theater-goer,
the public, you.

mine, myself.
you invited into ******~voyage,
to peer into me
peering into me

but I have an oath modest taken,
from know-now on,
I will write
About You,
For you,
Less-on me,
Lessons of us....


Jan. 25th 2014.
http://www.playbill.com/multimedia/video/5723/EXTENDED-LOOK-J­eremy-Jordan-Darren-Criss-and-America-Ferrera-Perform-Opening-Doo­rs-in-New-HBO-Documentary-Six-By-Sondheim

Sondheim's only autobiographical song.

From Six by Sondheim. If u have HBO, find it, watch it.
Nat Lipstadt Oct 2014
when the poems don't come,
where do they go?

silly notion,
what's the commotion...
don't they just wait,
gestate,
till the time is right,
till one fires the starter's pistol,
they come when they come,
right?

no.

poems are journeymen,
cover bands,
looking for work steady,
airborne, breeze borne, atmospheric,
looking for a ready, willing & able
host and hostess

a recognizer of their properties,
willing to offer themselves up,
by adding the final touch
to a project that has
its deadline passed,
needy for a Caesar,
cut it out,
to come and get it

are you willing to add
your name to it,
cutting its chord,
let it pass from the airs of heaven
down the stairs
to an earthly audience?

are you willing to own it?
Oct 9 2014
a taxi poem
Nat Lipstadt Aug 2024
A dance lesson at 900AM,
she sets her alarm for Seven Am(?)
<>
restless. as you know too well,
a nite time house haunter, checking doors,
windows, rumbling noises from deep
inside the basement and his gut,
knowing in advance he has done
all this a few hours before…
what else should he do?

write your **** poetry!

ok

I will.

exhausted after diving into unplumbed
depths of love and death, friendship and
hatred, the angst of lost children, some dead,
some living but who have made him dead to them…

tired from debating god about the correct
way to spell hallelujah in English, as they
usually converse in the original Hebrew…

now you ask impatiently, what the hll does
this have to do with what time she sets her alarm?

growling, I reply, so glad you asked…

after a longest night of wrestling with angels,
reviewing the highs and the despondent lows,
of a life lived, mixed up, at best, he returns to
the bed stealthy~like, with much practice, she
does not even stir, when he steals back the half
of the coverlet and top sheet she stole in his
absence…rearranges the pillows, and thus
entirely exhausted, tumbles immédiatement,
into a sleep restful, a short battery charge,
to give himself a fighting chance, to recoup
the poetry they (Him and god,😉) composed
ensemble…

now, some addled add’l info you require:

the Apple offers multitudinous alarm sounds,
and she has chosen the aggravating ringing
of that old fashion alarm clock you bought in
Switzerland forty! years ago, and with great
bravery put out the back door for anyone who
was truly desperate for self-torture…anyway,

in throes, of a clasped embrace, a holy restful
cuddle of a dreamless sleep so desperately needed,
her A L A R M refunds at 7, for a trip to the studio
that is maybe , Google Map, has affirmed with
glee, is but a ******* NINE MINUTE drive away…

you think this is not  poem worthy?

WELL, YOU ARE WRONG, DING ****!

for what you do not know, that I am kicked &
injured awake from my last chance saloon of
sleep, with a shocking stillness of heart and
mind, by that jingle jangle *gringging,
and then,
she stirs & confirms the time is indeed 700AM,

AND GOES BACK TO SLEEP AGAIN…


WHILST(always wanted to try that word out),
I am groggy~angry, highly dangerous for having
been cheated on, of and by a sound that was invented
by masochists who overslept for Noah’s Ark’s departure,
and have never for~given those creatures, like me,
who made a timely aboard…

And so the day begins and if you are angry at me, for having decomposed my hissy fit into your so very important existence,
well, too bad!

so, awake, I return to unlock every window and all the
doors aplenty, for they who built this home fifty years ago,
insisted that no one should be no more than ten steps
from entry and egress, in case the Puritans come to
burn we witches alive…

so now you are aware, fully informed, why the
adjectives of choix, in describing moi in the morning,
are whiny, growly, and grumbly and any another word
ending in “ly” that you should feel free to add to the
equation..

