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"juxtapositions" poems
i really like contrast, and the way the universe juxtapositions things in my life. yin and yang. like ******* in a church parking lot. or getting blackout drunk in my bedroom while an a.a. meeting takes place in my living room. like being a gay atheist who drives to work at a southern baptist college on sundays after church.
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May 12, 2015
May 12, 2015 at 9:40 PM UTC
contrast
Baby soft scruff Eyes, pacific and sultry Sly yet honest Childlike and sensual Witty and innocent Bring forth the animal The infectious mischief The ***** rhythms in darkened rooms The stolen moments in Lower West Side alleyways Long, piercing looks over a bottle of Dal Forno Amarone Savage concupiscence Your eyes suggesting the next move Bodies entwined in the back of a cab At the bridge and we walk across And I indulge in your juxtapositions All the way to Brooklyn
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Jul 17, 2011
Jul 17, 2011 at 4:39 PM UTC
Juxtaposition
On really good days I'll leave a crisp five In the back pocket Of my ratty blue jeans. That way when my future self Feels as fragile as spun sugar But tastes like burned bitterness And needs to shake herself awake Drag herself from chore to chore, Convince herself that collapsing isn’t a cure, [Though doesn’t the cold tiled floor feel refreshing?] She’ll only have clothed in comfort:          Her baggy gray sweatshirt,          Consuming her body whole,            Making her shapeless,          So maybe she can shape shift,          Into a bird or a bat or a pterodactyl,          And make the most of her new wingspan,          Flying further from her fractured reality,          Into a fabulously far-fetched fantasy.         Her ratty blue jeans haphazardly thrown on, So worn that there are holes in the knees, Frayed hemline attesting to the tired trampling, But when she tries to shove a ***** tissue, Into the back pocket hoping it’s mere placement,         Is enough to leave the memory behind her,         She’ll stumble upon a long forgotten monetary love note. Yes, you do love yourself, Yes, I know it’s rough now, In fact, I guessed it way back when, But life is just a series of juxtapositions, And maybe you’re in a hole dug so deep, That you’ve burrowed out into China, And now look, really look, You’ve got a world of exploring to do! But if you’re not yet strong enough to Climb the Great Wall, Don’t you worry, Building endurance takes some time, But until then, Here’s a crisp five, Go buy a Kit-Kat, A can of Sprite, And a cheap horror flick, And never forget, I always love you.
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Jul 28, 2013
Jul 28, 2013 at 9:02 PM UTC
On Self-Love
On really good days I'll leave a crisp five In the back pocket Of my ratty blue jeans. That way when my future self Feels as fragile as spun sugar But tastes like burned bitterness And needs to shake herself awake Drag herself from chore to chore, Convince herself that collapsing isn’t a cure, [Though doesn’t the cold tiled floor feel refreshing?] She’ll only have clothed in comfort:          Her baggy gray sweatshirt,          Consuming her body whole,            Making her shapeless,          So maybe she can shape shift,          Into a bird or a bat or a pterodactyl,          And make the most of her new wingspan,          Flying further from her fractured reality,          Into a fabulously far-fetched fantasy.         Her ratty blue jeans haphazardly thrown on, So worn that there are holes in the knees, Frayed hemline attesting to the tired trampling, But when she tries to shove a ***** tissue, Into the back pocket hoping it’s mere placement,         Is enough to leave the memory behind her,         She’ll stumble upon a long forgotten monetary love note. Yes, you do love yourself, Yes, I know it’s rough now, In fact, I guessed it way back when, But life is just a series of juxtapositions, And maybe you’re in a hole dug so deep, That you’ve burrowed out into China, And now look, really look, You’ve got a world of exploring to do! But if you’re not yet strong enough to Climb the Great Wall, Don’t you worry, Building endurance takes some time, But until then, Here’s a crisp five, Go buy a Kit-Kat, A can of Sprite, And a cheap horror flick, And never forget, I always love you.
Continue reading...
