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1
Flood-Tide below me! I see you face to face!
Clouds of the west—sun there half an hour high—I see you also face
   to face.

Crowds of men and women attired in the usual costumes, how curious
   you are to me!
On the ferry-boats the hundreds and hundreds that cross, returning
   home, are more curious to me than you suppose,
And you that shall cross from shore to shore years hence are more
   to me, and more in my meditations, than you might suppose.

2
The impalpable sustenance of me from all things at all hours of the
   day,
The simple, compact, well-join’d scheme, myself disintegrated, every
   one disintegrated yet part of the scheme,
The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on
   the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to
   shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the
   heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half
   an hour high,
A hundred years hence, or ever so many hundred years hence, others
   will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the
   falling-back to the sea of the ebb-tide.

3
It avails not, time nor place—distance avails not,
I am with you, you men and women of a generation, or ever so many
   generations hence,
Just as you feel when you look on the river and sky, so I felt,
Just as any of you is one of a living crowd, I was one of a crowd,
Just as you are refresh’d by the gladness of the river and the
   bright flow, I was refresh’d,
Just as you stand and lean on the rail, yet hurry with the swift
   current, I stood yet was hurried,
Just as you look on the numberless masts of ships and the
   thick-stemm’d pipes of steamboats, I look’d.

I too many and many a time cross’d the river of old,
Watched the Twelfth-month sea-gulls, saw them high in the air
   floating with motionless wings, oscillating their bodies,
Saw how the glistening yellow lit up parts of their bodies and left
   the rest in strong shadow,
Saw the slow-wheeling circles and the gradual edging toward the
   south,
Saw the reflection of the summer sky in the water,
Had my eyes dazzled by the shimmering track of beams,
Look’d at the fine centrifugal spokes of light round the shape of my
   head in the sunlit water,
Look’d on the haze on the hills southward and south-westward,
Look’d on the vapor as it flew in fleeces tinged with violet,
Look’d toward the lower bay to notice the vessels arriving,
Saw their approach, saw aboard those that were near me,
Saw the white sails of schooners and sloops, saw the ships at
   anchor,
The sailors at work in the rigging or out astride the spars,
The round masts, the swinging motion of the hulls, the slender
   serpentine pennants,
The large and small steamers in motion, the pilots in their
   pilothouses,

The white wake left by the passage, the quick tremulous whirl of the
   wheels,
The flags of all nations, the falling of them at sunset,
The scallop-edged waves in the twilight, the ladled cups, the
   frolic-some crests and glistening,
The stretch afar growing dimmer and dimmer, the gray walls of the
   granite storehouses by the docks,
On the river the shadowy group, the big steam-tug closely flank’d on
   each side by the barges, the hay-boat, the belated lighter,
On the neighboring shore the fires from the foundry chimneys burning
   high and glaringly into the night,
Casting their flicker of black contrasted with wild red and yellow
   light over the tops of houses, and down into the clefts of
   streets.

4
These and all else were to me the same as they are to you,
I loved well those cities, loved well the stately and rapid river,
The men and women I saw were all near to me,
Others the same-others who look back on me because I look’d forward
   to them,
(The time will come, though I stop here to-day and to-night.)

5
What is it then between us?
What is the count of the scores or hundreds of years between us?

Whatever it is, it avails not—distance avails not, and place avails
   not,
I too lived, Brooklyn of ample hills was mine,
I too walk’d the streets of Manhattan island, and bathed in the
   waters around it,
I too felt the curious abrupt questionings stir within me,
In the day among crowds of people sometimes they came upon me,
In my walks home late at night or as I lay in my bed they came upon
   me,
I too had been struck from the float forever held in solution,
I too had receiv’d identity by my body,
That I was I knew was of my body, and what I should be I knew I
   should be of my body.

6
It is not upon you alone the dark patches fall,
The dark threw its patches down upon me also,

The best I had done seem’d to me blank and suspicious,
My great thoughts as I supposed them, were they not in reality
   meagre?
Nor is it you alone who know what it is to be evil,
I am he who knew what it was to be evil,
I too knitted the old knot of contrariety,
Blabb’d, blush’d, resented, lied, stole, grudg’d,
Had guile, anger, lust, hot wishes I dared not speak,
Was wayward, vain, greedy, shallow, sly, cowardly, malignant,
The wolf, the snake, the hog, not wanting in me.
The cheating look, the frivolous word, the adulterous wish, not
   wanting,

Refusals, hates, postponements, meanness, laziness, none of these
   wanting,
Was one with the rest, the days and haps of the rest,
Was call’d by my nighest name by clear loud voices of young men as
   they saw me approaching or passing,
Felt their arms on my neck as I stood, or the negligent leaning of
   their flesh against me as I sat,
Saw many I loved in the street or ferry-boat or public assembly, yet
   never told them a word,
Lived the same life with the rest, the same old laughing, gnawing,
   sleeping,
Play’d the part that still looks back on the actor or actress,
The same old role, the role that is what we make it, as great as we
   like,
Or as small as we like, or both great and small.

7
Closer yet I approach you,
What thought you have of me now, I had as much of you—I laid in my
   stores in advance,
I consider’d long and seriously of you before you were born.

Who was to know what should come home to me?
Who knows but I am enjoying this?
Who knows, for all the distance, but I am as good as looking at you
   now, for all you cannot see me?

8
Ah, what can ever be more stately and admirable to me than
   mast-hemm’d Manhattan?
River and sunset and scallop-edg’d waves of flood-tide?
The sea-gulls oscillating their bodies, the hay-boat in the
   twilight, and the belated lighter?

What gods can exceed these that clasp me by the hand, and with
   voices I love call me promptly and loudly by my nighest name as
   approach?
What is more subtle than this which ties me to the woman or man that
   looks in my face?
Which fuses me into you now, and pours my meaning into you?

We understand then do we not?
What I promis’d without mentioning it, have you not accepted?
What the study could not teach—what the preaching could not
   accomplish is accomplish’d, is it not?

9
Flow on, river! flow with the flood-tide, and ebb with the ebb-tide!
Frolic on, crested and scallop-edg’d waves!
Gorgeous clouds of the sunset! drench with your splendor me, or the
   men and women generations after me!
Cross from shore to shore, countless crowds of passengers!
Stand up, tall masts of Mannahatta! stand up, beautiful hills of
   Brooklyn!
Throb, baffled and curious brain! throw out questions and answers!
Suspend here and everywhere, eternal float of solution!
Gaze, loving and thirsting eyes, in the house or street or public
   assembly!
Sound out, voices of young men! loudly and musically call me by my
   nighest name!
Live, old life! play the part that looks back on the actor or
   actress!
Play the old role, the role that is great or small according as one
   makes it!
Consider, you who peruse me, whether I may not in unknown ways be
   looking upon you;
Be firm, rail over the river, to support those who lean idly, yet
   haste with the hasting current;
Fly on, sea-birds! fly sideways, or wheel in large circles high in
   the air;
Receive the summer sky, you water, and faithfully hold it till all
   downcast eyes have time to take it from you!
Diverge, fine spokes of light, from the shape of my head, or any
   one’s head, in the sunlit water!
Come on, ships from the lower bay! pass up or down, white-sail’d
   schooners, sloops, lighters!
Flaunt away, flags of all nations! be duly lower’d at sunset!
Burn high your fires, foundry chimneys! cast black shadows at
   nightfall! cast red and yellow light over the tops of the houses!