You are too? ** ** **! welcome to the club chump!
feel free to post nasty, natty notes below,which will
be accepted with roaring laughter and good graces
at having made your & you
coffee, by now, icy cold😉😫😜😛



p.s. good morning

9:01AM
S U N D A Y(grrrr)
Nat Lipstadt Nov 2013
The third and last Thanksgiving poem

they went round the table
asking what are you thankful for,
arrived my turn,
all the easy ones already taken,
family food etc.

so they said give us a poem,
and I replied:

I am thankful for the
light at the end of the tunnel,
the eyes to see it,
the patience to wait for it,
and the words to describe it.
Nat Lipstadt Feb 2014
just when the bitter
is not on the edges
of my spoiled food,

but my repast totaled and complete,

just when the heartache of living
infects the legs the head even
the fingertips I abuse leaking all I fear here

when composing,

just when I read another 1000 daily new tryings to say me bad sad utilizing
moon June eyes scarred scraps of love and pity-me broken rants,
cants of can't,
trending my deep desired purpose of delighting and inspiring
you into the thunderous waterfall of never ending poetic oblivion,

and I wonder what the hell am I doing here
(spending countless hours, draining personal  batteries)

then you tell me that some words,
words they say I wrote,
apple-core me
pushing momentarily out/aside the fear, the embattled hubris,
the anguish, the desperate wishes, you tell me just this:

"This filled a need I had no name for"

I am weeping only, ashamed and unashamed,
redeemed, you used my coupon, and spent it
on redeeming me
in a manner unknown and here I am composing once more having sworn I am done here,
only now to decompose myself in privy chambers for my dearest ones,
for too many words come to me, telling me of their hurting,
used up by overuse, crusted cliches,
drowning in images that no longer reflect in any mirror,

and you tell me that just what I felt,
wrote down precisely that,
one must  always
ask for more than you can give,
my communication into your sensations fulfilled a need,
some thing that

"filled a need I had no name for"

and it occurs me this is the precise atomic second
to put away my deckling paper, put the pencil down,
lock up that old sewing box, pink and white striped, where the pained and joyous monthly storage fee needs payment due,
where are kept yellowed poem-papers that they won't hesitate to throw out when cleaning out my last effects,
needs shutting down,
the last episode of this personal reality show,
"breaking __" (fill in the blanks with un blanched original sounds)

what more needs doing,
I inquire of my narcissism,
capstone, the keystone brick preserved,
what more could ever be achieved
having tendering myself raw and distinct, fine and finished,

there is no more I could ever write, or need to,
and I am contented in a way that my I ego
happily announces it's surrender and the end is not lacking in finality,
for this is the way to go out,

for you have given me something
weeping only, ashamed and unashamed, at last,
at the longingest at last,
filling a need I think knew existed and now no longer,
for who cannot say I am not whole,
holy satisfied after seeing this gift,
for you have all gifted me something I dare not,
even, did not know to how ask for,
nor know that I could ever give,
out loud and conscious,
and now need never ask for again,
but give    
again and again
and again
Thank you Emily Rose of Texas.
http://hellopoetry.com/poem/593181/ask-for-more-than-you-can-give/

Poetry by the numbers (in too many ways) diminishes me.
I cannot cease to write., but I paint by the letters, not by the numbers. These numbers corrupt, so now I must learn to be oblivious, and not obvious.
This poem is me exiting stage right-aligned, but not left.

"It is not how you start, but how you finish"
Not done, just private.
To a new standard am I held, everything new from now on must
fill a need we had no name for...
926 · Sep 2020
the first time we make love
Nat Lipstadt Sep 2020
the first time we make love



your body will tremble, from behind, my arms’ will, to encase,
I, sponging up every tremor, shush-stealing each shuddering,
the outpouring of sounds will grow softly and steadying,
as gasps slow lessened, till the breathing is regularized.


you will sly ask for words, but I will come prepared and you,
will laugh when so informed, happy by my thoughtfulness,
wondering if they are being reused, and knowing this, I will
coax you to feed me morsels will I shall then embellish, proofs.

there is a first time in almost every aspect, but for one, which
you won’t refuse, forgiving my experiences, a history to become
now partly yours, the priors paying forward my debt to serve,
a gentling interplay of eyelashes *******, fingertip confessions
.

you will alternate tween fragility, regretful solitude, emptied but
then refilled, you’ll want to define, identify, label for storage and
reuse, classification for acceptance, thinking that will make this
moment lasting, but it won’t, but it will, last, under closed eyes.

when the need to sob returns, one or two may escape, unelicited,
but won’t go past that, you’ll hear me saying “Hello in there, hello,”^
and ten thousand skin cells will in unison firm gel a single sensory,
not a trick or strategy, an honor bestowed, medaled, molten medaled
.

that you were held captive, it will be a proud mark, for freedom only
comes from being released, and an anthem will start to form, words
all raw and wholly yours, then you will sing to me “good bye stranger,”^^ granting me a pardon, for being who I am, a wonderingly, somewhat familiar face...
^John Prine
^^ Sharon Robinson
Nat Lipstadt Oct 2013
I don't show her all the poems
I write,
Because if I did,
I would be picking up
***** crying tissues
From every room.

