I heard faint noises downstairs, and I decided to investigate. I pulled on a pair of cut-off jeans and grabbed the old pump shotgun that had served me so well in Viet-Nam from under my bed and crept downstairs to check. My Ranger training came into play, and I moved soundlessly, down the stairs and into the living room. An air of vague shadowy figures were searching through the cabinet that housed my collection of antique silver. I announced my presence in a sudden and intimidating manner: I merely pumped the action of the shotgun, then immediately moved to the right so if anyone shot, he would shoot where I had been, not where I was now. That sound was a language that everyone understood, including the two figures before me. They froze, and were still motionless.

"Mr. Steve?" one of the figures quavered. "Please don't shoot!"

I recognized the voice as belonging to Lisa, the twenty-year-old daughter of my nearest neighbor. I didn't know who the other person was or who else may be in the house, so I kept the shotgun pointed in their direction and hit the light switch with my free hand. Immediately a car cranked up in my driveway, and tires squealing, raced out to the road and away. I looked at my midnight visitors. I recognized Lisa and Julie, who was a close friend of Lisa's and a frequent overnight visitor of hers. They were holding between them a laundry bag containing most of my silver collection. I lowered the muzzle of the cut down shotgun.

"You sure know how to get yourselves killed," I stated. "Mind telling me who was in the car? You don't want to take the rap all by yourselves."

"Please don't shoot! That was Mike, it was all his idea! He made us do it! He said he would put us out and make us walk home if we didn't do it! Are you going to call the Cops?"

Now I could understand why the girls tried to burglarize my home. It was a fifteen-mile walk home in pitch darkness on a moon-less night for the two frightened girls. It was just what a worthless **** like Mike would pull. Knowing what I did about Lisa's boyfriend, I knew what he probably needed the money for. He was nineteen; the only job he had ever had was selling drugs, and I don't mean at the pharmacy. He was a charmer though. Girls fell for his good looks and his charm, and would do anything for him, and he of course chose the best looking one of the bunch, Lisa. She never realized what a slime-ball he really was. The problem was that Lisa didn't have a father to threaten to put a bullet in Mike's behind, and her mother was just as deceived as she was.

"You broke into my house and attempted to steal my belongings. Why shouldn't I?" I said with false sternness. I wouldn't really turn them in, now that I knew the situation. I would give the girls a good scare, then a ride home. Maybe then Lisa would see through Mike's veneer.

"Because we'll do anything you want," Julie offered, speaking for the first time. "Anything at all!"

Julie stepped over and ran her hand up my leg, pausing to tweak the head of my ****, which was hanging out of the leg of my cutoffs. I hadn't bothered to pull on any underwear. Julie was almost as good looking as Lisa was. Both girls had fabulous bodies, large firm ****, and smooth well-rounded *****. Julie had a cute face, whereas Lisa was absolutely beautiful.

"Yes, anything you want to do!" Lisa agreed.

The girls weren't wanton *****, but scared out of their wits and taking the only way out that they could think of. Of course they weren't virgins. It hadn't occurred to me to take advantage of the girls like this, and I would have declined Julie's offer if she hadn't fooled with my **** like that. You see, I was developing an outrageous *******, and with my **** hanging down the leg of some fairly tight shorts, the situation was rapidly becoming painful and serious. I had to get those pants off fast! Also, I hadn't been laid in quite a while. I decided to lay my cards on the line.

"You kids know me. I never had any intention of calling the Cops. I was going to give you a scare to teach you a lesson, then drive you home. Does that mean the offer is withdrawn?"

The girls looked at each other and both breathed a sigh of relief, big smiles on their faces. Lisa winked at Julie. "Nope," Julie said, smiling, "It still stands. Lets go upstairs."

I escorted the girls to my bedroom, pressed the magazine block on the shotgun, pumped out the shell that was still in the chamber, then put it back in the magazine. I tossed it onto the dresser with a loud thump.

I turned around and both girls were stark naked. Lisa came over, dropped to her knees, and planted a wet kiss on the head of my painfully throbbing ****. My ******* became harder still. I had to get out of those cutoffs! Julie solved that problem. She unzipped and unbuttoned them and gently worked them down around my rock-hard ****, allowing it to spring up to freedom.

"Lets get on the bed first," I suggested, "Then we have fun."

"Lay down on your back," Lisa insisted. "Have we got something for you!"

I complied, and Lisa leaned over and put my **** in her hot mouth. Her tongue swirled over the head, ran up and down the shaft, and started over again. I looked over at Julie and she was watching avidly. Not having anything better to do with my hands, I reached between her legs and caressed her ****. Julie gasped with surprise, then spread her legs. Her **** was already hot and wet, so I slid my ******* in all the way, then started finger ******* her and massaging her **** with my thumb. Her **** hardened and grew. Julie had her eyes closed and was erotically tweaking her ***** *******. She was slowly lowering her body, deepening the ******* of my finger, and rocking her hips back and forth, intensifying the stroking of her ****. Julie's hot ***** juices ran down my hand while Lisa's mouth was still working on my throbbing ****.

I began to draw my hand from Julie's sopping wet ****, but she grabbed it and held it tightly to her crotch. I pulled my hand now, and she came with it. I grabbed her thigh and swung her leg over me, so she was now sitting on my chest. I pulled my finger from her hungry ****, grabbed her ***, and pulled her ****** right up to my face. As soon as I flicked her **** with the tip of my tongue, she went wild, ******* my face, filling my nostrils with the sweet aroma of her **** juices. I thought I would give her all the licking she could handle. I rammed my tongue into her ****-hole with all my might, then gently nibbled on her ****. Apparently she had a low threshold, as this was all she could stand.

"Oh God, I'm coming!" she screamed, ground her **** into my face one more time, quivered, then collapsed sideways onto the bed.

One down, one to go. I looked at Lisa, still ******* my **** for all she was worth. I was nearing the end of my endurance, and I still hadn't had my **** in any hot **** yet. I grabbed Lisa's shoulders and pulled her mouth from my ****. I turned her around and held her up, her blonde ***** triangle just inches over my waiting tool.

"Give it to her! Now!" Julie whispered.

Lisa's **** didn't look wet or ready to take anything in it yet, but my **** was ready to take some *****. Julie reached over and spread the lips to Lisa's still dry *****, and began tweaking her ****. Lisa gasped her surprise at her most private place being touched by another chick. Within seconds though, her **** and inner ***** lips began to swell, and her juices started flowing. I slowly lowered Lisa to my rod, admiring her glistening pinkness. Julie guided my throbbing rod into Lisa's wet love hole.

"Please, be careful! Ah-h-h-h! Go slow, I'm so tight!"

I lowered Lisa very carefully, for her hot ****-hole was indeed the tightest ***** I had ever felt. With that in mind, I fought the urge to slam her down on my eager ****. As soon as she was down, I grabbed her *** and began sliding her back and forth. Lisa bit her lip as a tear trickled down from one eye.

"Stop, Mr. Steve! It's hurting her!" Julie commanded. Then to Lisa, "You haven't done it much, have you?"

"Just once, with Mike, and he isn't this big. It hurt then, too!" Lisa sobbed. "I wanted so bad to do it with Mr. Steve because he's been so nice to me, and I was so scared when I saw how big he was. Oh, it hurts!"

"You'd better get up then." I reassured, "I don't want to do anything to you that you don't want me to do."

"I want to go on, really I do! But don't you have anything I could use to make it easier?"

"Yeah, any Vaseline, or KY jelly, or something like that?" Julie asked.

"I have some KY jelly in the bathroom." I answered.

Julie jumped up and padded into the bathroom. I watched her naked *** jiggle as she left.

"You're gonna have to get up." I told Lisa. I gently lifted her ***. She bit her lip again and moaned as my **** slowly withdrew from her tortured hole. With a pop from her *****, a shriek burst from her lips as my **** sprung from her nearly dry ****-hole. She knelt on the bed next to me, softly crying, clutching herself where it hurt. I realized that she had been wrong in pretending to be so eager. A more gentle approach was needed.

