I. Song of the Beggars
"O for doors to be open and an invite with gilded edges
To dine with Lord Lobcock and Count Asthma on the platinum benches
With somersaults and fireworks, the roast and the smacking kisses"

Cried the cripples to the silent statue,
The six beggared cripples.
"And Garbo's and Cleopatra's wits to go astraying,
In a feather ocean with me to go fishing and playing,
Still jolly when the **** has burst himself with crowing"

Cried the cripples to the silent statue,
The six beggared cripples.
"And to stand on green turf among the craning yellow faces
Dependent on the chestnut, the sable, the Arabian horses,
And me with a magic crystal to foresee their places"

Cried the cripples to the silent statue,
The six beggared cripples.
"And this square to be a deck and these pigeons canvas to rig,
And to follow the delicious breeze like a tantony pig
To the shaded feverless islands where the melons are big"

Cried the cripples to the silent statue,
The six beggared cripples.
"And these shops to be turned to tulips in a garden bed,
And me with my crutch to thrash each merchant dead
As he pokes from a flower his bald and wicked head"

Cried the cripples to the silent statue,
The six beggared cripples.
"And a hole in the bottom of heaven, and Peter and Paul
And each smug surprised saint like parachutes to fall,
And every one-legged beggar to have no legs at all"

Cried the cripples to the silent statue,
The six beggared cripples.

Spring 1935

II.
O lurcher-loving collier, black as night,
Follow your love across the smokeless hill;
Your lamp is out, the cages are all still;
Course for heart and do not miss,
For Sunday soon is past and, Kate, fly not so fast,
For Monday comes when none may kiss:
Be marble to his soot, and to his black be white.

June 1935

III.
Let a florid music praise,
The flute and the trumpet,
Beauty's conquest of your face:
In that land of flesh and bone,
Where from citadels on high
Her imperial standards fly,
Let the hot sun
Shine on, shine on.

O but the unloved have had power,
The weeping and striking,
Always: time will bring their hour;
Their secretive children walk
Through your vigilance of breath
To unpardonable Death,
And my vows break
Before his look.

February 1936

IV.
Dear, though the night is gone,
Its dream still haunts today,
That brought us to a room
Cavernous, lofty as
A railway terminus,
And crowded in that gloom
Were beds, and we in one
In a far corner lay.

Our whisper woke no clocks,
We kissed and I was glad
At everything you did,
Indifferent to those
Who sat with hostile eyes
In pairs on every bed,
Arms round each other's necks
Inert and vaguely sad.

What hidden worm of guilt
Or what malignant doubt
Am I the victim of,
That you then, unabashed,
Did what I never wished,
Confessed another love;
And I, submissive, felt
Unwanted and went out.

March 1936

V.
Fish in the unruffled lakes
Their swarming colors wear,
Swans in the winter air
A white perfection have,
And the great lion walks
Through his innocent grove;
Lion, fish and swan
Act, and are gone
Upon Time's toppling wave.

We, till shadowed days are done,
We must weep and sing
Duty's conscious wrong,
The Devil in the clock,
The goodness carefully worn
For atonement or for luck;
We must lose our loves,
On each beast and bird that moves
Turn an envious look.

Sighs for folly done and said
Twist our narrow days,
But I must bless, I must praise
That you, my swan, who have
All the gifts that to the swan
Impulsive Nature gave,
The majesty and pride,
Last night should add
Your voluntary love.

March 1936

VI. Autumn Song
Now the leaves are falling fast,
Nurse's flowers will not last,
Nurses to their graves are gone,
But the prams go rolling on.

Whispering neighbors left and right
Daunt us from our true delight,
Able hands are forced to freeze
Derelict on lonely knees.

Close behind us on our track,
Dead in hundreds cry Alack,
Arms raised stiffly to reprove
In false attitudes of love.

Scrawny through a plundered wood,
Trolls run scolding for their food,
Owl and nightingale are dumb,
And the angel will not come.

Clear, unscalable, ahead
Rise the Mountains of Instead,
From whose cold, cascading streams
None may drink except in dreams.

March 1936

VII.
Underneath an abject willow,
Lover, sulk no more:
Act from thought should quickly follow.
What is thinking for?
Your unique and moping station
Proves you cold;
Stand up and fold
Your map of desolation.

Bells that toll across the meadows
From the sombre spire
Toll for these unloving shadows
Love does not require.
All that lives may love; why longer
Bow to loss
With arms across?
Strike and you shall conquer.

Geese in flocks above you flying.
Their direction know,
Icy brooks beneath you flowing,
To their ocean go.
Dark and dull is your distraction:
Walk then, come,
No longer numb
Into your satisfaction.

March 1936

VIII.
At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my friend, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of the migraine and the sigh
There is always another story, there is more than meets the eye.

For the clear voice suddenly singing, high up in the convent wall,
The scent of the elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.

April 1936

IX.
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

April 1936

X.
O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; "O Johnny, let's play":
But he frowned like thunder and he went away.

O that Friday near Christmas as I well recall
When we went to the Matinee Charity Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
"Squeeze me tighter, dear Johnny, let's dance till it's day":
But he frowned like thunder and he went away.

Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver or golden silk gown;
"O John I'm in heaven," I whispered to say:
But he frowned like thunder and he went away.

O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
"O marry me, Johnny, I'll love and obey":
But he frowned like thunder and he went away.

O last night I dreamed of you, Johnny, my lover,
You'd the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.

