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AntRedundAnt Jan 2014
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row   changed   hanging   lied   drenched   companion   begins   strength   flies   direction   okay   stories   inky   stubborn   cloud   track   described   lover   replaced   pit   packs   circling   honest   wage   dinner   slave   paradox   faking   screamed   lightning   exterior   stopping   complete   deal   rifle   dependent   gifts   dancer   vision   students   horror   punch   anymore   pack   sagging   folk   honestly   tearing   prepared   creatures   listening   rhythm   unique   roar   card   glass   stage   desert   offered   fought   suffer   awoke   master   eating   furnace   glad   choir   graceful   *****   treasure   ships   bark   musical   strand   bee   finished   pink   slink   stronger   disclose   gravity   schedule   march   medicine   hates   weird   brush   laughs   helped   june   pitched   dumped   tense   sin   withdrawn   stem   proved   whispered   anew   amazing   louder   english   knocked   chilly   boots   false   mistake   toffee   whistle   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trashcan   papa   disarming   finalmente   clashed   rosie   smirks   snapshot   pug   songbird   spitfire   yanks   thankfully   mesa   flexing   virginia   effectively   variations   eclipses   tambien   outrun   incident   vitamin   willpower   underdog   hardboiled   miniscule   checkerboard   entrust   siento   heavyweight   davis   thyroid   foreshadowing   frances   heresy   starburst   deficiency   sawing   peruvian   leche   antithesis   villanelle   alliteration   hora   vivir   clacking   droopy   whizzed   britney   futbol   parameters   disney   mangos   disproportionate   orbiting   tanka   stubby   intro   listo   goldilocks   teamwork   pbj   exemplifies   rey   retainer   tenia   triples   espanol   estuvo   castillo   ferrying   suficiente   racecar   dorky   garganta   veo   julio   peripherals   labios   rojos   foreseeable   frito   groggily   venn   macbook   inanely   hubo   goofball   you've   she's   weren't   wasn't   we're   others'   you'll   should've   haven't   what's   you'd   they'd   man's   boys'   god's   woman's   fruit's   orion's   newton's   lincoln's   adam's   momma's   ******   jackson's   audis   dulces   disproportionately   charon's   deseos   avocadoes   hailey   eran   beatles'   ingles   he   she   it   rackets   --   hashtag   sixty-three   duct-tape   joysticks   sherman's   15   6th   32   500   7th   2013   extraño   barenaked   tamales   6-year-old   tierras   derpy   ewell   rom-com   themit's   adan   mudpits   puddlepits   war--hell   culp's   shitpits   completaron   chocolatada   levantanse   duraznos   n'sync   huevo   cholitos   levantaron   manzanas   endurece   wozniak's   dispara   nuez   open-endedness   innies   cankles   dunder-mifflin   tunks   buck-toothed   outies   grief-blown   a-gawking
I uploaded all of my past work onto the site already, so everything from here on out will be new and original. This is sort of an experimental idea of mine: take all the words hellopoetry has tracked for me, put it down as if it were a poem, and see how it flows. It actually kind of works sometimes, but I'm not sure. I'm sure it's mostly terrible, but I wanted to try it. Let me know what you think in the comments below!
Poetic T Feb 2016
Years had past since PTD's cases, all was now
Play and fun. But the little man missed
The chase of what could be found
Mysteries,
Riddles,
Enigmas
Of what was hidden from view. He was
A bright young fellow now
Six years old.
Words are longer as gurgles faded into
Memories past thoughts. He had come
Home to mummy,

"How's my little man,

"I have a loose toothy peg Mummy,

"Well no playing,
"As we don't want it lost for the tooth fairy,

So little man played with his cars
"Brummmm,
Brrruuumm,
Screecchhhh,
"That was close the baddies nearly caught us,

He played till it started to get dark, then heard
His mummy calling from down stairs.

"Little man time to get ready for bed sweet heart,

"Ok mummy I'm changing now,

A jumper did fly socks also too,
Trousers flew in the air landing waist
Side up on his head too.
Jester
Clown
Fun
Times of an imagination as he runs around.
But in to jimjams he must now do,
his favourite ones were
Captain Carrot Space Ranger.
He has all the books reading them to sleep
His favourite story before he slumbers in to dreams.

~Captain Carrots Space Race~

Trix sat in his comfy seat, his friends
All waiting for his words of as the race was
Set in the dust nebula
 Atria
Its dark in space only stars glitter.
But in the dust cloud it was like rainbows blossomed
A light show of the universal beauty.


Right my fluffiest friends its time to launch.
       3
  2
1
Rockets ignited and away they went,
Captain Trix was nibbling on a cucumber stick.
Then from no where the naughty
  Cat Captain Frost
Bashed and knocked at their ship, and off the
Race course they fell. They tumbled into a pocket of

Darkest space. Captain its  dark  in here, the lights
Faded and all was dark.
  Trix  could hear teeth chattering.

Be calm my friends, there is nothing scary in the shadows.
Take out your carrot coins, and nibble, chew,
And with that, once finger licked and all was chomped
All that was heard was trix voice, right can we all
See? yes captain carrot vison is a go.


They set a course out of this darkest place and
Out they popped into normal space, colours gleamed
As they saw they were in last place.
Rockets burst into action and they flew in
And out, weaving through the clouds
One pasted, two pasted, three pasted
Now they were in second place.


Who should be in first place naughty  Captain Frost
He had a coat as white as snow. but that was
As far as his niceness did go. He was a naughty
Kitty and everyone did know.
Sir he is blocking our path, we cant get through
Ok secret decoy time fluffy friends.

           3
     2
1
Cats attention set adrift sir, and into space it wondered,
In sight of Captain Frosts view. Out came the holding
Claws, and the space wool did bobble and excitement
Was the pleasure of kitties day. While they entertained
Themselves, Captain Trix did glide on past.
Full speed ahead as they race past the finish line.


Yawns were the calling of the night as the story
Ended as eyes blinked soon to be shut

"Mummy Captain Carrot [Trix] won the race,

"Yes he did darling and that's why meanies are always last,
"Sweet dreams my baby now off to sleep,

The night drew on as eyes slept through, and little
Mans dreams were of carrots and rabbits
That whizzed through the night sky, ZOOM.
Morning broke through his curtains and
Yawns did come and go. Slippers were
On as cold it felt, and downstairs
He wondered dressing gown and all.

"Mummy what's for breakfast?
"Was that me Mummy?

"Open wide little man, goodness me....,
"There is a gap where there should be a tooth?

"O' no I have a missing toothy peg,
"***** trained detective is on the case,
"I think I may need a new name?
"Junior Trained Detective,
"No that's not right does ring true?
"Buddy The Trained Detective.

"That's the nickname you gave me mummy,

"That's excellent little man, I love your choice,

His mummy smiles and gives him a hug and
Kisses his forehead, they search under his pillow
"Nope? Mmmm... may have to get out the cap
And magnifying glass -o

"Mummy this is too small for me?

"Don't worry little man I thought this day may come,

Out of a box she pulls his new hat out, he tries it
On, perfectly it fits on his head and his detective
Days have started again. Fist my bedroom under
The pillow I will seek my tooth be it here or there.
But pillow case removed quilt removed o' so slowly
For a tooth we don't want to lose it, but nothing appeared.

"One place now searched with a keen eye,
"Now so many other places for it to hide,

He thought of where a tooth would place hide and
Seek from its home in the mouth, under the
Bed he thought.Torch in hand he wiggled under
The wooden from and what we he see but his
Car that vanished quite a while ago, I wondered
Where that went? a sweet, a pen, a coin for the piggybank.

"Mummy its not under or over the bed,
"I looked hard, but no where can it be found,

Little man was frustrated at the thought that the
Tooth fairy would not be rewarded with a tooth.
Right let me think? he thought of that night, it
Was their in bed, when story time was read.
It was their when mummy give him a kiss goodnight.
In the morning it was gone

"Captain Carrot,
"Trix where are you,
This is no time for hide and seek,

He found him tucked in his quilt, sleeping soundly.
"There you are sorry to wake you,
He looked in his hair "Nope not there,
Looked in his tail it was white and fluffy
"Nope not there,
He thought once again? if he were
Captain Carrot where would he keep his
Best friends tooth safe if it feel out in dreamy sleep.

A smile etched across Buddies face at the thought of
Where he would keep it safe for him.
In his little fingers did search around, and then
A little white rock, no a tooth was found.
Captain Trix had kept it safe in his uniform pocket.

"Mummy, mummy,
"The case Is solved I found my tooth,
"Detective work solves a puzzling case again,

"Where was it my little man?

"Captain Carrot had it snuggly warm in his space rucksack,

"That's fantastic,
"Now where does a tooth now found go,

She smiles rubbing his hair, off to his bedroom
He runs tooth proudly in hand.
Lifting his pillow he gently places it with pride
In the place where the tooth fairy could easily
Reach and find. Leaving a special present for this
Little boy who had found his missing toothy peg.

"I think I may keep this cap,
*"Let Buddy the trained detective solve cases again soon,
Terry Collett Jul 2012
Jim’s younger sister
Followed you everywhere
and stood watching

as you rode the old car
around the field
or whizzed around

on their motorbike
to the cheers and shouts
from the fence

Monica why don’t you
go off and play
Jim said

yes
said Pete
her other brother

go play with your dolls
go take a run and jump
she said

and still stood watching you
her eyes fixed on you
like wasps on a jam jar

I want to watch him ride
she said
and stood with her hands

on her hips
waiting until you stopped
the bike and got off

and wandered over to you
and said
I like the way you ride

like how you sway
and swerve on the bike
and you smiled at her

and took in
her short stature
her dark eyes

her determined expression
and as Pete rode off
on the bike

and Jim stood
on the fence
calling to him

Monica put her hand in yours
and said
wish you were my brother

I know you’d let me ride
the bike or car
and not tease me

or bawl me out
I guess I would
let you ride the bike or car

you said
and sensed
her small hand in yours

her thumb rubbing
against your skin
but seeing

as you’re not my brother
she whispered
maybe you could

marry me one day
and we could ride off
into the sunset

like they do in the movies
in Jim’s old car
yes sure maybe

you said
knowing inside
that’d be a bridge too far.
Jim Sularz Jul 2012
© 2011 (by Jim Sularz)
(The true tale of Frank Eaton – “Pistol Pete”)

At the headwaters of the Red Woods branch,
near a gentle ***** on a dusty trail.
On an iron gate, at the Twin Mounds cemetery,
a bouquet of dry sunflowers flail.

In a grave, still stirs, is a father’s heart,
that beats now to avenge his death.
Six times, murdered by cold blooded killers,
six men branded for a son’s revenge ….

Rye whiskey and cards, they rode fast and hard,
the four Campseys and the Ferbers.
With malicious intent, they were all Hell bent
to commit a loving father’s ******.

When the gunsmoke had cleared, all their faces were seared,
in the bleeding soul of a grieving son.
Ain’t nothin’ worse, than a father’s curse,
to fill a boy with brimstone and Hell fire!

Young Eaton yearned and soon would learn,
the fine art of slinging lead.
Why, he could shoot the wings off a buzzin’ horsefly,
from twenty paces, lickety split!

Slightly crossed eyed, Frank had a hog-killin’ time,
at a Fort Gibson shootin’ match.
Upside down, straight-on and leanin’ backwards,
he out-shot every expert in pistol class.

By day’s end when the scores were tallied,
Frank meant to prove at that shootin’ meet.
That he would claim the name of the truest gun,
and they dubbed him - “Pistol Pete.”

In fact, Pistol Pete was half boy, half bloodhound,
a wild-cat with two 45’s strapped on.
In District Cooweescoowee - bar none,
he was the fastest shot around!

Pistol Pete knew his dreaded duty had now arrived,
to hunt down those who killed his Pa.
He vowed those varmints would never see,
a necktie party, a court of law.

Where a man is known by his buckskin totem,
in hallowed Cherokee land.
There, frontier justice and Native pride,
help deal a swift and heavy hand.

Pete was quick on the trail of a killer,
just south of Webber’s Falls.
Shannon Champsey was a cattle rustler,
a horse thief, and a scurvy dog!

Pete ponied up and held his shot,
to let Shannon first make a move.
The next time he’d blinked, would be Shannon’s last,
to Hell he’d make his home.

With snarlin’ teeth and spittin’ venom,
Pete struck fast like a rattlesnake.
Two bullets to the chest in rapid fire,
was Shannon’s last breath he’d partake.

Pete galloped away, hot on the next trail,
left Shannon there for a vulture's meal.
Notched his guns, below a moon chasing sun,
and one wound to his soul congealed.

There’s a saying out West, know by gunslingers best,
that’ll deep six you in a knotty pine casket.
One you should never forget, lest you end up stone dead,
“There’s always a man – just a shade faster.”

Doc Ferber was next to feel Pete’s hot lead,
“Fill your hand, you *******!”
With little remorse, Pete shot him clear off his horse,
left him gunned down in a shallow ditch.

After getting reports, Pete headed North,
to where John Ferber hunkered down.
A Missouri corner, in McDonald County,
filled with Bible thumpers in a sinner’s town.

Pete rode five hundred miles to shoot that snake,
with two notches, he welcomed a third.
He carried his cursed ball and chains,
to **** a man, he swore with words.

But John Ferber was plastered, and he didn’t quite master,
deuces wild, soiled doves and hard drinkin’.
Someone else would beat Pete, the day before they’d meet,
sending John slingin’ hash in Hell’s kitchen.

There’s a night rider without a father,
under a curse to settle a score.
In all, six murderous desperados,
Three men dead - now, three men more ….

Pistol Pete was now pushin’ seventeen,
just a young pup, but no tenderfoot.
With two men in the lead, he was quick on his steed,
to **** two brothers who killed his kin.

Pete rode up to their fence, with a friendly countenance,
spoke with Jonce Campsey, but asked for Jim.
“There’s a message from Doc, that you both need to hear,”
Pete readied his hands – both guns were cocked!

