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ConnectHook Dec 2017
Children drugged with truthless tales . . .
Unwise men embrace their treasure;
Algorithms urge the sales
In malls devoid of merry measure.

Plastic sparkles in the air;
Automotive ads turn festive . . .
Forced good nature everywhere
Makes the shopping crowds grow restive.

Corporate greed spins altruistic
Hyping goods, suppressing Christ.
Our Yuletide is their big statistic
Oversold and underpriced.

Secular beribboned fluff:
Peace, Goodwill . . .  but don't say God !
And heaven knows you've had enough;
Just download the app—acquire the mod.

Coca-Colaed, Disneyfied
You're wrapping paper for their fire;
Eggnogged, Santa-ed, thrown aside
While Babel's flames roar ever higher.

The godlessness shines right on through
Where Christmas lyrics die, unheard.
The Yule-log and the sparks that flew
Expire in embers long unstirred.

The old usurper carting toys
And Chinese knock-offs in his sled
Sets off a lot of empty noise:
Insanity in green and red.

The lurker leers and hauls his bag
(jolly antichrist distraction)
While flying Bishop Nicholas' flag:
A winter psy-ops covert action.

Only message left: go drink!
And may your cup o'erflow with cheer
Before you risk to start to think
Yourself and God right out of here.

Hallmark haloes, bygone kitsch
enwreaths the memory of the years,
Kindling maudlin sadness which
wells up in melancholy tears

For Christian culture (rest in peace)
Long-corrupted by dollar signs;
For fa la la and fattened geese
And holly midst the ivy vines;

For Dickens' gospel of the season
Anglican angelic ghosts
Pushing us beyond unreason
Toward the future's spectral hosts;

For folklore now reduced to ash
Commercial blow-outs, ***** snow;
For Saturnalian urge to smash
the store-front windows where they show;

For useless manger figurines
Passed down from some more faithful time;
For hallowed and nostalgic scenes
No longer worth a Roman dime.
I still love Christmas but its ongoing commercial secularization by corporate globalists makes me retch (into my mulled wine).

Nonetheless, like Scrooge, I intend to keep Christmas well.
By the way, that's Merry CHRISTmas.
(No Christ, NO CHRISTMAS)

https://connecthook.wordpress.com/2017/12/19/christ-massed/
Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls ***** & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions   Families walk
Stunted boys    big heads don't talk
Look bony skulls   & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged    like elderly nuns
small bodied    hands to their mouths in prayer
Five months small food    since they settled there

on one floor mat   with small empty ***
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together    in palmroof shade
Stare at me   no word is said
Rice ration, lentils   one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days    eat while they can
Then children starve    three days in a row
and ***** their next food   unless they eat slow.

On Jessore road    Mother wept at my knees
Bengali tongue    cried mister Please
Identity card    torn up on the floor
Husband still waits    at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play    our death curse

Two policemen surrounded     by thousands of boys
Crowded waiting    their daily bread joys
Carry big whistles    & long bamboo sticks
to whack them in line    They play hungry tricks

Breaking the line   and jumping in front
Into the circle    sneaks one skinny runt
Two brothers dance forward    on the mud stage
Teh gaurds blow their whistles    & chase them in rage

Why are these infants    massed in this place
Laughing in play    & pushing for space
Why do they wait here so cheerful   & dread
Why this is the House where they give children bread

The man in the bread door   Cries & comes out
Thousands of boys and girls    Take up his shout
Is it joy? is it prayer?    "No more bread today"
Thousands of Children  at once scream "Hooray!"

Run home to tents    where elders await
Messenger children   with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains    bowels all at once
Nurse shows disease card    Enterostrep
Suspension is wanting    or else chlorostrep

Refugee camps    in hospital shacks
Newborn lay naked    on mother's thin laps
Monkeysized week old    Rheumatic babe eye
Gastoenteritis Blood Poison    thousands must die

September Jessore    Road rickshaw
50,000 souls   in one camp I saw
Rows of bamboo    huts in the flood
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine   please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies    merciful Bold?
Bringing us medicine    food and relief?
Napalming North Viet Nam    and causing more grief?

Where are our tears?  Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve    in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my *****?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and   asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast    with a sigh
Come tast the tears    in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara   on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild
Armed forces that boast    the children they've killed?

