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Where Shelter Sep 2017
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for all the Ella's of the world,
who wonder
"what the seagulls talk about all day long. while looking up at the gentle sky mixed with blue and purple, their white feathers glisten from the fiery sun."


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one day when you arrive,
visiting, at my isle,
of Where Shelter,
(with signed parental permission slip),
resting upon weathered worn, Adirondack non-slip covered thrones,
in the official Poetry Nook,
a seashell throw from bay and dock, where the seagulls
thrive and dive, in between pooping, pollinating, and
rest up after day trip visiting the town dump

then,
together we will write a poem about
what the seagulls talk about all day long

having employed them long time as co-conspirators,
editors and a test audience (assayers of my essays),
sadly must report they
occupy themselves in mostly matters culinary,
local gossip of my neighbors and other avian interlopers
(geese and osprey)

hoping this doesn't disappoint,
but know this,
it was the sand, the breeze, the trees,
the moon and setting sun, the waving waters,
animals of all kinds,
that together, taking years,
taught me to write like this:

<•>

the sun 7 o'clock afternoon sky low,
warmths the world, as did its morning glory reciprocal,
a dozen hours earlier,
both a low heat,
a sky stove top
'keep warm' setting,
a desirable global warming temperature

recall that promise not to burden you
with a hundredth scribing of his
lottery luck, this poetry nook and the
idyll of its surround,
but!
its childlike insistence,
while stomping on the greenest sea grass
of this portly world, insistent,

"write of me, attention must be paid!"

the lightest breeze of excellent sufficiency
asks the trees to shake
their compatriot leaves
as if to applaud,
one more time, a lord of the ring serenade,
an evenstar song of
the solstice of perfection

a cloudless night but for
an occasional wispy white blemish,
hinting that the orb's final bow tonight will be
a forever remembered,
standing ovation performance

in an hour, to the dock we'll go,
joining  the congregant gulls
in appreciating the edging lower of
an immaculate inception
of a dying day's deceptive departure conception

my troubles, those that
furrow and till the brow,
105 miles away, as the crow flies,
for now,
suppressed into non-existence,
as we drink to la vie en rose,
our wine glasses, ****** the salmon pink
of suns rays rippling, tippling and reflecting
upon humans, who too reflect,
upon their good fortune,
this single and singular
peeking at the peaking of their perfection,
each wishing this be
their journeys end, their final solstice

to walk into a funnel upon the water,
into the sun and the
horizon in attendance faithful,,
alighting upon the wings of the most glorious of  inviting,
dying rays of setting,
answering the question, at long last,
a finale,

here,
here is shelter!
  ^

<•>

so be quietly patient and never
write in regret,
for you are but sixteen years old,
and could teach to this old grandpa,
(who, by the by, has an Ella-all-his-own that is
of your proximate age,)

how to write
with the simple grace,
and the fresh wisdom,
of being
sixteen years young again
^https://hellopoetry.com/poem/2044967/the-solstice-of-their-perfection/
<•>

https://hellopoetry.com/ellapopov/

f r e e l y.
all alone on the evening beach. able to take in the moment alone.
slowly falling back into the sand. as if I'm trying to sink and hide into it. grabbing the sand in my hands and counting each grain because I have all the time in the world.
  letting the ocean crash unto the shore, slipping me it's deepest secret. making me laugh as the Novembers chilling air plays with my hair, trying to convince me it's secrets are much more scandalous than the waters.
  wondering what the seagulls talk about all day long. while looking up at the gentle sky mixed with blue and purple, their white feathers glisten from the fiery sun.
  I stand back to run freely, away from my daring problems. as I run, the wind whips my face, blowing my hair back. making me feel the need to let my arms back.
neth jones Jun 2022
Man enters the tavern                            
Claps down some cash and outbursts ;
                                                       'Thirsty Things Firstly !'
The barman evaluates his condition      
And provides a session brew

Man tilts toward potential company
(a ferrety bloke in the shadows)
"Pull up that stack of milk crates        
                 And halve a heart with me"
(he earns a quick friend                      
                         in a tolerant stranger)

Soon fellow gaspers fill out the gloom
And an eve of humour descends
Though soon upending
Gourds downed the gullet
Sunk ugly into the scene
The tippling wit drags the night
              to the Slurry Pit

things turn Psychologically Rugged
his Mates soon round on him
bulldozing at the Elbows
saying he's a Cheapskate
they Berate him with rigorous Rattleprat
he's been goated with the Cain's mark
they tousle his crown malicious
Thorough in his cups and eaves
he mumbles and leaves
heaving up bile words
unheard              
gurgle
over
his
shoulder

outside is dark and harsh
Outside the whole wild world does wail and weary
drunkenly
he sings to match its melancholy
but sadness lifts with his altered view
he sees 'a flock of moons' weigh down the sky
and natures churn                                    
                     makes a phosphorescent stew of it all
... decay                        
                 to lifes' celebration
'to see a flock of moons' is an old saying meaning drunk