I don't show her all the poems
I write,
Because if I did,
My neck would be sore,
My back twisted,
My arms black n blue
Where she alternatively
Hugged me too hard or punched me harder,
For making her sadmadhappy,
Or just one of
all of the above.

I don't show her all the poems
I write,
Because some are meant for her to read,
Après les deluge,
After I'm gone,
Safely but sadly,
Out of her reach,
And the man who always carries
Tissues for her,
Has finally
Run out of stock.
925 · Jan 2016
in the losing is the saving
Nat Lipstadt Jan 2016
~~~

sometimes right and wrong,
good and bad,
are accurate single summaries of
the momentary episodes,
the essays,
that constitute the whole human voyage
to parts unknowable

there are but a handful of persons
who might fit the lightness
of your loveliest of theories

but how could you know
that long ago,
one declared independence from the
oppression of personal dependencies,
from either
admissible fear,
more than,
admirable courage

and yet,
those few,
those so very precious few,
a band, a squad, a fireteam
of successful piercers of
the bark of an ever scaling armor,
are warmth welcomed and comforted
within my hearts hearth,
under the protection
of my soul's furnace,
for welcoming flawed me,
fully,
without reservation

Nowadays,
I write mostly for
the lost children,
the lost loves,
the long agos of long ago,
those whose caring and loss,
scars and medals
somehow
were adjudged,
deemed too costly,
for everyday wearing

and for
those mates,
whose caring and the sharing
of their losses,
demands memorization, savoring,
writing down,
proofs of open boundaries

for me,
in the losing, is the saving,
in the poems that honor recall,

therein, thereof, and
thereby,
gaining
for our lives,
a modest, husbanded,
allowance,
a fund mutual,
of caring,
hard earned
and keeping us alive


~~~


October 26, 2015
8:48 AM
NYC
Nat Lipstadt Apr 2017
~
all my poems are prayers on a good fun-Sunday

or a piece thereof;
wishes or curses,
longings, hopes, and a boatload of
'wouldn't it be loverly'

absent tho the conditional,
the if -then continuum,
no promises or persuasive pressures,
deal making sort of pointless
as words are directed internal to the
stew, the mix of matter and sensibility,
that seems to try and semi-govern me,
my own game controller Xbox apparatus

risen Sunday morn church in bed
first poem prayer issued,
a prone proclamation:

let me always allay
the needs of others owed
before mine owned

I like it,

maybe I'll call it commandment #110,
which means got all day to come up
with a couple more - good fun-Sunday*

4/23/17
8:53am
Nat Lipstadt Aug 2019
I. nope.



II.
long-windedness verbosity
diffuseness prolixity
wordiness rambli­ng
circuity discursiveness
redundancy tautology
tediousness verbi­age
verboseness length
longevity permanence
garrulity windiness
v­olubility circumlocution
expansiveness babbling
periphrasis gushi­ng
blathering protractedness
waffling lengthiness
iteration repet­ition
prating prattling
jabbering digressiveness
dreariness tediu­m
deadliness wandering
repetitiousness repetitiveness
pleonasm co­nvolution
logorrhoea boringness
maundering superfluity
duplicatio­n tiresomeness
monotony reiteration
gabbiness informality
mouthin­ess diffusion
logorrhea wordage
blah-blah dryness
dullness boredo­m
sameness loquaciousness
talkativeness loquacity
freeness orotun­dity
roundaboutness breadth
gobbledegook gassiness
wittering mult­iloquence
perissology big mouth
gift of the gab garrulousness
staleness tallness
ask and answered
924 · Oct 2015
My Tango Master
Nat Lipstadt Oct 2015
My Tango Master

His hair was deep, rich,
the black of unweathered basalt,
slick backed, like his look,
an arrogant dare to stare,
eyes directed at newcomers,
intended to make me,
a novice especially aware,
a bon voyage has begun,
now a worshiper, full of faults,
warning that I sought entry
to a temple where admission was a
sworn affidavit promising
total sacrifice of body

The flat contours of his body
disguised a airy litheness that  
embraced and made me giddy,
pliant to his methodology,
mastering my psychology,  
making the whole of my body breathe,
as if for the first time  

No questions asked or allowed,
he bent me, taught me supple,
the surety of the pleasure of
following a leader unreservedly,
my body straight from within,
but the exterior,
a symmetry of curves,
I am,
his precision human tool

His hands grasped me
with utter certainty,
with a petal light touch
and fingertip precision,
directing me to Rio de la Plata,
where his swivel hips
lift this black robed disciple
upon a golden altar where
I have remained, entranced,
a devotee forever more,
enslaved to our one god

Demanding the perfection
that comes only from rigidity,
irony of ironies,
it was a vocabulary of
spontaneity and fluidity
step by step learned,
this contradiction, soon intuitive

With posture *****,
he taught the history of seduction,
constructing the tale
each time differently,
creating within me
the ravished need for the
surprise of the unknown,
teased me into obediently
accepting the satisfaction of
joined at the hip ecstasy

With boleos that mesmerized ,
but not a one memorized,
he captivates me,
a tandem for a tanda,
until cortina-released

What is your name?