April 1937

XI. Roman Wall Blues
Over the heather the wet wind blows,
I've lice in my tunic and a cold in my nose.

The rain comes pattering out of the sky,
I'm a Wall soldier, I don't know why.

The mist creeps over the hard grey stone,
My girl's in Tungria; I sleep alone.

Aulus goes hanging around her place,
I don't like his manners, I don't like his face.

Piso's a Christian, he worships a fish;
There'd be no kissing if he had his wish.

She gave me a ring but I diced it away;
I want my girl and I want my pay.

When I'm a veteran with only one eye
I shall do nothing but look at the sky.

October 1937

XII.
Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like classical stuff?
Does it stop when one wants to quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn' in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
Or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories ****** but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on the door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

January 1938

From the House Of Ali -Najaf to the House Of Hussain-Kerbala,
Swarms of people walk 80kilometres for threes days- united,
The largest peaceful gathering in the world with free services,
An experience like no other.
Blessed are those who walk,
More blessed are those who serve.
No discrimination,
Regardless of sect, profession or social status,
Rich or poor,
Young or old,
Men or women,
In wheel chairs, crutches or with Zimmer frames,
Prams or hand carts,
All march with respect and dignity,
With one thought in mind,
To pay allegiance to Hussain,
Who sacrificed his head for humanity.
Every eye is moist,
Every heart torn in grief,
Chanting"Labbaik Ya Hussain."
With an iron will to complete the walk.
A nation, war-torn, wounded,
Embraces the whole world in the name of Hussain,
The longest dining table,
Where every zuwar is honoured and treated like royalty,
To pay in currency, none,
Only love and kindness and an urge to serve the zuwars.
Along the roadside are set up Mowakebs (tents),
That provide every kind of facilities and amenities ,
Food,beverages medicines,toiletries,
Fresh clothes if need be, shower rooms and toilets,
A massage of your feet,
Services to charge or repair your phone's,zimmer frames or prams,
Anything for the zuwars,
All in the name of the Ahle bayt,
Mohamed,Ali,Fatema,Hassan and Hussain.
What Hussain and his followers were denied is served with outstretched arms,
The aftermath  of Kerbala was more tragic and callous,
The tears of Binte Zainab that retold the tragedy again and again,
Has born fruits,
The zuwars multiply in numbers
every year,
The rewards greater.

Chapter one:

  The strange entanglement of the sun, twisted in kooky bedlam with The Great King Moon in winter.

Have you ever looked down at yr feet on the long walk home & wondered if you’re really moving forward any more or if all your really doing is just moving the ground? Don’t answer that, its a rhetorical question. Of course you have. We all have. You think you’re moving in the right direction, following the north star or the compass in your brain or maybe just your nose or your thumb and fore finger. You  believe that you’re gonna make it somewhere, you have to believe. What else is there. The truth is, you’re going nowhere, we are all going nowhere, we just spin on the slanted axis & never really go anywhere. We have been conditioned to believe that this is the way the world works but I’m here to tell you that it doesn’t, you gotta buck up, **** up or ******* ‘*** let me tell you, yr ‘dreams’ mean nothing to anybody ‘*** living, real living is not connected to REM. That’s all just more ******* you’re gonna have to put up with people trying to sell you. Lick the boot, get over the barrel & bite down on your watch strap. That’s all there is to it. The mind is a magnet. If you find yourself staring in to the abyss: Jump right in. Swan dive. Hold your breath & wait. Everything will be OK. I promise you.

I’m writing, ah writing! Writing this worthless piece of *****// manuscript of means for you. For me, for the future, for love, for lust, for hatred of all things hating, for your mother & farther, for my friends, my beautiful angelic, clinically insane friends, for time, for the soles of my shoes with hundreds of miles under their laces, for your fat greedy pockets, for the moon, for the sun to spit on, for the wind to taunt, as he does like the great cowardly, perverted invisible fiend that he is, for nothing, for not quite everything, for your aching lovers, for your broken hearts, for the worlds water, may you always be clean & run free, for the great biblical liars, for the sorrowful wonder of the great homeless & may all their wants come to be wanted, for *******, for fumbling, for the vast oaken heavy doors on bars that keep us safe from the  horrors outside, for guilt, for sugar-blue smoke, for all the kids sitting in **** stained squat houses with half a horse embedded in their face, for my schools that gave up on a bored child, for warmth & fire & woollen clothing, for Paris where I can fulfil my great dream of becoming a sullen cliché, for the gravel-mounted marching marvel, may you never lose your way, for the Parthenon, for Aubergine, for The Firefly, the swan, bleeding,for growing up, for all the music makers,all people should play all instruments to any degree(rather than just, age & shrivel), for Howl for Carl Solomon, for every down & out that ever clawed his way up the street & through the yellow door, for all the animals that gave their lives to keep me fat & red faced, for Christ sake, for the invisible man in the sky, causing all war & so much death-thank you, for the wild west, for Bert & John, for the great literary mastodon to look down his reset nose at & ask me why. Why?

