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Dionne Charlet Nov 2016
Plumped rouge with pigment
her lip fills to graze the *******
intent to disquiet the likes of de Sade
autografted with ocular detachment
should a Marquis wish to harness
the song of the morning
within a bandolier of Seine
to ensnare any bustled Persephone
gilted by discharge of ions
into a ménage of torment
through the Porte des Lions.

Hers is the tincture of doxy
caramelized and debrided of naivety,
empowered by the eve of invention,
swollen to curves and grounded in Paris.

Illumination defies pervasion
down to every gear and pulley
she has hushed through mechanization
and lulled by steam,
swaging a cacophony of flickers
encased in glass by the Lady’s watch,
where every rivet of her plate glisters silken
reverberation in cascade,
elegant, caged, and towering,
outspoken in silence,
ever challenging the Champ de Mars.

"Paris by Gaslight," written by Dionne Charlet, is the title poem to be featured in the upcoming steampunk anthology Paris by Gaslight, the third anthology in the By Gaslight Series from New Orleans small press Black Tome Books.  Look for the first two collections of poems and short stories set in Victorian Times, New Orleans by Gaslight (ISBN 9780615801186) and Cairo by Gaslight (ISBN 9781516961528).  Both collections feature poetry by Charlet, under the pseudonym Dionne Cherie.
"Paris by Gaslight" - written by Dionne Charlet - is the title poem to be featured in the upcoming steampunk anthology "Paris by Gaslight".
Dionne Charlet Nov 2016
Sands traverse oceans to envelop me
within the coercion of a dream of Egypt
as I search the turquoise of the medallion in my hands
to match the gray-blue of his eyes.

Too long have I willed for him
to sail the Atlantic,
stride through the door,
and sweep me from haunting this view of London.
But for now I am left
to my own image and a pane,
so I muster the meat of my palm
within this sleeve of lace
to brush it across the glass for a clearer look,
yet my efforts have revealed
no more than engorged eyelids reflected…
manacles of me.

Behest of self,
maniacal I am slated
to perform involuntary tedium,
hopeful to unlock deeper meaning
within each hieroglyph,
once so purposefully etched in a semblance of bronze.

I long to surrender
to the warmth of the taste of iron
caught in his sights over a tomb blanketed in gold.

I will come for you, Daughter of Heaven and Earth.

Spontaneous peristalsis of phrase
connects with the drop
gurgling through the candid quiet
and I wonder
if the image that now reflects would indulge him,
or if he might ****** the lock of dark hair
that he cropped from my neck with the skill of an assassin
when our paths first crossed in Cairo.

Time has softened the image I hold of him;
his eyes are satin,
burning like a flag still waving
as his army advances over our forbidden dig.

There is something
sensation-like in downfall…
copious saline embodies the fractal curve.

I found no scrolls of the Book of the Dead.

Here in my olive skin I rot like a peach
that’s been left in a satchel
forgotten to dust of the ages
disturbed by picks and axes
that strike with the determination of discovery.
A peach, never to be savored;
never to nourish or to pleasure,
or be trampled by insects
and carried off in pieces
to the hollow of the ant queen.

My eyelids are hard to turn like wet pages
forced to envision a river that is not the Nile
where I am held within the binds of propriety,
corsetted, bustled, and locked out of Egypt
dammed from the salvation
of even an intermittent Dutchman’s finger
by dunes and shores and footfalls
to find words that stream in liquid resonance
where firm succumbs to self and
I can feel passion writhing through my intangibles.

Thusly, clouds form over a city that blackens and distorts
the way a river's reflection of my face
would ripple from the plunging body of a dove,
belly-up, encased in wings,
and two thousand miles from him.

Arousal is a moccasin seethed in spasms
of peristalsis and musculature
toward the beckoning pulse of breast.

Any hope for contact collapses into flesh,
venom sheathes each corpuscle,
and a woken neck flails in judgment
before the truth in his eyes
under the shadow of the Great Pyramid
where Ramses II lies supine
across the Turin Papyrus.

