A dancing Bear grotesque and funny
Earned for his master heaps of money,
Gruff yet good-natured, fond of honey,
And cheerful if the day was sunny.
Past hedge and ditch, past pond and wood
He tramped, and on some common stood;
There, cottage children circling gaily,
He in their midmost footed daily.
Pandean pipes and drum and muzzle
Were quite enough his brain to puzzle:
But like a philosophic bear
He let alone extraneous care
And danced contented anywhere.

Still, year on year, and wear and tear,
Age even the gruffest, bluffest bear.
A day came when he scarce could prance,
And when his master looked askance
On dancing Bear who would not dance.

To looks succeeded blows; hard blows
Battered his ears and poor old nose.
From bluff and gruff he waxed curmudgeon;
He danced indeed, but danced in dudgeon,
Capered in fury fast and faster.
Ah, could he once but hug his master
And perish in one joint disaster!
But deafness, blindness, weakness growing,
Not fury's self could keep him going.
One dark day when the snow was snowing
His cup was brimmed to overflowing:
He tottered, toppled on one side,
Growled once, and shook his head, and died.
The master kicked and struck in vain,
The weary drudge had distanced pain
And never now would wince again.
The master growled; he might have howled
Or coaxed,--that slave's last growl was growled.
So gnawed by rancor and chagrin
One thing remained: he sold the skin.

What next the man did is not worth
Your notice or my setting forth,
But hearken what befell at last.
His idle working days gone past,
And not one friend and not one penny
Stored up (if ever he had any
Friends; but his coppers had been many),
All doors stood shut against him but
The workhouse door, which cannot shut.
There he droned on,--a grim old sinner,
Toothless, and grumbling for his dinner,
Unpitied quite, uncared for much
(The rate-payers not favoring such),
Hungry and gaunt, with time to spare;
Perhaps the hungry, gaunt old Bear
Danced back, a haunting memory.
Indeed, I hope so, for you see
If once the hard old heart relented,
The hard old man may have repented.

This is a beautiful "Barry Hodges" poem.*

Ah, sweet memories of that night in Blarney
In the stout-soaked suburbs of ould Cork City.
How clearly through the mist of alcoholic memory
I recall how we all piled out of Johnny's bar at closing time
****** as a load of proverbial ******* newts;
'Where to now me boys, which bar's still open?'
Shrieked spiflicated Sean O'Shannon
(that's notorious sixteen pints an hour Sean,
the man who won Strictly Come Boozing twice)
As he tottered over to his Pa's new BMW convertible,
Lucky ****** that he is to be son to a Fianna Fáil MEP,
And one not adverse to trousering a Euro or two.

'Sean, me oul' potato, de ye think ye should be driving
With that record-breakin' skinful o' stout
I just seen you put away down your greasy gullet,
Not to mention the quadruple whiskey chaser?'
Enquired loopy Liam O'Lephrechaun as he leaned over
And puked up another gallon of warmish Guinness
Over yours truly as I rolled helplessly in the Ballygrohan road
To the amusement of the gawping bystanders,
Bearing in mind there were a good dozen gobbets
Of half-digested pork scratchings in the froth
Which was causing havoc with my apparel.

So without another feckin' word being spoken
My dear drinking companions and ***** buddies
Left me prostrate and clambered gaily into the waiting car
And roared off into the enchanted Gaelic night;
Singing and smoking themselves silly simultaneously,
So full of the joys of life and the blessed bottle.
And then some ****** stupid American tourist
(doubtless dressed in hideous checked golfing trousers
with a backwards-facing baseball cap on his ugly head,
not to forget his overweight wifey crammed into the front seat
just like a huge white bloated fat-faced hippo),
Came round the next corner in a clapped out rental car
And the two of them got sent to Kingdom-sodding-Come
With a terrible metallic crash which destroyed them completely.

'Oh begorrah and *******, would ye just look at the mess
The feckin eejit's made of me Daddy's Beemer,
And it's his pride and joy so it is to be sure!'
Cried Sean O'Shannon in an alcoholic rage,
As he contemplated the largest insurance claim
In the County Cork for the past six decades,
(at least the largest legitimate one anyway).
Whilst I was trying to get my hipster pants down
To avoid filling them up with beery diarrhoea
Brought on by my involuntary bursts of joyous mirth,
(bejasus, 'twas the second time in the space of a single week
and my new girlfriend was getting a bit fussy about hygiene
bearing in mind she was thinking of taking the veil).

How fortunate old Father Tucker and Garda Sergeant O'Toole
Could both (when they'd sobered up sufficiently)
Testify later from their secure vantage point
In the rear compartment of a nearby parked hearse,
(where they were having a ******* with Deidre,
the filthiest wee **** in the whole South-Western counties)
That the accident was not dear Sean's fault at all, to be sure,
As the other stupid sober yankee ****** was driving at 75
On the wrong friggin' side of the ******' street
Or probably in the middle, come to think of it.
'Sure but Sean's the best driver this side of the Blarney Stone,
And there's no way himself would ever drive under the influence'*
They agreed sagely before going off for another jar or two
And maybe a double knee-trembler with Deidre's fat sister,
One up each of her gaping hair-rimmed orifices.

1757

Upon the gallows hung a wretch,
Too sullied for the hell
To which the law entitled him.
As nature’s curtain fell
The one who bore him tottered in ,—
For this was woman’s son.
“’Twere all I had,” she stricken gasped—
Oh, what a livid boon!

There once lived a family of rats, caught up in wires and tubes and they probably thought they had it good until

the car started.

That car’s air conditioning smelled like death stench for weeks, until we

got it looked at.

Who knew we killed a family, who knew they ate their way under the hood,

who knew we killed a family and they reminded us of it for weeks.

——

My mother and father killed my dog, barely big enough to not be called a puppy anymore,

they ran over her,

as she slumbered in the tall weeds and grasses of a field.

——

We had a chicken named Thumper, his body grew big but his head never did,

and he teetered and tottered on ballerina pointed feet, and

the other roosters wanted to

eat him alive.

When we sacrificied him,

my parents plucked his back,

and they saw that his skin was a green-purple secret,

hidden by a humpback and so

many feathers.

——

Our third horse got caught in the river.

Big Mama got caught in Little River.

I guess it’s not surprising when big things die when they get caught in little things.

——

The coyotes got the rest of the chickens.

——

The rattlesnakes almost got the rest of the horses.

——

Most people don’t know that farm-fresh eggs are covered in blood.

——

We had two of the largest, ugliest geese.

They flew away.

——

The cat died under the hot tub,

we couldn’t find her for days.

——

The forest is always a graveyard,

is always hallowed ground,

is where we buried the animals.

Then they built a subdivision.

Oldest thing I ever did see,
Skin a mountain range of
Crumpled/crinkled crepe paper
Peaking in altitudinous pouches
Under his eyes, dragging with
Their weight dewlapp jowls
Down to a waddling,
Flabby neck, eyes camouflaged
Under light, fuzzy swatches of cotton,
Mouth slack and vacant, dribbling.
Hobbling with a stoop, knees bowed,
Back arched at an angle, a
Tilted arrow. He tottered over to me,
Inches, feet, miles, years too young,
Smiled brightly to reveal an empty,
Gummy mouth rimmed with
Birthday cake, pallid arms
Outstretched, head splotched with
A thin, wispy cloud of hair,
Half-full and forgotten baby’s bottle
On the carpet behind him.

How quickly they do grow.

To my ninth decade I have tottered on,
  And no soft arm bends now my steps to steady;
She, who once led me where she would, is gone,
  So when he calls me, Death shall find me ready.

With an incident in which he was concerned

In the sweet shire of Cardigan,
Not far from pleasant Ivor-hall,
An old Man dwells, a little man,—
’Tis said he once was tall.
For five-and-thirty years he lived
A running huntsman merry;
And still the centre of his cheek
Is red as a ripe cherry.

No man like him the horn could sound,
And hill and valley rang with glee
When Echo bandied, round and round
The halloo of Simon Lee.
In those proud days, he little cared
For husbandry or tillage;
To blither tasks did Simon rouse
The sleepers of the village.

He all the country could outrun,
Could leave both man and horse behind;
And often, ere the chase was done,
He reeled, and was stone-blind.
And still there’s something in the world
At which his heart rejoices;
For when the chiming hounds are out,
He dearly loves their voices!

But, oh the heavy change!—bereft
Of health, strength, friends, and kindred, see!
Old Simon to the world is left
In liveried poverty.
His Master’s dead—and no one now
Dwells in the Hall of Ivor;
Men, dogs, and horses, all are dead;
He is the sole survivor.

And he is lean and he is sick;
His body, dwindled and awry,
Rests upon ankles swoln and thick;
His legs are thin and dry.
One prop he has, and only one,
His wife, an aged woman,
Lives with him, near the waterfall,
Upon the village Common.

Beside their moss-grown hut of clay,
Not twenty paces from the door,
A scrap of land they have, but they
Are poorest of the poor.
This scrap of land he from the heath
Enclosed when he was stronger;
But what to them avails the land
Which he can till no longer?

Oft, working by her Husband’s side,
Ruth does what Simon cannot do;
For she, with scanty cause for pride,
Is stouter of the two.
And, though you with your utmost skill
From labour could not wean them,
’Tis little, very little—all
That they can do between them.

Few months of life has he in store
As he to you will tell,
For still, the more he works, the more
Do his weak ankles swell.
My gentle Reader, I perceive,
How patiently you’ve waited,
And now I fear that you expect
Some tale will be related.

O Reader! had you in your mind
Such stores as silent thought can bring,
O gentle Reader! you would find
A tale in every thing.
What more I have to say is short,
And you must kindly take it:
It is no tale; but, should you think,
Perhaps a tale you’ll make it.

One summer-day I chanced to see
This old Man doing all he could
To unearth the root of an old tree,
A stump of rotten wood.
The mattock tottered in his hand;
So vain was his endeavour,
That at the root of the old tree
He might have worked for ever.

