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"tippling" poems
Man enters the tavern                             Claps down some cash and outbursts ;                                                        'Thirsty Things Firstly !' The barman evaluates his condition       And provides a session brew Man tilts toward potential company (a ferrety bloke in the shadows) "Pull up that stack of milk crates                          And halve a heart with me" (he earns a quick friend                                                in a tolerant stranger) Soon fellow gaspers fill out the gloom And an eve of humour descends Though soon upending Gourds downed the gullet Sunk ugly into the scene The tippling wit drags the night               to the Slurry Pit things turn Psychologically Rugged his Mates soon round on him bulldozing at the Elbows saying he's a Cheapskate they Berate him with rigorous Rattleprat he's been goated with the Cain's mark they tousle his crown malicious Thorough in his cups and eaves he mumbles and leaves heaving up bile words unheard               gurgle over his shoulder outside is dark and harsh Outside the whole wild world does wail and weary drunkenly he sings to match its melancholy but sadness lifts with his altered view he sees 'a flock of moons' weigh down the sky and natures churn                                                          makes a phosphorescent stew of it all ... decay                                          to lifes' celebration
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Jun 27, 2022
Jun 27, 2022 at 9:04 PM UTC
a Flock of Moons (decay to life II)
Man enters the tavern                             Claps down some cash and outbursts ;                                                        'Thirsty Things Firstly !' The barman evaluates his condition       And provides a session brew Man tilts toward potential company (a ferrety bloke in the shadows) "Pull up that stack of milk crates                          And halve a heart with me" (he earns a quick friend                                                in a tolerant stranger) Soon fellow gaspers fill out the gloom And an eve of humour descends Though soon upending Gourds downed the gullet Sunk ugly into the scene The tippling wit drags the night               to the Slurry Pit things turn Psychologically Rugged his Mates soon round on him bulldozing at the Elbows saying he's a Cheapskate they Berate him with rigorous Rattleprat he's been goated with the Cain's mark they tousle his crown malicious Thorough in his cups and eaves he mumbles and leaves heaving up bile words unheard               gurgle over his shoulder outside is dark and harsh Outside the whole wild world does wail and weary drunkenly he sings to match its melancholy but sadness lifts with his altered view he sees 'a flock of moons' weigh down the sky and natures churn                                                          makes a phosphorescent stew of it all ... decay                                          to lifes' celebration
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43
because love when cut, lets loose an empire of blood: i have in my lips, a treaty of oblivion— releasing an embittered lemon. in the throne of the sea, waves repeat the crash of perfidy. by the mountains they ride, the thick air of strobe. rocks receive the genital fire of lighthouses exposing intones of shadow one by one. the beast maimed behind the zither of trees makes no sound like an aleph. i herald the collusion of night and children and weep at the solicitude of mothers, because pines swoon in the dark and with its hand, the gentlest war threshes the flesh and blood, raining on us forever. hostile eyes bypass the silence of things and lovers closing doors repeatedly, disrupting the vale from its slumber. it is because when love is let loose, it releases both of us — weary, inescapably ripe with the wind, looking for each other as doves do in flight, separate and obscured, opening gates; nightfall: the savage aroma of wood on the leaves that sway fervently tippling away from boughs.
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Dec 15, 2015
Dec 15, 2015 at 4:32 AM UTC
Gates Opened: Nightfall
12/18/24 I choose fingers, among the array of many wonderful parts on offer, the other sensory emissaries protest, but the multi-fluency of fingers, fluent in all Romance languages, nay, in every dialect, tongue, tippling the balance in their favor for the fingers are wonderful conversationlists, trumping the cooing coyness of sweet wordy verbs, fingers defy nouns, pronouns and are fingers the finest conjunction that was ever conjured ot conjuncted? the ears hear poorly when upom it a long  slim finger casually traces outlines slow~sensually and the eyes shut tightly, reflexively, the tongue froze to the mouth roof, muted into inaction even the the sense of smell lies powerless should we block the nostrils with but two fingers, and breathe mouth mightily we do not diminish the orchestration’s totality, the blending of sound ‘n sensation, but the blind and deaf all must bow before the power of fingers speaking to every part of the bodies totality
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Dec 30, 2024
Dec 30, 2024 at 2:01 PM UTC
the fingers of love
On that day my soul grew drunk The cooked curiosity craving The passion never slaving I crave the ****** sick spirit Instead I uncovered the affinity The vehemence smiled What could there be more purely piled? I crave the temptress, thirsty thing Suddenly, I heard some feeling My ambition, I could not awaken While I pondered, bibulous and forsaken I crave the tippling, touched target
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Mar 9, 2018
Mar 9, 2018 at 10:49 AM UTC
Hooked.