I reached over, pulled her to me, and kissed her lips passionately. She ****** once in surprise, then melted into my arms, returning my kiss, forgetting the pain in her ****. I ran my hand around to her firm **** and gently stroked her *******, feeling them harden under my touch. I pulled my mouth from hers and kissed the point of each hard ******. She moaned and gasped with each touch of my lips, but from pleasure this time, not from pain. While I had her aroused, I lightly traced circles on her tummy with my finger, each circle going lower and lower, until I finally reached the blonde **** of her ***** hair. Slowly, I reached down and cupped her ***** with my hand, being careful not to press too hard or insert my finger. I would know when she was ready for *******. She responded with a **** and a gasp. I pressed again, and she gasped again. I kissed each firm ****** one last time, then started kissing down her tummy to her love nest, which was now warming and starting to respond to my touch.

I spread her legs and gently ran the tip of my tongue the full length of her slit. When I reached the vicinity of her ****, she reacted as though she had been shocked. She arched her back, pressing her **** against my face. Maybe she was ready. I probed again with my tongue, harder this time, hard enough to separate her ****-lips and tickle her ****. She went mad again, jerking and twitching in response to the touch of my tongue, moaning and panting. Then I felt her **** harden, her inner lips swell and spread, and her delicious juices start to flow. Now she was definitely ready for more. I probed her ****-hole with my tongue, licked all the way up to her ****, swirled it around, bit it gently, and then probed her hole again. When I started doing all this, she went even wilder. She spread her legs, ****** and reared against my face, and pulled my head tight against her hot cooze.

"Oh-h-h-h-h, **** me," she moaned, "I can't stand it any more! I don't care if it does hurt! Please, please **** me!"

I put her throbbing **** between my lips and gave it one hard ****, drawing it completely into my mouth, and pulled my head back sharply, causing her **** to pop back. She screamed, ****** her hips at me, and grabbed her sweating *******.

When she had subsided, her legs still spread, I mounted her in the traditional position. I started to position my throbbing pole for a gentle entry, but Lisa released her **** and spread her ****-lips with one hand and guided my tool to her sopping wet ****-hole with the other. She was much wetter now than when Julie diddled her ****, wet enough to ****.

"Please do it now!" Lisa pleaded.

I began to insert my **** cautiously, and found that due to her juices, entry was no problem. Lisa groaned like a ****** as I slid into her hot wetness. When she had taken as much of my ten-inch tool as she could, I still wasn't all the way in. But she began pumping her hips, causing the swollen head of my **** to ram against the back of her *****. She was as deliciously tight as before, but she must have been stretching, for with just a few strokes, my ***** were slapping against her ***, and I was in to the hilt. My tenderness and foreplay had paid off.

"Oh-h-h-h, that's good!" she purred when I began pumping to meet her rhythm. She wrapped her legs around my waist, and was pumping as hard as I was. With each stroke, I would completely withdraw from her hot, tight wetness, then shove my eager tool back in to the hilt, never missing her voracious target, always sliding easily in, jamming against the back of her *****.

Her pumping increased in tempo, and I sped up to match. Each pump became harder and more frantic than the one before. Lisa's breathing became harder and faster. She was about to come, and I wanted to come with her. I raised her legs over my shoulders so that I had a better angle at the depths of her tight hole, and started ramming as hard as I could.

"Don't stop! I think I'm gonna come! Oh-h-h, its so good! Come in me! Oh, please, I want to feel your load in me!" Lisa screamed. She bucked and reared and screamed incoherently, then went limp. I continued to pump. In just a few seconds, she began to pump anew. For more times than I could count, she orgasmed.

Once I felt my ****** approaching, I gave her one last hard ram and drove my weapon in as far as I could. I came at this point, spurting her sweet, tender Steve **** full of my hot sticky come, like an erupting volcano. She gasped, trembled, and fell back to the bed. I pulled out my softening ****. Our ****** energies were spent for the moment.

I glanced down at the foot of the bed, and saw Julie, whom I had forgotten. She sat in the chair at the foot of the bed, her legs spread, working a coke bottle in and out of her *****. She had found the KY jelly, then found us ******* away. Feeling left out but excited by the ****** sight of her best friend getting a good *******, she slicked up the coke bottle and began using it as a *****.

I saw that Lisa also was seeing something she had never seen before, her best friend's ****, gaping open, a coke bottle almost disappearing inside it. "Look how far in she puts it! And see how big it is to go in her like that. How does she do it?" Lisa asked, amazed.

"Why don't you get a closer look," I suggested. "Ask her." Lisa crawled down to the foot of the bed and sat on the end, astounded, watching Julie *******.

Julie finally looked down, under heavy-lidded eyes and saw Lisa so close. "Why don't you do this for me?" Julie asked.

"How?" Lisa queried.

"Just do what I'm doing now," came Julie's reply. Lisa watched for a few seconds more, then pushed Julie's hand aside and grasped the slippery end of the bottle. "In and out, and twist it a little bit. Oh, yes-s-s, oh, yes-s-s. Do it good, oh, that's so good!" Julie purred.

My **** was hardening again at the sight of one female ******* another.

I had an idea. If Julie was as promiscuous as she seemed, she might not object to what I had in mind. While Lisa continued to work the bottle in Julie's stretched ****, I helped Julie out of the chair and down to the floor, her heaving **** on the floor, her *** up in the air. She stayed in the position, crooning wordlessly, **** juice dribbling down her thighs, Lisa still ******* her.

I picked up the tube of KY jelly that Julie had used, and liberally covered my ***** rod with it. Then I stood behind Julie, straddling Lisa.

"What are you going to do?" Lisa asked.

"Watch and see!" I responded. With that I grasped Julie's hips and aimed my **** at the delicate rosette of Julie's ***. Using my **** like a weapon, I suddenly shoved my tool in as far as I could. Julie let out a scream, tearing out fistfuls of carpet.

"Oh God, **** my ***! That hurts so good! **** me harder, give me all you've got! Make it hurt! Give me more of that bottle!"

"I'm ***-******* Julie!" I informed Lisa, who was now completely mind-blown.

I needed no invitation, and neither did Lisa. Both of us gave Julie all we could, Lisa with the bottle in Julie's ****, me with my **** far up Julie's clenching ***. Julie rocked back to take us both in, then forward, then back for more. I couldn't see

The first settlers to the area called the Lumber River Drowning Creek. The river got its name for its dark, swift-moving waters. In 1809, the North Carolina state legislature changed the name of Drowning Creek to the Lumber River. The headwaters are still referred to as Drowning Creek.

Three p.m. on a Sunday.
Anxiously hungry, I stay dry, out of the pool’s cold water,
taking the light, dripping into my pages.
A city with a white face blank as a bust
peers over my shoulder.
Wildflowers on the roads. Planes circle from west,
come down steeply and out of sight.
A pinkness rises in my breast and arms:
wet as the drowned, my eyes sting with sweat.
Over the useless chimneys a bank of cloud piles up.
There is something terrible in the sky, but it keeps breaking.
Another is dead. Fentanyl. Sister of a friend, rarely seen.
A hand reaches everywhere to pass over eyes and mouths.
A glowing wound opens in heaven.
A mirror out of doors draws a gyre of oak seeds no one watches,
in the clear pool now sunless and black.

Bitter water freezes the muscles and I am far from shore.
I paddle in the shallows, near the wooden jail.
The water reflects a taut rope,
feet hanging in the breeze singing mercy
at the site of the last public hanging in the state.
A part-white fugitive with an extorted confession,
loved by the poor, dumb enough to get himself captured,
lonely on this side of authority: a world he has never lived in
foisting itself on the world he has -
only now, to steal his drunken life, then gone again.

1871 - Henderson Oxendine, one of the notorious gang of outlaws who for some time have infested Robeson County, N. C., committing ****** and robbery, and otherwise setting defiance to the laws, was hung at Lumberton, on Friday last in the presence of a large assemblage. His execution took place a very few days after his conviction, and his death occurred almost without a struggle.