How many souls walk through Maya in pain
How many babes    in illusory pain?
How many families   hollow eyed  lost?
How many grandmothers    turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers   make no more sound?

How many fathers in woe
How many sons   nowhere to go?
How many daughters    nothing to eat?
How many uncles   with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children    nowhere to go

                                        New York, November 14-16, 1971
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
Edna Sweetlove Feb 2015
Wee Angus McSporran, the world's most accurate marksman, is deployed  to Afghanistan and Iraq as a ****** in the Royal Scots Guards. In spite of his diminutive stature (4ft 8in), we see him skilfully shooting men, women and children by the score, convinced they are terrorists and a threat to our freedoms in the West. He becomes emotionally involved with the gigantic ginger-haired Pipe Sergeant-Major **** McKnob, the loudest piper in the British Army and a famous poofter. We see Angus and **** in some of the most explicit ******* love scenes ever shown in a mainstream movie (tastefully filmed in soft focus and sponsored by KY-Jelly).

When **** is blown to smithereens by a roadside bomb planted by American freelancers in order to implicate the Taliban, Wee Angus goes into deep depression and becomes obsessed with his skill as a ******, often shooting "allied" soldiers in so-called "blue on blue" friendly fire. After each shooting we see the image of the ghostly dead Sergeant-Major appear as in a dream, his kilt a-swirl and his pipes wailing a tragic dirge in scenes reminiscent of Braveheart.

When Wee Angus triumphantly notches up his 500th **** (including over 75 US military personnel and several important Afghan politicians), the British government decide it is time to withdraw him from active service. In order to gain patriotic press coverage in the run-up to a General Election in Britain, it is agreed that Wee Angus shall be awarded the Victoria Cross by HM the Queen.

We see Wee Angus, in full regimental uniform, marching up the Mall to Buckingham Palace to receive his medal, his telescopic-sighted ******'s rifle looming heavily on his childlike shoulder, being cheered on by crowds of thousands of wellwishers. Tragically, when he is crossing the road in front of the Palace, he does not hear a new environmentally friendly eco-diesel double-decker London Transport bus approaching (his hearing has been seriously impaired by the noise of battle) and he is mown down, his scream being amplified to eardrum-splitting levels of horror. The camera lingers lovingly on his crushed body and we see scenes of unimaginable grief in the crowds who have taken Wee Angus to their hearts. His lover, the strapping Pipe Sergeant-Major **** McKnob, appears as an angel and weeps by Wee Angus's squashed corpse.

In the final scene, reminiscent of the closing minutes of Slumdog Millionaire, the massed marching pipe bands of the Assembled Scots, Irish and Welsh Guards appear as if by magic and the entire crowd cast all inhibitions to the wind and indulge in a life-enhancing Highland Dance and Ceili around the Victoria Memorial facing Buckingham Palace. The film ends with a heart-breaking shot of the Queen coming out on the balcony in front of the Palace and having a fatal heart attack with the shock of what she sees before her. Prince Charles is seen gleefully rubbing his hands together in the background: at long last, he is King! *(end titles shown over a shot of him groping Camilla's naked sagging ****)
This is the first in my new series of Film Scripts for the 21st Century.
how sad to be misunderstood
to be evicted from life
to have the full tenure
of a torrid human existence
gesture horribly at you
in faultless reputation
like that of a rancid rage
over a lost trinket
or to be quarantined
while fingerless skin scolds
and noiseless voices are raised
in a donated generosity of savage ignorance
striving to make copious amends
in vain efforts to regrettable
slow acting poison that boils the mind
oh how sad to be misunderstood
such varicose viciousness
oh it’s sad quite sad to be misunderstood
to live through and inoculated hour glass
giving limitless time to a wildfire of idiocy
and when your breath speaks they laugh
black laughter that shatters wet umbilical truths
shudders
knowledge gestures to smoking nostrils
oh how sad, how sad it is to be misunderstood
to be drenched in the rain but not get wet
in which antiquity rests with its
mythologised stupendous ill effects
getting  vivid shadows massed all around
oh how sad it is to be misunderstood
until dactylic, hexameter, elegance
completes and slithering syllables
by their antiquity  focus a shuddering shriek
that sends an exploding heart through your chest
"Alexander son of Philip, and the Greeks except the Lacedaemonians--"

We can very well imagine
that they were utterly indifferent in Sparta
to this inscription. "Except the Lacedaemonians",
but naturally. The Spartans were not
to be led and ordered about
as precious servants. Besides
a panhellenic campaign without
a Spartan king as a leader
would not have appeared very important.
O, of course "except the Lacedaemonians."