Pete continued in discourse, and got off his horse.
all the while in an act of pretense.
Jim came to the door and Pete read them the score,
and shot them both dead in self-defense.

With the help of the law, they verified Pete’s call,
then gathered any loot they found.
Laid Jim and Jonce out, in their rustic log house,
and burnt them both and the house to the ground.

Might have seemed kind of callous, but weren’t done in malice,
that those boys were burnt instead of swingin’.
They just sent them to Hell, sizzlin’ medium well,
besides, it “saved them a lot of diggin’.”

There was one man to go, he’d be the last to know,
that a hex is an awful thing.
That a young boy would grow, with a curse in tow,
to **** a man, was still a sin.

Pete garnered his will, with the best of his skills,
to take on the last of the Campsey brothers.
It would be three to one, Wiley and two paid guns,
Pete knew his odds were slim and he shuddered.

At nearly twenty-one, Pete knew he may have out-run,
his luck as the fastest gun.
This would be the ultimate test of his shootin’ finesse,
only a fool would stay to be outgunned.

But Pistol Pete weren’t no liver lilly,
and he loaded up his 45’s.
He rode into town with steely nerves,
maybe no one, would come out alive!

Pete knocked through that swingin’ bar-room door,
Wiley stood there with a possum eating grin.
He said, “Hey there kid, who the Hell are you?”
and Pete shouted, “Frank Eaton! You killed my kin!”

All four men drew quick, with guns a’ blazing,
Wiley got plugged first from two 45’s.
The bar-room crowd dispersed in a wild stampede,
everywhere, ricochetin’ slugs whizzed by!

When the shootin’ had stopped, there was just one man standin’
all four men got plugged, includin’ Pete.
But only a shot-up boy rode out of town that day,
and a Father’s curse, that played out complete –
was a bitter mistress to bury….

At the headwaters of the Red Woods Branch,
near a gentle ***** on a dusty trail.
On an iron gate, at the Twin Mounds cemetery,
a bouquet of morning glories flail.

In a grave, still deep, is a father’s heart,
that lays quiet in a peaceful sleep.
And six men dead, who now burn instead,
compliments of Pistol Pete!
This is another one of my Historical poems.   A true story about Frank Eaton, an eight year old, who witnessed the shooting death of his father.    Frank Eaton was encouraged to avenge his father's death and by the time he was 15 years old, he learned to handle a gun without equal in Oklahoma territory.   You can read about this man by obtaining a copy of his book  -  "Veteran of the Old West - Pistol Pete (1952).   Born in 1860, he lived to be nearly 98 years old.   My poem describes the events surrounding Pistol Pete hunting down the outlaws that killed his father.    I hope you enjoy the story.

Jim Sularz
Chris Slade Dec 2018
(A Tribute to Ted Slade - poet, 1937-2004)

This new friendship. This journey on which we were just setting out.

How will we work it now you've...well...gone?

It was going so well. That's the way I saw it anyhow.

It had only been a year - we two - back in each other's circle...

Same planet - different orbit. Though I'll never know now what your thoughts might have been..



This 52 year gap in our 'acquaintance', for that's all you'd ever say it was
,
it closed at dad's (your Uncle Bud's) funeral - as he leapt 'on-flame' to the ether.

He didn't half want to go..."Why don't they just let me slip away?"
And then it was you I wanted to know amongst those finger buffet scoffers.

Those ribboned aces never knew that Bud just kick-started their Lancasters and 'Spits' at Leconfield and Liberia.



Bud's morphine muted passing proved positive, and thankfully at last - 

(he might remember now) - he helped kick-start too this belated kinship between us.

Jack would have been pleased about that...(Bud too I know)

"a good trade" he'd have called it. "I'm knackered anyway".

I was always curious about our respective dads - they only ever sent Christmas cards...no letters. No love.



Bud gave me a book  before he swapped "heaven's hopper" for the "take & bake".

"Eer-yar" he wheezed...this is more up your street than mine..."

"Yer what?..."Poetry?...No... I can't make head nor tail of it. Like Shakespeare...Where's me glasses?"

and, with that ,the "Last Arm Pointing" welded that closing gap between us tight shut.

I read 'Mystery Tour' to Bud...about Jack's 'motorised passing' and he cried. So, it was up his street. after all.



Your words filled me in on distant memories...made solid.
Missing chunks I'd seen but never written down
.
Of Withernsea and its winter isolation

of Jack, his life - and how it intertwined with yours.

I've not found too much yet about Phyllis. Is there a darker story there? Who'll tell me now?



Your final work, tireless as ever, from your New Malden 'crow's nest'...

was steering your second collection to print...and then...

Your literally-literal Mugs and Sweats - flying off the shelves of a California warehouse.

Disabled? Pah!  Why should they ever know the what & why behind the who and when?

Your 'disability'...would only 'publicly' let you down if your trike sustained a puncture in Richmond Park.



"Hi Cuz...Where do I go to get mugs and sweat shirts printed?"

And then, whilst I was looking through directories & old invoices,

you whizzed across the earth on the wings of your laser guided mouse.

By the time I'd got the phone numbers of long distance, half remembered contacts -

you had designs submitted, distribution and royalty deals sorted and were planning the next big thing.



Your freehold on the planet was the web...your very own super-short cut.

Who needs invalid cars when you can 'fly digital'?

You were a lover of the dub-dub-dub which loved you back in floods.

Now, even when your body has deserted you - it still throws us pages and pages - of you - and about you.

The Noddy Holders and Wes the Western Gun-slinger, pale by comparison, they'd envy your PR knack.



Instead of trying to phone, (these heavenly BT - or is it ET-connections often end in wrong numbers)...

and, because a lot of the time talking took it out of you, I'll keep writing like I did before.

Replies would be good. But I often used to write out of turn anyway.

So yes, things could get a bit one sided...forgive me if I 'go on', and... you don't!

But I'll keep writing to Ted@poetrykit.org and read the answers in your books and old e-mails of the family's past.



Cheers Ted...Lots of love Chris (Cuz) Slade.
Ted Slade was a published poet with (for a sufferer of severe kyphoscoliosis) a stellar career. Only started school at age 12... Qualified for Uni at 16. A metalurgist at Filingdales after graduation (so, a real 'propellor head')... He switched to Head of Marketing for the Portuguese Tourist Authority (as you do)...An Atheist and Communist, his last job before dedicating to poetry was as PC Network specialist at Kingston University...On retirement he turned his attention full time to Poetry and founded www.poetrykit.org We lost touch big-time and only met again in our 60s (mental) and found we had so much in common... except I was and never will be a propellor head!
rainydaysunday Nov 2014
My feelings had wheels that day.
they slid and fell and whizzed past
I tried keeping up with them
I laced my skates tight to hold my own

I cleared my head in crowds,
tossing myself forward so I could be on the same
track
And I still need more practice
I never caught up with them.

But you couldn't skate.
You were a baby giraffe and I felt unfair
You let me grab your hand.
And around we stumbled.
I told myself that if you fell it would be over
between us.
But I smiled as we rounded each corner
I smiled when I looked and saw our hands together.
I smiled when I knew you were right there
And I smiled when I held you up.
Held you steady.
I felt like an oak tree.

I didn't talk enough.
But you sure enough didn't fall on my watch.

maybe I wish you had.
B Young May 2016
I am Immortal
I am Invincible
I am Imemorable
I am the blackness living deep
in the bile ducts of your lungs,
I hear you whisper my name;
and I shiver.

I have neither hero nor god:
I am that I am that I am-
ALIVE
I learned not the word caution
I know not the meaning of a future:
I am where I am where I am-
NOW

The bullet which ricocheted off my right *** cheek and exploded through my left ******* seemed to have its own voice as it whizzed  by, winking, “The truth may set you free young man, but not until it is finished with you.”
got shot last week
AntRedundAnt Jan 2014
Letters come & go.
Messages from home: love lost.
Jefferson Davis
& “Honest” Abe Lincoln’s war…
…nothing more than flexing strength.

The sun rises up
above the barren Culp’s Hill
as Ewell kept them
back, & Jackson’s wishes were
lost on Cemetery Hill.

Gettysburg was filled
with mudpits, puddlepits, shitpits
& every kind of
pit. Not any kind that they
wished to see as guns moved up.

The barrage of shells
from the artillery was
never ending, not
unlike this cursed war, all
while brothers & sons were lost.

The second day came
with no signs of stopping, he
packed his gear, grabbed his
rifle, & marched out to the
sound of Charon’s ferrying.

The medic rushes
out onto the battlefield
hesitating not.
His crude instruments flailing
about in his pack, he works.

Medicine, horror,
they were synonyms to him
as he braced the man;
scraping against flesh, he screamed.
This Civil War--hell on Earth.

Sawing off a leg
was much harder than once thought,
the medic then knew.
In the thick of battle, screams
drowned out screams, & drowned out screams.

Bullets whizzed by him
as he cleaned up his patient.
Or was it victim?
These days it all seemed the same:
North, South, free, slave, dead, living.

What once was blue ‘n gray
was now brown & black & red.
Explosions tore up
the land around him as he
cleared his vision & finished.

Out of the brush, fear
overtook the medic as
a man in blue clashed
with a man in gray; blood ‘n sweat
drenched both as life was on balance.

The medic was stunned
& failed to bring himself to
act at first. He shook
himself awake, & grabbed his
knife, & leapt into the fray.

His knife plunged precise
into the blue man’s heart. No
soldier, but knew his
stuff. The gray man thanked him, &
the South fought another day.

All for naught, for on
that third day, Lee ran with his
tail betwixt his legs
all the way to Virginia.
Two years later, all for naught.

July fourth, eighteen
sixty-three, no cheers, no love,
no wins for us folk.
Only them **** Yanks get their love
from home: letters come & go.

Sherman’s March left him
quaking in his boots; gone was
his love. Gone was his
home. Gone were his letters. All
of it gone. Gone with the wind.
Pride Ed Dec 2015
When his familiars’ pounced
a little too roughly on the davenport,
the mysteries of the cosmos
flailed about as his soft,
satin bag took a tumble…
Citrine and agate tap-danced
under the bed, as quartz
whizzed wildly through the air
like a shooting star. Opal spun about
like a fiery pirouette, and amethyst –
finding it’s way on the windowsill,
bloomed a kaleidoscope of larkspur
in the sun.
Mateuš Conrad Dec 2019
i can clearly hear how english mutates...
a book review by a channel... better than food...
the book he's reviewing is goETHE's captain faust:
and the non-avengers...
but no...

i don't hear: stick an umlaut anywhere you please...
i, "for some reason"... do not hear
a: Θ... a göethe... or a goëthe (ladin alphabet -
the germans know about this)...
there is this... goe-ether association...
it's sometimes a riddle of goë, göe...
or quiet simply...
the remains of the ancient latin grapheme (œ)?

educated people make this distinction -
and they'll catch "you" out on it...
since... they represent the Hyacinth Bucket brigade...
gynocentrism doing a snail-trail:
one step forward... two steps back...
it's beside what the linguist "says":
a bucket is a bucket a ***** is a *****...
otherwise? glorifying such a harsh reality
of a surname like: bucket... but not beckett?
no... "samuel"? well then...
it's not a bucket if it's somehow
translated via chernobyll as: bouquet...
is it?! is it?
because even in french: they self-cannibalise...
i.e. they "eat" some letters...
they write one language: but speak another...
what isn't bucket what is nonetheless
bouquet? well... isn't it: bouque-?
it's not even that... boo-k for the ones that
still hear... and can write grafitti schlang...
in some variation of a german...

becuase educated people can get away
with treating GOETHE...
as?  '/ˈɡɜːrtə, ˈɡeɪtə'...
or in simple-me-and-you being bilingual...
fiddling around we arrive at:
Göerte... which is "said"...
but this "lunatic asylum" exception has
to be written: with a clarity of a *******
Greek THETA... a fin! the end!
which always makes lying easier...
when you can: say (a)... but... but...
imply (b)... like some "metaphor"...
some forever useful tool of nuance...
some "spectacle"...
it's easier to lie when... you say (a)
but are "implying" (b)...
then you can blame it on...
not allow the literacy of the masses:
quite as much... you require... exceptions
to the rule... to **** out the lesser educated
"people"...

don't get me started...
born? Ostrowiec Świętokrzyski...
perhaps i should have never left...
3 years in Edinburgh...
over a month in St. Petersburg...
somewhere in Paris, Stochholm, Venice...
Athens... Belgrade from a distance...
Amsterdam... two weeks in Kenya...
and a nonchalant attitude surrounding
London... a strong distaste for Warsaw...
a myth of Cracow...

and no, i haven't been everywhere...
but... after a while... does it really matter
where you go, if you're bringing
expectations with you?
expectations and postcards?
clichés? clichés expectations and postcards?
and... a whole lot of strangers
you haven't met?
tourism and: feeding the ghost town
mentality... perhaps a ghost town would be
something to behold... instead of this...
atypical metropolitan casualness of avoiding
each other... busier busier: and no more
busy than once pronounced dead...
but wait for it: you're at least given a "scene"...

but no... i know one language that
makes pedantic orthographical observations...
but i also know a language that...
write one way... speaks another...
whichever way, best, to suit it...

and you "know" it would only be Fa-Ber'g -
no... borrow the j- from je suis...
if that last E was not an acute É...
but an grave È (grave... or? gráve...
grrrr'av... not a hey hey grave...
GRA-Vity)...

hence? my point exactly..
if the diacritical markers are respected
in fwench... with an acute É and a grave È...
why do "we" need... I(i) and J(j)?
why not... I(ı) and J(ȷ)?

besides... ever imagine writing an autobiography
like a Knausgård... defender of the runes
for a sentence in volume 1...
major google-maps ****** *** volume 2...
i write that with a "glee"...
i mean... you can be immediately be put off
writing an autobiography...
just to avoid the mediocre descriptive elements
of using something more complicated
than a hammer...
for an otherwise... less than a hammer's worth
of banality: evaluation of modern banality /
procrastination...
no one we have been given these complicated
tools... and to the best of our abilities we
best procrastinate, using them...
i hardly think a hammer would be used
to... pretend to play the drums...
but yes: Knausgård... the defender of runes...
irony... but the mr. google-earth guy to turn to...

yes... and before i discovered a past...
there were the runes... and there was
forever this latin morph of the barbarians
"thieving"... but there was also the glagolitic script...
apparently! and before that there was the greek!
and... somehow... i did arrive at having
to master some vague understanding of
mother cyrillic!