I imagine the other side of me
and where she might reflect when
all that there is in such a study
contributes to my wanting
to wreak my bellied freedom
beneath crevices that sink as crevices do
in downward angled layers
to withstand the ages.

Dark hair gleams in contrast,
more for strip of scalp
than the trickle of red down my back.

Breached like sugar that candid—
starburst wings of Monarchs dripping ancient like sunsets
over magenta and milky mauve in the reeds—
my ankles revealed and inverted to the sky they glean, yet...

his arrival is delayed
when the pistol ***** three times.
The still of my breast compounds
with the steady union of the dark, and
somewhere denial flows with the sands.

So cycles change, like a fable for Eternal.

“Daughter of Heaven and Earth,” written by Dionne Charlet, appears in print in Cairo by Gaslight, the second anthology in the By Gaslight Series from New Orleans small press Black Tome Books.  Books in the series include New Orleans by Gaslight (ISBN 9780615801186) and Cairo by Gaslight (ISBN 9781516961528).  Both collections feature poetry by Charlet, under the pseudonym Dionne Cherie. Look for the upcoming anthology Paris by Gaslight, which will feature a poem of the same title by Dionne.
A steampunk narrative poem of adventure and love lost in Cairo.
Charles Sturies Jul 2017
Old Town probably doesn't appeal
to an old friend of mine like Tom Beale
like Gaslight would
if it could
bring on the gas
along with the sassafras
to ignite a rail
on those cartoon termites
in that as for the insect killer Raid
I'm just kidding
about gaslight
and its power
and how I would have
sworn they had
put me in bed
near one of the snack bars there
on Gaslight Square
when I was on palliative care
from complications from a broken hip.
I don't know if it was the hippie
in me with my flashlight
and the water tower
and the slaughtered calf
that made me hallucinate myself in a bed
in a quack box on Gaslight Square
or if it's just my eyes on this rhyming try.
Charles Sturies
Deanna Sabou Dec 2017
Gaslight
Deanna Sabou

My sanity was denied when I remained truthful,
And so was my intelligence.
The scars wreak havoc on my body in endlessness.
The bruises were difficult to hide, and so were the tears;
My identity withered away and all that was left were my fears.
The mirror on my wall could not recognize the pale skeletal image,
Because she was so far away and the once golden girl was now conquering a deep scrimmage.
Against all odds, in the end I won;
The roses finally grew from my thorns, and my future has just begun.
For now, you are locked in your own isolated cell;
My scars have recovered and I now wish you well.
You being embarrassed of yourself was quite the rare site,
But now I finally took your opportunity, to ignite the gaslight.
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
kk Jul 2018
imagine a calloused doubt.
cracked, chipped, clicking
like warped wooden floorboards.
soft from overuse
but still overrides willpower
in one palpitating breath.
grimy yet illusive
like your teeth after a day’s work,
collecting gunk that sidles up
to calcium companions,
crunching down on things
that become
so bland in the end.
doubt is offbeat,
monstrous footsteps hidden deep
off beaten paths,
its thudding is clammy and hurried,
aligned to the discordant jazz of
your alarmed body.
it tastes like
coppery heartbeats,
rising bile,
salt and mucus in the back of your throat.
it is a truly uncomfortable thing.
it stacks sweetly like buttercream pancakes
but crumbles you
with such a sour taste on your tongue.
imagine an agony that loves you.
i write about anxiety too much
(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.
Third Eye Candy Oct 2012
Love enough to wrinkle Time
your eyes    in the morning -

gaslight raptures
animate the angels
and nothing condemns
a single peace
to one note

the wavering is legion

as the stars

with more
Hope.
Kelsey Jun 2021
Why settle for less
Than you know you deserve?

A flower wont sprout
If it doesn't get what it needs.