Appearances, now or henceforth, indicate what you are,
You necessary film, continue to envelop the soul,
About my body for me, and your body for you, be hung our divinest
   aromas,
Thrive, cities—bring your freight, bring your shows, ample and
   sufficient rivers,
Expand, being than which none else is perhaps more spiritual,
Keep your places, objects than which none else is more lasting.

You have waited, you always wait, you dumb, beautiful ministers,
We receive you with free sense at last, and are insatiate
   henceforward,
Not you any more shall be able to foil us, or withhold yourselves
   from us,
We use you, and do not cast you aside—we plant you permanently
   within us,
We fathom you not—we love you—there is perfection in you also,
You furnish your parts toward eternity,
Great or small, you furnish your parts toward the soul.
Big ships, small ships, yachts and dingeys
Floating across the mighty sea
Carving their way, displacing their weight
To keep afloat the Captain and First mate.

Old ships, new ships, schooners and cruise liners
Have crossed paths throughout the ages old
Once to explore, make claim, pirate and fight
Now to wine and dine on a luxurious bite

Salted beef, rock hard bread and weevil-friendly biscuits
A 3 course meal fit for Old Salts alike
Weevils & worms and bugs of all kind
Along with sparse portions of meat, you might find

French wine, filet mignon, sushi and pastries
Buffets and fine dining, variety is key
All you can eat, whenever you'd like
No chores, no work, just eating all night'

What a contrast exists between these two worlds
Only 2 to 300 hundred years apart
Once grimy, risky, arduous and fraught
Now fancy, lazy, and much to be bought

What if the Old Salts could teleport to today
And live aboard our floating hotels?
With no masts to climb or sheets to tend
Would they break or would they bend?

I suppose that switch would be easy enough
But send us back to Pirate-ridden waters
You'd be sure never to hear from us again
Swabbing the deck would **** us alone
Not to mention the food and disease of back when.

- BPW 
Dec. 11, 2013
Aaron Kerman Jan 2010
“Everybody has won, and all must have prizes.”- Alice in Wonderland

“Everyone knows it’s a race, but no one’s sure of the finish line.”
        -Dean Young, “Whale Watch”

1a
Children rarely listen to any armchair advice from their immediate family, relatives they commonly have contact with or anyone they haven’t known for more than a couple years because in kindergarten or day care they often got gold stars just for showing up… Little glittering prizes plastered on poster boards in elementary school classrooms regardless of grades or mistakes…


1b
On the windy day when you lower the green jet-ski instead of the good one, race it to the north end, out of the safety of the bay, into the choppy waters, you’ll get bullied by the wave’s splash like the cattails of a whip. The lake will overwhelm you; you’ll inhale some of the water,  a sharp pain will course through your body as you try to breathe those short shallow breaths, which you will force yourself to do as seldom as possible. You will cough and keel over on the craft; It’s not uncommon to spit up blood; you will have to return to the dock and raise the jet-ski back onto the boatlift.  You will stub your toe on the cracks in the planking, stumble and get a splinter in the ball of your foot heading towards the deck but won’t notice. All feeling numbs against water trapped inside your lungs.


1c
Jackie Paper’s mother made him a hotdog with potato chips and served it to him on a plastic plate outside so he could enjoy it on the newly refinished deck while he watched the schooners and speedboats, stingray’s and ski-nautique’s jet in and out of the bay. He didn’t wait five minutes after he finished to fly from the deck onto the dock into the water where he free styled too far and got a cramp. His mother almost lost a son that day.



2a
If wet some recommend running around the shore of the lake until the air has thoroughly dried you off. Listening to the gulls dive and racing through the varying levels of grass on the neighbors’ unkempt lawns, in between the oaks and elms, keeping ever mindful the sticks and stones and acorns that litter the ground in lieu of stubbed toes or splinters. You will most likely fail, but you will get dry.


2b
When you **** your big toe on the zebra mussels while wading in the shallows, near the seawall beside the dock, trying to catch crayfish and minnows darting between the stones underneath the water, and the blood doesn’t stop flowing for 10 minutes and the H2O2 bubbles burgundy on the decks maple woodwork, instead of that off white color it usually bubbles, and stings something awful, don’t be a little ***** about it.  It’s your own fault for leaving your aqua-socks on the green marbled tiles in the foyer closet next to the bathroom; where you changed into your bathing suit and got the bottle of peroxide.


2c
Last winter Christopher Robbins drove his red pickup on the ice (near the island, towards the North end, where even when it’s been freezing for weeks the frozen water seldom exceeds six inches in thickness) at night and fell through.  He felt the cold water enter his lungs.  Although it was snowing and no one had noticed he survived; it took him the whole of an hour to reach the nearest house and call home; he lost his truck and suffered from severe hypothermia and acute pneumonia. At the hospital it was determined that while there was ample evidence of the early onset of frostbite in his extremities, amputation would not be necessary.


3a
While sitting Indian style on the dock next to your friends, settled on the plastic furniture, sipping whiskey and beer, comparing scars assume, no matter whose company you’re in, that yours are the smallest. Those cigarette burns running down the length of your right forearm are self-inflicted and old- reminders that you haven’t had to force yourself to breathe in quite some time.

3b
When you jump off the end of the dock you’ll forget to keep your knees loose because you were running on the wooden planks trying to avoid the white weather worn and dirtied dock chairs and worrying about getting a splinter. The water is inviting but during the summer the depth is only three feet four inches. You will roll your ankle at the very least and probably sprain it because, Like an *******, you locked your knees and jumped without looking.


3c
Two summers ago Alice was tubing behind a blue Crown Royal when she hit the wake at an awkward angle and flew head first into the water in the bay a few hundred feet off the dock at dusk. The spotter and driver simply weren’t watching and the wave-runner didn’t see her due to the advancing darkness.  She cracked her head open on the bottom of its hull; swallowed water.  She needed 70 stitches and several staples but Alice made a full recovery.


4
Mothers often tell their children to should chew their food 40 times before swallowing to aid digestion and to wait a full half hour after eating before engaging in physical activity. Especially swimming.


5
When you’re at the lake house this summer skipping stones swimming and running on the dock remember not to listen to any advice.  

If this were a race to get dry you’d be much closer to first than last.

The internal bleeding eventually stops.  The splinters all get pulled out, staples and stitches are removed, lacerations heal and the feeling returns to the fingers and toes.

