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emily c marshman Oct 2018
I’m not allergic to bee stings – I never have been, I probably never will be – but I am more afraid of bees than anything else. More afraid than heights, than fire, than opening up to others, than death by drowning. I have been stung more times than I will ever be able to count. My skin has since grown thicker, but I remember when it was soft, and I was small. I used up the entire allowance of pain I was given for life in less than four minutes.
Perhaps I should specify that it’s not bees that I am afraid of, but wasps.
When I was nine years old, much younger than I am now, I stepped on a yellow jacket nest. My bare foot went into the hole and came out covered in their little striped bodies. There was this buzzing noise that at the time I’d thought was normal, but I now know that it was the sound of the wasps that were in my ears. They had been trying to crawl down my ear canals. I wonder if they had mistaken my canals for their burrows, and had been trying to get back to their queen, but were disappointed to find my ear drums, instead.
My sister – the same age – covered in wasps alongside me, screamed and screamed, but I made no noise. By the time I even thought to cry, I had been stung so many times it would have been pointless to weep for my swollen, red toes. I remember being unable to feel the wasps’ venom running through my veins because I couldn’t even feel my veins. If I would have cried for anything, it would have been for fear that, being unable to feel them, I might have lost track of my tiny feet. They could have walked away without my body and I wouldn’t have known. They could have walked to school and back without me.
Of course, my feet could barely walk. After my initial disgust, I watched my sister run away from where we had been standing and I knew that I should run, too. I could still feel the wasps crawling, clamoring, on my skin, in my clothes, in my hair. I remember the feeling of these bees crawling around among the roots of my hair, making themselves well-acquainted with the tender skin of my scalp. I remember being unable to get them all out of my hair before I walked into the house.
I knew that I should run, and so, balanced precariously on my numbed feet, clambered after her.
I followed my screaming sister down to our farmhouse, past my stepmother who was also screaming, even louder than my sister. I don’t remember where my father was that day.
We ran down the dirt road that led from the barns to our house, removing our shirts as we went and stopping to strip down to our underwear on the front porch. I remember the honks from cars as they passed by. I remember not knowing why they were honking, but knowing that I was angry with them for honking, for ogling, rather than stopping to help. I remember not knowing how they would help, just knowing that I needed help, desperately.
The irony of our stings is that my sister, a year later, was cast in our school’s operetta, and ended up playing the part of a yellow jacket, a sort of elementary-school-gangster, part of a group of them, who wore – you guessed it – yellow jackets and stole other bugs’ lunch money. I would say that, if the wasps that attacked me had been human, they would definitely have been after the money I used to buy Little Debbie Oatmeal Crème Pies in the lunchroom.
If I had been stung even three years later, I would have been big enough to know that one doesn’t run around in untrimmed grass with no shoes on their feet for precisely this reason. If I had been stung three years earlier, I would have been too small, and dead. So I am grateful for even the smallest of coincidences, the tiny droplet of fate that had given me those stings on that day, at that age.


I would like to talk about pain transference. In your body, nerves often run between parts of yourself you never thought would be connected. If something hurts in your elbow, it wouldn’t shock you to find that your fingers hurt as well, but if your elbow hurt and so did your lower spine? You’d be a little confused.
This is pain transference.
It’s a form of generalized pain; you can locate the pain, it’s just not coming from any one place. You can feel the pain in more than one part of your body, though there’s no reason for anything other than your elbow to ache. This is also your body’s way of protecting you from pain. It’s not that this pain is more manageable, but that it is easier to understand. Your elbow might be more hurt than the ache lets on, but you can’t tell, because your lower back is throbbing.
Now imagine your body as a hive of wasps. Imagine each of these wasps as a nerve inside of said hive-body. Imagine the queen as this hive-body’s brain. What is your body’s goal? To protect the brain. What is a hive’s goal? To protect the queen. Each wasp is born with an instinctual dedication to the queen. They must protect this individual at all costs. Your body, on the other hand, does everything it possibly can to protect the part of you that makes you so unbearably you.
Yellow jackets are social creatures. Each wasp has its own purpose in the hive, and the three different ranks within this hierarchy are the queen, the drones, and the workers. The queen (who is the only member of the colony equipped by evolution to survive the winter; every other wasp is dispensable) lays eggs and fertilizes them using stored ***** from the spermatheca. Her only purpose is to reproduce. Occasionally the queen will leave an egg unfertilized, and this egg will develop into a male drone whose only purpose is also reproduction. The female workers are arguably the most important part of the hive. They build and defend the nest.
Only female yellow jackets are capable of stinging, and wasps will only sting if their colony is disturbed. This fact is new and interesting to me. I remember thinking that it would make so much sense if the only wasps in the colony who could sting were the females. Females have a motherly, nurturing nature about them, but they are protective and willing to make sacrifices as well. Lo and behold.
The females are the nerves. They transfer the pain from the queen to themselves (and then, if disturbed, to the third-party individual who has disturbed them).
Psychics view pain transference as the transferring of pain between bodies rather than the transferring of pain between separate parts of the same body, but it works in a very similar way. Different types of energy vibrate at different frequencies; loving energy vibrates at a higher frequency than dark energy, therefore they transfer between people at different rates. Pain is simply dark energy that holds a fatalistic power over us.
According to psychics, energy can be transferred through the mind, the body, and the spirit, but pain is mostly transferred through physical touch. To transfer pain to another human being, you must touch them in a way that is not beneficial to their own or your spiritual growth.


I would like to talk about smallness. I was nine when I was stung by these yellow jackets. I was nine and the first time I’d ever been stung was at a friend’s birthday party at maybe the age of seven, behind the knee, and it’d swelled up so large I couldn’t bend my knee for two days. I knew the dangers of disturbing wasp nests; I’d watched my friends all through elementary school getting stung on the wooden playground on the premises. I, myself, stuck to swing-sets and splinters.
I was always so careful. I never went near trees if I saw a nest in its branches. My teachers had told me that I should stay away from the part of our playground made up of tires, because the hornets liked to nest in the rubber. I was terrified of being stung again after that first time because all the mud in the world didn’t seem to make a difference. The wasp’s venom, even after drying up pile after pile of soft, wet dirt, made my limb stiff and sore. I was always so careful; it seems appropriate that the one time I’d been careless, I’d been stung enough times to make up for all the times I had avoided wasps as if my life had depended on it. Maybe it had.
I was small enough when I was nine. If I had been stung at six, or three, I would have been in a lot more trouble. I would have been in a lot more pain. At nine, my stings required calamine lotion and mud for the venom, and ice baths for the swelling. At six, they might have required a trip to the hospital. At three, they would have been much more alarming, considering I had never been stung by a bee by that age.
I was careless. It was summer and I was old enough to wear denim shorts and I had kicked off my flip flops so I could feel the grass under my feet and I was careless and I was punished for it. Now I watch my cousins and my niece play outside and I have to hold my tongue, remember that I am not responsible, that I cannot prevent their being stung, their stings, no matter how badly I want to.
I would like to talk about fate. I would like to talk about how, if I hadn’t been running barefoot, I wouldn’t have gotten stung so badly. I would like to talk about how if my father had been around to tell me not to run barefoot, at least my feet would have been safe. How, if I hadn’t been too stubborn to listen to my stepmom, too, I probably would have had shoes on. How, regardless of all of these things, I probably would have been stung no matter what.
In a world where people are stung by hornets every day – where people are stung by as many as I was, at once – I would like to say that I know now that this experience is not as unique as I had previously thought it to be. I know more people than I thought I did whose trauma involves insects smaller than their pinky finger but together cover their whole body, and venom. I know people who, when I tell them I was stung by hundreds of yellow jackets at the age of nine, shrug and say nonchalantly, “Hey, me too.”
I would like to talk about smallness, and fate. I would like to talk about not only physical smallness, but the smallness one feels when they are in pain.
Belittled might be the word I am looking for. My pain wasn’t belittled, per se, but my pain belittled me.
My pain made me feel small. My pain made me feel small when I was stripping my clothes off on my front porch, cars racing by on the state highway that ran past my house. When I was running my fingers through my hair under the faucet in my kitchen sink because my sister was older and always got first dibs on the shower. As these wasps that hadn’t suffocated under my hair stung my fingers, too, until they were as swollen as my toes. My pain made me feel small when it made me pity myself.


