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"twanging" poems
I. Hear the sledges with the bells— Silver bells! What a world of merriment their melody foretells! How they ****** ****** ****** In their icy air of night! While the stars, that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells— From the jingling and the tinkling of the bells. II. Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten golden-notes, And all in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the rhyming and the chiming of the bells! III. Hear the loud alarum bells— Brazen bells! What a tale of terror now their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now—now to sit or never, By the side of the pale-faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the ***** of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells— Of the bells— Of the bells, bells, bells, bells, Bells, bells, bells— In the clamor and the clangor of the bells! IV. Hear the tolling of the bells— Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people—ah, the people— They that dwell up in the steeple. All alone, And who toiling, toiling, toiling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone— They are neither man nor woman— They are neither brute nor human— They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry ***** swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells— Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells— Of the bells, bells, bells— To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells— Of the bells, bells, bells— To the tolling of the bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the moaning and the groaning of the bells.
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10.5k
The Bells
I. Hear the sledges with the bells— Silver bells! What a world of merriment their melody foretells! How they ****** ****** ****** In their icy air of night! While the stars, that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells— From the jingling and the tinkling of the bells. II. Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten golden-notes, And all in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the rhyming and the chiming of the bells! III. Hear the loud alarum bells— Brazen bells! What a tale of terror now their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now—now to sit or never, By the side of the pale-faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the ***** of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells— Of the bells— Of the bells, bells, bells, bells, Bells, bells, bells— In the clamor and the clangor of the bells! IV. Hear the tolling of the bells— Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people—ah, the people— They that dwell up in the steeple. All alone, And who toiling, toiling, toiling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone— They are neither man nor woman— They are neither brute nor human— They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry ***** swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells— Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells— Of the bells, bells, bells— To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells— Of the bells, bells, bells— To the tolling of the bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the moaning and the groaning of the bells.
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117
They’ll be rockin’ in Heaven Down St. Peter’s Gate Way. Chuck Berry passed over, But he still can play. True King of Rock, He’ll live for evermore. And he’ll keep duck walking, Along that golden shore. His guitar keeps twanging, Wah wah tlang tang tang. Ya want a Showman? Chuck’s still yer man. He died at ninety. It was very sad. But now he’s up there, I’m sure that God is glad. He’ll love that Rock N Roll Music, Chuck’s sense of humour too. A touch of Devil also, When he sings the blues. So all you Saints and Angels, You better move and hurry, For they all want to dance with That amazing Chuck Berry. Paul Butters
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Mar 22, 2017
Mar 22, 2017 at 6:10 AM UTC
Chuck Berry
Magdalene watched Mary bend down to put on the LP. The Beatles. They’d saved up and bought it together. She took in Mary’s stockinged thigh showing through the slit in the side of the school skirt. Mary placed the LP carefully onto the turntable, with her finger put the needle arm down onto the vinyl. The music started up, Mary stood up and sat next to Magdalene on the single bed. Magdalene sensed her there, her thigh next to hers, her warmth, their knees almost touching. What did your Ma say when you said you bought the Beatles? Magdalene asked. She said nowt, Mary replied, but Da said it was a load of ***** and where did I get the money from to buy it? John Lennon's voice sang over the twanging guitars. Magdalene said, did you tell him we bought it together? Mary nodded. Her hands pushed between her thighs, her young face lit up by the room's light. Don't you think Paul's a dish? Mary asked. Magdalene shrugged her shoulders, studied Mary’s knee where a spot of flesh showed through a hole in the black school stockings. She wanted to move closer, kiss the cheek, place her lips on the skin. She breathed in the borrowed scent that Mary wore. Said she'd liberated it from her Ma's room. Mary talked of the boy they'd met in the woods above the school. Tried it on so he did, she said, over the guitars and Lennon's loud voice. Magdalene wished she could put her hands where the boy had tried. I put him straight, Mary said, kneed him where his fatherhood might flow. Mary moved up and down on the bed in response to the music. The bedsprings complained. Magdalene sensed the movement, took in Mary’s behind going up and down on the bed cover. Glory be. She wanted to kiss. Needed the hand to touch Mary’s, the skin to join up with hers. Downstairs a voice bellowed to keep the ****** noise down. Mary sighed and bent down to turn the **** the thigh revealed in the skirt's slit, the spot of flesh through the hole in the bended knee. Magdalene captured the image. Hid it in her memory bank for later, for bedtime, for the cosy pretend hold, maybe more if in her dream she was lucky and bold.
