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"peripatetic" poems
For instance, recall daisies, or if you have not seen one, so much the better. Paint me a crass picture and sleep on the shallow crevasse. Stilt through the orchard and search there: nothing still. Even the nothingness is form-fitting, and thus, your vestigial image of daisies. Mold something out of the vacuity, and there a retrograde sculpture will wind back to clay. Cornerstones have your name, and your name even so, has taciturnly placed stones. Stones. These tiny bodies that lay, undemanding, scourged by the rapid passage of a carriage. I wait there, with them, still thinking of daisies. I know of a child, cylindrically obtuse, in front of the mirror. Have you seen yourself in the hazy windows of the Metro? What do you see? I still see daisies. Or people with heads of daisies. But remember your forethought of daisies? They are nothing. I am a beheaded daisy in the lackadaisical wind of Summer. There is nothing to gain here but the sadness of cold passing. And the child that I am speaking of, his name, Magno. Sturdy like the rucksack he’s carrying, lovelessly trundling altogether with the pipes and the handrails, almost signaling the alarm without warning. This uncared-for sultry evening decides to splinter itself against the masses. Again, the daisies appear to me, this time, in heady form rogue with peripatetic fragrance. Magno used to unearth daisies and give them to her mother when he was stiflingly young – he hustled through the carefully placed furniture. Whatever happened to him, I know not. And just like the daisies we have come to know now, trains that do not belong to anyone, and the daisies too, that go unheard of and unknown to the behest of the city, have gone into the subtle beginning of everything that once started in itself, the form of splendor. Nothing.
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Jan 27, 2016
Jan 27, 2016 at 3:27 AM UTC
A Poem About Daisies, Trains, and Magno
For instance, recall daisies, or if you have not seen one, so much the better. Paint me a crass picture and sleep on the shallow crevasse. Stilt through the orchard and search there: nothing still. Even the nothingness is form-fitting, and thus, your vestigial image of daisies. Mold something out of the vacuity, and there a retrograde sculpture will wind back to clay. Cornerstones have your name, and your name even so, has taciturnly placed stones. Stones. These tiny bodies that lay, undemanding, scourged by the rapid passage of a carriage. I wait there, with them, still thinking of daisies. I know of a child, cylindrically obtuse, in front of the mirror. Have you seen yourself in the hazy windows of the Metro? What do you see? I still see daisies. Or people with heads of daisies. But remember your forethought of daisies? They are nothing. I am a beheaded daisy in the lackadaisical wind of Summer. There is nothing to gain here but the sadness of cold passing. And the child that I am speaking of, his name, Magno. Sturdy like the rucksack he’s carrying, lovelessly trundling altogether with the pipes and the handrails, almost signaling the alarm without warning. This uncared-for sultry evening decides to splinter itself against the masses. Again, the daisies appear to me, this time, in heady form rogue with peripatetic fragrance. Magno used to unearth daisies and give them to her mother when he was stiflingly young – he hustled through the carefully placed furniture. Whatever happened to him, I know not. And just like the daisies we have come to know now, trains that do not belong to anyone, and the daisies too, that go unheard of and unknown to the behest of the city, have gone into the subtle beginning of everything that once started in itself, the form of splendor. Nothing.
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34
The bear puts both arms around the tree above her And draws it down as if it were a lover And its chokecherries lips to kiss good-by, Then lets it snap back upright in the sky. Her next step rocks a boulder on the wall (She’s making her cross-country in the fall). Her great weight creaks the barbed wire in its staples As she flings over and off down through the maples, Leaving on one wire tooth a lock of hair. Such is the uncaged progress of the bear. The world has room to make a bear feel free; The universe seems cramped to you and me. Man acts more like the poor bear in a cage, That all day fights a nervous inward rage, His mood rejecting all his mind suggests. He paces back and forth and never rests The me-nail click and shuffle of his feet, The telescope at one end of his beat, And at the other end the microscope, Two instruments of nearly equal hope, And in conjunction giving quite a spread. Or if he rests from scientific tread, ’Tis only to sit back and sway his head Through ninety-odd degrees of arc, it seems, Between two metaphysical extremes. He sits back on his fundamental **** With lifted snout and eyes (if any) shut (He almost looks religious but he’s not), And back and forth he sways from cheek to cheek, At one extreme agreeing with one Greek At the other agreeing with another Greek Which may be thought, but only so to speak. A baggy figure, equally pathetic When sedentary and when peripatetic.