I would like to talk about standing up for yourself as an act of causing pain.
Honeybees, when they sting, are defending themselves and their queen, but they don’t know that when they sting, it will become lodged underneath the skin of whomever they sting and it will pull them apart and they will die.
I imagine the first time a wasp stings to be a sort of power trip. Female wasps can – and will – sting repeatedly to protect the colony. I also imagine they don’t know that their relative the honeybee dies after it stings, but it must be strange for them, nonetheless.
Have you ever seen a video of a woman protecting herself and those she loves? She’s vicious. She won’t stop until the perpetrator has retreated.
When a woman stands up for herself, though, it’s as if she’s tearing herself in half.
A woman standing up for herself is a dangerous thing, both dangerous for her and for those around her. It is an act of bravery and defiance and saving grace all in one.
A few weeks ago, I overheard someone equate being female with being terminally ill, as if we have no place to go but down. As if we are dying creatures, on our last leg of life, with no will to fight for what we want.
As if the pain of the world is being transferred into us all at once.
I would like to argue that it is the exact opposite. There is nothing more alive and breathing than femaleness.I am inseparable from my femaleness. I am inseparable from the that leaks from me when I think of all of the times I have been harmed But I am not inseparable from the pain that I have caused others. I cannot forget that.


I like to imagine sometimes what my stings would have been like if I had gotten them ten years later, as well. I am much bigger. I am much stronger. I am much more capable of handling pain than my nine-year-old counterpart.
I wish I could have been the one to have to handle that pain. I wish my nine-year-old self had known better than to let her foot fall into a yellow jacket nest. I think it’s unfair that, at such an early age, I had to deal with something so terrifying and painful and traumatic. My extremities were swollen for over a week. I couldn’t write, I could close the zipper on my backpack, I couldn’t turn the pages of a book. I couldn’t go to school, and I couldn’t read in bed, so it might be enough to say that the week I was kept out of school to elevate my legs and let the swelling go down was the most boring week of my entire life.
Sometimes I look at my ankles, swollen from blood flow, from standing too long or from sitting too long or from doing anything except elevating them, and I’m reminded of this time when my ankles were much thinner and I watched them on the end of the couch, my toes pointing toward the ceiling. I remember how terrified my mom was. I imagine that phone call must have been harrowing for her – Hi, Michelle, Em’s been hurt. No, she’s fine. Just a few bee stings is all. – and for her to see me for the first time, red and splotchy and itching myself like mad must have been even more so.
I think about my father’s reaction, how I hadn’t been around to see it, but how he must have been heartbroken at knowing he wasn’t there to protect me, to prevent the bees from attacking me. I believe, however, that there was no protecting me, that there was no preventing these wasps from defending their home against me, an infiltrator. I had stepped inside of their burrow and was instantly seen as a threat. Anything I see as a threat to myself, I instantly want to rid myself of.
This is the way of the world: we see something, we determine it to be good or bad, and we either bring it into our lives or defend ourselves from it depending upon which it turns out to be. I happened to be the ultimate evil in these wasps’ lives. They were simply protecting their queen, without whom their hive would no longer exist. I was dark energy, vibrating in a way that spoke to them as threatening. I was transferring pain to them when my foot stepped into the hole, and they were transferring it back to me when they stung me. I transferred energy into the ground as my feet thumped against it. Water transferred energy into me as it helped me rinse wasps out of my hair.
From pain to protection to pity, back to pain. From bee stings to womanhood to sadness and back again. One shouldn’t be afraid to introduce the things they’ve lost to the things they’ve loved, or the things they love to the things they’re afraid of. And I am afraid of wasps. Petrified, even. The other day, driving in my car, I rolled the window down and in, immediately, flew a yellow jacket. I watched as it she flew past me and then around the back of my head. I heard her and was immediately transported back in time. I wondered what she was doing in my car, so far from her queen. I wondered what was in my car that she possibly could have wanted. But I knew that she wasn’t there to hurt me, because I hadn’t invaded her home. I hadn’t made an attack on her queen. I knew there was no sense in panicking, so I didn’t. I didn’t panic.
I am afraid of things even though they won’t **** me, but I have watched myself face these fears. I have stumbled onto a Ferris wheel and then walked confidently off. I have left candles lit without standing to check on them after every episode of The Office I watch. I have loved people I never thought I would, and I have seen the other side.
“And such bees! Bilbo had never seen anything like them. If one was to sting me, He thought, I should swell up as big again as I am!”
      -The Hobbit, JRR Tolkien
JJ Hutton Sep 2010
The psychics were breathing smoke,
rummaging through my roommates collection of abstract art,
they told me what my favorite Modest Mouse album was,
they told me about my personality,
I told them I was a psychic,
they told me to *******.

Everyone assumes an original identity
in the self-inflicted apocalypse
provided by that old friend, alcohol.

Kevin was the smooth-talking,
drink-mixing extraordinaire.

Kara was the cynic.

Shawna was the kindhearted.

Evan was sober.

Tyler was in and out.

I was the ******* that took a party pill,
bounced off everyone with a handshake
and an apology.


We **** ourselves to resurrect,
piece together the discordance,
the chaos,
the girls.

While the psychics were breathing smoke,
while Kevin was collapsing,
while everyone was worried about me,
all I could say was,
"This is the happiest night of my life,
and that depresses the hell outta' me."

I longed for the sirens in the distance,
I took another drink,
I longed for renewed innocence,
I took another drink,
I longed for someone to lay beside me,
I took another drink,
it was finally enough.

I took off my shirt,
made war with the remnants of stability,
of sanity,
told my friends I loved them,
and hoped that my time ended in sync
with the sunrise.
Copyright 2010 by J.J. Hutton
Michael R Burch Oct 2020
Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling
Chameleon May 2016
I have been wanting to go see a psychic for awhile now.
I have a lot of questions, ones that I have spent years searching for answers.
And, I believe in the universe. So far.
And you must too.
How else do you explain us, except that the stars aligned perfectly.
When all contribute,
the Group benefits;
when some take extra,
the Group suffers.

If everyone pulled their weight
(whatever the **** that means)
than anything extra pulled
would be pure progress,
would it not?

It would, at least,
be possible by any
to pull whatever extra
they felt was necessary.

