Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End

Solent in Expiationem Animarum

Saint John the Apostle says: “Zefián, the computer of the Duoverse of the Verthian world, indicates the order of his creation of the world, according to the transcendental plant living matter, in the interstices of time itself that exists within sidereal time. Noting that matter and time, is governed by all mythological beings in a compartment with monotheism, will be defined by atavistic laws, which are the deity of the intense hiding place of procreation, endowing great contextual residences, for habitat and a world in which larger non-residential scales, which go from passerby between the lines of time, and cosmological phenomena, which in the Duoverse face vicissitudes of the stars and their physicality added to the arcs of memory and emotions. Thus the main task of how the structure of experience surpasses consciousness, to novelize the orthogonal movements of the Universe, but in a Vernarthian world with great explorations of matter, which are quantified and volatilized in the field of its ethereal existence. The laws will be governed by your Zefian computer, describing codes that will verify the fulfillment of pivots in the reactions of the universe, but with refractions when reasoning about the consummate phenomenon. Starting from here in the experienced biology that will overcome the laws of physics, since its value is above the limits that allow the bold line of gravity that bounces in the lines of time, and its distances promoting more discretion when resisting threats. of a possible tiring case, a product of some relative dominance not included in all worlds with each other, in some case that does not rescue us from loss of links of some omitted sidereal reminiscence, attracting us to a universe governed by hemicycles of merely material particles, and not existential biological ones. The dimensions emerge from the beginning of the same universe, but more delayed from the interval and the second limit of the space that rests, to inaugurate the one that comes. Being the orbit of translation twice rotating towards the sun, but nth times rotating on itself, to go out to another stellar dimension not present. Its geometry will be from the intendancy of the resumption of Cinnabar in Tsambika and Helleniká, to later cancel each other out, making their integration in Patmos, on the coast of Skalá, with curvatures that validate the nullity of successive expirations of material lives, between spiritual expirations alive.


Duoverso is born and will be reborn, every time the years are subject to the loss of everything quantifiable and not, under the light that will be lit on all the darkness, Zefián being, in paronymy in which they lack to appropriate the support and merit of to have it absorbed in the tabernacle of Vas Auric, in the privilege of nothingness itself and nobody, adding itself in what is preserved of the physical support of itself. For just sidereal speed, in which it will have to travel on its same axis of rotating time on itself, in paradoxical of the One-dimensional Beams, these coexisting with the same low and high universes, reconverted into angelic vital luminances, creating orbits and optics in the visions of Christian temporality. By empowering them to enable them in the overexcited that derive disorders of intermittency of memory and physics of time, to reinsert themselves in the sequence that inhabits the residual of the speed of the Beam, as a Theo-Philosophical entity, of cellular multiplicity or cells of seasonality. of retrograde times, for the independence of temporality, under the regime of the past made up of an unbelievable yesterday. Overcoming the conserved immediacy of conviction in the One-dimensional Beams (Kafersesuh), it is observed denser when every mortal admits to being due to integrating and later brooding, dissecting organic matter into inorganic matter, suspended in the richness of a world of Faith and Prayer, of the most anti-gregarious desert and lost in the world, but supported by hollow walls, which do not exist in Vernarthian emotional matter.

The movements being physical, they take us on conjectured layers to discern their magnitude, emphasizing the rigor of their measurement on us, instead, the ambivalence of Zefian, delivers in both chromatic the Dark and White Duoverse, under the reference of the behavioral alternations of the Diospyros, source of the arboreal, for the procreation granted in the hands of Leiak. Relying on this equational exercise, with less time to design for its genealogy, but rather on its apocalypse, reinstalled in abolished primary unknown spaces, to have it once again in the light of consciousness, recognized as an inert matter of the past, but living off the immanent eternity of nebulae that personalize the earring of the Caltrop, taking temporality, but not snatching any hand to tear it from his own.

Vernarth says: “In the rhetoric of the Universe-Duoverse theorem, it is worth noting the past with entity, present and future also, connected to the time of Verthian inspiration, Holderlin-Heidegger, on issues of physical habitability, as a complement to the entity, which anticipates the present/future in the vicinity of death in the past and future, but tangentially in lively whims of existentialism-mortality, for a way of being rented out at death, as a way of being, dwelling in death itself and in the act of embodiment having existed, but with its own mandate after having been rented. The Vernarthian World appears in this current, prolonging existence from non-existence, granting complementarity of more past existence, before an unlived death. Ontologically, This theory stems from the One-Dimensional Beams of Kafersesuh, in Ein Karem. Essentially Christian, as the matrix of existence between Ein Karem (Nativity of the Messiah) and Gethsemane, as an interconnection of materiality in metaphysical reflections, a product of the immaterial of life not lived, as an urgent sacrilegious death, and of the anticipated dimension of the life process- death-life of Christian Messianism.

Vernarth says: "with the slaves in my disparate hands, one picked up what the other was carrying. With my right hand, I took the Duoverso, and with the other my porter; I held my reins on the maxims of Elpenor, before falling to the cliff. One naughty day but with the worst pain in my chest, I went to see him in his room, and I structured him as an immortal, at the time of forming the world, "knowing not even being part of an identity" favoring him to be part of me. combustion and ignition due to the friction of the Universe on the Duoverse. Such was that fearlessness and affordability that it decorated me with unexpected tears of belonging by imprisoning me with superfluous boastfulness. But his courage will be mine, and he will have to anticipate being in the middle of grace, as in Gaugamela wounding my two hearts, one deleterious and the other not..., verbatim saying:

Says the Carrier: “I have to agree to your mandate my lord Vernarth, I have arranged my emetic knights to take him to the empyrean, more remote at nightfall. I know that my own death will also take him, for we are double lives loving death, which falls on a night given to the seventh Falangist soldier. In the midst of souls already disheartened by the misfortune of life, in the figure of eternal death that refuses to receive us discouraged "

Vernarth says: "I do not know if I am or will be brave, because I have forgotten to die, rather I do not know what it is ?, but in the midst of the horses and the hosts of the block, from the anvil of Gaugamela that I have not felt it again..., which is death after feeling my hands and legs severed, but not felt when appropriating some amputee. I know that among the Hypaspists we used umpteenth arrows to mobilize their war apparatus 665, but from the wasteland jump we gathered the delirium of the Falangist command in the Seleucid 666 row, rather detached from every man, in a substantial way in favor of the Alexandrian life, "Of course he was already in the hands of eternity, which hurts more than the tip of an arrow, even being unfaithful to his mortality"

and not in the Universe chained to its fractality, rather of its present-present of the new universe for those who make it negative of itself, towards a clone and neatness, granting it recklessness, who continues to sweep its entity, its dimension, its space, the distances, the matter to receive it in their being. Vernarth, besieges the discursive thinking, under the tides of the tenements and the fears of late emotionality, changing to all the best heroics of the follow and all the experiences of harassing flat lights of the target, in the necropolis that speak resurrected, not being chimera in the best leisure districts live, but immortal of a district..., with steps to constitutive slogans of "succumbed cities, but..., with eternity", connoting after all abolished transference, in eternity present between two beings of mortal rank, the Carrier and Vernarth, Vernarth and Heidegger, but here the last one bringing him the closest radiogram between expiration and eternity, with significant death (End and chaos) and eternity (creation), in the limbo-purgation ratio, as the source of the potion. His total contention and affinity in Heidegger's dialectic, passing through a moment that marks his reincarnation, in the rambling of finite eternity, moving away from Vernarthian ontological and metaphysical reasoning. It was attached magnetic in the Universe, feverish kiss in ambitions of the temporal Being, as substantial of perpetual objectivity towards the unworthy survivor of the Vernarthian theories. So far no similarity is compared to whoever wants it or not, it is part of any estimate or spreadsheet of a complex Duoverse, Within the emerging frontis of progeny, there are ranks derived towards the first to form compound swaths of shelters in the Camels Gigas, who from Jerusalem escorted them with their plantar consciences to Ein Karem, then returning to Gethsemane, to finish in the port of Jaffa. Originally arranged by the children of Israel and the strongholds; Vernarth, Saint John the Apostle, Eurydice, Raeder, and Petrobus with animality, Etréstles, and Kanti, to finally mention King David, who goes to his catafalque before leaving for Jaffa, to return winds to Patmos. Of this primogeniture, the legatee is Vernarth, being presented as co-first-born by giving his portion to Saint John the Apostle, for trust assets of the benefit of a third party for both, and granting the patriarchal and reimbursement to each of his inheritances, being of expeditious aim the liberation of the world that lodged them not authentically in the mediocrity of ascendant ancestors. This prerogative will be decisive to define the dimension of the Duoverse and the One-dimensional Beams as consanguinity, simultaneous nascent and mortal worldview, to radiate them in the beams that support the universe, and from this same, they are transferred to the vision of child-man, child-cherub., for the purpose of defining the Universe-Duoverse physically composed of four areas of its consistency. Time, Being, Divinity and the Four Wings of the Cherubim, as a concept of biodiversity in Lepidoptera, Bumblebees, Bees, Wasps, and Fireflies as tetra-winged animal entities, originating the warnings and impositions in cardinals and poles of their primogeniture, rising from chaos, up to now as mandatory Duoverso, constituting the alpha world, rising of the Animalia and the intermediate visions of the heights that guide the material essences of the imperishable spiritual elemental and structural physics. Being ineffable matter, in the stars that prostrate itself, before each pause of advent and of creations that ****** other creative flashes, in pursuit of a gnoseological doctrine, as a slavish instant, ending in another for the study of the meaning of conceiving in the diligently part of a new world, on the borders of the unknown and of repelled nothingness, suspecting itself in the living artery of nihilistic nothingness, without leaning towards nonexistence that endorses it, or perhaps from a twin Duoverso univitelino in the chaos of unfertilized nature..., rather empowered to the first heir by the law of the Messiah district. Allow yourself, in this way, in the face of this premise and history, to continue and be part of an establishing whole, looking for God in a new world and universe as well..., but shaking before the nothingness that sustains it, as a basic knowledge of value and of immobile Faith. The hypothesis Prosapy-Centric, defines blood lineage unifying the Duoverso as follows:

a)Eternal Existentialism:

He talks about how compassionate creation is and its factotum, that it will be better that way. At the entrance to the Vernarth mouth, within its buccal cubic meters, the Zig Zag Universe, the promoter that caused the Duoverse, broke out. Here your thoughts of eternity are born; not from your brain and discernment, psyche or mind. It exists in a present that will be distributed without end or beginning, in the holistic of the anticipated existence of the being itself, so that everything holistically arises from the mouth of Vernarth, becoming the light of his luminance-ejector thought, being in some way the Zigzag universe that emerges from the outgoing access of its mouth and that manifests itself in some change of quantum physics in a state of hyper-connectivity and always present. The Zig Zag, coexists in eclectic variability of angles, creating regularities in its time and displacement. For the sake of results and translational parallelism as a promoter of the Duoverse, based on the holistic that brings together the effect of the word-fact, but eminently aimed at the morphology of extra language of intellect, rather in the kinetics of the language of human zigzag and physical-material, typical in various line segments of lightning and space storms, resembling his lost and bleeding soul in full battle at the site of Arbela. The other meaning is his salvation from the Council of Patmos, being already Installed in the Eclectic and invisible portal of the Evangelist of Saint John, levitating in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio- USA). They would find themselves in communion with the archaean clan, which would resemble its proper ectoplasm; thus each one forming a unique part in the masonry dictated to redirect them towards their messianic labors at this stage of the ascension. Vernarth; is aware that he will have to enter the cave, after having ceased his work on standby for three months. He continues to fester in myriad wars and parapsychological regressions, he will remain in a daze to dedicate himself to the beautiful landscapes open towards a horizon..., a neighbor to Palaeolithic and astronomical painting. In the flashes of mathematical prayer, you will capture the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos. The saint appears only on certain days looking at him from afar to encourage him in his progress..., Portal Eclectic and invisible is the facet of the face of light, after the invisible that manages to be appreciated with the principle of transferring its connectivity of the immaterial with the material, but done in the finished quality of "Merciful", deriving everything in what supports the splendor of the facts and their objective analysis, by no means the same, because the Zigzag universe, originates theory or thoughts from the perspective of external language and integrally unites it through the optimal results, always imponderable and categorical to follow them and attract them to eternal spiritual good. Being exhaustive of the fact of action, although it is subdivided into executability..., it will continue to be timeless, therefore eternal, in the hands of a universe of thick eternity and stationary death.