46
revolutions are coming for the bored children, of course, just sit tight. soon the days will no longer coalesce together like caterpillar chrysalis clinging onto branches; wherever situations harmonise we’ll make gentle gestures, moving to and fro until we declare “this is the medieval economy, we belong with the hordes of ants.” But then again sometimes I find myself in the dark in schoolyards at night on the lawn grass gazing up at towers of concrete rain I feel the apprehension falling from the balconies, and I swallow the anxious murmurings of productivity, diligence and attention, digest their nutrients and spit them on cocoons in metamorphosis. Though, I hope the spit does not spoil the butterfly. I mean, I would not be surprised if I caught a tummy bug and it killed the whole world. still, rhetorical coincidences ceaselessly resort into syllogisms, essays babble incoherent thoughts, cranes construct rows of identical houses, times moves forward and backward to save light, it consumes time in my mind. oh revolving prisms, there will come a tiny time, emerging, bit by bit, in unison; there will be gentler things to caress the subtle skins of existence, one by one, all at once, momentarily again and again.
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Jan 28, 2013
Jan 28, 2013 at 3:34 AM UTC
juxtapositions, harmony, emergence
Rarely does it rain while the sun shines the light cascading upon each delicate drop The temptation to be out there and to feel the cosy embrace of the rays, yet simultaneously The desire to hide away from the icy splashes in hopes to stay dry
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Sep 19, 2022
Sep 19, 2022 at 4:51 PM UTC
Juxtapositions
To live well and to die well is the same task. Epicurus the song of the old rusty swing like a frozen pane (somewhere in a passing memory) not knowing if there can be such thing as genuine trust, you wait for transparent nights amid angst, the turmoil of words, rushing gestures, tired patterns suffocating all clairvoyance you wake up from the lethargy of dreams to the cruelty of life devoid of connection a door got jammed your parents and their distant lives -their past is your future- carrying their never ending childhood like a message in a bottle the contraction of days bears you the same the taste of death is just a habit now no safeguard you whisper your dreams to the ragged baby doll - “Bebe” is here for you You’re the pain taster forcing dangerous juxtapositions or the silent screaming melodies abundant in misattunement while mother flashes her cracked smile on empty days it might have been better to swallow her thoughts while father has a croaked ambition never to rest translating his will of power the promise of tomorrow left you unscathed slipping out of time needs practice, a neat forehead, to bear in mind that light holds on to uncertainty every time you fall last mile home is the hardest
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Jul 16, 2014
Jul 16, 2014 at 2:06 PM UTC
Bitter Song of Home
All I’d ever known were full stops I’ve dangled By commas All my life Strife filled juxtapositions Disappointed allusions Had punctuated my compositions From the start But my heart Is rewritten You erase my punctuation Drawing instead, devotion In permanent ink I am a new page No longer caged By doubt I’ve thrown mistrust out My window All I am is a pathetic fallacy A hurricane Of imperfections Forgive me I am overcoming insecurity Burying uncertainty And rising above Fear You’ve rewritten me Clearly Your love outweighed Cowardice. I am no longer afraid For I always knew                              There is nothing on earth worth loosing you.
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Nov 24, 2011
Nov 24, 2011 at 12:34 PM UTC
The First Poem
Discarded loincloths adorn the table. No one pays attention to the spilled milk, catching the fever, we turn the other cheek our hastiness turn upbeat over prevalence it is hard; juxtapositions lie at your fingertips.
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Oct 19, 2010
Oct 19, 2010 at 7:46 PM UTC
Regards to the latter
My brain atrophies And still I wait As if someone will Come carriage me off The curvature of the planet And bestow upon me gifts I have no title to. I walk between the aisles Quietly admiring the mass of produce Bared fruits eagerly poised Waiting to drive home in the back seat To be manipulated and munched And hastily shoved into lunchboxes While the coffee smugly percolates But the engrossed bins prove Too bountiful to harvest— My appetite no longer yearns For the gifts at its feet. I swear not only did the price go up But the loaf got smaller That’s all dreams turn out to be An amalgam of juxtapositions So we stand on both sides of the river While trying to swim against the current And we know It’s much too late to still be awake
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Jun 17, 2010
Jun 17, 2010 at 8:51 PM UTC
Wonderyears
You darken light so shine bright oxymoron's juxtapositions finding oneself in pondering situations humor in each step , fairy lights guide the path less traveled feeling the peace pieces fit together jigsaws of unabridged meaning simply seething with the intimate feeling of moonlight hopping from idea to idea to thought to thought love's boundaries are naught and love's hugs are many loves kisses flow plentiful indigo rivers on far off archipelagos snake into brown rivers flows mixing merging the same happens in the soul culminations and starters Pudding just a little while after A lot around , a lot within , a lot in addition to the whimsical nature of life's flight of fancy floating feather drops.