I don't know.
The logic seems sound.
This sounded better in my head,
but, this way, even the non-psychics
can get in on the thought!
A little humour can go a long way towards getting one's Self misinterpreted.
RebelJohnny May 2014
True love, the kind in fairy tales - ya know the ones with witches and knights, strapping princes and tarot-reading witches - is unexpected.

Don't listen to your mother and her love stories, or those cheap dime store romances. Love is not a teenage dream, or the flings on the soap operas (winning your Lucas back from that ***** Sammie, always my grandma's favorite villain in Days of Our Lives). Grandma, the life, love and days i want are different.

Love is fluttering butterflies. The uncertainty of knowing if this moment lasts, seeing a rainbow. The feeling always has an unspoken expiration date. It is rare. So rare that we pay psychics to find it, and whole forests have been lost amidst writing out our collective fantasies.

I guess it's a good thing my ideal love isn't grown on trees then. Supernovas can't be purchased. Trading hearts isn't easy. In fact, it hurts so much that Shakespeare's ghost considers revising Romeo and Juliet any time he thinks of what love has shown me. My love burns like a broken heart might sting if you shoved it full of stardust.

The ancestors knew love is a mystery. The sphinx doesn't know our riddle, and if spells worked I wouldn't be reading this poem. I can't waste anymore hope on tarot cards which have become worn out, bent, and far too familiar since I met you, love. Here let me explain:

The smell of you is a kind of mystic vapor. The oracles at Delphi would trade in their visions for one of yesterday's t-shirts. Don't be embarrassed or confused, I'm not here to play The Fool. I've already proven that we both can be The Magician, High Priestess and The Emperor. The magic of love is bigger than either of us.

My love comes with keys to my kingdom, sit on my throne, direct my armies, and borrow The Chariot. Hell, you can have the castle! You know that's what fairy tale sweethearts do.

This kingdom has known no Empress. That seat sits empty. Think you're man enough for the position? In a future fantasy, you'd inspire the nation, just the way you'll inspire me. We'd leave a legacy. Pyramids, empires, new eras, and new faiths would rise in our names. Pharaohs would envy how the Hierophant pronounces us inseparable. In my fairy-tale, letting down walls is easy. Love knows no labels, no limits, no bounds. Love is fairy dust.

In my 3 part epic, love and romance are no burden. See, this fantasy is one we read through time-to-time and I'm only just learning how to trust wishes made on shooting stars and genies in bottles. No one before has ever made it past the dragons, soldiers and that Minotaur. Believe me when I say, you appeared out of thin air and I trust in fate now. Thank you. I know you aren't the one. I'm learning to let you go.
I hope I do you justice. When you showed up, I prayed to my fairy godmothers for the first time I can recall. The last ******* ran off with Excalibur, the unicorns, and my scepter. "Oh well," you said. "That isn't what counts."

I've been a hermit so long, I forgot how to smile. But when I wake up in this new fairy-tale called life, I don't notice the treasurer, my wars, and problems in the kingdom or even that all my favorite princes still dream of finding their princesses most nights. Even that doesn't scare me. This is all too authentic and the heart gets used to being rejected. Stamped return to sender so many times, I can't count.

My happily-ever-after doesn't have to be perfect. I'm a realist, and besides, we've both gained so much that it feels like we finally landed a spin on the jester's wheel of fortune. Writing poems is something I gave up when I put aside these stories I grew tired of envying. Now I am writing my own. You currently don't fit the part of Prince Charming. Ironic since you inspired him.

Ya see my physical wants are just side effect of the real bliss that I find when I am myself beside you. I don't need ruby rings, or magic slippers to feel at home here. You give me the Strength to fight my own nightmares off. That’s a gift no elves could forge into gold.

It's the way you make the world explode into color that is worth any cost. It’s your honest caring that neutralizes the occasional tragedy. Besides, the drama, which is less dramatic than any of the past “once-upon-a-times” I've fallen into, only makes the story more exciting.

You broke the spell that a Black sorceress and her 3 sister put on you. I first felt like a hero that day at your side. Hearing you renounce your former desire to be the Hanged Man, or to desire Death, is still one of my favorite chapters of the story we wrote.

The love I dream of isn't easy, as I've said. It isn't always epic or fantastical. Sometimes it’s about finding the Temperance not to push potential princes off the balcony too often. There just aren't enough magic carpets these days. I've discovered that learning not to expect change is its own school of challenging wizardry. Luckily, I'm not bad with rare wands.

My love has its risks. I get it, love is usually a surprise! Love like this is easy to deny, fear or resist. I don't want a proposal or their parent's permission for a hand! I just want my prince to be the first person willing to face down The Devil for me, the only one who climbs my Tower and really ruffles the sheets, the one who outshines The Moon.

I don't want to be "that prince." I'm no former-frog; I'm no good with a sword. Honestly, I had given up on magic until you asked me to eclipse the moon. It wasn't hard. If I have to extinguish the Sun, my tears would swell and blacken the sky. I am glad I don't need to shed them anymore.

This love, rare and mystical, is like a leprechaun. Everyone wants it, nobody seems to find it. I got to the end of the rainbow though. It will go something like this, "once upon a drunken, Vegas night..." an Urban fantasy at its finest, if I do say so myself. I just don't want the *** of gold. Give me the dark, mysterious knight. **** the prince. I know it sounds crazy. He and the princess can take the *** of gold, the baby unicorn, and my Judgment too!

My love is risky. It has no chains, guarantees, or Geico lizard to vouch for it. No time-turner to fix it when I **** up, no love potion to make you stay. In my fairy tales, the dragons are our wounded personalities. His shining armor is a defense mechanism, and my damsel-in-distress routine won't work if we let the spark go out.

In my timeless romance, The Lovers learn to enjoy the moment. **** castles, I'd be happy to get a studio. I don't have a unicorn. My chariot looks the same after midnight. I can't promise riches, fame or immortality. And yeap, compared to the princesses, I'd better resemble a toad some mornings.

But I have a love that can put Shakespeare to shame. I'm more complex than Tolkien's Middle Earth, braver than Harry and just as scarred, smarter than Gandalf though I lack his beard, more patient than any of those damsels, and I bet I cook better. No, I know I do. Somehow, this quest has taught me self-confidence.

Unlike those fairy tales, I'm no finished masterpiece. This work in progress has a heart of gold, is on a quest, growing up daily and aims for future royalty. I'm looking for love, ready to leave Neverland, and all i have to offer you are my best effort, this worn deck of cards, myself, and all The World I can bewitch for us.