The way that old dial telephones look & feel. The questions that need no answers. Feeling down, down & out, upside down & inside out,upside in & downside out on the pavement at five am. Waking up in unknown beds & crawling down drain pipes. Getting lost in a place you have lived your whole life. Being in the woods simply to be in the woods. Drinking coffee even though you hate the taste. Never telling a stranger the truth. Living under a false name. Drinking yourself to death in the dark lonely-crowded corners of ***** stained wood floor warehouse floors. Feeling solid-sterling-gold for feeling so terribly horrifically half-corpse-like the only way you can really feel is completely statuesquely angelically magnificent and the only way is down(you really have no idea how far I fell that morning) , Only going out when it rains. Only going out in the dark. Staying up all night dreaming and sleeping all day. Remembering to forget, forgetting to remember to remember to be forgetful. Understanding that you and no one else understands nothing but eat-drink-sleep-****-death. Smoking until yr tongue bleeds and yr eyes burn like that fire in the sky in the fearful month of June. Wishing you knew how to tie a noose & writing ”suicide” on yr calender on a day you have no planned engagements. Shooting to the moon & back in the bee-bop-bo-bo-batter-batter-chitter-chatter like jazz on the neon streets of the earths mother. Crawling in to a stone cold bed after walking for six days & feeling bored & lonely again in ten minutes.

That’s why, I’m glad you asked. If I’m going out, then I’m out going with some steeze in a cloud of smoke, yr wife & I’m not taking you with me.

For all these things & more is the reason I write. To write for the sake of writing. For, some people write, just to write & they are truly the the lost meaning of it all.

Automatic travel rambles to plug up the holes in yr lonesome pockets. Blues.

Chapter two:  

Creeping moss-stick under-flowering the useless but grateful Tuesday poet, Jim Gravestone Sr.

The ghost of the monorail, living only in upturned memory sits slow & smooth/low against the Sunday evening rapture. You gotta know which way is down. Down. The dew on the grass & the creamy-green residue of the night before is just too close to a real drama. Absolute dahma. Down in the cold rising damp & the stain on your shirt.

He sits , sits like you, like me & like old Tom Mooney the prison king. If you ever saw such a sad sight as he, I do believe you would roll out your tongue on the pavement right there & then & wait for the road sweeper & all his secret, early morning charms & the great wolf man, pork chop sideburns (lupine dreams)to clean you up & clean you out. I do declare!

For he knows-for he has seen. Seen the sun rise from his pearly throne up on the dark side of the moon, the very face of Bowie, right there in the eye socket. He sees all. You can live your life, & you do, & you should, but he, O’ he, he has really been there & where & back again. You carry on with your sleepy routine of mule-back coffee office doom death jobs(you sleepy Bohemian, you)  & in you spare time trying to keep your nose from filling up with water & your private parts entwined with somebody else’s most private of parts, & on the side lines of you spare time you can deal with your family & all the friends that you’re sick of but hold on to, only for the fear of being left alone in the dark with nothing but all of the above. Then again you always have your studies(STDS)all of the ologies, of course.

Sleepology, cocaineology,rainolgy, sunology, lonleyology, depressionology, suicideology, talkology,empypocketsology, meaninglessology, masterbationology, coutntingyourmoneyinpintsology,walkology, onenightstandology, jumpthetaxiology, begology, borrowology, stealology,feelology, upallnightology, sleepalldayology, Xology, ologyology, etcology etc…ology etc.

Just find something you can care for ‘*** [insert atheist god/idol] knows that nobody is going to do your caring for you, even I they do in fact care for you.

I have been beginning to notice,that I(and I may not be alone)

always look at the past through a marigold monocle.

This, meaning nothing now ever seems to be joyous or gay or splendiferous until it is a past memory.

A cobweb. A rafter. A leaf on the ground. …I guess.

         Chapter three:

I know you know it but people that you don’t know, really are a funny, funny thing…

I stand outside the rain & watch the people passing by; really the most depressing experience of my ever increasing years. Un-jolly fat men with whiskey-nose & scuffle-feet stanzas of gibberish, talking gibberish & gibberish being their inner most self. Pre-war women with Arctic-blue hair, faces melting, everything pointing down, shuffle. Kids pushing prams full of ugly babies towards a house of who-gives-a-**** & ******* & I’m-gonna-die-here and what of it. Is there really no more to life. Listen to the top 40 on the radio, clueless, oblivious. Cogs. All cogs. Military troglodytes following them back in a dead eyed daze, dreaming of killing in the real and virtual. No you may not have a cigarette. Leave me alone, please. Let me listen to my watch ticking in peace & at least pretend that you don’t exist.

The human body is comprised of several ‘substances’

including..

Mercury,

hydrogen hydroxide,

fountain pens,

the lost dates of calenders,

various small woodland animals,

including…

Voles,

rabbits & field mice.

Other such things as…

Misplaced birthmarks(of the brain)

feelings of remorse and regret,

the stolen trinkets of past lovers,

and of course,

white blood cells,

pesticides,

and the second hand

from a 1956 ’Hamilton Rail road’ pocket watch.

E.L August 7th

           Chapter four:

Last night, last night was the last night it was the night last

Picasso raincoat. Imagelessness. Bottomlessness. I lost my umbrella & my Holden Caulfield head-wear, again. I was skipping on a rain cloud, corduroy boy and scarecrow girl, reunited in a soft entanglement sticky in the senses. Hoof! The only way is up when you walk down these stairs, snakes and blisters, but you’ll sweat it all out in babble cream conversation and love in your eyes. Tell me a story, tell me a story, tell me something to prop my chin up in this brown tunnel. Your name it is something I cant care to remember but of course I never really had a name of my own either, so we shall be the great wonder of the nameless masses, the ones born to no name and never wanted one anyway. A name is nothing but a label, a calling card, call me anything, call me king Charles II just as long as you do call me, the sound of a voice, your voice, any voice reeling off a comprised anagram of the alphabet is enough to get my short attentive ears to perk up and twist my noggin backwards towards the direction of my inbuilt gypsy sonar. So anyway, I was going to talk about something, something great… but now its gone and all I have is bloodshot eyes and sweaty liars palms to prove to the world that I had an idea once, I swear I did.

