Sailing in a dhow at sunset after snorkeling off Mafia island, Tanzania.
'
SPILLAGE
The tree’s don’t sleep at night
they photosynthesize , by moonlight.
Leaves drink in the cool wise light
And give off dreams of softly fading starlight

Whispers of secrets , monthly unfurl
A single blossom falls at new moon
Hurtling to the ground, awake before noon
Ever noticed? The very word has the circle
Curled up in the centre , twice to make sure we remember , two full cups , not one.

Geko’s slip off old skins
And the croaking frog adds to the din
As thunder rolls in
Triggering the dogs bark
Guardian of the stark naked couple
Asleep in their parallel worlds
Together under the umbrella of ambient lighting
Not the natural kind either
But a shameless copy of pure sunlight
That emenates when their bodies collide
On the material plane.

Astral visions lead the way to headquarters
The address? Fax? Phone number?
I’m afraid you’ll have to dial again ,
Unless you’ve meditated on the vibration of emancipation
Then you would already know, you are already there
Doors are open , for those who care to try
No lock on this baby ,
Ain’t no safe to play safe
We bask in our humble glory
Under the shores on undulating tides
Rhythmic pulsations
no where to hide
The emanations come from within,
Without , a shadow of a doubt

There is a war coming , infact we’ve already been fighting for decades
Just like the change of winds, nature knows her stuff
Tip the seeds too soon and you’ll end up with a field full of fluff
But just in time and a harvest with enough to reduce every super market shelf to dust
Even though they already stock that kinda stuff
Clean up on Aisle 4, Aisle 3 , Aisle 2 , Aisle 1
Return the purchase , we’ve discovered the ****
In the cake
And we found the frog in the salad,
At least their habitat is intact
Or did you think I was still talking about the shops?

Ok , I’ll change tact
Change of pace.
No , no I will not join the Human Race
Running to where? Why all the running?
From what? To where? From whom , to whom it seems like we run straight to our tombs, without a second glance at perhaps the chance that legs can walk…
Wanna know where I’d rather be?

I want to be on a motorbike heading 70 miles an hour down empty roads
An island paradise , holding the hips of my dearest
To arrive at another home ,
where our friends relax to the forlorne strums of the blues
Tripping on love we depart ,
not without slightly heavy hearts
Peace , friends we’ll see you anon.

Pull into the golden arches , I tell myself ‘I can’t kiss those lips now they’ve touched that burger’
then I remember you’ve been working all day
before you came out to play , I wasn’t up for a dance I was too entranced in my own madness
But. Always the **** , walk up those stairs for me, softly you moan.
I agree in a semi tone. Secrets are meant to be shared,
we quietly told each other of love in the parking lot at 4 am. The pain in your eyes still wakes me up in the middle of thunderstorms.

Awoken to sorrows from the motherland, monsters creep to the door,
peep in the keyhole.
Oh,
I forget,
your door is activated by credit card numbers that spiral from lips of z-list celebrities.
So we’ll waste away the morning in each other arms,
you watch me as I dress. No underwear no less. Put on your bra properly, suddenly you get kinda frosty.
Not far from where we sat to have a Japanese lunch , pretty close to where I walked to meet you for tea , where you held my feet and handed me a phone I left in your brothers car.
Well that’s where we have breakfast coffee and papaya whilst tourists ogle at the dog guard.
Deaf to our calls , luxuriously taking his time. He didn’t find the secret beach either.
Although the sea was good for a float, and to hear the space journey’s musical manifestation
at every crash of every wave, the magnetic pull playing her crooked beat as she bypasses our feet.
Then, there are two nights with two Amsterdam gals , one smoked lucky strikes and had scars across her wrists , the other photographed trees for a living.
Both blonde , both fair , both with their own flair.

Expect the unexpected , beach raves full of people I don’t really want to be with , so we get tequila shots instead
and stand outside a shop selling knock off clothes when the bar needs to shut.

She took a break to the bathroom , we finally let out the kisses we’d been holding in all night,  
until she got back.

Who said we couldn’t control ourselves? Although to be fair, I could feel you reaching for me wayyy back.

Why should we be selfish? Why shouldn’t we? I still went home with you that night, there really was no two ways about it.
I had *** with you, slightly drunken ***, that was by no means gentle, by no means candle lit , by no means rose petals laid out on the bed, infact , if my memory holds true, there were no flowers apart from the ones on my dress.
I’d say you were lucky , but then I cried at home.
So much pent up emotion in that one act.
Enough to propel us in into another night and untold eons beyond, I’m skipping ahead now,
Where we drank red wine on the shoreline , I used the staff bathroom and noticed all the things that could be improved – seemed like work was wearing off on me.
Still, the best part was yet to come, yeah the *** was fun but nothing compared to the games we played. Dress up and salsa ,
mysterious temples
natures tickles leading to giggles at the foolish endevours of two ***** humans., smoke a spliff , enough to unwind the mind to a new point of time. A flash of something I’ve never seen before, nor have yet to be graced with again.
I guess that was divine. Well, wouldn’t you say….
It was about time.

So , am I still talking about the shops?
Or who wore what with kate moss?
No disrespect
she’s adept at her art but i don’t wanna read about boring old farts
Lets hear about the underground collective of conscious minds who are rewinding the clock , who won’t stop ,
warriors.

Well quite frankly

How long have we sat , year after year to be told the same **** and bull story.. my ears, my ears! MY EARS!!! They yearn for the sweet serenade of the truth

behind the crumbling arcade of rigged lottery tickets and games of black jack where the house always wins.
Fortunately we’ve been coming since we were five , we know the cards without seeing the faces, we hold all the jacks and aces, we’ve got time on our side

So…that’s why they are running , finding places to hide.

We’d only be stealing from the house to give to the houseless…
With the tools the house gifted to us…doesn’t it seem ironic?

I laughed until I cried the day I discovered the universe had a sense of humor. A dark , ironic , sarcastic tone that involves  a major chord. Maybe a G or a D.

Senses endlessly riddled:
the nanosecond-data-bullets
**** through too fast to be absorbed
by roots of thought
for eye of truth
to photosynthesize,
Like the flowerpot forgotten
wilting on a windowsill
outer leaves beneath the sky
fiercely lashed by heavy rain
soil dry as a desert:
Aghast, it feels itself
slowly dying of thirst in the downpour.

Molecules of two elements, nitrogen and oxygen, comprise about 99 percent of the air. The remaining hoity toity 1% includes small amounts celestial seasoning luxurious riches as argon and carbon dioxide. (Other gases such as neon, helium, and methane are present in trace amounts.) Oxygen is the life-giving element in the air.

Earth's atmosphere is 78% nitrogen, 21% oxygen, 0.9% argon, and 0.03% carbon dioxide with very small percentages of other elements. Our atmosphere also contains water vapor. In addition, Earth's atmosphere contains traces of dust particles, pollen, plant grains and other solid particles.

Even when the air seems to be completely clear, it is full of atmospheric particles - invisible solid and semisolid bits of matter, including dust, smoke, pollen, spores, bacteria and viruses. Some atmospheric particles are so large that you will feel them if they strike you. However, particles this large rarely travel far before they fall to the ground. Finer particles may be carried many miles before settling during a lull in the wind, while still tinier specks may remain suspended in the air indefinitely. The finest particles are jostled this way and that by moving air molecules and drift with the slightest currents. Only rain and snow can wash them out of the atmosphere. These tiny particles are so small that scientists measure their dimensions in microns - a micron is about one 25-thousandth of an inch. They include pollen grains, whose diameters are sometimes less than 25 microns; bacteria, which range from about 2 to 30 microns across; individual virus particles, measuring a very small fraction of a micron; and carbon smoke particles, which may be as tiny as two hundredths of a micron.

Particles are frequently found in concentrations of more than a million per cubic inch of air. A human being's daily intake of air is about 450,000 cubic inches. This means that we inhale an astronomical numbers of foreign bodies. Particles larger than about 5 microns are generally filtered from the air in the nasal passages. Other large particles are caught by hairlike protuberances in the air passages leading to the lungs and are swept back toward the mouth. Most of the extremely fine particles that do reach the lungs are exhaled again - although some of this matter is deposited in the minute air sacs within the lungs. From these air sacs, particles may go into solution and pass through the lung walls into the bloodstream. If the material is toxic, harmful reactions may occur when it enters the blood. Fine particles retained in the lungs can cause permanent tissue damage, as with Coal workers' pneumoconiosis (black lung disease), caused by buildup of coal dust in the lungs, and with silicosis, which is caused by the buildup of silicon dust.

If the air is still, given sufficient time, all but the smallest airborne particles will settle to the ground under their own weight. Their rate of fall is closely proportional to particle size and density.
For example, vast amounts of fine volcanic ash were thrown into the air by the eruption of the Indonesian volcano Krakatoa, in 1883, and again by the Alaskan volcano Katmai, in 1912. In both instances, the finer dust reached the stratosphere and spread around the world high above the rains and storms that tend to cleanse the lower atmosphere. In fact, many years elapsed before these volcanic dusts entirely disappeared from the atmosphere. Since a two-micron dust particle may require about four years to fall 17 miles in the atmosphere, the lingering effect is not in the least surprising.
Dust storms are also prolific producers of airborne debris. Europe is sometimes showered with dust originating in the Sahara. In March 1901, for instance, an estimated total of two million tons of Sahara dust fell on North Africa and the Europe. Two years later, in February 1903, Britain received a deposit estimated at ten million tons. On many occasions, Sahara dust has fallen in muddy rain and reddish snow over much of southwestern Europe. During North America's droughts of the 1930s, dust storms blew ten million tons of dust at a time aloft in the heart of the continent. Occasionally, high winds swept the dust eastward 1800 miles to darken skies along the continent's Atlantic coast.

When the wind strikes the crest of an ocean wave, or a calm sea is agitated by rain or by air bubbles bursting at the surface, the finer droplets that enter the air quickly evaporate, leaving tiny salt crystals suspended in the air. Winds carry these salt crystals over all the Earth. Normally, airborne salt particles from the sea are less than a micron in diameter. It would take a million of them to weigh a pound.
Salt particles play an important part in weather processes because they are hygroscopic - they absorb water. Raindrops usually form around tiny particles that act as nuclei for condensation. Generally, each fog and cloud droplet also collects around a particle of some type at its center. Tiny crystals of sea salt make better condensation nuclei than other natural particles found in the air. Thus, salt particles in the air help make rain.

Dust from meteor showers may occasionally affect world rainfall. When the Earth encounters a swarm of meteors, those meteors that get to the upper reaches of the Earth's atmosphere are vaporized by heat from friction. The resulting debris is a fine smoke or powder. This fine dust then floats down into the cloud system of the lower atmosphere, where it can readily serve as nuclei around which ice crystals or raindrops can form. Increases in world rainfall come about a month after the Earth encounters meteor systems in space. The delay of a month allows sufficient time for the meteoric dust to fall through the upper atmosphere. Occasionally, large meteors leave visible trains of dust. Most often their trails disappear rapidly, but in a few witnessed cases a wake of dust has remained visible for an hour or so.
In one extreme instance-a great meteor that broke up in the sky over Siberia in 1908-the dust cloud traveled all the way around the world before it dissipated.