The final communion of Zig Zag with the Duoverse, will make this key momentum to replace the Universe of the former Vernarthian world, for inflections of the continuous present, more in the distance of the limits that have to originate than by a simple gesturing stupidity of disbelief, abounding more than a universe that is created in eternity, and that will never again resurface as a physical dimension. The successive potentiality of this theory of holism subtracts actions and not facts, since it always culminates in the limit of infinity, always beginning and never-ending, to then restart in a present that is reintegrated into the access of the oropharyngeal and non-cerebral embouchure, since it has of limiting itself in its shock and subsequent confusion of language-emotion and feeling, to change all eternal emotion, always going hand in hand with the unequivocal and assertive light,

b) Being Universal multi-evocation:

Over Rhodes the auroras could be seen retreating, to attract the new luminances crossing between the atmospheres of the ancient worlds, with stars that were ordered among others, descending at great speed from the Universe, fascinating all Greece, coming from celestial bodies that brought from great Relative distances and proximity between the Duoverso and its satellite widening, allowing to grant subsistence, and routes to the nascent species of the Vernarthian sub-mythology. The Sabbath energy Light is overbreathed repair; here Saint John the Apostle influences through the conduit of the Cinnabar towards the Light of the Mashiach, with the intemperance of life on drops of crystallized water as gifts of Taphoric Light, with synoptic signs of transformation of all the green grass growing like a beard on the slopes of the Willows, where Saint John the Apostle goes back to prayer prayers; so such in repetitive sentences and prayers towards the Universe, which were falling as it was on Mount Tabor in the Transfiguration. All this in the fervor of the willow chins that fell from the galaxies, with their cascades one after another in orderly colophons of fervor making the sky a great source of Moshaic and Elijah voices. (Moses and Elijah) to Christianize the holy oils of the radiant glory of the Universe that was complemented by the Heliac Ortho that was appreciated in different coefficients according to this new position of the parameter of Greece, observed from the Constellation of Pisces, being symbolized as piece as SOS, since Eratosthenes tells us about the fish that saved Derceto (Goddess of Assyrian mythology), after falling into a large lagoon. Seeing therefore in the sky as Fum Al Samakah, Arabic for “snout of the fish” (or Fomalhaut star from the Greek translation). Pisces being bright and of the great dimension to mold it as a whole iris, which was rooted from the formal pelagic accent, towards a spectral affinity of the Duoverse, like leaves of Willow temperatures, on the reflection of the Multi-evocation. For antithetical referendum of the Pleiades between light-years that diminish behind the stars of the magnetic field and its exo-planet. It is necessary to consider that in the wisdom of God, there would be his ordering conscience, on each constellation, and then detach itself before each other that guards each one in centuries of light-years, and in each one of the children as light-years of millions, but of numerical present time quantum; that is to say, all translation on average over ups and downs of spatiality and in remote ages, to zero or from null numerals in the integrality of millions of non-existent light-years, but accumulated and equidistant between the Universal Being and Multi-evocation. An example of cartographic observation shows us Greece at Latitude 39.074208 and Longitude 21.824312, influencing the Duoverse as a complement to the rise of Greece with the latitude of the Heliac Ortho, being Sirius eleven days after the Ekadashi and eleven days before the other at 10 °, Maximizing the light herbalism of the unconscious, to systematize the rise of the Universe imbuing Greece. Refulgent and small electromagnetic systems, led by the Divinity, are freeing themselves of all the units that bind in the minimal Units that can expand with the apostolic energy, rather than a trans-human receiver, in blocks of circulation of waves, related to a Defined spatiality, divine and with its own energy of opening of small worlds of provision of light, and radiation emitted by the deleterious convex of invisible essences in properties that are released from overflowing stagnations of creation, and from the skylights that are more distant than the wavelengths than from a breath of Demiourgy in the chemistry of all multidimensional hyper-existential between frequencies of energy widely displaceable by lines of how many..., in static energy of rest. Ultra colors intensify on the coasts of Rhodes, as a sulfur photoelectric effect of Cinnabar, formalizing mechanics in those sedimentary particles, which undulate in anticipation of the precise amalgamation of both universes, evolving towards the matrix of origin of physical and non-biological state and period, but of eternal divine inspiration, from the mouths of Vernarth, as a resurrected Being electro vigorous, dwelling spacious and sinuosities of curvature and psychic spiraling, The Vernarthian nature will call this phenomenon the Son, since it is the similarity of the halo in the Taphoric Light and in its effect of the baptismal of this Christian Universe called Duoverse, in accordance with the presence of Saint John the Apostle light, among the attending raptor niveous. strangers, arrival-departure and between the nebula of pendency in the nimbus gaseous clouds of fields that mutually heard each other recognizing each other..., leaving only Saint John the Apostle in the perfection of the sky as a universal and Duoversal shadow, first of all being of light being baptized, crucified and risen-ascended, in the metaphysical transfer of his body, as a universal body, as a quantum point between the earth and the sky, between the universe and the Duoverse as a complement of gaseous and spiritual atmospheric earth. Ministering in the judicious and prophetic occlusion, being a juridical part among the myriad bundles of Constellar Pisces that supported the transfigured and converted prophets, before a brand new universe, "Duoverso", witness to the amazement at the proximity of the multi-evoked Universal Being.

c) Reflection space (Light-matter)

The Duoverse having been pulled from its entrails from Vernarth's mouth, and objectual free fall is noticed after disengaging from the quantum Universe, rather than an elusive cacophony that unfolds separated from their bodies in all dimensions, except Vernarthian time, Alluding to the stoning him so that he ignores himself in agony and returns to look for him to revive him as Space-Light, in the presence of matter reflected from himself, which will unfold throughout the Hellenic Panagias, from Kímolos to Tsambika, to make the curves the direct passage that once again bends time towards a fragmented dimensionality. Barefoot was the apostle with Vernarth in the three quarters of the axioms and algorithms, where the conceptuality would overcome the low calculation of what was already ministered by them. Creating space for lapses in dreams of the Stairs, with steps of Topaz, in this particular case of Saint John the Apostle, "seeing open skies and angels of God go up and down on the son of man." Here some sidereal Solar gleams are illuminated that have nights for a sunny day, Vernarth resting on the side of the Monastery with a stone on its head and dozing to dream like Etréstles in the Hexagonal Baptistery of the Shepherds in Ein Karem, but of the compact sweetness of the famous luminous Cinnabar ascending vertically where the Yahvic Being, who was presented to him as the Abrahamic patriarchate nexus. Endowing him with celestial dreams about stones that inherit west and east towards the north noon, in space of hallucinations of Jacob's subconscious, for the satisfaction of the luminous pictorial ligament. Thus, a timid but decisive reflex pointer of space and reflection is detected, which includes fragments of spectrum and tonalities of a machine unconscious, to raise the Duoverse in a depressive day of the scathing moment.

d) Physical energy (molecular entropy)

From the bases of Theoskepasti, the physical system emerged in two sums after the movements of the pendular censers that exceed the elliptical of the Cinnabar and the potential of the ejectable force field, for ductility of its forces that emanated from the triad with the archpriest, helping him Etréstles and Kanti, who would take them to the Hellenika Necropolis. They make of their golden bodies the ephemeral speed mechanized in the originality of the homily system, to break in the guardian friction of the gravitational axial of the body of Light of the cinnabar, which received the sulfur kinetics of the defective organic matter that was wrapped in a bizarre alloy of sulfur light, and in all the forces gathered, not rubbing with the cinnabar obelisk, already invaded by the energy that made it superficial, between the shell of the Panagia Theoskepasti covering and the strange normality that made them physical-organic. No scrubbing would continue the movement of the fleeting angle of the anvil of Hephaestus, but the static on the surface, lay unchanged before the forces of the back and forth of the molecules that sank late, shooting from the pendular area of his bowl and then starting with full power for new angles that will take advantage of the mechanics of the forge and the friction clean and **** before the joint, and the resistance of the reactivation of the second period of the movement, to forward them to Tsambika in the response signal. Quantifying later between the inferiority and the intangible shock reaction in the light radiosities of the cinnabar re imparted towards Rhodes, forming resistance, but with immanent entropy, with a high degree of fineness, in such a way that once the conservation rays are fired, the response to Rhodes will come from Kímolos with the particles and combustions of sulfurous gas and mercury, generating entropy of two quantum and physical times between the Dodecanese and Cyclades, knowing that the inert matter is inactivated alive, thus envisioning the contingent presence of iron in the geology of both islands, with more than eighty percent, and of gravitating oxygen for the Vas Auric and its materialization, as a ****** impression reducing its physical dimension and enlarging its water content in pelagic beings of the Aegean. This would suggest the homogeneity of both island territories, appease the conception of substitutions that frolic from north to south, to break their normal balance, depleting what is island land towards oceanic land. In this way they will be mixed entropically for a new generation of fertile life that balances in chaos, already in the hands of Saint John the Apostle and Vernarth, in the main nave of the Monastery that seemed to oscillate atomized and vanished, but then atomically restructured, slyly dividing the canons of traditional entropy, and making it disproportionate to the biodiversity ordering of the sterile and the fertile, reordering itself as a mutable force excluding the reality of act-effect, invested in the integrity of life-death-life, as a molecular target in a double physical dimensional unit, making the prospective universe by splitting from any other format, to become another and another physical dimension. Universe-Duoverse, they shake like two spheres, almost joining each other, but separating into heterogeneous classics, as a panegyric, under the invocation of Conviction and Faith. The universes self-recomposed and redistribute themselves before our eyes, but before the consistent devotion of this homily, it makes them astonishing and phenomenal (everything that happens is recomposed - if the tree fractures, but then it straightens re-fractured, before our eyes being recomposed). Thus the chaos of the Universe is resolved, appropriating a new sequence of continuous creation, starting from the same creative property, but of molecular entropy, almost in adverse defect, but of constriction of the yielded body, to be incorporated into the Cinnabar beam of light. dynamic, generating ignition at the ends of each part of the structure obelisk, in order to release and stimulate on the absorbent..., of the Hexagonal Birthright in Tsambika,

e) One-Dimensional Beams

From the hexagon, everything is dimensioned on the peaks that can be seen in the starry nights from the curved kilometers of Bethlehem. Everything goes on top of the desert mountains and valleys, above the vagaries of climatic heights, and landslides of an entire believing community and its followers. In twelve advancing camels, of which the first six are exclusive to the Birthright, and then the seventh Giga camel is from King David of Bethlehem.