The water eventually drains from the lungs and only the scars remain:

Gold stars on poster boards;

because everybody has won, and all must have prizes.
On the cold solstice
the velvet magnet
of Luna's magic
pulls

quietly urges

whispering
gentle spells
into dreamy ears

compelling
her lover
to rise
quixotically
coaxing
him from
the warm sleep
of winters
first night slumber

she summons
a willing lover
inviting him
to follow
her stark
alluring light
illuminating
the lonely blackness
of a bleak universe

her
seductive powers
transcends distances of
a thousand solstices

her
resounding light
a sure mark
braces any weakness
emboldens desire
guiding the bidden
to unforeseen
destinations

standing
in your presence
my face is flush
reflected by your
resplendent light

my heart
broiled
by your
vexing
radiance

the roiling tide
of a midnight reverie
ebbs
as my
earthen shadow
begins to pass
over your
indelible
whiteness

I witness
my dark countenance
eclipse your light

defiling you
fearing
to forever
mark your
effervescent silver
with the baseness of me

without shame
your smile
allays my fear

you understand
you anticipated
the expression
of my
coy reticence

a sweet chant
sings
unencumbered
reveries
gently
reassures
you've danced
through many
moonlit nights
with eager lovers
only to return again
in virginal whiteness
across the
endless cycles
of time

released
relieved
abandoning
all restraint
now
I
summon you

my blackness
your whiteness
breeds a
sensuous
orange
sweeter
then an
open mango

she rules the sky
a celestial monarch
forcing Mars into
a sheepish retreat
commanding
mighty Orion
to sheave his sword
while
Venus
seethes
with envy

my form
begins to swallow
your lines
and
soft curves

my blackness
disappears
into
inviting cracks

falling into
dark creases
the soft billows
sweet mounds
voluptuous craters
gay playgrounds
for my mouth
mysterious hillocks
eagerly explored
with hands and
limbered fingers

a quixotic Eros
the scent of spice
swells in my head

everything
enveloped
like a
holy ghost
playfully gaming
hide and seek
radiantly moving
through
darkened canopies
of a lush forest

nostrils fill
with
tang of spice
a scent
of Caribe

face buried
in thick tresses
of maddening blackness

becoming unhinged
by eyes speaking
a thousand languages
as lips whisper
joyous whimpers

a silent kiss
of an orange lit night
writhing bodies
splayed together

ravenous tendrils
shape sloping
cloud pillows

quivering lips
unveil smiles of
alabaster pearls

mocha darkness
sambas through
the night

she exhales
her lovers name

Luna bathes
her cinnamon curves
in delicious
mango light
offers generous
dollops
of ******

peeking
baying
drifting
I cast off
onto a sea
of lucid dreams

drinking from
a dark aureole
as the tresses
of her
sweetened nest
moistened my member
in a sacred communion
to a hungry lovers mouth

her dancers legs
slim, supple
unbounded
and open
sweet to taste
smooth
so soft
to touch

the fullness
of our rumba
se los tango
con cha cha cha

light steps
close caress
kinetic commotion
wild laughter
fills the sails
of bold schooners

Luna's smile
commands
the seas
to heave

un poco loco
ola de feliz
los hablamos
un contrara
la estas
la esta

the lavender sky
of the mornings
twilight
inspire
Meadowlarks
to herald
the emerging day

still
drunkenly swigging
loves nectar
sleep creeps closer

confessing
small regrets
she fell
victim
to passion again

Luna
comes back
to her lover
pets his chest
with delicate fingers

in a voice
as light as air
she sings
a poem
into his ear
of passionate nights
beauteous art
longing to express
heartfelt truths

The mango consumed
Luna's whiteness returns

my shadow recedes
into inconsequential
nothingness

naked
I stood
sadly witnessing
the dark horizon
overtaking
my fleeing lover
swallowing her
in tiny bits
as morning drops
a final veil
over the face
of a now
vanished love

Music Selection
Grant Green, Moon River

jbm
Oakland
1/19/11
Nat Lipstadt Aug 2015
Oliver Sacks passed away today, August 30, 2015
He asked the best questions
and never stopped seeking ever better answers.
Perhaps now, richer, he has them,
but this world is surely a poorer place indeed.
~~~

"And now, weak, short of breath, my once-firm muscles melted away by cancer, I find my thoughts, increasingly, not on the supernatural or spiritual, but on what is meant by living a good and worthwhile life — achieving a sense of peace within oneself. I find my thoughts drifting to the Sabbath, the day of rest, the seventh day of the week, and perhaps the seventh day of one’s life as well, when one can feel that one’s work is done, and one may, in good conscience, rest."

Oliver Sacks


I hope you read the entire essay at the URL below.

~~~
humble humble,
mine own own muse~jester
self-mocking, calling me out,
giving oneself the *******,
who you?

indeed,
you, the greater fool,
utilizing, thriving on self-contemptuous thoughts,
you are no Oliver Sacks,
what are you doing
messing with his essaying?

go back to being
a standardized human,
spilling the detritus of thine mortal coil,
that employs you as a full time slave,
a scab-working seven day affair,
is that not sufficient?

you,
in your sixth
decaying-decades-day,
forsook the ancient Sabbath long ago,
keeping it for ****** rest,
cheaply tired from the liturgy of
straitjacketing of do's and dont's
of excruciating detail,
that put only distance tween
you and your
essential spiritual oils

Sacks invades directly my eye's clouded storage,
now, two brains cross-wired,
histories,
his story, my story,
all too familiar,
almost indecently similar

here I am,
nearer my god than thee,
on this Sabbath day
of my ancestors,
(a hand-me-down gift to the world's conceptual heritage sites)
working hard,
as an everyday day laborer,
looking for work on street corners,
busy busy searching my conscience,
angel wrestling,
sacked
by questions -

when is
one’s work done,
and when,
when may one,
in good conscience,
rest?


this poetry writing, is it not work too?

work,
a violation of the Sabbath commandment,^
even if it is of no great matter,
for by now,
this lifelong dialogue internal
this contradictory poetic dialectic
which has yet to justify the emotive words
final or finished,
is a seven days of the week affair,
undeserving of a day of rest

~~~

as I essay out this Sabbath working poem,
in a place of beauteous, natural calm,
it's so easy to agree with the
passing schooners,
all whispering,
via genteel southern breezes,

later, not sooner,

no need to decide, let it ride,
answers will come,
perhaps, all on their own,
perhaps, all on that day
when you're within
hailing distance,
in a flailing,
failing-voice-recognition way,
of the shores of the
Isle of Surcease

the answers will come
contemporaneously,
when you have leave to
exorcise from your calendar,
Siri's spouting, inexorable,
pop-up perpetual reminder
that today's first thing
on your
to do list is:

"live a life  of
good and worthwhile"
**

for then,
you will have all the answers
for the Oliver questions
that need perpetual asking



Finis
~~~

^ "Remember the Sabbath day, to keep it holy. Six days you shall labor, and do all your work, but the seventh day is a Sabbath to the LORD your God. On it you shall not do any work, you, or your son, or your daughter, your male servant, or your female servant, or your livestock, or the sojourner who is within your gates."
~~~

http://www.nytimes.com/2015/08/16/opinion/sunday/ol­iver-sacks-sabbath.html

~~~
Aug. 15, 2015
Shelter Island
for Ursula,
who I think of whenever
I read this
Rangzeb Hussain Aug 2010
Madness round about us and no one knows,
Memories of ember fired trust,
Watch them, these entombed brains,
Piano sonata, violin concerto, torn notes,
Who are the ******, them or us?

Madness, insanity, absurdity, irrationality,
Craziness, dementia, stupidity, psychosis,
Senility, fanatical, deranged, mental,
Foolishness, hysterical, delusional, frenzied,
Psychotic, maniacal, lunacy, neurosis, disordered,
Take these notes and from them weave
A hymn to chaos.

And so here it begins...