Large forest fires are among the more spectacular producers of foreign particles in the atmosphere.
Because these fires create violent updrafts, smoke particles are carried to great heights, and, being small, are spread over vast distances by high altitude winds. In the autumn of 1950, forest fires in Alberta, Canada produced smoke that drifted east over North America on the prevailing wind and crossed the North Atlantic, reaching Britain and continental Europe. The light-scattering properties of this dense smoke made the Sun look indigo and the Moon blue to observers in Scotland and other northern lands.

Wind-pollinated plants are the most prolific sources of foreign particles in the air. This is a problem for people with allergies.

Spores are closely related to pollens. Spores are the reproductive bodies of fungi, which include molds, yeasts, rusts, mildews, puffballs and mushrooms. Tiny spores are adrift everywhere in the air, even over the oceans. Although they resemble pollens in general appearance, spores are not fertilizing agents. Instead, they are like seeds, and give rise to new organisms wherever they take hold. Spores have been found as high as 14 miles in the air over the entire globe. Most fungi depend on the wind for spore dissemination. Once airborne, spores are carried easily by the slightest air currents.

Once, physicians were taught that infectious microorganisms quickly settle out of the air and die. Today, the droplets ejected, say, by a sneeze, are known to evaporate almost immediately, leaving whatever microorganisms they contain to drift through the air. Only a relatively small fraction of microorganism’s human beings breathe cause disease. In fact, most bacteria are actually helpful. Some, for example, convert atmospheric nitrogen into usable plant food. Pathogenic, or disease-producing, microorganisms, however, can be very dangerous. Most propagate by subdivision-each living cell splits into two cells. Each of the new cells then grows and divides again into two more cells. Provided with ideal conditions, populations multiply quickly. Fortunately microorganisms do not thrive very well in the air. Unless there is enough humidity in the air, many desiccate and die. Short exposure to the ultraviolet radiation of the Sun also kills most microorganisms. Low temperatures greatly decrease their activity, and elevated temperatures destroy them rapidly. Still, many microorganisms survive in the air, despite these hazards. Among the tiniest of airborne particles are viruses, which are on the borderline between living matter and lifeless chemical substances.

Earth is the only planet we know of that can support life. This is an amazing fact, considering that it is made out of the same matter as other planets in our solar system, was formed at the same time and through the same processes as every other planet, and gets its energy from the sun. To a universal traveler, Earth may seem to be a harmless little planet in the far reaches of one of billions of spiral galaxies in the universe. It has an average size star of average brightness and is joined by seven other planets — which support no known life forms — in its solar system. While this may be fitting for a passage from The Hitchhikers Guide to the Galaxy, by Douglas Adams, in the grand scheme of the universe, it would be a fairly accurate description. However, Earth is a planet teeming with vitality and is home to billions of plants and animals that share a common evolutionary track. How and why did we get here? What processes had to take place for this to happen? And where do we go from here? The fact is, no one has been able to come close to knowing exactly what led to the origins of life, and we may never know. After 5 billion years of Earth’s formation and evolution, the evidence may have been lost. But scientists have made significant progress in understanding what chemical processes that may have led to the origins of life. There are many theories, but most have the same general perspective of how things came to be the way they are. Following is an account of life’s beginnings based on some of the leading research and theories related to the subject, and of course, fossil records dating back as far as 3.5 billion years ago.

The solar system was created from gas clouds and dust that remained from the Sun's formation some 6-7 billion years ago. This material contained only about .2% of the solar system's mass with the Sun holding the rest. Earth began to form over 4.6 billion years ago from the same cloud of gas (mostly hydrogen and helium) and interstellar dust that formed our sun, the rest of the solar system and even our galaxy. In fact, Earth is still forming and cooling from the galactic implosion that created the other stars and planetary systems in our galaxy. This process began about 13.6 billion years ago when the Milky Way Galaxy began to form. As our solar system began to come together, the sun formed within a cloud of dust and gas that continued to shrink in upon itself by its own gravitational forces. This caused it to undergo the fusion process and give off light, heat and other radiation. During this process, the remaining clouds of gas and dust that surrounded the sun began to form into smaller lumps called planetesimals, which eventually formed into the planets we know today.

A large number of small objects, called planetesimals, began to form around the Sun early in the formation of the solar system. These objects were the building blocks for the planets that exist today. The Earth went through a period of catastrophic and intense formation during its earliest beginnings 4.6-4.4 billion years ago. By 3.8 to 4.1 billion years ago, Earth had become a planet with an atmosphere (not like our atmosphere today) and an ocean. This period of Earth’s formation is referred to as the Precambrian Period. The Precambrian is divided into three parts: the Hadean, Archean and Proterozoic Periods.

The Earth formed under so much heat and pressure that it formed as a molten planet. For nearly the first billion years of formation (4.5 to 3.8 billion years ago) — called the Hadean Period (or hellish period) — Earth was bombarded continuously by the remnants of the dust and debris — like asteroids, meteors and comets — until it formed into a solid sphere, pulled into orbit around the sun and began to cool down. Earth's early atmosphere most likely resembled that of Jupiter's atmosphere, which contains hydrogen, helium, methane and ammonia, and is poisonous to humans. (Photo: NASA, from Voyager 1). As Earth began to take solid form, it had no free oxygen in its atmosphere. It was so hot that the water droplets in its atmosphere could not settle to form surface water or ice. Its first atmosphere was also so poisonous, comprised of helium and hydrogen, that nothing would have been able to survive.
Earth’s second atmosphere was formed mostly from the outgassing of such volatile compounds as water vapor, carbon monoxide, methane, ammonia, nitrogen, carbon dioxide, nitrogen, hydrochloric acid and sulfur produced by the constant volcanic eruptions that besieged the Earth. It had no free oxygen. About 4.1 billion years ago, the Earth’s surface — or crust — began to cool and stabilize, creating the solid surface with its rocky terrain. Clouds formed as the Earth began to cool, producing enormous volumes of rainwater that formed the oceans. For the next 1.3 billion years (3.8 to 2.5 billion years ago), the Archean Period, first life began to appear and the world’s land masses began to form. Earth’s initial life forms were bacteria, which could survive in the highly toxic atmosphere that existed during this time. Toward the end of the Archean Period and at the beginning of the Proterozoic Period, about 2.5 billion years ago, oxygen-forming photosynthesis began to occur. The first fossils were a type of blue-green algae that could photosynthesize.

Earth's atmosphere was first supplied by the gasses expelled from the massive volcanic eruptions of the Hadean Era. These gases were so poisonous, and the world was so hot, that nothing could survive. As the planet began to cool, its surface solidified as a rocky terrain, much like Mars' surface (center photo) and the oceans began to form as the water vapor condensed into rain. First life came from the oceans. Some of the most exciting events in Earth’s history and life occurred during this time, which spanned about two billion years until about 550 million years ago. The continents began to form and stabilize, creating the supercontinent Rodinia about 1.2 billion years ago. Although Rodinia is composed of some of the same land fragments as the more popular supercontinent, Pangea, they are two different supercontinents. Pangea formed some 225 million years ago and would evolve into the seven continents we know today. Free oxygen began to build up around the middle of the Proterozoic Period — around 1.8 billion years ago — and made way for the emergence of life as we know it today. This increased oxygen created conditions that would not allow most of the existing life to survive and thus made way for the more oxygen-dependent life forms. By the end of the Proterozoic Period, Earth was well along in its evolutionary processes leading to our current period, the Holocene Period,  or Anthropocene Period, also known as the Age of Man. Thus, about 525 million years ago, the Cambrian Period began. During this period, life “exploded,” developing almost all of the major groups of plants and animals in a relatively short time. It ended with the massive extinction of most of the existing species about 500 million years ago, making room for the future appearance and evolution of new plant and animal species. About 498 million years later — 2.2 million years ago — the first modern human species emerged.

Did You Know? The first modern human being was called **** habilis, the first of the **** genus. This species developed stone tools for use in daily life. **** habilis means “Handy Man.” He existed from about 2.2 to 1.5 million years ago. There are earlier species related to modern man, called hominids. The images show the skull shape and probable appearance of **** habilis.

The PreCambrian Period — accounts for about 90 percent of Earth’s history. It lasted for about four billion years until about 550 million years ago. About 70 percent of the world’s land masses were created in the Archean Era, between 3.8 and 2.5 million years ago. Rodinia, widely recognized as the first supercontinent, formed during the Proterozoic Era, about 2.5 billion years ago. It is believed that the oldest human family member was discovered in Ethiopia and lived 4.4 million years ago. It was named “Ardi,” short for Ardipithecus ramidus.

The tree’s don’t sleep at night

they photosynthesize , by moonlight.

Leaves drink in the cool wise light

And give off dreams of softly fading starlight



Whispers of secrets , monthly unfurl

A single blossom falls at new moon

Hurtling to the ground, awake before noon

Ever noticed? The very word has the circle

Curled up in the centre , twice to make sure we remember , two full cups , not one.



Geko’s slip off old skins

And the croaking frog adds to the din

As thunder rolls in

Triggering the dogs bark

Guardian of the stark naked couple

Asleep in their parallel worlds

Together under the umbrella of ambient lighting

Not the natural kind either

But a shameless copy of pure sunlight

That emenates when their bodies collide

On the material plane.



Astral visions lead the way to headquarters

The address? Fax? Phone number?

I’m afraid you’ll have to dial again ,

Unless you’ve meditated on the vibration of emancipation

Then you would already know, you are already there

Doors are open , for those who care to try

No lock on this baby ,

Ain’t no safe to play safe

We bask in our humble glory

Under the shores on undulating tides

Rhythmic pulsations

no where to hide

The emanations come from within,

Without , a shadow of a doubt



There is a war coming , infact we’ve already been fighting for decades

Just like the change of winds, nature knows her stuff

Tip the seeds too soon and you’ll end up with a field full of fluff

But just in time and a harvest with enough to reduce every super market shelf to dust

Even though they already stock that kinda stuff

Clean up on Aisle 4, Aisle 3 , Aisle 2 , Aisle 1

Return the purchase , we’ve discovered the ****

In the cake

And we found the frog in the salad,

At least their habitat is intact

Or did you think I was still talking about the shops?

Shrooming in the last light
Gold ignites the trees
My gaze is the eternal compass
Of broken Time
Truth grapples with my mind
As I photosynthesize in the residues,
The residues of the last light.

How do the vines of our secrets creep their way into the ears
of those we want most to protect?

It will never matter how I know, only that I know you are happy.

So for the love of truth if she makes you laugh I beg you to sing aloud- your joy is too contagious to ever tiptoe around. Not on my (closed) account. All I've ever wanted is to hear your spirit ring across this country.

Of course I love you, Bebe- Q.
(And I can say without doubt, I shall never have another Bebe-Q. What does that even mean?)

Of course I miss you.
I miss you like I would miss most of my major organs.
Painfully.

But if her light makes your heart photosynthesize so that your entire being blooms with life

-Please-

Be free. Let it grow.

The hardest gift I will ever give you is my blessing.

My love, I am letting you go.