“You’re overtasked, good Simon Lee,
Give me your tool,” to him I said;
And at the word right gladly he
Received my proffered aid.
I struck, and with a single blow
The tangled root I severed,
At which the poor old Man so long
And vainly had endeavoured.

The tears into his eyes were brought,
And thanks and praises seemed to run
So fast out of his heart, I thought
They never would have done.
—I’ve heard of hearts unkind, kind deeds
With coldness still returning;
Alas! the gratitude of men
Hath oftener left me mourning.

Nailed and ******* on hands and legs,
Maimed and marred beyond repair,
Cut and bruised out of shape,
Stripped and peeled, so bare to shock,

Lo, there lies a man! The Son of God,
On a cross erected on the summit of the Mount,
Brutally suspended between Earth and Sky,
Stationed amid thieves on either side.

He slipped and slithered under the yoke of weight,
And tottered the rugged route to Calvary,
Scourged and flogged all along,
He bore the cross with none to help.

Never complained nor cursed but suffered the pangs,
Never whined nor moaned, but drained the cup,
Through His death, mankind was to be redeemed,
By His precious blood, their infirmities to be cleansed

It was for our sins that He lay down His life,
It was our misdeeds that made Him bleed,
It was for our lust that He was painfully stripped,
It was our arrogance that bent Him low.

None could gauge the agony he endured,
No man ever performed such a daring deed,
To liberate mankind, the Lamb was slain,
To lead his Flock, He walked in front.

‘Love your enemy’ was the mantra He recited,
What He preached, He relentlessly practised,
While writhing in pain, He prayed for His foes,
Pleaded with his Father to spare the wrath.

When wrongly accused, never said He a word,
Unruffled remained He on painfully betrayed,
Hard it was to be deserted by those He loved,
Sore it was to be treated so very rude.


The Son of Man came seeking the missing sheep,
He builds from where everything is wrecked,
Rejoice in Him, for He is our Lord!
Adore and worship, He deserves to be praised.

Peace was what He promised the world,
Grace was what He gifted to all,
Look up to the Cross when trials confront,
And cast your burden at His feet!

In a midnight lamentation,
the soul (suppressed) of reprobation,
wallowed in wasted conspiracies-
unjust (censored) confirmations.

My shoes (foundation) which were half on,
stained the beer (love), which was half gone,
that he camped- (devoted) so entitled,
marvelously, (masculine) so magnificently upon.

Ongoing obstacles, alluring alike,
repressed restraints depicted, despite-
ones that evaded, encompassed our love,
which freshly, faithfully, finally took-flight.

That beer (blazing) tottered so temping-
wrongfully, radiantly, reluctantly-right!
It swiveling-and-spinning, (dangling) around the axis of life,
Makes this, yet another- lamentation in the night.

From the framed picture hung on the wall
Two faces look nobly down
The faces of my grandma and grandpa
Taking me to the times gone by

Smiling at their wavering progeny,
They retell the saga of their blissful life
A life of selfless share and care
Inspiring generations in their travail

Curling back to times and climes primeval
I hear the sound of their footfalls aloud
In a humble dwelling, joyfully they lived
As children of the soil with hands full of toil

They worked together from dawn to dusk
Greeting every new dawn with fresher zeal
Their hearts were securely fastened in love
And had needs minimum and complaints nil

Two fountains that sprang from sources different
Had merged together before their early teens
Through wedlock they had been customarily bound
At a time when they hardly knew what it meant

Had played together as buddies for long
Until instinct made them man and wife
When fledglings were hatched in their little nest
They worked together never knowing rest

Hit by adversities hard, at times they sank very low
But with resilience, bounced back
And frugally saved every nickel and dime
To meet the needs of their growing household

They tottered together in the evening of their life
Serving as prop to each other when about to fall
In their twilight years, ambling the corridors of memory
They reminisced sweetly the joyful events of life

Now they lie together in the same churchyard
Two streams that evenly and tranquilly ran side by side
Never once been shattered on the rocks and shoals of life
Making one wonder if their life is History or Fable

In the swelling magnitude of our life
Though trivial was their share
Yet they stay as beacons of light
Leaving a trail of light to blaze our paths

as you woke walking and the path
wound up ahead where pearly snails trailed
moon-shine and the trees like tall elegant
women high over fretted twinkle stars

what had it meant, the day?  The wind
was a silken scarf that wrapped your eyes
so you tottered on the cobbles, laughed.
A friend waved across the town square
somewhere, a child's toy in the gutter
as the sweet rain sprinkled your face
and hair fanned out in an ocean of breath

but the dark gathers and the trees give wild
voice, your toiling feet groan for rest, refuge
of starlight cottage

Is the lover there?  Will the tall trees shelter
you, star gems gleam in safe seclusion
on the mantel spread scarf
and your eyes dream the warm night?

Each night, indigo blue smoke bloomed from the candle sitting on the patio table while the tall brown-eyed girl spat chewing tobacco into a Styrofoam cup leaning forward with her elbows on the porch railing, watching the black birds pick apart a chicken bone as they teeter tottered across a sable telephone cable. Her name was Candace and she wore a backwards baseball cap, that belonged to her brother Joshua. He had died from a brain aneurysm last year.

She always would tread her fingers around the wide brim of the blue cap, close her eyes and remember how her brother use to take her
to softball practice back when she was in elementary school, driving
her around in his lime green Mitsubishi GT 3000, with the windows down,  and Pink Floyd percolating from the soothing speakers built
into the dashboard. After Joshua had died, Candace dropped out of Mary Washington. She found a job at Movie Theater down the street from the baseball diamond, working at behind the register, arms propped on the countertop, wishing that she had tried out for the club softball team at college. When her shift would end
she’d go back home and sleep in until midafternoon. Then she’d wake up and march over to the library to read the picture books while snuggling  on the lumpy couch with the plump giraffes and short elephants, the toy animals with the holes on the bottom of
their rear ends where the stuffing would roll out whenever she’d squeeze their heads.

One rainy day she strolled to the lake and stole a rowboat from the wooden dock. Dipping the plastic oar into the calm current, she paddled through the blue water, yawning, stuck in her daydreams about winning that soft ball championship back when she was ten years old, and after the game her brother had bought her a fudge brownie sundae
and a strawberry milkshake, with a ****** cherry sunk in the whipped cream.  The night grew darker, as her memories turned more emotional. So she  came back to shore, tied the rowboat back to the dock with looping a knot around the nook with a thick rope cord. Then she went back to her apartment house and
crashed on the couch, the blue baseball cap falling onto the floor.

When she woke up from her nap she put her cap back on her head, and
went out on the porch, lit a cigarette, then gazed out at the shining moon
suspended in the clouded sky. She reached out with her arm, her fingers stretched.

The depths of Joshua’s soul lay beyond her touch, and she knew it.
She grounded out the cigarette, went upstairs to her bedroom, shut the door. And then she cried, cried until the hot tears turned icy with the pain, that was wracking her heart with an emotion that staggered like Joshua had when he was in the kitchen that one day, swaying back and forth. Dropping

to the tiled floor, blood running out his nose like a baseball player
stealing home. Then the memory dissipated from her mind, as if it never
come to fruition in the first place. She took off her blue baseball cap.

She held it in her hands. She clutched the wide brim and treaded her fingers around the stitching, wondering why Joshua had to leave her life.

And why she couldn’t let go of this baseball cap.

Driving through the old town
where my father was born,
I'm stunned to silence while
he tells me the stories of houses.
This man I've always feared
who acts like he can't remember
mistakes or childhood,
legends and accidents,
who I'd swear was never born,
just always existed, strong,
who my mother claims
is incapable of memory and
sentiment, tells me, quietly and
unannounced, about an old woman.
Sat on her porch, Sharon,
at that house there on the corner.
He tottered over and talked to her
at four years old.
She had blue and green parakeets.
Took a drag of her cigarette
watching the world pass her by
wearing memories only she
knew the pain of bearing alone.

I was on a ship, a ship on the high seas;
With nobody on the deck,
Sailing through heavy, stormy waters.
Who's at the helm?

I don't know - swaying from side to side
the vessel tottered on, metal
oar-rests clanging to wheezing winds
and boisterous, surging waves.

I suddenly get a call on my mobile - how
on earth did I have network?
'I can see her', says the voice, 'an austere
lady leading the ship'. Is she
the same helmswoman who charters
universes before they come alive?

I walked downstairs, finding the parlour.
And decided I should paint,
to **** time: time, the enduring mystery.
Is this a dream? I consulted
Varo and dipped my brush in black
and splattered oil over canvas.

Dots, like sparkling stars, I see threes and
twos, and fives. Looking eerily
like loaded dice. Am I cruising through
skies? Is this my destiny loaded?

This is an allegory, says Martel. Agrees
Jung; Breton seems pleased.
Freud, though, says I'm just paranoid,
and this, my willful imagination.

I wake up, and find myself on a ship.
There's no one on the deck.
I have a mobile phone in my hand.
Miracle: there's network,

We all piled out of the pub
****** as a load of newts;
'Where to now boys?'
Bellowed naughty Niall O 'Neill
(that's notorious nineteen pints a night Niall)
As he tottered over to his Pa's Rolls Royce.

'Do ye think ye should be driving
With that record-breakin' skinful
I just seen you put away?'
Enquired serious Sean slurringly
From his slightly inconvenient
Viewpoint in the beery gutter.

So we all clambered gaily into the car
And roared off into the enchanted night
And then this ****** stupid clodhopper
Who didn't even have his driving licence yet
Came round the next corner in his Ford
And got sent to Kingdom-sodding-Come.

'Oh ****, would ye just look at the mess
The oul' fella's made of me Daddy's car,
And it's his pride and joy so it is!'
Cried Niall O'Neill in incandescent rage,
As he surveyed the largest insurance claim
In the County Wicklow for twenty years.

How fortunate Father Tucker and Garda Sergeant O'Toole
Could both testify from their vantage point
In the front seat of the devastated Roller,
The accident was not Niall's fault at all, at all,
As the other stupid sober ****** was on
The wrong side of the ****** street.