- but prior to... did you know what
slavs love cabbage? all the pakistani point this
out: slav love cabbage!
today? i watched the film Layer Cake
and made some cabbage soup...
Layer Cake being? the pre-to-a-bond-film
taster for the actor Daniel Craig...
it was hardly a Guy ******* Ritchie film...
woz itz? but... a decent actor advert...
with "hindsight"...
if i watched the film then...
or as i whatched the now...
and all the known actors jumped the train...
well... cabbage soup... base?
a decent polish / jewish chicken broth...
most of the chicken goes into a ***...
except the *******: you make a *******
roulade with that...
and proper potato bakes...
potato bakes like Heston Blumethal
boils a soft egg...
tatties in cold water... until they start boiling...
then you hunch over them...
boil them for a decent fiver...
turn off the heat...
again... hunch over them...
like an inquistive condor waitig for
the water to stop bubbling...
asking the question: are we all ready...
for the oven? yes, my toy soldiers,
are we, ready?

apparently they taste like christmas
tatties in waistcoats!
my my... what a lovely affair!
cabbage soup? you really need a complete
lack of imagination and a work-around
using root veg...
the european way...
but what is preferred is ensuring
you make a cabbage soup like...
a slav treats a cabbage like a frenchman treats
an onion: you suffocate it...
an hour minimum...
until the crass ******* boils out...
and you're left with...
a sweetness... and softness...
bay leaf all-spice (english spice) included...
some kiełbasa (etymology?
root... kieł- derived from the plural?
kły... canines... suffix -basa?
baza - base... canine-base...
something that requires an understanding
that elevates the dog, "debases" the man...
no quran reader will understand this:
for lack of a better word: shaming food...

where would pakistani cuisine be...
without the pantheon of hindu spices?!
i'll eat like a dog and in so doing:
live a tier above a king...
i still find it highly unimaginative...
to call one fruit "forbidden"
and one meat: "impure"...
whatever Gabriel spoke to Muhammad...
never really explained crab meat...
crab meat crab meat...
the Maldive muslims eat crab meat...
what's crab meat again:
when it concentrates a comparison
with ol' porky porky? scavenger of the seas...
what's with the muslim beef on pork?
and god was critical...
of his perfected animal worthy of
consumption... looks pretty silly from
Beijing... so Beijing is ensuring that Muslims
"look silly"... well... "live"... silly...
so god was so... this that and the other...
then he lent his "all knowing wisdom" and said...
no... this one animal... which you can...
butcher and make use of...
all that's missing is the oink and the hoofs!
or whatever it was: i can't eat the oink,
the grunt remain's the bacon's owner...
and perhaps the "hoofs"...
but such a pristine animal...
tapeworms come... much larger in size...
from aquatic flesh... so...
tic-toc... tic-toc... pull a sly porky on me or...
Gabriel my ***...

the Pwophet sez!
much easier these days: to, "get away" with "it"...
camel jockeys turned oil barons...
yachts... whizzed-up-*******-white-****-****...
and never... the odd-ball from
that long extended lineage of the family
living with a cuddles *****, soft toys...
east of Beirut...
that pencil girth's woe explosion in the sky...
"built" by people...
who employ slave Bangladeshis for
a sunday's worth of sabbath cricket in the desert...
i thought that deserts were only good
for waiting for qurans and dinosaur blood
and myopia and... the odd dehydration
hallucinations?!

i'll eat some sushi to sober up before
i accompany my mother: circa 60 getting
a hip replacement surgery done on her...
i'll sober up: but first things first:
spew...

mind you... below you will find some
ancients inscriptions...
i had to wonder: if the precursor text
of the anglo-sphere people...
the germans and "celts" of the british isles...
the welsh... the scandinavians...
was bound to runes...
before the latin men came...
what did "we", the slavs, use?

before the greeks allowed us entry into
the realm of mediating the otherwise:
quasi-fathomable?
cyrillic is what came: AFTER...
but there was a prior...
i'm no longer interested in the prior...
no more than i am interested in greek...
i once slurred russian cyrillic
for not having any diacritical markers...
i knew they had them...
but that they were... crude...
for lack of a better word...

how does that theory sound?
the: ex Africae omnis est Africanus...
sorry... what?!
giving my scrutiny of phonetic encoding...
am i closer to speak...
or thinking, and if not thinking,
then, reading?!
by the looks of it...
i devolved from encoding in
chinese... perhaps not so much:
sanskrit... but i most certainly suffered
moving across Siberia: obviously: not "i"...

mind you: i've looked at "it" and thought...
me, reproduce? add a stranger to the equation
of my family? i'm just happy to end
the libeage... thank god i don't have
some inheritence complex abounding...
no expectation, no "legacy" akin
to a surname like Rhodes (circa NY)...
i was born with one ****** surname,
which changed... i'll die with another ******
surname: that never made it to a status
of Eshlert... nonetheless! i'll leave...
like a ******* Einstein of an acronym:
E = MC... good for me! bravo ty! bravo ja!

beside the egyptian hieroglyphs...
i'm yet to read something...
from... Congo... perhaps i'm just too ignorant...
or the -igger shade was just too much
that it... grabbed my attention and
i forgot that the victim olympics didn't
happen every 4 years...
but every... whimsical time-span of...
a quarter of the length of a fortnite...

whatever: all out of africa implies...
i'm writing in a devolved chinese...
frozen bits across the siberian fickle desert...
next stopover? Novosibirsk!
no need for pyramids in Novosibirsk...
no "awe" to be found...
when you're toe-dead numb from
frost bite.... is there?!

my letters are a sieve... they allow meaning
through like hands praying to cusp water!
it's, the, reality...
you have ****-wit socialists on one side...
and then... this hyper-inflated
darwinism is all historism on the other...
middle ground, people!
"democracy"! i stand stand both the marxism...
or the darwinism... but arguments failed...
or? we can have the extreme of both ends
of the argument! enough of reading
Pasternak will teach you...
hey... shhh shhh... the collective can
congregate any minute now...
they don't need that many intelligent people
to rally them...
what your, "your" side needs, though?
if enough brass people: stupid enough
to entertain, to lulluby...
em... that's now much to "go on"... is it?
the intelligent with pour gasoline
on a fire...
the entertainers will simply pour
cold milk into a saucepan that contains
milk you're warming to...
melt some butter some honey and an egg yolk
to self-remedy: devoid of big pharma influences...
a witches' brew for a cold and soar throat...

side note: do i "worry" about not having children?
if i lived on the Faroe islands,
Greeland, Iceland, Norway -
i most probably would probably mind...
small town mentality: enlarged...
then again: my family, "my" and "family"
is not exactly accomodating...
why am i not spending time with my grandparents?
at least one side... the "patriarchal" side
drops off: accomodating the madonna anyways...
a sister (my mother) and a brother (my uncle)
are waging a war...
this... "eastender" soap opera is...
i don't have the finances to grativate away
from it...
enter children? and they'd be more ******
up than i already am with my libido
and no outlet... i've stopped seeing prostitutes:
no because i felt "bad":
that one time we only pretended to be
leeching / kissing oysters just because
i forgot to trim my ***** hair:
like some western feminist argument
about the exploitation of romanian women "matters"...
when... the labourer drones of men
of building sites... coming in to work...
hangover... might perhaps... stop...
fuelling the english lush economy...
i didn't want to have children because:
family-wise? things, "things" are messy...
and there's no magic carpet to get me out
of here... not when the last surviving remnant
of a past... i.e. my grandmother,
talks to my dementia riddled grandfather
with the words...
and he stresses them: you no good...
skurwysyn!
elaborate? sure! z-kurwy-syn...
from-a-*****-son..
my grandfather's mother...
well... let's put it in facts...
my grandfather is an illegitimate (
oh **** me, i spelled that right, drunk)
son... his mamma then married...
the father of this illegitimate child...
was a polyglot... spoke 7 languages...
emigrated to the U.S. of A...
remarried, fostered some shards of glass...
and sent his last postcard...
from Niagara Falls... before jumping
into the kamikazee sun...
oh my family is perfect...
then this mother of his...
had two children with a man...
who would beat my grandfather...
which is why he became a "pioneer"
coal-miner aged 15 or 14 or 16...
then this one kid ended up being
fostered... then this "watermelon" of a kid
(nickname) came out...
from a love affair... and when the "*****" died...
his quasi-foster father lived with him...
and in this custard: he...
the father semi-god-know's what...
abused the old man for putting up with
him as a love-child: in wedlock...
and... well thank god there was
no epitaph to begin an end with...

me and children? i am gracious,
i am kind... i don't want them to inherit this
history... which is worse than
a history of germany... at least those *******
had the nazis... which is worthwhile
in terms of exploiting them via video games
as those: evilz badz guyz!

i always think: the sooner i'm dead -
the more chances i have
to either dream... or breathe...
currently i quasi the former and accept
the reality of the latter...
but me and children? my, own, brood?
em... for some capitalistic driven darwinism
pressure ploy of narrative?
taxes and retirement plans for
the western: placebo: aged?
grand'm'ah and gwand'p'ah not fit under
the same roof... set them on the butcher's
path toward the "shop" of wrinkle
and: pristine effortless economic
endeavor... the pig's the lot...
economic meat and... about as barren as a dinner
plate scooped up for examination
once a pauper sat before it to supper...
ingenious! if only, if only we were all born
into a Charlie ******* Dickens' lot of life!
then, only then, we could, we could
perhaps, perhaps: write about it!

i have seen how people have lived their lives...
how... they had wish to write about it...
which always involved a lot of other people -
movie scripts written by directors
and not... actual manuscripts of scripters...
they would write... but then:
started to gag from **** at the mere of thought
of being: brutal, honest, honing...

people either write an honest autobiography,
they ghost it: have someone write a biography,
they write an autobiography that's
designated as: tabloid...
but most importantly... they forget...
a "Moscow"...
when i was in Moscow... i felt like i was
in London for the very first time...
a last time...

i did mention that i didn't envy the russian
diacritical approach...
the odd: miss and "there"...
but no... i didn't envy them...
to me there was no russian orthography...
there is an orthography: which you mind
above any metaphysical discussion...
when, and only when... aesthetics comes
into play...
i.e. rz = ż and ó = u and ch (cerp i ha) = h (samo ha)
this is how orthography is born...
sorry... i'm too "busy" dealing with
orthographic ******* to even mind
your "metaphysics" or a death of (it): interim...

as i stood at the feet of the tower of babel...
i started to su doku the pieces that
pleased my eyes... and the pieces...
left in leftover arabic squiggles of
the remnants of the 20th century...
and the new emergence of environmental
beijing free-of-syndromes to spawn
the 21st... or...
the child of a one-child-state-policy
without a Beijing... only a gradual evaluation
of... concerns for...
not giving birth to yet another ****-wit
of the world's counter to: another
****** of a gullible persuasion...
given that law is blind...
he must have been born: deaf!

- you didn't see me coming;
i didn't even see you leave... -

since the greek letters i tend to most "forget"
are:
- gamma lower-case (γ) because
of the upper-case upsilon (Υ)
- lower-case zeta (ζ) becaue
of the lower-case "11" (ξ)
- eta, lower-case (η) is no real grief
with lower-case EPSILON (ε)
until... you enter the cyrillic
"debate" of е and э...
- lower-case NU (ν) and lower-case
UPSILON (υ)
- Ξ (Θ, Φ) i.e.: XI, PSI, CHI, PHI...
return: that first 'un' is an ale'ks...
alex... but it's not an X in the way that
CHI expresses itself in CHurCH...
lay-teΞ...
- then again... greek orthography begins
in SIGMA... those... quasi-germans...
those remnants of the northern / teutonic
crusade... those Pruσσianς...
or... Prußianς...
the greek F and the greek "F"...
key into a keyhole: Φ...
key turning in a keyhole: Θ...
the iota of four uses... Θ, Φ, Ξ... Ψ...

but that's only the greek... i will not touch
on the glagolitic... until, barely skimming
the draft months earlier...
until i come with my own diacritical markers
and show you: how i was wrong...
yes... the russians do use these markers...
but they, mostly... do not "accent" them...

because i'm no Ezra Pound i didn't have
to imagine going as far back
as the Taoist ideogram...
because i remained bound to the anchor
of europe and...
i really didn't find anything of worth
in africa encoding: silence into their
verbiage with anything:
beside the odd spell of hieroglyphs...
so? i am not an Idaho man...
or whatever mid-western miss-western
******* the genius came from...

i don't have an ideogram:
i have a synonym... the sound is exactly
the same... but Charon 'ave their eyes!
mind you...
ądam and ęwa are off limits...
as is: ł... then again: given that i write in english...
em... "yes, and no"...

but here's my rubric... a rubric implies:
i will not narrate this crap:

don't get me started on the russian variations
of Y... i once said... because the greeks had
names for their letters... and the romans didn't...
well... in western slavic: Y "why, I" has a name:
e'GREK... iGrek... e and i are interchanged
between the western slavs and the islanders...
but the russians?
let me Shakespeare that for you:
pre-scriptum - don't ask me...
how oh how a german umlaut infiltrated
the alphabet: i blame catherine the great...
you have...