0
Nov 17, 2012
Nov 17, 2012 at 4:31 AM UTC
MAGDALENE AND THE BEATLES'S FIRST LP.
Magdalene watched Mary bend down to put on the LP. The Beatles. They’d saved up and bought it together. She took in Mary’s stockinged thigh showing through the slit in the side of the school skirt. Mary placed the LP carefully onto the turntable, with her finger put the needle arm down onto the vinyl. The music started up, Mary stood up and sat next to Magdalene on the single bed. Magdalene sensed her there, her thigh next to hers, her warmth, their knees almost touching. What did your Ma say when you said you bought the Beatles? Magdalene asked. She said nowt, Mary replied, but Da said it was a load of ***** and where did I get the money from to buy it? John Lennon's voice sang over the twanging guitars. Magdalene said, did you tell him we bought it together? Mary nodded. Her hands pushed between her thighs, her young face lit up by the room's light. Don't you think Paul's a dish? Mary asked. Magdalene shrugged her shoulders, studied Mary’s knee where a spot of flesh showed through a hole in the black school stockings. She wanted to move closer, kiss the cheek, place her lips on the skin. She breathed in the borrowed scent that Mary wore. Said she'd liberated it from her Ma's room. Mary talked of the boy they'd met in the woods above the school. Tried it on so he did, she said, over the guitars and Lennon's loud voice. Magdalene wished she could put her hands where the boy had tried. I put him straight, Mary said, kneed him where his fatherhood might flow. Mary moved up and down on the bed in response to the music. The bedsprings complained. Magdalene sensed the movement, took in Mary’s behind going up and down on the bed cover. Glory be. She wanted to kiss. Needed the hand to touch Mary’s, the skin to join up with hers. Downstairs a voice bellowed to keep the ****** noise down. Mary sighed and bent down to turn the **** the thigh revealed in the skirt's slit, the spot of flesh through the hole in the bended knee. Magdalene captured the image. Hid it in her memory bank for later, for bedtime, for the cosy pretend hold, maybe more if in her dream she was lucky and bold.
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73
The poem of the mind in the act of finding What will suffice. It has not always had To find: the scene was set; it repeated what Was in the script. Then the theatre was changed To something else. Its past was a souvenir. It has to be living, to learn the speech of the place. It has to face the men of the time and to meet The women of the time. It has to think about war And it has to find what will suffice. It has To construct a new stage. It has to be on that stage, And, like an insatiable actor, slowly and With meditation, speak words that in the ear, In the delicatest ear of the mind, repeat, Exactly, that which it wants to hear, at the sound Of which, an invisible audience listens, Not to the play, but to itself, expressed In an emotion as of two people, as of two Emotions becoming one. The actor is A metaphysician in the dark, twanging An instrument, twanging a wiry string that gives Sounds passing through sudden rightnesses, wholly Containing the mind, below which it cannot descend, Beyond which it has no will to rise. It must Be the finding of a satisfaction, and may Be of a man skating, a woman dancing, a woman Combing. The poem of the act of the mind.
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3.3k
Of Modern Poetry
“I can do all things through Christ which strengtheneth me” Embroidered on the back of his letterman jacket Hanging from the kitchen chair where he sits Practicing chords while the **** cooks to crank In the trailer back of his momma’s house Where she lets him live while he looks for work They didn’t treat him right at the truck stop His uncle might get him on at the mill A crankster wankster twanging out his art Unless the Cossaks find out about…                                                                        “Who’s there…?”
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Nov 16, 2018
Nov 16, 2018 at 12:13 PM UTC
Three Chords and a **** Lab
to a friend No! those days are gone away And their hours are old and gray, And their minutes buried all Under the down-trodden pall Of the leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grenè shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her--strange! that honey Can't be got without hard money! So it is: yet let us sing, Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood-clan! Though their days have hurried by Let us two a burden try.
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3k
Robin Hood
to a friend No! those days are gone away And their hours are old and gray, And their minutes buried all Under the down-trodden pall Of the leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grenè shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her--strange! that honey Can't be got without hard money! So it is: yet let us sing, Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood-clan! Though their days have hurried by Let us two a burden try.
