It's dark and the light leaks out
like the change in my pockets;
like the blood from her nose;
like knowledge from my head.

And I can feel myself being
  swallowed by this systematic
long dark. I cannot remove myself,
  a gut-worm in the lower-mantle
belly. Watching video-cassettes of
  my birthday. I don't know what
happened to my birthday video.
  I don't know what happened to
my parents or what I did to happen
  to them.

The light leaks, again, and I
choke on my celebri-thoughts;
mentally-******* to the
waves I'd give on a book tour
or studio lot. Talking about some
movie that made some money,
somewhere in Santa Fe or L.A.

The news is channeling my president:
a swollen man that is the physical representation
that a lot of American people are parasitic;
lovers in racism, xenophobia, transphobia, Islamophobia,
homophobia; scared of everything except the 'straight-talking'
magnate they put in office. Not playing president; playing God.

I'd hate to get political, though. I'd hate to ramble on
and on about something I don't know enough about to
**** myself over. I can feel myself picking up steam.
I can feel myself getting redundant but embracing the
bruised ego and poor technique. Loving the entrails
spilling out of the splits of my fingertips;
more beautiful than the brains I bashed on the sidewalks
of old Morgantown. Morgantown, a town so kind you
are gently destroyed by its over-crowded masses,
dying to be different or drunk -- I suppose that's not very
different than most places.

But let's get back to these trees that I haven't even talked about.
Let's get back to the kitchen table with the hollowed hard-drive,
with wires and cords flopping to the sides, like a
gutted spaghetti eater with poor stomach acid.
How terrible. I'll never forgive myself for that last line.

I feel so rudderless. So cynical with a touch of cliche.
I keep pushing back that age for success, thinking
that I have the luxury of choosing. My vocabulary is
limited. My intelligence is assumed; probably a void,
where delusions manifest and asian **** rewinds and plays,
  rewinds and plays.

It was four o'clock in the morning. Robert wondered why his name was Robert. He decided to get rid of the "Bert" because it was the name of a Sesame Street character or the name of a ******* in Tempe, Arizona. Then again, he thought, "Hey, just Rob makes me sound like I change tires for a living or that I work out at a gym that discriminates fat people and blacks." Rob or Robert took a second to evaluate his last thought and if thinking "and blacks" made him a racist person.

Robert sat on a bench and wondered if the woman beside him was expecting Forest Gump-esque wisdom.

Robert thought of a friend he had in grade eight, named Alexander. He thought of how Alexander had a glass eye. Robert wondered how Alexander had a glass eye but could not remember or did not know why Alexander had a glass eye. Robert, then, concluded that sometimes he will not know something and how that is okay because most people don't know anything--it's a collection of approximates that stay in our heads, he thought. Robert asked himself if his last thought made him intelligent or dumb and pretentious. Robert decided that he did not know. How meta, he thought. Robert, then, decided to stop using the word "meta" so much, because it made him feel like a professor with bitterness and something to prove.

Robert watched his sister struggle with an eating disorder. She was in a hospital bed, with an IV in her arm. Robert did not know if he would struggle with anything as hard as his sister struggled with anorexia. Robert, then, had intense but fleeting anger at every person that bragged about being anorexic or made it seem cool.

Robert sat on his toilet and wondered what his true identity was and what his true nature was. He wondered what was inherent and what was synthetic. Robert, then, wondered if a synthetic personality was inherent. Robert asked himself if he was a good person. He wasn't sure if sitting on the toilet, in his grandmother's house, and ******* to interracial ebony teen ****, on his iPhone, made him a good person or not. His concerns soon past, though, as soon as Lauren started to **** the pizza guy's white ****.

Robert walked down the street and was contemplating some of the issues that plagued his ****-infested mind, while he was on the toilet. Robert saw a girl running from a guy. Robert asked himself if he was a hero or inherently good. Robert, then, concluded that he was inherently a coward, since he did nothing and hoped that somebody else would save her.

Robert didn't meet a girl and knew that no one would write prose about his meeting a girl and their mutual love for one another. Robert was eating a steak sub, while thinking this.

Robert returned to the hospital, to pick up his sister. On the way home, his sister talked about how attractive her nurse was. Robert asked, "What did he look like?" His sister, then, said, "It wasn't a he. My nurse was a girl." Robert was okay with his sister being attracted to girls, but hoped that she didn't get more than him or more attractive girls than him, because, for some reason, that would make him feel insecure. Robert decided to stop eating so many steak subs and to work out. Robert asked his sister if she wanted to get steak subs. She said, "sure".

Robert was working out in his basement. He heard the sound of retching, upstairs. Robert followed the sound of the vomiting and opened a bathroom door. He saw his sister stick her finger down her throat. He said to his sister, "That isn't anorexia." His sister said, "I know. There's a lot you don't know about me." Robert said, "I'm sorry."

Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

I.

He says Call me Mr. G.
G for Gore, Greed, that Green.
An atypical stoner
with hair wetter than his mouth.
With more ******* than a pound,
he says, With an understanding of
all the suffering in the global delusion
that is the Earth. Mr. G, his name.

Oily brunette, Mr. G., would smoke
Marlboro Green Blend -- menthol --
and spit shot out between stained lips
after each extracurricular exhale.
The saliva would land, tremendously,
and puddles of Rasta shooting stars
would lay, stretching across concrete galaxy.

Hazel eyes invaded and shamed him,
for he wished to be green, like life,
but only envisioned a contradiction:
death (see nature),
for which he learned to embrace, stoically,
like a shepherd of an endangered breed
meant to die among skewed perspective.

II.

This house could be mistaken
for a cinderblock purgatory;
between color and absence of,
eternal and temporary.

A raptor laughter purged the tension --
he abided by no accommodation of civility.
As smoke followed his hyena howl,
the landline lay suddenly of purpose.