This too is a stand. Understandable.

Thus, except the Lacedaemonians at Granicus;
and then at Issus; and in the final
battle, where the formidable army was swept away
that the Persians had massed at Arbela:
which had set out from Arbela for victory, and was swept away.

And out of the remarkable panhellenic campaign,
victorious, brilliant,
celebrated, glorious
as no other had ever been glorified,
the incomparable: we emerged;
a great new Greek world.

We; the Alexandrians, the Antiocheans,
the Seleucians, and the numerous
rest of the Greeks of Egypt and Syria,
and of Media, and Persia, and the many others.
With our extensive territories,
with the varied action of thoughtful adaptations.
And the Common Greek Language
we carried to the heart of Bactria, to the Indians.

As if we were to talk of Lacedaemonians now!
Some days I am Ana's teacher, some days she is mine.
This morning, we look through her kitchen window,
the one she can't get clean, cobwebs massed
between sash and pane. The sky is blue-gold, almost
the color of home.
Ana, I say, each winter
I get more lonely. Both of us would like the sun
to linger as that round fruit in June, but Ana says
it's better to forget what you used to know...
I wish I could give you much more-
Than my mouth's every empty sound;
Words; Like long abandoned shell homes.
More than the mere reality of being around.

I wish I could give you more-
Than my body; physical presence.
Than my touch and warm embrace-
Heated in the lust of every past instance.

I wish I could give you more-
Than gifts; my time and attention.
My voice, support, smiles and laughter.
Wish I'd give you my heart's pure affection.

I wish you knew me way before-
The loss of every ounce of love I sought.
Before the space between spaces filled me,
Before the scent of love was eternally forgot.

See, every failed fairy tale-
Robbed my love of its mass;
Left my heart cold, unloving.
Empty, like a sand less hourglass.

Every shattered future-
Taught me how not to love;
To cherish only what's left over,
Fading innocence; everything I have.

Every end of a new beginning-
Curved a beast out of my soul;
A sweet, charming, beautiful beast.
Opposite of what you think you know.

I wish you knew me before-
I could smile and say I love you-
As I whisper praises to the next girl;
Of last night, in bed, how she was beautiful.

I wish you knew me before-
I could hug and hold you tight-
With the very warm arms that will-
Passionately caress your friend at night.

I wish you knew me before-
I knew a forever that comes and goes;
Before the bits of hurt and nurtured lusts;
Before I my pain was of a like nobody knows.

I wish you knew me before-
The pieces of my broken heart-
Spread through my thick, vast past.
So I could love you, whole and not in part.

I really wish you knew me before-
My tears massed into this smiley mask-
That stuck to my visage. Before being nice-
Was merely my poker face, and not a willful task.

But most importantly… I wish you will teach me-
To love you with the void space where my heart was;
To say I love you in silence; with every beat of our heart;
To be one with you; to love with my rights and my flaws.

Keep Smiling
A large red elephant jumped on the trampoline.

Somewhere in the distance a blue eyed babe cried.

Rednecks clad in Paul Bunyan shirts inhaled the fumes of their barbecues.

Moving gracefully, a trapeze dancer tip-toed across the river.

My wife slumbered on our couch,

And wind blew a kite out of my hands.

                                                

I fed a goat nectar from my hands.

A crowd encircled the trampoline.

My family purchased a new couch,

And later that day we helplessly cried.

Our wailing could not be heard across the river,

Where rednecks continued to inhale the fumes of their barbecues.



Neighbors massed to celebrate barbecues.

I looked down at my blood stained hands,

Then joined the beautiful trapeze dancer across the river.

My red elephant broke the trampoline

And we were surrounded by infinite crying.

Nobody sat on the new couch.



Many problems arrived with the new couch;

There weren’t any more barbecues,

And my teeth crunched on granola as we cried.

Silky fabric embraced my hands.

Ingrid, my wife, dies on the trampoline.

She was buried across the river.



Some guy drank all the water from the river,

And started living on our couch.

Who would have thought I met lily on the trampoline,

And who would have thought I took up barbecues.

Now I felt warmth on the back of my hand

And I no longer cried.