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Aug 14, 2013
Aug 14, 2013 at 2:25 AM UTC
Reading
the sound of a car crash, the sound of your ex lovers heart breaking, knowing it wasn't meant to be this way, i called you and every clock stopped i don't know how long it's been since the last time i believed you, last week i wanted to night creeps up on you like the ghosts hanging in your closet, you didn't think you'd grow up to be this, you didn't want to and i swore in the seventh grade never would i follow in my fathers footsteps, here i am, saturday morning slugging wine from the bottle a pandemonium of sadness, these corrupting juxtapositions are the only thing i speak with lately maybe "we" were an overture for what we'd grow into, you know the nights you text me asking why the hell i won't get out of your dreams, are the nights after you haunted mine this, ****** penumbra, i see it too often it shows up in the dreams where i find you too
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Oct 24, 2014
Oct 24, 2014 at 8:44 AM UTC
this is a ****** title
You are refreshing like the breeze on a hot day. It is not in that you make me forget the rough environment and offer a moment of calm. And not in the motion that relieves the senses through gust. But rather, cleansing in that you remind me of juxtapositions in the world: the arid and cool; the stale and fleeting. Just like the wind, you are brevity that clearly shows why contrasts highlight and you are the pleasant other underscored.
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Oct 11, 2014
Oct 11, 2014 at 12:48 PM UTC
hope at first conversation
Like a mute spectacle I stand, sighing, sadly staring at the silent caged birds that are now walking instead of flying; i often worry that I'll lose my words. Beautifully adorned I sit, thinking, lamenting gorgeous juxtapositions, ornate phrases, and new wonders—blinking, i admire my strict living conditions. Exhausted, so now down I lie, sobbing, wondering to myself about this cage that impedes my spirit and is robbing me of my ability to feel rage. I open my mouth to formulate sound, hoping for an idea I haven't found.
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Apr 6, 2012
Apr 6, 2012 at 11:29 PM UTC
Quiet.
exhaust of night's guttural snarl   sleep, with its fixated eyes   break the silence's dagguerotype. edges of the moon fringe   until its fingers sort out       plenitudes of configuration:   ignition upon contact,       consummation upon acquiescence,  pilgrimages within unmoving juxtapositions;     suspended on intimation,   void's hands swirl in depth         lithe like a leaf, falling intimately on     the ground:   my body's collapse        to surrendering machination.    it begins swollen to the full          and ends, aching,   yet unfazed by the untenable quicksilver       of mind's pompous meander to a field  where it so subtly blows,               the wind in all spaces.
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Jan 25, 2016
Jan 25, 2016 at 8:25 AM UTC
Dagguerotype
Your favourite colour was the shade On the city when the sun set. Your eyes were as deep as the ocean, Yet so different from simply blue. You said you hated the rain And loved the heat. In love with the moment, But never the person. You always had A great passion for drawing lines Between two states. But how could you even tell Fire from love, And pain from rain, When in the end they were all just the same? -Eunice Adewole
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Jul 27, 2016
Jul 27, 2016 at 2:08 AM UTC
// Juxtapositions //
and then i stepped to the side afterwards to the front as the monitor shone lights streaking in omissions of fingers and juxtapositions imagining lilies in the hands of someone who's gone leaving twenty years in a wave that has swept well-kept lawns and into the night i made peace with the owl that yawns together we laughed knowing we are still prisoners of that single step frozen in flight and done.