Here’s an idea for you to dig you heels into:

The world keeps making mistakes, everybody makes mistakes, its natural, nothing to fear, it happens all day every day. BUT, with every mistake we make, we then proceed to learn from that mistake, so.. stay with me here… Once the world, the whole world meaning everyone in it, has made every mistake they can make and of course and one would hope of course, that they have also learned from all of these mistakes; once this has happened, there will be no more mistakes to make, right? Therefore leaving the world perfect as a whole, no mistakes to make, learnt their lessons on every lesson and we can all go on with living a perfect existence, yes?…

No.

I’ve really thought long and hard about it -could never happen, people are not perfect, they never will be, if they were I wouldn’t want to know any of them, and the world, well the world is an imperfect place, and the same rule applies.

But let me hit you with another bit of knowledge to round things off and maybe put a positive spin on things. Hoist ye marrow-thumbs around this;

One of the many few early times that my legs forgot how to use them selves, I was sitting on the pavement, trying for one to reattach these two now useless appendages stuck like butter to my lower torso, but foremost trying to light a cigarette with my useless cold hands and equally useless matches, fearful of the sneaky clear coward, invisible old Mr wind, when a kindly stranger, half my size, red my hair, opposite my *** and now opposite my broken legs appeared like a person will appear when you mind is in other minds, a smile, a sympathetic look and two working hands to fire up the stick in my mouth. I said my thanks, babbled about babble and the generation of gibberish and im sure many other things inconceivable to the sober ear of a dame such as she, the bringer of flame and enlightenment, not of the smoke but of the simple mind, an idea is what she left with me and it never left. She stopped my rambling typewriter of a tongue and said ‘shush’ she held my head in her hands, looked at me straight,so I thought she might be death or god or that I was passing out,she all green eyed and like the woods, looked at my eyes like they were tethered together and dropped the bomb on me, she said ”if you are looking at the moon, then everything is alright” kissed my warm on frozen forehead and was gone into the night, never to be seen again.

That’s all the advice you will ever need, & so ll I will leave you with.

You never left a name, but I never wanted one anyway.

Midnight moment

beautiful rags

midnight joy.


Nevermind your little light,

set apart your golden dreams

that offen break,

& come to play.


Chapter five: There are things I want to write but I am not going to write them.

The End.

‘Stay gold, Pony Boy’

Lunchtime stroll = ugly couples, prams pushed by youth, smell of corn on the cob,eyebrow maintenance, baklava.

Dull train update: man who looks squeezed at both ends, like an accordion, with glasses, a lucozade bottle half empty, lady appears perplexed by a crossword clue (but it may be sudoku).

Clouds outside seem to cover the black to white spectrum.

Dull train update:  a sign, a lyric repeating itself 'an even cash flow: this cannot be underrated', the cranking of metal the smell of meat.

50/50 weather.

Left foot, loose lace

and canned laughter follows him everywhere but he feels nothing, inside he is empty, save from a series of ropes and pulleys that control his movements.

The parents are being pushed in the swings by their offspring, grown men in nappies crushed up in bulging prams. Cats eating dogs. Humans ******* on pigeons. It's all a bit weird today.

It's London, all the time,
when at night I close my eyes,
it's when and where I get to roam and dwell,
in the city I know inside-out so well,
where all the narrow streets and cobbled stones,
teacups, pint glasses, and fresh scones,
lend themselves into the misty English air,
of London's ancient, yet so modern flair,
of Piccadilly, and Hyde Park Corner's box,
riding Black Cabs, or a big Red Double-Bus,
evening gas-lamp walks with ol' Saucy Jack,
fish and chips and shandys for a perfect snack;
then the changing of The Guard at Buckingham,
where native Cockney's and young mums with prams,
gather for a view of Lizzy's Royal Family Show;
but, my, how rich the April sun sets and does glow,
over the rolling raging river Thames of yore,
where ancient Roman armies marched to shore,
proclaimed: LONDINIUM! -the regal rest,
of civilised peoples and the Royal Crests,
where lives and deaths would go and come,
yet The City despite all odds has lost and won,
in the hearts, souls and minds of all who take,
great London as their true hearth and home to stake,
and arise and fall the poet's versing nights and days,
whilst Big Ben chimes his toll in the foggy haze;
and alas, London from my slumber dissipates,
to that of which I yearn and love, asleep or wake,
knowing where my home of soul-keep lies divine:
in London, my dear London; it's London, all the time.
__
London:
http://beautyineverything.com/3366195864

And he saw it now and then
the lamp lit row of houses that
stretched beyond the eye
houses where men who dug black
slept and drank when they could

ageless cobbles pried on
men who fought in the street
over want, women and work
while little men sons played
foolish games of childhood

daughter women with prams
mothered their plastic dolls
and the wives gossiped about
young Sally who had a belly
by John Stout the butcher boy

the reverend Ellis knew
all the stories and chapters
of life in this coal dust street
he birthed them baptised them
married and buried them

and the street was quiet
no vehement voices tonight
as the deed of death
slipped over the cobbles
and gripped a sleeping soul.