Tango
he whispers,
his name is in his eyes,
never spoke aloud,
I am your new master,
now come and master me
Nat Lipstadt May 2013
Dear God:

Re Eva Cassidy

Been waiting/wanting to write you for a long time
About Eva Cassidy.

Had to let the anger settle,
Had to find the write words.

Many months have past, perhaps years,
Since I stumbled across the voice of this angel,
Memorial Day, it seems like the write time to
Try once more.

But my anger has not settled, it has trebled,
It has risen and is unquantifiable, irrevocable,
a line crossed, a feud, that can never now be amicably settled.

I have a retinue of good curses, experienced friends,
Looking to meet up with you, who understand that
Blessings and curses, for full effect, should be rarely used,
Especially inside a funereal poem honoring the truly great.

But for Eva, there's no question, you dude,
Got a fleet of F bombs coming your way,
When the children have gone to bed.

When Eva sings "Imagine,"
The purity of voice, miraculous,
I know you were afraid
And so took her young,
Lest her voice raise a generation of questioners.

Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky
Imagine all the people
Living for today...

Imagine there's no countries
It isn't hard to do
Nothing to **** or die for
And no religion too
Imagine all the people
Living life in peace...


You got the power,
You make mistakes,
We all gotta die sometime,
But you better not take the special ones too early,
Or I may stop writing to you, and then,
What ya gonna do? Who will comfort me?
Eva will, that's who,
When we walk together in Fields of Gold...

Shelter Island 5:00pm
May 26
http://en.wikipedia.org/wiki/Eva_Cassidy


► 4:51► 4:51
www.youtube.com/watch?v=DTVsp_q8mxE
923 · Sep 2024
He Honors You
Nat Lipstadt Sep 2024
this person, who reads somehow
almost every poem here deposited,
how he does it, a secret, well kept,
but hardly hidden, for he signals
his appreciation in so many ways,
and s p o t l i g h t s those who frequent
contribute, cheerleader and coach
with keen eye and sharpness of brain,
he affectively, affectionately, injects &
infects this little expanse,
this Kingdom of York,
where lovers meet,
speaking in their own
dialect of kindness…

writes himself with a uniqueness,
dare I say in his owned style?
there is never a doubt
who has authored his work,
so many superb scripts,
but his better good works,
present in his presence here,
bringing out the best of the
multiplicities of each of us

but of whom do I speak?

Why,

Carlo C. Gomez

of course!
repost his poems please
Nat Lipstadt Jun 2013
Sorry to inform you, I have adopted you to be my teenager daughter
(I really am crazy)**


Someday we might meet,
But meantime semi-officially informing you
You've been adopted by me,
With all the rights and privileges thereof

You get to beat up on me,
When you need to beat on someone,
Like everybody needs to sometime

You get to weep on my shirt,
Cause I keep an extra nearby at all times,
In case you have teenage sadness *** blues

You can try out your poems on me,
And if they're trite, my limitless sprite,
I won't reveal, for you have a thousand more inside

My repute as dad is hardly assured,
Two sons would might give me a maybe stolid high five,
On a scale of one to no jive, premised, dads are just necessary evils.

But I am open to learning, the arduous task
Of raising a teenage daughter,
After I have my head examined

Though I am just a bunch of eclectic electrons,
I got powers a few, like making life's happiness
Hearted happier, encouraging your forays into
You-know-what,
And when tables turn, a hasty retreat you beat,
For imaginary cappuccinos and poems we will meet,
Comparing notes on who felt lousier when...

But what I can do 100% is assure you
There is no lone nor lonely daughter extant,
Your voice not just clear but soft-edged,
For I have poetically adopted you,
Here and now, assuming you sign on the
.............................................................­.....


