The creation of a ginger man who's name is ginger fred  
Such a ***** ******* when he had tarts in his bed
Those tarts where all so fruity they made his chocolate lead
His icing went all runny as they ****** his ginger bread

He would pop the cherry's and the strawberries he would ****
The blackcurrants we're okay they're still quite good to ****
He'd watch two lemons licking and pay them each a buck
Having all those tasty tarts he could not believe his luck

If he ends up in a jam you know what he's been licking
All those ******* jam filled tarts is the place his gingers sticking
So if you see a ginger man with all his buttons missing
You can bet your bottom dollar it's tarts that he's been kissing

One **** is just not enough his antics he'd be tripping
He would have a complete box even if it was crippling
With his ginger crumbling and his melting chocolate rippling
Some jam tarts are exceedingly good so **** you Mr Kipling

Custard Tarts**

A mouthful of sweetness
yellow;
crust;
chewed slowly, savoring
and the mind goes back
along olfactory pathways
etched long ago
back to turbulent times
of teenage years
and custard tarts, with cinnamon sprinkles
your Dad brought home for Saturday lunch
after working,
trying to keep a bankrupt business afloat
plugging the holes of ineptitude
as the ship sank lower week by week.
A sliver was handed out with the coffee
devoured by all at the table
not much else to remember
except the coldness, the distant demeanor
a start contrast to the warmth of the pies
made with love at the bakers
custard tarts, now and then
sweet!

Malcolm Davidson December 18, 2013

I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.

This red dot i see is what chaos starts as..
Once chaos has flowed out it becomes infared..
The begininng of a galaxy that i can hold in my hands!

The copper coin was the center of a dance..
Watch abe get up and do the charleston dance..
Put the coin to my ear and hear the music and dance..

Up and away.
Toward and a step back..
Leave my body and come back..

Freaking out i go to the bathroom.
Sit on the crapper and do a loop..
Leave my body and enter back on through the back of my skull im awake!

Rainbow highway to oblivion..
colorless flowers laugh at me..
I pluck them from the ground and say " whos laughing now..

OH MY GOD IT WAS THE SWEET TARTS!!!!!!!!!!!!!!!

Still must I hear?—shall hoarse FITZGERALD bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch Reviews
Should dub me scribbler, and denounce my Muse?
Prepare for rhyme—I’ll publish, right or wrong:
Fools are my theme, let Satire be my song.

  Oh! Nature’s noblest gift—my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoomed to aid the mental throes
Of brains that labour, big with Verse or Prose;
Though Nymphs forsake, and Critics may deride,
The Lover’s solace, and the Author’s pride.
What Wits! what Poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemned at length to be forgotten quite,
With all the pages which ’twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet’s shall be free;
Though spurned by others, yet beloved by me:
Then let us soar to-day; no common theme,
No Eastern vision, no distempered dream
Inspires—our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

  When Vice triumphant holds her sov’reign sway,
Obey’d by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every Clime;
When knaves and fools combined o’er all prevail,
And weigh their Justice in a Golden Scale;
E’en then the boldest start from public sneers,
Afraid of Shame, unknown to other fears,
More darkly sin, by Satire kept in awe,
And shrink from Ridicule, though not from Law.

  Such is the force of Wit! I but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
Still there are follies, e’en for me to chase,
And yield at least amusement in the race:
Laugh when I laugh, I seek no other fame,
The cry is up, and scribblers are my game:
Speed, Pegasus!—ye strains of great and small,
Ode! Epic! Elegy!—have at you all!
I, too, can scrawl, and once upon a time
I poured along the town a flood of rhyme,
A schoolboy freak, unworthy praise or blame;
I printed—older children do the same.
’Tis pleasant, sure, to see one’s name in print;
A Book’s a Book, altho’ there’s nothing in’t.
Not that a Title’s sounding charm can save
Or scrawl or scribbler from an equal grave:
This LAMB must own, since his patrician name
Failed to preserve the spurious Farce from shame.
No matter, GEORGE continues still to write,
Tho’ now the name is veiled from public sight.
Moved by the great example, I pursue
The self-same road, but make my own review:
Not seek great JEFFREY’S, yet like him will be
Self-constituted Judge of Poesy.

  A man must serve his time to every trade
Save Censure—Critics all are ready made.
Take hackneyed jokes from MILLER, got by rote,
With just enough of learning to misquote;
A man well skilled to find, or forge a fault;
A turn for punning—call it Attic salt;
To JEFFREY go, be silent and discreet,
His pay is just ten sterling pounds per sheet:
Fear not to lie,’twill seem a sharper hit;
Shrink not from blasphemy, ’twill pass for wit;
Care not for feeling—pass your proper jest,
And stand a Critic, hated yet caress’d.

And shall we own such judgment? no—as soon
Seek roses in December—ice in June;
Hope constancy in wind, or corn in chaff,
Believe a woman or an epitaph,
Or any other thing that’s false, before
You trust in Critics, who themselves are sore;
Or yield one single thought to be misled
By JEFFREY’S heart, or LAMB’S Boeotian head.
To these young tyrants, by themselves misplaced,
Combined usurpers on the Throne of Taste;
To these, when Authors bend in humble awe,
And hail their voice as Truth, their word as Law;
While these are Censors, ’twould be sin to spare;
While such are Critics, why should I forbear?
But yet, so near all modern worthies run,
’Tis doubtful whom to seek, or whom to shun;
Nor know we when to spare, or where to strike,
Our Bards and Censors are so much alike.
Then should you ask me, why I venture o’er
The path which POPE and GIFFORD trod before;
If not yet sickened, you can still proceed;
Go on; my rhyme will tell you as you read.
“But hold!” exclaims a friend,—”here’s some neglect:
This—that—and t’other line seem incorrect.”
What then? the self-same blunder Pope has got,
And careless Dryden—”Aye, but Pye has not:”—
Indeed!—’tis granted, faith!—but what care I?
Better to err with POPE, than shine with PYE.

  Time was, ere yet in these degenerate days
Ignoble themes obtained mistaken praise,
When Sense and Wit with Poesy allied,
No fabled Graces, flourished side by side,
From the same fount their inspiration drew,
And, reared by Taste, bloomed fairer as they grew.
Then, in this happy Isle, a POPE’S pure strain
Sought the rapt soul to charm, nor sought in vain;
A polished nation’s praise aspired to claim,
And raised the people’s, as the poet’s fame.
Like him great DRYDEN poured the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then CONGREVE’S scenes could cheer, or OTWAY’S melt;
For Nature then an English audience felt—
But why these names, or greater still, retrace,
When all to feebler Bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let Satire’s self allow,
No dearth of Bards can be complained of now.
The loaded Press beneath her labour groans,
And Printers’ devils shake their weary bones;
While SOUTHEY’S Epics cram the creaking shelves,
And LITTLE’S Lyrics shine in hot-pressed twelves.
Thus saith the Preacher: “Nought beneath the sun
Is new,” yet still from change to change we run.
What varied wonders tempt us as they pass!
The Cow-pox, Tractors, Galvanism, and Gas,
In turns appear, to make the ****** stare,
Till the swoln bubble bursts—and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O’er Taste awhile these Pseudo-bards prevail;
Each country Book-club bows the knee to Baal,
And, hurling lawful Genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf—but whom it matters not,
From soaring SOUTHEY, down to groveling STOTT.

  Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And Rhyme and Blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And Tales of Terror jostle on the road;
Immeasurable measures move along;
For simpering Folly loves a varied song,
To strange, mysterious Dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels—may they be the last!—
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner’s brood
Decoy young Border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding Knights to read who cannot spell,
Despatch a courier to a wizard’s grave,
And fight with honest men to shield a knave.

  Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a Felon, yet but half a Knight.
The gibbet or the field prepared to grace;
A mighty mixture of the great and base.
And think’st thou, SCOTT! by vain conceit perchance,
On public taste to foist thy stale romance,
Though MURRAY with his MILLER may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade,
Let such forego the poet’s sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on Gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted Muse and hireling bard!
For this we spurn Apollo’s venal son,
And bid a long “good night to Marmion.”

  These are the themes that claim our plaudits now;
These are the Bards to whom the Muse must bow;
While MILTON, DRYDEN, POPE, alike forgot,
Resign their hallowed Bays to WALTER SCOTT.

  The time has been, when yet the Muse was young,
When HOMER swept the lyre, and MARO sung,
An Epic scarce ten centuries could claim,
While awe-struck nations hailed the magic name:
The work of each immortal Bard appears
The single wonder of a thousand years.
Empires have mouldered from the face of earth,
Tongues have expired with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor Bards, content,
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the Ballad-monger SOUTHEY rise!
To him let CAMOËNS, MILTON, TASSO yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked BEDFORD for a witch,
Behold her statue placed in Glory’s niche;
Her fetters burst, and just released from prison,
A ****** Phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia’s monstrous, wild, and wond’rous son;
Domdaniel’s dread destroyer, who o’erthrew
More mad magicians than the world e’er knew.
Immortal Hero! all thy foes o’ercome,
For ever reign—the rival of Tom Thumb!
Since startled Metre fled before thy face,
Well wert thou doomed the last of all thy race!
Well might triumphant Genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and Prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville’s, and not so true.
Oh, SOUTHEY! SOUTHEY! cease thy varied song!
A bard may chaunt too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkeley-Ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
“God help thee,” SOUTHEY, and thy readers too.

  Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple WORDSWORTH, framer of a lay
As soft as evening in his favourite May,
Who warns his friend “to shake off toil and trouble,
And quit his books, for fear of growing double;”
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortured into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of “an idiot Boy;”
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the “idiot in his glory”
Conceive the Bard the hero of the story.

  Shall gentle COLERIDGE pass unnoticed here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still Obscurity’s a welcome guest.
If Inspiration should her aid refuse
To him who takes a Pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ***:
So well the subject suits his noble mind,
He brays, the Laureate of the long-eared kind.

Oh! wonder-working LEWIS! Monk, or Bard,
Who fain would make Parnassus a church-yard!
Lo! wreaths of yew, not laurel, bind thy brow,
Thy Muse a Sprite, Apollo’s sexton thou!
Whether on ancient tombs thou tak’st thy stand,
By gibb’ring spectres hailed, thy kindred band;
Or tracest chaste descriptions on thy page,
To please the females of our modest age;
All hail, M.P.! from whose infernal brain
Thin-sheeted phantoms glide, a grisly train;
At whose command “grim women” throng in crowds,
And kings of fire, of water, and of clouds,
With “small grey men,”—”wild yagers,” and what not,
To crown with honour thee and WALTER SCOTT:
Again, all hail! if tales like thine may please,
St. Luke alone can vanquish the disease:
Even Satan’s self with thee might dread to dwell,
And in thy skull discern a deeper Hell.

Who in soft guise, surrounded by a choir
Of virgins melting, not to Vesta’s fire,
With sparkling eyes, and cheek by passion flushed
Strikes his wild lyre, whilst listening dames are hushed?
’Tis LITTLE! young Catullus of his day,
As sweet, but as immoral, in his Lay!
Grieved to condemn, the Muse must still be just,
Nor spare melodious advocates of lust.
Pure is the flame which o’er her altar burns;
From grosser incense with disgust she turns
Yet kind to youth, this expiation o’er,
She bids thee “mend thy line, and sin no more.”

For thee, translator of the tinsel song,
To whom such glittering ornaments belong,
Hibernian STRANGFORD! with thine eyes of blue,
And boasted locks of red or auburn hue,
Whose plaintive strain each love-sick Miss admires,
And o’er harmonious fustian half expires,
Learn, if thou canst, to yield thine author’s sense,
Nor vend thy sonnets on a false pretence.
Think’st thou to gain thy verse a higher place,
By dressing Camoëns in a suit of lace?
Mend, STRANGFORD! mend thy morals and thy taste;
Be warm, but pure; be amorous, but be chaste:
Cease to deceive; thy pilfered harp restore,
Nor teach the Lusian Bard to copy MOORE.

Behold—Ye Tarts!—one moment spare the text!—
HAYLEY’S last work, and worst—until his next;
Whether he spin poor couplets into plays,
Or **** the dead with purgatorial praise,
His style in youth or age is still the same,
For ever feeble and for ever tame.
Triumphant first see “Temper’s Triumphs” shine!
At least I’m sure they triumphed over mine.
Of “Music’s Triumphs,” all who read may swear
That luckless Music never triumph’d there.

Moravians, rise! bestow some meet reward
On dull devotion—Lo! the Sabbath Bard,
Sepulchral GRAHAME, pours his notes sublime
In mangled prose, nor e’en aspires to rhyme;
Breaks into blank the Gospel of St. Luke,
And boldly pilfers from the Pentateuch;
And, undisturbed by conscientious qualms,
Perverts the Prophets, and purloins the Psalms.