The beams are the architectural support portion of the physical-ethereal God and of his ethereal-physical word, supposedly of advent in grazing of the hardwoods, and the secret anomalies of a new Aramaic message, anticipating the vigor of insects and birds that were grouped together. in the journey that goes back and forth. The Beams are stars of heaven sustained by the Cherubim and the Archangels, through the paths of conversion and the support of the Christian time; haughty and implacable hegemony for the propaedeutic of phylogeny, but more on the very chemistry of creation carrying its winged Lepidoptera tetra, pheromones, and the obfuscation of an elemental nascent child in his own evangelical philosophy from an inter-sword dimensionality, and of the gloom of a manger shouted Kafersesuh, before compendiums of two pyramidal landmarks of inflection of his word in created animals, in the affinities of the world and the Animalia, personalizing shepherds carriers of pollinations, totalizing the generational of the language that is concealed so far, as well as the turns in the musks, and their legitimacies from the Baptistery of the Shepherds in Ein Karem, parabolizing their nomenclature and Polygonia of a child made man, already coexisting! but representing himself as a lifeless man in the fullness of a child of a distinguished canon. and his legitimacies of the Baptistery of the Shepherds in Ein Karem, already coexist! but representing himself as a lifeless man in the fullness of a child of a distinguished canon, that followed him towards the superlative moment of the bending near him, twisting and changing squeezable pressure in the cords that forged his path, towards the cornices and trusses of the upper celestial vault, where the shed of doubts was next to the Cherubs. Giving mechanics to the prism that arched the beams in the horizontal lines, taking them towards the amplitude of other lines, which remained solid before the variation, suspecting mutating to one of sudden two-dimensionality. The sections of the timber framework, which looked fatigued before the primary classification, which showed the attitude of the little Messiah, taking out effulgence from its beams, and rolling on other pillars, postponing the vectors of the tangential, contributing bits in rhomboid specialties, that blurred the cylinders of amplitude and field of vision of all those who remained in their nativity. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance of Christic ambivalence, as a forerunner of martyrdom. on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha? This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom, pigeonholed him towards a pre-existing Hellenistic aspect in characteristics of patronage as a representative figure of a male, and a lady of Ptolemaic Egypt in great iconic religiosity, coexisting as a priestess of a female order in the Greek protocols with him. Becoming inseparable in the preeminence of mother and son, as unilateral gender, and of substantial element for the social and political order that reigned in the ancient era. Laying here the unilateral gender indispensable for the social and political order, which is substantiated at the dawn of the empires of all the time, and the patriarchal society? Symbolically Joshua in this cogitabundant providence, adds the feminine value in the society in the Kafersesuh's outlet of the Judah manger, dispensing mainly to women, A great Zohar light, gathered all towards a whole in those errors that Joshua felt in advance, as reversible entropy, giving back his wise existence to prepare them for the day of his sacrifice. Pre Existing in catharsis and substance of divinity connected with the phylogenetic species, classifying up to an Aramaic pontificate of pheromones settled in the lithospheric site of Gethsemane, in a biological sense and in close coincidence in lapse wading, or the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in characters of the vibrational timbre of the Beams, and its atavistic pedestal, readapting in evolutionary ellipticals of winged tetra species. Allowing to change the ancestral linguistic accouterments in processes of redesigning the divine genetic historical tree and increasing anomalies in the human earthly culture, and not human anthropomorphic in a reviving profanity of fruitive frequency amplitudes, for those who resort to it, monopolizing and synchronous in diachronicity of their specimens. The lights of Joshua's gazes are the Light of Christian Life and Time, in the entity of Joshua born and bloodless from the nature of Child-Man, but of mortal design in the same compulsion to see the luminescence of life in the manger Kafersesuh and only incorporeal unity. Being in exemption from Ego with its structure of living child and dead man, he rushes rebellious and ostentatious in the architecture of the One-dimensional Beams, yielding the glimpse of the aforementioned progenitor "Eye versus Eye", seeing himself like this..., son hovering in the arteries of a Universal-Duoversal life, from a single dimension of cyclical one-dimensional length, encompassing conjecture and biological, the symbolic-allegorical conception of extreme co-divinity, as an exclusive precept of the delicate infinity of the Being of a Messiah, with paraphrases or glosses of Aramaic exegetical affinity, tracing from a linguistic period. Here are the contortions of the Olive Tree Berna, transfigured into everlasting orality and refractory syllable, to incubate eternal rabbinic gifts of perpetual reluctance, beyond the reach of the ego-annihilating will and of apathetic, inert ultra-affections and of miraculous phenomena.

f) Hexagonal Birthright

Civilization has an arched inflection in its regency at the head of the favorable family caste in the blessing, whose hiding place will have to be entrusted to a clan, having to make inquiries that formerly only related to consanguineal minorities from the same family trunk, thus protecting the pantries and accessories in warfare to consolidate the economy, and invigorate its commercial coffers. The land would be and would be an essential partition insignia for the legitimate transmission of epochs and inter-seasons, which received them from its descendants for representation of geomorphological heraldry, given in its regional condition. In the noise of the seventh seal, heaven was silent for half an hour and the seven angels stood before God, and they gave seven trumpets, the other is to appear in front of the altar with a golden censer, to compile it in other prayers in all the saints, on the golden altar that was in front of and in front of the throne - And from the hand of the angel the smoke from the incense with the prayers of the saints - And the angel took the censer, and filled it with the fire of the altar, and threw it to the earth; and there was thunder, and voices, and lightning, and an earthquake - And the seven angels who had the seven trumpets got ready to blow them - The first angel sounded the trumpet, and there was hail and fire mixed with blood, which were thrown upon the earth ; and a third of the trees were burned up, and all the green grass was burned up - The second angel sounded the trumpet, and like a great mountain burning with fire it was hurled into the sea; and a third of the sea was turned to blood - And a third of the living creatures that were in the sea died, and a third of the ships were destroyed - The third angel sounded the trumpet, and a great star fell from heaven, burning like a torch, and it fell on a third of the rivers, and on the springs of the waters - And the name of the star is Wormwood. And the third part of the waters became wormwood, and many men died because of those waters because they became bitter - The fourth angel sounded the trumpet, and the third part of the sun, and the third part of the moon, and the third part of the stars were smitten, so that a third of them would be dark, and there would be no light in the third part of the day, and also at night - And I looked, and I heard an angel fly through the midst of heaven, saying with a loud voice: !!

"Being in six instants at the Golden Gate of Jerusalem with Saint John the Apostle, they reordered the majority for a protected subordination in the minor family descended from the eldest son, for the purpose of sustaining them to reach the possession of their theological morphology, in this door, being the only one that will remain closed…, until the second coming of the Messiah. The scheme of the camelids in their osteometry tells us that their heads before Advent! Distorted their calypso lights on the surface of their skeletons, locking the jaws of other camelids, thus bypassing the Apostle's strap, which through the foramen of the supraorbital, thickened the strides that pretended immobile before the opening of the Golden Door. Of course, they were prisoners of their self-denial for the length of their footsteps to the rhythm of the sensitive skulls, In the fourth camel Raeder, he cleared the margins that allowed them to increase their attempts to withdraw them from the golden doors, but the dislocation of the orbits of their ocher eyes, denoted their holes in the condylar fossa, distancing the vicinity of the Tehillim advocated by King David in the Seventh Seal of a stuck Giga Camel. The metric form innovates them of ubiquity, for omnipresence in the camels before the gates, and after the gates, thus leaving the site of the eighth gate, deserting the camels behind the gates and arcades pointing to the old cemetery. of the prophecies that Elijah holds, and in procuring generational stoning of inter camelids, which would be channeled into twelve plus another dozen, but behind all, appearing to be six, later joining King David, who would provide the parallelism of the Seventh Seal. This caravan was numbered from one to six, saving the vertices of the Golden Gate that joined modestly at the odd vertices, under the odd cross of the same vertex, which made the equilateral coherent according to the three angles where Vernarth and Etréstles went, and then joined other pairs of vertices in a crucified chain in the flat and secondary complementarily of the seventh angel, but with epilogue character of the Seventh Seal. Thus it would be numbered according to the Gigas Camels, the Golden Gate, governing them for a family of six family angles and a seventh seal, for the performance of the family sustenance of primogeniture in the reinsertion of Saint John the Apostle, since he was banished by Emperor Domitian. Making themselves succulent of the gold of the Seventh Seal, on the collective unconscious of the first-born, for the good of the sub-genitor son. Here the indication goes for the purpose of populating the consecration of granting greater goods to those who second and could lead forces of abandonment and secular sedentary, for the need to welcome sacrifices of goodness and preferences of lay annoyance and earthly secular strengthening. The kinetics would move the six numbered over the vertices of the Sun in three bevels, joining the pairs in vertices covered in the circumscribed mesh of vehemence, which is impacted with the solid Golden Gate of Jerusalem, depositing the concentric radii of the polarized magnet on the struts of the camel of the central ram, for the affinity of the contraption of a trajectory for all Judah, in six predestined latitudes to Ein Karem, in the Hexagonal Baptistery of the Shepherds".

With symmetrical scrupulousness at a certain time, the rounded bisector of the psychic lines of the peritoneum fold of the solitary flanks of the Camels Gigas, towards a vocal peritoneum set six times more than a seventh, was estimated, in the apothem of the two-dimensional figure of the Febo hexagon angel, with less centrality, for the foundation of the Apostle and Vernarth, regulating them by points and sides, on the perpendicular bezels, prostrating towards a more orthodox and straight line, mutinying with radials phases on the bisector..., giving a quotient of odd numbers, which cut the first round of anointing, among all those that were retained in the daydreams of catching them for involuntary deaths. From Gaugamela's stratagem, three thousand muscular Hetairoi descended, towards the implantation of heart nuclei in the camelids, on the Susa Gate and the oblique break marching towards the war site, creating a fissure between camels, and the sphinx of Alexander the Great breaking into the Left-wing of the Golden Gate. This was the casuistry of Vernarth's psychic advance impetus, who once was at the precise moment of stalking, hypnotizing the gap of the Achaemenides, but unaware of that mechanical moment, persists in going after the Giant Camels. He guided them with his right hand to both sides, equipped with heart irons that exorbitated the whispering of his pectoral canals, interrupting the dawn of the Cinnabar, with the antigen readjusting the hinges of the door before falling untimely. Vernarth, with his sinister, calls upon the Hindu family who tried to open the breach of Alexander with his Macedonian baggage, thus preventing him from lying in the reliquary in contrition towards Vernarth himself. The infamous moment must have passed through the swords of some who resisted when fleeing from the held Golden Gate, giving up the rear of Vernarth with the camels recovered and saved from the abandonment of their afflicted hearts, resigning themselves with empty hands and with an outpouring of victory, but with two units confronted in his Portal of Imagination.

g) Reflection temporality

In cavern series, the lava was converted into cations of hydronium, in underground pits that glowed in Tsambika's temporality when the homily was officiated. Some pieces and calcareous boulders rotated random by the humid and dark narrowness of the subterranean reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. The speculative rock icons expired of the symptoms, with albuminous cliffs of the genetics of the Theoskepasti chapel, Etréstles carried under his arm the expiration contract of the Universe, to deliver it with his signature, for the dimensional transfer will. Everything flourished with attractive mineralization systematizations, under an astral posology, In the cognitive, Kanti memorized his wanderings in Crete, imagining his physical body united with his mind on the paths of the shoulder of his ancestry, with batches of clockwork that went and passed through his physiognomic, bathing with the piece wind, but also with the hard shoulder that came straight towards him, showing him new encephalic pathways, which surrendered in epistemological globes, but levitating in excess of the hard shoulder and the unknowns, for states of temporality that became mentalized in pursuit of a supra desire..., disease or typologies long-standing who used the supposed ontological formalization, gave functioning the property of body with the memory of advanced towards a new Duoversality. The officialization of Ars Choralis, is solemnized for processes of emotional property; In this way the cave of Being and its Temporality is made haughty, self-isolating for intra-cave investigations, as corollaries and agility in those who yearned for identity, being able to attach themselves to deities in dozens of epicenes, which would be from tens to ten, thus being seventy tens and a half, which would be seventy-five of the seven tens, and of the unconscious of the syntagm that Etréstles carried away, separating the syntactic of the Vas Auric hypothesis, so that they coexist..., although the pestilential decays before the rolled-up syntactic of Kanti's head. Untreated and conscious-unconscious to his instinct, resorting and harassing the procedural bars, of the Ergo Sum parameter. The temporality of reflection, In momentum ac Diadem, it shone from the third trumpets of the Seventh Seal to the potential of the twilight corrodes and their regions that made the shoulder of the shoulder the awareness of temporality reflected in required dismayed collectivities, to transcribe exhortations to the behavioral pattern of the temporality of love Faust. Little remains immobile, little drive when two masses of consciousness withdraw to the storehouses of the Universe, already advantageous of their exhaustion, but inheriting them in precipitous emotions towards the pre-consciousness factors in the heights of the mountains of Crete and Kímolos.