P.S. Someday with you I'll share my most fav poem of all times,
Entitled "Why I Always Carry Tissues"
Which by the by, I still do
Don't ask, don't tell
Nat Lipstadt Apr 2024
~dedicated to the heart fixers~

sometimes I smack my head,
when a poem commission is lying on
the ground before me, and I just don’t
hear it, believe it, in order to retrieve it…

many months of physical rehabilitation,
sessions always ended with a certain cutesy
Gen Z~Millenial crossover phraseology:

remember to tell someone you love them

the instructors mostly youngish,
so we senior~smile
a tad dismissively, give them a reward~grin, and
head for the locker room,
where we gossip and compare notes,
on the Part II of our in-process-future-realization,
living a grueling new life of self-preservation, 24/7

the PTs & EPs pound you on the machina, go faster, work harder,
eat better, sleep more, take those meds, motion is lotion,
walk the talk, never be still, but race to live longer and
prosper, this hard work is your new job, and resignation
is non~optional

now, it hits me, via a figurative sharp slap on the side of the head,
triggering an actual physical manifestation that reverbs to the toes,
that the most important lesson went under the radar,
evading the former trader’s dimming vision,
flunking himself on the rehab test paper,
a purple F for fool,
a grade, earned and deserved, and herein poetically preserved

the hardest heart work, begins only after you co-
commence the longest road back to where you once
belonged, but where you can’t walk alone, for therein
a recipe for failure; and the work that needs doing,
is on you; take that tear-repaired heart, and give it away, it,
one can be healed, but not if sealed, for the hard-hearted
walls thicken, and “over  time, the thickened heart muscle
can become too stiff to fill the heart with blood; the heart
can't pump enough blood to meet the body's needs.


so break off pieces of your heart, give them away with
relentless abandon, for this is the heart that self-repairs,
new tissue, new fiber, and most important, regeneration,
the one single reparation that can successfully
accomplish the true miracle of getting by giving,
no forgiving, if you don’t exercise the heart by

remembering to tell someone you love them




dedicated to the hard working staff of the
Cardio Rehabilitation  Unit
of Nyulangonge, Rusk Institute of Rehabilitation
who started  me
with a mighty push on the long road to utilizing my heart properly

<•>
921 · Sep 2014
Sept. 11th 2014
Nat Lipstadt Sep 2014
I don't like deleting certain emails
for the simplest of comforts
seeing the sender's name provides,
they are...

a hot tea on a "still sick"sick day,
an unexpected "how are you" inquiry,
or a late summer blossom,
a lavender Rose of Sharon,
shockingly discovered through a
country kitchen window on an early fall day,
or a poem born effortlessly,
it's existence unbeknownst to its creator,
just minutes earlier, unaware of its arrival,
just like this one...

or not deleting a newly gifted photo,
uncovered while closing one's eyes
past the midnight hour when
the old day hands off to the newly born incoming,
sending yourself off to bed
with a smiling chuckle;
of a young child's first day of school photo,
her plaid skirt and black patents,
a cherry-topping smile radiating hints
of both a pleasured future, a happy home,
and a growing-up maturity earned
from a third summer marked upon this planet...

so I keep that  email and that photo
handy-filed so they are stored,
fresh faced in my inbox or screen,
a friend's name, now a symbol of caring,
a child's photo, emblem of a kind of love,
that parented this poem, so that happily both *****
the armor of the commonplace
of both the everyday,
and the unforgettable world weariness
of having been there years before when,
when the mind sudden recognizes the new day's
sad refrain, sadder name and its most
saddest anniversary and these
disparate comforts,
both say, rest easy friend,
and now off to sleep...

2:31 am
Sept. 11, 2014
on 9/11, I was working in very tall office building at the very tip of Manhattan, about a mile as the crow flies, from the World Trade Center buildings, with "perfect" views of all that transpired that day...
921 · Aug 2017
Happy Birthday Kelly Rose!
Nat Lipstadt Aug 2017
oops

Nat Lipstadt Feb 2015
(Ketoma Rose) I hate owing money & poems
~for Ketoma Rose~

money, far far easier for me
to gift, give, loan it out,
with very generous terms
of no repayment due
indeed, with my luck down,
the less I have,
the easier it is to share...

perfectly sensible to me
living with giving hands
and a
giving mouth

know that I know
that there are
a handful of you,
who read me with affection,
loyalty and a kind tenderness,
I cannot ever repay

so it makes me guilty+crazy,
keeps me up at night,
these obligations that cannot be
repaid without the hard work of
patient poem-waiting for inspiration
that comes so easily
only when it's ready

and this day I am ready
to pay down, pay toward,
please forward, give what
you have taken from me,
the pleasure of stating,
an adoration of thanksgiving,
a joining so profound,
that once found,
cannot be lost

and you dear reader,
can't fully share, or see these
gratitude-tears-I-am-currently-shedding

but voyeuring come along with the
knowing insight that I would want you too...