Why should you?
I quit my job today. Im finished with the emotional abuse whether they admit it or not. I refuse to work hard in a space where i dont get what i need
Brandon Sep 2022
open wide
as filth falls with slugged flow
putrid lies fog our eyes
the stench clinging to nostrils
infiltrating minds
altering our reality
I S A A C Mar 2022
loosely based on events that never took off
I refuse to let it die out, I can save some
of the memories, wash away the dirt on my name
play with the energies as if you were here all the same
as if I can hear you calling out my name, or whispering
my heart is whimpering looking for hot hands
to cradle my cranium and explore my wetlands
you were just my type of man, my perfect poison
I was just your type of victim, the perfect person
for you to disrespect, neglect, and gaslight
for you to pretend we were friends until that night
where you stripped me of more than my rainbow light
ab Apr 2017
dear you,

she's not sure why
she even still brings it up
in her own head
because you are long gone by now

but she stopped falling for your tricks
a very long time ago.

she doesn't understand why
you were so demanding
of her time
and attention.

you were the knife against her throat,
and because she was afraid,
she went with you.

you were the only one on the other end
of the electric wire.
and because she felt powerless,
she let herself get electrocuted.

all she knew you for
was a photograph,
a username,
a mutual friend.

but you seemed to be a ghost
in her head,

unseen but persistent.

you hijacked your way
into the skin behind her ears,
and laughed when she heard
but couldn't see
you.

and when she finally had the courage
to shut you down,

you made her question
her own sanity and existence.
because of your
insecurities.

she can never forgive you
for that.

so dear you,

if she ever sees you walking
down the street
with a smile
painted in yellow
and green
and purple,

she will not approach you.

she will simply clasp her friend's hand tighter,
smile sweetly,
and add
a little
blue.
~stay away from Franklin Street
Claudia Cates Apr 2021
You’ve continued to Gaslight me
and minimize my concerns
whether they’re about me or you,
and it’s making me crazy; it’s making me doubt myself and
question
my every move
when it comes to you.
And sometimes
what i do with my life.
And I’m not sure anymore darling;
i don’t think this is light anymore.
This is dark—
it’s gotten quite dark.

When did it become midnight?
It’s pitch black out here,
and i didn’t notice until the pink faded away
and i turned to look at u
instead of the dark blue.

You were my distraction,
my medication,
my muse.

And what’s worse is that i still haven’t quite gotten a handle on deciphering between whether or not
to get upset over something that was not ill-intended...
but i do.
I always do.
And it’s my fault
because it’s my mind;
it’s something the chemicals in my brain do.
And i guess I just can’t do this anymore because
you’re not healthy for me.
My brain doesn’t seem to be producing those chemicals I need
when I'm without you.
Do you know what that’s called?
Codependency.

So I’d look at your eyes
instead of the night sky;
the sky that was as black as the ink in my journal,
where I write endlessly about the things you do that hurt me because I can’t, I (just) can’t tell you them.
(Your schizophrenia and depression do regardless.)
And anyway, you tell me otherwise.
You make me feel crazy, remember?
Like I have memory loss or an early onset of dementia...

You motherf*cker.

All the while,
I never realized we were in the dark.
We’re still in the dark.
So, what do I do?

What will I be left with if I do that thing you’re going to tell me to do?
wrote this after i couldn't take it anymore. am i crazy?
De time is nebber dreary if de darkey nebber groans;
De ladies nebber weary wid de rattle of de bones:
Den come again Susanna by de gaslight ob de moon;
We'll tum de old Piano when de banjo's out ob tune.

Chorus:

Ring, ring de banjo! I like dat good old song,
Come again my true lub, Oh! wha you been so long?
Garrett Johnson Feb 2020
Marion Gaslight

kicked in with malfunction hair.
Spliced.
Sociopathic residue drip to the commuter of the world.
Spliced.
How do you love your warmth.
Plunder.
All and well now.
We'll just wait it out in our arms.



Garrett jOhNsOn
Shroud to the marry movings.
Tanay Aug 2018
In the middle of the night
as the breeze soothes the mind.
A lonely owl steps out to the light,
leaving his nest behind.
The moon shines
and the wind blows.
A nightingale hymns
while the gaslight glows.

Nocturnal creative artists at work.
The night fuels their quirk.
Then a sudden cacophony disturbs the air.
A noise no one can bare.
From a distance it can be heard.
It whistles, but it is not a bird.