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1.9k
The Bear
with the lust of a 14 year old ***** boy playing hooky eyes   blink orbs riding the bumpy **** grind yields a mental representation *her *** a Coney Island ride reciprocity of tongue and groove a big dipper and a hot dog in a bun eating contest i eye the shape of her legs brahmana of form **** cake butter scallops with a prune skin **** ***** dark little sister going along for the ride with hidden talents *om shakti om holy donut with a zit* rubbing myself a peripatetic command like I had the junkies itch in a bearded clam sea of black nail claws like musical notes that tear flesh hegemony of *** art *make me bleed ***** Tangula The Exotic Shake Dancer moves infallible hips and dancing hands like octopi tickling bloated ***** ta-ting go the finger cymbals smiling she called pip squeak colossus of her dreams flick tongues the meringue licking the shimmering tantra pistol finger up the **** hole brings a prostate exclamation point and a throat gag lyric for a wagon train of wrap around lips zooming spit and spray wet like scungelli her ******* like cloud cookies ****** my mouth gasper boy chokes on a marshmallow fire i kiss her feet and work my way up the slippery slope a starved dog …
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Jul 1, 2020
Jul 1, 2020 at 8:54 PM UTC
*The I Love ***** Anthropic Principle
1. This blue one is my favorite, in the peak of ****** excitement she calls me "Devil" between sweet obscenities and tender bites that lets me decide her species a killer whale she is. 2. I fell in love with this aspect at the very first sight, the easy buoyancy of the cuttle fish, Ah! the delicate squid in my dreams in her transforamtive  rigor of peripatetic desire.Above me she hovers, we are entangled with the strands of clouds. In the soft poetic squid folds, my desires find  discharge. 3. Octopus, oh my perfect metaphor for desire, are you strictly a fish by definition, I muse though a mollusc, who cares, as long as your supple tendrils, know how to touch and arouse allow pleasure to flow through eight ducts, would take you as the equivalent of a bisexual yen in your tight binding  and sucker amour, under water I am the  slave for your pleasure, bleeding amour in equal measure on each embrace. 4. Gold fish is a cliche, but is it  her fault? when  frothing orange morning sun seeps  in to her spacious glass cage she is another rich kid, seeking pleasure and when she sings with her wings dreamily moves, a pendent of Gods she is my longing see the  cliche, yet oh! such  *** appeal, my tactile desire, is more alacritous than being tactical.
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May 5, 2016
May 5, 2016 at 10:55 AM UTC
Fish Amoritas
I'm a peripatetic napper aka a somnambulant philosopher... who is prone to salubrious somniloquy aka hammock rapping, on a variety of savory subjects such as which parts, leaves, petals, stems, peels or fruit of the lilikoi and guava families make the sweetest and most healing teas... for example, I sense that you can swallow this soporific soliloquy straight or with some surf, salt, sea and sunshine and skip the sleeping pills indefinitely..