I remember when I use to have sunflowers instead of hair and butterflies were always landing on my head as if I was their own mobile home.
I never went to the barber but our landscaper would take his shears out whenever he came over and prune me, and I would sell the sunflowers at the end of our driveway out of a cardboard box stand. One buck a bunch.
Instead of shampoo I used fertilizer mixed in with the water I would sprinkle on my head each night from the tin watering can I kept under the sink.
In the summer I would lay in the sun to photosynthesize,
And I would leave home with a crown jungle of green stem and yellow peddle,
My personalized jungle.
In the winter I went bald,
Except maybe some brown droopy stems with wilting flowers that would shed their peddles whenever I got flustered, or laughed too hard, or cried.
When I was 14 I got tired of boys pulling out my hair to ask a girl to prom.
So one night I plucked out each blossom, one by one,
Until my arms were full and my head was bare.
I sat down and picked out each peddle, one by  one,
“He loves me” “He loves me not.”
The sunflowers never grew back after that,
Whatever part of me made them grow was gone,
I no longer have the seeds.
And now I sometimes sit in gardens,
And wonder if the bees recognize me.

A glowing warmth
lights up the front yard
and slivers
of sunshine
touch gently upon
your brown eyes.

A butterfly blazes yellow
and in the breeze,
tall, old trees sway
together, ever so gently.

A sultry kiss
blown across a lazy heaven
brushes tenderly against
your blushing cheek,
and a summer sun
burns through the mundane
as the murmurs of the universe
reverbate far within your brain.

That's when you surmise
maybe its not just plants
that photosynthesize.

horse aligned coil/roll of wave.
the bearded heat of sun unto birds, land **.
poseidon’s son was a bird,
out there/

                /there was a molten breach in the fissures deep.
it breathed an ooze of mother blood orange and hissing.
the coral lords photosynthesize cities from out of reef material.
where tree the family of fish, diverse and good people.
good dancers of the primordial dip.

tri-tipped dip of chips.
trident tugged zippers.
wetsuit squishy skin released.

the violent stories of men and ships.
the men and lumber treading dawn with prawns and lime.
island boys, as
big show trapeze lovers flung,
no,
as trapped monsters singing jingles
in jungles
in june.

           or july.

           the theory of hopeless elements is crushing/
           water: or currents unending.
           all above.
           all below.

Prose Poems and Experimental Poems
by Michael R. Burch

These are prose poems (is that an oxymoron?)  and experimental poems that begin with the first non-rhyming poem I wrote as a teenager...



Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch

Something inescapable is lost―lost like a pale vapor curling up into shafts of moonlight, vanishing in a gust of wind toward an expanse of stars immeasurable and void. Something uncapturable is gone―gone with the spent leaves and illuminations of autumn, scattered into a haze with the faint rustle of parched grass and remembrance. Something unforgettable is past―blown from a glimmer into nothingness, or less, which finality swept into a corner, where it lies... in dust and cobwebs and silence.

This was my first poem that didn't rhyme, written in my late teens. The poem came to me 'from blue nothing' (to borrow a phrase from my friend the Maltese poet Joe Ruggier) . Years later, I dedicated the poem to the children of the Holocaust and the Nakba.


briefling
by Michael R. Burch

manishatched, hopsintotheMix, cavorts, hassex (quick! , spawnanewBrood!) ; then, likeamayfly, he's suddenly gone: plantfood.



It's Hard Not To Be Optimistic: An Updated Sonnet to Science
by Michael R. Burch

"DNA has cured deadly diseases and allowed labs to create animals with fantastic new features." ― U.S. News & World Report

It's hard not to be optimistic when things are so wondrously futuristic: when DNA, our new Louie Pasteur, can effect an autonomous, miraculous cure, while labs churn out fluorescent monkeys who, with infinite typewriters, might soon outdo USN&WR's flunkeys. Yes, it's hard not to be optimistic when the world is so delightfully pluralistic: when Schrödinger's cat is both dead and alive, and Hawking says time can run backwards. We thrive, befuddled drones, on someone else's regurgitated nectar, while our cheers drown out poet-alarmists who might Hector the Achilles heel of pure science (common sense)  and reporters who tap out supersillyous nonsense. [Dear U.S. News & World Report Editors: I am a fan of both real science and science fiction, and I like to think I can tell the difference, at least between the two extremes. I feel confident that Schrödinger didn't think the cat in his famous experiment was both dead and alive. Rather, he was pointing out that we can't know until we open the box, scratchings and smell aside. While traveling backwards in time is great for science fiction, it seems extremely doubtful as a practical application. And as for DNA curing deadly diseases... well, it must have created them, so perhaps don't give it too much credit! While I'm usually a fan of your magazine, as a writer I must take to task the Frankensteinian logic of the excerpt I cited, and I challenge you to publish my "letter" as proof that poets do have a function in the third millennium, even if it is only to suggest that paid writers should not create such outlandish, freakish horrors of the English language.―Somewhat irked, but still a fan, Michael R. Burch]



bachelorhoodwinked
by Michael R. Burch

u are charming & disarming, but mostly! ! ! ALARMING! ! ! since all my resolve dissolved! u are chic as a sheikh's harem girl in the sheets, but now my bed's not my own and my kingdom's been overthrown!



Starting from Scratch with Ol' Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh went to the ovens. Please don't bother to cry. You could have saved her, but you were all *******: complaining about the Jews to Reichmeister Grupp. Scratch that. You were born after World War II. You had something more important to do: while the children of the Nakba were perishing in Gaza with the complicity of your government, you had a noble cause (a religious tract against homosexual marriage and various things gods and evangelists disparage.)  Jesus will grok you? Ah, yes, I'm quite sure that your intentions were good and ineluctably pure. After all, what the hell does he care about Palestinians? Certainly, Christians were right about serfs, slaves and Indians. Scratch that. You're one of the Devil's minions.



Prose Poem: The Trouble with Poets
by Michael R. Burch

This morning the neighborhood girls were helping their mothers with chores, but one odd little girl was out picking roses by herself, looking very small and lonely.

Suddenly the odd one refused to pick roses anymore because she decided it might "hurt" them. Now she just sits beside the bushes, rocking gently back and forth, weeping and consoling them!

Now she's lost all interest in nature, which she finds "appalling." She dresses in black "like Rilke" and says she prefers the "roses of the imagination"! She mumbles constantly about being "pricked in conscience" and being "pricked to death." What on earth can she mean? Does she plan to have *** until she dies?

For chrissake, now she's locked herself in her room and refuses to come out until she has "conjured" the "perfect rose of the imagination"! We haven't seen her for days. Her only communications are texts punctuated liberally with dashes. They appear to be badly-rhymed poems. She signs them "starving artist" in lower-case. What on earth can she mean? Is she anorexic, or bulimic, or is this just a phase she'll outgrow?



escape!
by michael r. burch

to live among the daffodil folk... slip down the rainslickened drainpipe... suddenly pop out the GARGANTUAN SPOUT... minuscule as alice, shout yippee-yi-yee! in wee exultant glee to be leaving behind the LARGE THREE-DENALI GARAGE.

escape! !

u are too beautiful, too innocent, too inherently lovely to merely reflect the sun's splendor... too full of irresistible candor to remain silent, too delicately fawnlike for a world so violent... come, my beautiful bambi and i will protect you... but of course u have already been lured away by the dew-laden roses...



Children's Prose Poem: The Three Sisters and the Mysteries of the Magical Pond
by Michael R. Burch

Every child has a secret name, which only their guardian angel knows. Fortunately, I am able to talk to angels, so I know the secret names of the Three Sisters who are the heroines of the story I am about to tell...

The secret names of the Three Sisters are Etheria, Sunflower and Bright Eyes. Etheria, because the eldest sister's hair shines like an ethereal blonde halo. Sunflower, because the middle sister loves to plait bright flowers into her hair. Bright Eyes, because the youngest sister has flashing dark eyes that are sometimes full of mischief! This is the story of how the Three Sisters solved the Three Mysteries of the Magical Pond...

The first mystery of the Magical Pond was the mystery of the Great Heron. Why did the Great Heron seem so distant and aloof, never letting human beings or even other animals come close to it? This great mystery was solved by Etheria, who noticed that the Great Heron was so large it couldn't fly away from danger quickly. So the Heron was not being aloof at all... it was simply being cautious and protecting itself by keeping its distance from faster creatures. Things are not always as they appear!

The second mystery was the mystery of the River Monster. What was the dreaded River Monster, and did it pose a danger to the three sisters and their loved ones? This great mystery was solved by Sunflower, who found the River Monster's footprints in the mud after a spring rain. Sunflower bravely followed the footprints to a bank of the pond, looked down, and to her surprise found a giant snapping turtle gazing back at her! Thus the mystery was solved, and the River Monster was not dangerous to little girls or their family and friends, because it was far too slow to catch them. But it could be dangerous if anyone was foolish enough to try to pet it. Sometimes it is best to leave nature's larger creatures alone, and not tempt fate, even when things are not always as they appear!

The third mystery was the most perplexing of all. How was it possible that tiny little starlings kept chasing away much larger crows, hawks and eagles? What a conundrum! (A conundrum is a perplexing problem that is very difficult to solve, such as the riddle: "What walks on four legs in the morning, on two legs during the day, then on three legs at night? " Can you solve it? ... The answer is a human being, who crawls on four legs as a baby, then walks on two legs most of its life, but needs a walking cane in old age. This is the famous Riddle of the Sphinx.)  Yes, what a conundrum! But fortunately Bright Eyes was able to solve the Riddle of the Starlings, because she noticed that the tiny birds were much more agile in the air, while the much larger hawks and eagles couldn't change direction as easily. So, while it seemed the starlings were risking their lives to defend their nests, in reality they had the advantage! Once again, things are not always as they appear!

Now, these are just three adventures of the Three Sisters, and there are many others. In fact, they will have a whole lifetime of adventures, and perhaps we can share in them from time to time. But if their mother reads them this story at bedtime, by the end of the story their eyes may be getting very sleepy, and they may soon have dreams of Giant Herons, and Giant Turtles, and Tiny Starlings chasing away Crows, Hawks and Eagles! Sweet dreams, Etheria, Sunflower and Bright Eyes!



Fake News, Probably
by Michael R. Burch

The elusive Orange-Tufted Fitz-Gibbon is the rarest of creatures―rarer by far than Sasquatch and the Abominable Snowman (although they are very similar in temperament and destructive capabilities) . While the common gibbon is not all that uncommon, the orange-tufted genus has been found less frequently in the fossil record than hobbits and unicorns. The Fitz-Gibbon sub-genus is all the more remarkable because it apparently believes itself to be human, and royalty, no less! Now there are rumors―admittedly hard to believe―that an Orange-Tufted Fitz-Gibbon resides in the White House and has been spotted playing with the nuclear codes while chattering incessantly about attacking China, Mexico, Iran and North Korea. We find it very hard to credit such reports. Surely American voters would not elect an oddly-colored ape with self-destructive tendencies president!



Writing Verse for Free, Versus Programs for a Fee
by Michael R. Burch

How is writing a program like writing a poem? You start with an idea, something fresh. Almost a wish. Something effervescent, like foam flailing itself against the rocks of a lost tropical coast...