Humpty-Dumpty sat on the wall
And that was his first mistake
For eggs can be overly delicate things
Quite likely to fall and break

Humpty-Dumpty tottered and fell
Kersplat! He was runny and raw
Desperately scooping his gooey insides
As they spluttered out onto the floor

Humpty-Dumpty twitched for a while
‘Til his innards were down to the dregs
And all the kings horses and all the kings men
Are not paramedics for eggs

**

Windswept dunes
Sprawled
Across the desert floor
The jade of the grass, rotten

Tylmarris's Temple
Lonesome, haunted
An abode of ancient magick
Abandoned but not forgotten.

A solitary shroud
Of ink black reflection
Silhouettes
The pale moonlit windows.

The air whispered
Of Sorcery
Bones and runes in patterns
Drawn from hidden doors.

Drawn across the aeons
When summoned
At times fruitful, at times treacherous
Devastating yet sublime.

The power of the spirits
Was not for all to tame
Less even to mock as
He was about to this time.

The warlock crouched
Over his beloved's corpse
A silent prayer to Tythryll
To return her whence he took her from.

Unanswered again
He mused in sorrow
Four hundred and twenty days in misery
He had now mourned.

A gnarled hand he rested
On her chest
Her skin peeling to reveal bones
Like pearls emerging from pink sand.

A withering smile still
She wore
In her final moments with him
When Death made its stand.

He spoke in Kuthanese
Her name in her tongue
Her true name.
Naírillia.

Daughter of Sand
Keeper of Terralyn's visions
Desert Witch
Touched by the God himself, as a Seer.

With clenched fists
Raised in a fashion
To receive the wrath of the Death God
He stood over the pentacle.

His betrothed beneath
Encumbered in a nexus
Of his safety
As he set to do the impossible.

Tythryll! He bellowed
In a voice born of rage
Despair
Of angst to have his love back.

Seven and seventy limbs
Broke free from the soil
Reaching skywards
In the earth, a giant crack.

Green auras of spirits
Distantly growled
as a mortal
Dared to raise a finger at their Master

He had provoked the very God
To answer to his call
Such was the grief
Of the bonecaster.

The Immortal then descended
Into mortal realm
Tythryll's brow aglow with fury
Of the underworld.

His headless horse neighing
A pirouette from his eternal saddle
To arrive before the temple gates
Hurling thunderbolts.

The warlock called upon
Eknarak, the mountain devourer
As his Ascendant foe
Locked eyeless sockets with him.

The mountain parted
A ridged back, the spirit's face
Colossal, faceted at every angle
Awoken from slumber deep.

The world sizzled
And blazed like some devious
Flash in the sky.
A battle not to be seen.

For innumerable heartbeats
They raged against another
Primal sorcery slowly
Straining the God.

More and more, the warlock
Let loose all spirits of the land
Till finally, a leg of two feet
Pinned the God down.

Wait! His eyes showed fear
For the first time since it's creation
What do you want?
What was wrongfully taken, he whispered.

Tythryll glanced toward
The petite corpse
Sneered.
This is what you fight for?

A hidden dam of helplessness
Broke as all his magic
Was released by the Warlock
To save her.

His body convulsed
Even as it split open midway
Revealing an empty shell
But filled with contempt.

At his command
The earth smiled
A deep chasm that glittered
Showing precious rocks and fire.

A horde of corpulent spirits
Rushed the God to the core.
As the warlock himself
Barely finished the spell whole.

The temple, the sand, the wind
All were ****** into
The cavity, lolling its hungry tongue
To consume all.

Three moons passed
Not a soul,
Would, across the plains,
Now dare to cross.

A change of seasons
Quelling of Earth's lust
Full with the power of a God
The chasm healed itself.

A hand from the soil raised
Clutching at air, nails biting
The black earth, its grip maintained.

Inevitably, an arm appeared.
The beginnings of a torso.
The torso of a being
Who was thought to be dead.

Naírillia, earthborn
She rises in the midst of where
Her love battled
Died.

Hair, as full as a Wickan Horse
Her strength to match an ox.
The ravished skin was no more
bones and soft marrow.

She tottered, stepped ahead
And slipped
Her face beside a ring
Engraved were some words
In her tongue.

I love you.
The day of your birth has now begun.

You sang me John Mayer in my ear
Eyes half-closed from drunken drowsiness
And happiness

I teetered and tottered, young next to you
A little rambunctious and uninhibitedly grinning
Into your pupils, black holes swimming in blue

It was not electric or chemical or explosive
It was unpredictable but apparent
It was real and it was raw and it was sweet

Your whispers linger in my heart still
The tender caress of your hand
Urgency and gentleness

I chose to leave
It was my decision
I understand this

And I know I a built a wall, claimed the title of introvert
But you know as well as I do
It meant something

One day you'll be famous and you'll have everything
You ever dreamed of, exactly like you planned
Your hopes, your ambitions, the one

And I will too, though I waver on that belief right now
I'll be wonderful too
And in the back of my mind, I imagine you will still remember the sweetness

MY NAME CAN BE FOUND IN THE ALPHABET IF ONE OBTAINS THE FOURTH...THE FIFTEENTH...THE FOURTEENTH... FIRST... TWELFTH AND TWELFTH AGAIN LETTERS TAKING CARE TO USE A CUTE ACCENT ON THE 15TH LETTER.

Alice was having 40 winks
( but she hadn't yet got to wink no. 13 )

when she was so very rudely
interrupted by a giant hand

taking her '...IN WONDERLAND"
down from the topmost shelf

she had been resting on
for many many months undusted.

"Welllll!" thought Alice to herself
'...that blew the cobwebs away!"

yawning loudly as it dawned
upon her what had

befallen her pages.

She couldn't tell that the hand was
Irish...but it was indeed.

"A great wind blew and
I was scattered!"

she remembered the ****** Queen's speech
or words...to that effect...not exactly right.

The hand was the hand
of an Irish poet

and with a howl she
fell through a vowel

in his voice "O!"&
again "O!"

landing with a thump on her
coccyx

in the middle of a white white
page.

It was as if
all the world had turned

to snow & "O!" she said &
"O!" once again and again.

"It would appear that I am
about to be

poemed by this
Irish poet person!"

Alice had become quite
adept

at talking to her hand
because her face did not want to know.

And so with a final flourish she
found her self scribbled

and held down by his words.

"Really his handwriting is
illegitimate!"

she told herself as she
tottered upon

a final full stop that
continued on

until it had become an
. . .

as darkness fell just as
the covers closed upon

the Jane Austen 5 Year Diary
she was being written into.

She continued oooOOOing
although she knew it was

very unbecoming
for a Victorian child

composed mostly of Carrollian words
& Tenniel'd cross hatchings.

The Irish poet had vanished back
into the kitchen

to make a cup of
Earl Grey Tea.

"Mmmmm!" he said to himself
& again

"....mmmmmMMMMM!"

ever is where?
I am at it
      I never have seen
a ridge where night
touches the dew- or
     sunlight glows
on both the day and you.

There I sat upon
   a ledge teetering
fearing heights
              and the depths of darkness
     below. Tottered
down upon spoiled grounds.

Ever is where-  over a hill?
    may we ever see
sun glints-
      on green
      eyes
strong trees,
          sowing seeds
in sunlights.

The red high chair,
Now empty there,
Has carbon foot-prints
On scuffed rails,
And impressions
On the tray.
Like digs from earlier days.

Her first steps were small,
Unsure, unstable,
Needing balance,
Yet proving able.
A two-step dance,
An infant's prance,
An infinite chance,
She tottered to the door,
Drawn and wanting more.

But I fell,
Forlorn,
With those wee steps,
She was gone.

It was back in his hey day
when elves used to be nimble
Sitting all day listening to stuff
Sat on a shiny silver thimble.

They were their bar stools at the bar
drinking dandelion beer till drunk
It was a powerful brew that blew their socks off
Revealing their toes that really stunk.

Feet washing was not their thing
Dandelion beer was more their cup of tea
They had to wait till the peas dropped
to have a nice bath in the pod of the pea.

You can imagine elves in a line at the bar
All taking their first swig of the beer
They pow, their socks would all shoot off
a picture that to you and me is most queer.

Then the stench of smelly, ***** feet
Giggling was the order then of the day.
They would see who had the smelliest toes
Sniffing and giggling along the way.

The one that won had to down a jug
of the powerful dandelion beer with froth
Then roll the victor under the table to sleep
and cover him up with the tablecloth.

The little winner with stinky feet
snoring while the others giggled.
Then with daisies stuck to the side of his face
The drunken victor wriggled.

"Roll me home, will you, my chaps, roll me home"
They did as they were told and parked him by a tree
to steady himself when asleep they thought.
On returning ten hours later, he had rolled free.

He was slumped under a mushroom, upside down
He had obviously been singing his heart out.
On went his socks up he stood sort of upright
Tottered off to see what the fuss was about.

He did not get very far, he tripped over a leaf
His eyes closed shut and off he slept till sober
Which was a day or three, this drunken elf
certainly had a day definitely to remember.

Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs ...
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler—
harbored in dreams,
I ride out night’s storms;
unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea . . .
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is a poem I wrote as a teenager. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine, The Chained Muse and Poetry Life & Times.



These are poems about mermaids, Lorelei, sirens, water nymphs, octopuses, manatees, and other mysterious creatures that inhabit the depths of seas, lakes and rivers…

Siren Song
by Michael R. Burch

The Lorelei’s
soft cries
entreat mariners to save her ...

How can they resist
her seductive voice through the mist?

Soon she will savor
the flavor
of sweet human flesh.



Lures of the Lorelei
by Michael R. Burch

These are the rocks where the Lorelei combs
her wind-tangled hair as the dark water moans,
and her uncanny hymns echo softly between
worlds fashioned of stone and her strange algaed dreams …

Here men hear her songs, as they always have done,
as they dream to be one with the pale weightless foam …
as they also now long for her sleek, slender arms—
sweet relief from their dull lives, wives, shanties and farms!