Crescendo the silent beat of hearts in chests
at all things nigh and beauty,
or lovers' eyes locked in stargaze wrest,
on cue as sunrise scarlet symphony.

Fortissimo in birdsong chirp and banter
while car horns blare with careless fervour ;
on pavements listless feet in patter
as suits and ties commute in canter.

At noon the music peaks, forzando.
Soccer mums braced in cafe convo
of lunchtime gossip in staccato
while babes in prams asleep in piano.

On cue at sundown scarlet symphony
the baton slows in rallentando.
Call to slumber twilight melody-
the daily music diminuendo.

Sunday - the weekend's tombstone,
burying the worst of last week.
The silent ringing of church bells,
best suit coffined in my wardrobe.

I see proud parents pushing prams,
grandads toddling after toddlers,
but no young couples promenade,
as we did when teenagers.

Some sought their compensation
in sensational Sunday press.
It's surely generational.
We were schooled for Sunday rest.

I can't recall being born,
The cuddled snug of being warm
Beneath a roof so weathered
On a seasoned flax-mill farm.

I've an inkling of being two,
In a scene played out by me and you;
On a mattress, in the sun -
A new-born cried, and died too soon.

Then memory's blur cleared by three,
We sailed away on the Irish Sea
On a listing boat, across the Blue,
The last link to the last banshee.

By four we'd long since slammed the door,
And I knew cowboys and Celtic lore -
A new-born cried, she died too soon,
The eye peeped through the Judas door.

By five so many had left the home;
By eight a.m. we were left alone
Pushing prams, swings and forward,
No T.V.,  radio or telephone.

At last, by six, I clearned the webs,
A whole new world lay dead ahead -
A new-born cried, he died too soon;
By seven I'd internalized
The dreaded finality
Borne by the dead.
.

follow the yellow brick road...*

The terrible freedom unleashed by typewriters.
Condition of complexity judged without criteria.
Radical provocations. Urinals and prams. Contingent.
Anarchist aesthetic. Not truth nor beauty but freedom.
Materiality of language. Multi-hued wheel barrows.
A cuttlefish. A crate. A cassowary. A cigarette. A ******.
Paratactic order. Particular phrasing. Pulsing pastiche.
An infinite conversation without resolution
as with the stupid friend who won’t shut up. Ever.
A transcendent dialectic based solely on proximity.
Ineluctable modality of the near. Only that. Buck it.
An unquiet ghost endlessly self-questioning. No answers.
Moaning in the meaning. A simple stuttering. Sibilant.
Turbulent and unpredictable as waddling wolverines.
Words that only mean whatever is seen. Juxtaposition.
Dissolving into desired dissonance. The magic chord.
Absolute verity in the experience of the fraudulent
for the same reason as the ubiquity of toothpaste.
     The poem as its own universe, complete and whole,
     fodder for the mind, not balm for the soul.

I am a holder of dolls,
said Monica,
I keep them in my arms
in light and dark,
I sleep with one
in my bed at night,
her fuzzy hair
tickles my face,
my dreams are of
my mother's cries,
her anguish over
the men who come.

I am the bearer
of her smacks,
her voice vibrates
in my ears,
her hand marks
colour my skin.

My window looks out
on fish shop below,
the baker's shop
on the left,
on narrow
Meadow Row,
the bomb sites
on either side.

My mother's men
come and go,
they make her
laugh or cry,
they sleep beside her
in her double bed,
I hear their voices
in the dark,
the sounds of giggles
or weeping,
the slapping of hands
on flesh,
the darkness brings me
bogeymen and shadows.

One of the men,
crept to my bed,
removed my doll,
touched my leg,
lifted my nightdress,
our little secret
he whispered to me,
the darkness swallowed him
up, the dirtiness left
in his wake.

I am the sleeper
of light sleep,
I listen for the sound
of creeping feet,
for the door **** to move ,
for the door to open,
for the hands to touch,
for the secrets kept.

From my window I see
the children at play
on the grass below,
with toy guns,
bows and arrows,
dolls and prams,
they look for me
to join in,
to enter their games,
the boys seek me
as their cowgirl moll,
they ride their invisible
horses across the plains,
shooting out
their cowboy dreams.

I watch the sky darken,
the moon a silver coin,
the clouds
puffs of smoke,
my mother
calls me to meals,
the table and chairs,
old and stained,
her man friend
drinks and smokes,
makes silly remarks,
***** jokes,
me he pinches
(under the table)
or secretly pokes.

I am the holder of dolls,
they are my true companions,
they never complain,
they share my dreams,
they share my pains.

From my window
I see Benedict play,
he alone knows
of my plight,
he my knight
in cowboy shirt
and jeans,
my teller of tales,
my listener of woes,
he buys me
sweets or chips
after our games,
walks me home
with his 6 shooter gun
resting in the holster
by the side of his leg,
his cowboy hat
slanted to one side.

He keeps my secrets,
holds my hand
over busy roads,
eyes the men
my mother brings home,
guns them down
in our shared dreams.

I kiss his cheek
as a kind of thanks,
he blows me a kiss
from his open palm
as he rides
the bomb site plains,
he knows my fears
of the men
and my mother's smacks
and the pains,
he stares at my mother
with his hazel eyes,
his steady stare,
he alone likes me,
he alone is there.