Today, the town square collapses as if scorched
by the whiskey he drank that morning to still himself,
folds itself up like Amazing Grace is finished.
A plinth is laid
in the shadow of his feet, sticky with pine,
here where the water sickens with roots.
Where the canoe overturned. Where the broken oar floated and fell.
Where the snake lives, and teethes on bark,
waiting for another uncle.

Where the tobacco waves near drying barns rusted like horseshoes
and cotton studs the ground like the cropped hair of the buried.
Where schoolchildren take the afternoon
to trim the kudzu growing between the bodies of slaves.
Where appetite is met with flood and fat
and a clinic for the heart.
Where barges took chips of tar to port,
for money that no one ever saw.

Tar sticks the heel but isn’t courage.
Tar seals the hulls -
binds the planks -
builds the road.
Tar, fiery on the tongue, heavy as bad blood in the family -
dead to glue the dead together to secure the living.
Tar on the roofs, pouring heat.
Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon,
obtained from a wide variety of organic materials
through destructive distillation.
Tar in the lungs will one day go as hard as a five-cent candy.

Liberty Food Mart
Cheapest Prices on Cigarettes
Parliament $22.50/carton
Marlboro $27.50/carton

The white-bibbed slaughterhouse Hmong hunch down the steps
of an old school bus with no air conditioner,
rush into the cool of the supermarket.
They pick clean the vegetables, flee with woven bags bulging.
What were they promised?
Air conditioning.
And what did they receive?
Chickenshit on the wind; a dead river they can't understand
with a name it gained from killing.

Truth:
A man was flung onto a fencepost and died in a front yard down the street.
A girl with a grudge in her eyes slipped a razorblade from her teeth and ended recess.
I once saw an Indian murdered for stealing a twelve-foot ladder.
The red line indicating heart disease grows higher and higher.
The red line indicating cardiovascular mortality grows higher and higher.
The red line indicating motor vehicle deaths grows higher and higher.
I burn with the desire to leave.

The stories make us full baskets of dark. No death troubles me.
Not the girl's blood, inert, tickled by opiates,
not the masked arson of the law;
not the smell of drywall as it rots,
or the door of the safe falling from its hinges,
or the chassis of cars, airborne over the rise by the planetarium,
three classmates plunging wide-eyed in the river’s icy arc –
absent from prom, still struggling to free themselves from their seatbelts -
the gunsmoke at the home invasion,
the tenement bisected by flood,
the cattle lowing, gelded
by agriculture students on a field trip.

The air contains skin and mud.
The galvanized barns, long empty, cough up
their dust of rotten feed, dry tobacco.
Men kneel in the tilled rows,
to pick up nails off the ground
still splashed with the blood of their makers.

You Never Sausage a Place
(You’re Always a ****** at Pedro’s!)
South of the Border – Fireworks, Motel & Rides
Exit 9: 10mi.

Drunkards in Dickies will tell you the roads are straight enough
that the drive home will not bend away from them.
Look in the woods to see by lamplight
two girls filling each other's mouths with smoke.
Hear a friendly command:
boys loosening a tire, stuck in the gut of a dog.
Turn on the radio between towns of two thousand
and hear the tiny voice of an AM preacher,
sharing the airwaves of country dark
with some chords plucked from a guitar.
Taste this water thick with tannin
and tell me that trees do not feel pain.
I would be a mausoleum for these thousands
if I only had the room.

I sealed myself against the flood.
Bodies knock against my eaves:
a clutch of cats drowned in a crawlspace,
an old woman bereft with a vase of pennies,
her dead son in her living room costumed as the black Jesus,
the ***** oil of a Chinese restaurant
dancing on top of black water.
A flow gauge spins its tin wheel
endlessly above the bloated dead,
and I will pretend not to be sick at dinner.

Misery now, a struggle ahead for Robeson County after flooding from Hurricane Matthew
LUMBERTON
After years of things leaving Robeson County – manufacturing plants, jobs, payrolls, people – something finally came in, and what was it but more misery?

I said a prayer to the city:
make me a figure in a figure,
solvent, owed and owing.
Take my jute sacks of wristbones,
my sheaves and sheaves of fealty,
the smell of the forest from my feet.
Weigh me only by my purse.
A slim woman with a college degree,
a rented room without the black wings
of palmetto roaches fleeing the damp:
I saw the calm white towers and subscribed.
No ingrate, I saved a space for the lost.
They filled it once, twice, and kept on,
eating greasy flesh straight from the bone,
craning their heads to ask a prayer for them instead.

Downtown later in the easy dark,
three college boys in foam cowboy hats shout in poor Spanish.
They press into the night and the night presses into them.
They will go home when they have to.
Under the bridge lit in violet,
a folding chair is draped in a ***** blanket.
A grubby pair of tennis shoes lay beneath, no feet inside.
Iced tea seeps from a chewed cup.
I pass a bar lit like Christmas.
A mute and pretty face full of indoor light
makes a promise I see through a window.
I pay obscene rents to find out if it is true,
in this nation tied together with gallows-rope,
thumbing its codex of virtues.

There is something about the beauty of a woman,
it shines in the whites of her eyes,
and the pearls of her teeth,
it is in the melanin of her skin,
and the black of her hair,
it is in the warm browns,
midnight blacks,
and the pinkness of her hidden flesh,
it is in the smell of her skin,
and the natural pheromone scents,
There is something about the beauty of a black woman,
that keeps pulling me in...

she was like
        a wilting flower
drained of all things
that kept the others upright

he was like
        a rushing brook
who saw her crumpled and tired,
crowded by overgrown weeds,
and wanted nothing more
than to clear the earth around her
and see her bloom again

so he took all he had
        and poured it into her
and when finally the pinkness
had returned to her cheeks
        she looked back at him
        and saw that

he was now like
        a withering shrub
frail and planted in dry clay

and despite the deep conviction
she had in her heart to restore him
        like he had restored her
all of her best efforts
left her with with exposed roots
and dirt beneath her fingernails

he wouldn’t let her stay
        to continue to try
        to quench his thirst
so she left him with a watering can
and promised he’d soon find relief

of this wilting wall the colour drub
souring sunbeams,of a foetal fragrance
to rickety unclosed blinds inslants
peregrinate,a cigar-stub
disintegrates,above,underdrawers club
the faintly sweating air with pinkness,
one pale dog behind a slopcaked shrub
painstakingly utters a slippery mess,
a star sleepily,feebly,scratches the sore
of morning.  But i am interested more
intricately in the delicate scorn
with which in a putrid window every day
almost leans a lady whose still-born
smile involves the comedy of decay,

You are so tiny but so large.
Many oceans you carry in your bloodstream.
More than I can ever hope to witness.

Even the tears forming on the very edges
of the pinkness of my eyelids cannot touch them.
And you've always been so gifted. So much so

that knowing you becomes gift in itself. So much so
that even the tears forming on the very edges of the
pinkness, the once grey pinkness of my eyelids

speak now, with rain-drops. Pattering metaphorically
into your heart. I can't even bring myself to read
the whole of your goodbye message before rain-drops
become floods.

Congratulations, you did the one thing that
not a single one of my adolescent girlfriends could ever do:

You turned me into a cloud on the very edge
of turning playgrounds into cemeteries.

And still those will not be oceans, Little Girl.
Even when you say goodbye to me-
I have nothing of my own to wade in as you
drift, drift, drift,
and never sink

in the mad richness of your effervescent soul.

Little Girl, you remind me of how I used to be
and I am not even an old man yet.

You remind me that there's hope in this big, big world,
Little Girl.

And you thought you didn't matter.

Will it last? he says.
Is it a masterpiece?
Will generation after generation
Turn with reverence to the page?

Birdseye scholar of the frozen fish,
What would he make of the sole, clean, clear
Leap of the salmon that has disappeared?

To be, yes!—whether they like it or not!
But not to last when leap and water are forgotten,
A plank of standard pinkness in the dish.

They also live
Who swerve and vanish in the river.