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63
As I told you already that I was Graeme Thorne in the 1950s and apart from the fact I was him for just 8 years, I had a best friend named bobby Francis who was a very ***** fellow, well back then so was I Bobby had a teenage crush on dody Stephens who sang pink shoe laces which was bobby's fave song and I, as Graeme Thorne thought yeah she is cute and bobby bought her album over to my house and you could hear his voice twanging with the words pink shoelaces and then in 1959 bobby bought pink shoelaces which caused a bit of shock for teachers at old scots college and Greame Thorne who was me said it looks weird that my mate is wearing pink shoe laces But bobby couldn't give a flying **** about what people were saying about him Just listen or try and get the memory of him singing Tan shoes and pink shoelaces A polka dot vest hey man oh man tan shoes with pink shoelaces and a big panamol With a purple hat band and my friend bobby sang that with the same twang as dodi Stephens Which could be the reason why Bobby is having a tween crush on an older 13 year old singer I as Graeme Thorne also had a crush on dodi and both me and bobby were dodi's dory but bobby's mum got really cranky with bobby for his voice because it could be a **** voice but bobby used bad language to tell his mum to get ****** and every time we went to the local shops in Bondi beach we bought our ice creams and sat on the beach singing the dodi Stephens hit And then two gorgeous 12 year old girls sat near us and I said How about a bit of sugar and bobby said for you maybe but I want dodi's pink shoelaces And I told bobby to live in the realistic years and bobby said you can talk to these girls but I like dodi ok and bobby was ************ over dodi Stephens **** body while I as Graeme Thorne went over to the 12 year old girls and started to massage their backs and thighs saying to bobby these girls are a nice *** of sugar For my spoon and as the girls left they kissed me as greame Thorne on the lips and left thinking my friend was a bit of a **** and when we got back to bobby's house bobby played pink shoe laces very loud as well as ************ thinking dodi is a 50s fox and I toild him that those girls on the beach were **** too and bobby said yeah I agree but I plan to finish school and marry dodi and then said he was Dooley and dodi is trying to keep me safe well in 1960 I was kidnapped and killed and bobby well I will never ever know if he got it together with dodi, probably not but in my current life at the age of 22 I heard bobby's twang singing pink shoe laces as I heard it on the radio and now I listen to pink shoe laces on YouTube She is hot
0
Apr 1, 2017
Apr 1, 2017 at 2:47 AM UTC
greame thorne's best friends tween crush on a teenage singer
As I told you already that I was Graeme Thorne in the 1950s and apart from the fact I was him for just 8 years, I had a best friend named bobby Francis who was a very ***** fellow, well back then so was I Bobby had a teenage crush on dody Stephens who sang pink shoe laces which was bobby's fave song and I, as Graeme Thorne thought yeah she is cute and bobby bought her album over to my house and you could hear his voice twanging with the words pink shoelaces and then in 1959 bobby bought pink shoelaces which caused a bit of shock for teachers at old scots college and Greame Thorne who was me said it looks weird that my mate is wearing pink shoe laces But bobby couldn't give a flying **** about what people were saying about him Just listen or try and get the memory of him singing Tan shoes and pink shoelaces A polka dot vest hey man oh man tan shoes with pink shoelaces and a big panamol With a purple hat band and my friend bobby sang that with the same twang as dodi Stephens Which could be the reason why Bobby is having a tween crush on an older 13 year old singer I as Graeme Thorne also had a crush on dodi and both me and bobby were dodi's dory but bobby's mum got really cranky with bobby for his voice because it could be a **** voice but bobby used bad language to tell his mum to get ****** and every time we went to the local shops in Bondi beach we bought our ice creams and sat on the beach singing the dodi Stephens hit And then two gorgeous 12 year old girls sat near us and I said How about a bit of sugar and bobby said for you maybe but I want dodi's pink shoelaces And I told bobby to live in the realistic years and bobby said you can talk to these girls but I like dodi ok and bobby was ************ over dodi Stephens **** body while I as Graeme Thorne went over to the 12 year old girls and started to massage their backs and thighs saying to