Only the winter wind cried,

Howling over Ingrid’s grave across the river.

I slapped an elephant carcass with my hand,

Proceeding to cook it with salt and pepper on the couch.

I bored my wife with barbecues

So she went to jump on they trampoline.



Lily died on the trampoline; I always cried.

No longer did I host barbecues, the wind continued to howl across the river.

I gutted the couch, and killed myself with the back of my hand.
Where had I heard this wind before
Change like this to a deeper roar?
What would it take my standing there for,
Holding open a restive door,
Looking down hill to a frothy shore?
Summer was past and the day was past.
Sombre clouds in the west were massed.
Out on the porch’s sagging floor,
Leaves got up in a coil and hissed,
Blindly striking at my knee and missed.
Something sinister in the tone
Told me my secret my be known:
Word I was in the house alone
Somehow must have gotten abroad,
Word I was in my life alone,
Word I had no one left but God.
Edna Sweetlove Dec 2014
People think that Dublin, Ireland's fair capital city
Is a place of merriment, overflowing with craic and whiskey,
Whose narrow streets are filled with poets and singers and also
Pretty girls with wheelbarrows selling cockles and mussels;
A city redolent with history, whose gutters run with half-digested Guinness
After closing time, and the drinkers have been hurled into the gutter
By jovial bouncers who can recite "Ulysses" from start to finish
From memory, and where the Liffey, sweet Anna Liffey, flows peacefully,
With only an occasional splash when a pedestrian topples gaily in.
                  
But there is a darker side to famous Baile Atha Cliath, oh yes,
And the following anecdote is a sad but true indictment of the evil,
The omnipresent evil, which lurks in the black soul of the city.
I was trolling along the banks of the old Royal Canal one summer's evening
With my drinking companion, my Afro cousin, Black Paddy McSpigot,
Pausing only to glance briefly at the copulating couples on the towpath
(We were slightly amused by the small crowd watching one couple
who were engaged in the athletic congress of the ****-backed whale
underneath the bridge by Rose Street, a favourite spot for young lovers),
When a terrible shriek rent the air and a horde of renegade drunken nuns
Poured out of a late night underground folk-music drinking den
(the hugely amplified noise of the massed uilléan pipes was deafening
and had probably driven the poor dears into a religious frenzy).

