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A solid center presages
two generous edges
to shoulder the weight
of the curve: the bow
relinquishes tension
to the anchors of the
taut bow-string.

The wayfaring archer
tends to the curve,
notches the arrow,
selects the target,
gauges the wind,
surrenders --

Riding like an arrow on the wind,      
sure to find its mark in Breath,      
and the end of Breath it portends.
      

A reveler
abiding the flirt
of angle and arc,
finite and eternal,
arbiter of the holy
moment, the dance
linking death with life;

So unbearably
near the horizons,
desire yields its grip
to the coaxing
womb of the curve: tension
sighs into the space
between arrow-head
and its mark.

And in the transmission of feeling      
is the spirit of Life,      
clinging - so gently - to free itself      
of its own burdens.
      

A sudden violence
voids archer and stag:
Continuity rushes forth
to meet the sacrifice.
The heart of the bow
resumes its tension.

And the curve
evaporates,
all but a trick
of Timing.
Mathematically inspired.

Italicized portions are from "Memory Is A Prison" (http://hellopoetry.com/poem/557707/memory-is-a-prison/), a work of automatic writing the meaning of which is further illustrated here.
Kayla Manor Jan 2012
When you're absent, I'm myself
Perhaps a bit lonelier version
No less fitful and bored
But capable of happiness

When you're here, I'm unbearable
I live for whatever piece I can get
I switch from human to pet
I'm a dog scraping leftovers off of your floor

Living for others is what I do
I'm half-dead when it comes to you
I'm a vicious, thirsty version of me
And you love it
Marigold Mar 2012
No, I never told you anything,
I knew you'd never hear.
Blocking it out from the lips of your lover, your trusted, you own voice as it echos in your head.

And I,
I never once said it.

Taking a needle from the haystack on your farm,
I sharpened the point to collect my thoughts at the tip.
And stitching delicately,
I sewed my lips together.
Now they'll never tell.
Never speak unwanted truths.

Yet I don't recall your vote of thanks.

This twisted environment is entirely unintended for life.
You prefer to live elsewhere -
Where you can twist it all to the extremes,
To the point where one more turn shatters all existence;
It's your favourite place to be.

The beauty being that any second,
Any movement,
May well induce that fateful collapse.

Show me the reality in that then,
Chosen Child, Barefooted Reveler, Ancient Rambler.
I cut you down.
I sew your lips.
I hold your hand.

Oh, my little one,
You have done so well.
If you think it will stop
Don’t
Hold on to the railing
Jump
Over the edge
Onto the sidewalk
Separated from streets
Marauding, rubber tires pummel
Surveying alleyways neglected and
Trash cans brimming with disregard
It’s lonely here, as if each pebble were a
Reveler
Ambivalent toward you
Unkempt and stiff
As if petrified and disavowed at once
Ignored, timid
Apathetic discharge
Free,
Fallen
From a short, raised canopy
Of steel
And wood and
Bones and
Dust
Chalk; dried on a lesson
Conveyed
Battalions, battalions
Marching
Avid miscreants
Scurrying
The masters couldn’t paint as fast
And each trifling matter
Marches past with
Battalions
Battalions
Battalions
And Stones
Victor D López Jan 2019
Please call back later,
I'm busy celebrating,
Don't have time for you.

That is why I'm here,
It's time to pay the piper,
For your revelry.

I'll go if I must,
You can take my life but not,
The dances I've danced.
My dad in reminiscing about his younger years used to say "Qien me quita lo bailado" a phrase he learned after emigrating to Argentina from Spain. Roughly translated it means, "Who can take away from me the dances I've danced?" All we have can be taken from us, including our lives, but not the good times shared with good friends which is precisely what he meant. That is the basis of my linked haikus here. May you and mom long dance in heaven, dad.
Beth Ivy Sep 2015
Oak Tree, she loves Thunderstorm:
His booming voice ignites desire-
When he lightens the sky and pours down drink
This ancient mother dances like fire

Her bows she waves in gladness,
Her core shivers at his touch,
His winds and torrents she counts caresses
While flowers tremble: his love too much.

Moon winks through the tempest's mantle,
Spying curious revels in the wood,
She tucks herself back behind his shroud
Leaving the dancers to their own good.