It slows as it reaches its destination.
Breaking through the peace with its whistle.
The train stops as it reaches the station.
Tanay Sengupta, Copyright © 2018.
All Rights Reserved
I narrowly a butch
and really this turn with my inhibitions
always ascertain it will seldom anguish too
as I rely on my hip
if my times there are a pie with a loaf

though many times a vehicle
as it may succumb to a butch
that still has cheer in Belfast
while I take a public cab home.
DubJDaddy Nov 2015
In the gas light district
We can walk along
Shadows dance eloquent
To a flickering song
Of a memory to be
As we continue to talk
Crisp Airy feelings
Awaken a dawn
This heart on my sleeve
You say a corsage
Looks better on you
We Agree
With a smile and a nod.
Put down your phone and talk ;)
Robert C Howard Sep 2013
Snowfall gently covered Belleville
in a blanket of softest down –
iridescent in the gaslight coronas.

A carriage pulled up at City Park Hall where
the coachman took white-gloved hands
and eased the ladies gently down the steps.
Some paused to pat the horses
in thanksgiving for the lift.

Top - hatted men offered arms to their wives,
escorting them up the snowy stairs
and into the buzzing lobby.

Trays of wine circled the room -
their cargo reduced at every stop.
Each raconteur spoke of celebration for the
Philharmonic had turned a decade old that week.

Programs in hand, people claimed their seats
while musicians on stage
practiced random admixtures of
excerpts that would come to order soon.

Then by the light of gas chandeliers,
Julius Liese raised his arms and brought
Haydn’s symphonic London to Illinois -
a citizen orchestra led by the local lumber czar.

After the final echoes melted into applause
and coats were lifted over shoulders;
the time had come for the waiting carriages -
snow still swirling in the gaslight glow.

The clopping of hooves on cobblestone
drifted into the passengers’ ears
and co-mingled with the echoes of
strings, drums and wind blown music
still singing in their memories
and irradiating their souls,

*January, 2007
This poem depicts an actual concert that was played by the Belleville Philharmonic Orchestra in 1877. The featured work on that program was Haydn's Symphony No. 104 the "London" symphony.  Night at the Philharmonic - 1877 celebrates the orchestra's 10th season.  The first concert was held on January 26, 1867.

Included in Unity Tree - Collected poems
pub. CreateSpace - Amazon.com
Nick Strong Apr 2015
There, amongst the northern skies,
Tears driven by ghostly squalls to
Fall on the blackened, bleak rooftops
Of this northern town, forgotten.
Left to a grey Victorian rot
Decaying factory ceilings collapsing on,
Litter strewn floors, newspapers decompose
With triumphs from yester year
Industrial dust stained brickwork
Grimy reminder, of the grim past
Haunted dim gaslight probing the fog
Days, nights only separated by murky light
A ghostly silence, hangs like a grimy fog
Cloaking lost sounds of dull beating on metal,
Boots tramping over cobbled stones,
The sounds of clocking on, clocking off, no more
An image of a dying or dead industrial northern town
CR Bohnenkamp Apr 2016
I have spent the last nine months looking for myself
Because the previous three years I only years I only ever looked to you
We bonded over our broken souls
Exposed scars no one else would understand
And you never questioned when the childhood trauma came knocking on my door
You told me about your manic bipolar mother
I told you about my schizophrenic father
And we built our relationship off false hopes of one day creating the family we never had
For someone who has lived the same life as I,
I thought you would be more careful with your words
But every compliment you gave me was just implanted for future manipulation
Looking back, I wanted to believe that you meant it when you said you loved me, that you thought we would grow old together, that our “children” would have two loving parents and everything they’d ever need.
But as I look back, everything you did was to get me to only see my future in you
To only have opinions that coincide with yours
I didn’t even know that self-affirmation was an option
Because you became the puppet master of my existence
It wasn’t until life slapped me in the face that my eyes finally opened and I could see you for the first time
I told you that I was three weeks late and reality seeped into both of our bones
You told me you weren’t ready to be a father
That you’d never want to have my children
That I was ruining your life
One pregnancy scare, asking you to put your words into action, and you walk away.
I didn’t know who I was without you
But I promised myself that I would never let you back into my life.
My new years resolution was to discover myself
And how to be happy on my own
I traveled the world
I journeyed to twelve different countries
And as I saw inherent beauty in everything around me, my problems became so small
When I was overseas you asked me how I was
You offered an apology and said you wanted to see me
The only thing that kept me from you was the five thousand miles between us
But the distance allowed me to say no, something I had never done before
I’m not sure if I’d have the strength to do it again, but I found a piece of myself, and that’s improvement.
Sorrow Nov 2012
One day I felt that sleep would do me good, and that one day just never stopped.
Falling without feeling,
without thinking,
even knowing.
This steadiness sees nothing end.
A constant,
a stagnant,
there's no such thing as propulsion;
no say or do of any kind.
Just this bleak, empty void, that fogs up my mind.
Begingings must come for an end.
I'd stay there, just not here.
Next time I might know when.
You stood across, the corner's gaslight.
Watching, baiting, biding your time waiting,
tell me what you mean by those words.
But I can't ask.
I forget, I'm asleep.
That night is so long ago.
I'd wish it back here, replay the scene, in the doorway.
Change my words,
just this once.
One last time.
Instead, I'm asleep.
Stare into the white.
Stretch to see,
understand what you mean,
there is no possibility.
I have heard stories
of gas lights and
cobble streets