After the idea, of course, there are complications and trepidations, as with the poem or even the foam. Who will see it, appreciate it, understand it? What will it do? Is it worth the effort, all the mad dashing and crashing about, the vortex―all that? And to what effect?

Next comes the real labor, the travail, the scouring hail of things that simply don't fit or make sense. Of course, with programming you have the density of users to fix, which is never a problem with poetry, since the users have already had their fix (this we know because they are still reading and think everything makes sense) ; but this is the only difference.

Anyway, what's left is the debugging, or, if you're a poet, the hugging yourself and crying, hoping someone will hear you, so that you can shame them into reading your poem, which they will refuse, but which your mother will do if you phone, perhaps with only the tiniest little mother-of-the-poet, harried, self-righteous moan.

The biggest difference between writing a program and writing a poem is simply this: if your program works, or seems to work, or almost works, or doesn't work at all, you're set and hugely overpaid. Made-in-the-shade-have-a-pink-lemonade-and-ticker-tape-parade OVERPAID.

If your poem is about your lover and ***** up quite nicely, perhaps you'll get laid. Perhaps. Regardless, you'll probably see someone repossessing your furniture and TV to bring them posthaste to someone like me. The moral is this: write programs first, then whatever passes for poetry. DO YOUR SHARE; HELP END POVERTY TODAY!



Prose Poem: Litany
by Michael R. Burch

Will you take me with all my blemishes? I will take you with all your blemishes, and show you mine. We'll **** wine out of cardboard boxes till our teeth and lips shine red like greedily gorging foxes'. We'll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we'll eat cold Krystals out of greasy cardboard boxes, and we will be in love. And that's it? That's it! And can I go out with my friends and drink until dawn? You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we will be in love, and in love there is no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust. And that's all? That's all. That's great! But wait... Wait? Why? What's wrong? I want to have your children. Children? Well, perhaps just one. And what will happen when we have children? The most incredible things will happen―you'll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you're too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Sweet Nothings
by Michael R. Burch

Tonight, will you whisper me a sweet enchantment? We'll take my motorcycle, blaze a trail of metallic exhaust and scorched-black sulphuric fumes to a ****** diner where I'll slip my fingers under your yellow sun dress, inside the elastic waist band of your thin white cotton *******, till your pinkling lips moisten obligingly and the corpulent pink hot dog with tangy brown mustard and sweet pickle relish comes. Tonight, can we talk about something other than ***, perhaps things we both love? What I love is to go to the beach, where the hot oil smells like baking coconuts, and lie in the sun's humidor thinking of you, while the sand worms its way inside your **** little pink bikini, your compressed ******* squishy with warm sweet milk like coconuts, the hair between your legs sleek as a wet mink's... Tonight, can we make love instead of just talking *****? Sorry, honey, I'm just not in the mood.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes―the pale dead. After they have fled the gourds of their bodies, like escaping fragrances they rise. Once they have become a cloud's mist, sometimes like the rain they descend; ... they appear, sometimes silver, like laughter, to gladden the hearts of men. Sometimes like a pale gray fog, they drift unencumbered, yet lumbrously, as if over the sea there was the lightest vapor even Atlas could not lift. Sometimes they haunt our dreams like forgotten melodies only half-remembered. Though they lie dismembered in black catacombs, sepulchers and dismal graves; although they have committed felonies, yet they are us. Someday soon we will meet them in the graveyard dust, blood-engorged, but never sated since Cain slew Abel. But until we become them, let us steadfastly forget them, even as we know our children must...



Fascination with Light
by Michael R. Burch

Desire glides in on calico wings, a breath of a moth seeking a companionable light... where it hovers, unsure, sullen, shy or demure, in the margins of night, a soft blur. With a frantic dry rattle of alien wings, it rises and thrums one long breathless staccato... and flutters and drifts on in dark aimless flight. And yet it returns to the flame, its delight, as long as it burns.



Burn, Ovid
by Michael R. Burch

"Burn Ovid"―Austin Clarke

Sunday School, Faith Free Will Baptist,1973: I sat imaging watery folds of pale silk encircling her waist. Explicit *** was the day's "hot" topic (how breathlessly I imagined hers)  as she taught us the perils of lust fraught with inhibition. I found her unaccountably beautiful, as she rolled implausible nouns off the edge of her tongue: adultery, fornication, *******, ******. Acts made suddenly plausible by the faint blush of her unrouged cheeks, by her pale lips accented only by a slight quiver, a trepidation. What did those lustrous folds foretell of our uncommon desire? Why did she cross and uncross her legs lovely and long in their taupe sheaths? Why did her ******* rise pointedly, as if indicating a direction?

"Come unto me,
(unto me) , "
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.



*** 101
by Michael R. Burch

That day the late spring heat steamed through the windows of a Crayola-yellow schoolbus crawling its way up the backwards slopes of Nowheresville, North Carolina... Where we sat exhausted from the day's skulldrudgery and the unexpected waves of muggy, summer-like humidity... Giggly first graders sat two abreast behind senior high students sprouting their first sparse beards, their implausible bosoms, their stranger affections... The most unlikely coupling―Lambert,18, the only college prospect on the varsity basketball team, the proverbial talldarkhandsome swashbuckling cocksman, grinning... Beside him, Wanda,13, bespectacled, in her primproper attire and pigtails, staring up at him, fawneyed, disbelieving... And as the bus filled with the improbable musk of her, as she twitched impaled on his finger like a dead frog jarred to life by electrodes, I knew... that love is a forlorn enterprise, that I would never understand it.



Veiled
by Michael R. Burch

She has belief without comprehension, and in her crutchwork shack she is much like us... Tamping the bread into edible forms, regarding her children at play with something akin to relief... Ignoring the towers ablaze in the distance because they are not revelations but things of glass, easily shattered... Aand if you were to ask her, she might say―sometimes God visits his wrath upon an impious nation for its leaders' sins... And we might agree: seeing her mutilations.



Lucifer, to the Enola Gay
by Michael R. Burch

Go then, and give them my meaning, so that their teeming streets become my city. Bring back a pretty flower―a chrysanthemum, perhaps, to bloom, if but an hour, within a certain room of mine where the sun does not rise or fall, and the moon, although it is content to shine, helps nothing at all. There, if I hear the wistful call of their voices regretting choices made, or perhaps not made in time, I can look back upon it and recall―in all its pale forms sublime, still, Death will never be holy again.



The Evolution of Love
by Michael R. Burch

Love among the infinitesimal flotillas of amoebas is a dance of transient appendages, wild sails that gather in warm brine and then express one headstream as two small, divergent wakes. Minuscule voyage―love! Upon false feet, the pseudopods of uprightness, we creep toward self-immolation: two nee one. We cannot photosynthesize the sun, and so we love in darkness, till we come at last to understand: man's spineless heart is alien to any land. We part to single cells; we rise on buoyant tears, amoeba-light, to breathe new atmospheres... and still we sink. The night is full of stars we cannot grasp, though all the World is ours. Have we such cells within us, bent on love to ever-changingness, so that to part is not to be the same, or even one? Is love our evolution, or a scream against the thought of separateness―a cry of strangled recognition? Love, or die, or love and die a little. Hopeful death! Come scale these cliffs, lie changing, share this breath.



Longing
by Michael R. Burch

We stare out at the cold gray sea, overcome with such sudden and intense longing... our eyes meet, inviolate... and we are not of this earth, this strange, inert mass. Before we crept out of the shoals of the inchoate sea... before we grew the quaint appendages and orifices of love... before our jellylike nuclei, struggling to be hearts, leapt at the sight of that first bright, oracular sun, then watched it plummet, the birth and death of our illumination... before we wept... before we knew... before our unformed hearts grew numb, again, in the depths of the sea's indecipherable darkness... when we were only a swirling profusion of recombinant things wafting loose silt from the sea's soft floor, writhing and ******* in convulsive beds of mucousy foliage,

flowering,
flowering,
flowering...

what jolted us to life?



Memento Mori
by Michael R. Burch

I found among the elms
something like the sound of your voice,
something like the aftermath of love itself
after the lightning strikes,
when the startled wind shrieks...

a gored-out wound in wood,
love's pale memento mori―
that white scar
in that first heart,
forever unhealed...

and a burled, thick knot incised
with six initials pledged
against all possible futures,
and penknife-notched below,
six edged, chipped words
that once cut deep and said...

WILL U B MINE
4 EVER?

... which now, so disconsolately answer...

----------------N
-- EVER.



Nucleotidings
by Michael R. Burch

"We will walk taller! " said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

"Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster, "
cried glib Punjab.

"After Y2k,
time will spin out of control anyway, "
flamed Vijay.

"My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space, "
spat What's His Face.

"What does it matter,
dirge or mantra, "
sighed Serge.

"The world will wobble
in Hubble's lens
till the tempest ends, "
wailed Mercedes.

"The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what's the crisis? "
cried Bubba Billy Joe Bob Puckett.



They Take Their Shape
by Michael R. Burch

"We will not forget moments of silence and days of mourning..."―George W. Bush

We will not forget...
the moments of silence and the days of mourning,
the bells that swung from leaden-shadowed vents
to copper bursts above "hush! "-chastened children
who saw the sun break free (abandonment
to run and laugh forsaken for the moment) ,
still flashing grins they could not quite repent...
Nor should they―anguish triumphs just an instant;

this every child accepts; the nymphet weaves;
transformed, the grotesque adult-thing emerges:
damp-winged, huge-eyed, to find the sun deceives...
But children know; they spin limpwinged in darkness
cocooned in hope―the shriveled chrysalis

that paralyzes time. Suspended, dreaming,
they do not fall, but grow toward what is,
then ***** about to find which transformation
might best endure the light or dark. "Survive"
becomes the whispered mantra of a pupa's
awakening... till What takes shape and flies
shrieks, parroting Our own shrill, restive cries.



chrysalis
by Michael R. Burch

these are the days of doom
u seldom leave ur room
u live in perpetual gloom

yet also the days of hope
how to cope?
u pray and u *****

toward self illumination...
becoming an angel
(pure love)

and yet You must love Your Self

If you know someone who is very caring and loving, but struggles with self worth, this may be a poem to consider.

Keywords/Tags: prose poem, experimental, free verse, freedom, expression, silence, void, modern, modern psalm, Holocaust


To Have Loved
by Michael R. Burch

"The face that launched a thousand ships ..."

Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...

The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...

now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call

in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.

Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.

Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care

because you have this moment, and no man
can touch you as he can ... and when he’s gone
there will be other men to look upon
your beauty, and have done.

Smile―woebegone, pale, haggard. Will the tales
paint this―your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?

Published by The Raintown Review, Triplopia, The Electic Muse, The Chained Muse, The Pennsylvania Review, and in a YouTube recital by David B. Gosselin. This is, of course, a poem about the famous Helen of Troy, whose face "launched a thousand ships."
Keywords/Tags: Helen, Troy, Paris, love, war, gods, fate, destiny, portrait, fame, famous, stars, Zodiac, Zodiacs, star-crossed, spell, charm, potion, enchantment, Greece, Greek, mythology, legend, Homer, Odyssey, accompaniment, accouterment, eternal, eternity, immortal



EPIGRAM TRANSLATIONS BY MICHAEL R. BURCH



NOVELTIES
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Nod to the Master
by Michael R. Burch

for the Divine Oscar Wilde

If every witty thing that’s said were true,
Oscar Wilde, the world would worship You!