I am a sitter at windows, said Lucia;
I am a thinker of sad thoughts, a gazer
at stars and moon and the bright hot
afternoon sun. My thoughts taunt me

like bullying children, they repeat
words and images and strings of verbal
abuse like repetitive *****. I sit at
the window with folded arms, my ***

numb on the window ledge, my eyes
peering through the netted curtains,
taking in the sights, the people, the cats
and dogs, the cars and buses, the odd

cyclists, the women pushing prams,
children crying at the side. I see and
know my childhood ghosts, the locked
doors, the no supper nights, the starving

rumblings of an empty stomach, words
bellowed through the doors by angry
parents. I am one who stares from windows,
one who snoops through netted curtains,

taking in the sights, hearing imperfectly
the outer sounds, the stolen kisses and hugs
from teenage loves, the backyards fondles,
*** on the cheap, lives, loves, kisses and

holds. I see new moons, quarter moons,
half moons and full moons and the lunatic
surge pulls me in and pushes me out, my
moods change like the waves of the sea,

the deeps drowning me in depression,
the black dog’s bark, thoughts of death
in a bath, slit wrists, over doses, hanging
behind a bathroom door like mother had,

eyes popping, tongue protruding. I think
of past loves, dream of what might have
been, the boys who came and went, the
ones who stayed and spoiled, the girls who

stayed the night for sensual *** or schoolgirl
kisses, of visits to an asylum before mother’s
demise, the locked doors, the cruel cries and
lunatic laughter, the odd looking staff, the eyes,

the tongues, the finger gestures from closing
doors. I see the work of the gods in my daily
stares, the passing people on their way to death
or work or love or indecent *** with another’s

love, or a child innocent as a flower’s bud
plucked and pulled and brain washed by an
adult hand and tongue. I am one who sees
what’s come to an end and what’s sadly begun.

There's a certain kind of magic-
in the surging of the streets,
pounding tired feet,
children squealing,
prams wheeling,
a tide unquelled by grey sky
a sparkle in the dull hope of a scratchcard owners eye

this is the city exhaling fumes
and inhaling dreams

We love urban, ice wrapper choc full, dense with matter, cream the power runs through, finding space, each cell. Unit, one by one, stacked upon deck, pile, floating concrete and multi access path. Crank each floor, glass patent steel, glint the Thames, Humber and Clyde, a boat in the reflection, slum cleared gentle penthouses on the other side. Dogged, ***** not allowed, Barking, Hackney, Toxteth, Little Ireland aka Cardiff gone. Dodo, hatchet, escalate poverty, high rise cool, the high rise flat.  Crowning glory, a sea of chiming memories, stirs the tenement cat. Swept beneath the paradigm, catapult off the parapet, somersault into a different time, moonlit skyscrapers, street sweepers become the concrete and the fifty foot glass dancers, cross between the cargo arches, gargoyles and shields bring them to the ground. The twisted metal of prams and brand new cars grind, traffic in drones, and the city drowns. Strip turn central, gorgeous girl, Hoxton lad, a touch too Dad, deposit on a Liverpool street pad, generation retro spinning fractal, money linear pavement uber yellow, scuttling insects and street martins, skylarks flying Saint Pauls cross and ball bearings, shopping centres unending. Biting into Cheapside, the hidden livers, gold delivers, pure to stay the shivers, the office block rises. Sharp bends, the bridge divides, shark rides the sky, dumps the bank and pierces its side, docks in every city worldwide, rivers pink with the ticklish blood of regicide. Pumpish, Victorian, sweet and blue, the older the City the quicker the glue. Mortar rectified a moment to ***** and overawe you. Shock, new wave architecture, backhanded awe. Brum pill wave beast eat your heart out, find another Chinese storm, currency blizzard, scales hardly balance, aha you had it, now you simply own. Own the moment, the pebbledash, corrugated roof, outside toilet and underground transit. We love urban, your moment we cherish and drain, there is nothing we can’t refuse to understand, too complex to refrain. Bounce as we ride the terrace and its suburban long train. Take your sweetheart on the nightbus, ****** him her, the hier of your plane, that’s where they will love you in the memories of the life near the top floor, and the final flight you were too drunk to gain. Seventy Two, you’re only thirty and you’re on forty one. You’ll fall back or you’ll begin ascendency. Shrink with wisdom, pick up the building, a tool, dreaming of scaling London, young a journeyman, jousters young son, learned, resisted the gun. I’ll fight with two hands, pile bricks or guide with a pen. Draw your city, write my memory, bind moment with every fragment, underpath, cycle through. Lights fading, jumping colours in the district where the girls who live the density beyond you and me, each element boiling their hearts and steaming potent New York’s paths. You had poetry in the apron of your mother’s lap, golden syrup and milky sap. You love urban, fifties bubble contrast in your seventies shunted through urban oasis and with that unknown factor, uber bijou, ‘Finding Nemo’ flat. We are urban, you are fashion, you are the generation that copied that, found the culture in the swinging city, post uni shack. Seven Eleven, Atlantic side heaven, promised more than double checking your watch before bedtime. Look at your daughter, she’s got ‘more than’ you hoped for, already in the palm of her sleeping hands, waking up to a metropolis only she will understand.

Crouching beggar upturned cup
Singing children hunger sup
Mongrel bounds on a short chain
We are all caught in the rain

Policeman standing proud
Busking waifs are singing loud
******* lies where it was lain
We are all caught in the rain

Pigeons bobbing strut right by
Seagulls scream with glinting eye
Old man mutters 'not insane'
We are all caught in the rain

Babies hold up their palms
Mothers push them in their prams
Babies google their necks crane
We are all caught in the rain.