WANTED: one prince charming who can see themselves in this real-life fairytale.
And winds they wither and they accentuate cosmic dithers
Ducks become swans and butterflies fly in the air of rivers
We should soon begin to question who we are on this plan-et
A bucket or cube, a form of strings finding tune
They said there’d be purveyors and pilgrims
These sages would then show the way in a web of disarray
So the picture plays and their gleam is seen
Incarnating from distant streams
’yes they call them starseeds

They have been helping societies feel secure, giving answers
Contributing to the developments thereto
Some called them heroes, psychics or star-soldiers
It was forgotten that they were merely messengers, creating vortexes so the many
Would get to the essence or heart of Creation and Divinity
The problems began with the worship of the commissars of Divinity
And the gods their parents, being merged into a monotheistic god
For artificial synchronization of stealing light and doctoring it into dark light
To subdue the power of Darkness
So with more people being manipulated and hooked by crystals
And chips, scrapping their memory of their once absolute multi-dimensional divinity
They began to forget and this energy was channeled to the heads of darkness and their fortresses
And as such humanity grew weak and the solutions were left to be found by the so called heroes

With the growing human-farming, as the hybrids being created then were used as mere sheep or even cattle  
With the decaying or ceasing dignity of the human conscience, they were made to be intermediary-conscious
And so the lives of the Messengers and their affiliates became the epitome of living for the many
Absurd as it is, the human races with its varying colours and fragrances, each soul being unique in its right
And now with this bombardment of doctrine that set a standard of being
These laws not culminating the commonwealth of many
Not governing humanity in its best interests, so the heroes began to be sacrificed
Their lives weren’t pure, they were planned before they were even born
Corrupting the consciousness of individuality and essential or sincere being

And they came in Kings/Priest Kings or Sorcerer Kings
And who would blame them, it is their Parents who set out or designed these paradigms
And so these corrupt thought forms of half truths and duality and dark light became hereditary
The times changed and these heroes took on the impressions of Presidents, Wealthy business men or Emperors of Commerce
Finding themselves in the modern Capitalistic World,  a world which was manufactured prior to their reign
The grave concern is the death of Identity and the Integrity of the Soul
And the lives of Pastors/Chanellers/Pilgrims/Shamans  or what have you became the mirror of Divinity
As opposed to Divinity mirroring in the clear view of people having identity and a sincere embrace of the heart’s mysterious logic
So it is safe to say that this would create a world robotic

This wouldn’t last forever though for some Parents are responsible and they care
So the Earth then would be visited by the Golden ones once more
Apparent with the recent UFO Sightings, crashed UFOs and the bodies of Extraterrestrials
Alien Abduction confessions, cavern findings
With this people would begin to remember and would not load their worries or problems on the shoulders
Of a few individuals as they would learn how big the world is
As Humanity would identify, if for the first time, who or what God is
Furthermore Who or WHAT THE Source is
And once the lives of heroes would cease to be manipulated, so too would the lives of the many
We would learn that there needn’t be “special” people for we will have found the Divine elements in each of us
And that the sooner we can enhance Intelligent Life working together without the need for hierarchies we can soon develop a
High Level of Spirituality and be an Independent Race
Heroes are beings too who have lives and ambitions, have flaws and afflictions, have faced convictions and submissions
The gods are beings with their mistakes as well, some who have lied and have not revealed the whole truth to
Protect their children for it could have been noted that they were too “young”
But humans will grow and God they will know, the Source furthermore, and there will be a shift in thinking and thus in being and Living
It has begun, Finding the answers following the Dignity of the Conscience,
Cosmic blueprint, a song sung for parents absent
A play of star glow, uplifting the wayward ways of the big show
Living in the Integrity of the Soul, following the Dignity of the Conscience.
This is to all the starseeds, indigos, orbs, rainbow children and star-hybrids who have been tortured and alienated. The wounds they have suffered due to social rejection, all that physical pain hinders their functioning and delays the missions they have here
This is to all the Presidents, Kings, Priests and Reformists who have been manipulated, used and sacrificed.
And this then an effort to sound the voices of those stuck in (hell) Inner Earth who have a Messiah-paradigm instilled deeply in their thinking, an effort to stretch the Light so they too can stand and access the True Light of Divinity...

Preparing for the Golden Age
The Terry Tree Nov 2014
Topaz dreams and fire flowers
Find their way into
Shadows and streams
In the space between
Our hearts and minds
Seams of alchemy
Blowing stars into birds
To touch our courageous
Sunlit beams
Dripping
Kissing
We

Keep
Running from our light
Praying that we’ll stay
Painting colors oh so bright
In the emotions we display
Flying

We are a painting in one another
A brush stroke full of hope
A paradox of intimately curious
Wings that have found a way to cope
Building a birdhouse home
On the backs of each other
Bones and sacred stones
A paradox of intimately curious
Wild tornadoes

Embracing
We walk in dark we walk in day
With footsteps often clumsy
And telepathy is not as easy as
Psychics will convey

Your hair is made of flowers
Or at least it seems that way
Our hearts are painted gold close to
The way the yellow birds that play
Around us when we stand
Glowing in our space
Exclusively
Beneath the tree
We made
Where Amen’s tears
The sun god
Rain

Around our love
Rushing in rushing out
Breathing in breathing out
Hold me close push me away
Both of us praying the other
One will stay
Kneeling
Pray

We are a painting in one another
A brush stroke full of hope
A paradox of intimately curious
Wings that have found a way to cope
Building a birdhouse home
On the backs of each other
Bones and sacred stones
A paradox of intimately curious
Wild tornadoes