But what does she offer them—is it love?
As she croons her desire, is she moray, minx, dove?
Or merely a mystery: an enigma, like death,
to men bent on drowning, unhappy with breath?



The Abyss
by Michael R. Burch

Love, the abyss
where pale Lorelei dwell,
swells with bright music —
the music of hell.

For the sirens there lure
countless men to their doom,
crying, “Give us a child!”
in the luminous gloom.

And who can resist
their cries — wild & untamed —
or the flash of a breast,
its pink ****** inflamed?

So the young men all leap
in their lemming-like urge
to thresh their soft shells
where the dark waters surge.

Now many lie shattered
on the sharp, hidden rocks
where they succor the spawn
of some wily sea-fox.



Adrift
by Michael R. Burch

I helplessly loved you
although I was lost
in the veils of your eyes,
grown blind to the cost
of my ignorant folly
—your unreadable rune—
as leashed tides obey
an indecipherable moon.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair—
long, ravenblack & melancholy.

Many suitors drowned there—
lost, unaware
of the length & extent of their folly.



Sinking
by Michael R. Burch

for Virginia Woolf

Weigh me down with stones …
fill all the pockets of my gown …
I’m going down,
mad as the world
that can’t recover,
to where even mermaids drown.



The Drawer of Mermaids
by Michael R. Burch

This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.

Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.

A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)

It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)

And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says

our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so

I am preparing to meet Him, to go,
should He care to receive me.)



Excerpt from “The Song of the Spirits over the Waters”
by Johann Wolfgang von Goethe
loose translation/interpretation by Michael R. Burch

Wind is water's
amorous pursuer:
the Wind, upswept,
heaves waves from their depths.
And you, mortal soul,
how you resemble water!
And a mortal’s Fate,
how alike the wind!



The Fisher
by Johann Wolfgang von Goethe
loose translation/interpretation by Michael R. Burch

The river swirled and rippled;
nearby an angler lay,
and watched his lure with a careless eye,
like any other day.
But as he watched in a strange half-dream,
he saw the waters part,
and from the river’s depths emerged
a maiden, or a ****.

A Lorelei, she sang to him
her strange, bewitching song:
“Which of my sisters would you snare,
with your human hands, so strong?
To make us die in scorching air,
ripped from our land, so clear!
Why not leave your arid land
And rest forever here?”

“The sun and lady-moon, they lave
their tresses in the main,
and find such cleansing in each wave,
they return twice bright again.
These deep-blue waters, fresh and clear,
O, feel their strong allure!
Wouldn’t you rather sink and drown
into our land, so pure?”

The water swirled and bubbled up;
it lapped his naked feet;
he imagined that he felt the touch
of the siren’s kisses sweet.
She sang to him of mysteries
in her soft, resistless strain,
till he sank into the water
and never was seen again.



Ophélie (“Ophelia”), an Excerpt
by Arthur Rimbaud
loose translation/interpretation by Michael R. Burch

On pitiless black waves unsinking stars abide
... while pale Ophelia, a lethargic lily, drifts by ...
Here, tangled in her veils, she floats on the tide ...
Far-off, in the woods, we hear the strident bugle’s cry.

For a thousand years, or more, sad Ophelia,
This albescent phantom, has rocked here, to and fro.
For a thousand years, or more, in her gentle folly,
Ophelia has rocked here when the night breezes blow.

For a thousand years, or more, sad Ophelia,
Has passed, an albescent phantom, down this long black river.
For a thousand years, or more, in her sweet madness
Ophelia has made this river shiver.



Circe
by Michael R. Burch

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.

Goddesses and sirens like Circe can be difficult to deal with, as Ulysses and his men discovered.


In the next poem, “The Divide,” please keep in mind that manatees have been mistaken for mermaids and mermen…

The Divide
by Michael R. Burch

The sea was not salt the first tide …
was man born to sorrow that first day,
the moon—a pale beacon across the Divide,
the brighter for longing, an object denied—
the tug at his heart's pink, bourgeoning clay?

The sea was not salt the first tide …
but grew bitter, bitter—man's torrents supplied.
The bride of their longing—forever astray,
her shield a cold beacon across the Divide,
flashing pale signals: Decide. Decide.
Choose me, or His Brightness, I will not stay.

The sea was not salt the first tide …
imploring her, ebbing: Abide, abide.

The silver fish flash there, the manatees gray.

The moon, a pale beacon across the Divide,
has taught us to seek Love's concealed side:
the dark face of longing, the poets say.

The sea was not salt the first tide …
the moon a pale beacon across the Divide.

For “The Divide” I prefer the slightly longer and rounder "bourgeoning" to the more common "burgeoning." The unconventional line breaks aside, this is a villanelle.



I Panajia I gorgona (“The Mermaid Madonna”)
by Michael R. Burch

To touch—the trembling eagerness of fingers
that sightless, in blind darkness, knew to *****,
to seize the hand outstretched, and thus to hope ...
such was your touch, and softly, now, it lingers:

fond memory! I do not understand
this foreign hand that grasps mine now: crude claws’
rude pincers, which engage, but without cause
except to suffocate me in strange sands.

O softer than your mermaid’s swimming tresses:
your arcane touch, your almost human hand!
You held a shell shaped like an ampersand
close to my ear; the surging sea’s caresses

spoke to my heart ... until Gorgona neared
on crablike feet: repulsive, skittering, weird.



Strange Tides, Stranger Tidings
by Michael R. Burch

for Sharon Rose

She walked into the sea one night
to never be seen again;
the Maelstrom made her hair a fright
as she left the world of men.
Some say she thus gained second sight.
Beware strange tides! Amen.

The first year of her life was hard;
the second harder still.
Like a cameo carved out of sard
she bent to God’s harsh will.
At last her doctors all agreed:
“Just give her some **** pill!”

The years flashed by; she did not age
so much as disappeared.
For who could see human dignity
in a thing small, wizened, weird?
At last she had no memory
save all she’d ever feared.

Then the sea called to her strangely,
as if the Voice of God:
“I repent, O, I repent
of my Anger and my Rod!
Now I only wish to hold you,
and have you Tulip-Cod!”

She thought her nickname sweet indeed;
she did not stop to think,
for who can doubt the Word of God?
She tottered to the brink
of Doom itself, an ancient crone
doomed like a stone: to sink.

She made a votive offering;
she cast a lonely spell
upon the sea, before she stepped
into the gates of Hell;
the Maelstrom took her greedily;
she bade the world, “Farewell!”

So what became of her, you ask?
I can’t pretend to say:
did Michael and the Devil
contend for her that day?
Did the Voice of God mislead her,
or the wind lead her astray?

But sometimes late at night
when the ocean’s dreary roar
abates somewhat, an eerie light
gleams on that rocky shore,
and a lovely Mermaid, tulip-white,
sings, tremulous and pure ...

sweet ancient songs of ancient wrongs
the “love” of God endures.

Amen



Floating
by Michael R. Burch, circa age 19

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs …
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler—
harbored in dreams,
I ride out night’s storms.

Unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea …
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

“Floating” is one of my more surreal poems, as the sea and lover become one, in the form of a water nymph or mermaid. I believe I wrote this one at age 19. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine and Poetry Life & Times. The poem was originally published as "Entanglements."



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks …

this evening
the thunder of the sea
is a wild music filling my ear …

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s bright eye,
through the sea’s green bed of lank seaweed worming
like entangled hair where cold currents rise …
something lurks where the riptides sigh,
something curious, old and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and, with tentacles like Medusa's squirming,
it feels the cloud blot out the skies' …
then shudders, settles with a sigh,
understanding man’s demise.



I think the octopus is evidence of three things: that there are aliens, that they live among us, and that they are infinitely wiser than we are …

The Octopi Jars
by Michael R. Burch

Long-vacant eyes
now lodged in clear glass,
a-swim with pale arms
as delicate as angels'…

you are beyond all hope
of salvage now…
and yet I would pause,
no, fear!,
to once touch
your arcane beaks…

I, more alien than you
to this imprismed world,
notice, most of all,
the scratches on the inside surfaces
of your hermetic cells …

and I remember documentaries of albino Houdinis
slipping like wraiths through walls of shipboard aquariums,
slipping down decks' brine-lubricated planks,
spilling jubilantly into the dark sea,
parachuting down down down through clouds of pallid ammonia …

and I now know this: you were unlike me …
your imprisonment was never voluntary.



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden—
the sameness of each day to day

while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.

Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray—
whitish streaks on a fogged silver mirror.

Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.

Originally published by Southwest Review



Contraire
by Michael R. Burch

Where there was nothing
but emptiness
and hollow chaos and despair,

I sought Her ...

finding only the darkness
and mournful silence
of the wind entangling her hair.

Yet her name was like prayer.

Now she is the vast
starry tinctures of emptiness
flickering everywhere

within me and about me.

Yes, she is the darkness,
and she is the silence
of twilight and the night air.

Yes, she is the chaos
and she is the madness
and they call her Contraire.



I wrote “Nevermore” in my late teens, under the rather obvious influence of Edgar Allan Poe…

Nevermore!
by Michael R. Burch, circa age 18-19

Nevermore! O, nevermore!
shall the haunts of the sea
—the swollen tide pools
and the dark, deserted shore—
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure ...
She sleeps, forevermore!

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely covered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way ...
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea ...

their skeletal love—impossibility!



Sea Dreams
by Michael R. Burch, circa age 18

I.
In timeless days
I've crossed the waves
of seaways seldom seen.
By the last low light of evening
the breakers that careen
then dive back to the deep
have rocked my ship to sleep,
and so I've known the peace
of a soul at last at ease
there where Time's waters run
in concert with the sun.

With restless waves
I've watched the days’
slow movements, as they hum
their antediluvian songs.
Sometimes I've sung along,
my voice as soft and low
as the sea's, while evening slowed
to waver at the dim
mysterious moonlit rim
of dreams no man has known.