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Apr 12, 2017
Apr 12, 2017 at 1:31 PM UTC
A loquacious loquat licks its lovers liberally
I ripped out of the old tavern Into the torn indigo overcoat And traveled under the porticoes of a billion fantastic stars To celebrate this marvelous November night. In the labyrinth of bricks and stones I hum and whistle the Irish song Like a singer before the orchestra, my multitudes. How exquisite—Avec un plaisir de génie—is my peripatetic existence! Lungs full of air, and I see the Muse in me. My treasured newsboy cap from a thrift shop spins on my hand, And my feet bubbles off the floor like soda pops. I pray my gratitude to the one above the altar For my indomitable freedom. Amen. A pocket change rolling, bikes uninhabited, and lampposts perpetual. A rolled cigarette wantonly leaned between my sticky lips. Autumnal dews wetted my forehead like spiriting wine. And while, scarf blowing, boots tattered, I raised my odalisque eyes heavenward The world pixelated above my moist eyes Like a seabed of jewelry stars
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Apr 30, 2021
Apr 30, 2021 at 1:03 PM UTC
Under the Porticoes
This is his Henri Julian Rousseau taboo land, here he appears as the lion night after night, with his tail stiffened, erect--but the Gypsy wasn't there Bathed in psychedelic strobe lights, now here on a plush confession table doubling as their stage his Gypsy lies spread-eagled,   til there is no secrets left in her body, he now tries to pry open the many chambers of her peripatetic mind. With a lingering kiss, he in vain tries to arrest her never subdued spirit and begins his secret rituals for the angel of sin, black magic maiden, yin for his yang who in ways direct, sly or by allusion, is the bestower of a million forbidden pleasures,  whispering,like a mantra thus: "There is no right or wrong, all illusions, within an imagined truth" which made him stray, albeit, within the labyrinth like innumerous men of power, which they gained shedding blood, sweat and tears; as if there is nothing beyond. She who by instinct engineered his downfall from the pantheon of the anointed is finally here but this is no retribution, only return of the favors received, his throbbing lust seeks her deep interior's caresses giving her forgiveness in return, his masculine urges wish to be gripped by her unusual craving, she is melting like butter, her sweet urges fight back in unison they seethe, wreath, roll and race to culminate. On a swing hanging high ,above the poisoned earth for a few sweet transient moments they remain, weep in pleasure til they fall in to slime and crawl back to life --then the Gypsy and the Lion remember nothing .
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Oct 27, 2014
Oct 27, 2014 at 1:00 AM UTC
The Secret Ritual
This is his Henri Julian Rousseau taboo land, here he appears as the lion night after night, with his tail stiffened, erect--but the Gypsy wasn't there Bathed in psychedelic strobe lights, now here on a plush confession table doubling as their stage his Gypsy lies spread-eagled,   til there is no secrets left in her body, he now tries to pry open the many chambers of her peripatetic mind. With a lingering kiss, he in vain tries to arrest her never subdued spirit and begins his secret rituals for the angel of sin, black magic maiden, yin for his yang who in ways direct, sly or by allusion, is the bestower of a million forbidden pleasures,  whispering,like a mantra thus: "There is no right or wrong, all illusions, within an imagined truth" which made him stray, albeit, within the labyrinth like innumerous men of power, which they gained shedding blood, sweat and tears; as if there is nothing beyond. She who by instinct engineered his downfall from the pantheon of the anointed is finally here but this is no retribution, only return of the favors received, his throbbing lust seeks her deep interior's caresses giving her forgiveness in return, his masculine urges wish to be gripped by her unusual craving, she is melting like butter, her sweet urges fight back in unison they seethe, wreath, roll and race to culminate. On a swing hanging high ,above the poisoned earth for a few sweet transient moments they remain, weep in pleasure til they fall in to slime and crawl back to life --then the Gypsy and the Lion remember nothing .
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my timid tournefortia, whose peripatetic scent matadors the mad men. whose laughter veers away the impossible, of whose flame will gander like flotsam in a sea of aloneness, you are a danseuse in the misty moonlight. perpetual in the night illume, perched in the deepness of sad walls calling out the azure. my little tournefortia, it was such joy to have lived when you have blossomed. --- as all flowers go, you too, have gone - flagrant grows regard, like a prancing flame of blue my eyes are frantic and anew --- i seek new flowers.