bobby these girls are a nice *** of sugar For my spoon and as the girls left they kissed me as greame Thorne on the lips and left thinking my friend was a bit of a **** and when we got back to bobby's house bobby played pink shoe laces very loud as well as ************ thinking dodi is a 50s fox and I toild him that those girls on the beach were **** too and bobby said yeah I agree but I plan to finish school and marry dodi and then said he was Dooley and dodi is trying to keep me safe well in 1960 I was kidnapped and killed and bobby well I will never ever know if he got it together with dodi, probably not but in my current life at the age of 22 I heard bobby's twang singing pink shoe laces as I heard it on the radio and now I listen to pink shoe laces on YouTube She is hot
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15
Love's worshippers alone can know The thousand mysteries that are his; His blazing torch, his twanging bow, His blooming age are mysteries. A charming science--but the day Were all too short to con it o'er; So take of me this little lay, A sample of its boundless lore. As once, beneath the fragrant shade Of myrtles breathing heaven's own air, The children, Love and Folly, played-- A quarrel rose betwixt the pair. Love said the gods should do him right-- But Folly vowed to do it then, And struck him, o'er the orbs of sight, So hard, he never saw again. His lovely mother's grief was deep, She called for vengeance on the deed; A beauty does not vainly weep, Nor coldly does a mother plead. A shade came o'er the eternal bliss That fills the dwellers of the skies; Even stony-hearted Nemesis, And Rhadamanthus, wiped their eyes. "Behold," she said, "this lovely boy," While streamed afresh her graceful tears, "Immortal, yet shut out from joy And sunshine, all his future years. The child can never take, you see, A single step without a staff-- The harshest punishment would be Too lenient for the crime by half." All said that Love had suffered wrong, And well that wrong should be repaid; Then weighed the public interest long, And long the party's interest weighed. And thus decreed the court above-- "Since Love is blind from Folly's blow, Let Folly be the guide of Love, Where'er the boy may choose to go."
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1.9k
Love and Folly
Rapture, growing voice around the corner. Crisp new diphthongs, sorry rounded vowels unrehearsed. A twanging reverb. Certain loosened phrasings shock the doorknob, like 'Clara...octaves...failings'. When I lift the latch it's broken trailing consonants streaming past the ceiling; bassy treaties, sighing falling clothes and chord-crushed feeling.
0
Apr 5, 2013
Apr 5, 2013 at 11:32 AM UTC
Unannounced
Formless words...broadcast scribbling space, their diagram of poetic motion washes over you...formed on impact. Dark room's glow in broad daylight--your fully developed picture...deepest blue of two worlds in one, betwixt vibration. Hue of the canonized, twanging entire a cloudless sky... enriched tenfold in mimicry of you. If only stained glass and silk would wed, search light's spectrum...distill the most affecting gradation of blue-- then would you see a just replica? Visionary's shield...where earthen wend unveils the abysmal... that eyes may remain upon you--till one is ferried, and vision seen through. Apogee of seventh sea...epicenter of dancing Nine Muses, whose round keeps the Blue Flower earthbound. Blue Flower of the poet's pilgrimage, whose synesthesia electrifies. Blue Flower...a nebula pinned to earth, the name of spring born of you. The golden section of angels fly their flawless form to you... that High Art may pray to High Art. ...Blue Flower, commended spirit rife with grace...whose ceaseless hour at hand holds beauty alone. Mind, quill to tongue riven--if ever...ever is now--Blue Flower... ever is Now! The words of this poet have begun fasting...not to eat of what they cannot sacrifice...their Blue Flower.
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Nov 17, 2014
Nov 17, 2014 at 1:48 PM UTC
Blue Flower
VI No. These books lie. These words and these voices and These photographs Hoodwink us into thinking Titanic is really gone. No. It was the Olympic, dear Baby girl Titanic is still out there Twanging lovely cello notes And drifting with smooth propellers. No. Adrift like a ghost Is she… **** those photographs They feel so untrue, because in my heart I was there I am there. So I am drowned? I am facedown in the water Gasping for a breath my Body cannot take? I am dead? NO. My boy is still alive I am still holding his hand deep In the sea Blue blue ocean If lovely girl, Titanic, has broken I am broken too.