USES PARTS FROM PREVIOUS POEMS

decay to life (first part)

the scentless winter over
snow melts            
evacuates into the ground                        
                   under Spings attention

Springs arrival elevates mood
alleviates the heart halved by Winter

our strained eyes are relieved
                                  with the dismissal
of reflective snows

'thirsty things firstly' ;
from the groundswell and sponge
the air is steeped with earth ;
decay to life
because love when cut,
lets loose
an empire of blood:

i have in my lips,
a treaty of oblivion—
releasing an embittered lemon.

in the throne of the sea,
waves repeat the crash
of perfidy.
by the mountains they ride,
the thick air of strobe.

rocks receive the genital fire
of lighthouses
exposing intones of shadow
one by one.

the beast maimed
behind the zither of trees
makes no sound like
  an aleph.

i herald the collusion of night
   and children
and weep at the solicitude of mothers,

because pines swoon in the dark
and with its hand, the gentlest war
   threshes the flesh and blood,
raining on us forever.

hostile eyes bypass the silence of things
  and lovers closing doors repeatedly,
disrupting the vale from its slumber.

   it is because when love is let loose,
it releases both of us — weary, inescapably ripe with the wind, looking
   for each other as doves do in flight,
  separate and obscured, opening gates;

                                           nightfall:
   the savage aroma of wood
       on the leaves that sway fervently
          tippling away from boughs.
Dag J Mar 2014
blending in with the
low flying shadows
imbibing colours and
tippling emotions
zeroing in on life
take care!
breathe
smile
love
Persephone Salix Mar 2018
On that day my soul grew drunk
The cooked curiosity craving
The passion never slaving
I crave the ******, sick spirit

Instead I uncovered the affinity
The vehemence smiled
What could there be more purely piled?
I crave the temptress, thirsty thing

Suddenly, I heard some feeling
My ambition, I could not awaken
While I pondered, bibulous and forsaken
I crave the tippling, touched target
tip-tap
the tippler rain drips
tip-tap
the tippler rain's slick
tip-tap
the rain, tippling, wraps
lit-up
city streets in plastic
This teetotaler turns to tea
torquing temptation
towards tippling
thankfully, though
that tremendous tugging

teasing tendency thirst *******,
thru teaching this totally tubular
toothless titular Texan thuggish tyrant
(titled Tsar Terry Troutman)
transcendental theology

tenets taught transferring
torpedoing, taming threatening
titanic tsunami tempest
tastefully tickling temperance
testing trying taut tenacity

together teaming (troika)
triumvirate torchbearers
******* therapist
(Tony the tiger)
tough trailblazer theoretician

toady treacly Tory
(Tommy Two Tone),
thence thirdly Theodore
"Tornado" Tornetta)
themselves trained to tamp

twerking tremens triggers,
their tripartite treatment told
tattooing thorny transforming
took this then truant teenage turtle
through time traveling

to those truant tumultuous tragic,
toxic, tipsy twitchy, touchy, tetchy
typhoon terrible two times two
times two times two tantrum
throwing, thieving, threatening

taxing textured teen tinder times -
tossing, tilting, taking tankful tolled
throaty, thoroughly,
thickly telltale temblor

toured terrible tournament
testing taupe tumbling termagant (Thaddeus)
tangling (Tangoing) tiny Timothy,
the treacherous tarantula
tying tussling travail – tata!
let startle inlight, if not so lifted
in peregrination, a lavish seeing.

two eyes are worlds in
tippling axis.

taking deaths,  a wreath would a candle,
a prayer would a body thumbed down
to wisdom our backbones break.

to see    death    like a rush of flowers.
great the sight of such illumination.

swiftly going to god's dark behemoth,
  metaphysics of bone clenched—
   darkling like obsidian

a complexing fault of road
     as the same vein of Earth aspirates
       the wind — whose exigent fire
  cleaned her bones back to
     pulchritude: her face a diamond
     in the rough — never to speak
  yet to clamber with summarization,
    realness and revelations of roses.
for grandma Adoracion. May you rest in complete peace.
we are each to ourselves, selected amongst the few –
yet you cannot help but
be mortal.

you, mortised to sleep.
I sick behind white walls that will never
bring your laughter
back to that small frame in front of picture windows.