Kanti the steed says: “Deus Nostri Pontificatus Annis et ad eum, God is my pontificate and my way to Him…, Adonis in the relative absence of credit, before Ephebos with absolute deafness, surprising me here in the Diospyros and neuro archetype flight. I ride farther than my physical-emotional, contributing in the micro-fusions of the tubules, in quantum, and interacting with the fineness of the minuscule substance, within themselves. Almost injuring the storms that vibrate in the mine of a risk prop of a steed, in pursuit of a trance that only ends up being the architect and augur of knowledge..., of when and where it agonizes more than once, but within the limit of the Duoverse crushed at his own peril, continually evaluating himself to transfer a genetic force into my hooves of solid steel, but ornamental and of Reflected Temporality.


h) Expansion and Aramaic Taxonomy

Organic taxonomy, as a pre-ordering order, classifies the harmlessness of language before the invasion of Alexander the Great. Although there were implosions of the Greek language, its transboundary taxonomy would be shifted towards Judea. Pre cited is its variant pharyngolaryngeal tracheo, in this assertiveness and occasionality, it predisposes emphasis on orthographic rather than phonetic incidents, citing Galilea as a precursor of the Aramaic and taxonomic thesis of Gethsemane, prior to its expansive conventionalism of enrapturing her in her differentiation, and in the expansive hotbeds necessary to channel the basic axons of commerce, between antiquity under the prerogative of supplied ethics and pre-classified inputs, such as food and geographic furnishings of economic arts, as well as, the syntax of words that could have curvature and geometry in the forms or linear designs of the time. Any letter could be interpreted as a physiognomic form or as tools of manifest imperialism, coexisting execrable or blessed as languages or keys of immunological communication, with symbolisms of languages spoken in rituals of systematization, and of obfuscation of a metaphysical Messiah, always an angel, for when this is the case. In other words, the water speaks to him in dialects and adults with an oriental language, appearing cryptic in the appointments that are related to the language of the great Extra Universal heritage.
Vernarth's Aramaic is an ***** composed of valuation graduation and generational expansion, opening evolutions combined with the matrix of “Ethereal Spatiality”, towards a channel or rib with a common end in what is done on the margin of Faith. and it is predestined on the basis of object and substance, as a regulatory organism, for groupings of species within the biological language or not, as well as in the fissure of a Cladia of lichen fungi, forming the optics of expression as spelling and not as a utilitarian concept. Amplifying what a camel is; this is how it is importunate, being its **** consensus with the "S" backward in a perfect camelid, the "T" also being a perfect Cobra approaching the three S's of the Syriac Aramaic alphabet. The “Y with L fused” of the Aramaic alphabet with a large elephant, and finally the “H” as a pelican simile, like the pelagornithids or Pelagornithidae, fossilized in the emotional collective of rock tribes, progressing from elephants, camels or pelicans in the search for a literate language and consonant shapes that are attributed to their jaws and pharyngolaryngeal substrates..., observing long vowels, as in the language of an organic universal alphabet. The matrix is timeless, branching out of the mechanics of natural and phenomenal selections, if it is metaphysical or is contributing Demiourgy on the infinity of the encodings or depending on the size of its geo-referencing, it will contribute energy exchanges with predictive purposes of information of orders, and adaptations of the calcified scientific space, Vernarth, dives into the ponds or Naídes of the Aegean and survives, just when the networked volcanoes were swallowing all the seas in the world. It braced being only part of the laps of the sea, tattooing with its gaze the chthonic nymphs, before envious and backsword ogres with gills, which multiplied more than any myth-poetic. Its power of convergence is inhibited by the poetic myths of primordiality and of cosmology as a natural branch in nautical miles traveled by its arms, without knowing who crossed them, survivor, in its advance, and treasuring the arm plunges on and under the scalded clay objects, perhaps as implantation of the muddy and hyper-flood lexicon, empowering itself in its translation from Syria to Patmos, and from linear B Mycenaean to Syriac Aramaic languages,


i)Sub - Verthian Mythology (Camera Obscura)

Adhered to the ancient parallels of the cult, the mythology of Horcondising lashes out. Stale and axiomatic source of pragmatic and rational earth that emanates from this constrained fusion of the Universe in the metamorphosis of Duoverso-Horcondising. Social and genealogical plates date more than seven hundred years from Lombardy and northern Venice in Italy, Spain, and France. The mission of the Horcondising is the transhumant myth, and Chaos of the ancestral family cenacle, in view of a family rule, succeeding in continuous litanies that consecrate rites beyond genetic archaeological death. The consolation of souls will revive and will be under the edict of the Sub-mythology in repose landing in successive parapsychological regressions, which will speak of deaths suffered at the edge of their test tube lives, Under the mythology, there is the sub-fable, prone to boundaries where the statement innovates the entire structure of hermeneutics, as a written notification and complacent verb, for lords of the grass and granaries of granaries, narrating myth-stories in messes of revived verbality. Thus in Rhodes and Patmos, Andronicus of  Rhodes will guard the doorway of his hobbies again, so that these disciplines are conducive to sponsorships of words under reasons of a nature concerning Saint John the Apostle risen in flesh and spirit, in contrast to the conclusions of the reason to leave breathless the destiny that the just cheer and disapproval of diction of not certain science, under ships that cover the commendable salvation in exegetical storms that go from a liberated shelter, as well as in what differs from the et Grammatica institutione arithmetica in that each one writes what it understands, and adds what humanistically makes existence in a biblical alphanumeric dimension, from the imaginary in some of its leaders such as Zefián, Borker, Leiak, Kaitelka, in Hyperdisis and the Zig Zag Universes. Making the mythical an ensemble with deities that rule the infinite, achieving more secular religiosities than in a radius of religion, founded by characters that are already pagan mythology. This is the raison d'être of the sub-mythology, which springs from one already narrated and rationalized, but in the contradiction of what underlies under the very observance that unites itself, forging itself creditor of very new myths within others, with characters that have never been or have been parasitizing on another source of cognition. Thus becoming extensive and prolonged in its passage liers sumptuousness of other arcane myths, within the same ones that inhabit the mythological lie, without blemish from veracity belonging to the living-lie in pursuit of a dead-truth. Even if it is in this way or hermeneutic method, continue to beat and go to meet the Castellar Imaginary del Horcondising and the Camera Obscura, which always live and revive in the sub-imagination, but from a mythical truth in a regime of multitudinous voice. and myth-poetics.

From the sooty Camera Obscura the spindle was obtained over the diameters of each edge, Vernarth of the same chaos, converged from the square but not the spherical world, from this sooty box together with his master Zefián, who polished and shot vines of light over the projection of the same box, and of the quantum ark on the acropolis of Leiak, simulating entelechy in its projection with the ultraviolet light of light similar to the earth, but not square, rather appearing to be a square sphere. After repeated intervals, Vernarth opened the slits of his hands, also hollowed, here other globules appeared but not spheroids, rather quadrilaterals at the end of the third phase in the last three series that showed the complete reflection of a tiny world, that just clamored for amnesty as a matter that had been beginning to form with another factor on a large scale, from this fractality that would appear as Vernarthian sub-mythology. Camera Obscura, in a combination with twelve atomic masses, stands out starting in the irradiation of sexagesimal nomenclature; imagining fractionality between sixty microseconds to sixty in the hexagonal polygon of the Primogeniture and the Baptistery of Ein Karem. Being used in the elevations of the stars and the Heliac Ortho of dawn, which would find the black box that was nailed in its twelve apostolate angles. The whole times were divided into more exact numbers that surrounded him in his Camera Obscura doing trigonometry with other rectangles of three equilateral, making multiples of twelve on the line of the hypotenuse of sixty, dividing by the hexagonal, which is the angular line of the six sides of progression of the Duoverse becoming a spheroid square, for an analogy of Hexagonal Birthright with the multiple of twelve for the sake of the Giant Camels, leading them to the obfuscation of the Horcondising fused with the Duoverse, by means of Pi (π), in the diameter equidistant between the Universe and the Duoverse disintegrated in two by the concentric radius of both geometric units. In the same way, Vernarth multiplied the existence of his new sexagesimal world in nths by sixty followed by infinite numbers of zeros, canceling the radical time of the masses of anodyne particles. The corondels or watermarks, overflowed with all the irregularities of the system, showing the decimal after the comma.


j)Verthian Apostolic Conception - Kashmar

Vernarth, was in Sardinia in the megalithic complexes Nuraga when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. Whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde chores with Aristotle, in a laxity that invited him after long rejoices to record and sculpting messages with the doves of his village. Near Pella, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-Barbarian inhabitants, tracing the Chalkidian league., after the Peloponnesian War. He was in great campaigns in the former Pella, His will as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift to an apostolate of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, replacing Judas Iscariot, due to his apostasy. Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his ranks of Hetairoi, transcending over the scourge of Judas Iscariot, to face in the arena of Pella. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, channeling his furious and tramontane spiritual into the gulf, to take him out of a banal summer in the transition of an immolated soul, and make him walk for thirty days barefoot, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble of the crops in the deleterious nesting places of the Ravens of Kashmar, bidding him so that his blood is ****** by the heels of the rooted trees of Thor forest, usurping his "Gift of Iahvé ”In dishonor of its Hebraic appellation, for the onomatopoeic of its rhetoric, resulting from the feckless roar of black lineage, which will emanate from the mouth of the Aulos, whistling inside the Cobra. In the aforementioned link, the group of twelve was recomposed, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he is with his prayer and atonement in the mystical character for the community worshiping the Kashmar; which roots hardened towards the silent immolation portent as Judas entered the black night, for excessive twists of the bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas dwindling over the stained areas of hell..., thus its remains were scattered by the synod of bustard birds in the sprayed sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of sooty petrified poplar from Hecate boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their factotum after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the Holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the Dodona, in uniformity towards a murmur in the leaves from oak in the spell of man towards an oracle, to consummate it with the mendicant count of the Ziziphus Spina-Christi; hawthorn of the crown of Jesus but with implants of Kashmar, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so, he also walked bi-location in the inlet of Sardinia, after being in the megalithic complex Nugarhe, Vernarth, Etréstles, and Walekiria, they approach matching Tuscany. Once they were instantiated in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, standing out those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarca and Laura de Noves. The olive trees keep pietism with the phantasmagoria of the Kashmar, who made the double murmur of the spell of the Duoversal man. Always in Tuscany, the tracks below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain set on a steep hill on a side flank of the garden terrace has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. " Here at the Verbena of a long feast day, all together with Vernarth get drunk with Corinth Wine, which they brought and did not stop swinging to the rhythm of the music that made them foresee multi-existence beyond limitless sensibilities, turning their role closer to from the instigated destiny to Patmos in the hands of the original Duoverso with translation, rotation and Duoversal Theurgic orbit, for the spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to signify with his country land near Pella,

k)Fractality and Spirit-Cinnabar Dynamics

In the black camera obscura, certainly connected blues made other dark holographic areas that were enlarged super connected to the optical perspective, conceiving of the infinity of a luminescence that was fractalized, the black-blue pre-existing towards the Z pattern = Exp (Z / OB ^ 4), what is the equivalent to the set of the Bernese Olive Tree Rapa, on the border of its Lipogenesis, which would appear in the chromatic version and final maturity of the olive tree, for the fractal exponential of Z =; where all the points of the complex plane Z = (OB, iy) are iterated in the corresponding function Olives Berna in a set of IY, and in all the iterations where an arbitrary constant (Cx, iCy) is added Cinnabar in lines of orthogonal sets X and Y, in such a way that the choice of the constant "seed" will determine the unique shape of the profile and the color of the fractal, once the chromatic pattern has been defined. In the paradigms shown in this continuation, a constant has been chosen, as it will only produce divergence and will have been qualified with the escape velocity algorithm, to contract exact self-similarity stratagems in this, which is the most restrictive type of car. -similarity; requiring the fractal to appear identical at different scales.