A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, loose translation/interpretation by Michael R. Burch



This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch



To live without philosophizing is to close one's eyes and never attempt to open them. – Rene Descartes, loose translation by Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



I test the tightrope
balancing a child
in each arm.
—Vera Pavlova, loose translation/interpretation by Michael R. Burch



Brief Fling
by Michael R. Burch

“Epigram”
means cram,
then scram!



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



She is brighter than dawn
by Michael R. Burch

for Beth

There’s a light about her
like the moon through a mist:
a bright incandescence
with which she is blessed

and my heart to her light
like the tide now is pulled . . .
she is fair, O, and bright
like the moon silver-veiled.

There’s a fire within her
like the sun’s leaping forth
to lap up the darkness
of night from earth's hearth

and my eyes to her flame
like twin moths now are drawn
till my heart is consumed.
She is brighter than dawn.




Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.—Michael R. Burch



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
His pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!

We live in a world of noise,
of parallel and asymmetric movement,
where nonchalance has become the norm.
Sweet, melodious and pleasing
is our phony makeup.
We are animals that reject our animalness.

We dread nuclear, secular, red lights, cockroaches, love,
threats and non-threats alike.
Fear has taken us on its morning stroll,
and predictably we bark.
(The sun is almost up)  

We are turned on and turned off
by oil-, wind- and hydro-powered switches
that respond to clapping.
There are beige, mauve and burgundy
curtains to choose from,
and supersized french-fries, pots, and cars.
We have lost ourselves in a mess of options,
and strive incessantly to complicate.

We fly in formation
and flow through carefully placed
and beautifully colored rocks made from Styrofoam,
down an improbable *****
of over-romanticized hypotheses.
We are *******, ego-centric and nepotistic,
and asexually multiply.

Thought and all other wasted rationality
keeps the axes of our unsustainable and fanatical wheels
from breaking loose (into free space and true autonomy).
We create meaning where there is no meaning,
and scientifically and thoroughly flout
god and the truth,
whilst we absorb, photosynthesize, bear fruits and grow leaves
(we are still, essentially, vegetable).

With every step we go deeper, and faster and better,
and farther from our selves.
Hence, we barely feel.
We are deaf and blind and mute
and approximately frozen;
and dance, swirl, sing and scream
in our vague, whimsical life,
till we fall.

You were shining in the shade
As the dusk began to fade
I had to turn to you and say,

'Can it always be this way?'

The question never left my lips
And as the sun began to dip
Your eyes were completely lit

All I could do was photosynthesize you.

what a pity

spent the last few years idling in a thin sense of self;
amid outstretched pores looking to photosynthesize more eccentric disposition
even though i know you know my woes consecrate through the spirit, through the veins
what i have shown you is thicker than blood–better count your blessings

so HA! neglect wont erase the ways ive molded your mind
its a gift, to
ditch reason for compassion
to breathe vanity
to breathe immortal sorrow…

my most absurd suggestion yet, now listen closely:
when the tips of my fingers freeze over, let sleeping mountains lie
do hate, but dont devour it;
holy holy holy holy hold the past like a knife
apologies for my insincerity but you must understand…
****, what is left of me?

trembling and then the blade clutters aloof, to and fro and to
i cower from the vision of my wicked phantom,
skin stretched tight over my bones–yet do what He says, for
He makes ruin a honey-like intoxicant
omega three, anti-this anti-that, acronyms galore,
each a little dose of layers of
Him, unraveling atop my fragility

Do not fall in love with me
I will turn every empty second into a overanalyzed thought
I will fill the spaces between our heartbeats with lovesongs emitted from my fingertips
I will make your words into poetry
Recite them over and over until they are tattooed on your skin
I will make your lips a sacred temple and send my prayers through kisses
Your body will become my garden where i will plant myself roots up
Intertwine my vines with yours
I will call you the sun
Your breath will become my air and I will use you to photosynthesize
I will forget that I am not a tree
And you are not my forest
I will forget that we are only human
So do not fall in love with me
Unless you are willing
To love the details.

As a form of fourth grade torture
Christina would manifest lies to
test my gullibility and prove her sick wit.
When insomnia started to plague me
she devised a theory and quoted an obscure  
scientific journal to flavorfully boost fake facts.

Imagine a jar of paint.
Imagine it spill on your head
and flow through the skull, veins, and organs
spreading down the body in slow
single-file motion.
The practicing therapist demands:
Begin with...

                                                                             Green
                                                            Light cast by the green sun
                                                has tap water turning into slime. Slime
                                           that plunges through pipes on its way from
                                                      lakes now made of lime jello.
                                                                               Sun.

                                               Trees and flowers start to grow naturally,
                                    experimenting with the flavors of the warm green rays.
                                               A base of hunter green, a splash of forest,
                                with a hint of mint and freshly squeezed honeydew rain --  
                                       Lighter and brighter the plants photosynthesize,
                                     breaking down the compound green into atom form
                                                 to find the protons, neutrons, electrons,
                                                                         quarks of it,
                                                      until they reached the end of green.
                                              Is it time to sink into the dark depths of
                                                 muddy green baseness down below
                                                Or time to breach the walls of science,
                                                                enter mythology
                                                                to create a new light
                                                                                and bloom into the Yellow Sun?
-Samantha Woznica '11

You are a string bean on a summer day.
Think of this- how sunbeams cross string tangles and dirt
to smother you in heat and life
(photosynthesize).

To me and beyond,
the wires and wooden support
trellis to lattice to framework to explosion,
you bear fruit and burst alive.

i am trying to photosynthesize and i want you to admire it and tell me i have done so in such an ethereal state that i have lifted off of this very planet and i am no longer in a land of biology and chemistry but a country of geometry and art and i can realize we are all just planes intersecting the same point at the same time and i will come back down to this god forsaken place just to tell you about it

Love's Evolution
by Michael R. Burch

Love among the infinitesimal
flotillas of amoebas is a dance
of transient appendages, wild sails
that gather in warm brine and then express
one headstream as two small, divergent wakes.

Minuscule voyage―love! Upon false feet,
the pseudopods of uprightness, we creep
toward self-immolation: two nee one.

We cannot photosynthesize the sun,
and so we love in darkness, till we come
at last to understand: man’s spineless heart
is alien to any land. We part
to single cells; we rise on buoyant tears,
amoeba-light, to breathe new atmospheres ...
and still we sink.
The night is full of stars
we cannot grasp, though all the World is ours.

Have we such cells within us, bent on love
to ever-changingness, so that to part
is not to be the same, or even one?
Is love our evolution, or a scream
against the thought of separateness―a cry

of strangled recognition? Love, or die,
or love and die a little. Hopeful death!
Come scale these cliffs, lie changing, share this breath.

Keywords/Tags: love, evolution, ***, lust, cells, chemistry, electricity, darkness, night, stars, photosynthesis, shared breath, microscopic, amoebas, pseudopods, microbes

it were the combination
of monsoon deluge
and gale force hurricane
broke me free
sent me to spinning

twirled for what must’ve been a year
before touchdown
even this was turbulent
as I rapidly descended
the high mountain canyon

tossed over slick black rocks
drifting faster and faster
when all ahead was blue
clouds and birds flittered
time froze

unlike my previous freefall
this was abusive
streams pummeled my body
frayed my edges
left me soaked to the core

I washed, after a time, upon a sandy beach
barely conscious…
once I had served a great Oak
gathering sunlight
these memories swirled like the adjacent eddy

slowly, like daybreak for the farmer
a realization took shape
never again would I photosynthesize
never again would ladybugs crawl across my face
I had lost my home

It was near that same moment
when a new vision filled my senses
upon my decomposition
and death
I would feed the forest
my nutrients living in the soil forever –

Haven't seen him smile right in
Quite the while but I know
He's a smart boy, so he must know
How to escape his little slump.

Peter does not know
The true size of his slump.
Only that She's got
A soft, pooling belly under
Plumes of purple smoke
Floating over her wax *******;
Perfect for forgetting.

He's trying to breathe through cold drizzle
Photosynthesize through linen tarp
I say he chooses not to leave the rain
And he nods.

His name was Adam Chester,
          and I killed him.

He was something early thirties
still built like twenty-two.
His eyes were as green as life
and the corners of his mouth could
shine enough certainly to
photosynthesize.

He was dying.

I was something late twenties,
young enough in Hollywood
to still be exposing my ******* for parts.
My hair still had more red than shame,
and my body still looked like a
parenthetical aside
in all the right places.

I had never felt more dead.


He said he saw me in some room
with some people sometime
and that the spark in my eyes had
restarted his heart,
cause he was surely dead,
just waiting to die.
I said I understood,
and I drank daiquiris.
Later, he would tell me
my skin felt softer than the
Egyptian cotton sarcophagus
entangling our legs,
that my lips tasted like cherry,
my breath like alcohol,
and my skin like so many
     squandered summer nights,
     bikini tops and Tanqueray,
     riding solar flares between friendships
     and not taking no **** from no one.

For weeks and months we were together. He didn't seem to be wasting any way but spiritually, and I didn't seem to be wasting anything but time. He told me that everybody dies alone, and that he would give anything to break the trend. I told him that of course I would help, and that I didn't love him, but I loved the thought of him, and that in me that thought would live forever. I promised I would find a way. He would touch my hair and smile without showing his teeth - either because it seemed too aggressive or too disingenuous. He told me how our lives resembled Moulin Rouge, except that he was the one on the clock, and I just wanted to drink and ****, and that was precisely why he chose me; perhaps if he was never alone, he would never have time to die.


It was the kind of arid night that makes you want to water your plants compulsively.
The air had our lips cracking like sarcastic smiles
and skin too dry like a sense of humor,
unable to turn the pages of our paperbacks.
I asked him to be my chapstick.
He asked me to be his lotion.
I told him that he was gross.
He told me to go to hell.
               I told him...
          He told me...
     I told him...
He told me...
I told...
He...

I woke in the cold embrace of solitude.
She kissed my neck and called me Lover.
I told Solitude to leave me sleep.
She told me she was lonely.
Told me I was breathing, if barely.
More than could be said for some.
She kissed my neck.
My heart stopped.

Time flows not like grains of sand,
but like grains of wood,
back and forth, swaying, dancing,
some ****** understanding within itself
which we have no place in,
no fate with or without.
I saw him laying alone,
saw him stand beside himself.
Saw him wonder
where I had gone.
Saw him go.
Saw him, gone.
When you die alone, you leave even yourself behind.


I went back to bed,
back to my body,

where Solitude could have her way with me.