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Jan 7, 2017
Jan 7, 2017 at 2:25 PM UTC
Titanic Voices VI
A good friend with a basset-hound face is on his feet The rest of us are weak as newborn puppies, from the late hour, the numbing glory in our lungs But, mostly from laughter. This young man is a connoisseur of altered states, an apprentice butcher, and one of the chosen few who breath music in and out effortlessly And he's preaching Prosthelytizing Three minutes before, he had been happily day dreaming Three feet from the floor with the boob-tube beaming happy simple moving colors The man on the set shows us how to stir-fry chicken Our mouths water, but we're content to sit. But with the fire coming up that glass pipe and setting his boiler to churn along feverish He caught an insight or it snared him, like a spiderweb across a peaceful hiking path On his feet He was beginning to see connections And had to share them with someone Now I'm a limp doll at this point, fully immersed in the body-high Thoughts are glacial, movement glacial Oh, my friend. You're talking to the wrong audience We can't hope to see it as you do. But he keeps on keeping on. And tells us a thing or two. Cooking He says Is like *** As our laughter dies down to a dull roar, he continues The speeds and heats and intensities can all vary to give you countless subtle differences. But the true constant is care Loving attention to the finest detail. His brows furrow, his toes test the fibers of the rug and he glances back up, and I imagine a podium in front of him. Or maybe it's like Jazz. He says. We learn, or glean out, how things are supposed to happen But in the moment, the twanging instant Beautiful things will themselves to exist and they defy all well-laid plans.
0
Nov 13, 2014
Nov 13, 2014 at 8:33 PM UTC
Preach, Brother. Preach.
A good friend with a basset-hound face is on his feet The rest of us are weak as newborn puppies, from the late hour, the numbing glory in our lungs But, mostly from laughter. This young man is a connoisseur of altered states, an apprentice butcher, and one of the chosen few who breath music in and out effortlessly And he's preaching Prosthelytizing Three minutes before, he had been happily day dreaming Three feet from the floor with the boob-tube beaming happy simple moving colors The man on the set shows us how to stir-fry chicken Our mouths water, but we're content to sit. But with the fire coming up that glass pipe and setting his boiler to churn along feverish He caught an insight or it snared him, like a spiderweb across a peaceful hiking path On his feet He was beginning to see connections And had to share them with someone Now I'm a limp doll at this point, fully immersed in the body-high Thoughts are glacial, movement glacial Oh, my friend. You're talking to the wrong audience We can't hope to see it as you do. But he keeps on keeping on. And tells us a thing or two. Cooking He says Is like *** As our laughter dies down to a dull roar, he continues The speeds and heats and intensities can all vary to give you countless subtle differences. But the true constant is care Loving attention to the finest detail. His brows furrow, his toes test the fibers of the rug and he glances back up, and I imagine a podium in front of him. Or maybe it's like Jazz. He says. We learn, or glean out, how things are supposed to happen But in the moment, the twanging instant Beautiful things will themselves to exist and they defy all well-laid plans.
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47
It’s time for a rhyme I hear you chime. It’s time to hit the beat. We’re ready to dance Without a glance, Pick up those Tyger feet. Those drums do thump, Dancers grind and bump, The party’s in full sway. Don’t feel like strolling, Just want to be rollin’ In the scattered hay. Them guitars are twanging I’m really panging To twirl you round and round. Some like to fight; I’d rather dance all night To that raucous rebel sound. Let’s go.
0
May 28, 2014
May 28, 2014 at 1:55 PM UTC
Rockin' 'n' Boppin'
Love's worshippers alone can know The thousand mysteries that are his; His blazing torch, his twanging bow, His blooming age are mysteries. A charming science--but the day Were all too short to con it o'er; So take of me this little lay, A sample of its boundless lore. As once, beneath the fragrant shade Of myrtles breathing heaven's own air, The children, Love and Folly, played-- A quarrel rose betwixt the pair. Love said the gods should do him right-- But Folly vowed to do it then, And struck him, o'er the orbs of sight, So hard he never saw again. His lovely mother's grief was deep, She called for vengeance on the deed; A beauty does not vainly weep, Nor coldly does a mother plead. A shade came o'er the eternal bliss That fills the dwellers of the skies; Even stony-hearted Nemesis, And Rhadamanthus, wiped their eyes. "Behold," she said, "this lovely boy," While streamed afresh her graceful tears, "Immortal, yet shut out from joy And sunshine, all his future years. The child can never take, you see, A single step without a staff-- The harshest punishment would be Too lenient for the crime by half." All said that Love had suffered wrong, And well that wrong should be repaid; Then weighed the public interest long, And long the party's interest weighed. And thus decreed the court above-- "Since Love is blind from Folly's blow, Let Folly be the guide of Love, Where'er the boy may choose to go."