their glare glowing,
amber dreams,
holding tight,
screaming

as we slip into a
stupor, rattling
windows

the hunted and the
haunted, stumbling
across these *****
stones

shoes creek, old
and broken,
and no one.
No one.

No one

hopes for the rays
of an orange sun,
the smell of
Spring rain

or victory
Elisa Cinelli Mar 2021
I was Harriet the Spy
to cope with your cruelty
thank god for that movie

Memories gaslight me anyway
whispering that I was wrong
and not good enough
Richard Yeans Feb 2019
You know what?
It may not feel real to you, but
It does to me.  
Lies so often that it’s uprooted my own
Sense of sensibility.  

Gentle, loving touch
I feel it deep shivers down my back
The services you render
I haven’t seen
Since I ran Allroy off the track.

Peck rapidly with your thumbs
Although you can barely read.
But here I stay, I care
I can’t explain the need.
Katie Jan 2017
maybe i was lucky cause he never made my body bleed, but that does that make up for what he did to me?
or was it all just in my head, something my thoughts bred?
i don’t know what to believe, I’ve got two voices yelling at me,
somethings wrong, everything alright
just tell me a lie so i can sleep through the night.
i’ll be alright, i promise.
oh please, don’t be so modest.
it’s just daddy issues, or whatever you call it.
theres nothing wrong with my head its just all for attention, tell me the truth, i have so many questions.
do you see your reflection?
I think I’ve got bruises on my brain, am i going insane?
Wren Djinn Rain Jul 2015
Do you believe the powers come from heaven in rain?
Denounce the brittle, little lies that keep you detained.
With one fell swoop your family denies that womb water
from their line ever held you. Our child, disgraceful.
Hold me now, wicked wind, in twilight to find truth,
for no amount of trying will mend the boards began
pried to the point of breaking right loose. Glue won't
fix this rift. Don't worry, I find it nice that some do
get to choose. Ungrateful mug, she rejected our
love by walking with her brow upright. Beaten none,
for the patchwork of lashes mashed in back above
the *** of property, branded and pushed in.

The sky will call a caw for you on one more day
you kept yourself from death, promising to do
your due, never invite the listless, self-inflicted
sorrow, others lip to ear in shadow gaslight to
imbue. One more day others in shadow decline
interview.

I. Will sing a prayer.
(She denies the gods given)
I. Own nothing to give.
(Free and kindly)
I. Will sing.
As much and where I would like to sing.
(She's another one with a will)
Not crying at the back of the world, not holding just to hold.
(She's another one who hunts happiness as if to others she's disappeared)
Not stopping to cry back at the ceiling holding me
to the floor in a box as its missing pieces

(When she's only a another piece)
straight up in a hot flash
Jade Jun 2023
Fool me once--
shame on you.