е (ye)
ё (yo)
й (-y-) - which acts like a "ȷUDAS"
ы (ý) - alt. to? ıGREK
ю (yu)
я (ya)

all that's missing is a: иы variation?!
let me check my pentagram of vowels...
e, o... u, a... oh right... IO-T'AH-T'AH-T'AH...
sinking the ******* POTEMPKIN!

it's for the best: i'm entrenched in two languages...
which makes me "schizophrenic" /
bilingual... ergo? i have to write in at least:
four... pepper in some latin etc.....
and modern slang? i need that...
and some german... and perhaps a dash
of Gaelic... and some scandi-navigational
pseudo-romancing the rosetta stone...

the rest is quiet "simple"...
a french-atypical acute... because there's no gr'ah-v'eh!
grave ole...
and a dot... like the dot used for no real purpose
in english...

i.e. ь involves the acute...
while the ъ involes the "horde" symbol...
either the dot above the Z in ż or the caron
above the R: ř...
alternative interpretations invoke
even more: 'hide and seek" mechanisms
of the russian Y...
  объект: interJEct with an obJEct...
thus? there just seem to be gradations
of hiding a why (y) with its added vowel...
and its mutant й... crescent mongol moon...
and all the rest of "it"...
since when you "borrow": yew borrow...
you get something along the lines
of: e.g.:

ć.        ць: c.f. surnames ending with -CKI
ń.       нь
ó.      "u" or? Loonin...
ś.        cь
ź.        зь
dz.     ž (dzik - boar - the wild adjective is a tautology)    
ż.      ř       rz   (зъ) or? ж...
ł.       woad... łagodny (he - gentle)
                        łagodna (she - gentle)
š.      sz.      ш             (sh)
č.      cz.      ч               (ch... you're not foreign
to graphemes... mr. Æ ms. Œ...
you simply haven't seen it applied
to consonants... only vowels!)
щ     šč     (szczypta - pinch -
a germanic, saxon "ch" is a cz...
or a caron above the C...
ch' ch'.... akin to the caron above the S...
sh' sh'... so far away from "god": YHWH...
yet so close, so, close!)
ha ha... a "dangling bit"...
and i thought the russians weren't
good at hiding "things"... from ш to щ
you have hidden: a caron a "c"...
a ****'s CHeap... in a dangling "left-over"...
of an otherwise caron S... heap of SH SH ****...

in terms of the cerp and ha and samo ha?
the greek χ (chi) comes into play...
but not like a cheeze...
more like a vowel-catcher breath...
eerie as ****... a HA HA with...
cHA cHA! i.e. like the surds you allow
hindu words access to: gnostic -
'nostic... or... knife... i.e. 'nife...

it's no surprise for me, now...
out of all the black caribbean kids,
the indian and pakistani,
the africans... i was one of the first
to: come out swinging from under
the iron curtain:
distrust levels? high... near almighty...
not enough "japanese" in me
to squander a late debt from
Hiroshima or some other etc.

in some remote original draft...

as ever, i drink, and am a nobody, but then i find myself inclined to look upon the god of gods: whatever remains of worth for the phonetic encoding... whether latin, greek, rune, cyrillic, or ⰒⰑⰃⰀⰐ ⰒⰉⰔⰏ (another googlewhack)... the glagolitic phonetic encoding... sure, first they'll ban the runes in sweden, before realißing that... there's another alphabet... the glagolith...
                  Ⱉ = Ω, given Ѡ = ω...
         this alphabet has been suppressed, long enough!
to be honest? i've never seen a more beautiful letter,
anywhere, other than in the glatolith...
     Ⰿ = M = ᛗ...
                      maybe that's why i like my given names
so much...
                            ⰏⰀⰕⰅⰖⰞ
                 i too! i too have a past!
             i don't need to peer into pseudo-arab ***
the quran religiosity of hieroglyphs
of the northern africans, camel jockeys!
                             there's, oh there's so much
more at stake than the runes...
                what of the Kiev Rus vikings?
this, this is their language:
                ⰕⰑ          "ⰏⰑⰆⰅ"          (może = maybe)    
(to = this)
                                                   (ⰜⰀ = trzeba, trza /
                                                            tsa)­
            ⰕⰔⰑ (tsa)           ⰃⰀ (ga)     ⰂⰀⰓⰉ (vari)
               (gadać = converse... gavari)

    Ⰴ (d)                ⰆⰫⰕ (żyt = fathoming life)

                             ⰆⰫⰕ (worthwile noting:
this is out lot of, a, life)...

      ⰛⰫⰛⰍⰀ (szyszka = cone, of the ᚦᛁᚱ /
                                     ⰡⰑⰄⰟⰀ - fir /
                              jodła tree)

see, i can't solve crossword puzzles...
      i don't know where i would begin,
fathoming this sort of "plaything" thesaurus...
i can play a solitaire mahjong,
i can solve you a su doku puzzle
without wanting to compensate myself
by competing...
                  
   but i do know...
                    what conjured the atom,
the letter?
  what conjured the atom, the letter,
and subsequently, the alphabet?
        noun...
                  the cipher conceptualißation
of making a name, smaller,
so small, in fact...
that letter emerged, and names were
no longer indicative...
of a meaning...
  so much so, that units were
formed, fathomed...
and when merely giving names
to these units, akin to the greeks,
alpha...
        which had to become a-lpha...
and beta had to become b-eta...
          well... only thanks to the latin men...
they became songs...
sing-alongs...
   very much thanks for the H vowel
catcher of the hebrew god...
ah... said the castrato...
  b'eeh sang the castrato...
           em...
  obviously the devil managed to keep
some of the letters...
z'ed...
                 it's still bewildering...
how the latin men "reinterpreted"
the northern runes...
   as the greek men "reinterpreted"
the north eastern glagolitic script...
and to think! to think!
    Ⱃ = R = ρ = rho...
         but what happened, "elsewhere"?
ᚱ = R... but... but... where's the trill?
R, as a letter, looks like it's about
to hide a leg... and start rolling...
ripping apart all other onomatopeias
associated with the rattle of a rattlesnake,
or the sound it could make,
to associate itself with the sound
of water boiling... where did that "go"?
with the french hark "innovation",
and the english tongue...
being bitten and left numb by
a tarantula?!
                      
  point being... i never imagined myself
much of an archeologist...
i always found:
  if you state your "necessary" freedom
to speak?
you're a tongue inside one cranium,
at a particular time, in a universal space...
but, like kierkegaard,
you care more about a freedom to think?
i'm "here", i'm "there", i'm "i'm"
like heidegger might state...
                  using this very modern
language that's english...
          but then sliding back into...
an obscure region of history...
      in two places at once...
        at a universal moment in time,
in a particular space...
                   talking exhausts me,
whenever i start speaking for more than
ten minutes,
there is a cotton mouth infestation,
my tongue turns into a serpent about
to shed a layer of its skin,
and, if i'm lucky,
i will not swollow the tongue...

                    and why wouldn't the runes
be more protected, but currently under
siege -
             both the latin text and the greek
text (respectively),
had the ambition of performing an
x-ray on the runes and the glagolitic texts,
treating them as pseudo-hieroglyphics...

but they found similarities,
   which made this foreign phonetic
encoding systems relateable...

ᚠ = F
                ᚢ = U         (copernican "up-side-down")
ᚨ = A (strange sort of arithmetic, / \
                                              )
               ­ ᚱ = R (d'uh)
   ᚺ = H...
           ᛁ = I
               ᛋ = s
                ᛏ = t (what's with the "bending knee",
so much for the supposed: "arrow"),
               ᛒ = B...
           ᛖ = Σ = E...
                   ᛗ = M...
                   ᛚ = L...
                  ᛟ = o - crude version of circle...

so? the latin men had an easier way to
fathom the runes, and ingest them
into the x-ray vision of post-latin...
   the greeks with the glagolitic script?
much harder...

         Ⱂ = Π = P = ρ (rho)
                 Ⰰ = A = ᛉ = Z...
             Ⱇ = φ = ᚦ = θ...
                             Ѡ = ω...
                Ⱑ = A...
                          Ⱔ = ε....
                                            Ⱚ = θ...

but i agree... you couldn't get "our"
peoples to where we are now,
with these pseudo-hieroglyphics...
   after all: Ⰿ (M) is a beautiful letter...
in glagolitic terms...
          but... it's too complicated for us,
at this moment in time...
it might have had all the necessary
practicality in its necessary time...
that it was allocated to...
but... given people these days
are looking at X-|ɔ\
                              /
\ /_ / ?
                            how ******* hard must
it have been, when,
the phonetic encoding,
was as hard as it, to now, us,
it seems?!
                   so... whatever is happening
in sweden, right now?
       i'm not bemaoning it,
   i have a tattoo... it reads: Sienkiewicz...
the swedish deluge of 1626–29... a.d.,
          **** it, ban the runes...
i've "just" discovered the gagolitic phonetic
encoding, the sort of **** that
st. cyril and methodius had to work with,
and it wasn't as easy as translating /
incorporating the runes...

                     oh sure, i'm waiting...
                 first they ban the runes...
   then they'll have to learn something akin
to the glagolitic script...
             returning back to their x-ray
latin lettering...
                       i still can't believe that
james joyce got away with writing finnegans
wake... without ever employing a single
diacritical marker...
spewing out... what became the modern
english grafitti spreschen...
   e.g.: lolz...
                              und: L8ER...
it's like: the worst of the worst of what
already is the worst in the form
of the h'american demands for acronyms.          

after watching an old couple walk
past me into the supermarket:
    or unlike the men climbing
           the matterhorn:
   which from postcards seems so
much more majestic in its formidable
shape than the goliath everest
    (from postcards) -
                 5 miles, a dark forest,
  and i can show you where english
druids chant: satanus in excelsior!
   and i thought i spoke bad english:
it's: in excelsis satanus...
       i would have approached them,
but then i was alone,
      and there was one idiot shouting
and about a crowd of twenty disciples:
you could hear the murmur
   adhering to the chant from a distance
of about 300 metres...
                    i only had beer on me,
no goat blood, no woad pigment...
                crash a party when they
were having a party in complete
darkness?
                     it's a good thing there was
a song change on my headphones
               and for a minute i picked it up...
wait a minute: i thought i owned
these woods, walking at night?
               ragnarök blood of Hvalba:
unfortunately the norse founded
kiev,
           so if they founded kiev,
                they must have past where
i made mark as: the land immune to
                                       the black death...
if i were an academic with a stipend,
   i'd write another boorish book on the matter
to attract moths...
          but the old couple, hand in hand,
shrinking but not exactly disappearing...
     in me the inherent conceptualisation
of a twin, like a limb missing,
  but with all my limbs intact...
              yet still a twin gleaming in my mind,
as the story i was told in my childhood
no echoes like a behemoth ghouling:
    they said to me:
   did you know that in this world there exists
a person that looks exactly like you?
         what? so i started looking,
      not leonardo, not brad,
                    can't compete -
            if i really am the stronger twin
                 who sent my twin to the plough
and the hearth... am i not to suddenly
    lick ash?
                  but the old couple:
   what a rarity to see, dwarfs,
                                  of former majestic
forms... elsewhere the single mother with
a baby in a buggy at 10 minutes to 11 during
the week, bewildered by reading
frozen foods labels...
           oh... about the supermarket...
grr... mein gott!
                    Surabhis! Surabhis everywhere!
the joy of walking into a supermarket
last, aisles as spacious as any king's
    lonely castle...
        but in the hours 12 in the afternoon
till about 5 in the afternoon?
        traffic jams!
                   zombified shoppers, women,
of course, children to boot...
                           how many times i might
have bumped into them...
      gaze lost, hazy eyed...
                 sometimes i had to walk down one
aisle, emerge from another, just to pass
  a woman standing fiddling with her
hair...
           the new meeting place, apparently,
but that's beside the point,
   the more i listen to radio,
  the more i learned that i'm far from
a music snob...
            take for example:
       free deejays's song
                            el amor es un party...
what? cuba not pretty any more?
              but there's a worthwhile observation
in there:
        only rich men have the chance
        to play a woman's game of "the chase"...
        only rich men get to "chase" women...
        the poor schmucks?
                          ****! have to live with them.  
****... i need to find that
    one exchange in ingmar bergman's
film wild strawberries:
            when the old man wakes from
a dream-memory in which he is
the ****** of a **** scene...
        where a woman is teasing a man
to the point, until he transcendes
                   a teasing woman,
                       and finds a Jezebel...
so upon waking...
                the "children" are picking
flowers in the rain...
                          and there's talk of
abortion...
       at this point it's gone beyond
castration...
                      the conversation invokes
the death-mask of man,
    or man as tomb, and woman as
the robber -
                         apparently once impregnated
man cannot ask for his ***** back,
and in some twisted way:
           and as much as i'd like to "cheat"
having found the screenplay online,
   i have the misfortune of owning the ****
movie...
        and how i like returning
to silent cinema, black & white, foreign,
with subtitles...
                     at this point,
because didn't place the subtitles: on top
of the screen, but at the bottom...
   well, **** me: am i looking for
Cindarella, because focusing back
on those faces means i seem them without
lips and merely eyes and noses,
   and perhaps a chance to spot
   a wriggling, morphed into an insect
st. peter's, if not van gogh's ear!
              or the lost "art" of handwriting...
Cinderella? my focus is so low from
      the action, that i might as well be
  watching, either a ballet, or a *******
riverdance!
             dr. isak borg (a)
marianne borg (b)
        dr. evald borg (d)