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Sep 15, 2015
Sep 15, 2015 at 12:48 AM UTC
Tournefortia
Is this emptiness or cosmic space a love for dark or consummate absence? You lay there and I, here in the same tangential uniformity. we are but together splintered, then separate, making no difference. you, in your place and I, in mine like some unattended baggage dragged mechanically by a tireless conveyor, a hound in pursuit of its own tail in intense circles, left to my own silence brought to the brink of all the noise. * The morning with its peripatetic crush of garlic and spry birds. In an unassuming distance strip to void, teased to rogue, the light does not arrive with its usual taciturn warmth; your mother gives you a pear to pare and ****** my mother, the same in giving, yet another thing worth grazing say, the old skeleton of an empty wine bottle, a cold stride past womb-tender bungalows and sleep-shaped mailboxes. the feel of its bone , gutted out of flesh. a compelling strike of silence permeates more silence – like a prayer thumbed down to its last throng. there will be no dialogue. this is the same quietude in miles that assume our places. maybe once you knew this domicile like the curve of your bow-leg, or the glint of your inner thigh. the word “love” falls flat on the surface, taking its station amongst the masses, flying with the birds soon dead in their tracks. the word “love” slits, cuts open, unloosening a wound, your mother in the kitchen paring the flesh from the bone, and you hear it, as we look out of separate windows, the hush churning sound, spreading on all fours once in this room. the morning lays out its hairbreadth wire of memory in some place unknown to us, to size the measure our own, still yet not ours, you in your home, and I, somewhere outside the world fathoming shadows their own things not ours.
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Feb 3, 2016
Feb 3, 2016 at 8:45 AM UTC
The Word "Love" Falls Flat
Is this emptiness or cosmic space a love for dark or consummate absence? You lay there and I, here in the same tangential uniformity. we are but together splintered, then separate, making no difference. you, in your place and I, in mine like some unattended baggage dragged mechanically by a tireless conveyor, a hound in pursuit of its own tail in intense circles, left to my own silence brought to the brink of all the noise. * The morning with its peripatetic crush of garlic and spry birds. In an unassuming distance strip to void, teased to rogue, the light does not arrive with its usual taciturn warmth; your mother gives you a pear to pare and ****** my mother, the same in giving, yet another thing worth grazing say, the old skeleton of an empty wine bottle, a cold stride past womb-tender bungalows and sleep-shaped mailboxes. the feel of its bone , gutted out of flesh. a compelling strike of silence permeates more silence – like a prayer thumbed down to its last throng. there will be no dialogue. this is the same quietude in miles that assume our places. maybe once you knew this domicile like the curve of your bow-leg, or the glint of your inner thigh. the word “love” falls flat on the surface, taking its station amongst the masses, flying with the birds soon dead in their tracks. the word “love” slits, cuts open, unloosening a wound, your mother in the kitchen paring the flesh from the bone, and you hear it, as we look out of separate windows, the hush churning sound, spreading on all fours once in this room. the morning lays out its hairbreadth wire of memory in some place unknown to us, to size the measure our own, still yet not ours, you in your home, and I, somewhere outside the world fathoming shadows their own things not ours.
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63
You're all the suffering I long to endure and I swear by your deep brown eyes that I'm going to try my best to make it through you because it is you I remember when I'm walking down these paved roads with streaking strange faces and I miss you really because I wanted to kiss you when you tucked my stupid note on your nostalgia corkboard and looked at me like I was all that matters but you did not come home and I hope you're not in trouble or hungry and I was supposed to see you because it's a Thursday but apparently the Universe does not feel a need to consistent today except with me still longing to kiss you and you still not being aware.
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Jun 27, 2013
Jun 27, 2013 at 2:25 AM UTC
Peripatetic Poetry
All is illusion— At this peripatetic pause Let's put off the world And indulge ourselves In an embellished dream Of perpetual ignorance
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Feb 26, 2016
Feb 26, 2016 at 12:03 AM UTC
a peripatetic pause
my little hummingbird moving towards a stasis of light, holding a simple secret, a bell's machinery! trilling on wiry breath or my mouth's plumule, my chromatic bird, unmoving as a bud translated in reticence, plucked from the mire of ground's vastness, speaks only so timid of my hand's agronomies, glazed by a moment's fresh glare: your unending eyes that see yet do not hear! take my hummingbird and fly with it! take it away from the peripatetic and plant it soft to your mouth's jar!
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Sep 23, 2015
Sep 23, 2015 at 2:34 AM UTC
Poema (Take My Hummingbird!)