Spice saves you from the cold
Scrambling desperate for heat
Hands out with head back twitching
Begging at my feet

In shop doors on the floor
Never seen a higher street
Zombies with good manners
Trying to catch a nights sleep

Sparking fires in cans inhaling dark
Warming hands by freezing hearts
In sight of prams out in the park
Laying wasted on a landmark

Their minds, bodies and money is all spent
Nasty habits got them here
Nothing for food, nothing for rent
Nights spent on streets in constant fear

Stumbling blind side into me
Old tracksuits combating crisp cold
Not searching for cheap silence or throwaway sympathy
Not trying to fit a societal mould

Like a dear in the headlights they stare
So startled, so close to the ending
A thinking mans ******
I’m the ignorant man stood, pretending
That I can’t see you there

Craving synthetic highs
Because if it’s natural it’s not aloud
Packaged up in labs and factories
Down the supply chain to customers who sleep on cobbled ground

Baby Mamas with their prams
Eating up wonderland
Dropping bits of food everywhere
Under their chairs

Laughing like schoolgirls
Flustered red
Bits of food
For non-believers
And the un-anointed
Are scarce

Clogging toilets with diapers
Dispensing waste
At an alarming rate

How much for a wonderland?
In the sky
Red marker
Rise and rise
White tissue
Go from white to brown
Bits of pea and chicken
Falling down
  (all together now)
    Bits of pea and chicken
      Falling Down

How much for a trip to wonderland
With a cushioned seat
Padded headrest
And comfy feet?

Eat

A wonderland in the sky
The market is on the rise
The ground is black
And the clouds are white

Every minute
Clouds gather spin and rise
The Earth looks small
Falling behind

How much for wonderland
Up in the sky?

Still born. The words stick
In the throat. Even if she sees
It someplace in a magazine
Some medical journal it hits home.
Some nights she wonders if the
Imaginary kicking she thinks she
Feels is her phantom babe or
Senses her dugs go hard at the
Mere mention of the word on
The tip of her tongue: still born.
Born still or pushed forth lifeless
But wanted and needed and lost.
What really sticks in her throat
Is seeing babes in passing prams
Or backyards unwanted unneeded
By mothers who **** and shuck
Without concern while she sensing
Her heavy loss and a vacant womb
Can only look on and walk away
Or sit and weep in a darkened room.

Tempest triumph turmoil tomb
Seeketh life or seeketh whom
Ashes, bones lay beneath me
Humble yourself, so you can see
A wide range of locus holograms
Pinched around like metal prams
Escape none to route a way
Knuckles grit, sinking everyday
Dark puffed, stuffed grey matter
Auction solidarity is no better
Speech of silence, clouds of rain
Piercing pledging pleading pain
Thy grace, I praise as heavens open
Not above but a voice has spoken
Walk the steps downs, the voices called
Come to us, you belong to our world
Pushed dragged and pulled a few miles
Clowned faces, greet with smiles
Mummified shrouds hang like dolls
Eyes spring out like the tennis *****
Dredged with stinkful skillful spills
Rainbow colored infinite pills
Wide-eyed blinks match the flurocent
Contour light lights up the magnificent
Bridges burn birthing ashes
Torn ripped ***** worn sashes
Two hands praying, Lord save our nation
Two legs walk, it's another fashion
Rotten forgotten the limpage lives
All hands stuck in the money hives
Online tariff tragic traffic terror
Highlights viral vital error
Known unknown captured in doubts
Strapped bodies spillage by mouths
Shots of needles through my veins
End of life, foregone with pains!


©sim

The atheist walks
Past the supermarket
Seeing only shoppers,
Buying their daily bread
Earnt by working nights on security, or
Days serving zombied customers
At drive through takeaways
Getting abused, watching the litter
Pile up from don't give a toss
Attitudes diving immaculate cars,
He sees shattered dreams in the homeless
Begging to survive another day
In pavement poverty,
Preying on good will by sliding doors
In the rain,
Teenagers pushing prams, abandoned
To a cruel world of benefits and scams
Just to make ends meet,
Men wheeling six packs to their hatchbacks
Hoping they have enough *****
To block out another weekend
Of the wife moaning about never going out
And the grass needs cutting,
He smells the pollution of all the cars
Driven a few hundred yards
For a pack of cigarettes
And some dried noodles for the kids for lunch
Just to shut them up,
He sees only individuals
Railing against each other, falling
Over their directionless lives
All wanting to be somewhere, NOW.
He pushes past them all
Never looking up, never acknowledging
A single face, knowing his place
In the crowd.

But I see the woman who stops
In her nurses uniform
Tired from another 12 hour shift
Smiling at the beggar she drops him her change,
Takes her shopping to the car
Looking forward to a family meal together,
Waits for someone to pull out of their parking space
As she leaves for a humble home
Built on love,
I still see a light in the darkness.

I always said she had too much coffee and cake ,
her portly shape was due to too much wine ,
and now all she craved was a good time.

I always said the cigars she smoked were like
Tomb stones ,
to blind to notice,
to addicted to care .

I always said ,
I always said .

And her heart only beat to climb the stairs ,
and the chocolate and chips helped her through the day .

Rainbows and demons ,
Chains and weeds ,
and the wind and rain ,
and the rain and the wind found us on our knees .

Spoh koyn nee noh Cheh dorogoy , ( good night my dear ) for
I shall navigate my love under a starry host on my ship of jesters and
Fools .