Fool me twice--
shame on you.

Fool me three times--
STILL shame on you.

{gaslight}
Md HUDA Sep 2013
I never smoked
Since you left me to bestow me rigorous ache
I pressed one pipe amid my two lips
Then I was about to lit the pipe with a gaslight  
All on a sudden your face emerged from the pipe
I stopped! Tell me how could I burn your Beautiful face?
dear iron maiden

leatherette bound spine

worn blue dress

gaslight district cafe smile

eighth floor

ninth floor

whatever

i’m here

four doors down

knocking on

thrift store loneliness

that you just can’t give away nowadays

we

dare polaroids

point and laugh

but not of mockery

catalog pictures

a galaxy or two

more panoramic for any shutter

wide angle lens

a thousand batted lashes

and double takes

i’m easy to capture

and purposely left behind

like a coffee cup beyond the windowsill

beneath the screenprint letters

(and) for your eyes

——————————-

wednesday
Get your RSVP (Respondez s'il vous Plait)

Your presence is cordially invited
(If you please)
To the Troll Invitational Only Ball
Come one , come all !
Only the best heed this call
Featuring the Marque band ,
"Smashing Poets"
Playing their monster hits ,
"Clip You At The Knees" and "The Killer In Me Sets Me Free"

Join in the festivities
As we debase humankind
A great time is guaranteed
For all "Troll" beings
BIG or small
So come one , come all ye Trolls
To the Invitational Ball


Comments :

The Thaumaturge : When we're we supposed to get our invites ?

Thomas A Robinson : What ? You didn't get one ? Must be some kind of oversight !

The T. : I'm sending you hate mail as we speak so that you know my address this time .

TAR. : Will do , I'll be in wait . . . not !

The T. : I don't own a car and I was reading a book literally the other day .

Craig Moore : Is the ball going to be under a bridge ?

TAR. : Of course !

The T. : I feel like I'd be shunned at a trolls only ball since I'm more of an antitroll if anything .

TAR. : Well it takes one to break one .

The T. : Nice to know my efforts don't go unnoticed .

Craig Moore : But there is only one ?

TAR. : Proxy ! ! !

The T. : Oh alright . I've got like a billion of those .

TAR. : That's proxies , not proxy !

The T. : Yeah , I've got a billion proxy .

TAR. : Proxies ! ! !

The T. : No I have a lot of proxy .

TAR. : Ha ha , that sounds moxy !

The T. : Is it just a little bit foxy ?

TAR. : Now I'm shredding your invitation !

The T. : What ! Why ? I thought that would be a perfect example of trolling . Don't make me drop the B-bomb !

TAR. : Trolling - the act of dragging a lure or bait behind a boat in the hopes of attracting a fish to bite the bait or lure becoming hooked and caught . You're troll bait .

The T. : That was the whole proxy/proxies thing ! And as for you , you are a troll incarnate TAR and not even a clever one .
Yeah Thomas ! Leave yourself alone ! Anyway I was supposed to be invited but they tore it up after I arrived .

TAR. : And you call yourself a miracle worker ?

The T. : You want a miracle ! I'll show you a miracle !

TAR. : What ? Hack my account ? Been done already .

The T. : That's not a miracle . Tell me what would impress you ?

TAR. : Simple , eliminate all trolls from here permanately . Should be only a minor miracle .

Tap . Tap . Tap .

TAR. : I see he cannot eliminate even one troll .

The T. : What are you talking about ? They're all gone !

TAR. : Smoke and mirrors . Don't gaslight me ! I'm an optimist . One who sees through fog clearly .

The T. : My only weakness .

TAR. : So put up or shut up .

The T. : Honest is the best policy .

TAR. : Honesty ! ! !

The T. : Thomas A Robinson your obscene proclamations are easily dismissed by adults . What would you do to a child in a public restroom ?

TAR. : I would call you for advice . Whoops ! No I wouldn't ! I would take the knife out of your hand .

The T. : You remove the knife from my hand only to find out that I'm actually a large swarm of bees wearing a trench coat .