The golden tinge of the shy sun
Peeked onto her pinkness
The youthful night was full of fun
Leaving residues on her face!
Whole night the storm blew
That no cover could protect
Denser the darkness grew
Hankering for a ****** perfect!
It’s still there the bed sheet
Spotless without a stain on it
Gone is the storm with its rage
Pinkness stolen, she has come of age!

Half calf with a twist
As the line stands
Thinking she is a superimposed *****
Foregoing on

Barista
Waist like an elastic band
Hair waving hello in it’s pinkness
Homeless man coming in
Screaming
Obscenities
Something about Romans and Euripides
As if in a round about
Circle the store like a hovered cloud
Then out again

The rocker dude sipping his tea
The older man in the corner
Who constantly leaves
Wandering where one can’t see
Trailing behind his laptop and keys
Somewhere in this madness loop
Latte’s and Macchiato's brew
And I
With a child's flair
Take it all in, while I throw back my hair

To everyone else who used it to seal a present,
It was nothing more than
A color to choose
A length to measure
A string to knot
It was something that held together a treasure
But to her, a ribbon was so much more

The triangular slit
She herself had cut at the edge
Of the soft pink ribbon,
Ended in corners,
The way her smile did
Everytime she'd
Loop and pull
Loop and pull

The bows she'd craft
Were more to her
Than just bunny ears and tails.
They were trinkets of triumph
Hints of hope
Possessions of passion

They reminded her of spring
Not the season
But spring
Of the trampoline
In her first gymnastics competition.
The ribbon hugged her ponytail
Delicate and dainty
The ribbon lay around her neck holding
Gold
Silver
Bronze
Ribbon nonetheless

They reminded her of balloons
Not the hot air type.
Balloons at carnivals
That floated
Miles away
Heights astray
If there was not ribbon
To secure it tight
On her fragile wrist

They reminded her of father.
Not that he wore ribbons or anything.
But that he left her with one
Wrapped around
A freshly picked
Bundle of flowers
Bundle of happiness
Bundle of unspoken words of affirmation

But flowers die

And so did father

When they did,
She was left with nothing but the ribbon
Loose and dirtied.
But the pinkness
Unlike flowers and father,
Barely faded away

And for the first time in a long time,
She saw life
In something that didn't have any.

Our trajectory is unknowable, you tell me: the planet
corkscrews around the Sun, sure,

but the Sun corkscrews around a black hole at
the heart of the Milky Way,

and our whole galaxy travels on some mysterious,
incalculable vector. But sister, I saw a photograph

in which two whale sharks were brought to
heel by men in simple reed boats just

off the coast of the Philippines. All that they had
to do was often feed

the sharks many gallons of grocery-store frozen
shrimp, poured from plastic garbage bags into

their yawning six-foot maws to portside.
Gargantuan, sure, but still

as obedient and eager for food as backyard
squirrels. I remembered a grainy

internet video—I saw it probably seven or
eight years back—in which

a captured whale shark was winched
ashore in Madagascar, or

maybe it was the Philippines again—no matter—
the thing still had life left

in it and struggled to breathe while a crowd of
people gathered around—there were

women carrying babies, girls holding baskets atop
their heads—and then the

men came with a long slender blade and sliced clean
through the whale’s spine, vivisected it

right there on the dock, and the onlookers stood there quite
unfazed—I remember

being shocked at the effortlessness of the cut,
the pinkness of the whale’s blood,

and the boredom in the onlookers’ eyes. Our father
took us down to San Antonio

on one of his business trips there when we were five
or six—I think

you were probably too young to
remember it—

it was when you and I saw the ocean for the first
time. We drove down to the Gulf

of Mexico, and we saw waves breaking
out near the horizon in pale

sunlight. I kept scanning for a dorsal
fin off beyond

the breakers, thinking that I might spot one—
sandy brown, mottled with

cream spots and glistening—so that I might be able to
say to you, pointing, “look,

sister, there is a whale shark!” Years
later we would learn

that he traveled down to San Antonio so
frequently because he was a philanderer. As

a child I believed that whale sharks
crisscrossed the ocean following

paths that we couldn’t fathom, that
their concerns were somehow

beyond our comprehension, but then
Keppler pinned down

the shape of the Earth’s orbit over four
hundred years ago,

and the lives of ancient sea
titans are sundered

effortlessly
by men with indifferent faces.

This night I shall dream
of your bedazzling Puple hair and Lion-eyes.
Wrapped in the echoes of your eyes-music,
I long to sip from your peachful lips.
In my dreams, I soar on your plush pinkness --
skimming vast continents with hands and lips.
The depths of all the oceans of the universe
shall never separate our entwined bodies.
Brilliant as enthralling lust,
the seas greet us from afar.
In the twilight we feast on chocolate-covered
strawberries and tender lovehearts  
Adorned in white silk, we pluck
our raining love chimes from our thighs.
I press the heart that you wear around your neck
against my hands so that our hearts melt into one.
You will always be my little Aphrodite,
the Lion of my own eyes of love.

Talent is a mime on a mountaintop* said he who gave me each morning a fork and a spoon.  He had said previously other things but this was the first to which my mother caught me listening.  She took my ear and me with it outside and shoved two cigarettes she’d been smoking in my mouth and told me to chew.  When I did not she worked my jaw herself until the tip of my tongue bled enough to give her pause.  Neither one of us cried and the cigarettes were salvageable.  The morning speaker then joined us obviously hoping for a drag.  The moment my mother hated him passed and she told him what hope was.  

He who gave me each morning a fork and a spoon would not often be seen by my mother.  He and I were late in our waking and she’d be out gathering types of dead bird from the bases of cornstalks.  I’d sit in my highchair and watch him shirtless as he prepared the tools of my art.  The hairs on his back would grow before my eyes and need bitten at the follicle.  He would turn and put his finger in the garbage disposal and pretend it was on.  On was something he never turned it because he said a mantis lived there and what would bite his follicles.  I wouldn’t be hungry then which was good for my show.  He would laugh at the misery of my scooping arms and be full of it and tired and he would ask me to rub his belly while he went to the couch on his back.  His belly the single most reason to keep him said mother.  I’d put my ear to it to feel myself kick and never did stir him from sleep.  Pretty early in this routine some of his belly hair started to grow in my ear and my dreams from then always had a banquet in their midsection.

Careful with my dreams.  Mother said they are kittens and one can bite too hard.  It is like her being stubborn and only calling me boy when most called me boy and girl in equal measure.  Sometimes when boy got the lion’s share I’d long to nurse and have to slap the ******* sound out of my teeth.  For saner things I’d walk the dog with a dog in it.  I had names for both and both were names I would’ve called my brother had I been born.  I once found a sipped at wine glass on the roof of the pharmacy mother later burned with lit stalks.  When the turkey buzzards skittered themselves nightly across the horizontal track of my looking for god I’d imagine my brother skinny enough to fit in the parched tube of his swallow.

Now that I am returning to Shudderkin, the welt left by my larger than life father whipping his belt across the tailbone of Ohio, it is clear to me that what we called a dog was correct only on certain days.  The mongrel keeping pace with my bike, the second name I have for my brother, is not the physical dog a city knows and not country loyal as country wants to, and so makes others, believe.  It is instead more like the talking when one is sped up and words get put together and then are stuck there.  Dog of Shudderkin.  Its tongue does not droop or even wag outside the mouth.  A pinkness has always gone on without me.

We find our heroes
         (as is so common)
         in the throes of agony.

         pacing.

Describe a room
any room
fill it with *****, let it
leak brown and bitter
from the open windows.