This is our butterfly parade

© tHE tERRY tREE
brandon nagley Jun 2015
The demon scratches me
I bite him back
The demon pushes me
I spit in his face with a smack
The demon taunts me
I calleth him out by name
They hate their name called
Don't wanna be recognized for the flame
The demon shows false affections
I giveth him hate
The demons a smiler as he latches to me
I'll kick him to hells gate
The demons find me downtimes
Though with God I shalt win
Demons love misery
To seeith one in sin
Demons are smelly
Like all the dump trucks on the earth
Times ten
Demons haveth enemies
They hate even their own kind
They haveth none kin
Demons haveth a date
With Satan in the fire
They'll turn thou on with lust
For thou they do admire
Demons hast hurt me
They've tried to bring me to mine death
Soo many health issues
I know tis not me
Them
The demons hast entered mine family
From the lives we didst choose!
They entered by portals
Between good and bad souls
They came and come as orbs
Spirtual energy
Trapped to a distance
God won't let them get to close to me
They always want more
They show themselves now and then
They'll portray themselves as good souls
Wherein its all pretend
The demons speaketh in mine bathroom
They hide out in the closets
Parched behind mine bedroom wardrobe
Spies as I sleepeth
They want mine bright soul
It's full of massive glowing energy
They know it as I'm told
So to bad because their not me
They made a big mistake
Turning away from God
Now their outcast losers
Fate of hell and grud!!
They'll soon be in chains and shackles
So they cause pain now whilst here on earth
They come in all shapes and sizes as I've heard from many others
Psychics
Life after death (experiences)
And from preachers
Pastors and others
They come large
Small
Animal like
Mauled
They come stinky
Scaly
Nothing thou shalt imagine
Couldn't fathom
Their everywhere
City streets
Malls
Gyms
Stalls
Homes
Air
First heaven
Second heaven
Hell
Everywhere
Yet these demons cannot taketh me
They knoweth I'm gods light
So demon get hence from me....
Go burn in thine own fright!!!!
This is real story of me life and what's happening to others.. Don't care if you think I'm crazy many more like me!! So could care less of anything of one saying I'm nuts
This is my favorite time of year
The one thing I live for
Is getting my annual invitation
Hand delivered at the door
It says "Dear Occupant"
or sometimes "your name here"
"We would like this chance to ask you"
"to see what's new this year"
"Please come to this year's Psychic Fair"
"We hope you will attend"
"Please RSVP by Tuesday"
"We'll see you soon...our friend!"
Dear occupant...how did they know
I'm unlisted in the book
My identity is secret
You can't find me if you look
I guess that's why they're psychics
They know exactly where I'm at
They know I'm waiting for my invite
They just KNOW....and that is that
Each year it's at the same place
Off the highway, past the mall
They always set up lots of tables
But, they never fill them all
This year's ad had promised
This year would be better than the last
So...I sent them back my rsvp
And I got it to them fast
I showed up in line on Friday
Not too early ....not too late
The fair began next morning
The ad said...doors open at eight
I sat outside and waited
Had my blanket, pillow too
I was there for oh....six hours
Before I saw occupant number two
"****" he said when he pulled in
"I was hoping to be first in line"
"Now, I'm gonna miss the real good stuff"
"I may as well have come at nine"
I sat there and ignored him
Knowing deep down that he was right
Then I settled down to sleep a bit
And help to pass the night
At seven ten I woke, all set
To get into the fair
I looked around and saw no one else
Just the two of us were there
I didn't mind, I thought...so what
I'm still the first one in
the others, just can eat my dust
Though the crowd, looked kind of thin
At eight o'clock the doors went click
The lock had been released
From somewhere in the building
By a switch inside the beast
We went inside and looked around
Two hundred tables on display
My heart was just on fire
This would be a special day
Tarot cards, divining rods
crystal ***** and magic wands
Harry Potter robes, more tarot cards
Crystal light strips for your ponds
Readings, Writings, images
Pictures written in the stars
They even had some dream catchers
You could hang up in your cars
I went up to the first booth
I met a psychic there named Joe
He asked me what I wanted
If he was real..then he would know
I saw comics, mind drinks
astrolgers, and saw lots of things to buy
But, every single psychic
Seemed a fraud to me...but why?
I picked up a blue crystal
Was told it would swing and show me things
It would help me to get centered
Good luck to me...it'd bring
I held it and I chanted
It just hung there on my chest
I said "This thing's not full of magic"
He said "It's just having a rest"
I tried again, with thirty more
they all just hung there like dead weight
He said "they all were swinging yesterday"
"give them time....just wait"
An hour passed, my neck gave out
They all fell to the floor
He said "don't leave..I've got a special one"
"Please try this one rock more"
I said that I would try it
But this one would be the last
I'd noticed more folks coming in
And a lot of time had passed
Again, it just ...well, hung there
Nothing happened...but just then
I sneezed and yes ...you guessed it
Nothing happened once again
I left and found a reader
One who said he'd tell me all
I just had to pay him twenty
He said the cards would make the call
A simple deck of tarot cards
All dented and all marked
Were laid out front before me
So in the seat I parked
He turned over the devil
Followed by the jester and the moon
I asked what these three cards meant
"He said, you might be dead by noon"
"or, they could mean something else"
"We'll let the cards decide
"they also might mean that you spent
Last night sleeping outside"
the next three cards turned over were
"A castle, queen and wreck"
He said that these tell me
"My kids have used my deck"
I left him there and moved along
I would give them one more chance
I tossed a coin to pick with who
I would dance the psychic dance
I made my choice and walked on to
A psychic known as Rosie
She was dressed in jeans, and tunic shirt
Just sitting kind of cozy
"I know just why you came to me"
she said as I sat down
"But, you don't have that much trust in me"
"You think I'm just a clown"
"Without belief the things I say"
"will not mean one **** thing"
"without belief you'll waste my time"
"and the knowledge that I bring"
I told her I would listen first
and make my mind up later
I liked the way she came across
I didn't want to hate her
She didn't ask to touch my hand
Didn't even ask my name
She said she picked up my vibrations
That way it wasn't just a game
She told me things I never knew
Some things I'd heard before
But when she told me about children
I then passed out and hit the floor
she told me I'd get married
that I was precise and very giving
She asked if I had teapots
in my house, where I was living
I told her yes I had some pots
and then I asked her why
She said each *** inside my house
Meant one child born for I
This is when I hit the floor
I got a bump that was quite large
I told her "I made tea pots"
"I have a kiln inside my garage"
I said "each *** is one new child"
she said yes that much is true
It was then that she passed out
I said my house held ninety two!!!
Sam Clemens Mar 2014
She said
you don't understand
it's more than that
it's bliss
it envelops all that was
and has ever been
I said don't be silly
I want to make love
and then I want to ****
I want to play songs on your skin that your lips don't know the words to           drink the candlelight in your eyes
  get drunk like wine
  sweet as
   summer
I want to paint goosebumps on your thighs
trace the outline of our future as our shadows
  dance on the wall
I want bodies to quake in a thundering rhythm
ships soft as silk under siege by some
  unseen storm
I want to color outside the lines of your body
  scribble musings with my fingertips
  read the response with the rise of your hips
tattoo your curves like there's ink on my tongue
I want to make you hit the high notes that make the sky split open
reach the moment of utopia  
where ragged breath is broken
and for a second
gravity consumes the both of us
I want our consciousness to float, made one by unseen forces
while you lay beneath me *******
souls no longer out of focus
and words no longer spoken
rather,
cloaked in
golden    hopeful
      moments
left to float in some abyss of sacrilegious potency  
Your aroma has a pulse
    it sighs in my ear
draws me in with scented fingers
   between your thighs,   beneath your fears
I want to soak in the madness as my sight disappears
and all around us sprout the roots of prayers
   unanswered for years
I want to collect the moments I leave you breathless in a jar by my bed
so when the arch in your back leaves you on the cusp of
   paradise
             and
      lust
I’ll crack the lid
and let you feel nirvana like Buddha never did
I wanna pay homage to your eyelids
  fluttering in heavy silences
a testament to science how your stomach falls and rises
I’ll savor the way your headboard creaks
take pleasure on a ride through valleys and peaks
I want ecstasy
   and movement
      to unite
    with the clench of your fists
   your trembling lips
your sweat as it drips
onto the sheets
A sacrifice of pleasure
and the message is received
embrace the fire of each other now the Gods are intrigued
I want heaven to fade away
seeking solace in the midst of weak and shaky knees
I want to hold you as satisfaction encloses
the walls fold and collapse in on us and all that’s left in the world are
two bodies
the matrimony of synapses and
two    bodies
a mattress moaning in the blackness and
two      bodies
a matching set of sins and quick gasps and
two         bodies
In a flash I relapse and there's no
body
And now I've perused road maps, mused with psychics
read encyclopedias front to back
trying to help find my way to...
to I don't know what
no
maybe it's a who
to help find my way back to the lover I lost my love to
And then when I do
I can finally ask her
how come when we finish there’s no divinity left to hold onto?
You see
   ***
is my magnum opus, what I live for
  why I wrote this
so as I sit engrossed in thoughts that linger and control me
  I want to say I picked a lotus
watched in awe as it unfolded
melted sorrows into roses
with one colossus stroke of bones and flesh I learned the road to death
   gets bumpy
if you’re lonely.
Magnum opus: the largest, and perhaps the best, greatest, most popular, or most renowned achievement of an artist.
Poetry by MAN May 2015
Reality isn't set in stone
My emotions live in my bones
Life's mistakes I will own
In dimensions I have grown
Pain I feel soul precise
Obtain greatest treasures through sacrifice
Do you feel me in your life?
Deep I plunge like a knife
Hmm WELCOME!!! To the hurt..
Wear my scars like a shirt
Pick yourself up from the dirt
You know what fails now find what works
Some call it Mental Alchemy
Don't need a map it all comes back to me
Eyes wide open but fail to see
Paths and patterns to our destiny
Third eye sight whatever you call it
Feel Vibrations like an Alcoholic
Multiply the good expel the toxic
Restoring the natural power down the robotic
Whoa no I'm not the only one
Many psychics roam free under the sun
Next level create it just for fun
Elevate Humanity..Human race will run
Mind's triggered thoughts explode like a bomb
Plant seeds of hope bloom long after I'm gone
Our Chapter's are short but story is long
Welcome to the Hurt from it we grow STRONG!!!
M.A.N 2-2-15 Wrote this a few months ago..an inspirational piece on how most good things in life come from hard work and sacrifice...
Alin Dec 2015
before they made it public
they created the technology
to create living puppets
producing a tapestry of thoughts
manifesting
through the filter
of authentic bodies
and minds