TAR. : I would be the bee and tan your hive !

The T. : Maybe make a moovee out of it ?

TAR. : Bagging the killer B's . Pyrethium dreams . Your honey's run dry . You sting me I **** you .

The T. : That'd just **** me twice .

TAR. : Well good night Miracle worker . Don't let the bee mites bite .

The T. : I hate those bee mites , sweet dreams are made of bees .

TAR. : Ha Ha Ha , dear Annie Lennox is fumigating now . You're a Pox on everyone .

Mya-Angel Madden : How dare I miss the Ball of Trolls ! Whatever happened to Lucifer ? **** .

TAR. : Ah , the days of Lucy, when the definition of a troll was perfected !
All others now are just doormats in comparison .

Pintu Mahakul : Join in the festivities and this is very amazing definitely .. .

TAR. : Thank you Pintu Mahakul .
A repost of a poem with comments .
Matthew Harlovic Sep 2017
i thought we had a gas
but you were right
we had a blast.

© Matthew Harlovic
kaboom.
Barry Stauning Jun 2016
I'd like to take a moment
to thank you please
I'd like to thank you please

for all that you've done
making me the one
the chosen one

I'd like to thank you please

for making me the object
of torment you can't keep inside
your most insidious lies, resentment and disdain

I'd like to thank you please

for the all the different ways
the sneaky different ways
it all came out sideways

I'd like to thank you please

for teaching me my pain
my blessed, pious pain
helping me understand it's my fault

for showing me
how to mend my ways
and all your praise

I'd like to thank you please

for stirring it in my kool-aid
that made it go down easy
I'd like to thank you please

thank you, please
thank you, please
thank you, please
Nico Reznick May 2018
(A follow-up to "Whimper", which was written in response to "Howl" by Allen Ginsberg)

I have seen the best insanity of my generation destroyed by the worst minds.
I have seen humans turn into robots and the robots turn to fascism
because of What The Internet Told Them.
I have seen the weaponisation of our most rancid fears and watched
in horrified fascination as our inner demons got their own agents.
I have seen and felt the horizon constrict so tight, it’s getting
hard to swallow.

You have to understand, this isn’t what I wanted.
You have to realise, this isn’t what I meant.

This isn’t crazy.
This isn’t pure, natural, spontaneous crazy.
This is synthetic madness, manufactured madness,
genetically modified, mass-produced, mass-marketed madness:
As Seen On Television; approved by test audiences;
none of the calories, all of the carcinogens.
This goes beyond the deplorable allure of a free red hat.
This goes beyond dinosaur-dodo-dumb nostalgia for a blue passport
and a golden age that never was.
This is why you hire Cambridge Analytica.
This is the Project For The New American Sentence:
The message is, “It’s chaos out there, people; do what the hell you want.”
And the echo chamber,
and the echo chamber,
and the echo chamber,
and even the rage…
even the rage isn’t real.

Mercenaries, not maniacs.
No more lunatic songs.
That howling you hear is only feedback:
an endlessly shrieking loop of absolutely nothing, broadcast on
every channel, into every dream, until the fillings in our teeth buzz
and our institutions tear themselves apart, as
component materials hit resonant frequency.

This is how the world ends: Not with a whimper, but with
static.

We got the message wrong, giving credence to people
whose hatred is their only art.  They taught us
to avoid such human folly as Ruinous Empathy, to
distrust painful, decaying love, when these were the
things that might have saved us.
There’s a poet I know, who served in ‘Nam, who thinks
he might have even forgiven Nixon.  
Field Commander Cohen has checked out of the Chelsea Hotel,
deciding we wanted it too dark for him.
Too many of our heroes have turned out to be monsters.  We're haunted by
historic *** crimes, Cold War ghosts and the knowledge that we
could have done things differently.

The message was supposed to be, “It’s chaos, be kind.”

There's no such thing as a stable genius, but we've got
fake news and alternative facts; we're discovering the side-effects
of living post-consequence.  We're hypernormalised.  We're
past shock; our incredulity stretched beyond its
elastic limit; we've broken satire and nothing is really funny any more.