       *don't mind the curtains

set your face in the upper left corner
pan across to them, naked and fuming
zoom.
straight to her powerful collarbones
       (stay above the *******,
         just a hint of cleavage)
his wrinkled jawline,
the quarter-inch neck stubble.

keep the shoulders in frame
how they tense, how they painfully
shrug and anticipate the next
verbal battalion.

watch their hands wave away
the demons of past nights        (read: last night)
give us the soft stomp of bare feet
on beaten carpet                        keep the stains.

their teeth reach out from
under the cover of wet pinkness.
take a second (slow-motion)
to appreciate the strands
of abandoned spit reaching from
one lip to the next
like suspension bridges.

the sounds are invisible,
but the pain is not

       *and the bruises
        won't be either

I found Jesus at the end of the street, up on steps moss-spotted green,
hung on stylized barbed wire sculpted oh-so-sincere.  Of all the things
to pass through my mind, the first is Martha Stewart’s favorite color
combination, its steel grey set against the mint green and beige of the
trailer across the street, alone between the trees.

   I.  Everything is green, even the skies, and it reminds me of you, and
   the blue of the night that ringed itself around yellow-orange
   streetlights.  When you’d walk me home, barefoot, and you’d give me
   what was too easy to be a hard time, with an air that I have failed to
   find in anyone else, and I’d always wonder, I still wonder, if you
   would let me know if I was hurting you.

   II.  And the road twists into chalky grey gravel in construction, and
   the dry dust fog that forms keeps my mouth shut.  It’s sand in my
   lungs or your ridicule in my ears.  And I knew a long time ago that I’d
   met someone who played this hate-game better, the way you lifted
   your eyebrows above your sunglasses.  But we were accomplices
   then, and now we’re just playing alone.  Even as your skin changed
   colors in the morning light, I could see the way you were changing the
   rules.

   III.  And I’ve always loved the way rows in fields unfolded
   themselves to their vanishing point when you looked at them rolling
   by at automobile speeds, and right in front of you is the part in the
   sea, a meticulous divide.  And maybe you are two people:  you are the
   person I came to believe existed, and you are the sterotype I tried
   not to see.  And maybe I am two people as well:  the one who laughs
   when you make your mistakes, and the one who wishes I hadn’t let
   you make them.  We are the same as those green rows:  one day we’ll
   be dead, dry, and cut to pieces.

Lots of houses are orange-yellow peach.  The real color of peach flesh,
bright and acidic, not the milky orange of your peach-flavored
whatever, or the pale pinkness of that crayon that Crayola was too
scared to name Caucasian, but an assaulting yellow, slightly less
aggressive than mango-orange.  The others are soft pink and off-white,
sometimes lazy cement colors.  But there are purple-and-white flowers
that cascade down the walls and over the fences in their May effort,
and it’s ironic to think how thankful I am for the masks of vines hiding
the ugly monotony.

Take me, Miss Pinkie says,
take me. A plump bundle
of pinkness, dyed hair, grey
at the roots, the blue eyes
whiskey soaked, the mouth

open, the naked skin, the full
moon flowing in. All aboard
who are coming aboard, she
says to the room, and he beside
her says, are you sure? now

of all times? yes, she says, lift
the anchor, set sail, take note
of the rough seas, the rise and
fall of the waves, and he looking
back sees moonlight on his naked

****, the sound of Mahler’s 6th
echoing from the other room,
and he sensing the high seas
and moving surf, climbs aboard,
set eyes to the horizon of bed

board and cool blue walls, and
hears the sirens sing, hears the
creak of bed and bones as he and
Miss Pinkie, on the love ship, hold
tight and smile, as it rises and falls.

I do not have it in me to be the kind of empty and full that you need
I carry secrets and liquid sad feelings in my stomach like an antique hot water bottle
They are the colours of mashed up autumn leaves and ***** puddle water and decaying petals floating on some pretend witches potion
Crimson rust lines the edges of my eyes, I use black eyeliner to patch the pinprick holes, where I have previously sewn, trying to forget
These are the remnants of my rock heart which has been eroded away
The powder sits regretfully in my veins
When my heart beats I feel it scrape and catch the pink surfaces
It aches too much
My insides are losing their pinkness
Your presence is abrasive
Use a higher grade sandpaper and be done
Take off the old circus ride paint layers, my nail beds are already saturated with chips of red yellow and blue
Reach something clear and peaceful
Cut lengths of my hair, and separate them into small twists, tethered with small satin ribbons to be used for some happier embroidery
Or to be stored in tin lockets
Or to be disposed of in rivers like those Georgian keepsakes that mothers leave at hospitals
Let other people write with it
Pass the used up glass needle like straws through calico or linen
Felt tip the colour over
Cut out my heart and let the elements sit.

a little raw beautiful you are the way.


                                            and ,ti evol I


the mouth that soft(that cruel) of teeth
and lips
is like it. thorn'd

and prim and

ringed in pinkness
of petals parting

on a pistil between.


such smoothness that rushes,
such skinness that prickles exactly
at the right arch
of its rising hips.

to meet with the riding
heartness of my surging taste:

blood and just
that tiny tang
of left behind from.




                                               (can i begin?)'(




and to fold you;
into my hands–as fists–
that unfold–inside you.

My body is a bee hive
and my brain is the queen,
fertile and made fat from
the little bugs inside of her.
My ears are stuffed
with soft cotton *****,
and my skin is made with
the flesh from an apple.
And I am pure like the moon,
homesick for the pinkness
that lives inside you.
I am ripe and flowering.
As I rot, you swallow my remains.

I stuck my hand in the pocket
Of one of your ancient wool coats.
Unworn for many years, too small for me,
It had obviously fit a much younger, trimmer you.
Inside I found a single well-handled pink tissue,
Very fragile, but still in one piece.

I held it up, in awe of its age.
It was then I saw the glimmer
Of infinitesimal crystals;
****** secretions from the distant past.
At once I imagined you outside,
Nose running freely in the cold air,
Furtively brushing your nose now and again
With the tissue, before reburying it
In the satin-lined pocket.

As I held it up in the dim light of the bedroom,
A furtive breeze, aided by the shaking
Of my hand, unlocked the tiny prisms
From the weave of pinkness,
And they dispersed into the air invisibly,
Like the popping of silent bubbles.

A delicate part of you had been returned,
Freed, into the constantly moving stream of life,
Now released from a silken *******.
I bowed my head in wonder at it;
That you were gone from me now,
And yet here was this most human statement left behind,
An outpouring from your once vibrant body.

And I had just touched you again,
And could feel you floating all around me,
Finer in the air, than ashes from a cremation,
Was this dust of ashes
From a long lost Winter day
And then, I breathed you into me
Just for a few minutes, and watched
As the boundaries of time and space were suspended.

1 word coiled warmly
your nape about swarms
it exactly spoken from
mouths strangely perfect
ly unclosed and jointed

                                          (your body
                                                             sort of is a
                                         crumbling feverish
                                                hot sound
                                                                   (
                                      
ocean your body sort of is an
depthless puddling skin right
down into i swim courageously
fleshy pinkness strutting gorgeously
your thighs do thatness charmingly
scrambling against my cheeks
(and your nails are sharpness
beautifully grinding lovely
in my scalp trenches) O'                you                     are                                               pain




                                                                         deliciously,

i'm sitting i can hear the ocean way out over the moon hangs deftly round in all the fitness of chaste and cool darkness my hands are at my waist i'm sure they are and where are my hands i wonder at the split milken and tenderly dripping sea it whispers my heart is in it deeper than a seagirl their ******* are like cherries popping sweetly with just a crisp flens if pinkness at their tips at their **** i'm feckless staring harder than and harder then a star leaps wholly the blouse of night one unsharp button of her quickly tousled hem i'm tearing to by bit by into her tear and a boy is sitting on his door step he looks thinking one day he will make a boy in a girl spilling her full of him

The Butterfly Wallows

Black petals of goodbyes embellished the ground
The pinkness goes away as the sun is setting
light begins to disappear as it is drowned
The tides show no chance of forgetting
When you flew away beyond where I can be
The heat of the cold  appeared  
As the darkness washes over the blue sea
Every speck of existence has been cleared
Longing for the light to be spared
But the Fates have cut the thread
The flowing streams show who cared
Now there is a heavy heart of lead