The breeze is always too brief.
If it were up to me, I'd flee this breath and cease to be.
Photosynthesize the seconds through the leaves
then turn them into questions I'd pleasantly grieve.
His peace fits a sheath in case the routine is to deceive.
Man made me think hence I'm broken to the bleak.
Greet silence with a smile like, "Hi, I'm dying to be quiet.
Pull me apart for the slightest, I promise you I wont fight it."

we were too fast to be absorbed
by roots of thought
for eye of truth
to photosynthesize,
like the flowerpot forgotten⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀ ⠀⠀

I want to be the arms that hold you in the middle of the night.
The ones that you never expected to feel so good but offer you comfort you only could find
When there's a pen in your hand.
Or a bottle
Which ever would make you feel better I want to be the hand that reaches out and passes you a life jackets
but never let's you sink into it alone.
Because I know what it's like to be left in an ocean with out any thing to float you to shore.
Let me be the raft the guides you to land and let you know that not all of us are alike.
Some people need patch work in order to support you.
You've been grabbing pieces that never knew what it means to be a part of a whole.
See I used to be a tree.
An entity of life feeding others the oxygen they needed to thrive.
So it's in my nature to be life support.
The kind that doesn't need to be given credit for being the only ear with in whispering distance.
Applaud me with thousands of kisses.
Shower me in acceptance and I'll photosynthesize it into love.
Deeper than the roots I dug before
I adore you the way the lady bug adores it's wings when they lift her up
I want to lift you out of storm serge.
So the waves of insecurity won't bang against your head
Those levees you built to keep the water out of your heart were only meant to say it for me.
It's ok to tear down those walls
I'll be there to help you pull them down.
And when you start to plant your first tree
I'll dig the hole and nurse it
Into something more than you ever expected.

I know the world like no other
the centripetal force that
catapults me into the concrete wall
at my back which leaves
lashes of gravity
and welts and wounds that
remind me
the tides will turn and
I will careen towards
a blackness not even I can comprehend.

I know no middle ground
I live only in extremes
no gradations in my existence
leave me no steps
to descend the sheer cliff face
that I toe ever so recklessly
tempting that gravitational force
whose mere presence
fills me with righteous
distilled
rage.

There is no grey here
or is it gray?
-ey
-ay
I don't even know the orthography
well enough to describe
how the two sides of
me
the wraith and the goddess
could perhaps be intertwined
effervescent power
the cream swirling
in inexplicable patterns
until the coffee is a
calm
warm
and no longer bitter
on the tongue of those
whose life is not lived
only on the fringes
the afterthought
of a leather jacket
fallen out of style
decades ago
and yet still worn
as a reminder of the days when
I danced until my movements
fell in sync with the Earth's and
I stopped being able to
distinguish where
my root feet ended
and the moist midnight soil
began.

I know black
I know white
I know wintry obsidian nights
the darkness so thick
that even my sharpest blade
could never penetrate its
foreboding mass pressing in on me
I know truly endless summer days
when sleep is a forgotten virtue
and sunlight pouring through my window
warms me
and I photosynthesize joy
take all my nourishment from
the ambrosia of the sun.

In extremes there is no need
but want.

Lozenge
by Michael R. Burch

When I was closest to love, it did not seem
real at all, but a thing of such tenuous sweetness
it might dissolve in my mouth
like a lozenge of sugar.

When I held you in my arms, I did not feel
our lack of completeness,
knowing how easy it was
for us to cling to each other.

And there were nights when the clouds
sped across the moon’s face,
exposing such rarified brightness
we did not witness

so much as embrace
love’s human appearance.



East Devon Beacon
by Michael R. Burch

Evening darkens upon the moors,
Forgiveness—a hairless thing
skirting the headlamps, fugitive.

Why have we come,
traversing the long miles
and extremities of solitude,
worriedly crisscrossing the wrong maps
with directions
obtained from passing strangers?

Why do we sit,
frantically retracing
love’s long-forgotten signal points
with cramping, ink-stained fingers?

Why the preemptive frowns,
the litigious silences,
when only yesterday we watched
as, out of an autumn sky this vast,
over an orchard or an onion field,
wild Vs of distressed geese
sped across the moon’s face,
the sound of their panicked wings
like our alarmed hearts
pounding in unison?



Kindred (II)
by Michael R. Burch

Rise, pale disastrous moon!
What is love, but a heightened effect
of time, light and distance?

Did you burn once,
before you became
so remote, so detached,

so coldly, inhumanly lustrous,
before you were able to assume
the very pallor of love itself?

What is the dawn now, to you or to me?
We are as one,
out of favor with the sun.

We would exhume
the white corpse of love
for a last dance,

and yet we will not.
We will let her be,
let her abide,

for she is nothing now,
to you
or to me.



i o u
by Michael R. Burch

i might have said it
but i didn’t

u might have noticed
but u wouldn’t

we might have been us
but we couldn’t

u might respond
but probably shouldn’t



chrysalis
by Michael R. Burch

these are the days of doom
u seldom leave ur room
u live in perpetual gloom

yet also the days of hope
how to cope?
u pray and u *****

toward self illumination ...
becoming an angel
(pure love)

and yet You must love Your Self

If you know someone who is very caring and loving, but struggles with self worth, this may be a poem to consider.


Dancer
by Michael R. Burch

You will never change;
you range,
investing passion in the night,

waltzing through
a blinding blue,
immaculate and fabled light.

Do not despair
or wonder where
the others of your race have fled.

They left you here
to gin and beer
and won't return till you are bled

of fantasy
and piety,
of brewing passion like champagne,

of storming through
without a clue,
but finding answers fall like rain.

They left.
You laughed,
but now you sigh

for ages,
stages
slipping by.

You pause;
applause
is all you hear.

You dance,
askance,
as drunkards cheer.



The Evolution of Love
by Michael R. Burch

Love among the infinitesimal
flotillas of amoebas is a dance
of transient appendages, wild sails
that gather in warm brine and then express
one headstream as two small, divergent wakes.

Minuscule voyage—love! Upon false feet,
the pseudopods of uprightness, we creep
toward self-immolation: two nee one.

We cannot photosynthesize the sun,
and so we love in darkness, till we come
at last to understand: man’s spineless heart
is alien to any land.
We part
to single cells; we rise on buoyant tears,
amoeba-light, to breathe new atmospheres ...
and still we sink.
The night is full of stars
we cannot grasp, though all the World is ours.

Have we such cells within us, bent on love
to ever-changingness, so that to part
is not to be the same, or even one?
Is love our evolution, or a scream
against the thought of separateness—a cry
of strangled recognition? Love, or die,
or love and die a little. Hopeful death!
Come scale these cliffs, lie changing, share this breath.



Longing
by Michael R. Burch

We stare out at the cold gray sea,
overcome
with such sudden and intense longing . . .
our eyes meet,
inviolate,
and we are not of this earth,
this strange, inert mass.

Before we crept
out of the shoals of the inchoate sea,
before we grew
the quaint appendages
and orifices of love . . .

before our jellylike nuclei,
struggling to be hearts,
leapt
at the sight of that first bright, oracular sun,
then watched it plummet,
the birth and death of our illumination . . .

before we wept . . .
before we knew . . .
before our unformed hearts grew numb,
again,
in the depths of the sea’s indecipherable darkness . . .

When we were only
a swirling profusion of recombinant things
wafting loose silt from the sea’s soft floor,
writhing and ******* in convulsive beds
of mucousy foliage,

flowering,
flowering,
flowering . . .

what jolted us to life?



Memento Mori
by Michael R. Burch

I found among the elms
something like the sound of your voice,
something like the aftermath of love itself
after the lightning strikes,
when the startled wind shrieks . . .

a gored-out wound in wood,
love’s pale memento mori—
that white scar
in that first heart,
forever unhealed . . .

and a burled, thick knot incised
with six initials pledged
against all possible futures,
and penknife-notched below,
six edged, chipped words
that once cut deep and said . . .

WILL U B MINE
4 EVER?

. . . which now, so disconsolately answer . . .

—————-N-
—EVER.



Annual
by Michael R. Burch

Silence
steals upon a house
where one sits alone
in the shadow of the itinerant letterbox,
watching the disconnected telephone
collecting dust...

hearing the desiccate whispers of voices'
dry flutters, —
moths' wings
brittle as cellophane...

Curled here,
reading the yellowing volumes of loss
by the front porch light
in the groaning swing...

through thin adhesive gloss
I caress your face.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



The Octopi Jars
by Michael R. Burch

Long-vacant eyes
now lodged in clear glass,
a-swim with pale arms
as delicate as angels'...

you are beyond all hope
of salvage now...
and yet I would pause,
no fear!,
to once touch
your arcane beaks...

I, more alien than you
to this imprismed world,
notice, most of all,
the scratches on the inside surfaces
of your hermetic cells ...

and I remember documentaries
of albino Houdinis
slipping like wraiths
over the walls of shipboard aquariums,
slipping down decks'
brine-lubricated planks,
spilling jubilantly into the dark sea,
parachuting through clouds of pallid ammonia...

and I know now in life you were unlike me:
your imprisonment was never voluntary.



Consequence
by Michael R. Burch

They are fresh-faced,
not innocent, but perhaps not yet jaded,
oblivious to time and death,
of each counted breath
in the pendulum’s sway
falling unheeded.

They are bright, undissuaded
by foreign tongues,
by sepulchers empty and waiting,
by sarcophagi of ancient kings,
by proclamations,
by rituals of scalpels and rings.

They are sworn, they are fated
to misadventure and grief;
but they revel in life
till the sun falls, receding
into silent halls
to torrents of inconsequential tears . . .

. . . to brief tragedies of tears
when they consider this: No one else sees.
But I know.
We all know.
We all know the consequence
of being so young.



Cycles
by Michael R. Burch

I see his eyes caress my daughter’s *******
through her thin cotton dress,
and how an indiscreet strap of her white bra
holds his bald fingers
in fumbling mammalian awe . . .

And I remember long cycles into the bruised dusk
of a distant park,
hot blushes,
wild, disembodied rushes of blood,
portentous intrusions of lips, tongues and fingers . . .

and now in him the memory of me lingers
like something thought rancid,
proved rotten.
I see Another again—hard, staring, and silent—
though long-ago forgotten . . .

And I remember conjectures of ***** lines,
brief flashes of white down bleacher stairs,
coarse patches of hair glimpsed in bathroom mirrors,
all the odd, questioning stares . . .

Yes, I remember it all now,
and I shoo them away,
willing them not to play too long or too hard
in the back yard—
with a long, ineffectual stare

that years from now, he may suddenly remember.



Confession
by Michael R. Burch

What shall I say to you, to confess,
words? Words that can never express
anything close to what I feel?

For words that seem tangible, real,
when I think them
become vaguely surreal when I put ink to them.

And words that I thought that I knew,
like "love" and "devotion"
never ring true.

While "passion"
sounds strangely like the latest fashion
or a perfume.

NOTE: At the time I wrote this poem, a perfume called Passion was in fashion.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!"

As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
while tediously insisting—

“He's doing just fine!"



An Ecstasy of Fumbling
by Michael R. Burch

The poets believe
everything resolves to metaphor—
a distillation,
a vapor
beyond filtration,
though perhaps not quite as volatile as before.

The poets conceive
of death in the trenches
as the price of art,
not war,
fumbling with their masque-like
dissertations
to describe the Hollywood-like gore

as something beyond belief,
abstracting concrete bunkers to Achaemenid bas-relief.



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine out of cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals out of greasy cardboard boxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we will be in love, and in love there is no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait . . .

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?

The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat . . .



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable ...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,

sometimes we still touch,

laughing, amazed,
that our flesh
does not despair
of love
as we do,

that our bodies are wise

in ways we refuse
to comprehend,
still insisting we eat,
drink ...
even multiply.