such a weird and heart-numbing thinking
went into writing this...
i have a history, a past:
regardless of having children and with
their existence: some sort of guarantee
for a future...
that i have a past, a history,
and it exists... outside of its current
written format,
that i can escape with or without having
children: that i would have probably
later ***** mentally...
having ingested all this third party
quasi-history propaganda
for the only history that's being
salvaged: the insect prone libido
of a status quo... well then...
let my "failure" be the patent for all future
success.
for everything worth some sushi glue? this isn't part of it.
Jacob Gaynor Dec 2011
I took LSD about five times. That isn't often, but for me it was sufficient. I never had a bad trip. I enjoyed myself immensely. I still remember these experiences vividly. Psychedelics are not like other drugs. They seem to be about something besides pleasure and pain. They don't soothe your agony. They don't help you relax. They neither excite a craving, nor relieve one. LSD intensifies things. But it doesn't really make anything happen. It just brings into the open whatever is going on already. It makes you perceive things you'd otherwise ignore. It's an all-purpose catalyst for the brain. I never had any hallucinations while tripping. Everything I saw was perfectly real. It's just that my senses were enhanced. As I recall, light was streaming everywhere. Colors were more vivid than I had ever seen. Intricate, swirling patterns danced across the sky. Figure turned into ground, and ground into figure. Everything was alive, with a life and will of its own. Objects throbbed and glowed, and writhed in my hands. This was beautiful. It was also disconcerting. I didn't have control. Even the simplest tasks seemed beyond my ability. How could I possibly lock the door, for instance, or play a record on the stereo? But the key slipped into the lock of its own accord. And music boomed from the speakers, all by itself. Things just happened like that. There was no need for action on my part. The world was generous beyond measure. It offered me more than I could ever hope to absorb. The more choices it gave me, the less I was able to choose. When I tried to read a book, even the words on the page came alive. They wavered and jumped around and flashed rainbow colors. Somehow this made them seem richer and more passionate. As for other people, they became transparent. Their flushed faces gleamed above elongated bodies. They looked like cartoon images of themselves. In such a state, they could hold no secrets from me. I knew them better than they knew themselves. The most hilarious part was that they didn't notice my condition. I talked to them calmly, as if nothing were out of the ordinary. Meanwhile the world washed over me in waves. A violent energy surged through my body. Its force left me breathless. My nerves tingled from the shock. Spasm after spasm swept through me in a rush. This was the outside, battering its way in. The objects all around me were coming closer and closer. I could no longer keep the world at a proper distance. It pushed right up against me. It grazed my skin. It pressed into my eyes. It filled my mouth, and churned in my stomach and bowels. I felt its alien presence coursing through my veins. I was more than vulnerable. I was exposed. All barriers, all defenses, had fallen. Even the lightest touch was enough to set me a quiver. The feeling was so intense, I could hardly stand it. Life gushed forth in all its splendor. I no longer knew where my being ended, and the world began. My body lay dispersed and scattered everywhere. It had become a vessel for forces I could not name. These forces converged upon me from the farthest reaches of the universe. This was the peak, the high point of the trip. Things were going so fast, I couldn't keep up. I couldn't even keep track of my own state of mind. By the time I noticed anything, it was gone. It had already changed into something else. I was out of sync with the world, and with myself. I tried hard to make sense of this situation. I struggled to focus my attention. I carefully pondered each of my actions. I repeated to myself the story of what was happening. But still I wasn't able to catch up. There remained a lag between events and my awareness of them. This was a riddle I could not solve. My efforts to close the gap only made it larger. Thoughts of all kinds were swarming through my brain. I grasped at them as they whizzed by. I examined them from every possible angle. I worked them over meticulously. I elaborated them into complicated structures. Soon I was thinking thoughts about thoughts; then thoughts about thoughts about thoughts. My mind was caught in an infinite regress. I needed more and more words, to say what could never be said. This prospect thrilled me. It convinced me that I was on to something profound. The secret of all existence seemed to be hovering just before me. If only I could pin it down for a moment... Of course, this impression didn't last. Time and again, it broke up in gales of laughter. The secret was that there was no secret. None of this really mattered. In any case, the trip did not go on forever. Some things are just too beautiful to last. Toward evening, the world gradually settled down. It was with regret, as well as relief, that I returned to ordinary life. Today, LSD continues to haunt me. It lingers in memory, long after having left my body. I don't think it means much of anything. But there's a certain feeling it gave me, that never goes away.
A cyclist in a purple turban and salwar pants
whizzed past us as we trudged up the steep hills

of Arlington, Virginia

His gaze caught mine 
just a starry
flash in the bucket

wordless soul communion
that said so much



Do you know what religion he is?
queried my hubby, David
"Sikh...I think" still reflecting
on our brief exchange


David and I were in town for our niece's wedding 

and also on vacation
enjoying the sights and plethora
of attractions that flourish in the capitol
city, Washington, DC


As I surveyed the beautiful capitol
abounding with lush gardens, parks,
magnificent magnolia trees and
fragrant pink and white crepe myrtle

I couldn't help observing the rich diversity
of people and cultures working and living

here


"Where are you from?" I asked our taxi driver

"I'm originally from Ethiopia,"
a waiter in a restaurant told us
he was from Morocco...another person from Egypt...
India...China and so on…



USA has a diverse topography
heavenly mountain ranges, verdant forests,
fruitful farmlands
span outward to luminous blue shores

The racial, political, cultural diversity of our
great nation is what makes us so 

unique and special
It's in our DNA, and literally in mine, 

a real melting ***

All Americans have one thing in common:
our thirst for liberty and freedom

These words from the Memorial of Abraham Lincoln
are brilliant with truth and timeless with love:

"I leave you, hoping that the lamp of liberty
will burn in your bosoms until there shall
no longer be a doubt that all men are
created free and equal." ~Lincoln
Brent Kincaid Apr 2016
When I was a little kid
My friends and I would play
At cowboys and Indians
In the barn with forts of hay.
We crafted guns from sticks
We found about the farm
And though we shot each other
We managed to come to no harm.

Bang, bang, bang! I got you!
No you didn’t, you missed!
The bullet whizzed by me!
You can’t see me in the mist!

Of course, if we were Indians
The same rules held true there.
You never managed to **** us
We never took your hair.
But, we knew we were villains
Because cowboys were king.
We didn’t even question it.
It was that sort of thing.

Bang, bang, bang. I got you!
Cowboys don’t ever cry.
We twist and dodge you redskins
So, don’t even bother to try.

Holding invisible reins, we rode
On our noble painted steeds.
We pretended it was the old West
Here in our playground of weeds.
Some of us had play weapons
Santa had brought to the lucky
But forcing improvisation only
Made us a lot more plucky.

Bang, bang, bang. I shot you.
You ***** lowdown rustler.
Oh, we thought of every dodge.
What young, clever hustlers.
Don Bouchard Apr 2015
North Charleston, South Carolina,
Officer Michael T. Slager fires
Eight SHOTS
At Mr. Walter L. Scott,
Unarmed and running away...
Detained for a traffic stop.

Simple math,
These bullets Eight
Into Mr. Scott:
Five Bullets found him:
Three in the back
One in the rear
One through an ear...
Three bullets whizzed away.

And when Scott fell,
Slager yanked his arms
Behind his back
To cuff his hands...
Ghosts don't take to cuffs
The shooting was enough.

I have not been a marcher,
But I have seen enough,
I have seen enough.
No words can do justice, but the video shows what happened. If this officer isn't convicted of ******, where is justice. God help us.
judy smith Mar 2017
There is something discombobulating about feeling a shudder and a tilt, the models in front of you apparently moving slowly sideways, as the stand with your show seat starts to move in circles.

At the same time, the models at the Céline show seemed to be going off in all directions. Popping in and out of the black holes of space were models - young or older - wearing a smart green masculine trouser suit, a striped shirt, a white belted raincoat, something furry and - unexpectedly - a tunic and trousers printed with black wheels and checks skittering before your eyes.

All this and the bodies and arms of shadowy people behind the plastic backdrop. I rushed backstage to try to make sense of the show chaos (sorry: artistic intrigue), but designer Phoebe Philo did not want to talk when I asked her the point of her dramatic presentation of her Autumn/Winter 2017 collection.

"Just ideas coming together with lots of ideas," said the designer. "Just lots and lots of ideas and how they impact each other."

Around me, Phoebe's team were hugging and sobbing and clutching each other, as if this show were their last. Overview notes provided by the public relations people seemed even more confusing, apart from telling me that the installation (that required more electric cables and wires than I have ever seen above a fashion runway) was by French artist Philippe Parreno.

''The Céline AW17 collection explored Phoebe Philo's storytelling design process of how a collection is created and the notion of how changes result in impact," read the statement. "Further, the collection relates closely to the interconnected nature of women's lives and possibilities for women."

Before I read this, I had thought of Phoebe as the English designer who has her children running around backstage and who made practical but classy clothes for today's woman. She threw into the mix a few charming pieces like the fluffy flat sandals that have been picked up by other designers across the world.

With all that on offer, why did the new Céline collection have to complicate things so much?

Take away the moving seats and impossible-to-follow criss-cross of the models and there was the Céline look that any woman would crave: the bold, floor-length tailored coat; a tuxedo with its hemline sweeping right down to the ankle. The tailoring looked bigger, oversized even, which is in tune with the Eighties-style square shoulders that we have seen elsewhere this season.

Phoebe seemed to be offering a hardened version of the serenity she once found in streamlined clothes. An example of the new severity would be a plain, long sleeved dress with a hemline at mid-calf. Its softer side was a blue shirt elongated to the ankle and worn with trousers.

Ultimately, Phoebe offers 21st century elegance with the smooth lines disrupted by a tangle of fringe at the hem or what appeared to be a big blanket over one arm.

I received an overall impression of longer - to the ankle - length, a sense of sobriety and a few fanciful things for evening. What I missed in the hurdy-gurdy of the presentation, is, as yet, unknown.

With exquisite workmanship and Victoriana melded with pop, Pierpaolo Piccioli had a new vision of romance for the digital era.

Prudishness and pop - can the two really meld together? Yes! If the Victorian-style cape is in a vivid, sugary, postmodern pink and the dress underneath a colourful geometric pattern, recalling the Memphis era.

At Valentino, the 1880s met the 1980s with sensational results as designer Pierpaolo Piccioli dismissed the feminist vibe that has reverberated through the Autumn/Winter 2017 season yet created a collection that was respectful to and joyful for, women.

Just looking at the designer's four moodboards was a history lesson, as Pierpaolo whizzed me through dark Victorian carved birds, bright Memphis furniture, coral with a religious connection to Medusa - so much from the past crammed into one collection.

Yet on the runway, the result was far from overloaded, as the history of coral was subsumed into the necklaces all the models wore and the deflated Victorian silhouette - long and high waisted, but slim where a crinoline once was, seemed perfectly acceptable as a romantic vision of the 21st century.

"I wanted to add deepness and romanticism to the modernity of the shapes, so these are absolutely items that you can wear separately - a white shirt or the skirt with your own sweater," said Pierpaolo. "I think fashion is made for dreams, but sometimes you want a dream that is daywear."

The Valentino studios are at the heart of the matter, apparently finding it as easy to toss off a tailored coat with a mid-calf hemline nudging Victoriana bootees, as it is to make a soft, light dress to flow underneath. The detail and delicacy of the dresses seemed like an extension of the haute couture, but the designer was eager to point out that the clothes came from the Italian factory dedicated to Valentino.

Whether it is so easy visually to mix a sorbet pink top with tiny ruffles down the arms that flowed into a cherry ripe panelled skirt, the result was surprisingly calm. Even the dresses patterned with Memphis pop blended in with the plainer, pleated versions. And just when you thought that the show's high romance was over blown, the designer would slip in a black top over a pair of sloppy velvet trousers or calm a Memphis patterned dress with a tailored coat. A severe black jacket could be worn with anything already in the closet from an LBD to blue jeans. Like the tailored coats, it kept ripe femininity in check.

"For me it is important to keep the lightness, otherwise it doesn’t feel confident and if you don’t feel that you don’t feel beautiful," said Pierpaolo. "I think if you feel confident you can even be able to show your sensibility and really feel stronger."

However you rated the clothes - too fancy, too froufrou, too historical - there is no denying that Pierpaolo has created a vision that is respectful to women and which makes them feel beautiful. In a churning political universe, Valentino offers a small, still voice of calm.

Demna Gvasalia revisited Cristóbal’s silhouettes with surges of modern colour, print and volume.

Balenciaga haute couture has been revived for the first time since Cristóbal himself closed the house nearly half a century ago. The last nine outfits shown by creative director Demna Gvasalia, on the huge carpet patterned with the word 'Balenciaga,' had their roots in the legacy of grandeur left by the noble Spanish-born couturier, who died in 1972.

Demna, who started in fashion by building street-smart, unadorned clothes, deliberately named just Vetements (the French word for clothing), has turned towards the grandeur of the original designs that are part of the Balenciaga legacy.

“I thought 100 years was a good reason to make couture available again,” said Demna backstage. “We're not going to do a couture line or show during couture, but these pieces will be made to order – basically for people who want to buy a couture dress from Balenciaga.”

The grand offerings – the polka dot dress with bustle back, the layers of dark pink taffeta, and a slim black gown, all with large back bows, were not the only historic links. The show opened with tailored coats which were worn with a drape over the left shoulder, reminiscent of the way that the models of an earlier era would walk with their heads up, shoulders rounded and stomachs sunk in.

“I studied how the pieces are worn and I found these images from old mood boards of Cristóbal where women are standing with their coats like this,” the designer explained. “The idea was to bring this kind of elegance, the gesture of wearing those pieces, but take it into a kind of cool and make it more modern. You can also wear it in a normal way, but it is constructed so that one part is larger and then you can also pin it up. And this is what you see basically in all these books.”

Demna's way of rethinking with his brain what he had seen with his eyes is exceptional – and the reason why he seems able to update the house as if he were growing new shoots from existing roots.

The arrival of vivid colour signalled a change of pace, as every figure stood out in the farthest reach of the enormous sports stadium. The hosiery especially perhaps, in grass green, and cut-away waistcoats like harnesses in pastel colours, took the image of Balenciaga back to the early days of Nicolas Ghesquière and his futuristic period at the house.