Nostalgia for the past settles in
When reality begins to show
The sun burnt out before all could begin
And now my precious gem doesn’t glow
A symbol of love hides in the trees
Bringing the longing for the drums beat
But what still exists are the memories
Back when the bitter world was sweet
In the two blue seas it is easy to get lost
And the warmth steals all five senses
The music melted all the frost
Never anything ever tenses

Frolicing in the vibrantly colored meadows
All alone surrounded in undying love
Where benign words of eternity echoes
As a gentle touch is all that was thought of
The butterflies dance with the sun shining down
With fading light a  passionate rendezvous takes place
Bringing the wistfulness where  she is to drown
Getting lost in the stars of the alluring face  
Together the symbol of love is embedded in the tree
The symbol of infinity following
Unknowing of what the ending would be
The butterfly wouldn’t be saved from wallowing

summer candy fast

                   on the back of a motorcycle in a sun dress

ignites a pale shaft
between divinity

                                  draws deeply

opaque unlife

                           into pinkness

                                    (smiles
                                     like sugar
                                     sprinkled on a razor)

                                                                            Exh
                                                                                    a


                                                                                         l


                                                                                                   e




                                                                                                                   s

the below is a tentatively titled and finished companion piece to my recent chapbook, infant cinema (**** Press, dinkpress.com, April 2016)

infant cinema can be purchased here: http://www.dinkpress.com/store/infant-cinema-by-barton-smock



shut-eye (in the land of the sacred commoner)

~
poetry and god share the same quick death.

I’m on what you’re on;
the eighth day of the world.

~
it’s all in your head. the newborn we had on a mountaintop. the word it knew from memory. its hand that stuck to everything but the dog our dog ate. the cold our dog died from. the tent we called aquarium. that we filled with diapers. that was never full.

~
existence is the wrong inquiry.

I was destroyed by an angel

for having
taste buds.

/ a pinkness

went on
without me.

~
if touch is all it can manage

the hand is poor.

I am the new face
of baby
doorstep.

when lightning
has emptiness
to burn

feed
the fasting
doll.

~
I am old and nothing brings me joy.

I did
good things
but I
was asked.

drunk
outside
of a dog
shelter
I am likely
to remember
a library
pyros
love.

my uncle
he is probably
still
west of me
able

to open
a bottle
with the mouth
of a living
frog.

~
and what
would forgiveness
do?

my kids were never born. yours
they hide
from the number
of people
god
made.

when dead, I was not
a bird
yet
my mother
asks
what kind.

I can’t tell
by looking
if he’s seen
the future
or seen
the future
again. I strip

when my stomach
hurts.

~
it puts me on my stomach

this grief
you have
for the switched
at death

–

god’s color has returned

–

the male
animals
in the grey
barn

knew

–

first

~
I want to say it is yes yes

puberty’s
painted
egg, the island

clock, the genitalia

of alarm…

I want to say it is orange

like bees
like
not all

the hymns
not all

condoms…

~
he says we are men
not because a raccoon
chased a bone
into the factory
of shadows.

he says it’s me
or the bag
of trash
and gives me
a knife.

he says before I was borned
we took
the same
bullet. he says mouth.

I kick
he says
in my sleep
and it puts
a belly button
on a bird
one
bird.

he says them animals
ain’t so wild
as a dog
in drag

and your mother
is the outside
world.

~
the robot is a ******.

the baby
it goes
from baby
to baby
with no
message.

–

I want your work to matter.

~
subtitles, ghost
pollen / I sit

facing
my father

he strokes
a large
bumblebee…

~
eating behind the mirror’s back
it was all
hick lore
to me

a scratch
in scar’s
nakedness, a loss

of infancy
awarded
only
to the deaf
who dug up
the ears
of god
for nothing
more
than the sound

of depression
going blind
in the garden
of the hairdresser’s

hair

~
death
my way
of saying
goodbye
to god

–

had you lived
or enjoyed
amnesia…

~
when asked
I say
I see
on the floor
of a mudhut
a *** toy
having
a seizure.

I kiss the feet
you’re the future
of.

~
not
for devouring
the mannequin
but for eating
the seeds, it was

(in a coloring
book
for cigarettes)

beaten

by a baby
a baby
could love

~
I go with dove to high

dives / I am on

the pill
the swimmer’s
pill / for nine

months
I’ve hidden
a rabbit
from no one’s

hormonal
christ

~
it was for healing the hand of the plain hand
that I
was touched / well blood

on a bread
crumb
massage me
a brainwashed
worm / well comb

all you want
the eyesight
of god / swallow

a hair
in the house
birth
built…

–

can’t
this once
a thing
die
in the sanctuary
of its double

~
hell is a book.

she reads it
in a room
that’s alive.

attic or no, I want
to miss
my father.

~
nakedness,

give it time
to recover

~
into something from his childhood
a man
is born. never

far off
what crawls
her way.

~
she reaches into the same hat for the rabbit he’s made disappear.

I sleep and the dark takes me for the bone

lightning
straightens.

~
church of intermission. church of the rolled-away church my fever follows. church of it ain’t a baby until it spits. church of the lawnmower left running. of the space you give the grieving horse. church of you when you die in my sleep. of musical suicides. church of the disinfected high chair. of the false bruise. of how to become a balloon in the church of touch.

~
in the library’s dream, the abortion clinic is no bigger than a fingerprint.

~
this is me
praying
for a photo
of my father’s
last meal.

me

praying
to have
the allergic
reaction
my mother
faked.

for proof
of animal
suicide.

a mirror for my toys. dirt for my brother.

~
and we touch to abridge doom in the bed of a headless man. and we struggle to hear a father verbatim. and we ask in a fierce wind a phone booth to please be a fireplace. and a starfish consoles a handprint.

~
/ I was spotted covering my eyes by a dentist whose childhood had stopped disappearing. how big is your family and who wears the mouth? is it true your dad sold to a city gargoyle a spray-can of ****? that your mom had no baby tired of being born? that their suicides filled a madhouse with cubist maids?

/ year nine: your birthday spider is put on film for biting. your sister takes one look at my brain and remembers what to feed and how to clean a cricket.

/ year eight:

~
my son doesn’t want the circle he’s drawing to touch the circle he’s drawing.

the dog
is a heartbroken
wolf.

~
she checks her teeth in the door glass of the oven.

the egg is dropped
and the owl
******.

~
when
did your caterpillar
become
a syringe?

I want to hide the clothes I’m wearing.

something touched
is something
mourned.

~
the woman had the suicidal absence of a man who’d just broken to his body that his blood was not the rooster patience devoured. if I peeled a potato, I did so in egg’s hell.

~
praise headgear, worship eyewear.

adore nostalgia, forgive

memorial’s
constant
vigil.

say god
three times, then

say mirror.

~
this is what you mean, kiddo

what you mean
to a bomb

/ it doesn’t help god

that god
is awake

~
for what
does the torso
pray?

the cocoon is music
to the mannequin’s
ear.

sister
she ain’t
been calm.

~
when grief
was password
and not
codename

when gift
horse
was horse
fly

when baby
little baby
shorthand
went all
stork-****

(on who)

to remember
god

~
outside the dream, I had written the most heartbreakingly clear poem about brotherhood. inside

was this boy
was discovering
god’s thumb
is never
clean. a boy whose mouth

was never
here. all those I’ve met

I’ve left
alone.

~
asleep in the pickpocket’s bed, the baby is a mirage.

I’m so fat
I’m fat
in the dark. I compose

at my lowest
a crucifixion
story

from the basements
my father
wired.

~
putting the meat
back together
in an unfilled
pool

we yawned
at the same
time / brief

painless
the unmothered

between

~
as overcome as I was to be gifted a hospital gown, I had nothing on the angel whose brain / for visiting the eye / was banished…

we are the dead
we’re here
to return

~
by death I mean nothing was beautiful for a very long time.

that, and when did you know.