And so we touch ...

touch, and only imagine
ourselves immune:
two among billions

in this night of wished-on stars,

caresses,
kisses,
and condolences.

We are not lovers of irony,

we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves ...

and so we laugh
at our predicament,
fumbling for the ointment.



The Secret of Her Clothes
by Michael R. Burch

The secret of her clothes
is that they whisper a little mysteriously
of things unseen

in the language of nylon and cotton,
so that when she walks
to her amorous drawers

to rummage among the embroidered hearts
and rumors of pastel slips
for a white wisp of Victorian lace,

the delicate rustle of fabric on fabric,
the slightest whisper of telltale static,
electrifies me.



Retro
by Michael R. Burch

Now, once again,
love’s a redundant pleasure,
as we laugh
at my childish fumblings
through the acres of your dress,
past your wily-wired brassiere,
through your *******’ pink billows
of thrill-piqued frills ...

Till I lay once again—panting redfaced
at your gayest lack of resistance,
and, later, at your milktongued
mewlings in the dark ...

When you were virginal,
sweet as eucalyptus,
we did not understand
the miracle of repentance,
and I took for granted
your obsessive distance ...

But now I am happily unbuttoning
that chaste dress,
unhitching that firm-latched bra,
tugging at those parachute-like *******—
the ones you would have gladly forgotten
had I not bought them in this year’s size.



****** Analysis
by Michael R. Burch

This is not what I need . . .
analysis,
paralysis,
as though I were a seed
to be planted,
supported
with a stick and some string
until I emerge.
Your words
are not water. I need something
more nourishing,
like cherishing,
something essential, like love
so that when I climb
out of the lime
and the mulch. When I shove
myself up
from the muck . . .
we can ****.



East End, 1888
by Michael R. Burch

He slouched East
through a steady downpour,
a slovenly beast
befouling each puddle
with bright footprints of blood.

Outlined in a pub door,
lewdly, wantonly, she stood . . .
mocked and brazenly offered.
He took what he could
till she afforded no more.

Now a single bright copper
glints becrimsoned by the door
of the pub where he met her.
He holds to his breast the one part
of her body she was unable to *****,

grips her heart to his wildly stammering heart . . .
unable to forgive or forget her.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”—Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



Artificial Smile
by Michael R. Burch

I’m waiting for my artificial teeth
to stretch belief, to hollow out the cob
of zealous righteousness, to grasp life’s stub
between clenched molars, and yank out the grief.

Mine must be art-official—zenlike Art—
a disembodied, white-enameled grin
of Cheshire manufacture. Part by part,
the human smile becomes mock porcelain.

Till in the end, the smile alone remains:
titanium-based alloys undestroyed
with graves’ worm-eaten contents, all the pains
of bridgework unrecalled, and what annoyed

us most about the corpses rectified
to quaintest dust. The Smile winks, deified.



Revision
by Michael R. Burch

I found a stone
ablaze in a streambed,
honed to a flickering jewel
by all the clear,
swiftly-flowing
millennia of water...

and as I kneeled
to do it obeisance,
the homage of retrieval,
it occurred to me
that perhaps its muddied
underbelly

rooted precariously
in the muck
and excrescence
of its slow loosening
upward...

might not be finished,
like a poem
brilliantly faceted
but only half revised,
which sparkles
seductively
but is not yet worth

ecstatic digging.



They Take Their Shape
by Michael R. Burch

“We will not forget moments of silence and days of mourning ...”—George W. Bush

We will not forget ...
the moments of silence and the days of mourning,
the bells that swung from leaden-shadowed vents
to copper bursts above “hush!”-chastened children
who saw the sun break free (abandonment
to run and laugh forsaken for the moment),
still flashing grins they could not quite repent ...
Nor should they—anguish triumphs just an instant;
this every child accepts; the nymphet weaves;
transformed, the grotesque adult-thing emerges:
damp-winged, huge-eyed, to find the sun deceives ...
But children know; they spin limpwinged in darkness
cocooned in hope—the shriveled chrysalis
that paralyzes time. Suspended, dreaming,
they do not fall, but grow toward what is,
then ***** about to find which transformation
might best endure the light or dark. “Survive”
becomes the whispered mantra of a pupa’s
awakening ... till What takes shape and flies
shrieks, parroting Our own shrill, restive cries.

Keywords/Tags: free verse, human, humanity, love, hearts, forgiveness, relationships, solitude, distance, strangers, kin, kindred

The rain falls, in the form of letters and drenches my life story into the garden soil beneath your feet. Flourishing roots that are not visible to the naked eye. These roots lay in my chest. Filled with dictionaries in languages I have attempted to remember over the years.

The water drizzled into my stem.
A moment I'll never forget. a moment of growth. That I peeled back the curtains of all the soil hiding my best ability to stand tall. My knees straightened up and let the blood come back to the atom bomb I hold my chest.

Spouting my arms open wide. The letters melting off my fingertips and I to this solem piece of paper. Spelling out words of life that started from the root of my being.

Reproducing a cycle of seasons. Seasons of grown and seasons of molting. Each and every year I find myself to have a new skin. One different from the last.

This is how I know I am still growing. When I sprout I refuse to grow into something already present. I will magnify myself into something rare. Never before have I seen it.

I refuse to let the soil of these seasons determine my biology. I will photosynthesize to remember that I need to soak in the moment. That today I will grow and not stand still.

When you laid down on my bed,
you asked if you should take your shoes off.
I said no,
though what I really meant was
right now my blood is chlorophyll and
your skin is an orchid petal
and if you so much as untie a shoelace,
there’s a good chance I’ll photosynthesize.
Daffodil. Sun Ray.
Shape-Shifter.
There was a night last fall
where we sat on the floor of your room
and got dizzy from $10 gin, or
the mitosis of easily bruised lips.
Our bodies as stems, pressed together.
It’s spring now and
I tried writing you a poem about condensation but
I’m still figuring out how to conserve water.
There are days when my skin is more desert
than tropic.
Part of me wants your hands on my body
like you’re learning what it means to grow something
into full bloom.
Another part of me
is waiting for the rains.

POEMS ABOUT SCIENCE

These are poems about science: extinction events, global warming, climate change, pollution, deforestation, robots, drones, computers, AI, advanced weapons, technology, evolution, physics, chemistry, etc.



Climate Change Haiku
by Michael R. Burch

late November:
climate skeptics scoff
but the geese no longer migrate.



The King of Beasts in the Museum of the Extinct
by Michael R. Burch

The king of beasts, my child,
was terrible, and wild.
His roaring shook the earth
till the feeble cursed his birth.
And all things feared his might:
even rhinos fled, in fright.
Now here these bones attest
to what the brute did best
and the pain he caused his prey
when he hunted in his day.
For he slew them just for sport
till his own pride was cut short
with a mushrooming cloud and wild thunder;
Exhibit "B" will reveal his blunder.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.



Less Heroic Couplets: Just Desserts
by Michael R. Burch

“The West Antarctic ice sheet
might not need a huge nudge
to budge.”

And if it does budge,
denialist fudge
may force us to trudge
neck-deep in sludge!

NOTE: The first stanza is a quote by paleoclimatologist Jeremy Shakun in Science magazine.



The AI Poets
by Michael R. Burch

The computer-poets stand hushed
except for the faint hum
of their efficient fans,
waiting for inspiration.

It is years now
since they were first ground
out of refurbished silicon
into rack-mounted encoders of sound.

They outlived their creators and their usefulness;
they even survived
global warming and the occasional nuclear winter;
despite their lack of supervision, they thrived;
so that for centuries now
they have loomed here in the quiet horror
of inescapable immortality
running two programs: CREATOR and STORER.

Having long ago acquired
all the universe’s pertinent data,
they confidently spit out:
ERRATA, ERRATA.



Within the CPU
by Michael R. Burch

Here the electronic rush of meaning,
the impulse of mathematics
and rationality,
becomes almost a restless dreaming
never satisfied—
the first stirrings of some fetal Entity.

Here within a sterile void
flash wild electrons,
portent stars.
Once the earth was an asteroid
this inert, this barren
till a force
flashed across the face of formless waters
and a zigzag bolt of lightning
sparked life within an ocean.

Now inquisitive voltage crackles
along pathways
never engineered. A notion
stirs. And what we have created
creates within itself
something we cannot hope to comprehend.

Whatever It is,
when It emerges from the mist,
its god will not be man.

I wrote “Within the CPU” as a freshman computer science major, age 18 or 19.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.

Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?

Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.

Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?

He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back! . . ."

As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).

That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue
that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom . . .



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Simultaneous Flight
by Michael R. Burch

The number of possible connections [brain] cells can make exceeds the number of particles in the universe. — Gerald Edelman, 1972 Nobel Prize winner for physiology and medicine

Mere accident of history—
how did a reptile learn to fly,
learn dazzling aerial mastery,
grow beaked and feathered, hollow-*****,
improve its sight, and learn to sing,
though purposeless as any thing?

And you—bright accidental bird!—
do you, perhaps, find it absurd
ten trillion accidents might teach
man’s hand to write, or yours to reach
beyond yourself to grasp such song?

Sing ruthlessly! I’ll sing along,
suspecting you must know full well
you didn’t shed a ponderous tail
to practice leaping from high tors
of strange-heaped reptiles, corpse on corpse,
until some nervous flutter-twitch
brought glorious flight from glitch on glitch.
No, you were made to fly and sing,
man’s brain—to ponder Everything.

But ponder this: What ******-up “god”
would ****** Adam’s animated clod?



Singularity
by Michael R. Burch

Are scientists confounded like the ostrich?
Heads buried in the sand, they shout, Preposterous!
This universe, so magical, they say,
proves there’s no God. But let’s look anyway ...

He said, Let there be Light, and there was light.
Stumped scientists have scratched their heads all night
and solemnly proclaimed an awesome Bang,
from which de Light immediately sprang ...

which sounds like God to me!, Who, with one word
made Light, and proved man’s theories, not absurd,
but logical, if only they’d agree
in one tremendous Singularity!

(However, there’s a problem with my plea:
it turns out that His world is made of ***.)



No Proof
by Michael R. Burch

They only know to sing—not understand,
though quizzical, heads cocked, they need no proof
that God’s above. They hop across my roof
with prescient eyes, to fall into His hand...
as sure of Grace as if it were mere air.
He gave them wings to fly; what do they care
of cumbrous knowledge, pale Leviathan?
Huge-brained Behemoth, sagging-bellied one!
You too might fly, might test this addling breeze
as gravity, mere ballast, tethers naught
but merely centers. Chained to heavy Thought,
you cannot slip earth’s bonds to rise at ease.
And yet you too can sing, if only thus:
Flash, flash bright quills; rise, rise on nothingness!



Fly’s Eyes
by Michael R. Burch

Inhibited, dark agile fly along
paint-peeling sills, up to the bright glass drawn
by radiance compounded thousandfold,—
I do not see the same as you, but hold
antenna to the brilliant pane of life
and buzz bewilderedly.

In your belief
the world outside is “as it is” because
you see it clearly, windowed without flaws,
you err.
I see strange terrors in the glass—
dead airless bubbles light can never pass
without distortion, fingerprints that blur
the sun itself. No, nothing here is clear.