  Hail, Sympathy! thy soft idea brings”
A thousand visions of a thousand things,
And shows, still whimpering thro’ threescore of years,
The maudlin prince of mournful sonneteers.
And art thou not their prince, harmonious Bowles!
Thou first, great oracle of tender souls?
Whether them sing’st with equal ease, and grief,
The fall of empires, or a yellow leaf;
Whether thy muse most lamentably tells
What merry sounds proceed from Oxford bells,
Or, still in bells delighting, finds a friend
In every chime that jingled from Ostend;
Ah! how much juster were thy Muse’s hap,
If to thy bells thou would’st but add a cap!
Delightful BOWLES! still blessing and still blest,
All love thy strain, but children like it best.
’Tis thine, with gentle LITTLE’S moral song,
To soothe the mania of the amorous throng!
With thee our nursery damsels shed their tears,
Ere Miss as yet completes her infant years:
But in her teens thy whining powers are vain;
She quits poor BOWLES for LITTLE’S purer strain.
Now to soft themes thou scornest to confine
The lofty numbers of a harp like thine;
“Awake a louder and a loftier strain,”
Such as none heard before, or will again!
Where all discoveries jumbled from the flood,
Since first the leaky ark reposed in mud,
By more or less, are sung in every book,
From Captain Noah down to Captain Cook.
Nor this alone—but, pausing on the road,
The Bard sighs forth a gentle episode,
And gravely tells—attend, each beauteous Miss!—
When first Madeira trembled to a kiss.
Bowles! in thy memory let this precept dwell,
Stick to thy Sonnets, Man!—at least they sell.
But if some new-born whim, or larger bribe,
Prompt thy crude brain, and claim thee for a scribe:
If ‘chance some bard, though once by dunces feared,
Now, prone in dust, can only be revered;
If Pope, whose fame and genius, from the first,
Have foiled the best of critics, needs the worst,
Do thou essay: each fault, each failing scan;
The first of poets

On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion's pledge,
The Queen of Hearts still making tarts and I not making hay -
O I loved too much and by such and such is happiness thrown away.

I gave her gifts of the mind I gave her the secret sign that's known
To the artists who have known the true gods of sound and stone
And word and tint. I did not stint for I gave her poems to say.
With her own name there and her own dark hair like clouds over fields of May

On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should a creature made of clay -
When the angel woos the clay he'd lose his wings at the dawn of day.

Life is
A s'mores poptart
No matter the conditions
Or the temperature, it will always be a poptart
And it will always be delicious

The gooey insides
Melt in your mouth when warm.
The crusty top
Provides a nice crunch, but once on the inside,
Things are best

But once it is gone.
It is gone forever.
Cherish your poptart
You never know when it will be the last in the box

Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses

A cottage in the country a woven roof of thatch
In the kitchen a fat lady her knickers on the latch
Pulled down past her chubby thighs exposing her hot hatch
Within those apple gatherers a juicy damp wet patch

Wearing an undone apron with her bra unclipped to match
A wooden spoon is waiting she's cooking up a batch
Arthritic hands maybe a snag but not much of a catch
Spoon up her hole to stir the bowl using her wide ******

Two 44dd mixing bowls a mixture of flour and ginger
Sugar hurled and butter twirled with her vigorous ***** ninja
Spoon dripping salted essences oozing down that wooded stirrup
Ground cinnamon is added with her special golden syrup
A touch of soda bicarb an egg mixed in with her *****
Spoon inserted actions ***** squeezing wince and cringe

Shaped and cut a ginger nut ***** mixing makes you ache
Ovens hot sheet trays are got greased slid inside to bake
A warming up made from her cup is this a big mistake
Gingers fine if dough is prime so now who's on the make

Your on the rise what a surprise now you are awake
Placed on the side with tarts beside I wonder what's at stake
Rampant ginger smells so good some pieces fall and flake
In bed with tarts a fancy start when Fred has had his cake

COOL TENTS WITH HOT FOOD
From the 10th diary entry of Stewy Lemmon's childhood adventures.

Finally, the day Smoochy and I had been waiting for had arrived. It was Saturday the 7th of March. The day we were heading off to the, 89th Boy Scouts & Girl Guides, combined World Jamboree. The jamboree was held this year in the Nevada desert in Las Vegas, USA.

My dad Archie, was the local scout leader for the Shimmerleedimmerlee 1st scout group and my mum Flo, was second in charge of the Barefeet Mountain 3rd Girl Guide group. Mum's friend was the Barefeet girl guides leader and she was named, Miss Alice Springs. Dad was making the trip with other local scout leaders and 11 of us boys. Mum and Miss Alice Springs were taking 11 girls from the local Barefeet Mountain girl guide group, including my two much older identical twin sisters, Emma and Jemma. Also coming along was my much younger brother, Lemmy and of course my grouse pet mouse, Smoochy.

Dad has been in the local boy scout group since he was very young and his father, John Lemmon, my grandfather, was also in the same scout group when it first began, all of those years ago.

There were boy scout and girl guide groups from all over the world attending the big camping and adventure event. People from far away places like Norway, France, Egypt, Australia, Holland, England, Brazil, Thailand, Hong Kong, Italy and of course the host nation, the United States of America.

Every group, brought with them their home nations own colourful flags and individually designed tents, based on their countries culture or famous landmarks. It was like having all of the countries of the world, all in the one place at a time.

The boy scout and girl guide group from Thailand had a tent that looked like a Buddhist Temple and also had an outdoor kitchen where they would make, such great tasting, but ever so hot and spicy, food from.

The Egyptian guys and girls had a massive high tent, that resembled the world famous giant Pyramid of Giza. It must of taken them ages to make the angles so perfectly straight and with extreme precision.

Holland's tent was a large and fully operational, colourful windmill. It, even had it's very own water tank. The windmill tent was painted with colours and designs that even impressed my very artistic dad.

He said, 'He might even have to redecorate his unusually built, outrageously painted, outback, backyard shed and use some of the bright paint colours and fancy designs the boys and girls had done'.

The next tent was very big and long from the boy scout and girl guide groups of, Australia. It had been designed to look like the, Sydney harbour bridge. But it didn't have a roof to protect them from the weather, while they slept shoulder to shoulder, across the wooden bridge road. But, like most Aussies with relaxed and casual attitudes they said, 'She'll be right mate, Rain, Hail or Shine'.

The guys and gals from Italy, had a tent that was leaning over to the right, just like the, famous Leaning Tower of Pisa. They assured us all that it wouldn't fall over. 'Trust us, they said'.

Hong Kong had a very long tent that was based on the colourful, cultural inspired dragon. It had a lot of tent pegs on either side, to keep it's ever winding position in place. It was the most colourful and coolest tent of all. But at the same time, the most scariest tent of them all.

England's tent was based on the very historic, Tower of London. It even had two very serious looking guards on patrol out front, made out of paper mâché.

Norway's tent was in the shape of, a Vikings fighting helmet. It had, two large horns coming out from the left and right hand sides. It looked like a raging bull, in a bizarre sort of way.

Brazil came up with a giant yellow and green football, based on their national sport and colours of the country, for its design. All of us just hoped, 'It didn't get a sudden hole in it and start to knock over all of our tents, just like a giant pinball game'.

France went for a super, duper structure, that was wide at the bottom and became thinner towards the top. It was in the shape of the Eiffel Tower, of course. It was the tallest tent at the jamboree camping grounds and provided the best views from atop.

While the host nation the USA decided to honour the, Native American Indians. They, had a large tent resembling an original and colourful Indian Teepee, with a hole at the top. The scouts and girl guides from, the USA, sent out messages to everyone nearby, using the old, but still very effective, smoke signals way of communication. They said, 'Who needs the Internet, Facebook and Twitter, when you can send messages and cook a meal on a fire at the same time'?