                                                 But carousing be it raucous raging as the sea,
                                                    Or gentle as the morning bells' lilting chimes
                                                          ­                All must eventually cease to be


Proud Sun calls out at dawn
To the wood on the edge of the glade.
At his voice Thunderstorm recoils
Sun's rays pierce with blazing blade.

Sun holds no reveler's understanding.
Perceiving Storm the usurper here,
He shines with mightiest will to drive
Away the love of sweet Oak Tree.

Sun turns back to comfort her, gleaming
But her arms show their age in his beams
while flowers rejoice at the dawning
Of him, the object of their dreams.

Now a sweet wind comes blowing
rustling the hair of Oak Tree's leaves,
sends tears showering: dew of last night's dance.
Oh to be a rainstorm! Oak Tree breathes.

The Sun is dazzled by the drops
Who never stood before his face.
Amidst her tears, the Oak Tree laughs
At this morning's strangest grace.
watched the oak in my yard the morning after an excellent thunderstorm. a more traditional style and structure. not my usual, but a fun experiment nonetheless.
we are in constant turmoil
Always thinking
Always judging
Over evaluating the possibilities
Life after death,
Death before life
Heaven, hell,
Twisted carnage of dreams
Thinking that there is something,
Someone to greet us
When the veil of two worlds
Distinctly apart
But woven together
Shimmers and dies away
And we ask how, not why
how can there be life after death
Dear, I must assure you
Those are questions
That will remain unanswered
La Mort n'a peut-être
pas plus de secrets à nous
reveler que la vie
*perhaps death doesn't have any more secrets to reveal to us than life.
pilgrims Jul 2019
O, shapeshifter reveal your truths which have no shape.

O, beast of all beasts: soaring swimming running hopping,
feathered furred scaled shrouded,
naked.
Claws reach for a submerged feast. Tail wriggling, caught by the sky.
Smooth skin hidden by design gracefully opens. Extending,
snatches a meal mid-flight.
Muscle meeting by chance, tooth taking sustenance. Ragged breathe torn
from one body to be worn by the next.
Highly sophisticated eyes become a snack.
Division ceases.

O, reveler!
O, peace in chaos!
O, pleasant reminder of romp!
O, devourer of the devoid,
shaping reality by way of playful lovers!
Jared A Washburn Jun 2015
I praise the reveler, the passer by who stops and shouts and sings.
There is much to revel in and much to sing and adore.
I too, despite my circumstance,
Revel and reveal my self.
My identity screams it, my little soul, being not so little, leaps over the
     boundaries leaving behind dust that was once bricks.
Sparks ignite, and more revelers see me and join in.
Ignite, ignite, ignite...the fireworks of myself explode, red, gold, white,
      red again, and blue to fade in smoke; a vaporous disappearing act,
      met by applause and thunderous recognition, a standing ovation,
      reverberating to my very core.
That, too, must fade.
Fade, but not disappear.
The rumble and aftershocks echo and last; myself lasts and lasts...
Jack D Serna Sep 2015
Clever
             creeping
                               crazy
         crass
                                            clandestine
        ­       conniving
                                   chaos...

Pardon my quietness,
I despise my voice.
If I should speak,
pardon my choice
of words describing,
revealing my limited noise
(making re-flexing
mouth) flapping
vowels, such so I entertain
entertaining, as if to
test with a swift jest
People I share acquaintance best.

Yes!
         I admire your curiosity,
much to mine,
if a human being
be a free creator divine.
But no, even so,
with all your spying...
(arid lure to my
breathless life you are denying!)
Just what information
can't you stop eyeing?
...
Stop!
Your clever charms
don't twist my arms.
Look away!
Your beguiled style
doesn't drive me wild.
Oh please!
Your confidence
appears dense.
But dare I?
Your belligerence
must penitence.
...
To what avail unveils this reveler so surreal?
I hang all my vulnerabilities on display;
Pick thy weapon, strike alas and dismay.
No business transactions here t'day.
Snap! *Flips hair**Shoulders chest out**Briskly continues walking**Grinning*
Pete Badertscher Mar 2019
Have you seen the Goddess Moon tonight?
She rises flush, the color of ancient, bleached bone.
Magnified by her own regal-ness.
She hangs above the charcoal black tree tops.
Her reflective, pale light diminishing and
intensifying as her dress of wispy, threaded clouds
moves in front of her seraphic face.