The holistic spórtula of the Cinnabar in some pecuniary exercises, are impelled for a tacit and absent society, in Every night beginning at dawn, everyone retreats and the Cinnabar appears like a kaleidoscope apostolizing in glorious joy, where the Aramaic synergy between the Garden of Olives and Gethsemane, is concatenated with the entirety of the Phylogenetic species with the homily in Tsambika and Theoskepasti, such as the new relationship of the link between species that were improper and endemic to the region near the stable in Bethlehem de Kafersesuh, to be inter-inseminated in the banks of the slopes of Gethsemane, in such a way, that the linguistics would begin to be absorbed in Joshua, and it would go for a closer shortcut towards the classification of the traditional and omnipotent variants, which migrated through the Olives to renew and preserve the Aramaic or Aramaic languages, from a shared origin now, for the omnipotent salvific languages that were to be addressed in Gethsemane. Once starting the splendor in the city of the eight gates, and from such interference, involve the Lepidoptera taxon, inseminating the populations of organisms related to lexicons to shed life and language,

l)Vas Auric – Cinnabar (Φ)

The pecuniary prerogative of spórtula, makes the Vas Auric and the Mandylion its residence, tending towards an algebraic sense of the two diametral in a cross by the perpendicular, towards the tension of the shortest segment by the long, tracing a circumference of radius and a half. Homologating in the interposed eclipse of the golden or golden number, for the divine proportion in consequence of irrational fractioning numbers. Shortening the passage of the algebraic numbers with the infinite decimal towards the Cinnabar with seven arches in parentheses reflecting in the partition of the apse in both temples of the homily, making the period of antiquity, files registered in mega center of the quantum memory of Cinnabar, before disrupting the genesis of the Duoverso.

The First Treatise of the Vas Auric fell into the hands of Vernarth, one day of heavy plutonium sheets en masse of the golden number. The vertical avalanche was segmented when the dichotomy of another line that collided with the segments was not altered, or rather omitted by certain temporary blindness of the Duoverso world that it just boasted. Compositions of number Z are made, and subdivision in its cinematographic optics, divided into two slow shots of a small element that became part of the controversy of Vas Auric as a medallion and Auric as Mystic Gold, with distribution laws.

"Zeus wakes up shaky, full of headache saturated in Pro-headache Herbs
Jophiel is speaking this time in the Kabbalistic Torah language...
with its golden commoner and super zone of Organikon Sorousliston Papadikon….
secular music that supplies Zeus with protein albumin,
to make him more human... Zeus accepts Jophiel placing him in his discernment
over the house of Jophiel; divine island to throw cartomancy...
bring the second ray to the Sahasrara on his crown,
pacified love that is the suspicious and risky loser of everything...
risk in the head, especially when condemnation is born!

And the floristics, over the stolon of the veins, moves synchronously with the prolongations, speeds, and acceleration of the emancipated leaves of the first order of the upper crown, up to the lower ones, thickening the golden spirals of a certain type of inflorescence, confining the umbilical zones of Vernarth, and the plantar area of its feet between three and more than a hundred steps that come from certain metamorphoses, creating peduncular areas, acting as a support for Vernarth and its Elder areas, brought from the Bumodos stream, after a string therapy, creating psychic supports to endorse globalized neuralgic. Understanding that the line of his neuralgia oscillates the greater analog of the Messiah in the cross pierced by the Hastae Praetorian, in the most remote of the elliptical of pain, reduplicated by accumulated energy, almost like mystical suffocation. On the part of the growth of the tangent in growth and of the evolution of the reflection, where the attenuation of the opposite effect is unleashed, allowing convalescence zones in signs of propeller blades around the Vas Auric, crossing vertical and horizontal beams of lights, in search of Light Angled and refractory solar, for the palfrey of the Kanti Steed, abstracted from excessive rain, which uncrossed the tempos of the aura of the organic and aerial underground, towards the duplicity of curves of the multi-cloned numbers and angered by their industrious dynamics of skewed movement, towards the effective solar..., tending to the effects of successive trends of the vaporous numeral of Vas Áurico Cinnabar.

m) Psychic Trisomy

The species and somatic acquired deposits of DNA spirals, given their characteristics, will make transformations in more than one cellular taxon for a homologous pair. Here Kaitelka the whale down from Sub-Mythology, will circle in the Baltic Sea, compromising neuralgia in it as a superfluous essence due to its trisomy, making a comparison with psychic trisomies that Vernarth suffered at least four times a month, from the first and eleventh day, after his parapsychological regressions when he sailed over abysses and anesthetized zones on glacial plankton in the North Sea. Kaitelka individualized her cellular regressions, becoming a prehistoric cetacean and when she lagged beyond or before her creation, she transferred psychic trisomies due to her twenty-one chromosome. Kaitelka's karyotype was directed towards the crease of her eyes, due to an infection in the area of her basal inter fins, which disturbed her heart rate in a short interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a tempered state and gifted as a Super Goddess. Kaitelka in nativity in the transversal valleys sailed in the air atmospheres of Hyperdisis, and she was always seen in the company of Leiak; the omnipresent and vague spirit of the watery ductile dancer, living on the liquefied element with his astringent slimy chin..., seeing him with his grotesque back-breaking swampy lines between knuckles, and hedges of tricks collected before the first station, in one of the first of the three Remaining nights before reaching Joshua de Piedra del Horcondising volcano, that upset her heart rate in a brief interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a moderate state and gifted as a Super Goddess. About seven hundred meters high she becomes Kaitelka Down godmother, adding the psychic chromosome twenty-two that contracts in the connection with Vernarth, in the extravagant massifs when in the autumn afternoons they collect Ceratocystis fagacearum Fungi, and irradiating them with insects such as the borers. When   Kaitelka recovers its chromosome by detraction in the natural selection of Trisomy, express is spilling on the dry and gelatinous Laurus leaves of all its dead cells, which are promptly seeped from the retracted membranes in frank adhesion, causing regeneration of the disease. After wanderings and ringed symptoms of lesson in the atmosphere of the ecstatic Horcondising, the wooly will be magnanimous and challenged from the chromosome spilled in the emulsion, is contained in the alpha proteins in the transverted Vernarth genome, as a warned whole and abundantly diploid, before reaching the lethal processes of reciprocal adversity, both as a zoo-anthropoid or a triple zoo-anthropoid-botanical effect. Pre-Existing Kaitelka Down with forty-two chromosomes (22 pairs) and the Lepidoptera Agrodiaetus (134 pairs), in its haploid, that is, half remains vitalizing between two species of the sub-mythological world, and in its psychic cellular compound, and later implant it in germ cells for the effect of Venarthian ambivalent psychic transmission and vice versa. By discard, there are four fewer chromosomes than the hommo sapiens and 222 less than the Lepidoptera Agrodiaetus, for a meta sense of flourishing with the power of Poseidon, brother of Zeus, Meta sense and discernment, encephalic they will be cogitated by conscious where their sensory cognitive is interrupted, towards an unconscious through the photons of hypocaloric temperature, to define in the prehistoric psychological memory of their psychic, more than random brain, coexisting of habeas corpus content and remote brain energy, before the magistracy and power of Poseidon that confines him. Graduated from southern impassable seclusion, their memory is isolated in their E-Cloud. Namely; stored in electromagnetic and electrophysiological stimuli, incontinent and weighted in the square miles of floating Poseidon outbursts, in the category of super cetacean down, with only four meager chromosomes from the remnants of the human procedural genome. The trisomy field, On the fourth of August of the year of the Lord, 1617, when Klauss Rittke was cleaning the main stained glass window of the Cathedral of Avignon, he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and listen to their conversation more clearly, until the Friar Andrés Panguiette, babbling, demanded of Raymond Bragasse indulgence or one or the other. (Compendium of Marielle Quentinnais). Relating in its narrative evolution, about some Albigenses of this work set in Avignon, time of the Antipopes, crossing with the psychic waves that have just been mentioned, and of prophecies of who precisely Guillaume Bélibaste was born into a Cathar family. Having noted that 1321 in 296 years apart from Marielle Quentinnais, it takes place in Carcassonne on the same day as Bélibaste was executed, given his licentious life breaking Cathar dogmas, incriminating himself with civilians from the region, marrying women in exile, etc., was condemned by the Holy Inquisition, where many were purged for the sole fact of holding biblical books in their abode. Among the flames of his bonfire the prophecy of the laurel will be homologated, whose shadow will fall on the centuries to come. Note the coincidence 3, 700 years ago, where the first signs of life were appreciated on our planet and in the Hylates Forest in Cyprus (700, 000 thousand souls) in the imprint that unifies the Christian scrolls, blowing gold dust on Walekiria's hair..., and being liberated, as a tantric body of physicality. No one spoke, not even the 700, 000 thousand souls who also claimed to be liberated (Vernarth, page 313 - paragraph 2). And finally the seventh portion of the sea, with Poseidon. Here the Psychic numeral of Vernarth and Kaitelka coincide, who appears with the laurel of Guillaume de Bélibaste after almost seven hundred years, facing the unification of the prophecy of the Laurel, whose shadow will hover over the centuries to come. Templars, perfect bone Hommes and Cathars meet, in this historical feat, through the secret path safe from traitors and conspirators thanks to the most surprising allies. Bélibaste's fast-paced story will allow us to get closer to the most unknown ceremonies and rituals of his confession, showing us his revelations in the flames and turning green in the Laurel of 1321 in sync with 2021. Given the little and nothing that exists of the revealing enthronement and the psychic environment, it should be noted that historical facts fly like pollen, with the waves in their same vibrations of the aeolian autogyro. This entails physical vibrational material, which is in every corner of existentialism, without beginning or end, only rewinding through the infinite axon of karma and samskara, for physical-ecological convulsed means and intermediates, in revealing semblances of the primitive psychic field before us, like the Aspís Koilé, as a shield or as an omnidirectional parabolic antenna, bringing us events after events that strangely interchange phases, and intertwined efforts over time in quantum physics and subsequent biophysical changes in the genome chain, especially in its Psychic Trisomy.

to be continued...

[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero

I am in levels. Past levels. This deep, intrinsic wonderful lost, the lawlessness of its fascinating expenditure of excite. Pushing through the wild and feral snow-dusted plains and timber ridges. Like red-spotted dots breathing through the cylinders called the spine. This descends into a narrow channel of scantly clad greenish scenery in a time-soaked visionary wilderness of snow,
Our crab legs dancing down wiry purple highways, our heads could not even look backwards if we had wanted.

Furious, love-latitudes, stalking breaths thwacking fork-ended tongues into a pinkish knot buried into the first layer of organic membrane on this railway of miniature canals, showing. And their pride snuck into the elbows, shooting down each vertebrae as it stepped with great precision every ledge that the currency emphasized. The raw accumulation of stolen heart-beats rattling between the interstices of new fuel careering these red engines. Crashing with exquisite pleasure into one another.

Poetry is like sushi.
Sushi contains
Rice & goodies  
Wrapped in nori.
Both are combined rolled
Into cylinders
Then cut
Into rolls.

Poetry
Is sounds  &  tropes
Rolled into images
Each poem
A unique
Experience.

When you
Eat Sushi
With chopsticks
You are too  eat
the rolls
with just  one bite
Sampling the wholeness
of the taste
and presentation.