After looking at all of the great tents made by all of the participating nations, we sat down to eat. Everybody had made a favourite dish from their home country. All the girl guides from Australia made the famous and delicious dessert cake called, Pavlova. But, it wasn't any ordinary Pavlova, for it was in the shape of the very large outback rock named Uluru. Which, by the way, is located in the middle of Australia, near a place called Alice Springs.

So my mum's friend has a very famous name indeed. The girl guides from Australia named this creation, 'The Alice Springs Rock'.

The Egyptians had made a dessert out of shortbread, that took them hours to make. Each piece of shortbread had to be skilfully cut, with exact precision or the creation just wouldn't stay in place. It was named, 'Pastry Plate of Pharaoh's Perfect Pyramid'.

The Italian Boy Scouts, prepared a series of huge leaning pizzas stacked on top of each other, on very acute angles, just like their tent. They named their creation, 'The Leaning Tower of Pizza'.

The host nation of the USA, made some yummy hotdogs with tomato ketchup, mustard and cheese. They made the hotdogs, pop up from each end of the roll and placed wooden sticks on either side to look like American Native Indians were rowing their canoes.

Norway had created a tasty snack made with salmon and biscuits which looked like little boats flowing down the Fjords. Also the impression of large rocks in the water that were in fact meatballs for all.

Thailand had served up several spicy dishes, including the famous Pad Thai dish with chicken and the hot soup named Hot and Sour with Prawns in Thai you pronounce it as Tom Yung Goong. It was so yummy in the tummy the dishes from Thailand.

In the Brazil kitchen they made us their nations famous Churrasco or BBQ. It uses a variety of meats like pork, beef and chicken which was cooked on large metal skewers stuck into the ground and roasted with the embers of the charcoal.

France baked up some crescent shaped flaky pastry named the Croissant. They added some great tasting almonds to a few, while some others had dried fruits such as sultanas, raisins and even apples.

Holland had an assortment of plates consisting of Gouda and Edam cheeses with mayonnaise and mustards and other plates had a rich variety of fruits, freshly cut meats and nuts placed upon them.

Hong Kong had very traditional Chinese meals prepared for all to enjoy. They had everything from fried rice, to Chinese noodles to my dads all time favourite Peking Duck, so when he saw the duck he said he was in luck. Also they had a plate full of Dim Sums and a Hong Kong favourite snack called egg tarts and another of my dads favourite drinks named milk tea.

Finally England had whipped up my Friday night special, which is Fish n Chips with tomato sauce. It was so good that a lot of the other nations said they would make it for their families, once they got home.

In the morning we had such great fun and adventure while trying every nations favourite sport or recreation. We started by having team races on the river in Native American Indian canoes, Norwegian Viking ships, Italian Gondolas, Egyptian river boats and Chinese dragon boat races in the nearby river. The winning order was Hong Kong 1st, Italy came in 2nd and third of all was Egypt.

We even had competitions to see who could do the best smoke signals and we even had fun rope climbing events to the top of the Eiffel Tower, the Leaning tower of Pisa, and walking and climbing events up the Pyramid of Giza and the Sydney Harbour Bridge tents.

Then some countries had a football game after lunch with teams from Brazil, England, Italy and France playing for the Boy Scouts and Girl Guides World Cup golden trophy. Brazil beat England in the final 3-1, to hold up the golden cup.

Some other nations had bike riding races, which Holland won with ease. Australia did really well in the boxing competition. Everybody laughed when Smoochy came out 1st, wearing a pair of boxing gloves, before they brought out a plastic blow up of their mascot wearing gloves "Big Red" the boxing kangaroo which was placed near the ring for good luck.

Thailand dominated the Judo and the USA couldn't be stopped in the 100m sprints and also the mixed basketball matches. So overall, everyone had such a great time and we all loved the tents, food and different sports to watch and perform in, from all of the world.

The week went so fast and it was sad to say goodbye to all of our new friends from all over the world, but we promised that we would stay in touch either by using smoke signals or the new generations way, which is either by Facebook or Twitter.

I remember Sunday dinner
that granny used to make
enough to feed an army
piled on each and every plate

three kinds of potatoes
boiled, mashed and roast
Chicken, pork & roast beef
and a glass of wine to toast

and veggies from her garden
that grew right there herself
no canned corn from Guatemala
would you find upon her shelf

there'd be carrots, peas and parnips
brocolli & cabbage too
and anything that wasn't ate
ended up in her famous stew

but desserts, they were the best bit
there was custard, pies and tarts
an the only bad thing 'bout it all
was knowing where to start

Substantial enough to fill,
sweet enough to attract,
available enough to
keep coming back.

Sara L Russell, 15th January 2016, 00:04
-----------------------------------------------------------­--------

So yeah this is me and Julie outside H&M;…
trying too hard to look ****?
Desperate tarts more like.
We went to Starbucks after that, then the pub,
and then… the rest of the afternoon's a blur. Haha.

----------✿-----------

Oh yes and this one's me with Foo Foo,
stupid cat's sitting on top of my presentation.
She can be useless at times but she makes a good hot water bottle
when it's like, really cold? You know? Cats are great for that.
Dead sympathetic too. Good listeners.

----------✿-----------

Oh now this is a good one. This is me
with that **** actor off I'm a Celebrity.
He was in… actually I can't remember what he was in?
Really like, **** though? Yet I've only seen him on I'm a Celebrity?
Anyway he was cool with stopping for a selfie. God love him.
(Whoever he is).

----------✿-----------

Ahh… this one is me with Julie again. She's such a ******.
She's got one of those light up Santa hats on. Daft *****.
Never did get one for me. Not that I'd wear one.
I prefer those furry reindeer antlers.
See? There's one of me with antlers on.

----------✿-----------

Oh here's one of me and Mum.
Yeah very sad I know. She tries so hard to be cool, bless her.
Embarrassing really. I gave her my old phone and
she still hasn't worked out how to use it.
Takes loads of photos of herself though.
So sad.

--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.

Sounding like some wild soundtrack
to a Spaghetti Western starring
none other than The Clintster,
it were rolling in good vibes
with the peeps taking selfies
with the band for a backdrop.

Two horns poundin' out
a happening grove,
with a bass player all of
four foot nothin'.
with a cool round sound.

It was cookin' alright,
hours after midnight,
a Halifax sextet hinting
of Tom Waits and the The Bob man.

I yawned, I looked around,
all those sweet tarts in their skin tights.
I yawned again, shook my head
as the band was covering Ray Charles...
I yawned again and again
and realized I am too old to party hardy.

But still... 'I can hack it'.. the last thing I said
as I headed out the door, homeward bound
In a January breeze that had a hint of Spring.

end © 2014

A Tale of ****** Excitement by Herr Barty Maulwurf

Often **** tales of my past I am writing and sometimes they are a little rude and porny but now I will try to be only slightly profane at request of new friends I am making everywhere. This tale very sensual story is, told by master storyteller (which is me). Filthy bits included. *Danke sehr.