blending in with the low flying shadows imbibing colours and tippling emotions zeroing in on life
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Mar 12, 2014
Mar 12, 2014 at 12:24 AM UTC
Blitz
tip-tap the tippler rain drips tip-tap the tippler rain's slick tip-tap the rain, tippling, wraps lit-up city streets in plastic
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Mar 6, 2013
Mar 6, 2013 at 10:27 PM UTC
tip-tap
This teetotaler turns to tea torquing temptation towards tippling thankfully, though that tremendous tugging teasing tendency thirst ******* thru teaching this totally tubular toothless titular Texan thuggish tyrant (titled Tsar Terry Troutman) transcendental theology tenets taught transferring torpedoing, taming threatening titanic tsunami tempest tastefully tickling temperance testing trying taut tenacity together teaming (troika) triumvirate torchbearers *********** therapist (Tony the tiger) tough trailblazer theoretician toady treacly Tory (Tommy Two Tone), thence thirdly Theodore "Tornado" Tornetta) themselves trained to tamp twerking tremens triggers, their tripartite treatment told tattooing thorny transforming took this then truant teenage turtle through time traveling to those truant tumultuous tragic, toxic, tipsy twitchy, touchy, tetchy typhoon terrible two times two times two times two tantrum throwing, thieving, threatening taxing textured teen tinder times - tossing, tilting, taking tankful tolled throaty, thoroughly, thickly telltale temblor toured terrible tournament testing taupe tumbling termagant (Thaddeus) tangling (Tangoing) tiny Timothy, the treacherous tarantula tying tussling travail – tata!
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May 16, 2018
May 16, 2018 at 6:31 PM UTC
Taking Today's Tumblerful Tea Time
let startle inlight, if not so lifted in peregrination, a lavish seeing. two eyes are worlds in tippling axis. taking deaths, a wreath would a candle, a prayer would a body thumbed down to wisdom our backbones break. to see death like a rush of flowers. great the sight of such illumination. swiftly going to god's dark behemoth, metaphysics of bone clenched— darkling like obsidian a complexing fault of road as the same vein of Earth aspirates the wind — whose exigent fire cleaned her bones back to pulchritude: her face a diamond in the rough — never to speak yet to clamber with summarization, realness and revelations of roses.
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Dec 5, 2015
Dec 5, 2015 at 10:06 PM UTC
Realness Of Roses
a tippling reminder is the finder. the top shelf savior fills the timer. a bond too fated to be a burden, for fate, as a type, is assured a warden. decadent findings are details less grounded. mindful snappings of a world rewinding telephone games fill the mind. a nimble challenge, to get behind too easy to get queasy test the best and forget the rest when the guest says yes the host fulfills the rest. meant to be sent peeled back to rent and not easily sent.
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Mar 15, 2015
Mar 15, 2015 at 4:43 AM UTC
shining timing
we are each to ourselves, selected amongst the few – yet you cannot help but be mortal. you, mortised to sleep. I sick behind white walls that will never bring your laughter back to that small frame in front of picture windows. I look at the world around me reduced to a grey-faced elbow room, as the flickering lamp lays out all the sorrows we forget in our sleep. who are you? I pucker up and pull this bottle snuggled in my clenched fist and I cannot help but think of any other thighed upon the cold brink of this bed, I cannot unthank the existence of flowers that refuse to bloom in the Sun, all the more the birds so clearly far better fate than this enigmatical. we are each to ourselves and selected amongst the few – I am the same bar-drunk soul you met years ago, and will perhaps be that in all the hours that lay before your callow eyes. when it is time to draw the knife, blinded by the glint of your bones, wired to the same mind that has once had me tippling over furniture. you are this very distant portrait in the mausoleum that I told many people about, wanting to go there but my feet can’t – there is a slender thread eyeing in itself a margin between the two of us. and now you turn in your great wave of motion, next to me, pressed against the sheets far from being tossed out of sleep. and along with you, the wind drags a cold, lunar tail: they are marvelous in their slowness, and the dark grows more immense than the probability of you sinking and I, emerging, turning, turning, breathing, so much the turning and never staying still – there is inimitable life in this dreariness, half an elbow, knees pared to moons, collarbones and all that music hung on some frail home, sovereign of nose and that whiteness to a paling mood, almost at the verge of leaving but cannot because there is conscience tossed out of sight like a living work of guillotine immortalized in this sleeplessness that begs for more waking hours, continuing in darkness, your eyes close and close and close like the many doors that have disappeared before me, and the frailest thing that we have almost, if not always loved.