so you write from where your heart's
rip tides
rip you open and wider,
yet so oft it falls into the tears in
the pockets of only holes and neglect,
and you, ego-weak human
cannot understand
just how that can be...

but there you are,
Ketoma Rose,
by any and all your names,
liking my words,
and I crease wetness
upon my face tracks
wondering who you are,
and more over
the why
of who you are,
this wondering,
an agonizing
guilty pleasure,
a trouble I just
love having...

but bills must be paid,
and now this debt,
finally tiny-tad dented,
and the fact that the interest
upon it,
grows exponentially
is the
best debt
I ever was given
Nat Lipstadt Feb 25
~ for Rob Rutledge -
@ 6:15am
~~~~~
we all are living, reading and writing,
paycheck to paycheck
even if by happenstance, our bellies full,

for the white sheets we lay our words
down and upon, our supporters of
ids and egos of egg shell thin lifes
are the bare emptied shelves
of our unending, still ongoing
pandemic pandemonium,
razing times
of eroding joys

the sheets are blank, but our souls
wearied, helmed and whelmed
by the unending of the unexpected
that demands, orders and commands,
no matter what
pour it out blasting
unleashing the rage
compelled, compiled,
completely compulsing
we
selves ordered to compose

giving form and firmament
to our vaporous innards,
releasing new oxygen from
the tides inside and without,
clashing ideas, irregular notions
that demand we poets responsible
for reconciliation and auditing for
human truths

we awake barren but weighty,
the emotions are rustling in the
now daily, common,
mighty metors of gusts of higher winds,
spreading fire and measles to spite,
not despite
our fragile failings & flailings

oh goodness and grace,
let that be the colors of
our skin, our face,
essay on, sashay with a
swinging motion,
yes, rhyme and rhythm

and deliver us with words
so soft, they shatter the
gloomy desperation of
what confronts our entirety,
when the terrors of our
sleeping dreams cannot be
differentiated from the
sad eyed waking
ones

so write, and right,
these troubled times,
when trolls, dragons
and yet unnamed monsters
seek to take away our
tiny green planet, watered,
seeded and plentiful fruited
plains enough to satisfy us all

if we are so emboldened to choose
all of us over our lonely selfish selfs
6:15am
Tuesday
close by
the Ides of March
(1)some words recently received and rescreted
Nat Lipstadt Aug 2015
~~~

someday soon gonna reread
the four figures of my
poems over lifetime inked,
divvy  them up by what each is about,
assemblage of
the themes of me

review the who what when and weird
of this guy through his own eyes
multiplying confessions
of graces and disgraces

particular to recover,
desirous of collecting those poems that:

valorize society’s strugglers
and stragglers...humans doing the work of living
^

don't know how many will be uncovered,
but here's hoping there are plenty,
needy of recovery and uncovering the poet
and worthy of pointing too,
valuation markers of a
decent human

strugglers, stragglers,
those from all over this world
and lives that can only visualize
no-horizon-in-sight oceans
sailors, from ports unvisited,
some even, still undiscovered,

working ****** and women,
not those,
don't owners
of fancy dress whites,
topped of by jaunty angelic-angled caps

the ones I sought and seek,
grime and coal dust etched into
every ****** crevice, ink under fingernails,
in obscurity, toil in windowless engine rooms,
in the nooks in libraries hiding,
satisfied with
a moment of glory,
and a lasting
hand upon
their wracked minds

these are my mates,
sharing fates
of woeful countenances
of bruised bodies,
recipients of hardest blows repetitious,
comrades in open arms

the unflavored, unfavored of
sons and daughters,
unblessed with sobs and smacks,
who rare lift the head in hope

the sufferers of ignominy
of the
prison of their existence,
for those I write,
have, will, and willing

to do it till I see a
chin rising, white of eyes gleaming,
a hand delisted,
arms defused of black weights