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1.3k
Love And Folly (From La Fontaine)
Soaking up the sweet, slow shine of summer Basking in June's warm day glow You remind me of innocence Times long passed when I did not know the ache of loss I find myself feeling guilty for loving you Being happy Even though I know the gone would wish it for us I breathe you in my tie dyed lover A vast array of rainbow hued passion Spilt across my peaches and cream canvas You go down easy like sweet wine berry wine Late July before us twanging on mountain top strings I'll be here while you sleep softly Guarding a back that always has mine
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Jun 7, 2016
Jun 7, 2016 at 2:06 PM UTC
Songs of Summer
chugging twanging thumping snarling - no drugs needed; the tempo sends me into a tailspin of bliss. a frightened ear would perceive a dirge but to the acquainted it can only be a hymn.
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Feb 24, 2015
Feb 24, 2015 at 3:38 AM UTC
aural gratification
Around the coals we gather to warm are tired souls Brothers singing of all life's woes And dear old sawyer and his lady go on their way Towards the west and memory lane. I bid adieu to these travelers and the heated night One day we will find peace in our drunken blight To the poet and their thoughtful muse To the guitarist and their twanging tune To the smoker with a hazy mind And the couple rekindled in Octobers fire.
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Oct 25, 2013
Oct 25, 2013 at 3:39 AM UTC
Ghost Stories
I cannot put my finger on my dissatisfaction I cannot slake my thirst I cannot sate my hunger I cannot itch this scratch I cannot imbibe it better I cannot forget it, worse deaf--dumb--blind--limp--sad--stupid I feel I am seeing in the second dimension when I know the fourth is called for, now! I cannot expunge this record, these memories, or the lack thereof I cannot remember the effort, or, where things stopped or started I cannot describe this inexplicability, I cannot remember the introductions criss-cross logical thinking twanging words, tungsten, copper, and sheets of steel sautered, bolted, shorted circuits crackle and spark blue like the ocean water burning the water in skin and I find nothing on an endless loop around the Möbius strip, no, nothing, neither starts nor ends I'm stuck in some Escher stairwell, so frustrating I feel like an imbecile that knows not of a named thing that stands before me, if it were a snake, it would bite me, what, ( ) it is so close? boy, this stings, this ***** to be struck by something, and                              I don't know                                                              what I cannot find relief from catharsis no, that hasn't ever worked at all. dizzying, myopic thing that keeps me awake show yourself, show me how, or what, wants this thing thing thing this thing of something. I cannot find my ( ), no, I cannot find anything at all.
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Jun 3, 2013
Jun 3, 2013 at 2:12 PM UTC
what is your name, intangible thing
I cannot put my finger on my dissatisfaction I cannot slake my thirst I cannot sate my hunger I cannot itch this scratch I cannot imbibe it better I cannot forget it, worse deaf--dumb--blind--limp--sad--stupid I feel I am seeing in the second dimension when I know the fourth is called for, now! I cannot expunge this record, these memories, or the lack thereof I cannot remember the effort, or, where things stopped or started I cannot describe this inexplicability, I cannot remember the introductions criss-cross logical thinking twanging words, tungsten, copper, and sheets of steel sautered, bolted, shorted circuits crackle and spark blue like the ocean water burning the water in skin and I find nothing on an endless loop around the Möbius strip, no, nothing, neither starts nor ends I'm stuck in some Escher stairwell, so frustrating I feel like an imbecile that knows not of a named thing that stands before me, if it were a snake, it would bite me, what, ( ) it is so close? boy, this stings, this ***** to be struck by something, and                              I don't know                                                              what I cannot find relief from catharsis no, that hasn't ever worked at all. dizzying, myopic thing that keeps me awake show yourself, show me how, or what, wants this thing thing thing this thing of something. I cannot find my ( ), no, I cannot find anything at all.