In thoughtless flight,
I've scaled the heights
and soared a scudding breeze
over endless arcing seas
of waves ten miles high.
I've sheared the sable skies
on wings as soft as sighs
and stormed the sun-pricked pitch
of sunset’s scarlet-stitched,
ebullient dark demise.

I've climbed the sun-cleft clouds
ten thousand leagues or more
above the windswept shores
of seas no man has sailed
— great seas as grand as hell's,
shores littered with the shells
of men's "immortal" souls —
and I've warred with dark sea-holes
whose open mouths implored
their depths to be explored.

And I've grown and grown and grown
till I thought myself the king
of every silver thing …

But sometimes late at night
when the sorrowing wavelets sing
sad songs of other times,
I taste the windborne rime
of a well-remembered day
on the whipping ocean spray,
and I bow my head to pray …

II.
It's been a long, hard day;
sometimes I think I work too hard.
Tonight I'd like to take a walk
down by the sea —
down by those salty waves
brined with the scent of Infinity,
down by that rocky shore,
down by those cliffs that I used to climb
when the wind was **** with a taste of lime
and every dream was a sailor's dream.

Then small waves broke light,
all frothy and white,
over the reefs in the ramblings of night,
and the pounding sea
—a mariner’s dream—
was bound to stir a boy's delight
to such a pitch
that he couldn't desist,
but was bound to splash through the surf in the light
of ten thousand stars, all shining so bright.

Christ, those nights were fine,
like a well-aged wine,
yet more scalding than fire
with the marrow’s desire.

Then desire was a fire
burning wildly within my bones,
fiercer by far than the frantic foam …
and every wish was a moan.
Oh, for those days to come again!
Oh, for a sea and sailing men!
Oh, for a little time!

It's almost nine
and I must be back home by ten,
and then … what then?
I have less than an hour to stroll this beach,
less than an hour old dreams to reach …
And then, what then?

Tonight I'd like to play old games—
games that I used to play
with the somber, sinking waves.
When their wraithlike fists would reach for me,
I'd dance between them gleefully,
mocking their witless craze
—their eager, unchecked craze—
to batter me to death
with spray as light as breath.

Oh, tonight I'd like to sing old songs—
songs of the haunting moon
drawing the tides away,
songs of those sultry days
when the sun beat down
till it cracked the ground
and the sea gulls screamed
in their agony
to touch the cooling clouds.
The distant cooling clouds.

Then the sun shone bright
with a different light
over different lands,
and I was always a pirate in flight.

Oh, tonight I'd like to dream old dreams,
if only for a while,
and walk perhaps a mile
along this windswept shore,
a mile, perhaps, or more,
remembering those days,
safe in the soothing spray
of the thousand sparkling streams
that rush into this sea.
I like to slumber in the caves
of a sailor's dark sea-dreams …
oh yes, I'd love to dream,
to dream
and dream
and dream.

“Sea Dreams” is one of my longer and more ambitious early poems. To the best of my recollection, I wrote “Sea Dreams” around age 18, circa 1976-1977.



Alice
by Michael R. Burch, circa age 15

There were nights when we would wander together
the banks of a lake cast in strange monotones
where once I had wandered before,
lost and alone.

And along the moonlit banks we strolled
the silver waterfalls recoiled
to, screaming, die upon the folds
of tranquil waters far below.
For tranquil waters fed below
on melting ice and crumbling stone.

The nights we spent beside that lake
we spent there with the stately drake,
the graceful swan, the grotesque eel,
close to the sound of a waterfall's peal,
close to the sound of a lake's midnight meal.

And Alice's hair hung like hacked hemp,
gnarled and twisted on the wind,
glistening with an unearthly light,
Medusan at midnight.

And her lips shone with a radiance
that blinded my eyes
as they closed in reply
to the slightest pressure of her touch;
and I wanted her so much ...
but did not have her,
for the lake that gave her soon took her away.

For she died in the mists of a moonlit night
with a rush of green water filling her mouth; ...

then the skies
rang with her startled cries
and her algaed eyes
gleamed agony.
She pled with me ...

"Come too, come too!" She softly begged.
"Oh, no! I can't!" I witlessly said.
And she, the enchantress, was ****** down;
some will say that she drowned ...

But her eyes were the eyes of that eerie lake
and her lips mouthed its soft and eloquent plea
in a voice weirdly ancient, wild and free,
crying, "I am Alice ... come to me!"

This is one of my earliest poems, written around age 15.

Keywords/Tags: love, romantic, romanticism, mermaid, siren, Lorelei, sea, night, dreams, eyes, lips, limbs, *******, breath, sunset, surf, waves, caves, moon, moonlight, seaweed, hair, storms

Let them say alarmed by my soul's quiescent invisible riot
you heard my despondent deafening silent shout
and rather than cast aspersions upon my scraggy idiosyncrasy
without doubt you lent me wings of optimism to float
for yours were arms that took me in when the world kicked me out
Let them say you walked with me till the end of the road
perspiring, dusty, fatigued yet still endured the load
let them say you tottered with me past my dusk to dawn
they didn't have to ask whether you were truly my own
for you searched piece by piece until you found all my heart
stitched them together to hold my world from drifting apart
that you saw me through to ocean from spring and river
and I moved on from my rough past because you were my lever
Let them say you saw me to Tuxedo from tattered pants
and even when waves of coercing constrains hit you still gave us a chance
that you weaved an intricate basket of forever out of every now
and as such we crossed even the most shaky of bridges we never knew how
Ultimately, let them say you were my best story, one never ceased writing...

MY NAME CAN BE FOUND IN THE ALPHABET. . . IF ONE OBTAINS THE FOURTH...THE FIFTEENTH...THE FOURTEENTH... FIRST... TWELFTH AND TWELFTH AGAIN LETTERS TAKING CARE TO USE A CUTE ACCENT ON THE 15TH LETTER.

Alice was having 40 winks
( but she hadn't yet got to wink no. 13 )

when she was so very rudely
interrupted by a giant hand

taking her '...IN WONDERLAND"
down from the topmost shelf

she had been resting on
for many many months undusted.

"Welllll!" thought Alice to herself
'...that blew the cobwebs away!"

yawning loudly as it dawned
upon her what had

befallen her pages.

She couldn't tell that the hand was
Irish...but it was indeed.

"A great wind blew and
I was scattered!"

she remembered the ****** Queen's speech
or words...to that effect...not exactly right.

The hand was the hand
of an Irish poet

and with a howl she
fell through a vowel

in his voice "O!"&
again "O!"

landing with a thump on her
coccyx

in the middle of a white white
page.

It was as if
all the world had turned

to snow & "O!" she said &
"O!" once again and again.

"It would appear that I am
about to be

poemed by this
Irish poet person!"

Alice had become quite
adept

at talking to her hand
because her face did not want to know.

And so with a final flourish she
found her self scribbled

and held down by his words.

"Really his handwriting is
illegitimate!"

she told herself as she
tottered upon

a final full stop that
continued on

until it had become an
. . .

as darkness fell just as
the covers closed upon

the Jane Austen 5 Year Diary
she was being written into.

She continued oooOOOing
although she knew it was

very unbecoming
for a Victorian child

composed mostly of Carrollian words
& Tiennel'd cross hatchings.

The Irish poet had vanished back
into the kitchen

to make a cup of
Earl Grey Tea.

"Mmmmm!" he said to himself
& again

"....mmmmmMMMMM!"

We pressed our memories into the sands of summer
Like fragile sand castles against the water.
As the leaves turned red, orange, yellow
The waves crashed and the towers tottered.

The good times faded into seas of amnesia,
Replaced by the shapeless remnants of their beauty.
The trees withered like old men by the shore,
Over broken castles as far as we could see.

Soon the waves began to fade into the water,
And the snow was once again on its way.
We started to rewrite the beautiful summer again
On the dreadful winter's gray.

The grog's half full
n the tucker nerly done
I head to my ol' man house
Lost me job last month

The ol' man listened to the yarn neatly spun
Ignored the pleas from his grown boy's mum
Give him some, help his family run
no he said, let him stick to his ***
A decent job and a bright prospect he had
Ruined it all for tipple n fun

...He tottered on past his prime
wouldn't last much longer he thought n sighed
The bar beckoned him once more
Dragging his feet he entered the place
Pr'olly the only home he he felt safe
Downing in his drink he obscured
The deep rut he endured

I spotted a gull flying over the bay
not more than a foot ‘tween her wings and the waves,
with feathers unfurled, flap and flail as she try,
she hadn’t the strength left to climb toward the sky.

I spotted a gull flying over the trees,
unable to fight the northwesterly breeze,
he tottered while gliding, unsure of his route,
completely resigned now to be blown about.

I spotted a gull in the jaws of a shark,
his hollow bones breaking, with blood running dark.
His face was of shock now, amid razor teeth;
how could he have known what was lurking beneath?

I spotted a gull on a rock, old and frail,
her beak nestled close to protect from the gale,
alone on a cliff ringed by thundering sea.
I wondered what plans fate was making for me.

It was hot on the dance floor, you had to scream like a mad woman to be heard. He didn't ask her a question. It must have been something in his eyes.

That forced her to stop so suddenly that her hot pink skyscraping heels almost kept on without her. Brought her up literally short right at his heart. Her line of sight pointed directly at his aorta, because nature had shaped them so.

For no reason at all he reached out and held her head gently in his large hand to steady her as she tottered for a few seconds.

Her dignity seemed important to him and fragile. Like an egg toss across the disco floor. Or a heart carried, ****** and beating, in a spoon, during a sack race, and he feared for her. So he reached out to hold her. Her cranium, cradled in his warm, gentle hand, that easily held her head tightly to his chest.

The breath left her lungs like a heavenly absolution.

Some of the dancers near them swear to this very day that they saw the heavenly host or a choir of angels, some even say they saw alien beings, all around the pair of them, a man and a woman, who didn't even know each other's names, holding on to each other so lightly, on the jam-packed dance floor.

