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"unsayable" poems
The worst part is I loved you back Adulterous affair, Absolutely abominable! Maybe you didn’t mean to love Me, the girl inside the young woman’s body, you only thought you knew Flirtatious banter once hinted at thoughts
 Unsayable; Intelligible abyss once linked unsuspecting minds; Understanding so Deep, so Accidental. Praise me, praise me. Be careful, Time is taking over, How could you, you fool You can't beat the clock! You're in love now. Did you intend for this? But was it Me you sought to love? Or was it just my body? The thrill of the ilicit, The power Over a child? Origins unknown 
Grown out of your control. Say goodbye to reason I’m your master now. What’s happening to you? You’re afraid and I, well I am the child who will destroy you Words, your last weapon Escalating, no wait, stop You’re killing yourself. It's too late I tried to warn you You failed me, embarrassed Me. I egged you on. I loved you back. I’m sorry. #MeToo
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May 4, 2018
May 4, 2018 at 11:55 PM UTC
Teacher
And how sweet a story it is When you hear Charley Parker tell it, Either on records or at sessions, Or at offical bits in clubs, Shots in the arm for the wallet, Gleefully he Whistled the perfect horn Anyhow, made no difference. Charley Parker, forgive me- Forgive me for not answering your eyes- For not having made in indication Of that which you can devise- Charley Parker, pray for me- Pray for me and everybody In the Nirvanas of your brain Where you hide, indulgent and huge, No longer Charley Parker But the secret unsayable name That carries with it merit Not to be measured from here To up, down, east, or west- -Charley Parker, lay the bane, off me, and every body
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5.4k
241st Chorus
Let's talk about this jazz club that lives in my cellphone in 1950 something with Chet Baker back from the dead. Let's toast to random notes taking flight into the city in the middle of nothing nights we've known or been familiar with. Let's shake hands cordially with the unfamiliar as in "deal", or "peace be with you" as if in church, tipping hats at that stranger passing by at the crosswalk some late evening in spring alongside dandelions sprouting forth from the pavement. Let's read between breaks of beats Kerouac must have hit in 1950 something San Francisco in yelps into the moonlit stages of the balcony of his boxcar boxcar boxcar gone by in a mad blur with whatever graffiti'd message of hope it bore on its sides. Let's hitch into the unknowingly infinite by way of the pen's mighty point. Let's unlearn the way syllable by syllable and demolish languaged signs like hurricane force candor blowing down fact-ory made terms and political decorum as smoke from the pages of their corporate handbook joins the Chet Baker solo note pilgrmage into the holy skyline. Let's move side by side unspoken as those jazz notes he forgot to play. Let's fill in those blanks with uninformed confidence beyond our abilities and grasp the unsayable names of our dreams remmebered. Let's see in seconds passing like bums inebriated with the holy moments gone too soon. Let's talk about nothing but this sacred second at hand on this clock unseen pointing overhead to the face of the moon gone full and hungry for attention. Let this happen only now. Only then will we talk about where it's going.
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Apr 14, 2018
Apr 14, 2018 at 12:44 AM UTC
1950 Something San Francisco
Let's talk about this jazz club that lives in my cellphone in 1950 something with Chet Baker back from the dead. Let's toast to random notes taking flight into the city in the middle of nothing nights we've known or been familiar with. Let's shake hands cordially with the unfamiliar as in "deal", or "peace be with you" as if in church, tipping hats at that stranger passing by at the crosswalk some late evening in spring alongside dandelions sprouting forth from the pavement. Let's read between breaks of beats Kerouac must have hit in 1950 something San Francisco in yelps into the moonlit stages of the balcony of his boxcar boxcar boxcar gone by in a mad blur with whatever graffiti'd message of hope it bore on its sides. Let's hitch into the unknowingly infinite by way of the pen's mighty point. Let's unlearn the way syllable by syllable and demolish languaged signs like hurricane force candor blowing down fact-ory made terms and political decorum as smoke from the pages of their corporate handbook joins the Chet Baker solo note pilgrmage into the holy skyline. Let's move side by side unspoken as those jazz notes he forgot to play. Let's fill in those blanks with uninformed confidence beyond our abilities and grasp the unsayable names of our dreams remmebered. Let's see in seconds passing like bums inebriated with the holy moments gone too soon. Let's talk about nothing but this sacred second at hand on this clock unseen pointing overhead to the face of the moon gone full and hungry for attention. Let this happen only now. Only then will we talk about where it's going.
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~ *"Leave the lights off and on, I feel mysterious tonight," she says. "Every time you look different," replies her careful ecstasy.* Practice makes perfect, and from chaos comes 💋 (kissing). She floats free from her own body's outer reaches: The mirrorball and the mystic circle. The mirrorball is a light for attracting attention. The mystic circle is an unsustainable trance. *"Will I dream during the process?" she asks. "Only if you know the wild that wants you," chants the infinite unsayable yes.* ~
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Nov 4, 2022
Nov 4, 2022 at 7:43 PM UTC
After the Disco 💋
We all have something singularly unsayable within. Nothing can or will ever get to it, not even other souls. This is the loneliness we were all born with and this is our only salvation.
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Sep 1, 2021
Sep 1, 2021 at 3:01 AM UTC
Unsayable
Thoughts spin softly toward the unsayable Impossible to resist like the city's dark glamour or a wicked woman's kiss Each turn of her face an eclipse giving birth Each cigarette a torch held high Only to have died all gorgeous and sad As the city and abyss stare each other down
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Sep 21, 2014
Sep 21, 2014 at 7:58 AM UTC
New Poem
I want to teach you The language of my hands For they can at times Be so very much more eloquent than I More subtle than my sometimes clumsy tongue Less prone to stumbling or misstep. Every touch can be a poem There are volumes written Upon the lines of palms Comfort in the creases, reassurance Love, desire, solace, all find voice Buried in fingerprints. All that I cannot speak In the space where words fail Or have not the proper definition Let my hands tell you By caress or grasp Variations of pressure or attitude In perfect, silent eloquence. That way, even the simple Lacing of fingers twining In knots of flesh and bone and nerve Can be a conversation Between our pulse The unsayable become known Described perfectly As a slight squeeze.
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Oct 26, 2015
Oct 26, 2015 at 8:07 PM UTC
Untitled
I'm not always good to her but she's always there for me I pour my wretches into her white and she just takes it without flinching I only come to her when it suits me because sometimes it's just so hard sometimes there's just too much to say I don't know where to start and it gets so loud convoluting in minor keys I leave her behind because she knows I can't lie she ***** the truth right out of me I can't smile and nod glaze over as disconnect severs the feelings I'm fleeing so I avoid the conversations that are dying to get out of me but it's just so hard to say some things even when you know after there will be relief and weights tied will unbind and release and you may yet float and breathe so thank you, P for giving all the unsayable things air and wings
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Sep 28, 2017
Sep 28, 2017 at 8:31 PM UTC
thank you, P