I slow and rosy fingertips apologized to a final strip of pavement as they brushed the remaining crumbs of sunlight into a different sky & I sat on the porch for 17 minutes, recording the halos of thinly suspended rain, bright and ringed, dissolving behind each car until you came outside to drive me back home II "I'm a nomad"8 he exhaled, smoke rising from the hand not occupied by the steering wheel. she looked at him, and then away. she did not watch his eyes. "I'll come to you." ------------------------------------------------------------------------------------------------------------------------------------ &"...The rotational period and seasonal cycle [of the planet NowWhat] are likewise similar to those of earth, as is the tilt that produces the seasons..." 8"Peripatetic nomads, who offer the skills of a craft or trade to those with whom they travel, are most common in industrialized nations."
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Jun 24, 2013
Jun 24, 2013 at 10:39 AM UTC
#12/A Departure
We all have inner and outer lives. They’re messy, hopelessly intertwined, and more than mere mannequins to hang our word-art upon. I’m supported, in my unwritten life, by a structure of moods, both affine and counter-expressive. I’m, in turns, a tightly wound vagabond, an over-busy, fretful, unhappy liar (for what I will not share) and a happy, truthful mess (for what I may overshare). My outer-life is largely academic, and turned with complete absorption to task, I plow thru the needed assignments, like a caffeine fueled machine, You might rightly call outer-me boring. I get it, for nothing much happens beyond study and life’s usual maintenances. But my inner-life is full of action, if desires, dreams, and internally ranting against the injustices of youthful separations can be rightly called actions. Of my boyfriend, the world contains not one parallel. He overshadows the few others I’ve ever known. His masculine elements turn me all the way up, He knows my petty vanities and most of my weaknesses. If he doesn’t know my every phase of feeling, or every desire of my love starved soul, it’s because our love is peripatetic. Most of the year, we’re a long distance, digital, practical nothingness, A near autofictional anticipation. We are separated by a sea and more. If I may simply put it, I have a fine young body that is going to waste. When I complained to my older sister, a surgeon who long delayed her own personal life for her career, she shruggingly and unsympathetically said, “You only have to suffer a few more years.”   “Oh, mon Dieu!” I replied. . . positions by Ariana Grande [E] 34+35 (Remix) by [feat. Doja Cat & Megan Thee Stallion] [E]
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Jun 17, 2025
Jun 17, 2025 at 11:11 PM UTC
inner and outer
We all have inner and outer lives. They’re messy, hopelessly intertwined, and more than mere mannequins to hang our word-art upon. I’m supported, in my unwritten life, by a structure of moods, both affine and counter-expressive. I’m, in turns, a tightly wound vagabond, an over-busy, fretful, unhappy liar (for what I will not share) and a happy, truthful mess (for what I may overshare). My outer-life is largely academic, and turned with complete absorption to task, I plow thru the needed assignments, like a caffeine fueled machine, You might rightly call outer-me boring. I get it, for nothing much happens beyond study and life’s usual maintenances. But my inner-life is full of action, if desires, dreams, and internally ranting against the injustices of youthful separations can be rightly called actions. Of my boyfriend, the world contains not one parallel. He overshadows the few others I’ve ever known. His masculine elements turn me all the way up, He knows my petty vanities and most of my weaknesses. If he doesn’t know my every phase of feeling, or every desire of my love starved soul, it’s because our love is peripatetic. Most of the year, we’re a long distance, digital, practical nothingness, A near autofictional anticipation. We are separated by a sea and more. If I may simply put it, I have a fine young body that is going to waste. When I complained to my older sister, a surgeon who long delayed her own personal life for her career, she shruggingly and unsympathetically said, “You only have to suffer a few more years.”   “Oh, mon Dieu!” I replied. . . positions by Ariana Grande [E] 34+35 (Remix) by [feat. Doja Cat & Megan Thee Stallion] [E]
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27
The Music evades all dissection it never escapes or gets held captive and while its apparently our best teacher this endless summer is just one long journey to The Falls gone are the days of masters and slaves and all that is left is our retirement so lets dance our days away in The Shades while love is complacent and sometimes copacetic i am peripatetic and there are still no takers here, yet
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Aug 7, 2018
Aug 7, 2018 at 12:18 PM UTC