Resin raided the clunky, black buttons;
a voice was whispered like a blue phantom:
*******' cheese, pineapple, pepperoni
-- no, extra ******' cheese, extra pep --
Sure, add some more pep with your driver:
he, she -- honestly, man -- they better have
pep-in-their-******-step-you-feel?

Minutes passed like sentient matchbooks
dropping towards a skeletal fire.
G threw the phone across the room
and, like a disenchanted drunk dance,
his words wobbled over each other,
I ordered a 'za, a pizza for the layman.
About thirty, probably thirty-one
minutes, that is.

Passing me the flower-stitched ****,
I ****** in one, maybe two, three,
blasts that I swore
had some sort of nano-insects
bite and burrow into the holes
of my sponge for a throat.

Wringing my rubbery neck,
watching my words leave my toothy cave,
I found out that G doesn't believe in beer.
Believes in souls but not beer,
believes in green men, not beer.

Alcoholic splash is what we all need,
at times. So I told him the obvious,
I'm going to get a case of
(Insert your ****** choice)
and I'll be back as soon as possible.

G stared at me and made a guttural noise,
Do whatcha please, I'll stay here and
protect us from vampires.
You know, blood-suckas.

Pale stoner vampires.


III.

The leather painted door was wide open
like the legs of ominous spider cave,
but the doors of a car
I had never seen before
were as closed as the lips of a VCR.
There's nothing but silence in these situations --
is this one of those situations? Grassy knoll?

Approaching the mouth of purgatory,
I entered with the hesitancy of a lost dog.
On the plastic covered couch,
two people sat atop the invisible cloud
above the patterned fabric
and above the fingers of time.

Blonde hair sprouted from her scalp,
raining down upon vanilla shoulder blades,
her chest a harbor for two pale, freshly mounds,
with crooked, beige diamonds in the center.

She trembled when G said, Meet Steph
-- can I call you Steph, Steph? --
Meet Steph, the artist formerly known as
Stephanie, holding up her licence,
Vanmeter, of 441 1/2 Locust Ave.

That's creepy, huh, Steph? Locust Ave?
Are you something that lives in the ground,
comes up every several years, making noise?
Has this been years in the making?
Are you bound to make noise in my house?

You know this is a house, right?
Whatsa matter, unfamiliar due to ya
living-in-the-*******-ground
or is it because you share a house,
an apartment, Steph? Is it one of those?
Pizza deliveries ain't paying the bills?

G gets up, I, a coward, approaching him
about to say -- Hold up, brother, he says.
Not another move, pulling his hand from
behind her shaking, confused head,
a silver cannon an extension of his arm.

She's here to **** our blood,
She's here to ****. our. blood.
Whether she means to or not,
I know you don't think you want to, Steph,
I know you don't mean to,
But you're here to
drain-us-like-the-Red-Cross.

I tell G that she isn't,
What have you done, G,
You need to let her go
before this gets worse.
That cliche dialogue.
Because these things always do,
cliche or not.

Brother, you don't understand these things
-- It's impossible for a godless man
to understand the mechanisms
of something bigger, something holy --
but you need to listen, G said, You need to --
she tried to move, quickly,
but G grabbed her by her blonde strands,
pulled her back towards the couch,
She swiped at his eye, drawing blood.

There was a pause, a deathly silence,
by the hair, she was rendered motionless,
Oh, no, he echoed, Love, you shouldn't,
You ought not do those things.
Looking at me, he asked me to listen,
Always remember this wasn't your fault.
Sometimes, you can't be in control

Holstering her neck with his gun hand,
G picked her up, slamming her,
head first,
into the drug covered,
resin sprinkled
coffee table.

He dropped on top of her,
Looked at me, Remember, okay?
and beat her head with the **** of the gun,
until the cracking of a larger M&M; shell
muffled towards all eardrums,
maybe even hers.

With blood,
that could be mistaken as war paint,
swimming across his jaw and neck,
and sprinkled on his forehead,
G whispered, You are free,
and I was never sure
who he was talking about.

My feet left before I did,
I was suddenly in my car
with only the ignition
and G's voice registering.
I passed car after car,
pastel metal wagon after
metallic matte creation,
not sure if I ever saw him,
not sure if he ever existed,
if I ever existed.

IV.

Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

Waking up in a cavern darkness,
my dreams disintegrate from my eyes,
swirl in my headspace, evaporating to
heaven knows where.

Scattered pitter-patter
drowns midnight Seattle,
killing and washing away
cluttered, modern filth,
******* carnivorous minds
into hungrier gutters.

This is the part
where the screen of my life reveals:
SIX MONTHS LATER,
in yellow, stenciled letters.
But what it wouldn't say is
how I still feel like I'm dipped
in the ink of Ithaca, NY.

If this were the indulgent
autobiography of my life
it wouldn't say that
the distance doesn't matter,
because that'd be a lie;
I feel like I have only escaped myself.

The rain swells, sounding as
thick as blood, swishing around
the veins of the city.

Stephanie dies every night,
disappearing and reappearing
behind secret doors only she can open.

When she comes to me in sleep,
she is baptized in green, head caved,
Forget-Me-Nots sprouting
between fragmented skull
and select spots of brain soil,
the flowers singing jazz
with a different voice, every time.

One time she spoke.
With blueberry lips that belly cold,
she sounds like my mother:
I am so proud of you, she statically says.
You saved me. Remember.

V.

To be continued.

These dead stares across the shopping mall
Wouldn't I care if I could have them all
Fingerpainting these eyes
**** photos: camera shutter sighs

But her breath is morse code
And my words are falling
Her dial tone dilates
As her moans are calling

She fell in love with a filter
And I fell in love with someone's daughter
We took pictures in the summer time
And she threw them into the water

When she lies, her cheeks flush
She swears that she doesn't care much,
as she sits in her underwear
with a light grin and a heavy heart.