Seeing Black Paddy, and mistaking his gay rendition of "Skibereen"
For an excerpt from the Satanic Mass, they yelled out polyphonically
"Tis the divil himself, so it is, an' all, an' all, let's get the focker",
And without further ado they leaped on him and ripped him to shreds,
Hurling lumps of his poor, poor body into the crocodile infested canal,
Where they were immediately masticated by the terrifying reptiles
(the mighty creatures had been stolen from the Zoological Gardens
by a group of drunken Animal Rights campaigners out on a ******,
and were the toast of the town in every gay bar in the vibrant city).
I cowered in terror at the horrific spectacle, thanking my lucky stars
I was wearing my archibishop's fancy dress uniform that evening
(it was the only way to jump the queue to get into Davy Byrne's Bar).
Dear God, I'll not visit the dear Emerald Isle again in a hurry, to be sure.
Brodie Corrigan Aug 2013
The pitched shrill of the whistle sounds
the explosions can be felt deep underground
the mass of men scream and shout
the conscripts are all moving out
the Germans sit there waiting for us
all we can do is move forward, its a must
They took over our land, it makes me so mad
So I am here, at Stalingrad
Ari Dec 2011
OM
Om
In The Beginning
Sound
needed a medium
for dissemination
space and time
was born.
As I sleep sitting cross legged I know these things to be Truth.
All things consist of matter
matter of molecules
molecules of atoms
atoms of  atomic particles
atomic particles of subatomic particles
subatomic particles composed of strings
yes strings
the vibrations of strings at certain resonant frequencies --
Sound
I’m referring to Sound --
accounts for the creation of all things
all things composed of matter --
I matter You matter --
and Sound is the variation of pressure waves propagating through matter
through You, and Me, We
are hereby beings of Sound
Per-Son
Earth, Sun
the birth hum permeates us all
all things soak in the amniotic ocean of Sound
it is the background, the foreground, before Sound
was Silence
Silence is the antithesis of hissing existence sibilance is diametrically opposed to nothingness antimatter to matter in an asymmetrical universe.
If a tree falls in a forest and no one is there as witness, it still fell and the timbre transpired, to be
is not to be seen, perception exists within existence
Real is a three inch wide magnetized Mobius Strip spinning counterclockwise in a corroding
centrifuge of perception carbon dated to The Beginning
and The Beginning occurs every second
in an umbrella opening in a firestorm
the collision of soapy bubbles
clay in a snow kiln
uranium decaying
a sari being wrapped
the chopping of wood
ice capped volcanoes
an oily rainbow
the exposure of negatives
the grinding of coffee beans
a cobra swaying
You can charm a cobra by biting an apple
the blur of sweat and palms on stretched animal skins
congas bongos tablas djembes tom toms snares timpani
hands at warp speeds in an innate rhythm inundating time
four four two four four three seven eight twelve o’clock
what is time to Sound but a permanent witching hour for feet to frenzy?
each stomp a falling star that sears a crater, each crater a subwoofer for the Earth’s movements
Sound is time being rendered elastic
quantized digitized equalized filtered phased distorted compressed processed
time has been tamed
fast forwarded paused rewound slow motioned skipped
from one timeline to another, Sound is the de-lineation of time
the unraveling of space the curling of dimensions dementia in rhyme
minds are traveling back to the present, pre sent from the future, the future has passed
We are light, massed
night is just another shadow our auras cast
mating calls
jarred halos
woodwinds in an airlock
disemboweled factories
pyramids of electric chairs
pipelines in the desert
grief slumped shoulders
paper lanterns in a whirlpool
poems read in darkness
laughs sobs shrieks cries cackles yelps howls laughs whimpers
worlds ending with a BANG
an infinite piece quantum philharmonic orchestra clamoring to be heard over the revolution of the spheres
We sing
reverberating to replace Saturn’s rings
every single note a secret love letter passed ear to ear read instantly
all sounds converging to singularity
an accretive disc of sonic entropy spinning around one point
all We have left to do is drop the needle
call
and let the response cascade into us
Chain Gang of the Universe swinging old ***** spirituals
the momentum of our pulsing song accelerates beyond relativity
the amplitude of our vibration transmits from soul to womb
each newborn tongue blessed with a honeyed Om
My son, Your daughter, I taught her, You taught him
and now they can play cat’s cradle with their strings
tap dance on quarks and make fiddlesticks sing
So even now the Rabbis sing
Hear O Israel, the Lord is Sound…
As I sleep sitting cross legged I know this Truth to be all things.
Om
King Panda May 2017
Core—molten caramel center but
dead. dead. dead.
Hot.
Bleeding.
Then cool, small and massed. A
little red

button in the sky more than 400 times
the diameter of—I snap
my fingers.


Magician

star
gives birth to carbon, oxygen, and contract
gravitationally toward
the black clasped to
nowhere—an end melting
rock, evaporating ocean, stabilizing
expansion caught in
helium

flash—the metals of yesteryear
believed to exist inside
of you.
From where I sit in this bicycle rickshaw
everything is in motion.

Balloons, massed into colourful clouds,
ride in the rickshaw just ahead.

Brahmin cows walk by, unconcerned
by the tiny cars speeding and honking.

People of every age and description
walk towards the stalls and shops.

From where I sit in this bicycle rickshaw
pale pink sari fluttering around me,
all is completely still and silent,
*even as everything is in motion.
©Elisa Maria Argiro
Aaron Mullin Oct 2014
There has not been for a long time a spring
as beautiful as this one; the grass, just before mowing,
is thick and wet with dew. At night bird cries
come up from the edge of the marsh, a crimson shoal
lies in the east till the morning hours.
In such a season, every voice becomes for us
a shout of triumph. Glory, pain and glory
to the grass, to the clouds, to the green oak wood.
The gates of the earth torn open, the key
to the earth revealed. A star is greeting the day.
Then why do your eyes  hold an impure gleam
like the eyes of those who have not tasted
evil and long only for crime? Why does this heat
and depth of hatred radiate
from your narrowed eyes? To you the rule,
for you clouds in golden rings
play a music, maples by the road exalt you.
The invisible rein on every living thing
leads to your hand--pull, and they all
turn a half-circle under the canopy
called cirrus. And your tasks? A wooden mountain
awaits you, the place for cities in the air,
a valley where wheat should grow, a table, a white page
on which, maybe, a long poem could be started,
joy and toil. And the road bolts like an animal,
it falls away so quickly, leaving a trail of dust,
that there is scarcely a sight to prepare a nod for,
the hand's grip already weakened, a sigh, and the storm is over.
And then they carry the malefactor through the fields,
rocking his grey head, and above the seashore
on a tree-lined avenue, they put him down
where the wind from the bay furls banner
and schoolchildren run on the gravel paths,
singing their songs.