The Falls
I. On the surface easily gliding,   are my hands. I keep on the table   an ajar carton of cigarettes. Then slowly   becoming in my pocket, taking form of a hand,   a crumpled cinema ticket when straightened,   ironed by plainsight, walks with lines, the end credits roll lasciviously like an estranged lover    whose face I can almost touch.   When let go of closure, air thins and I move   secretly with fluency. This is how objects   escape my grip. II.   In front of the eatery, a transit.   I had a dream once in a depthless sleep,   a figure in stilts studded with guilt.   The face next to me, disquieting the music    of currencies, naked in sound as the truth shaved    like a beast. The nearby tarmac resounds with    another throng of absence. As a substitute    for beings shackled to duty,    the oncoming woman assumes theirs,    borrows their faces of dreariness and ***** a thousand times like white sheets harassed by    the wind through opened windows. III.     Define space as a venue for collision.     Say when a red-haired woman straddling     a duffel bag and myself confused as a peripatetic.     She ascribes her presence to my footing     and from where she left off, I take form     of her expired movement.                      Found strangeness is that space     is what happens when remembered. But hold no     bearing and rear contrivance,      trying to be bold by definition -- space solicits      the in-betweenness and then transmutes      an occurence,              say the volatile shape of a hand when     clutching and releasing, the fugitive manner of     feet when avoiding puddles, the unsolicited     reticence of a troubling question. IV.             A man carries a take away and is now      amongst the populace, waiting under a shed,      housing a familiar language. Home.            But first, trivialized. Haggles with the cab driver,     trying to transact a being angled towards home.     They agree to a fault, money's perfume clinches  the fingers and is given to a calloused hand.              Air once stale, is now succulent with the       resonating memory of a child's excited laughter,       and is now presumably waiting behind a gated       home. Like the palm of the hand, the number          of times the vehicle trundles within      the nearby avenue is the force it enkindles         with rest. He is home,      unloosens his clothing. Like a fine specimen           freed from a vitrine.
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May 13, 2016
May 13, 2016 at 6:05 AM UTC
Textures
I. On the surface easily gliding,   are my hands. I keep on the table   an ajar carton of cigarettes. Then slowly   becoming in my pocket, taking form of a hand,   a crumpled cinema ticket when straightened,   ironed by plainsight, walks with lines, the end credits roll lasciviously like an estranged lover    whose face I can almost touch.   When let go of closure, air thins and I move   secretly with fluency. This is how objects   escape my grip. II.   In front of the eatery, a transit.   I had a dream once in a depthless sleep,   a figure in stilts studded with guilt.   The face next to me, disquieting the music    of currencies, naked in sound as the truth shaved    like a beast. The nearby tarmac resounds with    another throng of absence. As a substitute    for beings shackled to duty,    the oncoming woman assumes theirs,    borrows their faces of dreariness and ***** a thousand times like white sheets harassed by    the wind through opened windows. III.     Define space as a venue for collision.     Say when a red-haired woman straddling     a duffel bag and myself confused as a peripatetic.     She ascribes her presence to my footing     and from where she left off, I take form     of her expired movement.                      Found strangeness is that space     is what happens when remembered. But hold no     bearing and rear contrivance,      trying to be bold by definition -- space solicits      the in-betweenness and then transmutes      an occurence,              say the volatile shape of a hand when     clutching and releasing, the fugitive manner of     feet when avoiding puddles, the unsolicited     reticence of a troubling question. IV.             A man carries a take away and is now      amongst the populace, waiting under a shed,      housing a familiar language. Home.            But first, trivialized. Haggles with the cab driver,     trying to transact a being angled towards home.     They agree to a fault, money's perfume clinches  the fingers and is given to a calloused hand.              Air once stale, is now succulent with the       resonating memory of a child's excited laughter,       and is now presumably waiting behind a gated       home. Like the palm of the hand, the number          of times the vehicle trundles within      the nearby avenue is the force it enkindles         with rest. He is home,      unloosens his clothing. Like a fine specimen           freed from a vitrine.