She felt her pulse by the bed light
She was sad that she was alright
I watched her paint her dad on fire
while holding infant her.

I heard the window shatter
She never said what was the matter
I found her on the driveway,
broken like a family picture frame

She kisses the boys and girls
that pay the most attention.
The boys play with vapor
and her girls play with tension.
I wish I was the only one
that she will decide to touch
but I am who I am
and, in a way, that is too much.

Sawblade-sunflower petals
wrap around an earthy cushion,
and the humidity hangs in the air
as her beige body is crumpled
and I feel too sober, pushing.

Baby yellow falls apart,
in her hair the flower starts
to trickle onto sheet and pillow,
decorating the absences
that define how hollow
she and I have felt before --
******* like an endangered species
on the killing floor, I whisper once,
I whisper sweet, "Don't you wish
that we didn't meet?"

She kisses the boys and girls
that give the most attention.
I played with vapor
and she played with tension.

I can hear your back crack,
in the dark.
Removing your underwear
with chewed fingernails:
You softly ask
if we can share scar tissue
and if I'll stay
despite every issue.

You try to kick the covers
off of our bed,
and ask if we can share the thoughts
buzzing inside of your head.

When insomnia erases your eyes
and disease steals your brain:
You inhale ways to die,
because you still dream
but it's not the same.

I can hear the static in your skull.
I know why you keep
the kitchen knives dull.
You pull on my fingers
so I don't forget you.
You cry on the pillows
and hope I like romance too.

I kiss your temple
during each thunderstorm.
I read you books in bed,
because your eyes are worn.
I put my ear to your chest
because I want you to see
that the air you breathe
means everything to me.

Hands, plural to make us one
Near the end of August the heat told me to stop
It's vicious, wanting you
No milder than the jaws of winter

And every person not you cuts
On the street, our wounded lips
Before October and on silver screens
Your face projected on everything

You wanted the cinema, I thought
So I spoke fumbled niceties at your door
But the camera was stuck in my eye

And the words I scripted shifted into your mouth
The breaths I take, the breaths I shout
Your smile corroded in the rain
Your endless longing,
My endless shame

It keeps me in this thought
That what I feel has no name
But the credits crept up with the dregs of December
Money is noisy, and I liked your quietudes

But the snow will blanket my blood-buoyant bright
And I will drown into night
To lay by you until dawn
To lay by you until you are gone

Drinking summer skin,
I hear the voices in the night sky
I'm a slave to the darkness around the stars,
and I can't remember why

One, two, twenty-three percocet in my soul.
Ambulance lights breathing throughout the mist.
Pump my stomach like the sawed-off shotgun
that I was too afraid to use,
because what if I 'miss'?
What spectrum of desolation to be traced with lips;
to kiss away the desire to exist.

Mirrored reflection injection causes the resurrection of my imperfection.
I see me for who I am, who I was, and who I won't be.
It's the collection of
my eyes dilating and my knees speculating their arrival
to the blue and white tiling disguised as neo-survival.
My mind is evaporating. My body begins to convulse.
I am a ghost in a machine. I am without a pulse

I miss my stupid perfect girlfriend.

With her stupid cute face.

With her stupid nice smile

that makes the pain erase.


And I miss her stupid lovely eyes,

so stupid pretty brown.

And I know I’m stupid in love with her

because for some reason,

when she’s feeling stupid or unpretty

I feel ****** and down.


I miss her stupid laugh

full of joy and wonder.

And I miss how she doesn’t make me feel stupid, at all

And how she makes my heart feel like thunder


And I wish I was with her right now

I wish we could be stupid together

But I’ll give up a few stupid days

In exchange for being stupid forever.

I'm so happy-
I've masturbated until I can't feel
and that's okay.
My hair is brittle;
the water's iron and so are you-
your love's a mess.
God is angry
because he doesn't have to exist
to be real.

Hipsters ruined liking Wes Anderson-
Bill Hicks was brilliant
and everyone is an intellectual.
Your ideas aren't yours-
your words are mine
and mine are yours.
Writing to be antidepressed,
because singing is for the shore,
for your shore.

Let's pick each other's psychology,
like we're removing clothes
or missing ads,
and get lost in each other's darkness,
because, "I love you,
I suppose.
I suppose."

My brain is a factory,
producing every toxic part of me.
******* until my hand gets lazy,
fantasizing about Lexi Belle
and being Martin Scorsese.

My blood is a vacuum,
alone in a crowded room;
my white blood cells like to
travel to my *****,
so I can someday infect
designer uterine walls.

Locked and loaded,
my heart exploded.
The tissue and issues
attracted crocodiles
that swam from the mall,
for miles and miles.

Store-bought baby, my body isn't ready,
to be stripped down to the bone,
and sold to teenage radios,
that'll broadcast my American moans.

Caucasian nightmare:
my skin is not fair.
Peel enough off with chemicals,
until I decide there's no more,
and hide the layers in bathroom stalls,
located in the bleach of Baltimore.

There is no I in denial.
They kiss in bed.
They roll around.

There is no I in denial.
He bought her flowers.
She placed them in a vase.

There is no I in denial.
They hug outside of
traditional thought.

I do not know how we got here,
but I know I don't want us
to stay.

There is no I in denial.
They **** in bathrooms.
They make love in gardens.

There is no I in denial.
She blew a kiss.
He caught a tough break.

There is no I in denial.
He holds a box of his things,
after being shown out.
She says they'll manage.

I do not know how we got here,
but I know I don't want us
to stay.

There is no I in denial.
They kiss in bed,
but it's not the same.
They roll around in bed,
but it begins
to feel
like effort.

There is no I in denial.
He bought her less.
She said it didn't matter.