--"So that neighing in the gardens, drinking on the green
so that, not knowing whether they are happy or just weary,
they take bread from the hands of their pregnant wives.
They bow their heads to nothing in their lives.
My brothers, avid for pleasure, smiling, beery,
have the world for a granary, a house of joy?"

--"Ah, dark rabble at their vernal feasts
and creamatoria rising like white cliffs
and smoke seeping from the dead wasps' nests.
In a stammer of mandolins, a dust-cloud of scythes,
on heaps of food and mosses stomped ash-grey,
the new sun rises on another day."

For a long time there has not been a spring
as beautiful as this one to the voyager.
The expanse of water seems to him dense
as the blood of a hemlock. And a fleet of sails
speeding in the dark, like the last
vibration of a pure note. He saw
human figures scattered on the sands
under the light of the planets, falling from the vault
of heaven, and when a wave grew silent, it was silent,
the foam smelled of ioding? heliotrope?
They sang on the dunes, Maria, Maria,
resting a spattered hand on the saddle
and he didn't know if this was the new sign
that promises salvation, but kills first.
Three times must the wheel of blindness
turn, before I took without fear at the power
sleeping in my own hand, and recognize spring,
the sky, the seas, and the dark, massed land.
Three times will the liars have conquered
before the great truth appears alive
and in the splendor of one moment
stand spring and the sky, the seas, the lands.

*Wilmo, 1936
Winner of the 1980 Nobel Prize for Literature
spysgrandson Jan 2013
troglo-what?
look it up, those who
do not know the word  
for
I am
a lover of words  
obscure exotic esoteric poetic pedantic petty greasy slimy odoriferous clanking cacophonous melodious odious arcane archaic
all
a primal pleasure to hear,
to write, to read when perched
in the right order and place
to take flight and allow
me to soar above
or hide below  
the massed multitudes of monkeys
who share my deoxyribonucleic acid

(and you thought
I would simply say,
DNA)  

for they
find solace in the day
shared with simian soul mates
but I,
the true troglodyte of Texas
prefer the singular scent of words
on trackless trails
over the sound of lovers
and their breathless tales
Shirley Mar 2015
Sky
It is a vastness of cerulean,
A pool of blue which surrounds clouds that are strewn together.  
Tumbling, accumulating, towering formations of remarkable depth and awesome beauty.
Billows which blanket and envelop a sphere of life, turning the almost infinite and indefinite blue to grey,
Massed with the heaviness of forthcoming precipitation.
As time turns, and the big blue planet rotates, sunlight is reflected and refracted by particles unseen—painting swelling clouds with pale yellows that bleed into succulent pinks, deep reds, royal indigo, and then
The flowering violet of conceived night.
The sky portrays a huge entity, a formation of solidity and stability.
It does not contain, nor withhold from the terraces and crevices of the Earth’s surface.  
It is as close to infinity as the basic human mind can grasp,
The uttermost extension of one’s realm of existence.

To look up at the stars is an annihilation of Ego,
A humbling reminder of one’s relevance,
Of one’s fragmentation of being,
Of one’s essential insignificance in the immortal turning of the deep and everlasting vibration of the Cosmos.

Stars, barely conceivable at times,
Act as portals to the past spilled carelessly across an inky nighttime sky.
These subtle flecks, minute glimmers of incredible explosions, are billions of light-years away
Across the fabric of space and time.
The sky is an incredible portal to those things outside of mortal grasp,
A manifestation of all that is unknown, yet shared by every state of consciousness.  
A familiarity and a comforting reminder of eternity that will exist far beyond the human experience.  With its undulating formations, precipitation, protection, and sheer exposure,
It is a paradoxical beauty.
stone the bear Apr 2016
4/20
99
indescri-
bible,
colum-
bine.