You’re cigars and cake are the rainbows and demons ,
and chains and weeds to our love ,
For you’re laughter for our foolish freedom came not from God above .

Must I then take the ash and crumbs and the yellow **** you retch ,
and hope what’s left does not choke you .

We shall marry in our Geogian satire of smokin mirrors , gin and Russian roulette ,
I will play the doctor ,
You the patient.
Our babies will smoke cigars from their Georgian prams ,
Wine ,cigars , chocolates and cake I shall spoon feed you ,
.....until you’re dead .


For you’re chains and weeds have killed you ,
and death has taken you away .

And here at our table I shall sit alone ,
thinking of you .
With wine a cigar ,
Chocolate cake and a cigar I shall toast you ,
until this day ,
draw a curtain ,turn off the lights .
Sweet dreams my malen kaya kroshka
( my little crumb )
sweet dreams .

In the forest late one summer day,
between the trees and prams,
a sweet girl whistled a small tune
that made the rabbits dance.

They danced and hopped and frinked about
and it was all quite nice
until the Wankerschmacken came
and brought a plague of Braifs.

The Braifs, they danced and frinked as well
and grew and grew in size
until they grew to twelve feet tall
much to the girl’s surprise.

The Wankerschmacken watched with glee,
with joyous hate and hunger,
the rabbits, the girl, they were confused
as they stared down the Schmacken’s flanger.
The flanger was his mouth, of course,
filled with teeth like daggers,
and the beast lunged after the poor girl
who through the forest yaggered.

She yaggered and ran and over a root
she suddenly fell and cried;
The Wankerschmacken took his chance
and this is how she died:

The monster opened its flanger large,
its throat was charcoal black;
A blue tongue stretched and grabbed the girl
and hurled her into its depths.

She fell for an eternity,
she seemed to fall for years;
And in its stomach she cried and cried
and drowned in her own tears.

A century has come and gone
since this cold-blooded ****
but if you put your ear to the woods
you can hear the Schmacken still.

It snores and roars deep in its sleep;
Can you smell its rotten breath?
but once you do it is too late –

You will die a vicious death.

Nadav had rough skin
when he touched
it was like sandpaper
rubbing flesh

girls have a habit
of boring me
to tears
he said

I looked
at Miss Ashdown's
broad behind
as she walked down

the aisle between desks
in class
her skirt swayed
like old ship's sails

all they talk of
is dolls and prams
and doll's clothes
and about whom

they'll marry
one day
I wondered
if Miss Ashdown's hips

wore away the wood
at the side
of the desks
as she walked

between them
I prefer boy's talk
of guns and battles
and wars and such

he said
I watched
as Miss Ashdown
turned and faced

the front of the class
her big bust
like battleship guns
do you like girl's talk?

Nadav asked
I like their gentleness
and softness
and smell of flowers

I said
but talk?
he said
what of that?

the knack
I said
is to listen
only to the last

few words of speech
to get the drift
of talk
Miss Ashdown

glared at Nadav
and threw
skill fully
chunks of chalk.

Let the people decide on the dance,
not your midnight one
but the midday one
the sleep through the work day type.
Where on auto we can forget
about our neighbourhoods.
You know the ones
bad mannered mothers in league
with prams, a public menance
or their soon to be feral children
who never amount to doctors
just random statistics
where more was hoped for.

Darling let us dance with the moon above us and sea below ,

for this night is meant for us “ .
man
I’ll take you’re hand ,
a Walt’s we shall dance as if the stars look down ,
and their twinkle mirror mists enchant ,
their heavens array on this moonless night ,
we shall hold each other until Manhattans lights draw near .





Woman ... it’s so cold can you feel it my love
Man ... ‘ there are icicles on deck here you are my love “
Oh stop oh stop throwing them “
Man , you’re such a tease ,
You’re smile ,
You’re face with tender lips to embrace ,
to kiss you ,
and hold the back of you’re tender ,
soft neck .

woman “ I shall hold you this night until the Statue of Liberty we shall see before our eyes on that distant shore ,
and there we shall dine in Manhattans cafes
With only love ,
and kind words to fill our hearts for evermore.

“ woman ‘“. We have danced all night  ,
The lifeboats have but all
gone ,
to the tune of Autumn our souls live ever on ,
nearer my God to thee.
with only God before us ,
as heaven awaits “.
For now my evening dress is wet as ,
there are iceicles around my ******* ,
there lies water all around ,
and I’m frozen .
To you I cling my ,
To you as heaven comes down we dance ,
hand in hand ,
as for this eternal spring .
the moon it’s flares,
and whistle are all in the past .
We plunge ,
ghosts ,
hand in hand ,
down to the oceans dark tombs we surrender.
to angels who guide our way ,
to the strange mists,
and endless horizons that have enchanted this night

Down ,
down.
Four shoes ,
and you’re top hat ,
lie in silt ,
forever ,
with dolls ,
and prams ,
and plates ,
and watch faces ,
where time stands still
on the ocean bed ,
lies our evermore .

.i

The final surge of innocence floods
A Catalan January night.
Candy is caught in prams and hoods
Sticky soles kick and fight.
The town walks home, on cloud nine
With dreams of gifts and fads;
My daughter’s hand slips from mine
- her friends are not with dads.
She'll pour a Scotch and cut some cake
To keep the camels warm,
As every year the routine rolls,
Except the smile that says she knows
The last Magi forsook his star.
Adéu, forever, to Balthazar.