Fae, built from shadows of canopy and the sound of twigs breaking, dance in the Moon's undulating radiance-- a reticent waltz.
Not far off-- from behind me, from in front of me,
I hear the fox cry and the coyote yip.
Then a call I can not identify, a rasping,
weighted down with mass and age.
A scraping made by heavy stones grinding together.
Perhaps it is the door of the Barrow opening.
Allowing one courtesan reveler to
come pay ancient homage to the Moon.  

A night-breeze blows out of the east
carrying the smell of Ipomoea and Almonds.
In her light the Oak and Maple leaves wave and shimmer.
The forest shakes its coat of green,
waking, after a long nap.
Enraptured, I stand, letting the poetry of the moment,
the master surrealist-- my own mind, paint
impossible murals of symbolic meaning
from what I observe.

Overhead her pale Majesty receeds up,
Her magnitude reducing as her distance increased.
I watch her go...
Have you seen the Goddess Moon tonight?
A work in progress.
onlylovepoetry May 2020
what does her true voice sound like?*

going on seven, maybe eight years,
know the thumbprint of her stylish,
at twenty paces, her tower recognizable,
leaning in, she is the garden, can’t tell
where the garden ends and she begins

she opens the pages and lets slip out the
exposed flora+fauna of of her heart’s eyes observatory,
revelation unintended but wanted, she can’t be helped,
for she, both a revealer, reveler, party girl, beat poet

know her
in the bursting:  of the spring welcoming festival
in the bursting:                     of the season of loves busted unhappiness,
I know her well enough but not at all

in the sparse, frozen soil, and in the contra-blooming,
in every season, she warps my judgement,
with words unheard, unknown, the dictionary my accompanist,
what she says is a language purportedly in common, maybe not,
she takes me on a tour of her symphonic insights,
as my foreign tour guide

enwrapped, entrapped, I am, as she crooks her hair, in the
curved shape of a question mark top,
unknowing what does her voice sound like?

try different versions, a tasting menu of mellifluous, and
imagine myself to sleep, wondering and wandering,

what does her voice sound like?


off to sleep,
smiling, frowning
upside downing


11:51pm Tue May 5
Michael Archer Mar 2017
The smell is metallic,


Like the muddle of sweat and a bitter perfume


Suspended in suffocating heat.

It is unbearable.
So much like iron that I swear blood is pooling in my nostrils. 


Will it drip onto my white shirt? 


I look down—


My shirt is streaked with red. 




I hurry through the closing door. 


Something causes the fluid in my veins to run quickly.



As I walk to her apartment I consume
One cigarette
After
Another. 


My throat burns,


My mouth turns dry and thick,


But my mind clears as if with each exhale I expel a little piece of a wish.




I change my shirt and clean my face.


I am now a new, dressed-up, decaying thing.




Tonight we shall ride a wave of liquid-fueled bliss. 


Tonight we shall fold ourselves into the brightness of our vices. 

We will not see the cracks in the walls. 


We will not hear the ticking of the clock.


Waxing louder,


Waning softer,


Sounding at intervals that match the coursing of our minds—


ANGER, Ambivalence, indifference, EXUBERANCE, Belligerence, regret. 

TICK, Tick, tock, TICK, Tick, tock.




More people. 


We move from apartment to street,


From street to avenue,


From avenue to a ******* box brimming with music,


And giddiness,


And little tabs on tongues that make the air visible and electric. 



We are one with the tragic ubiquities that march down concrete paths
to tiny oblivions.
Members of an organism that feeds on the wild night. 



We do not feel the cold,


The heat,


The pain,


The worry,


The wetness of blood and spit. 



We feel only feel that which has replaced our insides: 


Chemicals,


Feigned happiness,


Perceptions of worth and importance dressed in purchased smiles,

Perceived in strobing lights. 




I think that I will make myself sick,


Or fade into a nothingness that I create. 



I think that I shall glimpse into nonexistence


Just to see what I may find.



I am afraid though. 


These conflicting moments are too much for me to bear. 


And the coming-down is like falling thirteen stories onto a bed of red  cement and broken glass

,
Where I share tales of decadence, conquest and pleasure with rats and refuse.