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Jul 21, 2014
Jul 21, 2014 at 5:13 AM UTC
a matter of ago
.                                                 dalet, ד       vav, ו‎      latter "sigma" kaf, ך‎           nun that's    siamese with vav, ן‎          pe, ף‎              resh, ר‎,              and qof, ק‎:                      jokes for P. and these are permutations,     i can only call these letters   a concentration on the end product, the shape of a skeleton of a number, the bowing angel, 7.         pe?        unlike qof,     it curls inward onto its spine, and almost resembles a 9... again, curves are a source for ambiguity, a lot of sevens in hebrew,      plenty more sixes in greek though... sure, in comparison to hebrew, the culmination of letters resembling it, give the number rachitis, but let's face it... that's 5 letters and only 1 number: the 5:1 ratio will bend you a bit. beside the point... the original chimera consisted of: a head of a goat,     a body of a lion, and a tail   as a serpent...    keep up! we're supposedly living in the 21st century... i still don't know why people comment on this century (just begun) with just glee and optimism...     pessimistic **** that i am...       anyway... why are the writers of myths more powerful than philosophers?   yawn... philosopher never bother themselves with images, the best image they can conjure and rationally discuss, is a wheel:    oh look, **** rolls!    ah, but there's a second chimera, befitting our times (and yes, i mean chimera as a hybrid, like breeding certain types of dogs)... so what could possibly make up the modern    chimera, given such an implosion of feminine values?    ah... borrowed, from the animal kingdom, and the insect kingdom too...    ***** is scary as **** makes the original chimera get bitch-slapped...     we have the head of a mantis   the body of a black widow spider...   and a tail of a lionness...                   for the latter part,    aren't lions lazy, given that lionnesses      do the hunting?                   ******* maaaa-giggy-giggy-gic. p.s.    obvious to say, juxtapositions of   the trinity of this modern chimera are welcome; the chimera had to evolve,       in the original you had two mammals and a lizard...      in the modern version, give the number of people in urban areas, you barely need a mammal, but you do,            but you have to move beyond lizard and enter the insect realm.
0
Jun 24, 2017
Jun 24, 2017 at 10:18 AM UTC
777797P (modern chimera)
.                                                 dalet, ד       vav, ו‎      latter "sigma" kaf, ך‎           nun that's    siamese with vav, ן‎          pe, ף‎              resh, ר‎,              and qof, ק‎:                      jokes for P. and these are permutations,     i can only call these letters   a concentration on the end product, the shape of a skeleton of a number, the bowing angel, 7.         pe?        unlike qof,     it curls inward onto its spine, and almost resembles a 9... again, curves are a source for ambiguity, a lot of sevens in hebrew,      plenty more sixes in greek though... sure, in comparison to hebrew, the culmination of letters resembling it, give the number rachitis, but let's face it... that's 5 letters and only 1 number: the 5:1 ratio will bend you a bit. beside the point... the original chimera consisted of: a head of a goat,     a body of a lion, and a tail   as a serpent...    keep up! we're supposedly living in the 21st century... i still don't know why people comment on this century (just begun) with just glee and optimism...     pessimistic **** that i am...       anyway... why are the writers of myths more powerful than philosophers?   yawn... philosopher never bother themselves with images, the best image they can conjure and rationally discuss, is a wheel:    oh look, **** rolls!    ah, but there's a second chimera, befitting our times (and yes, i mean chimera as a hybrid, like breeding certain types of dogs)... so what could possibly make up the modern    chimera, given such an implosion of feminine values?    ah... borrowed, from the animal kingdom, and the insect kingdom too...    ***** is scary as **** makes the original chimera get bitch-slapped...     we have the head of a mantis   the body of a black widow spider...   and a tail of a lionness...                   for the latter part,    aren't lions lazy, given that lionnesses      do the hunting?                   ******* maaaa-giggy-giggy-gic. p.s.    obvious to say, juxtapositions of   the trinity of this modern chimera are welcome; the chimera had to evolve,       in the original you had two mammals and a lizard...      in the modern version, give the number of people in urban areas, you barely need a mammal, but you do,            but you have to move beyond lizard and enter the insect realm.