come to me,
words, encouragement, perspective,
that this too shall pass

believing ain't easy,
take it from one who couldn't see
happy endings, but had no choice but
to choose to,
now prepped, ready
for my arms to do some serious uplifting,
shoulders heavy-loaded and wide of loads,
eager for honest work,
aiding and abetting
the stragglers and and stragglers...
humans doing the work of living,
deserving for valuation,
awaiting their salutation,
and relief, even if,
tiny and small,
a slim volume of poems,
that but one
poet
provided
~~~
^a quote from a review of the play  "John," at Vulture.com

August 23, 2015
920 · Sep 2013
Men, I am tonight
Nat Lipstadt Sep 2013
Perhaps none more
Surprised
Than me,
To scribe these words where none
But all, will forever, foresee.

I am the forgiving type,
But not the forgetting.

But tonight,
A poetic transformation!

Tonight, I will be a Christian two,
As well as a Jew.

If I had a minyan
(10 Jews required to pray collectively)
of Francis-men, I could rule the world,

If that thought would ever cross their minds.

Nine Francis-men and one Jew,
Call him, mmmmm, call me, say Yeshua.

They asked me if I would
Write a little poem-number
And I wrote with all my might

Took this unconsecrated writ,
To the ten,
Asking if it was any good,
In agreement to the man, saying:

You may have trod the streets of Jerusalem,
Walked on the Galilee,
Lived upon the mounts and in the desert of Judea,
None matters, miracles too,
You may know Talmud, law and commentary,
But not by this will you, your doctrine be judged,

Who are we to critique, judge,
A man, even a poet, of good will,
If his poetry is any good?

Are we not all sinners, all poet-sinners,
But answer us this:

"Tell us are you a Christian child?"
And I said,
"Men, I am tonight"
*"And they asked me if I would
Do a little number
And I sang with all my might
And she said
"Tell me are you a Christian child?"
And I said "Ma'am I am tonight"*

Marc Cohn – Walking In Memphis*
~~~~~~~~~~~~~~~~~~~~~~~~~
http://online.wsj.com/article/SB10001424127887324492604579085112121099956.html?mod=trending_now_7

Francis Sets Out Vision of More Welcoming Church, Less Preoccupied With Doctrine.   "In the interview, the pope expanded on comments he made in July regarding homosexuals. On a return flight from a trip to Brazil, he said, "Who am I to judge a gay person of goodwill who seeks the Lord?....When asked how he viewed himself, he answered, "I am a sinner. It is not a figure of speech, a literary genre. I am a sinner."
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Yeshua us the Hebrew name, Jesus.
~~~~~~~~~~~~~~~~~~~~~~~~~~
I have indeed trod the streets of Jerusalem,
Walked on the Galilee,
Lived upon the mounts and in the desert of Judea
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A parting gift for Stephen-e-Yocum
920 · Apr 2018
good god a gaggle of girls
Nat Lipstadt Apr 2018
good god a gaggle of girls

read the dispatch thrice; the hierarchical lines some straight and some dotted but all I know they got a genealogical baseball team femi-nine
and maybe an NFL eleven when the twins get older

(husbands and sons ride the motorcycle bench and
back up if necessary, and good for musical accompaniment)

~oh yeah,
for Medusa~

this megillah message team meant for  me to assauge my
mother hubbard accusations  only partial reveals the player’s names:
but if you google a
gaggle of strong women you become informed there is a:

Queens Esther, Miriam, an Eve, four matriarchal outfielders, Batsheva pitching and only Ruth, can catch her **** curveball

in between an occasional poem gig whose costs are covered
under the mental health clause of a health care plan
but only in
California  

too cavalier, get it, you prefer this perhaps

sinewed strength in arms that can
carry three children at once,
age is not a factual issue,
for there is an army of
women soldiers who are a troop contingent,
everyone’s back is covered always-full stop-
they curve like the Earth’s crust,
magma formed strong and mineral rich,
curved to better resist
the comets the heavens cannot resist
to send & test the mettle
of a gaggle of stronger women sinewy arms entwined
reenforced

alas

the grandpa must here resist and rest,
lunch prep before Sgt. Stubby movie at noon,
in reclining chairs they ride like wild horses
and all our shushing noisier than their giggles
just google a gaggle of strong kids,
you’ll see what I mean
in this, we do possess a giggle of expertise




sunday 10:15am
written to the 1812 overture
Nat Lipstadt Jun 2013
Women's Lacy Stuff

Thank you god or man
Who invented sheer,
Have no fear,
Tho nameless and unknown,
Your existence is blessed
By millions at night,
In their evening prayers

And by the faithful, truly naughty ones,
Those extra observant souls,
Who say swell morning prayers,
It is doubly blessed,
When they're arising, in the daytime!

8:04 AM, **Lol
This poem when entitled Women's Lacy Stuff,
Garnered few friends and was unacquainted with the word trend,
But when I put in its nomenclature, **Sexually Explicit,**
It became a Hello Poetry all time hit.

(nah, nobody cared either way!)
Nat Lipstadt Dec 2013
http://www.playbill.com/multimedia/video/5725/Highlights-From-Martha-Clarkes-Chri-Starring-Amy-Irving

There is this way, she
puts on her silk robe
over her negligee.

In the mirror, watching,
each hand grasps
one edge of the robe.

She opens the robe
full and wide,
as if the robe was the
frame of a painting,
the painting,
her silken-clad body.

Then quickly, speedily,
pulls one side
tight over her body,
pauses for hesitation,
for inspection,
and quick again,
pulls the other side,
tight too.

She slides the covered arm
out from underneath the robe,
and with one hand only,
the robe is kept closed,
closed tight by one hand,
but not tied.

She performs
this pantomime,
this invitation,
her pirouette
many times a day,
especially when
I am watching
her watching herself
in the mirror.

For my hand is the
key, the unlocking device,
that not only pulls open,
but pulls apart the robe,
as she truly desired.

My two hands
slide from her waist,
to the back of her thighs,
and I lift her up,
up against the wall.

She spears her arms wide,
first out, then up,
suddenly leaning forward
sliding down and I catch her,
burying her face in my neck,
holding her under her arms
we dance  to a place
where there is no space,

where there is no space
between our bodies,
between our selves.

Our pas de deux
is our solo.
See the video of the show that inspired this:
http://www.playbill.com/multimedia/video/5725/Highlights-From-Martha-Clarkes-Chri-Starring-Amy-Irving

http://www.nytimes.com/2013/12/09/theater/reviews/alessandra-ferri-and-herman-cornejo-in-cheri-at-the-signature.html?_r=0


Second in a series, hence 2 x 3
Nat Lipstadt Nov 2015
~~~a Requiem for the DedPoet~~~*