Bee bar locked up honey sting hive,
For them that have wept grains of sand warm yet wet,
In that dark distant horizon mountain bark,
Onion quake cuts splash serrated blade,
Insanity uncorked frothy so seeps humanity.

Orphan sky spits pregnant daggers drip,
Wing plucked harpies never will sing,
Dead sailors salted lie in silken mermaid beds,
Schooners sail the scattered chase round the horned tail,
Skulls bubble air sockets freed from cloven trouble.

Roads webbed spiralled butterfly miles of bottled lies,
Venom harvested acres baked into medicine,
Undone years plunged inside veins popped into mouths,
I loved you know,
No, no, you did not know for all eternity.

Hope filed cabinet all lost my ghostly dancer,
Rooms silver sunned windows seared,
Playground memories brim on the haze,
Smoke fogged pipes puffed clouds,
Asleep amongst trees over green glass grass blades frost.

Hold fingers to hands strange,
Notes ring around maze tower of desires,
Low sands but tides rise and torrents break or fall,
Alone we enter same goes exit,
Midnight clowns ****** into dreamscapes.

Creased rage silver ironed steam brains,
Unfurl flags red and painted war pain,
Impotent artful eye with sedated lust,
Boil drum not loud remember to listen,
Say less, speak more, silence best of all.

Galleons crawl upon the divided cloud docks,
Look there, point to starboard land ahoy,
Deep bosomed tear slaked shore,
Sense mixed universe reduced to a tick-tock,
Never shall it stand, withered time no glance past.

Adios, fare thee well, goodbye, auf wiedersehen,
Tongues weep, eyes talk, observe tender songs silence,
Contradiction philosophises perplexing paradoxes pure,
Marbles, one and all, drown in the air,
Narrow, so narrow are those who judge all.

Sin to fear and all is terror called,
Wanton doves warble tunes broken,
Afraid I was, too wrapped in fear coiled I,
To know fright and bride forsake,
Never were holes deeper dug.

Reason not the rhythm nor rhyme,
Pandora, oh Pandora, what hast thou done?
Stare upon thy casket coffin spread-eagled,
Fire stealer Prometheus universal milk burns,
Gorgon Medusa snake dancer charmer seducer.

Silent bones drum against skin, wake up fool!
White winged dove blood red beak suite,
Humbled blood sore butchered vows vain,
Then as now silent partner is all,
Meant so much more you were.

Rapier, pistol, kiss and hold, to my temple place,
Slash, bang, smack and rake, let matter escape,
What uncharted continents we all are,
Walls rise hand bricked high over hill and sky,
Dilated screams of the civil dead no wall can cage.

Tears glitter sky to earth,
Seeding jewels amongst dung natural,
Fountains colour horizon wide,
Sanity transfigured stitched, haggled,
Eternal slaughter diamond edged sold.

Torquemada burrows rib cracked skin blood,
Skeleton tomb dust for leprosy romance,
Wail now poor Quasimodo tongue-tied,
No one to keep company but rat bones,
Unborn, forgotten, locked and barred.

Hush there! Let there be deafening silence,
Lie, cuddle snuggle, caress dark death,
There, still now, wipe away sleep,
Space time galaxies born in minds beyond measure,
Planets die, titans die, you and me we all certify.

Madness here! She creeps into bed mine,
Yours too! Oh, how richly embraced we,
Paris Town cellars breed inmates,
Lice tea stirred drunk and promises sung,
Escape none, trapped all, sky above and death underfoot.

This asylum madness no wall can hold,
Floats into night skies and into ears young,
Oh no, goodness no, you cannot out keep it in,
Destroy the house of madness you cannot,
Dost thou fear thyself knave? ‘tis merely a jest most musical,
All the chords sprinkled peppered and cast asunder.*



©Rangzeb Hussain
ell Dec 2014
when the leaves are turning red,
time is rife with parting words
as we say goodbye instead

of hello to fleeting birds,
and the schooners out at sea.
time is rife with parting words.

hidden in the poetry,
of the gypsy butterflies
and the schooners out at sea.

then return with stronger ties,
to the pattern in the wings
of the gypsy butterflies.

an imagination sings,
bland acoustics of an ode
to the pattern in the wings.

branches creaking secret codes
when the leaves are...
I usually hate rhyme and I probably over edited this for fear of judgement but here is my first post :) Feedback welcome
Night Flyer Jun 2014
The misty firmament above in the hours before the rising sun,
Swirls patterns deeply etched into the grey sky,
Windy realm of night with its soaring echoes,
A play of wind, clouds and dancing moonlight,
The spirits of the ages play, spread across the invincible night,
They play unseen, yet fill the Arcadian meadows with their presence,
To the wind, they vow a burning promise,
To the night, their unquenchable energies,
In the windy sea sky, adrift with misty cloud schooners,
The season of the Solstice sweeps her glowing gown,
Drawn by oceanic breezes,
Her midnight tempest spawns vaporous clouds across the gloomy moors,
Her Druid song haunting the moonlit fields,
This swirling mirth of darkness strips the tired senses spellbound in these seasons of the night.
Some years ago I used to read my poems at Stone Poetry in Cambridge, MA. When I read this one, they made a video of it. Hope you like.
https://www.youtube.com/watch?v=lW_WVk-aleY
Chase Graham Jan 2015
Our house is full of ships. A painting on each wall.
Some schooners, racing single sails,
18th century warships, some American,
some French, most British

and captained by Nelson. There are fishing boats,
less although, they're lining the staircase
leading down towards the basement.
The bathrooms house small

single frames, big enough to fit in your palm.
Maybe 25 portraits or so. All of them going fast,
the water rushing beneath the bow,
cutting through black-blue waters.

These were painted, hand-drawn and hung
by my father. Now a financial advisor. And cold.
But underneath, I know, still loving.
I haven't seen his brushes, his paints.

But he drew these boats years ago.
And I can't stop thinking,
every-time I ****, wash hands or ****,
about the artist he was and why paint these ships.
Come Home Great Wind
your absence saddens
the hearts of many people

we no longer
share the blessed
abundance with you
at the dinner table
the bread of our lives
has grown stale

the rooms of our house are
bereft of your laughter

the music of your
voice fails to adorn
our ears

your songs of
happiness have
evaporated from
the air

your beautiful smile
no longer lights the
dim hours of the day

your certain friendship
is a sharp loss for all who
who trust in your love

there is a great gap
in the hearts
of those that love you
all are crestfallen
that you are not
among us

Feeds Us with Maize
fills her serving bowls
with tears of anguish

Blue Fox swims
across oceans in the
search for you

Little Feather
soars with heartache
in his flight to find you

Lighter than Air
leaps atop
the worlds
greatest peaks
hoping to discover
the crag you may
have fallen into

Clouds cover
the keen vision
of Moon Eyes
he detects no
sight of you

Startled Bear
traverses endless
roads seeking you
all he finds is the
emptiness of
his heart

Sweetpea waits
by the door, hoping
you’ll soon step
across the portal
of a loving sanctuary

Dearest Great Wind
we know your benevolent
spirit is large, your selfless heart
open and eager to care for the
Good Earth and
all God’s Children

when you have
finished filling
the sails of
bold schooners
traversing great lakes

when you have swept
the streets of leaves
marking the march
of a new season

when your exertions
have melted the
snow of winters
hardships

when you have completed
scattering seeds across
the Great Plains so we may
sow next seasons bounty

when you have filled
the lungs of a newborn
with a first blessed breath
or anointed the infirmity
of the aged with a tender touch

when your compassion has
kissed the fevered forehead
of a homeless mother and
nurtured her children
with a gentle breeze

when you have filled the trumpets
hailing righteous justice and
alighted the soothing flutes
with a healing balm

come home Great Wind

we know you are at
home in everyplace
you travel

every village and tribe
welcomes you as a
beloved sister

we ask you to return
to your ancestral home
where you grew
into the loving presence
you are today….

fill our banners
with the pop of joy again

ring the wind chimes
with the echo of your presence

fill our hearts with
the melodious love
of your songs

your bed is prepared
a wholesome meal awaits
Sweetpea remains
vigilant in her watch
the family circle
waits to embrace
you again

Great Spirit
if it be your will
align her compass
to direct her home

steer the weather vanes
to the cardinal points
to show her the way

Come Home Great Wind….