their enchanting color of
implemented poison

they had two versions of the site
one the true one and one the public one

the true one was
showing the nature of a mind
in a spherical wireframe
3-d
projected space

that could make the motives
of a mind truly observable
using this hi-tech breakthrough
(hi-tech for their time only
i.e  their hi-techness is still
bound to time)
to/by/for those
word loving
businesspeople
and hired scientists
and hired technologists
and hired creatives
and hired psychics
and hired you name a profession I will say yes es  
of their time
working for them
for an almost literally ground breaking technology

a time bound technology that showed them an observable truth of the visualized data
a design driven and poached from the participants’ ingenious minds

the public version on the other hand
looked naively innocent
with an amateurish design
using a ready to go script
presenting an acceptable ‘good site’
based on personal motives
of hard working profiles
of young idealist sisters and bros
you know
like teddies pathetically hugging each other all the time

in reality though
snail shells were being used to implement
new poisons for the game
on unshelled ones
poisson as is French
would be prettier term
to describe
an honest organic fish farm
but alas

yet in reality that hugging was distant jutting

to purposefully run a game that entertained
pockets of those who had it boringly full only
to spend it for their own fun
but which they vowed as
for the salvation of their Utopian land made of the
illusion of their materialistic psyche same as their popcorns
which  continually justified as they  repeatedly asserted
these well learned set of words
on communal and cyclic ceremonies

oh my!
stealing intellects as such!
for the game!
game also runs in a closed circuit just
so no one can see it
they have all passed the Turing test
for the game
cool right
and it works

so who on earth could judge its’ ethics
once a reflection of their own minds
even unknowingly the game admins
once falling in love
with unshelled ones
may turn to the unshelled ones
like the prince falling for a Lorelei
they were warned continually
and then still some
willingly stayed so
in love
and disappeared in the game
loosing their body

well whatever
there is a place though
don’t believe me because I say there is
go find it yourself

from that place
the headquarters of this game
is nudely visible
with all of its partaking pawns
because it remains too low a place in the universe

yes there is a mountain higher
where lives
the inhabitants of the residence of the destroyer
who are a little bit bored by now and since some time already
and so the destroyer -they think- may as well decide to
wipe it off - hiring a well fit dragon that can gobble it all in one go
so that dragon excretion may benefit a famine of sorts in the universe
eating that kinda stuff
****  yeack  ARG hhhh
(or Namaste!)
:)
inspired by the last cyborg movie I saw- I love cyborg movies - it feels like homecoming :D
Lightbulb Martin Apr 2014
Aw Hell!
If you were on fire I would not come
I would not walk jump skip or run
to you.
I would just let you burn and warm yourself inside. With us on the
outs still fine.
Selfie!
If you were drowning I would
go back in time and **** the
man who invented rope so there'd
be none for you.
That's what I'd do.
So please please do not
contact me.
Consider me beyond the grave and there's no psychics.
Actually consider me never to
have existed at all.
Not in your memories not
even in a blade of grass
that's been stepped on.
To see the song this poem was adapted from point your browsers to
http://youtu.be/vvxaWc4131o
The psychic was in any event
surprised, she looked into
her crystal ball, cast
a line of Tarot cards into
a deep blue tablecloth,
took my palm, to
read
between the lines of this life and
the silver sixpence which was insurance
for the things that happen
unexpectedly,


She read between the leaves
which formed a  leaf or
page
of
history and detailed things that only she could see but things I knew and told me of a drought to come, a plague, a heartbreak and some fun and Julie Hargreaves in the sun but that was back in '61 or maybe '62, she knew but wouldn't say and sixpence doesn't go so far,

The time declined my offer of a further reading and the psychic never said if
I'd upset or if there was some road where it was leading me and if so would it all end there.

Spend a moment and one more and every moment is the core of a moment yet to come, each minute moment as foretold, bold as brass and the psychic, such a pretty lass though she didn't see that herself and
couldn't tell me or wouldn't say and afterwards the passing of my day in Colliers Wood, felt good, felt fine, even though time had declined to interpret what was shown written in the lines upon my palm or in the bottom of the cup of cards.

I'm sure that time had meant no malice nor no harm, it's just a case of wait and see and what ever was and what will be and psychics drinking cups of tea and me minus a silver sixpence and none the wiser for the loss.
Nastia Armilde Aug 2014
One
In the last quarter of the twentieth century, much of the world sat on the edge of an increasingly expensive theater seat waiting for something momentous to occur. Christian aficionados of the Second Coming scenario were convinced that, after two thousand years, the other shoe was about to drop. And five of the era's best-known psychics predicted that Atlantis would soon reemerge from the depths. To this last, Princess Leigh-Cheri responded, "There are three lost continents…we are one: the lovers." In whatever esteem one might hold Princess Leigh-Cheri's thoughts, one must agree that the last quarter of the twentieth century was a severe period for lovers. It was a time a time when romantic relationships took on the character of ice in spring, stranding many little children on jagged and inhospitable floes. Nobody quite knew what to make of the moon anymore

Consider a certain night in August. The moon was so bloated it was about to tip over. For more than an hour, Leigh-Cheri stared into the sky. "Does the moon have a purpose?" She inquired. The same query put to the Remington SL3 typewriter elicited this response: Albert Camus wrote that the only serious question in life is whether to **** yourself or not. Tom Robbins wrote that the only serious question is whether time has a beginning and an end. Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm. There is only one serious question. And that is: Who knows how to make love stay? Answer me that and I will tell you whether or not to **** yourself. Answer me that and I will ease your mind about the beginning and end of time. Answer me that and I will reveal to you the purpose of the moon.
-La Dispute, One
RebelJohnny Jul 2014
Mentally, I started titling my poems
“If you only knew…”
the minute that you left

See, we were more like
Mother Nature’s children
Than we thought

Both of us polluted
Like the Ocean, I’m so full of this
Trash that everyone seems to leave me with

You were like poisoned vines,
Twisted and full of thorns
And roses you hide from the light

We built a garden though,
psychedelic and shining through the nights
we always stayed up
late for

Three psychics told me I’d love you
And one of them
In a dying breath told me you’d be
A rose

Boy was he right
I pricked myself just to
Hold you and adore you
Every single time
And I’d do it again

See, gardening takes work
So I cultivate this imaginary love
I hold something fragile every day and
Practice moving slowly enough
Not to break it

I listen to strangers talk
Until I’m bored and I keep….on….
Listening
So that I never miss another word
Love speaks

I look at myself in the mirror
And I find something beautiful
So that I can try to grasp
At how it felt the few times you
Actually looked at me like
I was (AM) a flower too.