the air we breathe
and its best accompanist,
a good life, well cherished,
that's a symphonic harvest reaped,
knowing the magma of countless blessed times daily

fill it with the glee of children,
raw joy, still unfermented, unpasteurized,
by the sour vinegar candies of life
inevitable to be delivered,
mouth puckering and ill tasting

bring good skills to all you do,
the wisdom to lean forward,
admiring it in a satisfied manner,
best work leads to best content,
now is the time to witness the value all about us

remind me to set aside,
the sidebars of grief, struggle,
pause me in minute minutes,
to grasp the pleasure of the
joys this world provides so easy freely

you come early time to me,
early, as I search for your words,
finding none, to begin this day,
but your gravelly voice intimate initiates,
you remain for me as alive as ever

reminding an old poem writer,
that the best is to come,
if one allows, if one allows,
this is my un-sad requiem~song for you,
hoping that the joy of living and
remembering

is a bond tween us, unbreakable*

~~~

(NOTE: Since posting, the details of this item may have changed due to fluctuating market prices, federal regulations, currency rates, drought, pestilence, bandits, rush hour traffic, filibusters, clowns, zombie apocalypse, punctilious poem~developments, death, and breathing life and lives, well remembered
9:51 am
Nov 1, 2015
the fall back day
nyc/nml

the DedPoet's work have all been deleted
Nat Lipstadt May 30
~for George Harrison~

Very

soon George, I am bound for
a stilled shaded land, a tiny isle,
which knows the
all encompassing fog,
hurricanes wrath that days linger,
and though memorable,
never the first image recalled,

but a mind's eye video of
a perpetual sunset,
agonizing silenced colored fantasies of farewells,
each unique and alike though all things must pass,
a benign benefit comfort suckled this old man's
never fully at rest visions,

for the sunset is perfect perpetual,
always setting, never settling,
ever bound to surprise,
our farewell is another's welcoming,
and each of our days an
A-1 slicked continuum,
a sliding circularity
and
we sigh, ooh & aah
at it miracality,
its genteel reawakening
we admit with pleasured honesty,
yes, sunsets are a corridor edged,

somewhere it is always sunset,
nevereverending,
and its farewells
are truly truthful welcomings


<*>

Shelter Island
May 2025
a returning to rebirthing
<>
All Things Must Pass
Song by George Harrison

Overview
Lyrics
Sunrise doesn't last all morning
A cloudburst doesn't last all day
Seems my love is up and has left you with no warning
It's not always gonna be this grey
All things must pass
All things must pass away
Sunset doesn't last all evening
A mind can blow those clouds away
After all this, my love is up and must be leaving
It's not always gonna be this grey
All things must pass
All things must pass away
All things must pass
None of life's strings can last
So I must be on my way
And face another day
Now the darkness only stays the night-time
In the morning it will fade away
Daylight is good at arriving at the right time
It's not always gonna be this grey
All things must pass
All things must pass away
All things must pass
None of life's strings can last
So I must be on my way
Face another day
Now the darkness only stays the night-time
In the morning it will fade away
Daylight is good at arriving at the right time
It's not always gonna be this gray
All things must pass
All things must pass away
All things must pass
All things must pass away
Source: Musixmatch
Songwriters: George Harrison
All Things Must Pass lyrics © Westminster Music, Harrisongs Ltd
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