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38
I am not drunk you will have to have me like this and I’m sorry about that with my teeth pumped full of silver my toes like awkward twigs now my hand is on your shoulder-blade where I taste honey and I find the scar you said you had a misty oblong splash on the back of one arm then I seem to lose control of my lower face the biology out of whack it is moving about as if yawning but not yawning more chewing a wodge of sickly toffee you are on me touching me like this happens to anyone with a wonky pulse a gurgle in their gut that sounds like a faulty washing-machine have I made this up am I zipping seamlessly through each lucid scene without so much as a blink a sour cough does it matter you are playing me as your favourite guitar twanging the strings to make me sort of sing I have miles just miles of words to spill out to say but I don’t know how to rotate them together just yet
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Aug 6, 2015
Aug 6, 2015 at 7:03 PM UTC
What I Thought Of When I Saw You
I found a ribbon. And without thinking, I took one end Into each hand. And I tugged. Hard. It made little sounds Like it was twanging. Over and over again. Then I stopped, And saw That it still looked Brand new. And this Didn't seem fair. That an object So inanimate, Could withstand So much abuse. When my heart Was felled In one blow. But then I saw A little string On one end Of the ribbon. And I pulled. It started to unravel. So I pulled And pulled And pulled. Until finally, The ribbon Wasn't a ribbon. But a pile Of tiny stings Just sitting in my hand. And I felt better. Because now My heart Wasn't the only thing, In a thousand little pieces.
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Mar 13, 2015
Mar 13, 2015 at 1:23 PM UTC
Misery Loves Company
A thought passed through the clouds so white that hung over my head There was nothing I could do about the lies in the sky Or the heavy hanging that outside I saw a man in the rain Where there were whispers ringing out in the night There were also tears streaming down the faces of the proud But these were the worries of a man wounded in love And these were the haunts of a house that I never thought to bought Twanging terrificly for all the undead world to see and hear Roaming was the way of the world for me and only in me Streets were a red color this morning as she lay mourning And of course these were the words of a man unborn and unknown But listen to the trickle of the rain outside thine window And watch carefully the ticking of that majestic clock Where there were many a man broken and many a woman spending tokens With their cash cards swiping itself upstairs with large words And these worries spelt in trouble spills unto those stairs That I once danced up when I felt I was in the know Course' there was a record playing while the wine was being poured And a professional man said to me "Would you like a glass?" I've forgotten the tune of the croon so I look to the scattered road And a Jesabil sound rushed the stage seeking fame Stardust rocket blasts with confetti men wearing hats And rough and tough men selling books that litter shelves Yes these were the sights of a man busy being unborn and sworn Sworn in these skies that fire themselves for they are not right But the right of the right keeps itself tight And this construction outside this window is breaking fast And the purring kitty is no longer belonging to the name of cat Feast on the fear of remembrances of your former self For those were always and seemed like much better times But the bouncing Bob of the times were something I never quite got to know Knowing to know there was never really anything to get to know Knowledge that leads to the whirling machine of images Illusions and false fancy fast formerly fattened fragrances Titanic break through of a former self that I never did get to know Too tough to tell what I needed to really say So I better get on my way fast cause we all know Were soon to be setting off to set sail
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May 3, 2011
May 3, 2011 at 11:16 AM UTC
A Former Self
A thought passed through the clouds so white that hung over my head There was nothing I could do about the lies in the sky Or the heavy hanging that outside I saw a man in the rain Where there were whispers ringing out in the night There were also tears streaming down the faces of the proud But these were the worries of a man wounded in love And these were the haunts of a house that I never thought to bought Twanging terrificly for all the undead world to see and hear Roaming was the way of the world for me and only in me Streets were a red color this morning as she lay mourning And of course these were the words of a man unborn and unknown But listen to the trickle of the rain outside thine window And watch carefully the ticking of that majestic clock Where there were many a man broken and many a woman spending tokens With their cash cards swiping itself upstairs with large words And these worries spelt in trouble spills unto those stairs That I once danced up when I felt I was in the know Course' there was a record playing while the wine was being poured And a professional man said to me "Would you like a glass?" I've forgotten the tune of the croon so I look to the scattered road And a Jesabil sound rushed the stage seeking fame Stardust rocket blasts with confetti men wearing hats And rough and tough men selling books that litter shelves Yes these were the sights of a man busy being unborn and sworn Sworn in these skies that fire themselves for they are not right But the right of the right keeps itself tight And this construction outside this window is breaking fast And the purring kitty is no longer belonging to the name of cat Feast on the fear of remembrances of your former self For those were always and seemed like much better times But the bouncing Bob of the times were something I never quite got to know Knowing to know there was never really anything to get to know Knowledge that leads to the whirling machine of images Illusions and false fancy fast formerly fattened fragrances Titanic break through of a former self that I never did get to know Too tough to tell what I needed to really say So I better get on my way fast cause we all know Were soon to be setting off to set sail
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38
Old man sitting class front Plucks his twanging banjo Singing songs about rain Songs about this kind of day Imagine the tough skin Hugging his picking thumb while he strums The music rewinds and ages Giving rhythm to his pulls and nods Lines escaping from a dark wrinkled cave Hidden behind whites and grays Growing south like so many do Just an old man sharing his love with you Keeping it all the same Hum drum going nowhere Questioning progress Did I go anywhere today? Or have I just returned?