0
Dec 18, 2015
Dec 18, 2015 at 6:46 AM UTC
Snore
we are each to ourselves, selected amongst the few – yet you cannot help but be mortal. you, mortised to sleep. I sick behind white walls that will never bring your laughter back to that small frame in front of picture windows. I look at the world around me reduced to a grey-faced elbow room, as the flickering lamp lays out all the sorrows we forget in our sleep. who are you? I pucker up and pull this bottle snuggled in my clenched fist and I cannot help but think of any other thighed upon the cold brink of this bed, I cannot unthank the existence of flowers that refuse to bloom in the Sun, all the more the birds so clearly far better fate than this enigmatical. we are each to ourselves and selected amongst the few – I am the same bar-drunk soul you met years ago, and will perhaps be that in all the hours that lay before your callow eyes. when it is time to draw the knife, blinded by the glint of your bones, wired to the same mind that has once had me tippling over furniture. you are this very distant portrait in the mausoleum that I told many people about, wanting to go there but my feet can’t – there is a slender thread eyeing in itself a margin between the two of us. and now you turn in your great wave of motion, next to me, pressed against the sheets far from being tossed out of sleep. and along with you, the wind drags a cold, lunar tail: they are marvelous in their slowness, and the dark grows more immense than the probability of you sinking and I, emerging, turning, turning, breathing, so much the turning and never staying still – there is inimitable life in this dreariness, half an elbow, knees pared to moons, collarbones and all that music hung on some frail home, sovereign of nose and that whiteness to a paling mood, almost at the verge of leaving but cannot because there is conscience tossed out of sight like a living work of guillotine immortalized in this sleeplessness that begs for more waking hours, continuing in darkness, your eyes close and close and close like the many doors that have disappeared before me, and the frailest thing that we have almost, if not always loved.
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65
1 Fails to realize the momentousness of the ordeal. Syntax means nothing. Delineations weak. It is all obsolescence, this one. This thing that has no name. This agreed-upon assault of objects. Its loose fizz into the air. Buildings without balconies, or balconies without height – a plunge will mean that there is only little ache left to wring out of some futurity. Arrange the furniture, you said. Take pictures of the sullen victory right after. There is no place in there but only spacious silence. Like meat before it goes into the melting *** Like light before it reaches its tippling point. Hence, let us both agree to this once again. An end. A limit has been reached. In most days you say nothing. I wait – concealed, overwrought with time’s unloosenings. I do no waiting at all. I do wait at all – this made moment is your new retreat. 2 This is an old woe with a new name. I ask you things, you answer me endless. Endless as in quiet is infinite. There are so many places in this world fat with stillness. Feelings flatten and fall at last, here, its exoskeleton. Keep it in your drawer with your DMs. To make a metaphor out of you means I acknowledge your disappearance. To keep mum about it means I take it inside me, deeper and deeper. Do you dream of fish now? Or waves? Or the undertow you take with you, dragged in miles of feet through dunes of sand? I ask you again, and you show no signs of being uninhabited. Although there is sometimes the warmth of pressing sheens, you take them as the passing of buses – you emphasize the waning. Although this has been written, there isn’t so much writing done here. If I could be abject like say, a washrag in your home, there would be little difference made. 3 To keep myself intent is declaration. To quote otherwise the world that you breathe in, simply suppression. It is much imaginable that way, much more attainable, resolute and quick with sense. A new kind of wailing. What I want, I destroy by earnest regard. There is a paradoxical way to cultivate this thing: and it is to leave it there, thriving in a space meant to contain it, alone. Nothing will be retained – it will always be one, and never two. You believed me. I asked you again. Your answer compressed everything to shadow.
0
Mar 26, 2016
Mar 26, 2016 at 11:52 PM UTC
moments are new no
1 Fails to realize the momentousness of the ordeal. Syntax means nothing. Delineations weak. It is all obsolescence, this one. This thing that has no name. This agreed-upon assault of objects. Its loose fizz into the air. Buildings without balconies, or balconies without height – a plunge will mean that there is only little ache left to wring out of some futurity. Arrange the furniture, you said. Take pictures of the sullen victory right after. There is no place in there but only spacious silence. Like meat before it goes into the melting *** Like light before it reaches its tippling point. Hence, let us both agree to this once again. An end. A limit has been reached. In most days you say nothing. I wait – concealed, overwrought with time’s unloosenings. I do no waiting at all. I do wait at all – this made moment is your new retreat. 2 This is an old woe with a new name. I ask you things, you answer me endless. Endless as in quiet is infinite. There are so many places in this world fat with stillness. Feelings flatten and fall at last, here, its exoskeleton. Keep it in your drawer with your DMs. To make a metaphor out of you means I acknowledge your disappearance. To keep mum about it means I take it inside me, deeper and deeper. Do you dream of fish now? Or waves? Or the undertow you take with you, dragged in miles of feet through dunes of sand? I ask you again, and you show no signs of being uninhabited. Although there is sometimes the warmth of pressing sheens, you take them as the passing of buses – you emphasize the waning. Although this has been written, there isn’t so much writing done here. If I could be abject like say, a washrag in your home, there would be little difference made. 3 To keep myself intent is declaration. To quote otherwise the world that you breathe in, simply suppression. It is much imaginable that way, much more attainable, resolute and quick with sense. A new kind of wailing. What I want, I destroy by earnest regard. There is a paradoxical way to cultivate this thing: and it is to leave it there, thriving in a space meant to contain it, alone. Nothing will be retained – it will always be one, and never two. You believed me. I asked you again. Your answer compressed everything to shadow.