May you
Devour
This poem
On the chopsticks
Of your feelings
And sample
The flavor
In the ink.

Hypnotic music, joyous sounds surround
The fans, all entranced by the performers.
The drummer happily bashes and pounds
Everything he sees shaped like cylinders.

The hi-hat steadily keeps the rhythm,
The bass drum makes a thud, quite powerful.
The crowd can't help but nod along with him
As he makes these beats so insatiable.

The cymbals create such fearful crashes,
And his finely tuned snare shoots roaring pops
Hurtling towards the off-guard masses,
This manic madness just can't seem to stop!

What exactly does he have left to prove?
He simply wants to see everyone *groove!

at the point of entry (explicit)

it does not strike me strange
at the point of entry
when the heightened senses and the dark subconscious merge

when the lust and the sweat intersect
with ego desire and self is everlasting everything
that the ***** words secretion is sticky on my tongue

when I pant poems born in rawness and tears
on this the last day of the year
and eyes closed see visions extraordinaire
and the Maker whispers in both ears see!

it is the see of what is me,
it is the point of entry and departure,
one and the same,
conception an immaculate mess,
the emptying and the fulfilling, when unkempt promises
are born free flowing and semi-truths transform into
actualities unforeseen and my child cells of new poems
are injected, stored, awaiting the birthright
and the death of publication,
my moment of privileged perfection passes
and frowns and smiles are
one and the same, silken thread wove open and shut

the precision precious circumcising of flesh and soul departing

the utter collapse from within, the drowning in the amniotic,
rebirthing rebutting my denying that I have no more to give

I believe I belong to you for it is what the desire firing cylinders
say repeatedly in the union of the up and the down cycle:

come, come inside me,
I am the pleasure
you are the treasure
in one cup measured
conjoined container
when the point of entry is the point of departure
and with eyes closed from satisfaction and prayer
I see everything all at the same time, uttering:

I am undone utterly and the difference between
the end and the beginning can be seen only
at the millisecond long seven decade coming
point of entry

12/31/17 5:38am dawn dying and new day mourning

"...Let the pines grow out of my skin.
     Winds howl in my mouth..."
     --James A. Ciletti.

Let the cylinders be there to connect the lonely,
grating bones, above the level of the rational
falls of water and the pictures, so inspired that
They like to appear on stage to whistle as vapors
rising through the spout.  The moon is smiling
down upon the frost of the equation.  Perhaps,
no animal has been hopping through pristine
squares of frozen falling, remembering
the singular match, the leaf leaving.

{ [ d _ ind del d j e ( m ) ] / ( d e ) } =
min y ( N , Z ) d t - C .

Coldness was like the presence and solutions
to incredible problems, growing worse, while
others, watching, stood, silently observant,
hoping to help, but the springs in the agreements
were the assistance for the splashing colors,
anticipated and arriving as a series of blades
removing lovely, warm weather.

I've got a **** right there between my legs
It hangs and grows like another ***** might
It's a shame the reality goes over your head
I **** sometimes like a **** truck punching
On all cylinders, I **** sometimes lying
With legs open wanting and exposed
I've got a **** right there between my legs
It hangs and grows like any **** does
It's a shame reality goes right over your head
I altered my consciousness.
I altered my brain.
I altered my hormones.
My testosterone's gone.
My estrogen's over ******* full.
Call me what you want but
My experience is beyond.
Beyond.

Don't fall in love with a drummer
You will hear him in every beat of every song
You will hear his voice imitate those beats
You will see him and his arms that used to hold you sweep over the cymbals and hollow cylinders
You will feel each hit of his drum sticks in your stomach and lungs instead of on those cymbals and hollow cylinders
You will remember the way he seemed to escape into another place from the moment of first impact
You will feel his arms guide your hands over the correct circles
Like he wanted you to escape with him
You will miss the sounds of him losing himself in the noise
You will miss the feeling of losing yourself in his noise

An ordinary soul encompassed in extraordinary expectations.
Social pressure manifesting itself into anxiety and doubt.
A mechanical mess of cogs and wheels churning out endless streams of mental clout.

Be what I will and do as I may is what I say.
But they say:
Be what we will and do as I do, this is the proper way.
Try not reform or perform to conform is what I say.
But they say:
Follow me through this hollow tree and you will see what I want you to be, this is the proper way

An ordinary soul encompassed in extraordinary expectations,
passed down through electric, media driven sensations of transient satisfaction,
a mechanical mess of wound up plastic toy soldiers marching in circles with rubber souls pointing death dealing cylinders at each others backs.

Be yourself for everyone else is what I say.
But they say:
Be everyone, or else.
Try for progression's sake, be genuine and certainly not fake is what I say
But they say:
Try for regression's sake, be fake and certainly not genuine, this is the proper way.

An ordinary soul encompassed in extraordinary expectations,
disgusted with modern tribulation, choosing self-selected conscious liberation.
A singular, personal declaration toward evolution.
A natural mess of vines and roots reaching below and above producing boundless rivers of truth and love.
This is revolution.

Be one amongst many is what I say.
But they say
Be us. This is the proper way.

Be you, is what I say. This is the proper way.

A photograph, taken at dusk, of Tokyo & Mt. Fuji looming behind,
a line, running horizontally across the middle of a photograph;
below it, the city: a field of lit buildings & streets,
buildings: blocks & cylinders of rock, metal, glass and light—
streets: human rivers of car-lights,
the glowing orange Tokyo Tower rises like a great sword to fight the sky—

above it, the mountain: great, wide cone of rock & soil, with a cap of snow,
wisps floating up its ridges,
the cold, purple sunlight kissing its backside;
his peak is looking down at the city.
It is waiting,
like a grandfather,
while the wild, excited boy, pours Elmer’s glue on orange construction paper,
         ruining the rug,
the mountain is waiting.
The mountain is stronger,
and when the children move out,
he will rock in his chair,
as always.

Sitting in my fifty six Chevy
The top down and feeling good.
I love driving in the city
Like I never believed I would.
Girls and guys scope my car
And they wish they had one.
It has a few primer spots but
The car is far from a bad one.

I love my fifty six Chevy
The best one ever made.
Three speeds, six cylinders
Ford never made the grade!

The don’t make them now
They way that they used to.
They’re not made of solid steel
Like the older classic used do.
You kept up with the fluids
Changed the tires when had to.
Give up my wonderful Chevrolet?
Dude, I’d be absolutely mad to.

I love my fifty six Chevy
Never a bit of car trouble.
It’s so much like driving in
A mid-century auto bubble.

It doesn’t have the modern stuff
Like air bags and cruise control
But, still it comes fully equipped
With clout and a whole lot of soul.
Punch it on the straight-away
And watch the other cars go by.
It runs better after half a century
Than most modern cars I can buy.

I love my fifty six Chevy
Much more fun than all the rest.
Back then they made the cars
With stamina and a lot of zest!
It’s a beauty from another day.
Don’t try to take my car away.
It’s bigger, and a bit more heavy,
But I still love my fifty six Chevy!

Parallel to the storm
my beast of a motorcycle
paired with the sharp edged sensations
complimenting me with backfire
as the October cold meets my desire
to detour off my daily route
with a demand for an early rise

In the mirror I see a home
where I belong
where my lover is waiting with warmth
but for now
the cold is my journey
cruising with the noise of the roaring tires
the power of the horses
and the God-like cylinders demanding spark  
shaking me and my world
while they routinely
explode petrol beneath my feet

like a heartbeat
that reminds me
- I am alive

as I pass the bridge over the frozen lake
a frozen thought melts and finds a way
from my heart to my mind
that taking comfort kills me
journeys are the only reminder
that I have lived

It is almost sunset but it is still too hot. She sits next to me and passes over a mason jar of crushed ice and lemonade and I take it gratefully into my hands. Instead of drinking it, I rest it against my forehead and allow the condensation from the glass to drip down the sides of my face with closed eyes. I take more of it with my fingers to drench the back of my neck, but my palms burn more for it. When I sigh because this small jar does not alleviate my apparent and immediate threat of heat stroke, she laughs at me.

She is my best friend. There was a never conscious moment that I made that decision, it just happened. Before she'd joined me on her concrete stoop I'd been turning over the idea of whether or not there was an exact moment that I'd perceived her differently, but could not pinpoint it. I’d been eyeing the patches of dirt and dead grass scattered within her yard, listening to her hum If I Ain't Got You out of tune, mumbling some of the more repetitive words here and there, picking out the sounds of her fetching things as she sets them on the counters of her run down kitchen. I try to guess what she is doing as I am hearing it, but feel unwilling to join her. It is even hotter inside her house since her air-conditioner is broken. We are devastated.

After a moment of silence she narrows her eyes against the sun tells me that she misses him. I nod, but say nothing. Three of us sat here last year and suddenly the heaviness of his absence rests between us. She quickly changes the subject and tells me she wants to start jogging because when school comes back around she’ll be thin, for sure. “I’m going to be so ****, I’m not even joking.” I smile at her determination. She talks about a girl in our year that everyone calls pretty, but I shrug. She asks if I think she is pretty. I can only nod my head. I can’t compliment her properly because I haven’t found the right words to tell her that it’s not about being thin. That is not what makes her perfect. Not to me.

I never liked her lemonade, but I begin to drink it anyway, thankful that some of the ice has melted fast enough to be a bit watered down. I don’t mind. It made it less sugary. The first time she’d given me lemonade, her father had laughed and said, “If you eat the ice, it’s like a dessert,” not knowing that dessert was literally the last thing I ever wanted. I have never been fond of sweets.

She laughs a little and crunches away on her ice and I cringe. She knows I think it’s an awful sound, but I’d grown so accustomed to it after the years of hearing it. For her, it was a typical summer treat. It wasn’t even real lemonade. In her freezer were small cylinders of an odd, condensed yellow mush that they’d dump into a plastic pitcher and then add water to. Remembering this, I no longer feel like drinking it. I hand it to her.

“Don’t want it?” she asks. I shake my head, watching neighbor girls sit under a tree with a small dollhouse as I wait for her to finish both jars. I don’t like the way it leaves the back of my throat feeling dry anyway and I never feel less thirsty after drinking it. She sets the empty jars between us and we talk about where we’ll go this summer, what movies we’ll see —lamenting that there really haven’t been any good ones recently and that maybe it’d be way more fun to see if we could convince her parents to let her join my family at the lake house. She doesn’t want to swim at all but seems excited to lay on the dock and get a bit of color.

She wants to take pictures. She rises from the stoop to return the jars to her kitchen sink and grab her camera and we walk through her neighborhood. I trail behind her consciously as she raises it to her eye, letting my fingers run along her neighbor’s chain-link fences, dreading the moment she finds a way to somehow sneak me into the frames of her photographs. She’s seemed more eager to try and capture me now that I am taller. I have grown so much in just a few months that I’m not sure how to handle my limbs just yet. They are too long and too thin and I am strangely aware of them —but even more aware of where she points her lens.

We find out that there is construction behind her neighborhood and sneak past the half constructed fences, large barricades, and signs (Keep Out, Construction Ahead). It is an odd place for nicer houses, we decide —right next to the ghetto. She laughs at the brick wall and shakes her head. “That’s not going to keep them out.” But it looks intimidating anyway. Maybe that’s the point.

In the middle of the area rests newly planted trees shading a small, wooden gazebo. They overlook a manmade pond, just large enough to swim in. She knows me too well. My first instinct is to jump in so she dares me to. Practicing self-restraint I tell her all I want is the shade and I lean against the railing of the gazebo instead. I watch her snap more photos —of leaves, of ripples, of her feet, the construction. She asks again if I want to join her and shrugs at my reluctance. She dips short legs in the water and casts a teasing glance in my direction. Her pink hair looks silly against her warm face and I smile. She tells me she knows I want to, that I’m a *****. I shake my head. She draws it out mockingly and threatens to take a picture. (I cover my face with my hand.) “Paaaaansssyyyyy.” She laughs and tells me to just get in. “You gunna just take that?” I was a lot less eager to break rules, but no. I wasn’t going to just ‘take that.’