Selah

Music Selection:
Jimi Hendrixs
Wind Cries Mary



Easter 2015
Oakland


dedicated to the spirit of Meg
and a prayer to lead her home…

Great Wind is Meg’s Indian name
Feeds Us with Maize, Heidi
Blue Fox, Glen
Little Feather, Patrick
Lighter Than Air, Nish
Moon Eyes, Ned
Startled Bear, jbm
#FINDMEG
My daughter Meaghan Elizabeth McCallum has been missing since March 10, 2015..... This is a prayer to lead her home....
Facades rise in memory.
Paint peels, marble columns lean,
Rain drowns piazzas.
The bridge of sighs moans in sorrow.
Windows stare sightless into the past.
Cats remember the rustling of silk,
jeweled hands tending morsels,
magenta robes, the cloaked,
the caped, flash of daggers in starlight,
the glory on sun drenched Sundays
when church bells summoned the faithful.

Morning sun bounces off golden domes,
water shimmers a crisp mother of pearl.
Gondolieri untie boats from painted poles,
swiftly ferry their fares in narrow vessels,
pass through the shadows of bridges.
Navigate the water webbing the city,
pass slow laboring barges with overflowing loads.
White seagulls crisscross an expanse of blue.
Shouted greetings echo.

In the white palace, laced with marble columns,
painted ceilings in wood paneled rooms tell stories.
Rich and poor bow to the Republic’s justice.
Doges in pointed hats, crimson robes,
cast fate from bejeweled hands.
Ornate basilicas, simple stone chapels, ensnare sinners.
Priests give absolution behind velvet curtains
in musty confessionals reeking of secrets.
Jews marked in red hats hurry to the ghetto.

On the dock fishermen spill their iridescent catch
from hulls of brightly painted boats.
Merchants shout of silk and salamanders in markets.
Women fill woven baskets with foreign colored bounty,
peaches beckon with pink cheeks,
grapes make sweet promises, purple plums tantalize.
Sun inhales musty smells, exhales sweet scents of basil
jasmine, mint, a woman’s sweet odor of lavender lingers.
Dogs lick cobblestones, savor every rancid morsel.
Window sills host lazy eyed cats.

Goats bloated with milk make their way,
pass baying sheep herded to slaughter
by burly men in soiled leather aprons.
Top sail schooners from far away shores,
carved bare breasted mermaids at their bow,
unload treasures. Silk and spices, chained trunks,
casks of sweet wine, gold will fill coffers.

Vines dig roots deep into walls, cling in crevasses,
perfume courtyards with intoxicating smells.
A flock of small yellow birds alight from rose bushes,
drink from a tiered fountain.
Cascades of faceted crystal spills
from the mouths of carved fishes,
stone maidens’ urns. They display their charms,
smile wistfully, wish away pigeons perched on their heads.
Lovers pass, exchange furtive glances, dream of night.

Dark sweaty men push a barge with a coffin
draped in gold threaded brocade, blood red roses.
A priest at the bow, a cross encased with jewels
catches the light in a blinding reflection.
Altar boys swing shiny vessels, incense permeates the air.
High voices intone monotonous chants.
Mourners follow in gondolas, sway in a rhythm of grief.
Black silk shines. Under veils tears streak
white chalked faces, red lips know of secrets.

Celebrants toast a newly wedded couple
with sweet scented deep ruby red wine.
Boar roasts, seasoned with sage, rosemary and thyme.
Round loaves of bread crust in a brick oven.
Pairs spill into the street, dance a joyful pavane,
pounding the cobblestones to the sound of tambourines.
They freeze in a moment in silence,
watch the funeral procession,
make the sign of the cross, return to their feast.

Now canals choke in mud.
fight ruin in oil slick stagnant waters.
Palazzos put on a false-face,
prostitutes heavily painted.
Greedy currents lick at foundations,
slowly swallow remains,
**** them into hostile marshes.

The Campanile rings the hour.


Cristina Umpfenbach-Smyth     July 2010
Pain in the thighs
from the endless straddles
Pin ****** in the ribs
from a poorly made white willows dress

All are things much desired by a pudgy adolescent female  
A garment of ill conceived freedom
An illusion
Of frolic in utopia

It was just a small gate way to the mud caked feet
And into the auto eclipses
Of stargazing zombies
Those still relied on vintage kaleidoscopes
All Full of cracks

See in her bleeding ignorance
the shores still remained open
Turquoise schooners unleashed

The tree tops were still aching to be claimed
Reincarnated as a paradise for attractive drifters

Not even the all mouth beasts
can contain her patented enthusiasm
The straw huts break for assembly
under a tiny hand

Too bad the cracks have been secured
The air was kept to boil
and stain the linoleum
Echoes of a puritan called to action

The streams soon hardened
to form plastic shelving
And the orange flowers collapse
to form packing materials

Onto the plastic shelving is were we placed the books
The books that know that freedom
is just copy right infringement
And life is a micromanaging instruction
Designed to make workers eat their own demise

Grid-less prosperity
cremated in the corner of a starter home
Only an anthropologic mistake
Meant to ward of a mass pandemic of sudden infant death syndrome

The pudgy filled girl,
The comedic car and the overproduced dress

They will learn the value of a hot meal and a good *******
The dreamers almost stole her away
in their patchwork parachute
But we sent her away to Universidad
And the world is her worthless cluster ****!
The first love for me
It was always the sea.
Being lovingly caressed
Being slowly undressed
By the deep oceans call.
Being caught as I fall
Into Kingdoms below.
Where I flow
Into gleaming ravines
Into Davy Jones dreams.
And on the network of tides
I slide into rides
And slip into waves
Of mermaids and slaves.
I glide upon stallions
Sail in lost galleons
And float in with the breath
Of those swallowing death.
As the seafarers are pounded
As schooners are grounded.
And sink into the deep
In silence they keep
The first love for me
It was always the sea.

John Smallshaw 2011.
The first love for me
It was always the sea.
Being lovingly caressed
Being slowly undressed
By the deep oceans call.
Being caught as I fall
Into Kingdoms below.
Where I flow
Into gleaming ravines
Into Davy Jones dreams.
And on the network of tides
I slide into rides
And slip into waves
Of mermaids and slaves.
I glide upon stallions
Sail in lost galleons
And float in with the breath
Of those swallowing death.
As the seafarers are pounded
As schooners are grounded.
And sink into the deep
In silence they keep
The first love for me
It was always the sea.