Demna is also drawn by the flowers that were a part of the Cristóbal Balenciaga look; by showing a patterned skirt with big, bold, brightly coloured sweaters, he gave print a modern feel.

The show was not perfect. Mini dresses in the floral patterns and bright hose looked out of place. But the overall effect was precise but theatrical, with the couture creating a dramatic ending.

Choosing Demna may have been a gamble by François-Henri Pinault, CEO of Kering, the luxury group that owns Balenciaga. But the designer has turned out to be able to answer fashion's most difficult challenge: finding the balance between old and new, tipped towards the future.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/****-formal-dresses
ERR May 2012
Maktub saw the light at the end of his tunnel
It approached him with a barbaric screech
Doppler shifting to piercing, painful pitch
On the wrong side of tracks he watched the train charge past
In his new freedom, he explored the station
Wandering through the grimy halls by
Too-busy roaches scurrying from the bright
A burpy crumple lump sat propped against the wall
Reeking of sick and
Filth and dead liver
Maktub bought him a sandwich
And left it on his lap, with a dead president
On whose face he had jotted a blotted
Don’t drink me
The *** woke to this, and
Bless you friend, jaundiced beam
Bless you back, sir
Restored faith in (chances) chances

Some teens whizzed unpaying under turnstiles
On rolling boards, lying on their backs and holding bags
Maktub found them clever and pursued
In a secluded spot they made aerosol spray mural
Mischievous hands intricately crafted as cans blasted
Through their mist emerged a mighty orb of life
And in blackness round twinkled possible worlds
He admired their vandalism; art is everywhere, he thought
At sound of step the mural makers
Dashed, leaving colors and can
Maktub raised it, unfamiliar, and finished the wall with
We are one

Returning to his platform, he saw that more had gathered
And a strumming bard, milk eyed, fluttered notes with dancer’s grace
Her voice sent shivers down his spine and lifted him in spirals
I would recognize the
Song of God, he thought (and I know where he is)
The screeching came again, and Maktub
Leaned to watch, eager for his light
His train had come to take him home
He was calm
He was ready
Gather ‘round, warriors. This is your time.

This is your time to shine. It’s your day in the sun. It’s one-of-a-kind, o ye cheaters of death, but this is, nevertheless, your finest hour.

You found a home in war. You entered into a contract with bad company and gave up the rights to your body, your mind, everything but your mortal soul. They took advantage of the circumstance and you wound up deep in a bunk hole, hiding behind the tenuous wall of a manure pile. Bullets whizzed by your ears, fear possessed your frames like a demon taunted by the Lord. Death swooped in to put it’s fear into you, but you all laughed in his face and spat in his eye, turned your back on him without saying goodbye. Perhaps “See ya later” would have been appropriate. 

But no matter, husky gladiators. It is time to rest from your battle. It’s time to put away your swords and scabbards, your spears and your slings. Your automatic machine guns and your hand grenades. Your potent strains of anthrax and your agent orange. Surrender your arms, troglodytes. Cast them to the ground below. Consider the clatter they all make as they fall to the pavement. Take it in, breathe it all in, make it yours…

…for it IS yours.

Sorry, we didn’t get around to telling you. It was always yours, we just figured you would find it out on your own if you wanted it bad enough. No, I would agree: that is NOT fair. And I would also say this to you, “Fairness is a relative concept. When you consider the value we placed on you actually knowing this as a fact…well, I think it should be pretty ****** obvious. Don’t be a *****, you give all servicemen a bad name when you do that, you know?”

But enough of the self esteem-building fodder all, that is not why I have gathered ye here to-day. Nay, not even close. I have brought you all here together because I wanted to be the first to tell you. You’re all going home. That’s right, you’re homeward bound. Soon you’ll be able to pack your **** and take a southbound train to ride. You’ve lost your minds killing innocent civilians, you’ve struggled to keep your eyes open most nights, as staying awake meant staying alive. But you’re going home! Warm nights tucked between clean linen sheets. Soft goose down pillows to bore your heads into. The smell of coffee in the morning, bacon and eggs if you’re lucky. The prospect of another day that won’t be defined by the number of lives you’ve ended between sunrise and sunset.

The journey home will be a victorious one, indeed. You shall see it from the comfort of a first class seat on the most expensive airliner we can afford! A small bottle of gin or whiskey is only a few feet away and all you have to do to get one is ask the attendant. If you ask nicely I don’t doubt she might let you have more of those little bottles than administrative policy usually allows. But she sees it in your eyes…you’re a grizzled soldier. You’re still warm to the touch from the heat of battle. You know this. This is who you are, it’s what we made you. And she will sense this. It will drive her mad with desire. Her knees will quiver, she’ll blush, she’ll radiate ****** charm…but all you’ll be able to think of is that Vietnamese farmer with the plaid shirt. 

A ***** plaid shirt. Dripping with dark, brown mud, he smiled at you from beneath the brim of a straw hat that looked as if it had seen many better years. A smear in the drying clay was on the right side of his face where he’d wiped sweat. His lips were dry and cracked and his nose was a little runny. 

The buttons on that plaid shirt were the cute mother-of-pearl finish jobs, the kind that snap shut real easy. How many men would have noticed that? How many of the sharpest minds in the known universe would have missed how his left boot didn’t quite seem to match the right. But you caught it right away and you stored it into that immense data bank that is your United States Marine Corps certified brain. 

If only you could forget it, though. Right men? I see a few tears in a few eyes. I know I’m on the right track here, so if you still think I’m not talking to YOU, I have an invitation right here in my back pocket that will entitle the man to whom I give it a 6 month stint in the back of a mess peeling spuds. You don’t want that, now, do ye? What? No takers? I thought not.

But where was I? Oh, HOME, that’s what I was on about. You all have very nice homes, no doubt, and I’d bet there’s not a single one of you who isn’t just itchin’ to get back to ‘em. Is it the one you grew up in? Is it one you just bought? No matter, when you leave this place it will either be in a body bag or on the better side of Uncle Sam, who looks after all of those fine men and women who have risked life and limb in his service.

So what’s it going to be, worms? Death? He calls often here, and don’t think I don’t know that his is the song of the siren to many a worn out Spartan. But faileth not, loyal comrades. 

Will it be insanity? Will the wage of life and death struggle prove to be nothing more than a tug-of-war between lucidity and madness? Yer going home, grunt, why should it matter? Either one’s better than lying face down in a pool of your own guts. Don’t worry about it, just get on the plane. Baby, it’s your ticket to ride.

@@@@@@@@@@@@@@@@@@@@@@

I stepped onto the tarmac with a firm determination to forget the last 2 years. Maybe even the last 15. I don’t know. I don’t care. I’m just tired of looking for an answer. I’ve listened for the still, small voice of reason and wisdom, but it seems to have stayed behind in the battlefield. Probably where it belongs. 


The night was cloudy and the stars shone like pinpricks in a dark black veil that covered the most brilliant light…ha, I almost said “life”…I may not have been too far wrong there. I wanted to cut the cord of gravity, float through however many miles it might take to reach one of the punctured holes. Then I would tear the fabric and crawl into the other side. Disappear into the brilliant aura.

Only a dream, only a wish. I drug my weary frame from the bustling airport to the highway. An old two-lane road, dangerous after dark. It doesn’t bother me. It’s purpose is to facilitate the traversing of distance from one point to another. I could care less about where it could lead me. I only knew that I would not turn back no matter where I wound up, so I stuck out my thumb and waited for someone to give me a ride.

Does anybody stop to give rides to strangers anymore? I wouldn’t. It’s not something I condone. In fact, I have only done it once in my life, when I was just a kid, before seeing “Henry: Portrait of a Serial Killer”. After watching that seminal film I resolved to never, ever pick up hitch-hikers again. I wasn’t going to help anybody on the side of the road, either. **** being a “good Samaritan” if it means getting my brains blown clear out of my skull, flung to the side of the road like rotten fruit. 

Despite all of this I still had my hand stretched out, thumb in the universal position that signifies the need of transportation for the “down-on-his-luck” traveler. I remember asking myself what could be more pathetic. I was reduced, by circumstances beyond my control, to hitching or hoping that someone might be clueless enough to pick me up.

Yet, that is exactly what happened.

A hookah smoking caterpillar sat behind the wheel, and he seemed glad to do a small kindness to me. He could tell I was a veteran of psychic wars. He felt obligated, I was sure.

“Hop in, friend,” he said. “I can see that you’re a little down on your luck. I been there ma’self a time ‘er two. Just throw yer pack in the back seat and climb up here with me.”

I wasn’t shocked in the least that a hookah smoking caterpillar was driving a GMC Jimmy east on Route 66. It did, however, give me quite a shock to think that he would pull over and offer me a ride. I am no fool.

“Off we go,” I said to him. 


The road was a long one that took us out of the state. As we crossed the line the caterpillar turned the radio up real loud and started singing along to a Journey song they were playing on the classic rock station.

“Ooooh, wheel in the sky keeps on turning,” he wailed. “I don’t know where I’ll be tomorrow!!!”

I turned to him. “You have a very distinct grasp of Steve Perry’s vocal mannerisms. Have you ever sang professionally?”

“Oh no, not me. I could never go onstage in front of a lot of people and sing. I just don’t have it in me.”

“Well, you aren’t afraid to sing in front of me. What’s the difference between one stranger and a hundred strangers?”

“Oh, it’s not that. It’s not that at all,” he repeated. “I had a friend who used to play and sing in a lot of the bars on the circuit between California and New Orleans. It was a job to him, you know? He told me about a lot of the stuff that goes on in those places. He told me how one time he was singing a Roy Orbison song when some pool-shooting loser throws the cue ball right at him. Beaned him on the forehead, BOP! Had to hurt. Said the bruise swelled up so bad directly afterwards that people started calling him “the Elephant Man”. I was a beginner in the days when he regaled me with these anecdotes and mister, I’ll tell you, he put the fear of God in me. I was so terrified of getting conked in the head with a pool ball that I never pursued the craft.”

I felt a tinge of sympathy for his plight. “I’m sorry to hear that. I bet you would have been a star if you’d gone for it. Bigger than Steve Perry, even.”

“Oh, it’s okay. I don’t feel cheated or like I’ve missed anything essential to my happiness. As long as I’ve got wheels, my hookah and something to put in it, I am a happy caterpillar. Remember that: I am merely a caterpillar.”

“I will do that, but you’re a caterpillar who could kick Steve Perry’s *** any day of the week!”

“Wheel in the sky keeps on turning!”

“**** straight…I don’t know where I’ll be tomorrow!” 

@@@@@@@@@@@@@@@@@@@@@@@@@

The caterpillar held the wheel steady and kept on truckin’. He sang along with every single classic rock song that came on the radio. From Kansas to Boston to “Sweet Home Chicago” he knew them all and, to be perfectly honest, he did a **** good job. He belted ‘em out like Springsteen, he crooned like Bryan Ferry, he croaked like Joe Cocker, he wailed like Janis Joplin, he screamed like that dude from Slayer. No two ways about it. This hookah smoking caterpillar had serious talent. 

I was curious. “So, mister, what to do you do for a living?”

“My friend, I am a mortician. I deal with death every single day. I do a job that most folks would find distasteful and not a little disturbing. And yet I love my job. I do, oh yes, I do. I wouldn’t trade it for anything else in the whole world.”

“Sounds interesting,” I said. “How does a man get a start in a field like yours?”

“It’s not too hard, really,” he replied. “You come with me, I’ll make you an apprentice. You lookin’ for work?”

“No, sir. I can’t say that I am right now. Still got a little cache stashed away from military days.” I made a gesture with my hand that signified that I was grateful for the offer, but would have to pass. “Maybe one of these days I might change my mind. I think I could handle it. I’m not squeamish. No, not at all.”

“Oh, I’m sure you could handle it. I can tell by the way you look straight ahead, you don’t look back, you’ve got a grip on everything in this world and you think there’s nothing that could ever shake your foundations, whether it be from the east wind or the west. The north or the south. Do I read you correctly?”

“I reckon you do. I’ve had a hard run most of my days. Experience has taught me one lesson, but it taught me good and well: Nothing is as you really think it is, and it could all be gone tomorrow. ”
Eternity wheezed,displaying its shortness of breath.Orange orbs whizzed in its' originalpath of vision due to a completelack of oxygen.Stirring stars shot rubber bands at each otheracross the universe. TWANG!Comets were slung like spitballs. Black holespainted each others nails whitewhile biting into a crunchy planet like a Dorito.®Salt of the earth was lost in dank darkness.An Mp3 player came crashing through the stratospherewhile playing my favorite song."Sitting in the morning sun,I'll be sitting when the evening comes,watching the ships roll in, and I watch themroll away again".
Song referenced is "Sitting on the Dock of the Bay" by
The late, great Otis ®edding...
(Did you know that Otis died like one month before
his hit song hit the airwaves?)
"Poor Otis dead and gone,
left me here to sing his song,
pretty little girl with the red dress on,
poor Otis dead and gone."
The Doo®s-
The Soft Pa®ade
Maple Mathers May 2016
I sat up in bed, wide awake.

Mere seconds separated my dreams from reality. Yet, consciousness had seized me more effectively than ice water.

I had been caged within sleep, until something ridiculous happened.  

Something ridiculous, and something real.

I sprang from the covers, pulled on a sweater, and burst out the door. All around me was silent. Life, it seemed, was not yet awake.

I took a deep breath, and began running. I ran so fast my surroundings blurred into a pallet of color; the sound, still muted.

My feet flew across the dewy grass.

I imagined myself into smaller, simpler spaces; tucked in with the ghosts. How fast could I run from my dreams? How fast could I run towards reality?

If the grass had soaked my socks, I barely knew. If the wind had serenaded my skin, I remained disembodied. The alexithymia of consciousness.

My thoughts snaked and swerved and collided in my head, but in that stretch of oblivion, a lone inference guided me.