There is no I in denial.
He feels like his father,
imagining things
she's doing.

I do not know how we got here,
but I know I don't want us
to stay.

There Is No I In Denial.
They don't talk as much.
They sit farther apart.

There Is No I In Denial.
She asks him what's wrong.
He resents her care.

There Is No I In Denial.
He gets drunk and
breaks the vase.
The flowers lay,
covered in wet glass,
sleeping in a puddle.

I do not know how we got here,
but I know I don't want us
to stay.

THERE IS NO I IN DENIAL.
They don't talk, they yell.
They don't remember each other.

THERE IS NO I IN DENIAL.
He drinks more.
She feels less.

THERE IS NO I IN DENIAL.
They were married underneath
an oak tree,
  She said, "I do."
He smiled and said,
  "I'm so lucky."

The flowers lay on the floor,
  dying.

I do not know how we got here,
but I know I don't want us
*to stay.

Pale body, blue eyes
Dark haired WASP;
adopted.
Cigarette burns
Cigarette breath
Black nail polish;
worn like her gaze.
Plump lips;
Tastes like
*******
and
"he left."

Milk body, brown eyes
Blond haired voice;
accent consumes.
Diseased brain
***** like a parasite
Blood-shot red nails;
scratching at life's surface.
Chapped lips;
Chews on them
like a blown tire
dying between metal
and the road.

Our bodies shifted in and out
like an ameba.
Suffocated by lost teenage years
and daddy issues.
Riding my knee.
On my face.
I want to disappear
into outer space.

Skeleton ***;
our corpses mix.
Sweat stained smiles.
Soap smothered tiles.
Showering with two souls
as lost as mine.

When I fall asleep my eyes meet yours.

Sing with me,
I've slept with bloodshot eyes
I've dreamt of a sunrise
that erases everything  
Oh, every thing

Move with me
You won't have to be alone
Wrap your hand around a microphone
And sing with me until the sun comes

Sleep with me
Talk to me about yourself all night
We'll grow tired as the dawn bites
And lay side by side,
with no where to hide

Too tired-
we can pretend to be dead
Too bad it's all in my head
It's all in your head
We'll never be dead

Punk lips in perpetual paralysis,
and they're too afraid to let them kiss.
Too afraid to try to let it last
because of the blurs in their past.

I think the kids are in trouble.
Hanging out with temporary people;
making the wrong times never stop.
Smoking dreams with glass lovers
to indie sonnets and neon power pop.

The world knows they can pretend,
and it's their hearts they can't defend
from the illusion of what they could be,
and the loneliness of what they'll never see.

They skate the pavement until the sun sits,
and drink ***** from water bottles until their hurt slurs.
It's the preparation of tomorrow and what it may not bring
that makes every moment before, everything.

They're scared because it's real,
and I'm scared because they're scared.

She smells like marmalade
and Christmas trees.
She cuts her heart
where she places her knees.
She smokes in the park,
under the skating skies.
She makes me upset
and sometimes I make her cry.

Over in the dark,
she plays in the snow.
And if she feels cold,
I touch her chest
but I don't know.

Bask in the bark:
our names on a tree.
Carved with the knife
that she swung at me.

She says she's drowning in my ocean,
but I feel no emotion.

Her words suggest our bond
is as strong as a noose.
But she only loved me
when I was something to lose.

I'm a white, male,
American dreamsicle
who says "****"
way too much
to not be cool.

I read about my father issues
on my mother's face.
I hate things and people
because the news told me to.
Art is ****** and ****** is art;
when Billy killed Sue,
my heart raced.
Do drugs with me
or do none at all;
promise me when we're high
we won't fall.

There are ******* on the street
and the cops are shooting them.
There are ******* kissing
and old, white men are scared.
There are mentally ill people
and they are "seeking attention".
There are women with voices
and old, white men are scared.

I am an American Dreamsicle:
cold, unhealthy, and killing your kids.
You can buy me for 40% off
and I promise to take 60% of your ideals.
I am what my parents don't want me to be
and that is the appeal.
Little do I know, I am every thing you are
and that is my cancer.

My heart dressed in polka dots and dark shades
Hair and hurt sitting on shoulder blades
Across rose-colored skin,
I brush my fingers over bumps and scarred perfection.

Dance with me in a pit of quicksand, rockabilly babe
And help me understand that I don't need to be afraid

We are children with short attention spans
and short term parents,
and it's apparent, in this short span of time,
I love you.

I cut myself on the future
I thought of kissing your picture
I detached myself from
lullabies and sorry eyes
only to realize:

I want to make love to you in November,
just before the empty of December.
Where snow blankets
and suffocating leaf-beds
aren't the only dreams
to fall asleep in our heads.

I could hear your voice trip
as my hands started to drip
around your hips and thighs-
You could tranquilize
with your lips and byes.

You look so sleepy-headed
Many words I have threaded
to weave a dream
desperately
but you prefer my
reality.

Dear Talia,


My mattress is tattooed with your scent.

You held me as I slept.

You kissed my forehead and told me you love me.

You whispered three syllables into my mouth. You create waves in me that wash away cigarette burns. I would hold you tight in the unforgiving night.

I want to drink cheap coffee with you as you smile between each sip and as I master the art of looking at your smile. I want to make love with you like it's going out of style and until our lungs are burning like California wildfire.

I want to evaporate into your breath.

We were side by side in a bed made for us, and I fell asleep in your arms, listening to the calm of your breathing and the frantic beat of your heart.

Your fingers weaved through my hair, and I counted heartbeats, hoping never to stop.

My brain is soup and my hands are worn down from hours of typing your name. Talia. Talia. Talia Betourney.

I want to rock in and out of your body, as you kiss my lips with precise lightning strikes. After you shock me, time and time again, I want to wonder if the lightning misses the sky.