Although I so much hate repetitive to be, Barty Mole must as always apologise for his occasionally slight errors in English-writing as he writes the English language not so very top-class (but he ***** English girls' tongues lots and likes them his tonsils to wipe so good). I (me, Barty) am German person but special type of that because as I are half-and-half black/white (not striped or even top half white, bottom half black, but mixed-up goldene-brun colouring), by this I must explain mein Papa was black US soldier in Germany who did enormous number of bouncy-bouncies with various ladies including meine Mutti (note to monoglots: this means my Mummy) - who was part-time Lili Marlen type tarty number, great **** and much-used **** - for tinned milk, coffee, ciggies, silk stockings and comfy underwear with soft non-scratchy gussets for once instead of unlined which tickle *****-*****, also she was a major sort of a ****** in her day so combined business with pleasure, and why not, we got these bits under our ******* so use them or they dry up (so thinks der Barty.). Also please you will remember black market utterly rampant in post-war period because the kind ****** Allies smashed my beautiful homeland (Germany) to little bits and then guess what even worse Russkies came and stole anything leftovers and did mass rapings of anyone with two legs (or less, in fact easier as poor tarts can't run away), but my Mutti ran and avoided Ivans, she not any kind of idiot, not going to give it away for free, and not liking cheap rotgut ***** anyway. Also Russkies never wash bottoms-hole so not much fun in the sack with smelly-bummed Ivans.

Nowadays Barty (that's me) am not so young, indeed now out of work living in Hamburg (home of inventor of hamburgers, Herr Wendi McDonald-Burgerkoenig) but I remember some super **** going-ons from mine mis-spended youth and middle age, my God I was a right goer, make no mistake about that, I had more lady friends than most people have hot luncheons mainly because I inheritated huge lovepole (23 centimetres, well over 9 inches in UK/US measurement style) from my dear Poppa, God rest his swindling soul. And ladies like the big bronzed stick as ramrod lovepole, you bet your fat wobbly ***, dear reader, 100% sure.

As often I say to my multitudinous readers, I never accept that it is only top-class ***-event to make love-humpings between male person who is in all one piece (full complementing legs, arms, naughty pieces etc etc) and lady who in similar state of repair (2 legs, 2 arms, 2 boobos, back and front naughty areas also) so I shall now recall romantic interlude with one-legged groupie I am meeting at rocking Konzert in Berlin with famous German group DIE TOTEN HOSEN (this means "The Dead Trousers" look them up on Google you think I am joking? no, German musicians have great sense of humour and also almost for free get to **** a lot of birds).

This story are total true, swear it on Mummy's honour (big joke, what honour I hear you said out of side of mouth, but watch your manners please or I smash you one in your effing gob) this not so explicit as usual so much apologies to filthy pervies wanting cheap smuttings, you come in wrong place (*******).

So now here we go with telling of how I got on good and ***** with one-legged lady I meet in bar of Grosse Konzerthalle in Berlin after we go from Konzert by Toten Hosen - noise so fickende loud we not able to hear each other talk as we total deafened for at least 1 hour, so just wink over bar to each other and Robert is dein Onkel.

I digressed - when I saw really pretty girl at bar with **** three-inch bolt through her lips and I think, WOW, if she got so much metal in her face, what the Fick she got in her *******!!!!  I notice she leaning against wall, I think she a bit drunk but I find out she only got one leg and it's because she has only one leg she would go falling over if not lean on walls. Never mind, I think to myself, I'll try this out for size, in for a pfenning (penny), in for a pfund (pound), except now it's in for a cent, in for a euro which sounds naffs. So we have several dozen beers and a couple of schnapplis and she is good fun, laugh at all Barty's filthy jokes and innuendos and then, out of blue, she says with naughty giggling, "The night is young but we're not so effing young and when you have any more beers you don't stand up, fall flat on handsome face, and not able to get great big ****** up me to shove it", WOW I thought, this is some forward one-legged piece of work. So no more further ado and we jump in taxi (pay 50:50 as Barty is gent and refuse to allow her pay whole fare) and go to her place.

Hildegard is her name and she was pretty good looking bird, great booboes, narrow very **** waistlines, very cute botty sticking out like great big pair of rubber footballs, but let's be frank, liebe Freunde, her main claim to eternal fame in Barty's immense ***-memory bank was the leg-stump, only one of them she had. She tells me missing limb result of accident with vicious bacon-slicing machineries at LIDL and I not like to probe too deeply, because I leave the probing up to my 23cm (9 inch) lovepole instead.

Thus we had many love-makes that night and I got to find her stumpy-thing quite **** in weird kind of way, very smooth skin on it and odd colour (purplish) too. Only problem of was hard to do it Alsatian-style as she topple off bed and me with her, especially since we have many more beers down hatches by that time. Never mind, make up for this with very high class (FIVE STAR!) "neunundsechzig" (German for 69 just in case you not understand)! WOW she utter hot stuff in oral department store. Her tongue like starving St Bernard guzzling the bowl of nice fresh spring water on hottest summer day in century! Swallow everything, stray hairs and all.

Also Hildegard very noisy lady when she does the comings, which Barty likes very much indeed. Like demented demon being bashed around her head with three-metre long metal crowbar every single time she gets one off, she screamed. "Ooooooh, ich komme, ich komme, ach, ja, ja, ja, ja," she shrieks GOOD & LOUD like fat Wagnerian heroine with immensely red hot poker up backside-hole (which not far off the truth when Barty gets stuck into his fabbo ***-rhythm, like whirring up and down piston on Mitsubishi motor tricycle). Even allowing for drunken prematured senilities lapse, I happy to recall seven times for me that night and maybe twenty for her, WOW, what a filthy one-leg hornbag!

We meet a few more time for repeat bonky session but never so good as first time round, but that's because Barty sober next times, nothing new in the history of love there which is very philophical pensée. Also Barty's interest in the leggy-stump waned a bit after a couple of weeks.  But Barty has good live-action photos to keep his memories warm, WOW, they are some totally hot ones! I know Hildegard must have the equal happy memories of old Barty, bet she never saw such a big ***** as his ever again (NB: 23 cm lovepole)!

Mit freundlichen Gruessen
von Ihre
Bartholomew Mole (=Maulwurf)
(23 cm brown lovepole)

I want to split you in two,
tickle your cherry stem
& sprinkle you with sugar drops.

I've thought about marshmallow,
some vanilla cream
on top of your lemon tarts
& rolling my tongue
to spread it.

Honey dripped onto your flower
would be tastier than flaked-baklava,
a little whipped cream
& nuts would certainly
finish you off.

But I do dream of stuffing your pastry
with my creme-filled cannoli.
That would be the ultimate dessert,
don't you think sweet lady?