Nothing mattered in the world but one thought.

Wake up, Maple. Wake up.

The House of Addictions was the epithet I chose.

It nestled several blocks from mine, and was the type of estate that demanded normalcy.

Upon reaching the front hedge, I examined the house; two blue paneled stories. I didn’t know what I’d expected, but this wasn’t it.

I coaxed the front door.

Locked.

I circled around to the backyard. The room I sought was on the second level. I ascended the balcony onto the porch; the room’s window stood several feet from where I could stand. There was a vacant flowerbox sitting on a ledge outside the window.

Without question, I clambered onto the deck’s railing and extended my leg into the flower box. It was a long way to fall, but I wasn’t scared. I had no choice. I clung with all my might to the window’s ledge, shifted my weight to the flowerbox leg, and plopped over the other. A scream frozen in my throat. Breathing heavily, a death grip on my perch, I crouched; the box seemed sturdy enough.

I peered through the window.

At this ungodly hour, he was most likely still asleep.

Unless.

The bed was vacated. Did this mean? I closed my eyes, took a breath.

Wake up.

Things like this did not happen – plain and simple.

A minute later, after clambering off the flowerbox and scampering back down the stairs, I rejoined the street, sprinting along with renewed vigor.

The sun glistened on the grass, the morning, ripening. Yet, I heard not the sound of birds chattering on secluded sycamores, nor my feet pattering along the sidewalk. I was immaterial. I was the wind – gliding fluidly towards that which waited.

My body was to be found at a stoplight, punching the button spastically.

But my mind had already arrived, several streets away.

The stoplight changed. I ran. Stores whizzed by, early morning traffic sheathed the street. I had to slow my thoughts, I had to separate from the stark possibilities that incased me.

I’d dreamed of his death; simple, like the twelve forget-me-nots he threw across my floor five years ago. The last expression I saw as he departed still had yet to leave his face.

Although he moved home a year ago, he never really returned.

Wake up.

I veered my course to the left, dodging through traffic, and found the street.

It was there that my mind had arrived.

This avenue was vacated and tranquil, an eclipse of the earlier. And there was that house; green and silent as ever.

Clutching a stitch in my stomach, I dove over the waist high fence and tripped on my own foot. I fell, scraping my elbows on concrete and swearing beneath my breath, but I couldn’t stop. I scrambled to my feet and staggered towards a ground levelled window.

Exhausted, I tripped again. Then several strangled events laced together. First, I tumbled to that window. I held my hands out, expecting to hit glass, but realized too late that it was open. Before that fully registered, I was toppling – headfirst – through the open window. My insides plummeted, muting my scream. I hit the bed with a sharp thump, before it tossed me to the floor.

There, I landed, **** first, mute and sprawling.

While my body congealed, my heart auditioned as drummer, and stars teased my peripheral.

The room materialized as I blinked through confusion. Softy, I sat myself upright.

His eyes were the first thing I saw.

Reality zapped me so hard I almost fell back again; he was alive, I’d woken up.

Then my senses caught up; my elbows cried, my head throbbed, and my breath rekindled in ragged crackles. As if a switch was flicked, I suddenly identified sound; the humming of cars outside, the crisp ticking of a clock, the gurgling of his fish tank. So loud – so distinct. Color sharpened and brightened.

My mind in overdrive.

He was here.

He sat on his bed, alive and well, speechless with alarm.

Oliver was shirtless, lidded only by flannel pants and black gloves. He considered me with bleeding elbows, disheveled hair, and desperate eyes. Then, the shock on his face gave way for a giant grin.

“Come here often?” He inquired. His voice, raspy with morning.

Still panting and shaking, I conjured a smile to match Oliver's.

“You’d think so. . .” I choked.

“And I’d be right, Maple.” He finished. I managed a laugh.

Nothing had changed.
Note: I dreamt about death, and awoke feeling frantic. Although logic confirmed that everything was okay, my intuition said otherwise. To remedy my unease, I channeled that dream into a story. A story I wrote when I was fourteen years old. Seven years later, the same story continues to illustrate my psyche; a story that set the foundation for Pretense (my novel). Herein, you’ll find that story; the origin and epithet of Maple and Oliver Starkweather.
Here goes?

(All poems original Copyright of Eva Denali Will © 2015, 2016)

~
Kyle Ray Smith Oct 2016
It was all a blur...the day I met you
A headache of which 200 MG of Ibuprofen would not satisfy
You might as well have cut my forehead open and questioned if its contents were love or lust
I didn’t know
I had a headache

Oh it was a doozy
Whew Whew Whew
Thoughts whizzed around my head in zip a dee doo das
Fugazi's of  Love or Lust
I don’t know
I have a headache
soul in torment Oct 2013
Oh shall we play space men today
and build a rocket Ted
we need two suits some gloves and boots
and helmets for our head

A packing crate stood tall and straight
dad's funnel placed on top
three books so thin each one a fin
and Mommies broken mop

A beanbag chair we two can share
and buttons we can push
some sandwiches and light switches
and cans of Orange crush

Some dials and springs and other things
we found in daddies shed
now that looks neat so take a seat
and start the countdown Ted

We watched the stars that once so far
where now within our grip
Count ten to one ignition on
Blast off in rocket ship

The silver moon would greet us soon
as upward we both sped
through clouds of white to black of night
just me and mister Ted

The rocket turned as thrusters burned
as we altered our course
for here you see the gravity
Had very little force

We journeyed forth toward the north
by meteor and star
as comets whizzed and pinged and fizzed
and flew both near and far

We passed the plough and saw a cow
jump clean over the moon
then stations manned prepared to land
beside a giant dune

Beneath our feet a silver sheet
of fallen stars and sand
and as we two took in the view
Ted held me by the hand

The solar breeze blew round our knees
and tickled as it passed
time now to go yes Ted I know
this day has gone so fast

seated inside we watched the tide
So slowly ebb and flow
then 10 to 1 zero and gone
we raced the mornings glow

home safe and sound we kissed the ground
and ran in for our tea
I turned to Ted and softly said
the moon just winked at me

What shall we be next time said he
cowboys or maybe kings
I do not know I whispered low
let's see what morning brings
salma nabegu Aug 2013
I watch as the rain falls
And I let my mind wander
What happened to us?
What tore us apart?
What changed?

The way you came into my life
I wouldn't have asked for a better way
Filling my days with love and laughter
Making me feel special In every way
I still wonder What changed??

My happiness as your obsession
My sadness your biggest fear
My dreams were your goal in life
Our days whizzed by like the tornado

Our love was admired by all
It was the epitome of joy
Every lovers dream
Two souls as one

Then Love turned its back on us
Reality decided we were too happy
My feelings were extraordinary
Yours were unconditionally

I reminisce about the old days
Tears streaming as I stand by the window
And I silently  ask myself
What Changed?
Sean Pope Nov 2010
Two and sixty days ago —
Two months, or so I'm told —
I wandered, wistful, without cause,
Through a memory of old.

A hall of walls I wandered, tall,
As tall as tales I could weave,
But none as tall as this regale,
A story that you won't believe.

I walked near endless hours,
My only friends the cobblestones,
Ringing in my steps the sin
That only time atones,

When upon that pallid plaster
I did spy a shocking sight:
Upon that place's rocky face,
The wall had turned to light.

"Curious," I cooed and questioned,
Calm as I could never be,
"Perhaps it might be that this light
Is rightly mine, I see?"

And as I pondered that hall I wandered,
A chilling change I never chose arose:
That light so rife with delight and fright
Began to open, and I froze,

For that particular portcullis I pondered
Put me in a vice.
I nary noticed that walls in focus
Had changed into a hall of lights.

Transfixed, the light engulfed me so,
As slow as my bewildered head
Could comprehend the candid land
I planned my final stand in dead.

I whizzed through spaces, unknown places,
In stasis from the faceless force
When finally I fell, the frenzied light
Still tight from an unseemly source.

All at once, those two months
Became a fraction of a wink;
The frost was lost as I was tossed
Among the lights of what I think.

And where else would I find myself
But in this courtyard we call love?
My journey never left my head,
Nor bed's unconscious dreamland hub.

Two and sixty days ago,
I heard these words so true,
And in the dark they were my light:
You told me "I love you."
Ghazal Aug 2013
Well, today's the kind of day
When I can just sit at my doorstep,
My chappals splashing into the
Little puddle of rainwater that's collected.
Today, I can breathe in fresh, pure greenery,
Feast into this inviting scenery,
And break into a little poetry!
About?
Maybe about how loud the clouds were!
In expressing their happiness,
Their love for us thirsty souls?
Maybe about how the cool breeze
Whizzed past our parched skins,
Blowing to us, its cool Hello?
Or about how squealing kids
Shirts thrown away, drenched skins,
Raced along their paper canoes?

Oh I can write on anything I want,
Oh I'll just hum along Mother Nature's song,
Today is the day for poetry,
Today's rhythm can never go wrong.
Weeeeee I love RAINS! =)
Kìùra Kabiri May 2017
"Remembering the Soviet’s silent sufferings!"

Chechnya, Georgia, Crimea…… Kiev!
There they marauded cruelly combing all  
And souls they severely sought to take like hogs
Souls they fatally fought-these Dmitri dogs
In death jails-a hell more than purgatory’s punishment
They put souls to pleasurably slaughter them all
And a soul at its time they picked and hacked in elated excitement
Severely they severed them these trigger happy Zarkozsky fools

Hunger and starvation their invasion caused!
It is a saying: To suppress small states-hunger and violence cause!
And out of these societies’ desperations, demeaned humans
Will subjugate freely as miserable subjects-slaves to any rule
The soviet sacrificed us to their animosity and brutality
Our children, our parents, our experts-we all fatally fell
Of their gallous guns or cruel squads or unnatural hungers
Humans, hardworking humans became bones-NOTHING!

We did the donkeys’ hard works-indefatigably  
And they ungrateful, kingly collected our all
All our tills tires they unjustly carried away
And all was left in sustainable villages were huge hungers-
Everywhere were war casualties: tension, desperation, mass starvations-
And when angered we couldn’t bottle anymore we staged rebellions
And they cursed us with all sorts of chemicals contaminations

They combated and convicted us with any known brutal cruelties
Innocent infants they injured with their injustices-fatalities  
Little angels they hewed with brutality-others they made all sorts of slaves
They collected us, us resilient and begun murdering our mettle vitalities
Men, all able men they collected, killed and covered in mass graves
Them they carried in transport trains, some they threw away in trenches, in rivers…
Their remains they concealed to deny us a claim of their atrocities and animosities

Babies remained, crying for their dying mummies and daddies
Long after finally they have given up fighting-living
Poor innocent babies, unaware it is death……
It is not death the devil but Dmitri dogs the devils
That has fat fed on their last of defenses-able parents
Times ahead of them were tough if not toughest

The Petrovs’, the Pavlovichs’, the Mirovics,
The Lenin’s, the Stalin’s, the Sarkozsky’s.....
They are animals raised from hells horrible
There not to pamper and foster but to decimate  
Ruthless and cruel they killed without a soul-a heart  
Death is their rite, blood is their eucharist
Mass mortuaries of mutilated bodies are their sophists
Killing is their glorious celebrations-theirs sacred sacrifices

In jail, doors opened and rude were ruthless soldiers’ orders
Chains crinkled on ground as sacrifices lead to little altars
Prisoners were time to time collected and lead in cruel commanders’ commands
And from distances came echoes of targeted bingo bull’s-eye shots
A LOW ROW of shots followed by the silences of squeal of sailed souls and their guilt
If a day or a night-if any able to tell from chained scary dark chambers  
Passed and found you fit-alive, you counted yourself very, very lucky!

It was dark when we escaped from the jaws of our starving starring deaths
Out, the moon shone silvery sweet and bright on these sad ******-white snows
Its silver speckle lights letting lurid luminous sparkling glows
The snow rained with such sadness and bitterness
On our ears it whizzed with fury and ferocity
On our bare skins it bit with brutality and cruelty
On our near naked feet it froze and frosted
We endured, we had to!

Had we managed to rob death of its celebration and elation
A taste of our starved wounded bones-surviving skeletons
We had to struggle to live and hope give, we strived, we had no choice
If we were to be counted heroes of our hopeless humans
Saviours of our suppressed peoples
We had to reach a safe distance and our rural homes
To stage the war from the roots, the stems, the base!

A death in nature by nature is better than one in Dmitri dogs hands
Their deaths were inhumane, their deaths were merciless
They were mocking and shocking-laughing and loathing while killing
A mocking moustache peeking from their elongated mouths smiles
A cigar smoking from their mouth and emitting from their nostrils
A red star labeled soviet beret on their ***** irking hairy heads
They killed you slowly loving and laughing of any strength you gave to live
Until at last you are lost-in the abyss arenas of death, your are done
Such a point you give up, you can’t fight, resist anymore

They chased after us–they pursued us
They were too determined to not let any of us live
But miraculously we lived-we somehow survived
Here in this snowy arena it is a fair ground for everyone-
There is no grandmaster, it is improvisation
Survival only for the willed-fittest
Not how well you were equipped or trained
Though too skills and determination also counted

We trapped them in their own constructed coliseum
A lot of them free-froze and fell in these forgotten fields
Their bones never to reach their of-kin commemorating cemeteries
Nature is JUST! As us, theirs too had to bitterly mourn their nature lost
The never to see graves, reminders of their never returned fighting loved ones
With God’s grace on us, we cheated their beginning to tire authorities
We reached home; we reached the earth’s of our ancestors

And here we gathered to charge back-to seek backups
To restore the lost glory of our nastily punished perishing people
Some we sneaked to safety in case we all perish we have remnants
Backups to tell of us-our sorrowful story-our liberty struggles
To Kiev and its heroes; to Kiev and its strong heroines
To Kiev and its resistant living; To Kiev and its resilient
We gathered to kick back, to tell the world of the evils of the Soviet Satans
To mourn with grace our gone and done in this dehumanizing disgrace!  
O Kiev, her heartless Holodomor; O Crimea, O Georgia…..
The Satanic Soviet infiltration brought you eternal sufferings!