The light was dim and caramel and each step down the hallway pulled pieces of me towards the floor with something more than gravity until the room was marked with objects stained with me. Jellyfish bloomed up in my stomach with an intricate urgency. I could still taste the steam and soap on your neck. Our bodies were improvisational ossilation. I lost my mouth in your tongue and didn't find it again until you pulled it out of the air. I traced your body with my body in an artistic study of the interaction of line and curve and color. There wasn't enough oxygen and the couch suffocated, we just held our breath and shared contaminated atmosphere. Now I think of you and your hands past tense. Daydreams bend time and space, no longer here, but then-when you wished I wore a dress and I did too and your body was heavy and pink and exposed and I was out of breath with the weight of your heaviness and warm with the proximity or your pinkness.

Chasing camels knowing nothing
Faded, crossing the grass!
Dollar signs in my hair, nothing nothing, despair
Something sweeps along!

Pirates (become) cool again, kingdoms crossing dens
I wonder what keeps you afloat!
In the end however
You shall ought to ought discover
You better pay attention
Cause those wallabies won’t be merciful today

An hundred ***** dozen
The earth’s cosmic crap
Don’t worry about a thing
Let it all hang out loose

The floating desert above my window
Seeing cacti from miles around
That melty feeling in the floor
Buddy, buddy, buddy, buddy

Cortisone, Caroline, chlamydia  

Ryan Reynolds’ ***** fat old swine
Never letting go of this once-ward prime
Purple moles with drills on their heads
Green dotty daughters of pinkness concoction
Creation of the nullness of the black thing-a-mah-bob
Relapse and relax, do your slam thing.

town crier

poems March 2014
99 pages
pocketbook style publication
8.50

preview of book is book entire on lulu site. the spine of said book has title. front cover, back cover, are purposely blank.

http://www.lulu.com/shop/barton-smock/town-crier/paperback/product-21548368.html

---

Talent is a mime on a mountaintop said he who gave me each morning a fork and a spoon.  He had said previously other things but this was the first to which my mother caught me listening.  She took my ear and me with it outside and shoved two cigarettes she’d been smoking in my mouth and told me to chew.  When I did not she worked my jaw herself until the tip of my tongue bled enough to give her pause.  Neither one of us cried and the cigarettes were salvageable.  The morning speaker then joined us obviously hoping for a drag.  The moment my mother hated him passed and she told him what hope was.  

He who gave me each morning a fork and a spoon would not often be seen by my mother.  He and I were late in our waking and she’d be out gathering types of dead bird from the bases of cornstalks.  I’d sit in my highchair and watch him shirtless as he prepared the tools of my art.  The hairs on his back would grow before my eyes and need bitten at the follicle.  He would turn and put his finger in the garbage disposal and pretend it was on.  On was something he never turned it because he said a mantis lived there and what would bite his follicles.  I wouldn’t be hungry then which was good for my show.  He would laugh at the misery of my scooping arms and be full of it and tired and he would ask me to rub his belly while he went to the couch on his back.  His belly the single most reason to keep him said mother.  I’d put my ear to it to feel myself kick and never did stir him from sleep.  Pretty early in this routine some of his belly hair started to grow in my ear and my dreams from then always had a banquet in their midsection.

Careful with my dreams.  Mother said they are kittens and one can bite too hard.  It is like her being stubborn and only calling me boy when most called me boy and girl in equal measure.  Sometimes when boy got the lion’s share I’d long to nurse and have to slap the ******* sound out of my teeth.  For saner things I’d walk the dog with a dog in it.  I had names for both and both were names I would’ve called my brother had I been born.  I once found a sipped at wine glass on the roof of the pharmacy mother later burned with lit stalks.  When the turkey buzzards skittered themselves nightly across the horizontal track of my looking for god I’d imagine my brother skinny enough to fit in the parched tube of his swallow.

Now that I am returning to Shudderkin, the welt left by my larger than life father whipping his belt across the tailbone of Ohio, it is clear to me that what we called a dog was correct only on certain days.  The mongrel keeping pace with my bike, the second name I have for my brother, is not the physical dog a city knows and not country loyal as country wants to, and so makes others, believe.  It is instead more like the talking when one is sped up and words get put together and then are stuck there.  Dog of Shudderkin.  Its tongue does not droop or even wag outside the mouth.  A pinkness has always gone on without me.

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~

some poems:

~

[raise god]

it’s a nice enough baby with an inability to emit. the adult world worries but no more than than it does for the television’s volume during bouts of ceasefire. parents divorce or parents agree on the same support group. siblings form a circle around a one trick pony. some believe the jack-in-the-box is broken while others believe it’s patient.

[taunts]

death is never early. take the first bite of every meal in front of a mirror. chase the kid while pulling a plastic bag over your head. invent a sibling schoolmates blind. know poverty, know moon. shampoo the elderly from a distance. baby no one. they have looked like hell since before you were born.

[pathos]

our fighting
determines
which of us
is more
sonsick.  

relic child, town crier.

I take what I’m given, beating.

cerecloth, snow
on snow
before and after

it buries.

me of course
as I position
myself
to hum

above
a basket.

me as I marry homeward
and kick

ball, stone, stiff
bird

stiff bird in death
doubling as
the rat
of an angel

yes
kick
for reasons known
to another’s

pet cobra

skin to skin
in an unmarked
life.

[costume]

we’re here to ****** the head of the boy who put a clown’s red nose on the girl playing jesus for stopped traffic. if I spoke your language, I would tell you.

[poor lighting]

a plastic doll with a human right hand distracts us from the parrot’s empty cage. we have been writing in unison instead of eating. our poverty is so advanced it keeps a fake diary and a real diary but hides them in the same spot. we are dying in two of our mother’s arms. our mother is elsewhere repeating after the man who does our stunts.

[collapse]

how
on a clear day  
my father
is the face
of absence.

how what I mean
cuts the finger

my mother
sips.

how porch blood
is not the same blood
the body
faints with.

how copperhead, how rattlesnake, how lisp

says I myth
my sister
who is still

vanishing
to shoplift
god

from the thunderstorm
we gave her.

[southern treehouse]

as my sister
inspects
her *******
in the white
piece of paper
we both
refer to
as the one
and only
ghost
mirror

I fry
god’s egg
in the plastic
shovel
I took
from a sandbox
shaped
like a coffin

and shiver
like the psychic
who with
the controllable
sobbing
of her hands
gave our seizures

to animals

[bait]

I didn’t see it
like some kids
saw it-

pain
as clay.

a swat here or there
to the back
of a mother’s
mind.

a man who took a bowling ball
into a closed garage
had no sadness
I could pray
over.

...Santa smoked on the roof
of my father’s house
while I
with a noiseless
stomach

touched
that hunger.

[how to live in the country dark]

toss frogs
into a fire
your father made.

find a woman
who’s abandoned herself
to being led
by a stick

let her blind mongrel
lick your palm.

bury a handful
of gravel
call it
the moon’s
grave.

hide in houses
hidden
from road.

make at least one friend
whose night vision
is a glass of milk.

double your body
by walking
drunk.

[outside the body it is always procession]

I may have lied about being pregnant but I know my ******* kid.

her father quells *******.

ants are quiet.

-

his teeth make sense.

our yell is I’m gonna shoot you in the blood.

-

elsewhere
is a light dusting
of downfall.  sleepily

legal

are the sunbathing sad.

[crown]

i.

a hand towel
over the lid
of any
stubborn
jar-

a mother to a father
or less frequently
a father to a mother
I don’t know why this is
but either way
a gentle admittance

to couple

as if passing beneath
the singing voice
of statue…

ii.

that stage
where a baby
is all
head

[mendicant]

this doorbell
is for the inside
of your house

-

to some
you’re the giant
you’re not

-

hearing isn’t for everyone  

-

a fog-softened man
with a baby
might experience
a sense
of boat
loss…

-

hurt

what you know

[crystal]

a foster boy using an alias teaches my son to shoot.

it’s the tooth fairy on a sad day finds
under my pillow
a handgun.

you know your father
is a night owl.