The house on the hill
Lived a man called Bill
After he met his wife
He had no life
He is tall
But looks like a ball
And round
Looked like a clown
On rainy days,
He gives a grumpy face
If ever children comes
He hits them all dumb
He loves pineapple tarts
Always gives a notorious ****
His name is bill
And he lives in the house on a hill.

i've started to absolutely loath these shifts at Oxford...
for one: compared we're talking about a league one side...
the ****** stadium is one thing
but... just the drive there: and back...
out of the house from 1pm until 12:30am...
and for what? there's that coughing up for fuel
which has increased from £10 to £15... hell: my pay
hasn't risen...
   on topic: i was talking with my father about this...
inflation... the prices of commodities increases,
but the wages do not...
    fair enough: i might seem gullible at times...
given my grandfather was a member of the communist
party... but then communism in Poland
(a satellite state) wasn't the same as it was
in the actual Soviet Union... i'm no romantic of communism...
but surely if there's a concept of inflation:
there ought to be a logic around a concept of deflation...
but there isn't one in economics,
i.e. when wages go up: but the price of commodities
stays the same...
yet... the work of dairy farmers is the same: quality
and quantity-wise... economics it not my strong point...
i'm just thinking out-loud...
and i like thinking-dumb...
              my recent fascination comes in the form
of Confucius < Mozi < Mencius < Zhuangzi | Huizi
i.e. Kong Qui < Mo Di < Meng Ke < Zhu7ang Zhou |Hui ****...

i leave the house for roughly 10 hours and bring
back about £35... sure... it's the easiest shift on my list...
i get paid £35 to watch a football match...
but? today... the sky above Oxford looked more
entertaining than the football match... so? for the majority
of the time while the sun was still clinging
to reign over the sky: i was just looking at very pretty
clouds in the distance... i sometimes can't stomach
these base human foundations for society:
entertainment... i'd rather drink a bottle of wine
and just watch clouds behave like sloths...
or... perhaps not sloths... more like when a jellyfish
****** a cauliflower....

at least there was banter with my "manager"
en route toward Oxford... i ate a McDonald's in the alley
while waiting for him to pick me up...
banter... oh right: code words...
we call them the PLATOON... there's about 40 or so
"banana boat" folk... Daniel is the guy who conjured
up the expression: black don't crack...
what does that mean? you can't tell a black person's
real age... since you can be looking at a black
person who's 50... and you'd guess their age
to be 30... black don't crack...
i really think cosmetic industries should look into
the genome of both black people and people
with downs syndrome: those ******* hardly age...
you can't tell if there's a wrinkle on them...
seriously!
                  white boy humour... white boy
British humour... i'm writing this in complete earnest...
it's not even a joke: well... it's funny in a conversation
when you can crack jokes without a CCTV crow
on your shoulder...
so we cracked jokes about the PLATOON...

Daniel played that famous video of the ventriloquist
with that Ahmed the dead suicide bomber
puppet: I **** YOU...
i laughed on the verge of tears...
it's almost like that Dave Chapel sketch about
uniforms: a woman all tarts and no choux pastry
stuff... and Dave's like: pretending to be a police officer:
excuse me, ma'am... i may be dressed as a police officer!
but it doesn't mean that i am, a police officer!
or Team American's Durka Durka: Muhammad Jihad...
i just said to Daniel: are any of these ***** from
Rotherham? where? oh you know...
that Rotherham grooming gang scandal...
i'd love to get my hands on one of those *****...

a former prisoner officer talking to a former
chemistry student... seriously... those organic chemistry
schematics of electron migration were a bit pointless:
until i realised: they showed me loopholes in
the language... call it the rearrangement of vowels
and consonants... absolutely ridiculous:
since all theory and very little practice...

oh sure... the PLATOON was there...
i started it calling it SLOW-IQ from cousin-*******...
which is true... you have to start calling out
taboos at some point...
i mean: these guys were slow...
Ha-HMED! hark the H... draw a longer breath
and forget that the R was ever associated with a trill
of a rattlesnake...
oh sure... we get sold that puny story-detail
of low testosterone levels in European men....
these days? i was signing them in...
i had to ask 2 or 3 times for them to repeat their names:
they spoke their names so delicately
i couldn't understand them...
and i'm the one who picks up sounds...
my auditory hallucinations sometimes speak louder
than these people, "these people"...

i checked up on some theory...
the length ratio of the index finger to the ring finger...
i look at my left hand... then at my right hand...
oh **** me... no wonder...
i'm a *******... a promiscuous *******...
my ring finger is much longer than my index finger:
much longer on my left hand than my right hand...
ergo? a shorter index finger implies higher levels
of testosterone...
   am i to be, now, what? self-congratulatory...
no... it's intrinsic ontology: i can't help what i am...
just like i can't help with being a raw-red Caucasian
in mentality that's deviant from the British-compact
model...

i cleaned the house in the morning really focusing
on repeating the song My Friends by
the Red Hot Chilli Peppers...
hey... listen... if these ******* have the audacity to
march in with their mosques... blow themselves up for
no grand attaching reason to further each and every one
of our plights: again... life isn't that terrible...
reality isn't unshakeable: unmoveable...
only people unto people make this life difficult:
usually out of complacency... laziness...
a solipsism that doesn't begin to factor in a fact
that solipsism could be a theory: a testing ground
of understanding autism...

but i abhor these Oxford shifts...
i leave them spent... the egress is magic though...
i'm more time-wasting than time-investing...
i still don't understand how inflation works
and i still don't understand why deflation doesn't exist...
the worth of goods increases:
but the method of producing these goods stays
the same... i have to admit...
i'm thinking about going out of my comfort zone...
looking into the thinking of economists
and not philosophers...
after all, my name was once allocated
to one famous tax-collector...
                     mind you: i like thinking about money...
not that i have a stash of it...
just enough to enjoy thinking about it...
i like thinking about money because i don't think
about spending it like most people do:
like most people who spend it frivolously and therefore
don't have enough of it and therefore
are in debt: these people are in debt because
they spend money on credit...
i have money, because i spend money on debit...

i couldn't never allow myself to accept a credit based
system of expenditures...
it made no sense to me: sure, you have more protection
using a credit card than a debit card...
after all the current system focuses more on creditors
than it does on debtors... then again: like for like...
you need less creditors than debtors:
you actually require more people in debt than
those willing to provide credit...
but then there are people like me who hyper-focus
on an earning-spending dynamic who
avoid building up too much credit:
by not building too much credit...
you can't exactly build up your... "debit score rating":
there's no "debit score" rating...
money turns into water...
you behave like your wallet if a dam...
that's a "metaphor" for savings and expenditure...

it's impossible for me to spend on credit...
why? i can't earn on credit:
well... i can earn on credit of my performance:
but that's a different sort of credit:
it's a credit i earn... rather than spend...
but i spend exclusively on debit...
on the basis of a debt i'm owned for my work...
i like money...
in philosophy there's that scared word: THING...
and NOTHING...
in economics there's that word too: MONEY...
and NO-MONEY...
oddly enough nothing is a categorised as a pronoun
while thing is categorised as a noun...
ergo? money is a noun and no-money
is a pronoun...