So I jump in, glad to be cool. The momentary weightlessness frees me for just a small space of time. I feel it cling to my skin when I surface, but my clothes make me feel twice as heavy. I want all of my thoughts to feel the way your body does underwater. Light. Careless. Far away.

Suddenly, behind us, someone is shouting at us in an indistinguishable accent. We trade horrified glances, swearing we catch the word cops, and we bolt, leaving a frantic trail of water and wet foot prints to evaporate behind us. We don’t stop running until we get back to her porch, the sun fully set, and we collapse against her concrete stoop out of breath, laughing much harder than we should. “Oh my god,” she repeats over and over again with exasperated giggles and small gasps for air. My heart cannot be tamed, like it's run ahead of me. I’m sure I won’t be able to find it for a while.

“Oh my god...” She tells me she doesn’t want to run anymore and I cast her a confused glance and tell her we’re definitely in the clear, but she shakes her head. “No, I mean all summer. Forget being thin,” she says. Suddenly I feel her in that missing section of my chest. “Who wants to run in this heat?”

Volume up,lights out
Tolerance up just to drown him out
Everyone's dancing in circles
She's stuck in the perverse perimeter,so no one sees her around .
Hopped off on circles & hallow cylinders just to survive when shes around
She used to come alive in the moon light
When the high beams shined she used to see the light .
Now she's struggling w strategies to leave .
Trying to find an amusing excuse to satisfy their surprise
Something like :
"I'm a vampire I need to get home before the sun rises "
Pass her a lighter , So she could add
fuel to the fire ;makes for better burn holes in her pantyhose
Chain link boots ,skin tight leather coat
Mustang Sally , make tonight your own..

I write words with passion, I write words learned from wisdom
I study the works from the greatest; I even study the stars in the sky
Look to the North West on a dark Southern Autumn‘s night
Hanging side by side with the king of the jungle and holding a *** of honey
A relative to the one in the deserts with stinger in its tail you will see
A Giant that walks on ocean floors with meat that is ever so sweet
Constellations that fill the sky all been given a specific name at an earlier time
Many a being read the wise man tales in the daily papers
They live there day to look to see if there predictions come true
Your visions can only come true if you search without looking
My journey today took me to the second floor I’m in a ward
Doors open exposing many smiles and many, many frowns
Team Poppy’s Ride for one dollar I bought into yes I did
Relay for life fight the silent killer and have fun doing it as well it says
A dozen silk roses pull me near to the table to touch them
Fur lined slippers; ports open on his body, one in his neck
Another in his arm with plunger attached I can see
Flush him clean and pure I pray aloud rid him of his pain
Give it to me I cry as I looked into his eye
Tapping red heels with anxiety she’s called in next
Chairs with wheels fill the room to capacity
All with hoses and green cylinders attached given a fresh breath of life to inhale
Delicatessen of food on a low cart is now delivered from the one with child in the womb
Smile she puts on my face for there’s another life to keep the circle of life going
Journeys not over for they have just begun
Stacks of Danielle Steele books are scattered all about
Comforting the mind, comforting the soul they do
Precious words are better than man’s medicine I believe
Come to me, my written words are stronger then the script you’re looking for
No ringing of the bells here to mark the toll
To the left I see a three leaf clover hanging in the window
On the Next there’s a hanging cross
Waiting is the master, to do your part
He welcomes you and your soul.
CELEBRATE, REMEMBER, AND FIGHT BACK!                                                                                                                                            (CARSr. 5-21-12)

There's nothing like the Feel
Of two wheels and the power
Between your Legs, The Pounding*
Of two  Cylinders, as the engine Revs.
Wheeling through snaking roads
Surrounded by Sunlight and trees
The intense smell of fallen leaves
On a cool nights ride. Feeling free
Blasting down a two lane road.
Rolling into a small town,you
Hear the Bikes Rumble, as you
Shift down, and throttle off the gas
The roar of your bikes sound, as
It bounces off the passing buildings.
You're out of town past the Last street light
As the Stars unfold in the stark black night
The feel of the wind's a sweet taste of freedom
Content for the silence and the Bike motors hum.
As an old Biker the ride is Past, but the feel of
The wind Flowing past my face, and the pound
*Of the Motors sound, still be mine, Till my Day is Done

Yeah I am young once more morn late,
Call it the year of somebody's lord,
Call it nineteen sixty eight,
Hair to my shoulders
Makes me see better,
Parted down the middle,
The older black ladies,
On the new.york city subway,
One and all, bless me cause this Jew,
Looks just like Our Lord
In them Renaissance picture-books.

Ironically, that winter time,
I wear a white sheepskin jacket,
Purchased in the Old City of
Jerusalem, but don't tell'm that,
Cause they would have marched up to Harlem,
No telling what might've happened next...

Next summer reality intruded,
Money in pocket aid and ain't not enough,
Riding the bus on Euclid Ave.
To go downtown Cleveland, the Flats,
Drag racing and watching,
The river Cuyahoga burn,
Kinda of a bus drag, but very very, kinda cool.


Summer next,
Worked in a Republic Steel mill,
They called me the Macaroni Kid,
Cause stoopidly I told them that is
What I et,, with ketchup Heinz sauce,
Desert, a heath bar!
Cause I was saving my pennies,
This college kid they loved to hate,
Caused he bicycled to work and
Wasn't one of them.


Put me, little ole wiry me,
In the boxcars,
Loading and loafing the
Rebar, twisted and straight,
Came it, sent it all over,
Me, black as a
Pennsylvania coal miner,
A San Fran homeless man.
To this day, can't get my
Fingernails really clean.

At night, me and the boys on the porch,
Gettin ******, ****, music and a view of
Cleveland East, the sirens rushing around,
To the houses on fire, the next ******.

First freaked us out,
Coming to get us,
Then it became the best, finest ***
"That was so stony cool" light show.
The girls looked like Joan Baez,
And if they didn't,
We still took 'em to bed,
Pretending it was Janis,
If Joan was busy
In the dorm room next store.

Hey babe,
Wanna come back to my dorm room,
And drink wine, listen to Blood Sweat and Tears,
Make some of our own,
Cause my roomie gone down to Canton,
To visit his cleaning lady mom.

I loved that guy liked he was the first
Real person I'd ever met.
On my first day, without asking,
Ran his hands both all over my head,
Looking for the horns on the Jews head,
According his parish priest, we all had'em,
God's official representative on the consecrated earth of
Ohio.

In those days, I applied to schools
Farthest away from home,
That the student discounted airfare was no more than
59bucks which I could afford so I could go back to
NYC, and find out what was really
"Happening" man.

The summer next, worked in the East Village,
Summer Office Boy for a big corporation
In a part of town where you could buy
Leather fringed vests and the headshops sold
The paraphernalia to get hookah high,
And if you hookah lookah right,
That wasn't the thing they sold for cash money.

Took my steel mill blues money,
Bot me a '65 red mustang car,
That needed to be jumped to get started,
Courtesy of the Cleveland special hell called
Midwest winter.

That car, the floor was made of cardboard,
The four cylinders were bolted to the car,
So when u opened the hood, you saw mostly
The pavement of the parking lot,
Some tiny engine,
In between holding on for dear life.
Always kept extra brake fluid in the trunk,
In case the leak got bad on the Heights.

Needed to do what I needed to do,
So I wrote a resume of whom I was,
And whom I ain't, so I could get me a
Real big time job.

More on that someday,
When the resume is resumed,
Getting updated, that will be kinda funny,
Cause it will run about 500 pages long.

Right now, strange,
I am hard by hard by the Frisco bay,
The Ferry Building and the tripartite
Disposal systems of three garbage cans,
And who should appear, but
Otis and Sara B., (live from the Fillmore)
Singing to me about a dock on this bay.

Got me those 'high flying blues,'
The kind that say;

"Lord, look at me here,
I'm rooted like a tree here,
Got those sit-down, can't cry,
Oh, Lord, gonna die blues."

Missing that dock of mine,
In the picture next to my invisible head.
You want to know my face?
Maybe when back east,
I'll find that photo of that long haired college boy,
Leaning in on, so proud against that red Mustang.

Right now all I got these here old vignettes,
True stories one and all,
Making me miss my dock, my shelter,
On that old adirondack chair,
Where my **** aches, and my mind fevered
With poems of love children and a life that
Tho dim recalled, I see it all so well.

Well, gentlemen, it all came together in the end there as
you will see when you study the game film later on. You
will notice that we controlled the line of scrimmage during
the entire second half, which is what turned the whole thing
around after falling behind. The way that we mixed it up on
offense, there was no telling where we were going to attack
from. That is what we have struggled with all year long. We
have been inconsistent, to say the least. But I’m sure that you
would all agree that we are starting to jell at just the right time.
Now, after a rough start to the season, it’s on to the playoffs.
Now is when we really need to focus, or it will be “one-and-out”
time. I can guarantee you one thing and one thing only. This
club has yet to reach its full potential. If we can just bang on all
four cylinders from here on out, then we might make a pretty
****** good run at this puppy. Frankly, I’m looking forward to
the challenge; I know that our guys are. They’ve worked their
butts off all year long. Forget about the record. I’ve never been
a real big fan of statistics. There are other factors involved at this
point in the season. It’s been a pleasure, folks. It’s been a long
time coming, and I am sure that this will not be our last rodeo.
Or is it last song and dance? Well, you know. We’ve got more
bulls to ride, and this is going to be like the Calgary Stampede
now. It’s time to saddle up and to man up; that’s all. Giddy up.
Punch them doggies and call in the cavalry. We have arrived!

Two eyes appeared from under a broadrimmed hat.
They looked around with astonishment.

In a schoolroom, far off in the distance, a boy was
Busy making a wooden bowl.
The teacher unaccustomed to such slowness
Requested a completion date.
“I am not slow thought the boy, just working
Away until I get it right.”
He met the teacher’s gaze with an expression
Of opacity and a sense of bewilderment.

On another day, at a later date, this same boy
Was found in his metalwork class applying
Cylinders of gases to his small creation, quietly,
Hoping for a connection before he was blown
To smithereans. Two blue eyes concentrated as
The jets of flames hissed into space.
Too long the gases flowed.
The master rose, the boy shook and his eyes
Widened.

In a playground, sometime earlier,
A small boy could be seen playing without a coat.
Gossiping women spoke of this unnatural act,
This exception to the fold. The boy stared back
Hearing their words with his eyes.

Decades later when his hair had turned from
Brown to grey but his eyes were still blue
And wide apart, he painted a little ***
Sitting on a pale surface, gazing into nothingness.
This painting took him a long time.
He had to get it right, the tones , the lines,
The connections.

After he finished ‘Little ***’, he sat down
And stared into the two blue blobs set wide
Apart on its surface and he thought, “this is
Me, the boy, the man, the painter, of wide
Apart, unnameable moments.”

The Beginning.

Love Mary ***

My father,
Who never marched a drill,
Nor fired an angry shot,
Recounts fond memories
I've heard so many times:
How long ago, when I was very young,
He and our neighbor,
Up before the sun,
Engaged in tractor battles
(He's very sure he won).

My father woke those mornings,
Early 1960s,
With the popping cough of
Diesel International tractor cylinders
Clattering out white smoke...
Then blue and black,
As engine heat and friction
Tightened gaps and sealed compression,
And the motor steadied into an even roar.

Across the county road
Our only neighbor led or followed suit,
Sending smoke and sound
To drown the morning songs
of robins and meadowlarks.

Fifty years later,
Dad laughs in recollection,
"We started rising just a little
Earlier each day.
Starting up our tractors
In a sort of game
Called, 'Who's out earliest?'"