This launched,
a devious
plan-
something the whole
world needs to
understand:

Society makes its mark,
their wish came true.
&elieve; me when i say
they thought nothing of me
or you.

they only drew you near.
You be-
lieved,
to them,
you we-
re dear.
But then one day, you realized, you were no longer their peer.
Leaving their reputation:
smeared.

You told them your worries
you said them LOUD and clear,
they didn’t give a ****;
instead they riddled you with fear.

they really shouldn't care.
but you had to leave your mark, when
living in their massed produced ware
forced you to spend your days in the dark.

it is true
within everything they do.
they do not really care.
society serves to exploit me
while exploiting you, too.
------------------------------------
So this is where we stand,
among all the **** in the land.
and we still wonder why another man’s grass
is far more grand.

we must eradicate
everything we were told to ever know
do you know the devil
may live within your own
very home?

So many sit and wait
with their message in a bottle,
but what we need to do
is go heavy on the throttle.

Build yourself a sanctuary,
somewhere in merry's land
become Mr. Manson,
or maybe you prefer,
Scarlett Johansson.
my reaction to bowling for Columbine," orchestrated by Michael Moore
Dike Aduluso Dec 2018
There was once a drought that thundered through the land
It stormed from north to south sparing neither head nor hand
It came on the heels of may, to rob fields of their right
Giving hunger to day then taking respite from night

Sun came and moon thereafter, time and time again
Yet the skies yielded no answer to the outcry of men
‘Cause fortune did reject the farmer’s desperate plea
For sin of thankless neglect towards soil of sower’s glee

Clouds massed in mocking grey, winds whispered hopeful lies
Telling of a better day when we would hear the heavens’ cries
Such was the willful drought that ended harvest’s reign
Starving land of fruitful sprout till Mercy brought the rain

I should say no more of the gloom through days of old
But with words long withheld, tell of that which should be told.
The First. My great-grandfather spoke to Edmund Burke
In Grattan's house.
The Second. My great-grandfather shared
A ***-house bench with Oliver Goldsmith once.
The Third. My great-grandfather's father talked of music,
Drank tar-water with the Bishop of Cloyne.
The Fourth. But mine saw Stella once.
The Fifth. Whence came our thought?
The Sixth. From four great minds that hated Whiggery.
The Fifth. Burke was a Whig.
The Sixth. Whether they knew or not,
Goldsmith and Burke, Swift and the Bishop of Cloyne
All hated Whiggery; but what is Whiggery?
A levelling, rancorous, rational sort of mind
That never looked out of the eye of a saint
Or out of drunkard's eye.
The Seventh. All's Whiggery now,
But we old men are massed against the world.
The First. American colonies, Ireland, France and India
Harried, and Burke's great melody against it.
The Second. Oliver Goldsmith sang what he had seen,
Roads full of beggars, cattle in the fields,
But never saw the trefoil stained with blood,
The avenging leaf those fields raised up against it.
The Fourth. The tomb of Swift wears it away.
The Third. A voice
Soft as the rustle of a reed from Cloyne
That gathers volume; now a thunder-clap.
The Sixtb. What schooling had these four?
The Seventh. They walked the roads
Mimicking what they heard, as children mimic;
They understood that wisdom comes of beggary.
Amy Grindhouse Jan 2014
I feel this inhuman suffocation
when I step out into
that officially sponsored
fog machine artificial haze
to start the music blaring from
speakers that don't say a thing
Spitting throat lumps and grinds
lurching like scary monsters
controlled by raving mad super creeps
hiding behind walls of
electronic lies
and vinyl appropriations
committed to automation
in
beats making stage cages swing like
stray lanterns filled with
questionable electrocuties -
wild tarts that can't be broken
but you can stare all you want
at
Black-light-blemish-broken-razor-testimony
obscured with slashed fishnet and
splashed neon body paint
Move to the wavelengths
going to grave lengths
as
my dead beats facilitate this
Deja Vu machine world
of
backdoor audition submission
courtesy of half massed scrubstep poser pseudo-players
and maneaters planted on dance floors
Wearing short skirts low cut shirts
high heels long hair and plenty of
emotional baggage
and
I find myself feeling somewhat sorry
and guiltily enticed by the decadent
conspicuous consumption and sinister
seduction I cannot escape
until
The song crescendos and I slam an invisible hand
into the wreck chords
from now until the end of rhyme
I want to stop the whole thing
but this is what I signed up for
this is my punishment
so
with reluctant crossfader switchblade hands
I scratch the noise back into the air
and out of my head
because
the
beatings
must
go
on
Marshal Gebbie Oct 2014
Mao Zedong’s revolution deposed the ancient, 5000 year old rule of Dynastic China.
In doing so he espoused the continuous violent struggle by contradictory forces within society to produce a perpetual disequilibrium of revolt against intellectualism and Confucian principle and practice.

