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kat Mar 2013
this is a poem about the Tulsa Race Riots*

terrorism doesn't compare to self destruction.
disaster between the slaves, and their masters
we're richer, but they're smarter.
black wall street abolished, its name never in vain
although we remember, we'll never understand the pain
with our own eyes, it would leave us blind
by flash bombs, envy, discrimination
and hatred of our own kind.
gunpowder made buildings fly against the street lights
red and green, bombs still singing, ears still ringing,
we might as well be deaf.

the grass is always greener,
but our skin will never change or fade away
and to live in the past destroys our future
because just when we started to rise from the ashes
we burnt ourselves down again
from opposite sides of the city,
north and south
attract like polar opposites
wasting away green with envy
you can try to forget
because theres new paved concrete
but its still the same street
we owe to the stampede
jealously, destruction, revolution, prosperity
worn out buildings and bricks trapped us
but we're still free
under state laws
but only conditionally
the city sleeps when we do
but stays up late with disdain
days wasted and blown into the air
like concrete and fame
its a shame that
race riots black wall street and greenwood share the same name

it can't stay this way
one day, tulsa you'll change
you'll paint the streets again
faces engrained on
black walls like oil spills
treading new roads
buildings towering above
there are bodies below our feet
but that doesn't mean we're above them
and one day we'll breathe again
we'll write the names back into our history books
their sacrifice on our tongues
remembered, never in vain
like saviors honoring the pain
but never throwing it away
greenwood rising again.
Amiens sings: Under the greenwood tree,
Who loves to lie with me,
And turn his merry note
Unto the sweet bird’s throat,
Come hither, come hither, come hither:
    Here shall he see
    No enemy
But winter and rough weather.

  Who doth ambition shun,
  And loves to live i’ the sun,
  Seeking the food he eats,
  And pleased with what he gets,
Come hither, come hither, come hither:
    Here shall he see
    No enemy
But winter and rough weather.

Jaques replies:   If it do come to pass
  That any man turn ***,
  Leaving his wealth and ease
  A stubborn will to please,
Ducdamè, ducdamè, ducdamè:
    Here shall he see
    Gross fools as he,
An if he will come to me.
Newdigate prize poem recited in the Sheldonian Theatre
Oxford June 26th, 1878.

To my friend George Fleming author of ‘The Nile Novel’
and ‘Mirage’

I.

A year ago I breathed the Italian air,—
And yet, methinks this northern Spring is fair,—
These fields made golden with the flower of March,
The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet’s gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.
Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.
A year ago!—it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.
Full Spring it was—and by rich flowering vines,
Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse’s feet,
And musing on Ravenna’s ancient name,
I watched the day till, marked with wounds of flame,
The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers!—On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna’s walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter’s rain and snow,
And have no thought of sorrow;—here, indeed,
Are Lethe’s waters, and that fatal ****
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.
For though thy brood of warrior sons hath ceased,
Thy noble dead are with thee!—they at least
Are faithful to thine honour:—guard them well,
O childless city! for a mighty spell,
To wake men’s hearts to dreams of things sublime,
Are the lone tombs where rest the Great of Time.

III.


Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain,—
The Prince of chivalry, the Lord of war,
Gaston de Foix:  for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.
Taken from life while life and love were new,
He lies beneath God’s seamless veil of blue;
Tall lance-like reeds wave sadly o’er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,—
There, prisoned now within a lordly tomb
Raised by a daughter’s hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.
Time hath not spared his ruin,—wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed their glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.
His gilded shrine lies open to the air;
And cunning sculptor’s hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante;—to this day,
Here in his place of resting, far away
From Arno’s yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives,—the exile’s galling chain,
How steep the stairs within kings’ houses are,
And all the petty miseries which mar
Man’s nobler nature with the sense of wrong.
Yet this dull world is grateful for thy song;
Our nations do thee homage,—even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes:  sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.
The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.
Byron dwelt here in love and revelry
For two long years—a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
’Neath any wiles of an Egyptian queen.
For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna:  never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas!  Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain:
O Salamis!  O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well—ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.
No longer now shall Slander’s venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner’s face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea,—
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee,
In hidden glades by lonely Castaly;
The laurels wait thy coming:  all are thine,
And round thy head one perfect wreath will twine.

V.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright;—
I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet,
Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.
O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i’ the quickening veins, while once again
The woods are filled with gods we fancied slain.
Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face
Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart!  O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent’s vesper bell,
Struck on mine ears amid the amorous flowers.
Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see
Caesar ride forth to royal victory.
Mighty thy name when Rome’s lean eagles flew
From Britain’s isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and *** were seen.
Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float,
The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria’s purple waters used to flow.

O fair!  O sad!  O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia’s royal warrior hath passed
Rome’s lordliest entrance, and hath worn his crown
In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant!  Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante’s dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour:  far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa’s waters, by the mountain-side
Of Aspromonte, on Novara’s plain,—
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine
From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.
Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well,
Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows,—rest thee there,
To mock all human greatness:  who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings’ ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria’s stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now—thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.
O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter’s cold;
As from the storm-rack comes a perfect star!