It was in August, in 1971, and nobody who was there, or who ever heard the tale, will ever ever forget the meeting of Merry and Oliver. It was a moment that will live forever.

It’s a good thing
We all left when we did
Or I’d of spilled the beans.

Blithering on
in my drunken state,
You’d of learned it all

How sad I am
That making love
is only history

A withered fool
whose only dreams
are memories

Of indiscretions,
shameful then,
but blissful now

Slurred words tumbling out
would’ve told of
My ‘non-conforming’ love,

So powerful
but misconstrued,
that when she said she loved me

I stumbled to the piano
singing “ thine is the kingdom,
and the power,

And the glory”
(Oh, thank you, thank you)
“For...ev..er!  A..a...men!”

Thanking a God
Whose address I misplaced
with words I forgot (till then).

An abomination
Long suppressed by force of will
Might’ve stung your ears,

Thank God I kept
My mouth barely shut
But poised

To betray the little storm
Wreaking havoc in my *****
But not yet my demise

Had I gone on.
But, No.
Good sense prevailed.

Dignity still intact,
I gathered up this twisted history,
This love, this brokenness,

Like so many rags,
trailing on the ground,
And tottered to my car

My dignity’s unscathed.
Oh, it’s a good thing, I suppose,
But, next time, stick around.

I'd never thought I would wake up
and my first thought wouldn't be you.
But I had tottered
and I had fallen
with your face before my eyes
for far too long.
On my way up,
I could not recognize it anymore
and mornings no longer
knew of your existence.

The glass tottered on the edge of the table.
Half full, half empty?
I don't know.
But I let it fall.
However full it was,
It's in the floor now
And littered with shards of glass.

Now that I'm in the afternoon of life
    love is even more a mystery
    than when I tottered first on feet
    and splashed thru puddles I thought deep.
  
    My partner now of forty years, says
    when I was young and first we met
    I was so lonely that it hurt
    to see me walking down the street.
  
    And yes, I am aware
    of warmth and care that wraps me round
    and keeps me steady day to day
    as my balance and my hearing age.
  
   For there’s real affection in this home
   and that is why I cry out loud“I love YOU”
   so all will hear the truth even though
   love remains to me a boundless mystery.

These are antinatalist poems and translations by Michael R. Burch.  The antinatalist translations include poems and prose by Al-Ma'arri, Aristotle, Buddha, Homer, Omar Khayyam, Sappho, Seneca, the bible's King Solomon, and Sophocles.

Antinatalism is the belief that human beings should not procreate. Do we have the "right" to bring other human beings into a world that was always "red in tooth and claw" and is now increasingly deadly due to global warming, nuclear weapons, drone warfare and maniacal leaders like ******, Mussolini, Stalin, Putin, Jong-un, Netanyahu and Trump?

There were antinatalist notes in Homer, around 3,000 years ago ...

HOMER

For the gods have decreed that unfortunate mortals must suffer, while they remain sorrowless. — Homer (circa 800 BC), Iliad 24.525-526, translation by Michael R. Burch

It is best not to be born or, having been born, to pass on as swiftly as possible.—attributed to Homer, translation by Michael R. Burch

One of the first great voices to directly question whether human being should give birth was that of Sophocles, around 2,500 years ago ...

SOPHOCLES, PART I

Oblivion: What a boon, to lie unbound by pain!—Sophocles, translation by Michael R. Burch

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles (circa 497-406 BC), translation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night.
—Sophocles, Oedipus at Colonus, translation by Michael R. Burch

There are more Sophocles quotes later on this page. According to Aristotle, it had become so common in ancient Greece to say "It is best not to be born" that it was considered a cliché!

ARISTOTLE

"You ... may well consider those blessed and happiest who have departed this life before you ... This thought is indeed so old that the one who first uttered it is no longer known; it has been passed down to us from eternity, and hence doubtless it is true. Moreover, you know what is so often said and [now] passes for a trite expression ... It is best not to be born at all; and next to that, it is better to die than to live; and this is confirmed even by divine testimony [i.e, the wisdom of Silenus]: ... The best for them [humans] is not to be born at all, not to partake of nature's excellence; not to be is best, for both sexes. This should be our choice, if choice we have; and the next to this is, when we are born, to die as soon as we can." — Aristotle, Eudemus (354 BCE), surviving fragment quoted in Plutarch, Consolatio ad Apollonium, sec. xxvii

KING SOLOMON THE WISE

The Bible's wisest man, King Solomon, agreed with the ancient Greeks that it was best not to be born:

"So I returned, and considered all the oppressions that are done under the sun: and behold the tears of such as were oppressed, and they had no comforter; and on the side of their oppressors there was power; but they had no comforter. Wherefore I praised the dead which are already dead more than the living which are yet alive. Yea, better is he than both they, which hath not yet been, who hath not seen the evil work that is done under the sun." — King James Bible, Ecclesiastes 4:1-3, attributed to King Solomon

OMAR KHAYYAM

Happy the soul who speeds back to the Source,
but crowned with peace is the one who never came.
—a Sophoclean antinatalist passage from the Rubaiyat of Omar Khayyam, translation by Michael R. Burch

AL-MA'ARRI

Another strong, relentlessly questioning voice was that of a blind Arabic seer, the great Arab classical poet Abu 'L' Ala Ahmad ibn 'Abdallah al-Ma'arri, commonly referred to as al Ma'arri...

Bittersight
by Michael R. Burch

for Abu al-Ala Al-Ma'arri

To be plagued with sight
in the Land of the Blind,
—to know birth is death
and that Death is kind—
is to be flogged like Eve
(stripped, sentenced and fined)
because evil is “good”
in some backwards mind.

Antinatalist Shyari Couplets by Abul Ala Al-Ma'arri (973-1057), translation by Michael R. Burch:

Lighten your tread:
The ground beneath your feet is composed of the dead.

Walk slowly here and always take great pains
Not to trample some departed saint's remains.

And happiest here is the hermit with no hand
In making sons, who dies a childless man.

SENECA

Two thousand years ago, the Roman philosopher and statesman Seneca spoke of his right to euthanasia, but also about the bliss of not being born in the first place ...

Just as I select a ship when it's time to travel, or a house when it's time to change residences, even so I will choose when it's time to depart from life.―Seneca (4 BC-65 AD), translation by Michael R. Burch

There is nothing so pointless, so perfidious as human life! ... The ultimate bliss is not to be born; otherwise we should speedily slip back into the original Nothingness. Seneca, On Consolation to Marcia, translation by Michael R. Burch

Religion is regarded by fools as true, by the wise as false, and by rulers as useful. — Seneca, translation by Michael R. Burch

SOPHOCLES, PART II

Antinatalist quotes by Sophocles (circa 497-406 BC):

Never to be born may be the biggest boon of all.—Sophocles, translation by Michael R. Burch

Oblivion: What a boon, to lie unbound by pain!—Sophocles, translation by Michael R. Burch

The happiest life is one empty of thought.—Sophocles, translation by Michael R. Burch

Consider no man happy till he lies dead, free of pain at last.—Sophocles, translation by Michael R. Burch

What is worse than death? When death is desired but denied.—Sophocles, translation by Michael R. Burch

Children anchor their mothers to life.—Sophocles, translation by Michael R. Burch

When a man endures nothing but endless miseries, what is the use of hanging on day after day, always edging closer and closer toward death? Anyone who warms his heart with the false glow of flickering hope is a wretch! The noble man should live with honor and die with honor. That's all that can be said.—Sophocles, translation by Michael R. Burch

ANCIENT GREEK EPITAPHS AND OTHER EPIGRAMS

Pity this boy who was beautiful, but died.
Pity his monument, overlooking this hillside.
Pity the world that bore him, then foolishly survived.
—Michael R. Burch, after an unknown Greek poet

Little I knew—a child of five—
of what it means to be alive
and all life’s little thrills;
but little also—(I was glad not to know)—
of life’s great ills.
—Michael R. Burch, after Lucian

Death is evil; the Gods all agree.
For, had death been good,
the Gods would
be mortal, like me.
—Sappho, translation by Michael R. Burch

Gold does not rust,
yet my son becomes dust?
—Sappho, translation by Michael R. Burch

Here he lies in state tonight: Great is his Monument!
Yet Ares cares not, neither does War relent.
—Michael R. Burch, after Anacreon

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
—Michael R. Burch, after Antipater of Sidon

Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
—Michael R. Burch, after Leonidas of Tarentum

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
—Michael R. Burch, after Plato

MORE ANTINATALIST QUOTES

Everybody stop breeding, or by method of birth-control stop birth.—Jack Kerouac

Original Sin is the crime of existence itself.—Arthur Schopenhauer

Nanda, I do not praise the creation of a new existence: not even a molecule, not even for a moment.—Gautama Buddha, translation by Michael R. Burch

Since time dawned
only the dead have experienced peace;
life is snow burning in the sun.
—Nandai, translation by Michael R. Burch

Did I request thee, Maker, from my clay
To mould me man? Did I solicit thee
From darkness to promote me?
—John Milton, Paradise Lost

This dream of nothingness we so fear
is salvation clear.
—Michael R. Burch

MODERN ANTINATALIST POEMS

"Dover Beach" by Matthew Arnold
"Infant Sorrow" by William Blake
"Hurt Hawks" by Robinson Jeffers
"This Be The Verse" by Philip Larkin
"Prayer Before Birth" by Louis MacNeice
A large number of poems by Tom Merrill

MY ANTINATALIST POEMS

The first Catholic Pope, according to the Popes themselves, was Saint Peter, whose original name was Simon according to the gospels. So I have written a poem for the first Simple Simon and his simpleton heirs. If there is an "eternal hell" and most human beings are bound there, from day one the Popes should have been warning human beings NOT to procreate, duh!

Multiplication, Tabled
or Procreation Inflation
by Michael R. Burch

for the Religious Right

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



Paradoxical Ode to Antinatalism
by Michael R. Burch

“God is Love.”

A stay on love
would end death’s hateful sway,
someday.

A stay on love
would thus be love,
I say.

Be true to love
and thus end death’s
fell sway!