I am flustered and as I type this, I lose control of my thoughts as I become swept into your green-eyed, dark haired heaven. I cannot dream a better dream than your reality. I want to kiss you for every gasp I've never been around for and for every moment of pain. I am not here to save you, though: I am here just to love you.

Your hands swallowed mine, as I was closest to your body. My eyes drank the darkness, and my mind escaped.

In my sleep, you told me you love me. When I woke up, you told that panther something and I wanted to know what his ears heard that mine didn't.

You wouldn't say, and your hands grew slight tremors, the same way farmers grow slight weeds.

We started to kiss like our lips were the antidote. You whispered into my mouth. I asked what you said, being able to make most of it out.

You said, "Nothing." But, baby, that wasn't nothing. That was everything.

After a few minutes, I told you that I made out most of it and that it was okay.

You turned to your side, and your hands shook. I love you so much. I love you. I love you. I love you. Turn back to me. Look at me. Hey.

"It's okay. It's okay, and it's going to be okay, because I love you, too," I said to you, as I looked into your eyes, seeing myself.

You smiled.

We kissed like famine was non-existent, and like the apocalypse was imminent. End my world with every kiss, revive me with every flick of the tongue. Wash me with lava, and give me acid to drink; nothing could **** me in that moment, except the batting of your eye lashes.


I wrote you this poem and it *****, but it spilled out of my fingers after you left:

In a far and distant galaxy, there is a father for you, and a father for me       
And a silver car for you and I; driving underneath the alone-grey sky.
And a blue soul that learns to be happy.
And our blood will dye the Dead Sea.
And underneath a together-old tree, our young love will try.

And while our muscles are far from weak,
we will kiss until our mouths are dry.
We will kiss for an entire week. We will kiss until we forget how to cry.

Our brains will tell us we’re irresponsible.
Our hands will shake from all the trust.
You chew on my lip like I’m impossible.
You’ll ******* blood; I taste like rust.


How you could be afraid of my not loving you escapes me.

Don't you know why my heart beats so fast?

Today was the first day we said that we love each other. I hope it isn't the last, because I love you very much, and I don't think my mouth can go a day without knowing those words.


Yours,

Josh

I'm a ******
I don't do drugs or drink
my only flaw is how much I think
I don't believe in God but I believe in me
And I don't know where I belong on my family tree

I don't propose that **** is based on a girl's clothes
I suppose I'm dumb or brilliant but who really knows
You could say that I'm narcissistic or have low self-esteem
with a girlfriend with a pocketless pocket and a head full of dreams

Whoa that didn't flow, that last line
Imperfect effort seems to be an attribute of mine
Look at this rhyme scheme, it's so diverse
I guess I can get away with this; I couldn't get any worse
One favorite, three favorite, fifty-four
Give me validation, I could always use some more
Hello, Hellopoetry! You've been so forgiving
of my beautiful poetry that reflects an ugly way of living
Tell me, tell me: Should I write more?
What if my sadness is gone, and my melancholy no more?
Will you still love me if I write about crinkle-cut fries?

"****. No more suicide poems, does this kid still try?"

Is there still a Josh Haines if he no longer cries?
Is there still a Josh Haines if he doesn't wanna die?
Is there still a Josh Haines if he starts to fall?
Is there still a Josh Haines if he gets it all?
Is there still a Josh Haines after every kiss?
Is there still a Josh Haines after he writes all of this?

Eh. Maybe, baby. Maybe.

Some people die in Texas.
Some people die in Spain.
Some people die in their sleep.
Some people die in pain.

We were all in love with trauma.
We were all in love with the same
ideas we projected onto people
and disguised with their name.

I don't live in nine-eleven-land
and neither do my peers.
I've been monitored by other people's Gods
for twenty-two ******* years.
Coffee pots and cigarettes
stimulate my day
and keep the thoughts streaming,
that eventually fade away.

Some people die in Utah.
Some people die in Prague.
Some people never get married
or have the family dog.

We were all in love with status.
We were all in love with goals
that would make life poignant
and make ourselves whole.

I don't subscribe to the thought
that my thoughts necessarily matter.
If life is a horror movie,
then I'm the fake blood splatter.
Bible thumps and dead eyes,
are all part of my design,
and how I live and where I die
means to separate my mind.

After long dark,
you can find me in my mind;
taming serpents; kissing girls.
You may not understand
why I've been the way I am.
You're under-educated
and that's only half your fault.

Sometimes I am imprisoned
within the waves of an ocean
that always misbehaves --
but it's not my fault; just the
way the god rolls: making halves
and making wholes.

After the short syrup of light,
you can find me hiding, true;
pulling off ticks; kissing boys.
You may not comprehend
the way I'm fumbled together.
You're under-educated
and that's only half your fault.

Always I am imprisoned
within the crash of culture;
my thoughts treated like worms;
my illnesses considered contrived.
But it's not my fault; just the
way you guys roll: ignoring halves
for conventional wholes.

The night before, she whispered,
"The quickest way to break a heart
is to pretend you have one."

Howling,
like you've never heard before.
And she sat next to me, radiating.
Her body jumped with every bump,
as foam blossomed out of her mouth.

And I promised her
that I would get her there in time.
And her dealer promised me
he didn't give her anything.

Howling.
I was howling,
like you and I have never heard before.
And her glazed eyes would open.
And my eyes were wide shut.
Her body lain crooked,
like the antenna of the wrecked car
my grandfather left me.

And I wondered if the planet
was moving too quickly
or if I wasn't moving fast enough -
before I decided the only time
that was real, was now.

Howling.
The police sirens were howling,
like the suburbs have never heard before.
The wails were begging me to pull over.
And the flashes of red and blue
danced across her ivory skin.
She mumbled to her deceased grandma,
and I asked her to stay.