Six became a quarter of,
Then five-thirty backed to four.
One tractor or the other roared,
Early and then earlier to pull
Into the waiting fields.
When three-thirty came around
My mother shook her head,
But if she said a word,
I haven't heard.

They even started engines up
Before they ran,
Milking buckets swinging,
to their barns to chore.
As early became earlier
In the little farmers' war.

One day in town,
Entirely by happenstance,
A meeting came between the two.
My father, being younger,
Had energy for more,
But the neighbor shook his head,
Grabbed his hand and said,
"Let's stop this foolishness.
I don't know about you,
But I need my sleep."

The farmer battle ended then.
A hand shake and a smile
Between two farmer friends,
Created country lore,
Remembered here a while,
As "The Early, Earlier War."

Never finding expectation to exist beyond the last known blip of the past, projected through my back, in tackled grounds, bound, in the banter of spectators, speculating the specifications of specialised  weaponry, silencing the empathy, and seducing my enemies in the isolated idolatry of their stupidity that i sculpted from the scrutiny, that was wished to have eluded me but soothed my playful solidarity to my sickly game called reap and sow instead.

We are all dead, all dead inside, residing in thriving wounds.

Left unsaid in rhymes etched in tombs.

In the lies of old bafoons

I shall not fight, myself, as they do, nor shall i defy whats right just to eat tonight.

I will fight until I am mine and sleep.

Cradled in my shrine of thoughts amiss, in the frost of loss vs reward.

I am torn, between torture and a vultures wait of the prize to pedal the pestilent pettiness to the edges of my testaments, in the truth of youth-less suicide, slicing social structures into cylinders to swing in circles around the room.

Swooning, in my looming threat of self immolation to warm the heart with shopping carts of satire, killing the sad away.

Delaying the the decay of hope.

A stay of patience in my irrelevance,never hesitant in my clever projections of nothing.

I feed you nothing

But emptiness

Shuttering in the sultry shade of my suffering and loving every moment of it.

Saying nothing too much in things of such insignificance.

Spilling the mizpellings and settling for wordlessness after a good ***** of belligerent arrogance.

Im tempted to quit but my wick is lit and to submit now, would just put the fire out and i want to watch the burn.

HWilliams

Foot to sidewalk, cement to shoe
     step to song beats or give beats to silence.
            Step with feet tired from too much tread,
                   guess I'll walk on hands instead.
                         beat to song, gust to mast
                             sound of travel, its own song.
Foot to sidestep pitfalls or potholes,
     skip steps get applause for pratfalls.
            Step to pulse and make hearts skip beats.
                   Take bow, step outside, sidewalk to feet.
Door to frame
     button to lock
            ignition to key
                   motor noise, engine block.
Radio, radiator, radius, ulna
     cylinders under hood
            cylinders filled with soda
                   serpentine belt squeaks, fix it you should.
The car is no Chevelle,
     but Chevelle's in my speakers
            keep pace with traffic well
                   "learn to choose to breathe."
Stuck behind brake lights
     as soon as headway is made.
            Sigh as loud as music plays
                   click volume arrow upright.
Anger builds when traffic fills.
     Stomp throttle or else you'll throttle someone.
            Throw insults like a mime in summer,
                   lip service they might see in mirrors.
Can't point at points A or B
     trace stress to line that traces in between
            Between the 2 spaces where my car parks
                                      mile markers, tail-gaiters, nail biters.
Foot to sidewalk, cement to shoe
     step to song beats or give beats to silence.
            Step with feet tired from too much tread,
                   guess I'll walk on hands instead.
Foot to sidestep pitfalls or potholes,
     skip steps get applause for pratfalls.
            Step to pulse and make hearts skip beats.
                   Take bow, step outside, sidewalk to feet.

Abandoned baseball fields
and feedlots in my mind'
span the distance between
pastures and filling stations.
Games from childhood,
those small-town diamond-gatherings with pizza-
joint sponsored jerseys
and open outfields where
the ball could roll
                                forever
if you really got a hold of it.

Here, in this other steer-city', once more I play
Though my back is sore, my mind
remembers pushing through an inside-the park
run home.
It rolled and rolled while I tripped on each corner
of those three plastic safe squares.
I saw the tom-boy with short hair behind the dugout
and asked her if she saw--
that night I thought she came to see me--
perhaps she might have known.
I have, not since then.

Shoeless, I meander on this base-path
holding my hands on my sides
to feel the parts my neighbor girl had
told me made the other boys
men; this distinction
what is good and what is not
was presented to me by foolish children, still
trying to become women-- AM I NOT A MAN!

I scream.

Somehow, these parts hang from my body,
supported by my well-toned calves--
My ankles, *****! My ankles are fine with
and without shoes.
Are the friendship bracelets from boys
that you got at camp in Colorado
not tattered by time now?
I have that trim abdomen you asked for
that triangle where my thighs converge with
torso, like you imagined theirs did
in the dark
while they were tasting all the
nothingness
inside you.

I can be like them, in my fantasy
of hitting the ball that rolls out toward yellow, singeing tallgrass
relieved by Summer evening thunderstorms which let me
ride quietly with my parents
in the backseat of our mom's pewter suburban,
with a box of kleenex always part-empty
crumpled beneath the passenger seat I sat behind.
My younger sister looked at the floor
while I saw
through our countryside with clear-gray
thoughtfulness and ease.

Instead of leaving from home, today,
I started on first base, in the park,
where I walked through
the right-field boundary without
consternation.
Look at strangers on the sidewalk,
and call my shot were they to take my things.
I feel my toes dig into dirt where no holes or even
placeholders were left to chance
vandalism or theft, I suppose.
I'm a thief, stealing seconds with my
piroueting-silence--
punctuated by mindless cylinders, pulsating.
Motorcycles are what they have; men.
Now, what she’s looking for, that girl which is
every woman.

(My bike is still there, I notice, taking an imaginary lead.)

A man with work and maybe a sense
of humor
that makes me roll my eyes.
But she thinks he's funny,
because she's simple, and-- after all-- she knows
those knees won't bend that way
                                       forever.
My adult work is walking, haggard, toward third
watching the adolescent couple running scared
from one another, when
minutes before they kissed; I laughed more loudly at them
than the garbage-fed birds who did roughly the same thing.

I walk toward home, where last Fall’s leaves
still loiter on the ground
that’s dug in
the way a timid batter would scrape earth,
cover his feet and wait to walk.
As a catcher, crouching behind a different kind
that afternoon, those older boys, with triangle-
torso-thighs and muscular limbs
came charging through me
and took my place
beside my girlfriend in the stands.

It was his motorbike that got there faster.

This is how home becomes crusted with dirt,
alternating apprehension and collision
must be wiped from the strike zone
Before I can wag fingers between
the legs to show exactly where to put it
in the top half of the ninth.
Those motorcycle-men don't get a whiff
of any pitch
or breezy desert air from down the chalky bluffs. In my hometown,
they may have felt a part in her that I could never be.
Dark drops beneath her sooty tail pipe
shades and forms are all I see.
But when I go inside, I still hear the echo
of car doors from my sister, mom and dad:

--thwack, Thwack. Thwack!

Each strike reverberating in the glove of our garage.
Every flimsy-ankled batter dispersed,
just like the infrequent pinging of our cooling engine
after the key has been removed. Lowering
a barrier, between the boys and men,
I watch wet cement like a warning track
backed by a white,
metal-reinforced plywood fence.
Through plexi-glass, I see that it came down
from the ceiling
the ordering presence of separation
suspended from my father's ceiling beams.
Solitary base-runner, stranded in this
half of the inning;
                            the home team
doesn't need to bat.
Still, she's rolling past me through thick, tall grass,
well-watered by a wetter climate,
in the empty fields at
Elmwood park this Spring.

Men with picked voices chant the names
of cities in a huge gallery: promises
that pull through descending stairways
to a deep rumbling.

                              The rubbing feet
of those coming to be carried quicken a
grey pavement into soft light that rocks
to and fro, under the domed ceiling,
across and across from pale
earthcolored walls of bare limestone.

Covertly the hands of a great clock
go round and round!  Were they to
move quickly and at once the whole
secret would be out and the shuffling
of all ants be done forever.

A leaning pyramid of sunlight, narrowing
out at a high window, moves by the clock:
disaccordant hands straining out from
a center: inevitable postures infinitely
repeated—
                  two—twofour—twoeight!
Porters in red hats run on narrow platforms.
This way ma’am!
                          —important not to take
the wrong train!
                        Lights from the concrete
ceiling hang crooked but—
                                        Poised horizontal
on glittering parallels the dingy cylinders
packed with a warm glow—inviting entry—
pull against the hour.  But brakes can
hold a fixed posture till—
                                      The whistle!

Not twoeight.  Not twofour.  Two!

Gliding windows.  Colored cooks sweating
in a small kitchen.  Taillights—

In time: twofour!
In time: twoeight!

—rivers are tunneled: trestles
cross oozy swampland: wheels repeating
the same gesture remain relatively
stationary: rails forever parallel
return on themselves infinitely.
                                            The dance is sure.

Flesh scaling mossy rock,
trepidatious toes clamber on.
Seraphic sunlight beating down on naked back.
Approaching the edge of all fears.

Standing on the pinnacle.
Surrounded by the best friends in  the world.
all there is to do is let go forever.
brace the fall, elongate with majesty.

Rhythmic heart, beating on all cylinders.
Di Dum: Fear
Di Dum: Anxiety
Di Dum: Stress


End of celestial descent.
Arrival in ecstasy.
Piercing icy blue water,
rinsing away all woes.

Circles of smiles,
and unprecedented unity.
In nothingness,
therein lies the foundation of all things.


Euphonious drum of waterfall.
harmonious chimes of birdsong.
Velvet blanket of heart warmth.
Soul soothing of clear water.

Utopian infinities crystallizing.
Dream't like folklore and now realized.  
Naked as born with no things and everything.
Tight clothed and old with many things and nothing.

You were far away.
Farther than halfway across the room,
A glass in your hand and that crooked smile
Rising like the sun on your face.
I was swimming-
Maybe drowning in a sea of people.
He was trying to talk to me-
About the every days that composed of
Almost nothings.
I swear I felt my skin wrinkle in my
Little black dress
And my toes pinch in
My high heels.
I told myself it was worth it.
He said I was beautiful
But I look across the room
And your eyes don't meet mine.
Each time I look at you and
You don’t notice me,
I feel myself taking a step into
The inevitable stairs of
Heartbreak.
I danced all night with him-
He taught me how to waltz in squares
And spin in turns.
His hands fit into my curves
Like those plastic cylinders
That build towers and cities.
But I still felt it didn’t belong there.
Your hands
I bet would fit like roots into
My earth
And this would beat any hundred story
Building because it was natural.
He might have disagreed with that
And at one point through that night
So did I.
If my heart was beating a thousand times
Per second and
My palms rained over my knees
And my cheeks were apples ready to
Be picked every time you passed by,
Surely that isn’t natural.

Slowly, I was pummeling
As the night neared its end.
I had not danced with you.
I had not talked to you.
I had not even walked by you
And yet I could have.
But with a heart beating as loud as mine
I didn’t want to risk you hearing it.
One thing for sure though,
I know was completely natural,
Was goodbye.
It was going to happen
And most say that it's the worst moment
Of any night
But honestly,
I had fallen in love with our goodbye.
Good night wasn’t enough but your
Tan rays of light blooming the roses
In my cheeks,
Proved you to be a source of life.

dance
     dance
dance
     dance
captivated dusty sleep
(slumber fiercely rust
on playground dreams)
drizzle drawn hood
concrete plane slab

riddled shafty iron
make kind orange-reds
on thy smooth cylinders
blessing my memories tactile

i walked here once


now only in
Morpheus' tender thrall