Welcome to the Disinformation Age.  These are our Interesting Times:
Glee Club and Gun Rehearsal; bloodied blue uniforms;
tears for the victims of the Bowling Green Massacre;
an early by-election for Batley and Spen;
very fine people on both sides; Thoughts & Prayers, our
only surplus, the ultimate fiat currency;
poverty **** and the return of social ****** (71 dead at Grenfell, NHS black alerts, rickets making a comeback, lead in the water); Drink the Kool-aid; humans like Kool-aid - **** stars on polygraphs; Netflix and Kompromat; the portrait
in Kissinger’s attic; Ayn Rand for Beginners; Corporate cosmology
and casino capitalism; government by gaslight; constructive ambiguity
to preserve a kakistocracy; bring me
the head of Roger Stone!  #EndOfEmpire;
Windrush and Stupid Watergate…

I said we needed our madmen back, but not like
this.  Not
these posers, these gangsters, these Quislings…  
These are merely bad actors, playing to the crazy dollar,
but do not doubt their sanity,
which is icy and cynical and monstrous.  But,
in the cold fusion reactor of that sanity, they are unknowingly
forging a new generation of madmen, whose madness
will be righteous and real and burn with
a pure, perfect heat that cleanses and cauterises.  They
will know the difference between human
and humanoid.  They will be less afraid than us, less quick to
hate strangeness. They will use their craziness to
create, not destroy.  They have
already begun.

I know this because
I have witnessed six minutes and twenty seconds of silence that blazed hotter, howled louder than all your Fire and Fury.  I have seen
riot cops in Baton Rouge turn whiter and recoil in fear from serene, dignified, unarmed surrender. I
have heard the young sweetly whisper to the old,
‘Fine, but you’re wrong, and we’re right, and we will outlive you.’
You can’t hide that behind a wall.
You can’t say that life doesn’t matter.
You can’t filibuster the future.
Everything was forever, until it was no more.

Our madmen are gone, and they’re not coming back.  
But there will be others.
The best minds of their generation will not be destroyed by your sanity.
Follow-on to "Whimper", posted here: https://hellopoetry.com/poem/1513932/whimper/
sick of the situationship
the fixation ****
you lack the maturity and patience which
is the reason this can't go on
you've already been so gone
lately you can do no wrong
but that's not right and it's not okay
it's not my job to fix your mistakes
or bridge the gaps you make
if you wanna cause a range of issues
or are looking for someone to fix you
or gaslight over things you did do

literally
go find someone else
Westley Barnes Jan 2014
The minutes and hours drench and drift
like evaporating mud-rain keening through the sides of my fingers
seamlessly
And my belly is warmed at the beigest radiator's synchronized glow.
"Without a dream in my heart, without a love of my own."

Such were the words that glimpsed
at truth, that attempted such sweet
transparent reflection upon
my runaway-from-home boy-adulthood
daydreams.
Whimsy scored without the tears
but also without a grasp at love.

Without a chance of knowing all its disappointments,
co-dependencies and retreats.
Hubris instead flanked like steam rising off morning windows to ward off the cold.

Alone, (a recurring fantasy), I placed myself battle-rigid,
regarding only what was then contemporary
keeping a trench against the adherence of life's timepieces
Allowing only seized elation of thought to cluster and ferment out of
the ruins of the world.
Reporting on all but life's safest discrepancy,
the fear of ageing further,
Everyday.

What active pursuits had I, to locate and chase these memories with?
If memory would challenge my conviction,
these ballbearings, by talking back
to disprove the self-image as being merely selfish?
Will I feign to remember these words, nevermind the images, in fifteen years time?

Perhaps only a spark (an imitation of: Gaslight, Phone Charge, Sun) is ever needed
Chore-empty afternoons spent as if waiting in art galleries
for Rothkos to explode, to echo, to ignite something catastrophic,
Something permanently invigorating, that damages,
that which further longs to fall apart.
Lyrics from "Blue Moon" Copyright Richard Rogers and Lorenz Hart, 1934.
Not used by permission, but I hope they won't mind.

— The End —