O much-loved city!  I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna’s way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth’s hill go down,
And marked the ‘myriad laughter’ of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet’s city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn’s livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory;—poor indeed
Is the low murmur of the shepherd’s reed,
Where the loud clarion’s blast should shake the sky,
And flame across the heavens! and to try
Such lofty themes were folly:  yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse’s feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer’s lordly bloom;
And soon the grass with brighter flowers will blow,
And send up lilies for some boy to mow.
Then before long the Summer’s conqueror,
Rich Autumn-time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.
So runs the perfect cycle of the year.
And so from youth to manhood do we go,
And fall to weary days and locks of snow.
Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu!  Adieu! yon silent evening star,
The night’s ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.
Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet’s laurel crown.

Adieu!  Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.
Joshua Haines Jun 2014
When the thunder collapses like my grandfather's love,
there's no one that can hate me more than I do now.
As the lights begins to stain and drain my eyes,
there's no one that can hate me more than I do now.
Skeletons fell with the sea shells in the air.
I hope I'm falling asleep.
To no longer be here
is to be fair to everyone.

Art gallery in my head,
where the paintings hang above
polaroids and used condoms.
Where it's okay that I'm there:
the picture of a *******.
Where it's okay to love me.
Where it's okay to be me.
Where it's okay to know me.
Where it's okay to be me.
Where it's okay to get close to me.
Where it's okay to be me.
Where it's okay to believe in me.
Where it's okay to be me.
Where it's okay to be me.

In 2003 I was molested.
I want it to be okay to be me.
I detached myself from lullabies
and sorry eyes, only to realize:
I could have been dead in March,
right before the summer glows
and everyone would know
It wasn't okay to be me.

Why did you have to do it
My flesh tastes tainted,
and my eyes are painted
with the disgust of distrust
and the disgust of your lust
that corroded my body
and ate my blood
Am I any good
I want to be good.
I want to be pure.
I want to be more
than what I am.
****
There's acid in my veins
There's ******* acid in my veins
My body ******* shakes
Even when in love, I shake
When I'm safe, I shake
Am I ever safe

God isn't real, and neither am I
I am about as real as the dream I can't even buy
My talent is irrelevant, my past dictates my decisions
My love is the only redeeming quality,
and even that lacks precision.
I want to be perfect. I'm sorry that I apologize for anxiety;
it's not so much that I'm asking for forgiveness,
I just want to hear that there's no need to be sorry,
because it's okay to be me.

Oh. Hey, my eyes are watering; isn't this cool?
We're all having fun. Yippee.

The sun bursts rays, and there are twenty-three different ways
to stay alive inside when I'd rather hide from the sun's naivety
Searching for warmth on the walls with blistered palms,
as I lay in bed, naked. Removed of clothes and hope.
Blood in my mouth, new starters with broken shoelaces on the floor
Dreaming of different places. I said: dreaming of different places.
Cryptic words. In other worlds. In fire, I learned to drown.

A-B-C-D-E-F-G
Reentering the room, drunk.
H-I-J-K-L-M-N-O-P
Hide behind the bloodied bunk.
Q-R-S-
T-U-V-
W-X-
Y and Z
Now I've learned my lack of harmony,
next time won't you spare me, please.

Roses fall from the ceiling. There's no way I'm feeling.
Detach yourself from this room, this nation, this planet.
"You're too fragile to talk to, Josh." Thank you.
Don't allow yourself to ever be hurt again.
Regain your focus after I count down from ten.

Ten.
Reasons to stay alive.
Nine.
I want to live, I don't want to survive.
Eight.
There's nothing about me that anyone should hate.
Seven.
There's no god, but right now, I can make my own heaven.
Six.
I detached myself from lullabies and sorry eyes only to realize I love you.
Five.
"You're still there, right?" Dial tone silence, followed by fist to wall violence.
Four.
And to know you, is to know everything.
Three.
Adaptation without reclamation I find you in my translation
as hurt yet elation.
Two.
I want to make love in love. I want to die and donate a part of myself;
my backbone, lack thereof.
One.
When I fall asleep my eyes meet yours.

Intermission:

Do you like hurt? Do you like pain? Is a happy poem not your game?
Well, read a poem by Josh Haines and never look at him the same again.
And don't look at yourself the same, because it's okay to be you!
For the price of absolutely nothing, you can look at his words!
Wait, and that's not all! Validate the 'beauty' of his words by
touching that heart and making it red!
Make it as red as the bloodied bunk that stained his back and heels!
Only for the price of absolutely ******* nothing!
Hurry, though! You only have until the end of ******* forever, so act fast!
The number is
1-800-I'M AVOIDING A LAWSUIT LIKE I DO THE PEOPLE IN MY LIFE

2nd.

Hey, do you like your parents?
Yes!
Trick question. Do you looove your parents?
Yes!!
Do you like seeing your grandmother in a wheelchair?
Yes!
Do you like being hurt by the people that you care about the most?
Yes!!
Then grab some popcorn and cola!

End of Intermission.