© Kìùra Kabiri. All rights reserved.
Nigel Obiya Apr 2013
Continued from part 1...

There was a thud as someone behind him hit the ground… probably the recipient of the bullet.  His chest hurt, everything from his neck down was on fire. Michael tried to get up, and gave up. He slumped face first into the shallow water, taking a mouthful of sand in the process.
So this is how I was meant to go? Was his last thought before everything went dark.
The commotion brought him back, the smell of battle and violence, blood and guns, arrows flew past… rifles went off. He decided to stay down for a moment, until he could maneuver how he was going to get up without being hit. Tilting his head, he looked back up the beach, they were more than he remembered… and seemed to be spilling in from the dense forest. And then he turned and saw his comrades. Five brave souls, an arrow whizzed past his head and struck! Four brave souls. Mark fell off the canoe and splashed into the water.
Hamisi and Lewis were yelling at him to get into the boat, he tried to get up but his arms failed him. The arrow had done more than enough damage, He was bleeding out fast. The pain was excruciating, but he needed to get into that boat… or he was definitely going to die on that beach… with these savages. No can do. Michael made one last determined effort and pushed himself off the ground, his broken ribs grazed against one another under his chest… the arrow wasn’t helping. But he was on his feet and dragging himself to the boat.
Lying on the floor and peeking out the front of the boat, Juma and Modi, the two coast guard officers were shooting down bow and arrow wielding savages  one after another. Michael got to the boat and managed to catch a glimpse of a head hunter as a bullet struck him clean on the forehead. A head shot! He caught the irony. The ragged fellow in a filthy and tattered brown shirt and blue jeans that were equally as tattered, was ****** of the ground, legs in the air… arms flailing and then landed ******* his back. His right leg flinched once, and then he didn’t move. Juma took a moment to admire his marksmanship with a slight smile. Then he was firing again.
‘They’re too many! We need to go now!’ Hamisi was shouting as he grabbed one of the oars and began to row wildly, Lewis lunged at the other one and followed suit.  An arrow struck the floor of the canoe between them. They rowed harder.
As they pulled away from the shoreline Modi and Juma began to laugh, slowly at first, then it got more intense, the other two joined in and in a few seconds all four were in hysterics in that little boat. It was more of a nervous celebratory laugh than anything else. Michael attempted to join in but his ribs shot waves of pain throughout his nervous system.
He blacked out again…
The saga continues...
Terry Collett Jul 2012
After climbing off
the school bus
she grabbed the sleeve

of your coat and said
I want to talk to you
and so you stayed behind

as your sister and hers
walked on ahead
and her brothers ran off

in a game of tag
she released your sleeve
and brushed the hair

out of her eyes
what is it? you asked
walking beside her

along the side of the road
the winter afternoon darkening
what was Roland

saying to you in class?
she asked
Roland?

yes Roland
in the last lesson of maths?
you looked over

at the tall trees
becoming tall giants
as the sky began to dim

he was talking about his sister
you said
then why was he looking at me?

perhaps he finds you attractive
you replied
she slapped your arm

with her hand
don’t talk nonsense
he wouldn’t find

Marilyn Monroe attractive
if she sat
on his bony knees

she said looking at you
with her big blue eyes
you rubbed

your injured arm
playfully
he was saying his sister

had found his collection
of ***** magazines under his bed
you said

a car whizzed by
and she turned
and shouted back at it

some words her mother
would have slapped her
for saying

she sighed and said
why can’t you tell me the truth?
you stopped and stood facing her

her blue eyes gazing at you
searching yours
as if she’d left something there

on a previous occasion
he said he didn’t know
what I saw in you

her eyes enlarged
and what did you say?
she asked

in the sky over her shoulder
the moon was beginning to shine
in competition

with the weak sun
I said you snogged
pretty good

you said
she slapped your arm
and walked on

no
you called out
I was only joking

she stopped
and turned
and glared at you

I said you were the best thing
to happen to me
since God created Sundays

you’re lying
she said
all right

you said
seeing her eyes watering
I said I loved you

you said
looking at her
wondering if her hand

might slap you again
did you?
yes

and what did he say?
she asked
he just shrugged

his shoulders
and drew a picture
of Mr Parrot on the corner

of his maths book
she was silent
and looked by you

at the incoming traffic
then kissed your cheek
leaving a damp patch

like a small oasis
on a dry landscape
of your 14 year old skin

conjuring up images
her mother
would define as sin.
H M Groniger Apr 2013
A puddle bloomed on his knee,
as he sat beneath the poplar,
before the church,
waiting.
Anytime now, she
would **** by on her bike
that made noises like a rabid top.
The two soggy cones, held
in his shaking fists
dripped
strawberry cream,
sticky, pungent, and pink.
He had heard that girls like pink.
Roadside gravel crunched
and spun as she
approached.
Her brown legs
were always moving, the
muscles changing—they would
have driven Leonardo mad.
She passed by
blind.
He let the pink
cones fall to the dirt with
the others. Ants gnawed on his
legs. He would try again.
Climbing on the
bridge
with hands full,
always of strawberry cream,
he wavered, nearly fell, and sat
down on the stone ledge.
Gravel ricocheted.
Sleeves,
his and hers,
touched as she passed.
He nearly fell in the water, but
she touched his sleeve,
touched him.
Pink
swirls teased
fish in the rocky creek.
He became a crossing arm with
strawberry cream cones.
Stones sprayed.
Crash.
Why didn’t
you move, you idiot,
she growled, wiping ****** stones
off her once-perfect
knees. He didn’t
speak.
I love you.
Can you move? My
boyfriend is waiting for me, she said,
standing on the pedals,
her legs still.
Numb,
he shifted,
and she whizzed away.
He looked at the gravel lining the bridge
and saw blood staining
the pebbles
red
and pink.
Sifting, them through his
fingers, he knew that on her, he had
left his mark, and him,
she would not
forget.
Waverly Mar 2012
You touched me on the shoulder
as you ran quickly by on your phone.

I was in such a hurry
to climb those jenga stairs
that I didn't realize it was you,
until I saw that tiny body
and that frenzy of tousled blond hair
swishing in the wind.

I turned around and ran
to you,
as you walked away.

I ran to you
and grabbed your arm.

"Don't touch me," you said.

Diamonds falling from your eyes,
I picked at them with my pinky fingernail,
searching for the loam beneath.

"Where've you been?" I yelled.

"You don't know what's happened to me!" You yelled,
and you lifted your shirt and felt at a pink scar;
a trench in your belly,
a wound that I had infected.

People stared,
but I just wanted to yell,
there was so much yelling inside of me.

I yelled like a lover yells,
yelled with my heart.

The yell sounded like this:
"Can I hold you one last time?
I just want to hold you," I said,
like a loon,
but it was the only thing
I ever wanted.

To hold all of you
in one moment.

And so you came to me,
and let me hold you a while.

but the skin between us
was better for separating,
and I told you
to call me if you needed me,
even though I knew you never would.

And you walked away,
that tiny body of circling movement
and head full of giant clams
with their swirling pink pearls
moving farther and farther.

Until you were in the distance
and invincible.

Cyclists whizzed by,
phones beeped onward,
taxis rode highways of clouds
beneath the bridge,
and I thrummed quietly,
picking at the diamonds in my hands,
searching for the loam
that I could put into the planters,
food for the flowers
I had always wanted you to see.
Ellen Piper Jun 2012
You whizzed by me.
I must have felt a breeze, but it barely registered.
Such is first meetings, in all truth, dear.

The second time we met I remember
Only because I was proud of myself
For pairing the right name with your face.

Third, I can't remember,
Exactly. Sometime
Sitting around that table -
I know now you must have
Wielded chips as stage props
And used too much chocolate syrup.

Fourth, too. Fifth -
Those are gone.

How can I hold you so precious today
When I knew you so little for so long?
I think he wrote
while you baked,
made fairy cakes
or something of the sort
while the young ones
whizzed around
like balloons
released from your fingers.

I think he was
your applicant,
not a bad fit,
frothing with wit,
a kiss made you giddy
like a girl
on their first date
in the heaving city.

On a red day
I think you sighed
when hearing boots
in the hallway but beamed
on a blue day
when he strode
through the door, a tie,
another rough wool jumper.

When he rode
those capsules home
I think perhaps you
wished to nick
your thumb again,
see the crimson seep
and weep as a child
over their father.

I think you wore
the smile of accomplishment
on day forty-two,
enough had bruised you,
pinched your skin
so it hurt and burnt pink,
stung a cheek
and left a tender spot.

I think you didn't want to
but did anyway,
felt all your words
had charred and bled black
so inhaled the haze,
swam under the jar
for the last time, before it fell
and cracked on his floor.
Written: April 2013 and April 2014.
Explanation: A poem written in my own time regarding Sylvia Plath and Ted Hughes. Fitzroy Road is the name of the location she lived at at the time of her death in February of 1963. The poem contains references to some of her work - 'The Applicant', 'A Birthday Present', 'Kindness', 'Cut', 'Daddy', 'Balloons' and 'Edge', as well as her novel The Bell Jar and Hughes's poem 'Red.' This piece took much longer to write than a normal poem. Also uploaded as a Facebook status.
Lindsey Williams May 2012
She drew a breath and let it go as she crept closer to the edge. She shivered as her toes, painted pink, hugged the ledge.  She brushed a trespassing orange hair from her brow and and stretched her arms to the sky.  Took one final breath as she closed her eyes.  She leapt.  Pushed her heels into the ground. Then the pads of her toes.  The tips of her toes.  She extended her arms and flew.  And as the world whizzed past in vibrant blacks and grays, the ground below her exploded into detail.  It was amazing.  Beautiful.  The memories of her past were far from her mind, everything terrible shut behind the blinds.  The ground rose up to meet her and caressed her cheek.  She regained her senses for only a moment and her green eyes flashed a smile.  She opened her hands and pressed her fingers to the cool concrete and as a chill ran through her veins.  The corners of her perfectly red lips pulled into a gentle smile, and she was happy.  Her eyelids fluttered and then laid motionless above her freckled cheeks.  She faded as she melted into the ground.----- Her nose twitched and wrinkled to the singe of winter’s chill and the smell of hospital food.  She awoke, eyes closed, to the rhythmic chirp of an EKG machine.  She ran her hand up her arm and felt the IV and needles.  She slowly came out of unconsciousness and felt pain and then her mothers fingers entwined between hers.  She knew it was her.  She knew the shape of her hands well.  Every curve and wrinkle, the indent from where her mother’s wedding ring once sat for so long, but not anymore.  She felt the hands that had held her for sixteen years.  Her eyes slowly flicked open and she found the flustered but relieved visage of her mother. The girl shut her eyes, quick.  Hoping they would never open again.
AJ James May 2013
Glasses that tinted blue under the sun
cold, white teeth that dazzled
a smile that fizzed
it whizzed in my stomach.

Tingling, fidgeting hands
a correction of plans that I made when you asked if I was free
for you, I'd always be.

The dark hair that snaked across your head
it drew my breath
and with it left,
the rest of my youth and that is the truth.

Brown eyes, hidden by wireless frames
the sparkle that you once brought
has many times given me the thought:
of how I wish  I could paint your face and
hold your hand against my chest
to do my best to never let go, for then how could I ever know?

A smile that shattered the sky, you spoke of many things
but never once did you utter a "goodbye"
so imagine my surprise when you died and left behind
that wisecracking smile, etched into my skin.

What you did was a sin and now the sky is so dim
a dull lull loses control of it's full power to consume
****, you ruined my plans of a happy beginning
and now it's all about my never beginning ending.

I am spending my days fending for those memories
that fold in the corners of my mind
it takes so long for me to find
your voice that once saved me from my own demise

You were so wise, so sly with your ulterior motives
to take away your own life
and now it's my life to figure out why?
Why, did you have to die?
PoetWhoKnowIt Aug 2014
You know those really really really long events you had to go to as a kid. Ridiculous stuff- like family reunions, or church meetings or just plain ol' being dragged along? Sometimes fun stuff- road trips (if you fancied them), Disneyland or whatever equivalent, or to family you actually liked.

Leaving at sunrise and returning as bats and owls start to yawn and pull up their sheets. That time of night.

After a long day of this and that and that and this. Well, I wish I could relive one of those drives back. Laying down in the back of the car if you had lots of space, wrestling with the seat-belt buckles on your back; or constantly trying to re-position your head against your window or that uncomfortable and non-ergonomic plastic-type frame next to the door lock and above the handle only to be bounced by the car and woken up.

Long after my brain would give up on trying to sleep in said conditions I'd get into a semi-psychedelic state. Watching the sea of red lights in front of me, ebbing and flowing little dots- each controlled by the movement of the others. To the left a torrential outpouring of bright yellow/white light (blue nowadays with those LED's or whatever). Not a single stop-light in sight.

I often would tilt my head slightly upward, my head against the window causing my vision to vibrate with the tiny, ubiquitous bumps in the road and look at those tall "7" shaped street lights. They'd come into existence as fast as they disappeared in a consistent and wonderful rhythm. Mesmerizing to say the least.

Occasionally the sound of the turn signal would outweigh the subtle 'whirrrrr' of the car and the sound of the road, only to silence after a soft sway in either direction. Slowing down, the beep-beep-beep of the "hey your door's open", and the slight cool breeze worked like a snap to a hypnotized me. Slowly peaking up to regain my bearings- only to continue forward once there was ample juice in the car or less juice in the folks driving.

But now tis' only I who drive. And I drive myself, by myself. Trying to recreate the same feeling while I drive wouldn't be quite smart... And so like those street lights those times have whizzed by without a sound. Only to be appreciated once it stops. They say time goes. No.
truly- time stays, we go.

— The End —