[dog years]

the longer
I grieve

the more

~

below is an unpublished companion piece {shuteye in the land of the sacred commoner} to my recent chapbook, infant*cinema (**** Press, April 2016)  

as such:

~~~~~

[shut-eye in the land of the sacred commoner]

~
poetry and god share the same quick death.

I’m on what you’re on;
the eighth day of the world.



~
it’s all in your head.  the newborn we had on a mountaintop.  the word it knew from memory.  its hand that stuck to everything but the dog our dog ate.  the cold our dog died from.  the tent we called aquarium. that we filled with diapers.  that was never full.



~
existence is the wrong inquiry.  

I was destroyed by an angel

for having
taste buds.  

/ a pinkness

went on
without me.



~
if touch is all it can manage

the hand is poor.

I am the new face
of baby
doorstep.

when lightning
has emptiness
to burn

feed
the fasting
doll.



~
I am old and nothing brings me joy.

I did
good things
but I
was asked.

drunk
outside
of a dog
shelter
I am likely
to remember
a library
pyros
love.

my uncle
he is probably
still
west of me
able

to open
a bottle
with the mouth
of a living
frog.



~
and what
would forgiveness
do?  

my kids were never born.  yours
they hide
from the number
of people
god
made.

when dead, I was not
a bird
yet
my mother
asks
what kind.

I can’t tell
by looking
if he’s seen
the future
or seen
the future
again.  I strip

when my stomach
hurts.



~
it puts me on my stomach

this grief
you have
for the switched
at death

-

god’s color has returned

-

the male
animals
in the grey
barn

knew

-

first



~
I want to say it is yes yes

puberty’s
painted
egg, the island

clock, the genitalia

of alarm…

I want to say it is orange

like bees
like
not all

the hymns
not all

condoms…



~
he says we are men
not because a raccoon
chased a bone
into the factory
of shadows.

he says it’s me
or the bag
of trash
and gives me
a knife.

he says before I was borned
we took
the same
bullet.  he says mouth.

I kick
he says
in my sleep
and it puts
a belly button
on a bird
one
bird.

he says them animals
ain’t so wild
as a dog
in drag

and your mother
is the outside
world.



~
the robot is a ******.

the baby
it goes
from baby
to baby
with no
message.

-

I want your work to matter.



~
subtitles, ghost
pollen / I sit

facing
my father

he strokes
a large
bumblebee…



~
eating behind the mirror’s back
it was all
hick lore
to me

a scratch
in scar’s
nakedness, a loss

of infancy
awarded
only
to the deaf
who dug up
the ears
of god
for nothing
more
than the sound

of depression
going blind
in the garden
of the hairdresser’s

hair



~
death
my way
of saying
goodbye
to god

-

had you lived
or enjoyed
amnesia...



~
when asked
I say
I see
on the floor
of a mudhut
a *** toy
having
a seizure.

I kiss the feet
you’re the future
of.



~
not
for devouring
the mannequin
but for eating
the seeds, it was

(in a coloring
  book
  for cigarettes)

beaten

by a baby
a baby
could love



~
I go with dove to high

dives / I am on

the pill
the swimmer’s
pill / for nine

months
I’ve hidden
a rabbit
from no one’s

hormonal
christ



~
it was for healing the hand of the plain hand
that I
was touched / well blood

on a bread
crumb
massage me
a brainwashed
worm / well comb

all you want
the eyesight
of god / swallow

a hair
in the house
birth
built…

-

can’t
this once
a thing
die
in the sanctuary
of its double




~
hell is a book.

she reads it
in a room
that’s alive.

attic or no, I want
to miss
my father.



~
nakedness,

give it time
to recover



~
into something from his childhood
a man
is born.  never

far off
what crawls
her way.



~
she reaches into the same hat for the rabbit he’s made disappear.

I sleep and the dark takes me for the bone

lightning
straightens.



~
church of intermission.  church of the rolled-away church my fever follows.  church of it ain’t a baby until it spits.  church of the lawnmower left running.  of the space you give the grieving horse.  church of you when you die in my sleep.  of musical suicides.  church of the disinfected high chair.  of the false bruise.  of how to become a balloon in the church of touch.



~
in the library’s dream, the abortion clinic is no bigger than a fingerprint.



~
this is me
praying
for a photo
of my father’s
last meal.

me

praying
to have
the allergic
reaction
my mother
faked.

for proof
of animal
suicide.

a mirror for my toys.  dirt for my brother.



~
and we touch to abridge doom in the bed of a headless man.  and we struggle to hear a father verbatim.  and we ask in a fierce wind a phone booth to please be a fireplace.  and a starfish consoles a handprint.



~
/ I was spotted covering my eyes by a dentist whose childhood had stopped disappearing.  how big is your family and who wears the mouth?  is it true your dad sold to a city gargoyle a spray-can of ****?  that your mom had no baby tired of being born?  that their suicides filled a madhouse with cubist maids?  

/ year nine:  your birthday spider is put on film for biting.  your sister takes one look at my brain and remembers what to feed and how to clean a cricket.

/ year eight:



~
my son doesn’t want the circle he’s drawing to touch the circle he’s drawing.

the dog
is a heartbroken
wolf.



~
she checks her teeth in the door glass of the oven.

the egg is dropped
and the owl
******.



~
when
did your caterpillar
become
a syringe?

I want to hide the clothes I’m wearing.

something touched
is something
mourned.



~
the woman had the suicidal absence of a man who’d just broken to his body that his blood was not the rooster patience devoured. if I peeled a potato, I did so in egg’s hell.



~
praise headgear, worship eyewear.

adore nostalgia, forgive

memorial’s
constant
vigil.

say god
three times, then

say mirror.



~
this is what you mean, kiddo

what you mean
to a bomb

/ it doesn’t help god

that god
is awake



~
for what
does the torso
pray?

the cocoon is music
to the mannequin’s
ear.

sister
she ain’t
been calm.



~
when grief
was password
and not
codename

when gift
horse
was horse
fly

when baby
little baby
shorthand
went all
stork-****

(on who)

to remember
god



~
outside the dream, I had written the most heartbreakingly clear poem about brotherhood.  inside

was this boy
was discovering
god’s thumb
is never
clean.  a boy whose mouth

was never
here.  all those I’ve met

I’ve left
alone.



~
asleep in the pickpocket’s bed, the baby is a mirage.  

I’m so fat
I’m fat
in the dark.  I compose

at my lowest
a crucifixion
story

from the basements
my father
wired.



~
putting the meat
back together
in an unfilled
pool

we yawned
at the same
time / brief

painless
the unmothered

between



~
as overcome as I was to be gifted a hospital gown, I had nothing on the angel whose brain / for visiting the eye / was banished…

we are the dead
we’re here
to return



~
by death I mean nothing was beautiful for a very long time.

that, and when did you know.

Into with,
my ***** of sated flesh(
your smallest mossy soil...

            I AM


DEepLy,  raw
a rough new pinkness
tingling steady burstsinthegrosspavillion
,of thy beat,
a fresh hot                


                                       noise

In bitterness, in longing, in nostalgia-
in every emotion concerning you,
I am the open body on a surgical table,
longing for you to know every millimeter of my vulnerable flesh.
I am the raw pinkness of my insides
flipped inside out in an attempt to fix them.

I can't settle for anything other than you.
You tear me open with such adept hands;
I go so willingly.

I felt more pure after I lost my innocence:
your breath on mine, the scent of angels
chorused from our neck to spine to cheek
and drifted to a southern ridge of my body –
I knew, I knew it was the best I’d ever be,
merged with a man who found my purity.

It was light on the skin, a delicate blend
of morning’s hellos and an evening’s rest –
you you you grabbed a ******’s pale breast
and I I I let you ******, handle, change it.

Then no longer a girl, I laid on my side –
oh, how I felt when you were still there!
I was not chilled or lonely, I became alive
and kissed your coarse edges I had known
inside my frame, my pinkness apart so
he would find my purity going by, by, by.

Moving so softly as though my petals may fall, I let you continue on your delicate journey
Walking through my garden in bloom, you nourish me
You take the long way round and linger, till daylight is no more
Only by moonlight I see your lips trace mine, pinkness entwined
Inhaling floral scents with quickened breath