I look at the world around me
reduced to a grey-faced elbow room,
as the flickering lamp lays out
all the sorrows we forget in our sleep.

who are you?
I pucker up and pull this bottle
snuggled in my clenched fist
and I cannot help but think of any other
thighed upon the cold brink of this bed,
I cannot unthank the existence of flowers
that refuse to bloom in the Sun,
all the more the birds so clearly far better fate
than this enigmatical.

we are each to ourselves and selected amongst the few –
I am the same bar-drunk soul
you met years ago, and will perhaps be
that in all the hours that lay before your callow eyes.
when it is time to draw
the knife,
blinded by the glint of your bones,
wired to the same mind that has once
had me tippling over furniture.

you are this very distant portrait in the
mausoleum that I told many people about,
wanting to go there but my feet can’t – there is a slender
thread eyeing in itself a margin between
the two of us.

and now you turn in your great wave of motion,
next to me, pressed against the sheets
far from being tossed out of sleep.

and along with you, the wind drags a cold, lunar tail:
they are marvelous in their slowness,
and the dark grows more immense than the probability
of you sinking and I, emerging,

turning, turning,
breathing,
so much the turning
and never staying still – there is inimitable life
in this dreariness,

half an elbow,
knees pared to moons,
collarbones and all that music
hung on some frail home,
sovereign of nose
and that whiteness to a paling mood,

almost at the verge of leaving
but cannot because there is conscience tossed out of sight
like a living work of guillotine

immortalized in this sleeplessness that begs
for more waking hours,

continuing in darkness, your eyes close and close and
close like the many doors
that have disappeared
    before me,

     and the frailest thing that
we have
       almost, if not always
loved.
James Lindsay Mar 2015
a tippling reminder is the finder.

the top shelf savior fills the timer.

a bond too fated to be a burden,

for fate, as a type, is assured a warden.



decadent findings
are details less grounded.

mindful snappings
of a world rewinding

telephone games fill the mind.
a nimble challenge, to get behind

too easy
to get queasy


test the best
and forget the rest

when the guest says yes
the host fulfills the rest.

meant to be sent
peeled back to rent

and not easily sent.
1
Fails to realize the momentousness of the ordeal. Syntax means nothing. Delineations weak. It is all obsolescence, this one. This thing that has no name. This agreed-upon assault of objects. Its loose fizz into the air. Buildings without balconies, or balconies without height – a plunge will mean that there is only little ache left to wring out of some futurity. Arrange the furniture, you said. Take pictures of the sullen victory right after. There is no place in there but only spacious silence. Like meat before it goes into the melting ***. Like light before it reaches its tippling point. Hence, let us both agree to this once again. An end. A limit has been reached. In most days you say nothing. I wait – concealed, overwrought with time’s unloosenings. I do no waiting at all. I do wait at all – this made moment is your new retreat.

2
This is an old woe with a new name. I ask you things, you answer me endless. Endless as in quiet is infinite. There are so many places in this world fat with stillness. Feelings flatten and fall at last, here, its exoskeleton. Keep it in your drawer with your DMs. To make a metaphor out of you means I acknowledge your disappearance. To keep mum about it means I take it inside me, deeper and deeper. Do you dream of fish now? Or waves? Or the undertow you take with you, dragged in miles of feet through dunes of sand? I ask you again, and you show no signs of being uninhabited. Although there is sometimes the warmth of pressing sheens, you take them as the passing of buses – you emphasize the waning. Although this has been written, there isn’t so much writing done here. If I could be abject like say, a washrag in your home, there would be little difference made.

3
To keep myself intent is declaration. To quote otherwise the world that you breathe in, simply suppression. It is much imaginable that way, much more attainable, resolute and quick with sense. A new kind of wailing. What I want, I destroy by earnest regard. There is a paradoxical way to cultivate this thing: and it is to leave it there, thriving in a space meant to contain it, alone. Nothing will be retained – it will always be one, and never two. You believed me. I asked you again. Your answer compressed everything to shadow.
Why this house? This house that walks without frame? Only air strides
circumventing the dome. The permeable atmosphere
flows freely shaking water down my arms,
          pulp by pulp, fragment by fragment,
consolations for tippling music streaming in the ears.
Blowing arias – intone of regret, or the loss of beautiful things.
Preferring silence over sanguine narratives. How are we to assuage yearning?
   I heard someone say, “The ideal is unattainable.” – strange, holding
the small of one’s back and lament the narrow ends of the world.
   Strange the flight of birds, the hum of buses past Quezon City.
It would drone that you do not know her – and that she is never somebody
  else’s – that is dearth consoled. Your palm indents delineate not fate
but the steady distances of things close to contact, eluding tragedies.
                          Why this house, and why you?
I have no blueprint of your home. I know not what festoons the balustrades.
   Your rue for the absence of a balcony. A panel over earthenware I suppose,
or partitions to separate dreams from stilled things impaled to the wall.
   I presume there are photographs of you in every corner
to remind you   of your gathered storms.
                         I know not the smell of your home, but I have your
nameless fragrance on my shirt wedged, ambulating with me through the halls of
    where I chase moments like cirrus stirring in a somersault of summer.
  Make use of  bowls with
      evening water  and flush the specter down like how you would, cold water
into throat from a night of weeping. Somewhere there,
    the China will remind me of your elliptical face in
                the intensity of leaving. Your eyes
the windows for birds humming a music I do not hear.   I have been to too many neighborhoods,
I have seen unfinished structures foretold by obliged scaffolds holding together
                     a would-be home. Why this house? There are only shadows intimate on
the floor. The sudden burst of impossibilities watered down, attenuated by
            piercing glances through the thickest of nights black with remorse.
The palpable silence gyrates and the diameters of the world are too close
     to break in sidereal circles.
Why this house?   Because you are in it, and outside,
    through the thick quietude, underneath the paling moonlight,
                         you pretend you see nobody.
Denis Barter Jun 2018
It is my manner when breaking bread
to think of poetry whilst I’m being fed.
Such times as when I’m eating venison,
I’ll choose the company of Tennyson.
Afterwards with my crackers and Stilton
I’ll probably read the poetry of Milton.