I AM A ROSE TOO, ******* IT

I breathe you in like the fragrance
Of these roses that bleed my heart dry
And I wish you cut yourself on my poetry
Half as hard as we both have cut ourselves
Wishing we could bleed out whatever
Makes us undesirable

If only you knew
That I hungered for the few times
You came and watered me with your tears
Nourished my roots with your lips
Rolled around in the dirt
And loved our garden

….More than you loved her.
David Moule Sep 2010
Shamans
Psychics
Schizophrenics
Mystics
Medics
Psychoanalysts
Pol­iticians
Hypocrites
It’s in your head
It’s out of mind
It’s before our eyes
but most are blind
Buy Dark
Deal Light
Write left
Felt right
Free consciousness
from the physical fight
to dominate
through fear and hate
Religion and government
feed from the same plate
Inquisitions
Constitutions
Impositions
Insoluble solutions
in poisonous bruise
Drip-fed
in 24hr news
Brain dead
Twisted views
Controlling hands
that turn the screws.


© Verso-(David Moule) 06/03/08
Daisy King Dec 2014
We grew the earth, grew it around us and grew into it.
We grew into pairs of shoes after pairs of shoes
and we grew into our names.
We learnt to tie the laces of our shoes
and to tie our tongues around our names,
and the names of other things, other people,
and around other people's tongues.

We planted our cultures, cultivated them,
and they blossomed into traditions
and stereotypes and generalisations and rituals.

We broke in our shoes, broke the ice,
broke our voices, broke promises.
We broke glasses, hearts and bones.

We built hierarchies, looked up, looked down, bowed down.
We broke down into dictatorships and demonstration.
We found solutions like democracy
and diplomas and delegated.

We fixed fountains and freight trains
and falling trees in the forest and faucets that leaked.
We formed partnerships, made promises,
pledged to parties for both politics and both parents.
We made marriage and then we annulled, we divorced.
We fabricated the faiths that we fed on.

We invented stopwatches, reality television,
pedicures, lampshades, philosophy,
greenhouses, dictionaries, exclusivity,
feng shui, hand-holding, ****** medication,
street art, lawsuits, lingerie, car boot sales,
snow days, karaoke, comics, psychics,
boarding schools, toast, baseball, psychiatry,
bird-watching, plaid, research, stag nights,
slasher movies, salads, and interventions.

We wanted and we wished and we waited
and we wanted for more.
We were growing faster than we invented.

We were outgrowing ourselves
and our earth
and our shoes
and our names.

We forgot what we had found and fixed and formed.
We broke down and went broke.
We are waiting to invent a new way we can fix ourselves.
Aisling Jul 2013
I've always found the concept of seeing the future in the dregs of a drink, ridiculous.
How are the leaves supposed to know who exactly has consumed the drink,
Let alone what may or may not happen to them in the near or distant future?
Do the leaves absorb a modicum of your soul
And use that to project predictions unto you?
By that logic, is it so the more tea you drink,
The less of your soul stays with you?
I may be the only one, but I find that idea to be very discomfiting.
I drink rather a lot of tea, you see.
At least a cup a day.
And now I fear it may be the cause of my untimely cynicism.
Of course, that may just be my tea-addled brain looking for something to blame it on.
As it is, I will continue to blame all negativity on witches and psychics and herbs and tea,
Because there is no one around to prove me wrong,
Or provide an alternate answer.
Jacobo Raymundo Nov 2012
The pendulum swings
Quarter past three
Time bites and stings
What time will it be?

Contorted mechanics pop
Broken hands pound
The beaten face drop'd
Eaten by the devil's hound

Cuckoo bird yelps
A searing pain
Scorching helps
The birds consciousness regain

Time stands still
Psychics can't forsee
The lighthouse on a hill
Nowhere near a sea

Blood drips from the wound gears
Silently covering the floor
With my absorbed fears
Watch it close my door
I have no clue what this poem is supposed to mean. It was honestly a random presentation of my anger from today and a little bit of hurt.
david badgerow Oct 2011
I do not believe
in color schemes
not white
nor red & blue

Only what
my pen to paper bleeds
is what I consider true

I cannot recognize
what psychics see
but I know my past
is void of  eyes
and does not make the future me

I do not swear by
what the christians say
but I've seen angels fly
both night and day

I cannot affirm
what the muslims claim
in turn I see it all
as the same ball,
same chain
JP Mantler Jan 2017
(Puh)

“The power to perceive something impossible persuades me. I must pick a place.” The Clairvoyant Gulch.

This person pounds the ground with persistence. A penchant to procreate perception. The Clairvoyant Gulch.

Passing away into peach fuzz and polyandry. Pretty Polly plans to participate in the process. The Clairvoyant Gulch.

Princess Penelope ****** on Polly. Paczki the predator penetrates the preposterous Polly.
The Clairvoyant Gulch.

The President of the Polyandry Psychics proposes: let Polly go but only with the presentation.
The Clairvoyant Gulch.

The Polyandry People peer and pry for what will Polly present. The poor prissy presents her *****. The Clairvoyant Gulch.

She placidly plucks the ***** to pay the People. But she then panics and pours pomegranate red over a ***. The Clairvoyant Gulch.

The *** then becomes an urn so precious that the People pray. Polly feels penitent of her peccadillo. The Clairvoyant Gulch.

The President points to the urn. Paczki the predator places ingredients into the ***: pig’s tail, pesto and plantar’s wart. The Clairvoyant Gulch.

The Polyanderthals round about and puke into the ***. Polly prepares a peyote dish that will pause time. The Clairvoyant Gulch.

The President and People consume the ***. It tastes vile and profane, they puke again. The Clairvoyant Gulch.

The Polyantherhals turn around to find Polly unpresent. They **** and pant in confused anger. The Clairvoyant Gulch.

Polly is passing the time, possessing a power within the Earth’s core. Her polyethylene pants protect her from the core’s melting point. The Clairvoyant Gulch.

As for the People, it was not practical for them to be presented such profane magic. Their perception of the universal paradigm had been inverted in perpetuum. The Clairvoyant Gulch.

As for the Polyanderthalic *** of ****** pomegranate juice, the President sold the item through Paypal to a polyandry professor living in Piccadilly. The People never practiced polyandry in perpetuum. Ever again.

~The Clairvoyant Gulch
Caught in the middle
the centre septre stream
... genesis;  a moment the tendency for an object to twist, aligning in congruence with memory cells or a harbour memory cell hub a channel is created.  