And in that moment,
I tried to numb myself.
I tried to detach
and let the river carry me.

Howling.
I was howling,
like the deputy
had never heard before.
I begged for an escort.
I begged to go back into my car.
He looked at her knotted body
but didn't see her like I saw her.
And he told me to remain calm.
He told me to stop yelling -
but I couldn't express enough.
I couldn't release enough desperation.

And the river carried me
to the rocks before the fall.
At the bottom, I knew she was dying,
and this killed me, most of all.

Howling.
I was howling her name,
like she had heard before -
but not this time.
No, not this time.

The night before, she whispered,
"The quickest way to break a heart
is to pretend you have one."

The tent fly
flapped
in the
Arizona dream.

I fell out
of the door.
Saying,
"I should be
dead soon."

My bleeding feet
stained the
brown sugar sand.

And God
was everywhere;
in my cuts.
In me.
In us.

And God
was nowhere;
absent-hearted-
blood-kissed-
consciousness.

My hands gripped
at the cheeks
bordering thin lips.
I kissed the
Arizona dream
as if it were
my own.

If it were my own.
If you were my own.

His dog chased her
through the woods.
The rifle can **** from
three-hundred yards.

Watch her leap logs
and sidestep
sticks grabbing
at her shoulders.

There are three Gods
in the woods,
behind any tree.

No one is as ruled
as the lawless.
No one is as sedated
as the frenzied.

Sympathy couldn't be
measured in screams,
but measured
in her breaths.

Beyond the
honeydew horizon,
the senseless cease.
The half-life of eyes:
her only escape.

Where the tree-trunks
are furnished by the
candied corpses.
Her feet chomp at the
prostituted ground.

She will die, here,
whether she lives
or not.
For what is stolen,
stays.

Sara not so plain and not so tall
Daydreaming in the shopping mall
As blond as a summer day
Speaking of herself in a peculiar way:

"I'm pretty, yes, but I wish to be better;
To be the admiration of a love letter."

But her beauty is the kind that lasts
And makes your heart beat especially fast.
Finland born but London found,
Lovely, sure, but greatness bound.

And the nights grow more tiresome,
as her chest beats a tattered drum.
Her mood too dreary for speckled eyes
that will dim if night blurs into sunrise.

"Sleep why do you run from me,
as my memories grow.
Eyelids, be a blanket,
And melatonin, a pillow."

Victoria Lucas in her head,
as the bell does ring until fed
by the words that sound soft to us
but are actually strong and thus
she is misunderstood-lips are red-
Like Greenwood inspired, kissed dread:
She can save herself before jarred,
Before feathered, before tarred.

And it is my faith that lets me know,
That her happiness will one day grow
Because Sara not so plain and not so tall
Is the strongest of them all

How she sat there
with movement in her head.
A churning of learning
the ways to get ******
and slaughtered by
other people's
sons and daughters.

And how I sutured a gust
of her brain exhaust
into my chest, into my lungs--
I breathed her like I was
******* the end of a
tailpipe.

Her hands ran like busted tires
as she massaged my temples,
revving her voice,
my ears on her
suicide door lips.

There is no green light
in her red light country.

My mother held me,
and asked what was wrong with my world.
Her rubbery hands in my hair.
"I feel like a plastic narrative," I said,
"and there's nothing I can do about it."

Solo, like Star Wars or women's soccer
I sit on a ***** chair with pure liquor
sealed from the rest of the world

Numb, like Linkin Park or lithium
they hold my wallet like it's a gun;
want to use it to gauge my meaning.

If you want a dollar, babe, then
you gotta work to separate
yourself from everything sane
or how else can you gain

the feelings you see on t.v.,
what E! says is reality--
because you're told that's
what matters, entirely.

Identity; conform to be something
marketable -- or, at the very least,
conventional. I want my insides
to be considered pretty, but
I'd have to hope someone
would give the effort to
cut me open and ignore the joy
that my bleeding out would bring.

Well, we were the History club rejects,
focusing on the effects
of being us
instead of in a book.

Two college drop-outs,
calling in shout-outs
to our friends,
hoping that it affected
how we looked.

Our dads would sleep in,
and our moms were crying
until a quarter past noon --
and we knew
if we didn't start trying,
that would be us, soon.

We were the starving artists,
painting fruit we couldn't afford.
Hoping each brushstroke of an artichoke
would be fruitful to our wallet,
or at least strike a chord.

Two love-loss orphans,
dreaming of morphing
into something or someone else.
But they told us
to remove that fluff
from our head
and put it on the shelves.

We were the film club fanatics,
studying the dynamics
of how to be a pretend person.
We wanted to be
a Wes Anderson flick,
but we were never any thing
other than who we were
and that's what made us sick.

And I swear I miss the desperation:
I'm nostalgic for yesterday's conversations.

You think you're a lost cause
but you're just stuck in the middle.
Life's been hard since you were little.
I don't know every thing,
but I know it's getting warm outside
and you're going to be fine.

You think you're a cancer
but just wait and see
that you'll heal yourself,
like you helped heal me.
This may sound cliché,
but it's getting warm outside  
and you're going to be fine.

My country is full of people
too violent and dumb to be anything else.
We value money, bodies, and your stuff
because it is not ours yet.

My flag is wrapped around some
white-trash hick's *******.
You look different than us and
that is ******* terrifying;
please leave while we stay
in your country,
'protecting you'.

My country is home to
religious freedom, as long
as the religion is Christianity.

My country is the world's
greatest melting ***, but
we'd prefer all ingredients
to be the same or die.

My country is a joke,
thinking it's the standard
the world desires to achieve.

My country is the world police,
creating tension, harassing you,
hating you, taking from you.