If it should be noted a meal seems a trifle tardy?
The cause can be squarely blamed on Hardy!
But the poems of William Barnes are preferred,
as my first choice, when the soup is stirred.
As for roast of beef, dripping in gravy drowning,
I fall back upon the writings of Browning,

and let either Robert or Elizabeth hold sway.
Later they give way to the dark poems of Gray.
Whilst the flavour of buttered, ginger parkin,
is accentuated by the simple poems of Larkin.
For tedious hours watching, as the spit turns,
I’ll resort to reading poems by Robert Burns.

But then again if someone should have Dunmore
to make my meal Fuller?  I’ve time for Moore.
For such as me, that when read, it is thought best
to be joined at dinner by the honoured Guest,
then I’ll choose the rare words of the Poet Blake,
as we enjoy roast beef, pork or a tender steak!

When one is enjoying a flagon of Draught beer,
I select and read the poems of Will Shakespeare.
But should the occasion call for a stronger brew?
One must perforce resort to one Thomas Carew.
Yes, my choice often depends on what one eats.
So whether I read Dryden, Hamilton or Keats,

the perfect match required for poetry and food,
may be augmented by the works of Thomas Hood.
Next with dessert: blanc mange or raspberry jelly,
I’ll delight in the words of Percy Bysshe Shelley.
Whilst a slice of rich plum pudding or apple ****
demands I read Wordsworth or Scott at the start.

But I’ll often leave my choice of food and poetry
until a moment when, in contemplative reverie
I’ve decided what will enhance and complement
my daily meal.  Though Poetry is thought a condiment.
I sometimes think plain food tastes by far the best
when one adds poems of renowned Sackville West.

At times when I indulge in convivial tippling,
it’s a pleasure enjoyed with Rudyard Kipling.
With careful selection, I have one avowed intent,
to ensure my every meal is a pleasant event.
So as an aid to digestion and a sop to my Soul,
Prior is to the soup, as Dryden is to the casserole.

For me a mix of food and poetry, fills a vital need.
But no matter which Poet I decide next to Read,
when the meal is eaten, I can relax and sit still,
a Poet that springs to mind, is always Hill.
But the poetry thought best, for it brings no Payne,
is to read Hardy’s Dorset poetry, yet once again!

Rhymer. June,24th, 2018.
I tried to include as many Poets (Classical that is) as I could.  Enjoy.
Rain Again
         Rain drops falling
             Just the same
        Tapping at the window
          Tippling on the roof
       Splashing on the decking
       And here’s the real truth

                Rain
                Rain
                ­Rain
                Brain
                Drain

               ­ Rain
                Rain
                Rain
              Go away

We’ve had enough today!
               This week
               This month
               This year
               We would say!
Aditya Roy Mar 2020
Episode after episode
My tippling friend
An azure sister
Made love
Called up a crimson tide
Every time he had an episode and cried
Handed in his notice to a blue collar worker
She had a beer with the girl of his dreams
The men fear the backdoor man's hunger
Tearing the flesh till they are cunning
The leopard's child slept under blue skies
Pale as the afternoon
He wakes up mewling
His skin turns gold
He slept naked near a churlish kid
Who simply wanted to go to church
With the leopard skin lady
With cheap perfume and shy eyes
All he got was too much Sunday preaching
He became a little lost
In detention, they let in the dust
A religious head had him
To himself
Not much charismatic is his sermon
His Father is lewd
And his flower is waiting for the summer rain
He had episode after episode
Until everyone paid attention
Till he kept convulsing as long as they stayed
Gentile or Jew,
The wind was awash with tempests
Remember Phlebas who shared the fate of the ship
My love, desolate and empty
And it will be too many deaths
Till we know
La petite mort

— The End —