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56
She felt she'd said all she needed to say the torn paper and broken plates had said the rest in the settling dust that swirled peripatetic in the collapsing corridors of the relationship there was a tiny quaver a voice saying, "you should have seen this coming" I didn't, and now half my possessions, my frayed cotton shirts and haphazardly creased pants sit on the passenger seat like sullen accomplices as I drive toward a friend's basement so I can get some sleep.
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May 11, 2015
May 11, 2015 at 8:34 AM UTC
Leave.
staring into the warm void this evening i take my place within jarring volitions. thought is volatile. a mason strikes metal, revealing its malleability. there is treason in thought of geography; i will shatter the mooring and find myself something the fluting wind is the muse and echoing quiet, a ripple from stone-skip. the next place to go is the beginning stemming from a concatenation of ruins. the thinning visage of masses crossing the streets wary of collisions is something realer than the wounded glaze of asphalt and the mirage that goes along tiptoeing like a danseuse through shards of incandescent figures. fumes. sprawls. untouched virgins. tacit stones. doves perching on powerlines nestled like youth suckling mothers. fathers facing telegraphs and the sure machine of dearth. stasis of peregrinations. peripatetic crush of imminent homes. this is to assuage its call, from nowhere arrives the next train to Kamuning, disappearing in a plethora of arms sequined by sweat under the swelter of planets unfurling a bent axis of tragedies. we are fraternized to tracks, unyielding distances, makeshift solaces serial, benign, tenured.    belonging. unbelonging. our destination: an impending sojourn,    the verdigris taking form.
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Feb 26, 2016
Feb 26, 2016 at 8:57 PM UTC
Poem As Palabra
i am always running somewhere else is often where i am so if you want to find me then you better start moving come on my peripatetic followers dance the dance of yesterday's liberation life does not wait for anyone especially not for this group of middle-aged single losers you pursue your own direction love is an election where all parties must have a vote we return these old books and fuse them into new looks you redirect your vision and suspend judgement for a single minute lets just look at each other i see such wonder its funny how you try to deny that light is blind but not alive then please show me the eye that holds no duality
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Nov 9, 2018
Nov 9, 2018 at 1:54 PM UTC
run to your self
Faithful and free in nature With words as clean and soft as holy scripture Lord has had his way with you Fine dime of new dimensions You're perfectly unbalanced With the wrong scars in the right places A smile that leans too swiftly Almost filling the role of Pisa Pleasing peripatetic you find Your grace in the movement of falling things Gently playing pizzacato On my heart strings
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Mar 10, 2017
Mar 10, 2017 at 6:13 AM UTC
The Beginning of a New Love played In Piano
I am on my way to see A quintessential American, To walk where he did, And where he lies. As is our native wont, He ended himself, The final act of violence In a peripatetic life Full of action and Faithlessness and Self-doubt, A quintessential American. Even so, He shared his gift With us, with The world. Shared a vision Sometimes violent And stark, but true. True, at least, For a Quintessential American.
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Oct 17, 2023
Oct 17, 2023 at 5:27 PM UTC
American Dead
Prevarication permits pretend perception, presenting piquantly piqued, pimply pimping ******* plucky pulchritudinous previously pusillanimous, prevalently puckish, psychic packman, pokemon playing proletarian puppeteer pygmy, peevishly ***** plummy, plumy, pompously pushy, pampered, prefabricated pinchbeck, pokily plying plowshear, plodding peregrination, pied piper pitifully peppy pornographic potato pealing, parsimonious paradoxical protagonist, proposing preposterous panicky pacification plots, prioritization pertinent penultimate peroration, perhaps perceiving perjuring, perplexing, perverting puzzling pronouncements projecting pulsating pixelated pulpy pinball pinging packets prompting pacific, poetic, phlegmatic purplish psoriasis plagued, plumbum pallor pallid, Paleolithic protuberance pronounced, psychosomatic prohibitionist, polarizing perfunctory peculiarly progressive, patriotic postmodern pathologically proud paternal panache, peripatetic panaceas portraying prescient perfidious puerile president, predominantly proposing parochial principles, plenty public parking, purposefully promoting pharisee phalanxes, pilates practicing paragons, perennially peaceably proficient protesters, profitable polygamy, pugnacious pitbull powerball players, pandering polyandry, propagating professional palindrome pensive peeping people, peddling, proselytizing predicating prostitution, proliferating phenomenally, populist persona promulgated peyote phased physicians pioneering prescription promoting paradisiacal pricey photographic pictures, placating phrenetic physical perturbation partaking place purchased (paid paltry pennies) por palatial piazza.