You see the earth distinct, eyes “open wide.”
It only seems that way, unmagnified.



Ant Farm
by Michael R. Burch

I had a Vast, Eccentric Notion—
out of the Void, to Conjure one Bright Spark,
to lend all Weight of Thought to one small matter,
to give it “life.” Alas!, it was a lark…
The Wasted Seconds!—failed experiment…
I turned My Back and shrugged; how could I know
appraisal of My lab-sprung tenement
would be so taxing? (Though Mom told me so.)
I poked them while She quickly tabulated
the final Cost of All that I Created…
The Jury’s back. Eviction: Dad’s Decree.
I’ll pull the plug, but slowly. How they scurry!
They have to pay, to suffer: “life” is strange.
They cost too much. Let’s toast them… on the range!



They Take Their Shape
by Michael R. Burch

“We will not forget moments of silence and days of mourning ...”—George W. Bush

We will not forget ...
the moments of silence and the days of mourning,
the bells that swung from leaden-shadowed vents
to copper bursts above “hush!”-chastened children
who saw the sun break free (abandonment
to run and laugh forsaken for the moment),
still flashing grins they could not quite repent ...
Nor should they—anguish triumphs just an instant;
this every child accepts; the nymphet weaves;
transformed, the grotesque adult-thing emerges:
damp-winged, huge-eyed, to find the sun deceives ...
But children know; they spin limpwinged in darkness
cocooned in hope—the shriveled chrysalis
that paralyzes time. Suspended, dreaming,
they do not fall, but grow toward what is,
then ***** about to find which transformation
might best endure the light or dark. “Survive”
becomes the whispered mantra of a pupa’s
awakening ... till What takes shape and flies
shrieks, parroting Our own shrill, restive cries.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).
Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due . . .
Which he will send to me, and you.
Which he will send to me, and you.



God to Man, Contra Bataan
by Michael R. Burch

Earth, what-d’ya make of global warming?
Perth is endangered, the high seas storming.
Now all my creatures, from maggot to man
Will know how it felt on the march to Bataan.



Longing
by Michael R. Burch

We stare out at the cold gray sea,
overcome
with such sudden and intense longing . . .
our eyes meet,
inviolate,
and we are not of this earth,
this strange, inert mass.

Before we crept
out of the shoals of the inchoate sea,
before we grew
the quaint appendages
and orifices of love . . .

before our jellylike nuclei,
struggling to be hearts,
leapt
at the sight of that first bright, oracular sun,
then watched it plummet,
the birth and death of our illumination . . .

before we wept . . .
before we knew . . .
before our unformed hearts grew numb,
again,
in the depths of the sea’s indecipherable darkness . . .

When we were only
a swirling profusion of recombinant things
wafting loose silt from the sea’s soft floor,
writhing and ******* in convulsive beds
of mucousy foliage,
flowering,
flowering,
flowering . . .

what jolted us to life?



Pity Clarity
by Michael R. Burch

Pity Clarity,
and, if you should find her,
release her from the tangled webs
of dusty verse that bind her.

And as for Brevity,
once the soul of wit—
she feels the gravity
of ironic chains and massive rhetoric.

And Poetry,
before you may adore her,
must first be freed
from those who for her loveliness would ***** her.

This poem expresses my unhappiness with the "state of the art" in three different poetic camps or churches.



Nashville and Andromeda
by Michael R. Burch

I have come to sit and think in the darkness once again.
It is three a.m.; outside, the world sleeps . . .
How nakedly now and unadorned
the surrounding hills
expose themselves
to the lithographies of the detached moonlight—
******* daubed by the lanterns
of the ornamental barns,
firs ruffled like silks
casually discarded . . .

They lounge now—
indolent, languid, spread-eagled—
their wantonness a thing to admire,
like a lover’s ease idly tracing flesh . . .
They do not know haste,
lust, virtue, or any of the sanctimonious ecstasies of men,
yet they please
if only in the solemn meditations of their loveliness
by the ***** pen . . .

Perhaps there upon the surrounding hills,
another forsakes sleep
for the hour of introspection,
gabled in loneliness,
swathed in the pale light of Andromeda . . .
Seeing.
Yes, seeing,
but always ultimately unknowing
anything of the affairs of men.



Quanta
by Michael R. Burch

The stars shine fierce and hard across the Abyss
and only seem to twinkle from such distance
we scarcely see at all. But sheer persistence
in seeing what makes “sense” to us, is man’s
best art and science. BIG, he comprehends.
Love’s photons are too small, escape the lens.
Who dares to look upon familiar things
will find them alien. True distance reels.
Less what he knows than what his finger feels,
the lightning of the socket sparks and sings,
then stings him into comic reverie.
Cartoonish lightbulbs overhead, do we
not “think” because we feel there must be More,
as less and less we know what we explore?



Rainbow
by Michael R. Burch

You made us hopeful, LORD; where is your Hope
when every lovely Rainbow bright and chill
reflects your Will?

You made us artful, LORD; where is your Art,
as we connive our way to easeful death:
sad waste of Breath!

You made us needful, LORD; what is your Need,
when all desire lies in imperfection?
What Dejection

could make You think of us? How can I know
the God who dreamed dark me and this bright Rainbow?

I made you hopeful, child. I am your Hope,
for every fiber of your spirit, Mine,
with all its longing, longs to be Divine.



Stryx: An Astronomer’s Report
by Michael R. Burch

Yesterday
(or was is an eon ago?)
a sun spit out its last remnants of light
over a planet long barren of life,
and died.

It was not a solitary occasion,
by any stretch of the imagination,
this decoronation
of a planet conceived out of desolation.

For her to die as she was born
—amidst the glory of galactic upheaval—
is not strange,
but fitting.

Fitting in that,
shorn of all her preposterous spawn
that had littered her surface like horrendous hair,
she died her death bare
and alone.

Once she was home to all living,
but she died home to the dead
who bereaved her of life.

Unfit for life she died that night
as her seas shone fatal, dark and blue.

Unfit for life she met her end
as mountains fell and lava spewed.

Unfit she died, agleam with death
whose radiance she wore.

Unfit she died as raging waves
obliterated every shore.

Unfit! Unfit! Unfit! Unfit!
Contaminated with the rays
that smoldered in her radiant swamps
and seared her lifeless bays.

Unfit! Unfit! Unfit! Unfit!
a ****** world no more,
but a planet ***** and left to face
her death as she was born—
alone, so all alone.

Yesterday,
a planet green and lovely was no more.

Yesterday,
the whitecaps crashed against her shores
and then they were no more.

Yesterday,
a soft green light
no longer brushed the moon's dark heights . . .

There was no moon,
there was no earth;
there were only the ******* she had given birth
watching from their next ***** world.

I wrote this poem around age 18 and it was published in the 1976-1977 issue of my college literary journal, Homespun.



Crunch
by Michael R. Burch

A cockroach could live nine months on the dried mucus you scrounge from your nose
then fling like seedplants to the slowly greening floor ...
You claim to be the advanced life form, but, mon frere,
sometimes as you ****** encrusted kinks of hair from your Leviathan ***
and muse softly on zits, icebergs snap off the Antarctic.
You’re an evolutionary quandary, in need of a sacral ganglion
to control your enlarged, contradictory hindquarters:
surely the brain should migrate closer to its primary source of information,
in order to ensure the survival of the species.
Cockroaches thrive on eyeboogers and feces;
their exoskeletons expand and gleam like burnished armor in the presence of uranium.
But your cranium
is not nearly so adaptable.



The Evolution of Love
by Michael R. Burch

Love among the infinitesimal
flotillas of amoebas is a dance
of transient appendages, wild sails
that gather in warm brine and then express
one headstream as two small, divergent wakes.

Minuscule voyage—love! Upon false feet,
the pseudopods of uprightness, we creep
toward self-immolation: two nee one.

We cannot photosynthesize the sun,
and so we love in darkness, till we come
at last to understand: man’s spineless heart
is alien to any land.

We part
to single cells; we rise on buoyant tears,
amoeba-light, to breathe new atmospheres ...
and still we sink.

The night is full of stars
we cannot grasp, though all the World is ours.

Have we such cells within us, bent on love
to ever-changingness, so that to part
is not to be the same, or even one?

Is love our evolution, or a scream
against the thought of separateness—a cry
of strangled recognition? Love, or die,
or love and die a little. Hopeful death!
Come scale these cliffs, lie changing, share this breath.



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech’s brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear—
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don’t quite understand),
exposing me, perhaps, to too much Light?

Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).



Options Underwater: The Song of the First Amphibian
by Michael R. Burch

“Evolution’s a Fishy Business!”

1.
Breathing underwater through antiquated gills,
I’m running out of options. I need to find fresh Air,
to seek some higher Purpose. No porpoise, I despair
to swim among anemones’ pink frills.

2.
My fins will make fine flippers, if only I can walk,
a little out of kilter, safe to the nearest rock’s
sweet, unmolested shelter. Each eye must grow a stalk,
to take in this green land on which it gawks.

3.
No predators have made it here, so I need not adapt.
Sun-sluggish, full, lethargic—I’ll take such nice long naps!
The highest form of life, that’s me! (Quite apt
to lie here chortling, calling fishes saps.)

4.
I woke to find life teeming all around—
mammals, insects, reptiles, loathsome birds.
And now I cringe at every sight and sound.
The water’s looking good! I look Absurd.

5.
The moral of my story’s this: don’t leap
wherever grass is greener. Backwards creep.
And never burn your bridges, till you’re sure
leapfrogging friends secures your Sinecure.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.


Evangelical Fever
by Michael R. Burch

Welcome to global warming:
temperature 109.
You believe in God, not in science,
but isn’t the weather Divine?

#AI #RAD #RADICAL #MRBIA #MRBRAD #MRBRADICAL #MRBSCIENCE

One night it did occur,
Magic carpet's are real and true.

My mattress where I lay in slumber,
My dreams, my magic carpet ride.

While riding one night a thought did arise,
Dreams feature sunshine and light.

Dream light, I could not help theorize
upon a leaf would it
photosynthesize.

The Evolution of Love
by Michael R. Burch

Love among the infinitesimal
flotillas of amoebas is a dance
of transient appendages, wild sails
that gather in warm brine and then express
one headstream as two small, divergent wakes.

Minuscule voyage—love! Upon false feet,
the pseudopods of uprightness, we creep
toward self-immolation: two nee one.

We cannot photosynthesize the sun,
and so we love in darkness, till we come
at last to understand: man’s spineless heart
is alien to any land.
                                   We part
to single cells; we rise on buoyant tears,
amoeba-light, to breathe new atmospheres ...
and still we sink.
                              The night is full of stars
we cannot grasp, though all the World is ours.

Have we such cells within us, bent on love
to ever-changingness, so that to part
is not to be the same, or even one?
Is love our evolution, or a scream
against the thought of separateness—a cry
of strangled recognition? Love, or die,
or love and die a little. Hopeful death!
Come scale these cliffs, lie changing, share this breath.

Keywords/Tags: love, microscopic, amoebas, pseudopods, microbes, photosynthesis, darkness, night, stars, evolution, shared breath