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



veni, vidi, etc.
by Michael R. Burch

the last will and testament of a preemie

i came, i saw, i figured
it was better to be transfigured,
so rather than cross my Rubicon
i fled to the Great Beyond.
i bequeath my remains, so small,
to Brutus, et al.



***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Antinatalist Haiku for the Children of Gaza
by Michael R. Burch

You astound me,
your name
unpronounceable on my lips ...

Born into the delicate autumn,
too late to mature,
pale petals ...

Soft as daffodils fall
all the lamentations
of life’s smallest victims,
unheard ...



Styx
by Michael R. Burch

Black waters,
deep and dark and still . . .
all men have passed this way,
or will.



Dust (II)
by Michael R. Burch

We are dust
and to dust we must
return ...
but why, then,
life’s pointless sojourn?



Long Division
by Michael R. Burch

All things become one
Through death’s long division
And perfect precision.



evol-u-shun
by Michael R. Burch

does GOD adore the Tyger
while it’s ripping ur lamb apart?

does GOD applaud the Plague
while it’s eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



thanksgiving prayer of the parasites
by Michael R. Burch

GODD is great;
GODD is good;
let us thank HIM
for our food.

by HIS hand
we all are fed;
give us now
our daily dead:

ah-men!

(p.s.,
most gracious
& salacious
HEAVENLY LORD,
we thank YOU in advance for
meals galore
of loverly gore:
of precious
delicious
sumptuous
scrumptious
human flesh!)



****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner;

as you fall upon my sword,
take it up with the LORD.”

the wise owl replied
as the tasty snack died.



faith(less)
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.



Enough!
by Michael R. Burch

It’s not that I don’t want to die;
I shall be glad to go.
Enough of diabetes pie,
and eating sickly crow!
Enough of win and place and show.
Enough of endless woe!

Enough of suffering and vice!
I’ve said it once;
I’ll say it twice:
I shall be glad to go.

But why the hell should I be nice
when no one asked for my advice?
So grumpily I’ll go ...
although
(most probably) below.



brrExit
by Michael R. Burch

what would u give
to simply not exist—
for a painless exit?
he asked himself, uncertain.

then from behind
the hospital room curtain
a patient screamed—
"my life!"



The Shrinking Season
by Michael R. Burch

With every wearying year
the weight of the winter grows
and while the schoolgirl outgrows
her clothes,
the widow disappears
in hers.



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Time Out!
by Michael R. Burch

Time is at war with my body!
am i Time’s most diligent hobby?
there’s never Time out
from my low-t and gout
and my once-brilliant mind has grown stodgy!



Waiting Game
by Michael R. Burch

Nothing much to live for,
yet no good reason to die:
life became
a waiting game...
Rain from a clear blue sky.



Scratch-n-Sniff
by Michael R. Burch

The world’s first antinatalist limerick?

Life comes with a terrible catch:
It’s like starting a fire with a match.
Though the flames may delight
In the dark of the night,
In the end what remains from the scratch?



While not antinatalist poems, per se, these poems question the dubious claims of Bible and the religions it spawned. I wrote the first poem, "Bible Libel," after reading the Bible from cover to cover at age eleven.



Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.



fog
by Michael R. Burch

ur just a bit of fluff
drifting out over the ocean,
unleashing an atom of rain,
causing a minor commotion,
for which u expect awesome GODS
to pay u SUPREME DEVOTION!
... but ur just a smidgen of mist
unlikely to be missed ...
where did u get the notion?



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please . . .
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEEEEEEEEee . . .
jesus loves and understands
ME!



Saving Graces
for the Religious Right
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter
(wisdom, it seems, is for the Hereafter).



pretty pickle
by Michael R. Burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



u-turn: another way to look at religion
by Michael R. Burch

... u were born(e) orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u'd love to make a u-turn back to Divinity, but
having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty ...



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Ars Brevis
by Michael R. Burch

Better not to live, than live too long:
this is my theme, my purpose and desire.
The world prefers a brief three-minute song.

My will to live was never all that strong.
Eternal life? Find some poor fool to hire!
Better not to live, than live too long.

Granny ******* or a flosslike thong?
The latter rock, the former feed the fire.
The world prefers a brief three-minute song.

Let briefs be brief: the short can do no wrong,
since David slew Goliath, who stood higher.
Better not to live, than live too long.

A long recital gets a sudden gong.
Quick death’s preferred to drowning in the mire.
The world prefers a brief three-minute song.

A wee bikini or a long sarong?
French Riviera or some dull old Shire?
Better not to live, than live too long:
The world prefers a brief three-minute song.



no foothold
by Michael R. Burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see ...



Practice Makes Perfect
by Michael R. Burch

I have a talent for sleep;
it’s one of my favorite things.
Thus when I sleep, I sleep deep ...
at least till the stupid clock rings.

I frown as I squelch its **** beep,
then fling it aside to resume
my practice for when I’ll sleep deep
in a silent and undisturbed tomb.

Originally published by Light Quarterly



Redefinitions

Faith: falling into the same old claptrap.—Michael R. Burch
Religion: the ties that blind.—Michael R. Burch



Listen
by Michael R. Burch

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon’s illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.

I believe I wrote the first version of this poem around age 17 or 18.



Less Heroic Couplets: Funding Fundamentals
by Michael R. Burch

"I found out that I was a Christian for revenue only and I could not bear the thought of that, it was so ignoble." — Mark Twain

Making sense from nonsense is quite sensible! Suppose
you’re running low on moolah, need some cash to paint your toes ...
Just invent a new religion; claim it saves lost souls from hell;
have the converts write you checks; take major debit cards as well;
take MasterCard and Visa and good-as-gold Amex;
hell, lend and charge them interest, whether payday loan or flex.
Thus out of perfect nonsense, glittery ores of this great mine,
you’ll earn an easy living and your toes will truly shine!

Originally published by Lighten Up Online



Less Heroic Couplets: Attention Span Gap
by Michael R. Burch

Better not to live, than live too long:
The world prefers a brief poem, a short song.



Less Heroic Couplets: Crop Duster
by Michael R. Burch

We are dust and to dust we must return ...
but why, then, life’s pointless sojourn?



Less Heroic Couplets: Clover
by Michael R. Burch

It’ll soon be over
(clover?)



Less Heroic Couplets: Weird Beard
by Michael R. Burch

for and after Richard Thomas Moore

C’mon, admit — love’s truly weird:
why does a ****** need a beard?

Should making love produce foul poxes?
What can we make of such paradoxes?

And having made love, what the hell’s the point
of ending up with a sore, limp joint?

And who invented love, which we all pursue
like rats in a maze after sniffing glue?



Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.



ur-gent
by Michael R. Burch

if u would be a good father to us all,
revoke the Curse,
extract the Gall;

but if the abuse continues,
look within
into ur Mindless Soulless Emptiness Grim,

& admit ur sin,
heartless jehovah,
slayer of widows and orphans ...

quick, begin!



bible libel (ii)
by Michael R. Burch

ur savior’s a cad
—he’s as bad as his dad—
i note per ur horrible Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was this man ever good
before being made “god”?
if so, half ur Bible is libel!



un-i-verse-all love
by Michael R. Burch

there is a Gaud, it’s true!
and furthermore, tHeSh(e)It loves u!
unfortunately
the
He
Sh(e)
It
,even more adorably,
loves cancer, aids and leprosy.



Notes toward an Icarian philosophy of life ...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict ...
torture a confession from him,
get him to admit, “I did it! ...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator ...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice ...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone ...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well ...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed—

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?—

the higher you “rise,” the more halting?



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until it sheds red-gilded leaves:
then heaven grieves
love’s tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire ...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem’s retrograde star,
we point out now, in resignation:
You asked too much of man’s beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good ...
just, O greatest of Poets!, misunderstood.



Heaven Bent
by Michael R. Burch

This life is hell; it can get no worse.
Summon the coroner, the casket, the hearse!
But I’m upwardly mobile. How the hell can I know?
I can only go up; I’m already below!



Beast 666
by Michael R. Burch

“... what rough beast ... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn
by cruel adult lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



Shock and Awe
by Michael R. Burch

With megatons of “wonder,”
we make our godhead clear:
Death. Destruction. Fear.

The world’s heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!—
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!—
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go . . .
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin . . .
lay down your pamphlets; now no one will “win.”

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through . . .
so lay down your hymnals, or write something new.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here—
pale, tearful congregations,
knowing all Hope is past,
faithfully, year upon year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It . . .
But, if so, still, I must ask:

why is it God that they fear?

Published in The Bible of Hell



Where We Dwell
by Michael R. Burch

Night within me.
   Never morning.
     Stars uncounted.
       Shadows forming.
       Wind arising
     where we dwell
   reaches Heaven,
reeks of Hell.

Published in The Bible of Hell



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.

Published by Katrina Anthology



Altared Spots

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love’s wild insurrection
yield no certainty of a resurrection.

Man’s tried them both, has added tears,
chants, dances, drugs, séances, tombs’
white alabaster prayer-rooms, wombs

where dead men’s frozen genes convene ...
there is no answer—death is death.
So bury your son, and save your breath.

Or emulate earth’s “highest species”—
write a few strange poems and odd treatises.



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech’s brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear—
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don’t quite understand),
exposing me, perhaps, to too much Light?
Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).

Published by The Neovictorian/Cochlea



dark matter(s)
by Michael R. Burch

for and after William Blake

the matter is dark, despairful, alarming:
ur Creator is hardly prince charming!

yes, ur “Great I Am”
created blake’s lamb

but He also created the tyger ...
and what about trump and rod steiger?

NOTE: Rod Steiger is best known for his portrayals of weirdos, oddballs, mobsters, bandits, serial killers, and fascists like Mussolini and Napoleon.



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

NOTE: While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Modern Dreams
by Michael R. Burch

after David B. Gosselin

I dreamed that God was good, but then I woke
and all his goodness vanished—****!—
like smoke.