0
Jun 7, 2018
Jun 7, 2018 at 7:48 PM UTC
Pesky Poppycock Payback! Please Prepare!
Prevarication permits pretend perception, presenting piquantly piqued, pimply pimping ******* plucky pulchritudinous previously pusillanimous, prevalently puckish, psychic packman, pokemon playing proletarian puppeteer pygmy, peevishly ***** plummy, plumy, pompously pushy, pampered, prefabricated pinchbeck, pokily plying plowshear, plodding peregrination, pied piper pitifully peppy pornographic potato pealing, parsimonious paradoxical protagonist, proposing preposterous panicky pacification plots, prioritization pertinent penultimate peroration, perhaps perceiving perjuring, perplexing, perverting puzzling pronouncements projecting pulsating pixelated pulpy pinball pinging packets prompting pacific, poetic, phlegmatic purplish psoriasis plagued, plumbum pallor pallid, Paleolithic protuberance pronounced, psychosomatic prohibitionist, polarizing perfunctory peculiarly progressive, patriotic postmodern pathologically proud paternal panache, peripatetic panaceas portraying prescient perfidious puerile president, predominantly proposing parochial principles, plenty public parking, purposefully promoting pharisee phalanxes, pilates practicing paragons, perennially peaceably proficient protesters, profitable polygamy, pugnacious pitbull powerball players, pandering polyandry, propagating professional palindrome pensive peeping people, peddling, proselytizing predicating prostitution, proliferating phenomenally, populist persona promulgated peyote phased physicians pioneering prescription promoting paradisiacal pricey photographic pictures, placating phrenetic physical perturbation partaking place purchased (paid paltry pennies) por palatial piazza.
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Burn To Turn for a briefest, gilted eternity, the trees will burn not from their crown nor from their feet and, despite the ice, the sparkless space, the cold steel darts of insistent slanting rains, the trees will burn, the trees will burn, and all-at-once the peripatetic sun, it's whims having won, will dance along and share its breath with everyone
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Sep 14, 2019
Sep 14, 2019 at 10:04 AM UTC
Burn To Turn
stretching to length of gallows under faint light of moon. the dead buries the living. a thing is not a thing in itself as it denotes nothing. like a peripatetic iamb inscribed persisting in drivel. flowers her face this evening. pillars her arms,   i do not have a wife. i do not have a love undressed as i examine a pool of shadow in the plenary recess of silence. the dead buries the living within the blue-headed noon; fascist birds bellow over haciendas, tuba from the dustwell, from the orchard decorated with blood. it rings for me a guttural voice: hustling down the avenue of the dead. better the alternative, the guillotine, the small beginning of rage through the thickness of air. a marauder sleuths as the living keep on keeping on, as the dead resign  a hindrance under dissonant skies. she is not with me as all the others are. they have passed on expired limitations; a flash of lighting at the back of startled hills. rivers shake cool waters  down my sleeve and i sleep -- soon fields will be nasal with dew and the children will have their place in heaven. the damp landscape will adhere to stucco, fashioned to cerements on corpses reeking, rising to altitudes where some birds in spring soar, left thriving in smog as i bid you good night, farewell.
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Apr 9, 2016
Apr 9, 2016 at 3:28 AM UTC
To bury the living
It's that pretty time of the night Where I would sometimes lie wrapped up in you And the smoky sky and the wispy clouds Would wink down at us In plain sight Far away in the oblivious distance The mountains would call a peripatetic wind And my heart would respond to your indistinct whispers In that pretty time of the night
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Oct 27, 2018
Oct 27, 2018 at 9:00 AM UTC
That time of the night