John Smallshaw 2011.
Honeysuckle carrier churning the spring-                                              
river caladium
Easterly shear delight beyond Dresden blue visage
Windy dream mermaid sea , Brown Pelican motion
Harper Chickadees stirring Pineapple sage-
banks of thought
Tempered , smitten , physical piedmont devotion
Pisciform schooners roaming wits damask ocean
Copyright April 6 , 2016 by Randolph L Wilson * All Rights Reserved
Far down, down through the city's great, gaunt gut,
The gray train rushing bears the weary wind;
In the packed cars the fans the crowd's breath cut,
Leaving the sick and heavy air behind.
And pale-cheeked children seek the upper door
To give their summer jackets to the breeze;
Their laugh is swallowed in the deafening roar
Of captive wind that moans for fields and seas;
Seas cooling warm where native schooners drift
Through sleepy waters, while gulls wheel and sweep,
Waiting for windy waves the keels to lift
Lightly among the islands of the deep;
Islands of lofty palm trees blooming white
That lend their perfume to the tropic sea,
Where fields lie idle in the dew drenched night,
And the Trades float above them fresh and free.
betterdays Nov 2014
some days i write
rafts and barks,
kayaks and corricles.

some days, a mere log,
set hopefully upon the water.

some days, dories and yachts
pinnaces, sloops, ketches and tugboats

on rare occassions,
great two and three masted ships,
schooners and galleons
filled with treasure..

more often scows, punts
and barges,
work man like and useful,
but not alway pretty

all painstakingly,
crafted...
with planks of words
nailed together with punctuation...
and caulked, with my soul...
sanded down by thought
polished, oiled and varnished,
with love...

then i set my sails,
my inspiration,
to the mast of poetry

and push off....
into the great white yonder....
hoping my xebec...my catarmaran, my dinghy...
my log...
will find a fellow waterman....
sailing, on this...
the ocean of words.
please forgive me,
any nauticalogical mistakes
Nat Lipstadt Aug 2015
~~~
"And now, weak, short of breath, my once-firm muscles melted away by cancer, I find my thoughts, increasingly, not on the supernatural or spiritual, but on what is meant by living a good and worthwhile life — achieving a sense of peace within oneself. I find my thoughts drifting to the Sabbath, the day of rest, the seventh day of the week, and perhaps the seventh day of one’s life as well, when one can feel that one’s work is done, and one may, in good conscience, rest."

Oliver Sacks


I hope you read the entire essay at the URL below.

~~~
humble humble,
jester self-mocking, calling out, giving oneself the bird,
who me?

indeed,
the greater fool,
utilizing, thriving on self-contemptuous thoughts,
you are no Oliver Sacks,
what are you doing
messing with his essaying,
go back to being a standardized human,
the detritus of thine mortal coil,
that employs you as a full time slave,
a scab-working seven day affair,
is that insufficient?

you,
in your sixth
decaying-decades day,
forsook the ancient Sabbath long ago,
keeping it for ****** rest,
cheaply tired from the liturgy of
straitjacketing of do's and dont's
of excruciating detail,
that put only distance tween you and
your essentials

Sacks invades directly to my eye's clouded storage,
two brains cross wired,
histories, his story, my story,
all too familiar,
indecently similar

here I am
nearer my god than thee,
for on this Sabbath day
of my ancestors,
(a hand-me-down gift to the world's conceptual heritage),
working hard,
as an everyday day laborer,
looking for work on street corners,
busy busy searching my conscience,
angel wrestling,
sacked by questions -

is one’s work done,
and when,
may one,
in good conscience, rest?

this is work,
hopefully, that is not
a violation of the Sabbath commandment,^
even if it is, no matter,
for by now,
this lifelong dialogue
whose contradictory dialectical
does not contain the word
final or finished
~~~
as I essay out this poem,
(this work?)
in a place of beauteous natural calm,
so easy to agree with the passing schooners,
whispering via genteel breezes,
later, not sooner,
no need to decide, let it ride,
answers will come,
perhaps all on their own,
all on that day
when,
you're within hailing distance
of the shores of the Isle of Surcease

the answers will come contemporaneously,
when you have leave to
exorcise from your calendar's,
Siri's spouting, inexorable,
pop-up perpetual reminders,
that today's first thing on your
to do list is

"relearn the meaning of
good and worthwhile"

for then,
you will have all the answers

~~~
^ "Remember the Sabbath day, to keep it holy. Six days you shall labor, and do all your work, but the seventh day is a Sabbath to the LORD your God. On it you shall not do any work, you, or your son, or your daughter, your male servant, or your female servant, or your livestock, or the sojourner who is within your gates."
~~~

http://www.nytimes.com/2015/08/16/opinion/sunday/oliver-sacks-sabbath.html

~~~
Aug. 15, 2015
Shelter Island
SB Stokes Jun 2015
to the tune of guitars, mandolins,
bagpipes, cheap coke & hairspray
Freighters crest the punk-washed waves
the sun shines out
unaware and uncaring
Our tiny animal foibles
behemoth sub-audible
military choppers
chop the air
The air, no offense, much better
on it's own
sans commentary or guitar-fueled breaks
the promise of returning surf
silent acceptance by rock and sand
Again and again, we return
and it returns to greet anew the day
again the sun and
more importantly, the moon

And here, right here I am
phone calls and photographs be ******
to live, to breathe, and be free
this is the gift we share
the covenant we acquiesce to
life's contract:
Be here now
and then be gone
Good work done
and done again

to acknowledge human order
to rever and accept
to create, not destroy
despite what might have come before
or will come again after
Be ****** or choose not to
This is our secret
our secret treasure
kept right here
within earshot of the bored gods
spread out like bleached wood
our foibles, our suspicions,
our struggles
our gallant moments
in sunlight or in shade
we persevere and
look **** good doing it

Oh, the momentary glory
The ecstasy of our
reciting invincibility to one another
like religion or science
we accept it and trust it
and, therefore, it is true
if only for a moment

the laughter subsides
and what does it leave us?
the exhalation of waves
on shores unnamed

Things we hold so close, so near
clenched with inescapable fear
that this might suddenly end
lights out, curtain down
a dejected sigh, a knowing frown

This great place, this great land
Oh, the metal in my days
and in my hands
There was a time when
I would worry, I would fret
and wonder at what
each gesture meant
But now so much more I know
of the secret songs of our beloved coast

to think that somehow
we can digest all this
parse everything that befalls
such a joke, it is to laugh
in the shade of the cove
far from the mast
It is no joke, but more
to laugh, not to cry,
nor cower back

OOF! WHOO!
sunning & living & loving
just so
It is our way and all that we know
amid handclaps & footfalls
among cliff faces & sheer falls
we shine so solitary
& bright among the world
and its fashions

The thrill of standing so tall
against inhuman scale
its momentary humor
our highlights & travails

So much meat to manipulate
against surf & sail
from the privilege of the cove
friendship against the rocks
winds and darkness
Huddle, you beloved masses, huddle

The schooners schooning
the bay accepting
lucky our lives absorbing
the glory, yes
the glory, I said it
THE GLORY
of living today
like a grown-up
with a robot with its
hand up

Oh, the exertion
of simply being human!
Constructs of strobe lights
& nonesuch!
We claw, we dance,
we construct the armature
of the ridiculous!
We strive, we fall, we climb
imagined walls
What excellent detritus!