So thought - forms can relive themselves time after time
I read an anthropological script one time and it suggested that we are souls if not stars or orbs of lights stuck in a single episode of a drama that is cosmic
So God, His Wife and their Son/s are reliving themselves through time and space ever expanding to find order
In retrospect that would explain why Showbiz is so big
For the First Fruits long for their story to be portrayed so to find justice, freedom and order
So then here I am, having incarnated for the enth time

In this world they rarely raise souls
a boy is raised to be a man
a man to serve the Man or to pay for the debts of the other man
normally to replace his Father or right the wrongs of his forefather
so there you have it, a script is ready for you to act out and your opinion is yet to matter as a soul


And Gaia suffering from the pains of the past and she grew cold, evil and bitter; worse than her perpetrators
then the middle you see Thor and his dysfunction and thence comes Lucifer and he contends with his father and seeks to oppress mother to take over the galaxies
hmmm and Him Thor in the thin of the divide
in the brink of chaos
assigned to create order

Earth then, working and cleaning out the emotional scars and mistakes of past - lives
incarnating again and again until we raise our consciousness to Higher Dimemsions
So we look to heroes you see to motivate our vision
You  contend as a gladiator and the Powers will reward you as far as your success makes them comfortable and no further
It is a danger to stand up to the gods and confess that you serve God
So maybe a nobel prize you get when you're older and you've sold so much of yourself in the process
Your victory over problems and exhibitions or sporty knockouts intimidate those who are assumed to be the limit
so this makes them insecure
these problems started before our parents and grandparents Im sure
Lands we fight and commodities we strive for only to have a say about the Word
the word that flowed through sound as it fused with light
So who with clear audibility to decipher the root code?
Her earrings Pandora we'd search for
His Heart Artola we'd contest for
Her beauty Hirana we'd aspire to behold as we become grand

The glitch in her consciousness or the filling of the void creates a monster that is a vacuum for the hollow negative consuming dark light changing names Alycza to Cleopatra but what happened to her best mantra Callia
And we live in the play
affected if not convicted of her hurt
so we long to heal


And the union again takes us to the  unnoticed spaces of creation
half the time we feel marooned
yes it is the fusion completing HAROON So we understand time better and reach RAJUN
A place of the utter Integration
Love
Happiness
Divinity
Peace
Eternity

So many roles in the middle I tell you there are many things with which you wouldn't want to fiddle
Excuse the so's; this is not a riddle
a puzzle we'd fit so pieces we do not belittle to conjoin the twigs and winds to find a fig we'd rig to our humane config.

And disease release, pains appease so we please the free and each soul turns on their stellar switch
After war, soldiers we have died so many times
I have tried to resign too many times only to be assigned
Exits I've tried as I was entirely tired
but soon darkness was fired and the good hired so our psyche was wired and the psychics reeling their powers
a new kind of life
life never. feeling sorry for a person
why do we feel sorry for ourselves
seen my father's tears so many times no more emotional games could be played
boom; the wake "I don't want to be in the muck and mire of evil anymore but a process of admission and confession awaits before I can experience cathartic filth induction"
So guilt free the freedom-seekers.so they can forgive and be forgiven
for do we know for sure how much time we've been given
many exist, those standing virtuous long have they been living
Can we live to seize the moment of deep sleep in a state lucid free from the matrix
and please not enriching the chemist; this can be done without psychedelics
Uniforms bossing hasn't this been the battle of shem to drug tossing so we can be one like tether Higher - dimension flossing
getting nearer to the Divine Source, how is meditation and prayer for glossing?
So costumes - they give us flesh, this animal and that to Adam a bone to string to sand, beat and wing
a flying structure human being
or humans being
what a fashion show for genetic engineers
And stars we remember
once we escape the material and return to the ether

the middle; you experience the in-between
the good and the bad
peace and war
love and lust
lies and truth
virtue and vice
greed and generosity
satiation and addiction
theft and earning
possession and sharing
Burning and cooling
destruction and creation
I am tired before my time.
Tommy Johnson Dec 2013
Belief and faith
Guided by a deity
But the virtues and morals placed on me
I do not believe so

No religion or cult has proof or disproof
They believe what they believe

Symbols have different meanings in different eyes

Parallel philosophies in different lives

From witchcraft
To a black mass

A hanging cross
Paradise lost

Psychics and telepaths
Seems hokey

But it’s possible it sounds to me

Beauty is in the eye of the beholder
Well, the beholder might be blind

Or maybe we’re not in the universal mind
I believe in giving everything a chance
Taking what makes sense to me
And kindly placing down what I can’t dig
Bob Taub Jun 2015
PSYCHIC WORLD
Why do people a psychic doubt
Not knowing what he’s about
Is it because they fear?
He’ll tell them that which they want not to hear
Not all psychics are what they claim to be
But they do entertain you for a fee
Then there are those who ARE gifted too
Who will an honest reading do for you.
Your life to you they will unfold
So listen close to what your told,
Some things they say will not seem true
Having been forgotten about by you.
What’s in your future and in your past
Hoping you will get the answers at last
Sometimes you will and sometimes not
Not all is revealed of the things you sought.
The reader will pass on what the spirits reveal
Some things will dismay you while others appeal
The spirits are with you and reveal what you seek
As to you through the psychic they speak.
AS A PSYCHIC I KNOW OF WHAT I SPEAK
R. Taub Oct 23 2011
Sean Flaherty May 2014
If my kind of crazy ever becomes
Your kind of heat.
Stuck-on, sweating the
Small of your back.
I just think I'd like to know. But, I'm
Okay, either way.

Anything to
Help spin your gems,
Closed eyes, yearning,
Projected romantic foolishness.
Remaining, vigilant, relevant.

Bolt me, back onto the
Bracketing. Make me make my sense.
Turn me four shades of color, your
Psychics won't name, but
Keep the floor close to my knees.

Fruity alcohol inebriates the same way.
But take your berries outta my
******* tobacco.
Smoke my harsh ones, 'till your lungs scar.
Or, tell me that I'm vague. 

If your pick of poison ever matches
My brand of cigarettes
The floor's always open, without help, anyway.
Take care, for my sake, not to
Ash on the rug.
"Okay. Either way..."
Keeping me thinking.
Harmony Sapphire May 2016
Is it a ghost?
The devil?
A guardian angel?
Or God?
Paranormal?
Supernatural?
Alien?
Sci - Fi?
Entity.
Satanic or demonic?
Evil or a warning?
Can they see the future?
Is it a ghost plane?
Can they stop, pause or rewind?
Or skip times?
Can they control time lapse?
Why do my home DVDs have glitches?
Imaginary or normal?
Who is the judge?
Do the seagulls hear then too?
Or can the birds see them?
They bow their heads as if to acknowledge their presence?
A hushed whisper in the wind barely heard above the crashing waves, helicopters and construction.
The static of the ocean.
A life force that's lived before.
It knows my daughter's name.
It has enough energy to project the sound of a whisper.
I rewind & it repeats.
The same recorded voice.
I did not hear while making the video.
Until I played it.
Ripley's Believe It or Not.
America's strangest videos.
Can psychics hear them?
Can they control our thoughts or words?
Or actions?
It's creepy.
This is during the daylight.
At the same beach.
Whoever it is the voice sounds like it's behind me
Or right next to me.
An invisible presence.
A threat?
A ****** soul?
A trapped soul?
A haunting ghost, spirit or angel?
Good or bad?
September discovery.
It wasn't me.
Ariel heard it too.
Recorded proof of the unseen.
Friend or foe?
https://m.facebook.com/story.php?story_fbid=1875057155842738&id=100000154161650

— The End —