With the global collapse of Communistic systems, the wily genius of the diminutive, Deng Xiaoping, breathed new life into the faltering rule
With a cunning rebranding of “Socialism with Chinese Characteristics”, he maintained the stability of Chinese Communist kleptocracy until relatively recent times.
But the middle class awakening of Tiananmen Square and the recent Hong Kong massed protest, has brought into focus the demands of an increasingly educated, increasingly affluent, Chinese society’s expectation and demand for increased democratic rights and freedom and a more just system of the Rule of Law.

The day of the old, strong arm, autocratic rule is over.

China is emerging, quite naturally, into a world of increased information freedom, where the seeking of each individual’s betterment and independence promises a brighter future of personal dignity, increased self-esteem and an emerging sense of high anticipation.

President Xi Jinping’s Chinese Communist Party is now presented with the challenge to moderate in order to survive. To endeavour to embrace and meld the old concepts of Confucian harmony to the vaulting expectations of China’s new world beckoning.

M.
Denmark, Western Australia.
5 October 2014
PK Wakefield May 2010
for all my massedd cords.
youfrail, strength Are
supple olive toned perfection
beyond
the capacity of reckoning
warm oil
coils
adroit
rattletaptap Apr 2015
Ever reaching
And so serene,
So briny and clean,
Is, the mystifying sea.

The fish inside it,
Together flock,
Swimming around,
A **** or rock.

The peaceful lives
Will forever last,
Where all is massed,
Beneath, the boundless sea.
nivek May 2014
bronze statues sit along the fence
singing through multi-coloured-
feathers and beautiful beaks
they mimic others song putting-
a twist of their own into the mix
they take off from their plinth
massed air acrobatics in sync
one bird with a thousand wings
Tulip Chowdhury Jan 2014
I opened the floodgates
and let the tears flow.
Ribs in the ribcage
shreds of muscles
veins, tissues and bones
all that seemed to be massed
inside the *****
holding the pain, the hurt
all have to wash away
with all the floodgates open!

And yet they don't go
no matter how hard I cry
no matter how my being shakes
sobs and heaves,
I try to clean up
and yet those messed up feelings
won't wash up.

No crying, no tears , no anguish
no shouting, no grief
seems to  be enough.
Tell me what can I do
to erase those pains?
Maple Mathers Feb 2016
Your imprint's emplacement
Massed fate's apogee,

Where words become pavement
Whilst time sets them free.




Too bad you didn't like it.
I actually wanted to make you feel special.
I don't write love poems
For this reason.
I wrote this for you and you couldn't even pretend to like it.
This is why I don't.
You want me to change so badly that
I did.
Made a change in my life.
You.

"I should be more important that your book!"
One time I wanted to write
You never wanted to read
But you made it all about me ******* at life
like always
You're insane if you think that's okay.
To take my favorite and most important part of myself
And say you're angry it's not you.

You don't care for my passions
Unless you're the only one.

DID YOU KNOW I SEW AND ******* ROCK AT IT?
IT'S THE ONLY THING THAT MAKES ME HAPPY THESE DAYS
YES, DUH.
SINCE YOU MADE IT ABUNDANTLY CLEAR
YOU DO NOT CARE

Spoiled people don't understand the value of trade
You have it all
And you don't know it.

(All poems original Copyright of Eva Denali Will © 2015, 2016)
Raymond Johnson Jul 2013
i cry out the massed molecules of this  malevolent multiverse
for a cessation of this tortuous existence.

i never want to hurt anyone ever again.

i walk through the field of flowers and leave behind nothing but ashes and arsenic.

i am like a lonely hurricane inside a china shop
i destroy everything i touch
and only wish to be loved.

i have apologized
until sorry is no longer a word
simply a jumble of sounds spilling out of my mouth
with no meaning
and no purpose.

i could say it to you
in every language in this wide world
paenitet
désolé
triste
scusate
and none would be enough.

— The End —