And now the chill descends
the shade the cove knows
only as a friend

I sit alone
construct these lines
wishing for lost loves
amid shade, sand & brine
sunken mermaids in my mind

I love the threat
they present
For me, ironically,
it's all in words
I share the secrets
that the tide keeps
in surf & loam

I look at technology
& I look away
that's how I know
I'm human
how I know
I'm not completely lost
not completely
without animal

All we can hope for
a pumpkin at sunset
& not being pathetic
with people that love us

Yes, it's a lot
good weather and foul
beacon of human remembrance
It's all we can ask for & should

(Oh, Dan Langton
how much you've simply
taught me
thru words, sure
but just as much through
sly looks & laughs

Portland you're all
houses and woods
and there's always ****
to do: so tender
to women "Beat me!
Oh Bob, beat me!")

& Motorhead prevails
on the Golden Gate coast
away from the campground
our shared & secret cove
From the book *A History of Broken Love Things*, Punk Hostage Press (2014).
‘I used to work for the council here,’
Said ‘Ripper’ Jones at the bar,
Fortified with a Beam or two
And a pint of the best, Three Star,
Trelawney winked at the barman and
The barman, he winked back,
‘We’re in for another ripper yarn,’
Said the bearded Cousin Jack.

‘They always gave me the ***** jobs,
It was always just my luck,
They’d point to me, say, ‘Ripper’s free,
Break out the tipper truck!
You know, that beast with seven gears
But only three of them worked,
The brakes were non-existent, and
The Foreman, he was a ****!’

‘We used to call him Father Time
He was always on the prowl,
Calling time to the Smoko breaks
With an ever present scowl.’
He said, ‘Pick up that giant rock
In the Commer Tipper Truck,
The ocean’s sprung a giant leak
And we have to seal it up!’

‘It took us a crane to lift this rock
It was seven feet across,
‘This mother has to be fifteen tons,’
Said my mate, crane driver Ross.
‘What did he say you need it for?’
He yelled, in a sort of screech,
‘I have to drive it down to the shore,
There’s a great big hole in the beach!’

‘The Commer sank right down on its springs,
This rock, a hell of a load,
I had to drive it in second gear
With the tyres flat on the road,
I finally made it down to the shore
And thought, ‘I must be a mug!’
The sea was circling round the hole
Like a bath when you pull out the plug.

I had to wait for an hour or two
‘Til it emptied out the bay,
All you could see was a dry seabed
For a mile or so, each way,
Then I drove the truck right up to the hole,
Thinking to tip it in,
When a giant geyser of steam shot up,
The sea was turning to steam.’

‘You know what the brakes on that truck were like,
They hadn’t been fixed for years,
I thought I’d better get out of there
Or it all would end in tears.
But the truck rolled forward, over the hole
And began to sink right in,
While I climbed out of the window there
Determined to save my skin.’

‘The truck sank down, under the rock
And it plugged that head of steam,
You could barely see the tip of the tray
When the tide came rolling in,
And that’s the rock you go fishing off,
You can say it was down to me,
While you were throwing your schooners back
I was out there, saving the sea!’

David Lewis Paget
Onoma Oct 2012
Why you...angel--why you...to peep through
the finality of white walls?
To overspread the concussed skull that bangs
against them to keep time...why you?
Why were you born against a spillage of air
in a freefall of wings?
Nothing...absolutely nothing... between your
wings, save for what you will embrace in that
freefall...why you?
Schooners rounding earth's violet aura--
dissolving into the transcontinental bestiary
of souls...why you?
You are what shone through the breakage
of humanity--you are the emanation of our
breakage...why you?
You...legions of you...fence the Romantic's
chimerical stead...only to retain the character of
what implants itself face first...as so you.
Paul M Chafer Apr 2017
An intrepid outsider just visiting London,
Smitten, dazzled, by stunning illuminations,
From within a black cab, transporting me,
Not only weaving in present day airy streets,
But through stacked layers of storied history;
Some dark, treacherous and dastardly sinister,
Some light, celebratory and blithely triumphant.

On alighting from the Hackney Carriage,
(use of the word ‘carriage’ emphasising
a vivid stretch of a willing imagination.)
Museum of London beckons, offering pleasure,
Absorbing a tableau of delightful treasure,
Engaging unfettered thoughts and feelings,
Absorbing echoed cries of distant past eras,
Reminders of who we were and who we are,
Plunging archaic depths of vicarious displays,
Delicate fingers pressing upon vibrant pulses,
Within this webbed tomb of sanitised decadence.

In the coolness of encroaching night,
She slumbers, this anchored sprawling behemoth,
Suffering barking dogs, wailing of infants,
Sweet kisses of lust in cardboard-strewn alleys,
Screeches from a gaggle of hen-partying girls,
Screams from urban foxes, cries of a feral cat,
Curtailed by hurried rumble of clattering steel,
Train arteries busy pumping, wheel to wheel,
Ferrying the masses, crammed together classes,
Silent tubes exposing the numbness we feel,
At destinations end our tensions slyly unpeel.

Busy pedestrians skirting human detritus;
Shunning, vagabonds, tramps and thieves,
Amidst intermittent beeps of frantic car horns,
Squealing brakes and hot roaring engines,
She encompasses this amorphous miasma,
Towering skyward, snaking deep underground,
A blaze of coloured light, her own silent sound,
Inhabitants ‘pigged together’ the majority above,
But many, ignored and mistreated, surviving below,
Recognised, yet avoided; pretending, not to know.

Ancient sewers, dead rivers and even deader bones,
As far back as hunter gathers, howling and rutting,
Stout wooden pilings, now sodden river sentinels,
Whilst fire-blackened-pain from early conflagrations,
Blaze through time, ashes of destruction, no deterrent,
Romans plying trades in walled Londinium’, aye,
Emotional fingerprints etched into carved stone,
Resilient through Viking and Saxon times alike,
She survives, strives and thrives, our proud Lady,
Welcoming all, galleons, tea clippers and schooners,
Surging through her carotid artery, such spoils,
For the Big Smoke, tea houses and coffee shops,
Parks and palaces, bridges, tunnels and hovels,
Where now, the bedecked Town Crier? Is all well?

Brash glitz and glamour of threatened Tin Pan Alley,
Cultural elite behind facades of Doric columns,
While Roman foundations bold form, hold firm,
Twisting through the underneath, far beyond forever,
London crunches into the future, unstoppable,
Embracing humanity in a technological fervour,
She adapts, snarls, struts, proud and confident,
Akin to a sentient beast lapping up our needs,
Feeding desires, never judging, only accepting.