                    it's not even about being poor...
broke-***... it's about having enough money to do...
whatever the hell you want...
without a co-dependant... no woman: no children...
i can ******* from a shift... ask to be dropped
off at a petrol station... rather than the usual pick-up
spot... buy a £3 platter of sushi...
three ciders... a 10 packet of cigarettes...
eat... smoke a cigarette... then take at least two
bottles of cider dancing into the night...
i used to love swimming... now? if it's not cycling
it's walking... esp. come the night...

there's nothing quiet like it...
i hate these Oxford shifts... if it wasn't for the humour
i don't think i would have ever bothered...
focus on perception...
it's all about the TILT of the EARTH...
from the winter months and the summer months...
i was admiring the night thinking about
just that... this one... constellation...
in the summer months she's up-close...
you can see her enlarged (yeah?
things in English are generally asexual...
but you can ascribe *** to them...
like in most sensible tongues of the European
continent, there can be a sense of
the masculine and the feminine in nouns...
there's no need for gender-neutral pronouns...
there can exist gender-provocative nouns...
constellations are feminine)

   right... so there's this one jaw-dropper
of a constellation...
it's massive in the summer-time...
can't miss it... what the naked eye can't miss:
the mind ought to write about...

you know the constellation i'm talking about:
during the summer months it's enlarged...
but during the winter months it's squeezed into
its compact representation:
it's the same ******* constellation...
but since the earth is tilted on its axis...
that tilt generates a "disparity" of vision...
it's microscopically viewed in the summer months
and macroscopically viewed in the winter
months... when you sometimes walk the night
streets... tilt your head left to right...
and watch a bonanza of frost settling on the pavement
like it might be the glitter of paparazzi's cameras
eventing a strobe light effect of frost
glitter paving your honoured walk back
to a cold bed where only you or perhaps a cat might
be sleeping in...

no... it's not the constellation of cancer:
it's the constellation of scorpio:

                    •
                •
            •

­                   •
                      •
                          .
           ­                                  •

    •

that's most definitely a scorpion...
the tail... the torso... and the two pincers
extending...
but i'm not referring to the constellation
of scorpio... i'm refferering
to...the trapezium with a tail...

the big and little wheelbarrow constellation are
one and the same...

•
                        •


                                                                ­            •
                                            •


                                                 •                  •


it just depends on how the earth tilts...
call it her the little and big wheelbarrow...
microscopic in the realm of summer:
macroscopic in the realm of winter...
not a rhombus with a tail?
and what about the constellation of
scorpio...

three days by: Jane's Addiction...
always with the bass guitar that gets me...
now admire the tilt of the earth as this one constellation
all the same moves in and out to to an even greater
focus... "flat earth" expert as myself
ought to know... knowing one's own geometrics of
not having the luxury of parodying
movements that
demand the rigours of traffic...
such is a man's luxury of trailing behind night...
trailing behind dreams:
behind dreaming...
such is this world: that affords me so much
luxury... so little mediocracy...
            
tonight i brought back an acorn...
no... i wish i brought back an albino mulberry...
then again: i wish i brought back an oak conker...
but i prefer acorns more...
those hatted pebbles... oak? chestnut...
a corn that's not corns... that's acorn?
conker then... no? a nut with thoughts of
pirate X-marks-the-spot-chests?!
etymological tested grounds of frequented nouns...
hammer... table... mosquito...
            sun and moon...
                        sun as a he and moon:
although however stressed asexually: will be a she
in Ing-Leash.

tootsie pops, pop rocks, rock candy
sweet tarts, smelly farts, war-heads, sour patch kids
reeses pieces, reeses stix, snickers lickers
fudge pile, chocolate smile, peanut butter bile, sugary style
baby ruths, almond joys, soy bean sauce, creamy steam
ill give u a payday, mayday, hay tastes good with parfai
milkyways stay gay to play games with sunrays
icing splicing with knife dicing
makes cakes, cook steaks, rumcakes
****** sprinkles, rip van winkle, diddily dinkle
gummy worms, germs impregnate firm, permed urns
angel food, carrots, pineapple upsideways
fruits, *****, parachutes, scooters, jello shooters
goobers, corn on the cobbers,
veggie wedgies, pepper leppers, squash boxes,
fry foxes, fleet rocks', carrot tops',
dishes of fishes,
witches brew platypus and fat kush
pushy slushies riding skateboards on gary busy
fussy hussies getting blushy about cussies
cereal made of creoles, bread straight from dreads,
rice is nice with spice, yeast is beast,
last but not least, wheat is a treat,
kiwis, shmiwis, dodos on go phones, starfruits,
bartlejuice, grape drank, sushi stinks.
ill eat anything.

I deliver pop tarts
They are taller
Than me
Black jackets
Exotic animals
I don't want to dream anymore
If the scorpions are still on the floor
Frozen crocodile
Frozen aligater
Her mouth isclamped shut, by a rubber band
I don't want to dream anymore
If the scorpions are still
On the floor

I've had my fill of llamas
And of all the woes they bring
For though they stop by frequently
They never say a thing
I find it rather ignorant
That a humpless dromedary
Should force on me its company
But not its commentary

I'm getting sick of llamas
My nights are fraught with dread
They wait until I'm fast asleep
Then bounce around the bed
My slippers smell of llama dung
The carpet's had its day
My house is getting crowded
There's a new one every day

I just can't move for llamas
They're piling up in drifts
Relentless in their appetite
I'm feeding them in shifts
I have to clamber over them
To get to anywhere
Would anyone like a llama?
I would simply love to share

I really can't stand llamas
The ******* just don't quit
And if they don't get their pop-tarts
They've a tendency to spit
They multiply quite rapidly
Devoid of conversation
I think I'll have to leave them
And resume my medication

**

Hello, this is wonderland
Everyone has gone mad
If you're normal,
This place will change that.
Welcome to wonderland

You'll wonder what's the matter,
When you meet the mad hatter.
You'll wander to that little drink,
That seems to have made you shrink.
But be warned of the cake most of all,
For it will make you grow so tall.

Hello, this is wonderland,
Everyone has gone mad.
If you're normal,
We'll change that.
Welcome to wonderland.

You'll meet the White Rabbit,
And be curious about his habbits.
The Cheshire Cat will be a scare,
Once you see, he's not all there.
Now the Knave of Hearts,
Never stole the Red Queen's tarts.

Hello, this is Wonderland.
Everyone has gone mad.
If you're normal,
We'll change that.
Welcome to Wonderland.

It's a wonderful place,
Here in Wonderland.
There's monsters to face,
Here in Wonderland.
They'll drive you mad,
We can't change that.
If you have any fears,
You'll meet them here,
In Wonderland.
We're all mad here in Wonderland.