Ashland is a small town
on a small planet, in an
ever expanding universe.
The people here are bitter
and so is their spit, from
full-flavored cigarettes
and diluted kisses spun
from the lips of significant
others, that didn't listen to their
mothers, and married because of
irresponsible reasons, like personality,
respect, love, and other, 'Jesus, **** me
the **** now, so help me.'

Abstract thought is dangerous--
to the mind it's cancerous.
Alone and thinking about
melancholy shaped memories or
kisses that would echo through
your lungs, stomach, ******* soul.
Don't do it. Don't you invite the devil,
killing yourself is so concrete, it must
mean more than a concrete floor,
hovering above a rumored hell and a
definite uncertainty so delicate that it
eats into you with its sensitive meandering
disguised as beauty but, really, a violent,
violent, murderous host, hoax, fake but
eating your superficiality, programmed by
someone else, telling you it's you.

Ashland is a small town,
aren't we all a small town, inwardly.

Random dates.
Random times.
Useless words.
Stupid rhymes.

It's not cool being
less than you can be
so I urge you--
urge you--
to be happy.

Because there was a man
who was a clown
and he danced for the children
as they were being lead
to the gas chamber.
And it was 1943.
And it was
**** Controlled Germany.

The clown wept,
each time the lever
was pulled
and when the children
became silent.

To stop crying,
he told himself
that existence
is just random dates
and random times.
There was no meaning
in reason
and no order
in lines.

All he could do
was all he did know,
and that was to give
happiness
before they'd go.

In flashes,
her face dances
on top of a
broomstick body.

She refills
coffee cups and
her stomach with
butter pecan ice cream
and lovers' saliva.

But her lovers are
strangers
and her mouth is a
place
where secrets are locked
behind smoke stained teeth.

In flashes,
her ambitions escape
into the jet black night.
Cigarettes dropping like
sputtering fruit flies.

A size seven New Balance
buries a Marlboro corpse,
burning out like the light
in her kiwi eyes.

She returns to the diner.
What echoes reign free.

"I don't feel anymore."
"I really envy that."

I turned on my side, the sun was peering through the window and laying ribbons of its light across her bare body. "You shouldn't envy that, Reno."

"Why shouldn't I?"
"Okay. Well, why do you?"

Her hand waved a lock of blond from obstructing her icy-blue sight. I could see the shadows of birds dance across her torso and past her face. "I'm afraid," her words spiraling from her mouth, "and I don't want to be."

"Afaid of what?"
"Everything. The world. Hunger. Bleach stains. Failure. ****** knuckles and the look of the person as they clench their nose, teary eyes and all. This. My father finding me. Dying before I get to do everything I want to do. Validation. I'm afraid of everything and I'm too young to be afraid of everything. I need two to four more years, tops."

Ten, twenty, and fifty seconds rained down the window. It felt like the wall of an aquarium, and us the aqua-blue evolution.

Rolling to her side, her hand blossomed around the curvature of my face, as I didn't know what to say. "Josh," her breath evaporating into syllables, "I'm too young for the world, so help me forget, okay?" My eyes followed her soft fingertips capped by lily fingernails, as her index and ******* walked from my stomach to between my legs.


After we made love, the water lowered on top of our heads and bodies as the steam rose. My hair was flattened against my skull, and her's gripping her back. Soap slid across her *******; lathering her abdomen, I asked her if I could see the soap. Reno scrubbed my chest and leaned into kiss me before placing it into my hand.


"When you're famous, who do you think you'll sleep with," she asked while stirring her coffee. Placing the muddy spoon on the table, she looked and added, "Who's your celebrity crush?"

"I'm not sure," I sipped my coffee before placing it next to my bagel,"I don't know."

"It's okay, buck. I know you'll forget about me when you become big, so just say."

I couldn't believe it.

"Okay, well, what's your wish, Reno?"

"What do you mean?"

"What do you want me to say?"

"Say who you'd sleep with."

"Well, after I carelessly throw you to the side, I'll probably sleep with Parker Posey. Then, I'll go on a date with Emma Watson and hope that goes well," I regretted the way I spoke. "Like, I can understand the question, but what's up with the second part about me leaving you?"

Reno flicked the side of her coffee cup, and then drummed. "I don't know."

"I can't do the whole you feeling like you're not good enough for me. You are. You just are. I don't want it to happen because I really like you, but I won't allow myself to go farther if you insist on the... I mean, what's wrong?"

"I don't know," she she flicked her coffee cup harder, "I don't know."

"You know, Reno. You can tell me."

Tears sat at her eyes and they disappeared in the glare, as she looked out the cafe window. "It's not easy, you know."

"What isn't?"

"Loving you," she began to rip at the skin around her thumbnail,"it's not easy because I'm afraid. I'm afraid because it might be real."

Her eyes shifted towards me, the way her hair broke the echo of sunlight. Cancer cells.

"I'm dying, Josh. Whether you love me too or not, for one year to ten to never, you'll be with other girls because I'm dying. And that's that."

Antarctic stares from Arizona eyes; white knuckles, heavy blue pores.
No, nothing changed you anymore.
Rapid touches to the abdomen, the sound of violins breathed in your mind
and he's not usually like this, you said, "He's actually really kind."

What didn't **** you, left you broken.
And you had misspoken, as your words slurred into tears that never fell,
after a fifth of alcohol and half a night of hell,
as you revealed that you thought without him you were nothing at all.
You whispered this
while I cried to you for the last time through a cellular call,
through an invisible, static, insurmountable wall.  
And I disagreed because I had seen it all:
heavy blues and brave bloodshot brown eyes,
"Please don't, I think there's more to you than you realize."

When the girl, I loved, died,
I locked myself in her room
while her parents were in Arizona.

I went through her things
and found
**** photos;
A few where she seemed
ashamed
and a few where she
liked her body.
She had a gummy smile
and in others
she looked down at her *******
while having a blank expression.