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6
Why this house? This house that walks without frame? Only air strides circumventing the dome. The permeable atmosphere flows freely shaking water down my arms, pulp by pulp, fragment by fragment, consolations for tippling music streaming in the ears. Blowing arias – intone of regret, or the loss of beautiful things. Preferring silence over sanguine narratives. How are we to assuage yearning? I heard someone say, “The ideal is unattainable.” – strange, holding the small of one’s back and lament the narrow ends of the world. Strange the flight of birds, the hum of buses past Quezon City. It would drone that you do not know her – and that she is never somebody else’s – that is dearth consoled. Your palm indents delineate not fate but the steady distances of things close to contact, eluding tragedies. Why this house, and why you? I have no blueprint of your home. I know not what festoons the balustrades. Your rue for the absence of a balcony. A panel over earthenware I suppose, or partitions to separate dreams from stilled things impaled to the wall. I presume there are photographs of you in every corner to remind you of your gathered storms. I know not the smell of your home, but I have your nameless fragrance on my shirt wedged, ambulating with me through the halls of where I chase moments like cirrus stirring in a somersault of summer. Make use of bowls with evening water and flush the specter down like how you would, cold water into throat from a night of weeping. Somewhere there, the China will remind me of your elliptical face in the intensity of leaving. Your eyes the windows for birds humming a music I do not hear. I have been to too many neighborhoods, I have seen unfinished structures foretold by obliged scaffolds holding together a would-be home. Why this house? There are only shadows intimate on the floor. The sudden burst of impossibilities watered down, attenuated by piercing glances through the thickest of nights black with remorse. The palpable silence gyrates and the diameters of the world are too close to break in sidereal circles. Why this house? Because you are in it, and outside, through the thick quietude, underneath the paling moonlight, you pretend you see nobody.
0
Mar 22, 2016
Mar 22, 2016 at 12:08 AM UTC
Untitled
Why this house? This house that walks without frame? Only air strides circumventing the dome. The permeable atmosphere flows freely shaking water down my arms, pulp by pulp, fragment by fragment, consolations for tippling music streaming in the ears. Blowing arias – intone of regret, or the loss of beautiful things. Preferring silence over sanguine narratives. How are we to assuage yearning? I heard someone say, “The ideal is unattainable.” – strange, holding the small of one’s back and lament the narrow ends of the world. Strange the flight of birds, the hum of buses past Quezon City. It would drone that you do not know her – and that she is never somebody else’s – that is dearth consoled. Your palm indents delineate not fate but the steady distances of things close to contact, eluding tragedies. Why this house, and why you? I have no blueprint of your home. I know not what festoons the balustrades. Your rue for the absence of a balcony. A panel over earthenware I suppose, or partitions to separate dreams from stilled things impaled to the wall. I presume there are photographs of you in every corner to remind you of your gathered storms. I know not the smell of your home, but I have your nameless fragrance on my shirt wedged, ambulating with me through the halls of where I chase moments like cirrus stirring in a somersault of summer. Make use of bowls with evening water and flush the specter down like how you would, cold water into throat from a night of weeping. Somewhere there, the China will remind me of your elliptical face in the intensity of leaving. Your eyes the windows for birds humming a music I do not hear. I have been to too many neighborhoods, I have seen unfinished structures foretold by obliged scaffolds holding together a would-be home. Why this house? There are only shadows intimate on the floor. The sudden burst of impossibilities watered down, attenuated by piercing glances through the thickest of nights black with remorse. The palpable silence gyrates and the diameters of the world are too close to break in sidereal circles. Why this house? Because you are in it, and outside, through the thick quietude, underneath the paling moonlight, you pretend you see nobody.
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37