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Oct 14, 2012
Oct 14, 2012 at 11:21 PM UTC
Or
Enlightens My days of darkness, Artificial Light, Weak violet blow of a violent decay Thunder of rough emotions Exploding and burning and bursting In the remote obscure hollows of my head. This it is; Where pure passion is emanated, Runs away to the very edge of curiosity A traveller through the infinite skies Of my bare human intelligence. Light of darkness Expression of sudden expiry And simultaneous rebirth. Light of veracity Reveals and destroys and remakes As the majority abruptly yells about. Light of my dreams Golden thing On this soil of broken faith. All of a sudden, sneaking bull, my cacophonous orchestra wavers as a sharp blade has sat in my brain. Boiling gurgling twanging My mind cracks and gasps And gulps, when the veracious grace of light glances out of the waves of my lost sea. Glorious the way it shows off, Harsh the way it acts and plays. And yet Lives and gives life, it is Light. Speeding through the windows of our soul, it measures with my fortitude's eyes. And yet is light The only source of truth. And yet, on this soil of broken faith. So why, for godness sake, should we avoid her natural touch?
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Oct 19, 2015
Oct 19, 2015 at 4:25 PM UTC
Enlightens my days of darkness
The poem of the mind in the act of finding What will suffice. It has not always had To find: the scene was set; it repeated what Was in the script. Then the theatre was changed To something else. Its past was a souvenir. It has to be living, to learn the speech of the place. It has to face the men of the time and to meet The women of the time. It has to think about war And it has to find what will suffice. It has To construct a new stage. It has to be on that stage, And, like an insatiable actor, slowly and With meditation, speak words that in the ear, In the delicatest ear of the mind, repeat, Exactly, that which it wants to hear, at the sound Of which, an invisible audience listens, Not to the play, but to itself, expressed In an emotion as of two people, as of two Emotions becoming one. The actor is A metaphysician in the dark, twanging An instrument, twanging a wiry string that gives Sounds passing through sudden rightnesses, wholly Containing the mind, below which it cannot descend, Beyond which it has no will to rise. It must Be the finding of a satisfaction, and may Be of a man skating, a woman dancing, a woman Combing. The poem of the act of the mind.
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Apr 1, 2015
Apr 1, 2015 at 8:20 AM UTC
Of Modern Poetry - Wallace Stevens
The awkward jutting out of spiny branches, And a monotonous tone bellowing through the chasm, The reverberation of sound an incomprehensible spasm, And the shaking of rock with threats of avalanches. Something’s happening in my mind’s eye. Something weird, darksome and ambiguous. As the shattered memory flew through us, Ransacked the minds metaphors with a dusty cry. Whale song and bird song mixing together. Entwined like two lovers twanging in their movement. A blast of brilliant light in the cave of thoughts, an improvement, And singing in a strange tongue relishing forever. The misshapen figure of my spirit guide, Blurry in the distance and emerging from the light. Images of my soul a riding black knight. The two come together walking in stride. Leading through corridors and passages bleak, To a landscape thwarting the concepts placed within it. And striding through its swerving scene ideas bound and tight knit. And set fire to itself with plumes that reek. Choose a word, I choose access, Hear that word ring out growing in its beauty and elegance. Then ****** violently from one place to another, the relevance? Not understanding the situational nexus.
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Feb 4, 2015
Feb 4, 2015 at 7:14 PM UTC
Premonitions of the Inner Sanctum