Later,
I see and smell everything as I sit drinking fire by a window.


I feel the earth move a little.


There is a crack. 


I hear a sound that is not a horn or a siren or a reveler’s shout.


In the crack I see a man at his desk,


Staring at a glass,


His head in one hand. 



With his other hand the desk-bound man taps a pen.
With that pen he then scribbles the following:

          A boy can hardly kiss a girl's neck and breathe at the same time, eager to break himself upon her very heart. The girl smiles because she knows that with the pulsing flood of flesh and blood the boy will leave a part of his soul inside her. A second girl weeps bitterly, for in that moment all the little parts of that boy that she had stolen with every peck and every touch are ripped wholly from her.  She weeps because her love has become a man without her. And her warm, salty tears wash over the empty bed until she feels as if she is drowning.




The man at the desk pauses,
Ponders,
Then adds:

          We love for a moment, and in that moment we promise the pain of our leaving.




The whiskey the desk-bound man drinks is nearly finished.


Its love has made him warm and content,
.
Yet after those few insidious hours,


Alone,


The pain of its leaving will be a small torture. 


His bed will be barren,


His mind will be full,


And he will make himself sick, staring into emptiness until his next plunge.
Simon Monahan Nov 2017
Part I.

The Pathways sing beneath the walk
The Stones all gibber and chatter
Even the Hills will seem to talk
But God is ever silent.

The Sun above does gladly shout
The Moon is ever laughing
Nocturnal Stars are calling out
But God is yet still silent.

The Rivers dance while they converse
The Trees cry out rejoicing
The Flow’rs and Shrubs repeat their verse
So why is God yet silent?

The warm, dark Earth sounds forth a chant
Great Waters deep are whispering
Nature declares, she won’t recant
That God is ever silent.

To hear that Voice divine I long
And yet my weeping is ignored
O God! do not reject my song
Do not remain still silent!

One syllable worth any price
“Repent ye now”,
The Angelic advice,
“Embrace God’s holy silence.”

So now, of succour sweet despairing
With girded ***** and bracèd nerves
For trials fierce and pains preparing
I wade into God’s silence.

Part II.

The roaring wheel of brass and fire which turns
Clamoring discontented mind
When hearts a break with noise would find
Rams into the sanctuary and burns.

Titan of confusion, shrieking manic
Hurling anxious darts left and right
Bitter fear of sweet, quiet night
Raises pale banners in rebel panic.

And then is swallowed by the silence of God.

And then that vicious imp, empty as smoke
With shadow flares and eye-hooks small
****** still ears with his plaintive call
Stirring bare phantoms better left unwoke.

Reveler in flight, retreating gladly
One second seen, another vanished
When from vision’s corner banished
In dawn’s clear light melts, moans, and mourns sadly.

And then is swallowed by the silence of God.

Next comes the whispering harpy snarling
With siren’s chant and feathered dance,
Star-lit promise of dire romance,
Ev’ry poison played to snare her darling.

With pitfalls, traps, and terror’s bone-deep goad
She drives the frail into her arms;
Should the pilgrim despise her charms
She falls unembraced from the narrow road.

And then is swallowed by the silence of God.

Then mem’ry’s cursèd brother, roused at last
Renews and fires old sleeping fears
Unseals fountains of ancient tears
Loosing soul-deep wolves, self-war loping fast.

He sings forgotten songs of unhealed woe
Canticles of reminding pain
Recalling weakness to the brain
Parades of shame and horrors marching slow.

And then is swallowed by the silence of God.

Now stripped and shivering the sinner lies
To vain light blind, to mean pain numb
To ****** words both deaf and dumb,
All spent, undone, to Heaven weakly sighs.

Then lo! a gentl’r sun, a fairer glow,
Voice free from the burden of clay
Sure refuge of undying day
Descends to see, to touch, to heal, to know.

And ah! to be swallowed by the silence of God!
Dada Olowo Eyo Jul 2018
Between the hours of wee and dawn,
Many a reveler throng,
The house that party built,
To mad in the jolly new year.
A Mess of Words Jul 2020
I hope you are

A star-gazer

An avid embracer

A rainy day reveler

A countless kiss craver



A cheerful heart
Filled with
Joie de vivre

And for you, I hope,
All these things
I will be

— The End —