My very being saturated within this teeming city,
Of the city, I’m now enmeshed in the infrastructure,
Heart, mind and spirit willingly shackled, captivated by,
Cold agglomeration of steel, glass, concrete and stone,
Wreathed in transient emotions of warm flesh and bone,
Giving and breathing life unto all, even me,
An intrepid outsider just visiting London.
Subject: to write about London as an outsider. This was accepted and published in the Wells Street Journal - issue 6
The Temptation

The girls in the bar that had floors made of
Stranded schooners timber came and sat by us
Many sailors had drowned here
On their way to Saragossa Sea their blood had
Run in the cracks on the floor
Drip, onto the sea below the colour of crimson
I looked into her eyes an evil goddess with
Green eyes yet I followed her to the rooms at the back
And she laughed when she caught me.
Medusa Mar 2018
sending you the wind in my hair, and highways
lit up so bright at night that you feel like a movie
star, and you gotta wear your cheap shades
at midnight just to get through Circus Ville

machine dreams, big rigs, perfect coffee hot
& fresh, god bless truck stops,
buy a fluffy key chain,
three pounds beef jerky, ride all night
out into the  hand-painted desert
where you know you don't belong

when the rocks turn into freighters & sail over you
like pirate schooners in the coming dawn,
& the price of your awe is more than you can afford
so you laugh, step ******* the gas, turn it up

dylan rasps out some ****** tempest tunes
all you can think of is how pure this air
he's singing about scarlet town, where you
were born, and you try to understand, but
feel it instead

because there is where you were born
listening for twining leaf & thorn
casting out for clues, in the blue vastness
of his voice in your husband's old bmw

racing through towns to nowhere
listening, breathing, playing a few rounds
of some game inside your hollow point head
before the sun comes back to the huge cacti

eats your eyes, swallows this plain

we love the feel of highway beneath us
wind everywhere, touching us in places
we need to feel something

all-american something about the car
indulgent as some old rock song
I still love, like my sharona, I am

helpless
hopeful
driving

no resist in me for you,
pulls me in every time
road and wind and that
beat

let's g-go, speeding
my lovely engine,
my sweet machine
stutter it to me
car shaking

shudders
my *****

336 miles to go
tonight

time to
ride



~a~
this is a trip I made over eight years ago, alone, first time driving a BMW, to meet my husband at a fancy conference, on a whim, and it was thrilling to drive that car, on those highways, so much so that I didn't want to stop, but just keep driving. . . . .
On the morrow of Monday
My Spanish to be switched
For I had hated Mrs. Bastida
With much and many a bliss

Walked I did
Right out of her class
Walked I did
Simply to make a switch

To my surprise I was obliged
To reconfide with the bristles and brush
To Mrs. Cacase I went!
Will to switch my motive was

To the first day
Let it be to which I sat
At a table with two
People of which
That I thought I only knew

For there was a freshy
Well maybe more than a few
But this freshys eyes
Glittered of acrylic blue

Her hair warped
Whipped as she moved
Like ***** blonde waves

That could warp a schooners powerful colored wood

There she sat
The Lines she drew
Straight to a spiral
Then a colorful a splash to go

Talked she did
Attention only grew
For she bewildered me
Her name was Briana
Briana Dampson was the one I knew.....
I wrote this poem a few years back for a girl I once loved, it made me smile to go back and see myself switch from a teacher I hated to one I loved then found this girl who had crushed me........ Nevertheless I still wrote this for her
I used to sing love songs,
but now it's just pub songs
'..down at the old Bull and Bush..'

drinking my schooners of Australian sherry
getting a bit wayward, getting a bit merry,

and I pause here to note,
those schooners were the nearest things to any ship
that I ever held dear.

I wouldn't recommend the wine
the barkeep is lucky that he ain't
doing time for selling that slop,
down at the old
down at the old?
that's another problem, too much drink and
I can't think what pub I'm in.
Water birds are flying into the western sun ,
the pool bar opens with Kentucky bourbon
The crystal telegraphing ocean turns
ever mysterious and more mesmerizing with
every shot
The canopy ***** with fifteen knot gust
Salt water pretzels and crap dip are a must ,
Long Island Iced Teas and ****** Mary's ,
Sweetwater brew , stuffed jalapeños with
a local yocal strumming the blues
The greatest generation mingles with the baby
boomers , like the shrimp boats , the yachts and the
wooden schooners* ...
Copyright February 24 , 2017 by Randolph L Wilson * All Rights Reserved
TOD HOWARD HAWKS Jun 2019
Cherries black by water
flowing, berries blue,
the hue of Father sky.
Bluffs and buffaloes
a long time ago, the
Great Spirit permeated
land and lives. Eagles
flew in hearts of men;
honest words were spoken
then. No token treaties,
no entreaties, arrows flew
like truth to hearts of
antelopes. No interlopers,
no antebellum prairie schooners,
no sooner had they come than
bison hooves were no longer
heard. They herded cattle,
making chattel of red men
and women and children.
Wild dogs knew better.

Copyright 2019 Tod Howard Hawks
A graduate of Andover and Columbia College, Columbia University, Tod Howard Hawks has been a poet and a human-rights advocate for his entire adult life.
Respite from punishing
     heat wave - yay
which above line,
     could "speak" volumes,
     and be a stand alone poem
     offering readers
     a reprieve nsync
     whence roasting, sultry,

     and torpid unpleasant
     weather since yesterday
boot such brevity,
     would disallow
     me to extemporize,
but more importantly today
this intrepid word
     smith doth "say,"

he would never
     wanna miss trodding,
     the formerly (golden
     in their heyday now sketchy),
     sections of said roadway,
now where digital electronic
    rustily hinged, abandoned,
     and gated haunting quay

a throwback, when
     private manned schooners
     (shaped like a beer stein),
     perhaps headed to Uruguay
could ply outlying
     waters of cyberspace,
     why... just yesterday
when my troubles

     did not seem so far away
versus this present opportunity
     to risk live and limb
(and Kong like wrath
     of my reed ding fans)
     while getting way
     laid "traveling as
     Wilburys soul survivor

     foreign ancient groupie,"
     the dangerous, derelict, and dicey
     dubiously dotting dilapidated,
     dark corners information
     super high way,
thus yours truly
     doth not heed,
     but flaunts like some cray

zee (NOT RICH, NOR ASIAN),
     but rather some gray
beard (grizzled), curmudgeon
     figuratively gnarled, toothless,
     and weatherbeaten lackaday
lay about good for nothing
     mellow flew wuss depraved
('cept mebbe "robbing"

     precious and special time
     of some bachelor
     farmer from Norway)
all the above
     essentially wrote for naught
merely (as diversion) to comment,
     how this September day wrought
ascent o' fought

     (a scent oh aught) tum caught
me wear'n a corduroy
     long sleeve shirt since...aye taut
a "FAKE" hungry

     Grimm gimlet eyed trumpeting lout,
     germane Don apprenticed
     how to become cannibalizing
     (without accountability) fuhrer,

(and lastly rendering enemies  
     into sweet tasting sauerkraut),
this while learning das dialect
     (tickle) Matt speak,

(which took me a lifetime),
     this preceding the
     quirky invention of the umlaut!
Bobby Copeland Jan 2020
The American dream had wheels,
Wheelwrights heating rims to fit
Linseeded spokes,
Conestogas, prairie schooners,
Bicycles and trains,
Fords and Maseratis, Harley Earle Impalas,
Coal trucks, semis, interstates
That separate the morning.

— The End —