I found empty
alcohol bottles.
Cheap bottles of wine
and a bottle of red,
stuffed with tissue paper.

Under her dresser
I found an unopened
letter she intended to
give the boyfriend before me,
where she admitted
to being ***** as a teenager
and how she hoped
it wasn't too much
baggage.

I threw out the photos
and
alcohol bottles,
but not the letter.

I don't know why but I kept it.
I occasionally read it,
because it's her,
and I love her.

I told my friend
and he called me a
Halomaker,
because I made sure
she was remembered
as an angel.

White american men with
gold retriever dogs
smoke black hatred,
not recognizing a grey smog.
Scared of black, brown --
all atheists are ill --
but not afraid of greenbacks
or guys named Bill.

Okay.

Here's your day job. Here's your pay, Bob.
America the great.
If terrorists equal Muslim
then Christians equal hate.

You say it's not victimization.
You say it's not a hunt.
You say it's not intimidation,
but sometimes I think you
see people as witches, ****.

Christ is the answer, indeed.
Without Him we're all lost
and our souls will never be freed.
Like tears frozen in the frost.
Bibles, crucifixes to fix the diseased mind.
How much does a prayer have to cost
to be genuinely kind?

Chemtrails stain pages
and bleed as curses.
Gay rights to be denied,
according to bible verses.

Nursery rhymes and cult games,
all in the good old King James.
Archaic and inane,
like an alter sheltered brain.

Here's your day job. Here's your pay, Bob.
Use the check to pay
angels and evangelists.
Protect yourself from ideas,
and buy a white picket fence.

The words I can't help but repeat
makes every line feel so incomplete.
The bones under alabaster skin shake.
She whispers,
"Be calm, this is no time to quake."

I don't know what I did
to bring myself to this place.
They ask me how I feel
and I say, "I need some space."

To you that you can't recall,
to love her is to love most of all.
I try to rearrange how I feel
and I allow you to take the wheel.

You can cause a wreck-
I said, "You can cause a wreck."
And I promise to pull you from the debris
because that's what you did for me.

Chestnu-uh-uh-uh-ut.
Chestnu-uh-uh-uh-ut.

I don't know what I did
to bring myself to this place.
They ask how I feel
and I say, "I need some space."

To put myself together
in puzzle pieces, forever.
To try to solve a ******
when the victim is the killer.

Chestnu-uh-uh-uh-ut.
Chestnu-uh-uh-uh-ut.

The words I can't help but repeat
make me feel so incomplete.
I let the words escape
and I promise myself I won't break.

They ask me what is wrong.
I say, "Everything about this song."
I feel so helpless and weak,
I couldn't sing this, let alone speak.

The rhyme scheme isn't diverse.
I say, "Take a look at this verse.
And I'm not sure if it has a bridge,
or that anyone knows I'm at Chestnut Ridge."

Chestnu-uh-uh-uh-ut.
Chestnu-uh-uh-uh-ut.

The words I can't help but repeat,
make me feel so broken down.
Alabaster bones shake.
She whispers,
"Please don't stop looking now."

Forever haunted by the words you say.
Forever haunted since you've gone away.

Upon the stale wind, her body flails again
I came walking through the field
to learn about compassion
She was blonde and the last heart in town
The moon bathed her from within
What a loveless dream from that tree
touching God's skin.

Her feet above my head, painted in mud and above the sugarcane
And if I didn't love her so, I'd be able to walk from this pain
But I recall her warm breath the last time we kissed
The air tasted of a broken soul that I failed to fix

Blood under her nails, scratching freedom too slow
If she was yelling for my name, then I'd rather not know
It might as well been me who hung her above the stars
I did not give her enough of me and it will haunt me for years

If you wanna be the same,
be the same with me --
I swear we’ll always
blend right in.

And when you say
you don’t like Jaws,
I'll still be a Peeping Tom
behind your books.

When you lie, Maggie-Pie,
about the movies you’ve seen,
it makes the Tom Waits you like
seem contrived.

Degenerate drug kids,
too high to be a star,
in love with moments.

Give me my moments,
my lifeless promise
to always have a car
and insurance.

If you wanna be lazy,
be lazy with me --
I swear we won’t
ever do ****.

And when you bop
your head to Kendrick,
I’ll watch you melt
underneath the strobe.

Place your finger on a globe,
tell me where you think
you could be, then tell me
about your perceived
self-worth.

Degenerate punk kids,
with more ink than squids,
and a tip-jar future.

Give me my future,
my hurried ten years;
you know my twenties;
you know my reason.

Give me my reason,
give me my reason, give me my reason.

A cigarette after ***
  gets old
when it's the only thing
  burning
in your world.

When Netflix feels like
  family,
you wonder where
  everyone went.

******* feels like
  a cry for help--
So help you God.

Missing your home
  is second
to missing who
  you once were.

Eastern philosophy,
Karl Marx, Rawls--
We don't know
  any ******* thing,
really.

Pretending to be more.
Pretending to be smarter
than we really are.

May holes in our sides
let others see
that we're beating, too--
just not as ferociously
or as honestly.

May we vanish
into the darkness
that best suits us.

If the light is our night,
may we follow it.
Follow it...
Follow it...
Rebel from our frame.

May God grant us
to be more
than losers.

Monday morning vultures at your feet
Carelessly as you sleep
Sentimental weeping not without a blind headache
I imagine that you'd run away

I was carried to a burning landscape by the arms of trees
I dug my hands into the soil and pulled out the spine of the terrain
I love with the curiosity of acidic rain
And the fire that burns inside burns through the smother of pain

Floating onto too much too soon, to be without an impending doom,
and to shame my feelings to a newly familiar tune,
brings what was happiness
and transforms it into sitting alone in a dark room
muttering, "I was happy, I was carried into a heart by the arms of trees."