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70
There’s oil pooling on the streets, and I’m on my way to some dive bar surrounded by the glittering lights only success and fame can afford. Neon signs threatening epileptic seizures hang like 21st-Century gargoyles above the heads of my brothers in harm. There’s girls in neon everything, halter top, hot pants, fishnet tights. They’re calling out for a good time, but they haven’t been seen here in years, the nights are too long to appreciate the memories in the short days. They never give up hope, though, that’s why they’re so beautifully broken. There’s a kid on the street covered up with an old jacket left behind by another societal failure who died last winter in a doorway lined in snow. Next to him, a musician plays a guitar that plays no old blues notes, no idea it’s playing by a grave. I find a quiet little street, no life, no blinking lights offering salvation from a life of complete boredom. I’ll take the boring and the quiet, I’ll take screaming into the air, lost syllables and juxtapositions flung up into the dead air of a dark and silent LA night. We don’t deserve to be lonely, but being alone all the time is fine, it’s perfectly healthy to keep your own company but not healthy to not enjoy the time to yourself. Extrapolating meanings from last night’s dreams, finding comfort in fractured scenes, looking for answers to our selves in the morning smog of repression. But I still beat these same paths, still see the same sorry faces illuminated by those awful neon signs, garish intrusions into the neighbourhood, fake happiness and promised sorrow. The homeless kid is gone, stabbed for dimes, but traffic keeps moving, drinkers keep gambling away their little pay checks, and the cold dark of these LA nights keeps holding on to my echoes.
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Apr 14, 2018
Apr 14, 2018 at 3:34 PM UTC
LA Nights
There’s oil pooling on the streets, and I’m on my way to some dive bar surrounded by the glittering lights only success and fame can afford. Neon signs threatening epileptic seizures hang like 21st-Century gargoyles above the heads of my brothers in harm. There’s girls in neon everything, halter top, hot pants, fishnet tights. They’re calling out for a good time, but they haven’t been seen here in years, the nights are too long to appreciate the memories in the short days. They never give up hope, though, that’s why they’re so beautifully broken. There’s a kid on the street covered up with an old jacket left behind by another societal failure who died last winter in a doorway lined in snow. Next to him, a musician plays a guitar that plays no old blues notes, no idea it’s playing by a grave. I find a quiet little street, no life, no blinking lights offering salvation from a life of complete boredom. I’ll take the boring and the quiet, I’ll take screaming into the air, lost syllables and juxtapositions flung up into the dead air of a dark and silent LA night. We don’t deserve to be lonely, but being alone all the time is fine, it’s perfectly healthy to keep your own company but not healthy to not enjoy the time to yourself. Extrapolating meanings from last night’s dreams, finding comfort in fractured scenes, looking for answers to our selves in the morning smog of repression. But I still beat these same paths, still see the same sorry faces illuminated by those awful neon signs, garish intrusions into the neighbourhood, fake happiness and promised sorrow. The homeless kid is gone, stabbed for dimes, but traffic keeps moving, drinkers keep gambling away their little pay checks, and the cold dark of these LA nights keeps holding on to my echoes.
Continue reading...
49
Numb like pain A drip of nicotine Take the sugar through Pulling the tear that won't escape Trapped beneath the blurred haze Running in no clear direction Dizzy, laughing Pulling yourself above the tide Above the laughs, laugh Tug the string of thoughts A simple line of juxtapositions Soaring above the smiles Dragged between the lips of Time The scrapes of burnt childhood A faint remembrance of snow and rain Sipping the rain through my teeth But numb like pain
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Apr 7, 2017
Apr 7, 2017 at 10:56 PM UTC
Numb
2/28/2015 There is a sweetly tinged contrast between the yellow of a primaverial agrimonia and a dead winter bramble, the tingle of cola the burn of coffee wild wide scope of memory, waiting A wholesome night... For once! Entirely sweet and just the juxtapositions seem to interlock at the parts of the line; this line: "I don't want to go," rawly stated in a vulnerable trap, always with the sweet sun of confrontation scheming through the panes. So perfectly set: like an animal caught in a groundhog  cage "I don't want to go to school" and "I don't want to go to the marines," sweetly tinged contrast of  ingrate talk with hopeful interlocking at this: Both said with an exasperated acrid breath that makes me think of the mirror stare phenomenon.
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Mar 1, 2015
Mar 1, 2015 at 2:44 PM UTC
Last Day
conjure the pain conceptualize the art let it light the way into the dark Bruise the ego Do it gently thoughts of depth spoken intently rough hands stroke me gently Soft-spoken words feel so heavy Caress my mind a heavenly touch the dark man Is no longer my crutch Electric mind State of still Moving forward Stumbling downhill
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Nov 1, 2018
Nov 1, 2018 at 8:45 PM UTC
Juxtapositions