Hello, this is wonderland.
Everyone has gone mad.              
If you're normal,
We'll change that.
Welcome to Wonderland.

The queen of hearts
did make some tarts
On a bright summers day.
The knave of hearts
stole those tarts.
Took them quite away.

He took the embezzled tarts
to a lovely three of spades,
whose smile made his day.
The queen of hearts    
had learned the truth
and her heart was torn apart        
over a knave full of youth.

Brimming with anger
the brokenhearted queen
ordered the ******
of the knave who loved another.
If he did not love the queen,
his head would careen
and topple from his neck.

And so it did.
And the queen of hearts was made heartless.

Played in my head are consecutive sad songs
I think about all our rights and all our wrongs
Think about how with you I thought I belonged
Now that you’re gone it’s hard to stay strong
Remember mid breakdown I asked you to stay
Asked you if you’d leave and you said no way
We all know actions speak louder than words
To think I thought you really meant it is absurd
I drown out the sound of your voice in my head
Bumping these sad songs all day long instead
And at nightfall when I lay down to sleep
I like to play sad songs while I count sheep
It helps take my mind off of you
Keeps me away from feeling too blue
A person I’d hope not to write a poem about
You’ve left and now I’ve been torn inside out
I always checked my phone in the morning
Now I wear all black like I’ve been mourning
Believed you were perfect and special
What a shamed we wasted that potential
Only time I feel joy is if I’m eating pop tarts
Forever alone until the day my heart stops
Eating pop tarts to fill in this hole
Don’t just miss your body, miss you as a whole
Today I cried, ate pop tarts, and sang along
To my favorite x, juice, and powfu sad songs
And mentally I’ve been healing but I’m broken
Talked the today but words were unspoken
So the end I shall no longer prolong
Bye from me, my pop tarts, and sad songs

Lizbeth holds the dress against her. It's new, her mother had bought it for her. The cloth is smooth and soft, but she doesn't like it. She looks at the dress in the mirror inside the wardrobe. She puts the dress down on the bed and takes off the dress she is wearing and lets it drop to the floor, kicks it out of the way. She picks the new dress off of the bed and put it on and pulls at the hem to pull it down fully. She twirls, looking at the dress and how it looks as she twirls. The colour's all wrong; the hang of it she loathes. It falls beneath her knees; too far below. She lifts the dress until it comes above her knees. She twirls again. If only Benedict was here, see muses, if only his eyes were here looking beside me. She lifts the dress higher and smiles. Mother would never approve of that length. She lets the dress drop to the given length. Boring. The material is old fashioned, she thinks, ******* it, pulling at the hem. The dress she pointed out to her mother while shopping in Midhurst was shorter and more colourful and didn't have silly bows at the back. Her mother didn't like it. It would make you look like a ****, her mother had said, like one of those tarts on that pop music show prancing around semi-dressed. She hadn't thought her mother had watched the 6.5 Special Show, but she had. She twirls again and looks in the mirror for any saving details of the dress, but there aren't any. The dress is drab and she will not wear it; she'll put it at the back of the wardrobe and forget it's there. She takes it off and lets it fall to the floor and stamps on it, then kicks it away. She sighs and gazes at herself in the mirror in underclothes and bra. Where is Benedict when you want him? She muses, putting her hands on her hips. Probably on the farm; working in the milk sheds weighing the milk or clearing out the cowsheds, as he did on weekends or after school. She had managed to get him to this room once while her parents were out, but it was to no avail and nothing happened. Her mother is downstairs preparing lunch; she can hear the pots and pans being used; a radio playing some classical stuff. She picks up her old dress and puts it back on. The new dress she hangs on a hanger and puts it at the back of her wardrobe and shuts the door. The old dress, black with red flowers, is becoming small and tight. It reaches just above her knees now and her mother said it was not decent to wear any more, but she wears it and loves it, even if it is tight and holds her firm. She walks the length of her room like a model, swaying her hips, hand held aloft, head tilted. She flops onto her bed and throws out her arms and looks at the ceiling. To think she had Benedict here on this bed that time and nothing happened; God how frustrating. There is plenty of time to think of boys, her mother had said, you're just thirteen, why when I was your age I was playing with dolls and skipping with a rope. Lizbeth hadn't played with her dolls for years; her skipping rope was at the bottom of the wardrobe unused. She sits up and looks at her room. The record player is on the floor by the window; an LP of the Everly Brothers in on the turntable; the sleeve is on the floor next to a cup and saucer, partially covered by soiled underclothes. She was a lazy girl, her mother said, too lazy for her own good. Her father(when he was home at all) said nothing much except how far he had travelled and how many orders he had managed to obtain. A girl at school( in a higher class) had given her a book with illustrations about *** with orders not to let other see it. She had gone through the book umpteen times(mostly gawking at the photos and illustrations) and trying to put into practice what she had read there. The book is at the bottom of the wardrobe in a brown paper bag tied with string( just in case her mother snooped around.) She wants *** with Benedict. She has tried to get him to perform many times, but he is reluctant, makes excuses. She doesn't want other boys. She wants one boy. Benedict. The book has an illustration what the boy has to do and the girl also. She has studied it so many times it is printed on her mind. There is also other illustrations about other things which she finds a bit distasteful. If her mother ever found the book, there would be hell to pay(providing her mother didn't drop with shock). She sighs. Closes her eyes. Embraces herself. Kisses her arms; pretends it is him, his lips kissing. She opens her eyes and stares; he is not there; he is missing.

Walked passed the Patisserie today
My mind deep in thought,
Lo! They came in wafting
Clearly my nose they sought

I inhaled the sweet intoxication
Of fresh baked bread & pie
My destination was different
But my senses were on high

I stole a look at the counter,
the flaky pastry and the chocolaty eclair
A flood rose in my mouth
It was only but fair!

The delicious lemon ****
and the warm meringue pie
Desires in my heart and soul
That i just couldn't deny

So i paid my dues to the Devil
Settled for hot chocolate and sugar drizzled cinnamon roll
Destination be ******
I had just achieved my goal!

Ryan he likes slags called kim
I wonder if Kim's fat or slim
Is she ugly, is she grim
I guess Kim's good enough for him

Kim she's Ryan's piece of trim
Is it because she licks the rim
Are other slags out on a whim
Maybe their filled up to the brim

Bus stops talk they say so much
They seem to have that magic touch
Slags lives scrawled on shelters hutch
Straight to the point, not double Dutch

No other slags are good enough
perhaps their skanks and far too rough
Slags called Kim, must be so tough
When Ryan does not get enough

Not slags called Julie, Emma or Jane
Jodi and Rachel must be too plain
Just try Michelle, are you insane ?
Limiting tarts is loss not gain

Is Ryan partial to whips and chain ?
And Kim obliges him with pain
Kim must be different with the cane
It's no wonder he wants Kim again

Kim maybe great, from where your stood
She's just a ****, who likes hard wood
Come on now Ryan, you know you should
There's other slags that's just as good