I dreamed his Word was good, but then I heard
commandments evil, awful, weird,
absurd.

I dreamed of Heaven where cruel Angels flew
above my head and screamed, the Chosen Few,
“We’re not like you!”

I dreamed of Hell below, where prostitutes
adored by Jesus played on lovely lutes
“True Love Commutes.”

I dreamed of Earth then woke to hear a Gong’s
repellent echoes in Religion’s song
of right gone wrong.



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?



Alien
by Michael R. Burch

for J. S. S., a "Christian" poet

On a lonely outpost on Mars
the astronaut practices “speech”
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro —
far colder than Jesus’s words
over the “fortunate” sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Autumn Conundrum
by Michael R. Burch

It’s not that every leaf must finally fall,
it’s just that we can never catch them all.



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



Belated Canonization
by Michael R. Burch

I loved you for the best.
I loved you through the worst.
I loved you fully dressed,
even when the water pipes burst.
But the gods were not impressed
and so they took you first.

I loved you nonetheless,
even when the earth seemed cursed.
I loved you at the prom.
I loved you in the hearse.
I still think of you as blessed.
Please excuse this morbid verse.



Only Flesh
by Michael R. Burch

Moonlight in a pale silver rain caresses her cheek
but what she feels is an emptiness more chilling than fear ...

Nothing is questioned, yet the answer seems clear:
Night, inevitably, only seems to end ...
Flesh is the stuff that does not endure.

The sand slips sinuously through narrowing glass
as Time sums all things past, and to come.
Only flesh does not last.

Eternally, Night pirouettes with the Sun;
each bright grain, slipping past, will return.
Only flesh fades to ash though unable to burn.
Only flesh does not last.

Only flesh, in the end, makes its bed in brown grass.
Only flesh shivers, frailer than the pale wintry light.
Only flesh seeps in oils that will not ignite.
Only flesh rues its past.
Only flesh.



Parting is such sweet sorrow
by Michael R. Burch

The cosmos is flying apart.
Hush, Neil deGrasse Tyson’s irked heart!
Repeat, repeat.
Don’t skip a beat.
Perhaps some new Big Bang will spark?

Neil deGrasse Tyson told Stephen Colbert that what keeps him awake at night is the fear that expansion will cause most of the universe to become invisible to us.



Menu Venue
by Michael R. Burch

At the passing of the shark
the dolphins cried Hark!;

cute cuttlefish sighed Gee
there will be a serener sea
to its utmost periphery!;

the dogfish barked,
so joyously!;

pink porpoises piped Whee!
excitedly,
delightedly.

But ...

Will there be as much glee
when there’s no you and me?



How It Goes, Or Doesn’t
by Michael R. Burch

My face is getting craggier.
My pants are getting saggier.
My ear-hair’s getting shaggier.
My wife is getting naggier.
I’m getting old!

My memory’s plumb awful.
My eyesight is unlawful.
I eschew a tofu waffle.
My wife’s an Eiffel eyeful.
I’m getting old!

My temperature is colder.
My molars need more solder.
Soon I’ll need a boulder-holder.
My wife seized up. Unfold her!
I’m getting old!



Sinking
by Michael R. Burch

for Virginia Woolf

Weigh me down with stones ...
   fill all the pockets of my gown ...
      I’m going down,
         mad as the world
            that can’t recover,
to where even mermaids drown.



The Drawer of Mermaids
by Michael R. Burch

This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.

Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.

A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)

It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)

And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says

our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so

I am preparing to meet Him, to go,
should He care to receive me.)



The Abyss
by Michael R. Burch

Love, the abyss
where pale Lorelei dwell,
swells with bright music —
the music of hell.

For the sirens there lure
countless men to their doom,
crying, “Give us a child!”
in the luminous gloom.

And who can resist
their cries — wild & untamed —
or the flash of a breast,
its pink ****** inflamed?

So the young men all leap
in their lemming-like urge
to thresh their soft shells
where the dark waters surge.

Now many lie shattered
on the sharp, hidden rocks
where they succor the spawn
of some wily sea-fox.



Lures of the Lorelei
by Michael R. Burch

These are the rocks where the Lorelei combs
her wind-tangled hair as the dark water moans,
and her uncanny hymns echo softly between
worlds fashioned of stone and strange algaed dreams . . .

Here men hear her songs, as they always have done,
as they dream to be one with the pulse of the foam . . .
as they also now long for her sleek, slender arms—
sweet relief from their ships, mules, wives, shanties and farms!

But what does she offer them—is it love?
As she croons her desire, is she moray, minx, dove?
Or merely a mystery: an enigma, like death,
to men bent on drowning, unhappy with breath?



Strange Tides, Stranger Tidings
by Michael R. Burch

for Sharon Rose

She walked into the sea one night
to never be seen again;
the Maelstrom made her hair a fright
as she left the world of men.
Some say she thus gained second sight.
Beware strange tides! Amen.

The first year of her life was hard;
the second was harder still.
Like a cameo carved out of sard
she bent to God’s harsh will.
At last her doctors all agreed:
“Just give her some **** chill pill!”

The years flashed by; she did not age
so much as disappeared.
For who could see
                             human dignity
in a thing so small, wizened and weird?
At last she had no memory
save all she’d ever feared.

Then the sea called to her strangely,
as if the Voice of God:
“I repent, O, I repent
of my Anger and my Rod!
Now I only wish to hold you,
and have you Tulip-Cod!”

She thought her nickname sweet indeed;
she did not stop to think,
for who can doubt the Word of God?
She tottered to the brink
of Doom itself, an ancient crone
doomed like a stone: to sink.

She made a votive offering;
she cast a lonely spell
upon the sea, before she stepped
into the gates of Hell;
the Maelstrom took her greedily;
she bade the world, “Farewell!”

So what became of her, you ask?
I can’t pretend to say:
did Michael and the Devil
contend for her that day?
Did the Voice of God mislead her,
or the wind lead her astray?

But sometimes late at night
when the ocean’s dreary roar
abates somewhat, an eerie light
gleams on that rocky shore,
and a lovely Mermaid, tulip-white,
sings, tremulous and pure ...

sweet ancient songs of ancient wrongs
the “love” of God endures.
                                            Amen



I Panajia I gorgona (“The Mermaid Madonna”)
by Michael R. Burch

To touch—the trembling eagerness of fingers
that sightless, in blind darkness, knew to *****,
to seize the hand outstretched, and thus to hope ...
such was your touch, and softly, now, it lingers:

fond memory! I do not understand
this foreign hand that grasps mine now: crude claws’
rude pincers, which engage, but without cause
except to trap me in such enervate sands.

O softer than your mermaid’s swimming tresses:
your arcane touch, your almost human hand!
You held a shell shaped like an ampersand
close to my ear; the surging sea’s caresses

spoke to my heart ... until Gorgona neared
on crablike feet: repulsive, skittering, weird.



Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality—
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea

boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.

And so we abide . . .
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).

#antinatalist #antinatalism #birth #born #procreation #procreate #life #death #Sophocles #Homer
antinatalist , antinatalism, birth, born, procreation, procreate, life, death, Sophocles, Homer

NOIR-KU! ONE

ashamed of what it was
going to do
my shadow merged into the dark

the sudden light
my shadow
jumping out of my shoes

my shadow leaving
me to my fate
a traitor to the self it served

'CLICK!" said the switch
'LIGHT!" said the light
"Aghhh!!!" I said

I was surprised to be
still me
the bullet journeying through my flesh

I could hear it
thump
into the wainscot behind me

my shadow lay
unconscious on the floor
"Come 'ere!" I swore at it

"We gotta get outa 'ere!"
my shadow pulled our self
up off the floor

my shadow
dragging
my feet

it takes a bullet
passing through ya
to make ya...feel..a...live

I had never felt
more alive in all my natural
I wanted it to stay that way

so...it was
corny as it may seem
the Butler done it

"drIPdrIPdrIP!" the blood screamed
"Ahhhh...shaddup!"
I snapped at it

well well well
Jane Butler was back in town
that would explain a lot of things

"Jane Butler!"
"Jane Butler...Jane Butler!"
"Jane...******...Butler!"

"Well!"
"What..."
"...do ya know!"

a pack of shadows
feeding on
the sole surviving scrap of light
**

NOIR-KU TWO

the headlights hurry ahead
as if making up the road
for the fleeing car

the body in the back
shifted from side to side
let out a groan at each turn

"Ah come on!" she smiled
"...only a flesh wound...lost a lot of blood"
"Ughhh...agggh" said the body

"Look brother...if I wanted you
dead
I would have killed you!"

the world rushed by
everything moving
quickly into the past

"I wanted you alive
so that you could really know
I was going to ****** you!"

her voice was calm
her crimson pout
barely holding back the bitterness

"Jail was no laugh!"
she laughed
her voice like broken glass

"So, you thought you'd leave
the little lady in the lurch
...did you!"

consciousness kept
dipping in and out of my reality
she dipped her lights

the car sped on
throwing the road
over its shoulder

a cop car
approached us
disappeared into the night

somewhere her voice
was talking
her words were like ghosts

"Oh I want you babeeee
to die nice and slow
. . .& know!"

"I call it due process
I want you to see your life
slipping slowly away from you!"

trees lurched after the car
trying to grasp...gasp
I was going to die

the car screeched
to a halt
she looks in mirror...applies makeup

somehow she managed
to get me into the driver's seat
"Boy..." she laughed ". . .your a dead weight!"

"Here babeee...have a last drink!"
she poured the whole bottle
all over me

"Hey...hey..."
I stupidly thought
"That's my favourite ***!"

she let off the handbrake
the car almost tip toed
to the edge of the precipice

the car tottered a bit
unsure of whether
it should take the plunge

finally the car
made up its mind
went for it

"Enjoy your drive
...to hell!" she smirked
lighting another cigarette

"Bye bye bâtard!"
she smiled
using the French

the car tumbling like a toy
then the explosion
lightning up the horizon

she redid her lipstick
"*******!" she cursed
"I got a ladder in my new tights!"