Trying like you're crying at the end of the film that documents your life
To divide a knife into your skin like it's a sin to feel this way
I just couldn't take it, bones in the corner of the room.
Inside a skeleton's eyes, flowers bloom.
Chicka-yay-no way. You swear? You say:
Ti-ta-time is on my side, but that's not how it feels inside.
An internal measure of the pressure of the world
and it's bound to run out like the sand in my hands
at the precious beach that would **** me if I stepped
into the blue, for me and you.

Let me turn back time to when I first met you.
Don't be afraid.

I remember everything. To never forget, is to realize every lie,
smile at every face, and to remember every goodbye.

I hurt my hands, I need to talk to you on the phone.

My insomnia lives off the thought, that I hurt you.
The room is blurry, and I'm sorry for being cold.
I am warm. I have the sun inside.
I guess I'm just afraid of burning you with it.

The drums pound into rhyme,
Diamond casualties
Rewind, wound, rewound
To scratch the surface
until there's nothing but sound.
Under the greenwood tree
     Who loves to lie with me,
     And turn his merry note
     Unto the sweet bird's throat,
   Come hither, come hither, come hither:
     Here shall he see
     No enemy
   But winter and rough weather.

      Who doth ambition shun,
    And loves to live i' the sun,
    Seeking the food he eats,
    And pleas'd with what he gets,
  Come hither, come hither, come hither:
    Here shall he see
    No enemy
  But winter and rough weather.
Greenwood tree = forest

It was one of the famous poems for the play "As You Like It

I came to know about it while reading (I was trained by my English Teacher Mr. Ramaiah to read world lit) Shakespeare in my school. But took a liking to it while I was in my 12th grade. We had it as a lesson at that time
st64 Nov 2013
Karma police, arrest this man
He talks in maths
He buzzes like a fridge
He's like a detuned radio

Karma police, arrest this girl
Her ****** hairdo is
Making me feel ill
And we have crashed her party

This is what you get
This is what you get
This is what you get when you mess with us


Karma Police
I've given all I can
It's not enough
I've given all I can
But we're still on the payroll

This is what you get
This is what you get
This is what you get when you mess with us


And for a minute there, I lost myself, I lost myself
And for a minute there, I lost myself, I lost myself

For for a minute there, I lost myself, I lost myself
For for a minute there, I lost myself, I lost myself
Phew, for a minute there, I lost myself, I lost myself


(In the early version, the first verse went):
Karma police arrest this girl
She stares at me
As if she owns the world and
We have crashed her party



Songwriters: YORKE, THOMAS / O'BRIEN, EDWARD JOHN / GREENWOOD, COLIN CHARLES / GREENWOOD, JONATHAN RICHARD GUY / SELWAY, PHILIP



S T - 24 nov 2013
man, nothing like Radiohead :)

http://www.youtube.com/watch?v=IBH97ma9YiI



stub_entry: stake

watch out, little-toes
don't stub 'em too hard
on the sidewalk-of-jokes

chef's had a lapse in attention
you're deaf to that white-cluster
on your club-rack of T-bone

eat with the eye FIRST, fool
then stake the heart
this way, the gods smile

evolution demands that
parents want an ilk better
for their offspring-brats

a poet-walker with a conscience
does his best to get arrested
in time to sit in there for Xmas

flavoured-water, laboured-talker
never need to carry a big-stick
only hydrated-roses lift sweet-petals

Mommy, look.. (nada to larf at)
when abandoned-teddybears
lie in wait for hapless-hand


(read about a teddybear found lying on a pavement by a passerby.. with this-thing inside):
Michael R Burch May 2020
Song from Ælla: Under the Willow Tree, or, Minstrel's Song
by Thomas Chatterton, age 17 or younger
Modernization/Translation by Michael R. Burch

MYNSTRELLES SONGE ("MINSTREL'S SONG")

O! sing unto my roundelay,
O! drop the briny tear with me,
Dance no more at holy-day,
Like a running river be:
My love is dead,
Gone to his death-bed
All under the willow-tree.

Black his crown as the winter night,
White his flesh as the summer snow
Red his face as the morning light,
Cold he lies in the grave below:
My love is dead,  
Gone to his death-bed
All under the willow-tree.
      
Sweet his tongue as the throstle's note,
Quick in dance as thought can be,                      
Deft his tabor, cudgel stout;
O! he lies by the willow-tree!
My love is dead,
Gone to his death-bed
All under the willow-tree.

Hark! the raven ***** his wing
In the briar'd dell below;
Hark! the death-owl loud doth sing
To the nightmares, as they go:
My love is dead,
Gone to his death-bed
All under the willow-tree.

See! the white moon shines on high;
Whiter is my true-love's shroud:
Whiter than the morning sky,
Whiter than the evening cloud:
My love is dead,  
Gone to his death-bed          
All under the willow-tree.

Here upon my true-love's grave      
Shall the barren flowers be laid;
Not one holy saint to save
All the coldness of a maid:
My love is dead,  
Gone to his death-bed          
All under the willow-tree.

With my hands I'll frame the briars
Round his holy corpse to grow:
Elf and fairy, light your fires,
Here my body, stilled, shall go:
My love is dead,
Gone to his death-bed          
All under the willow-tree.

Come, with acorn-cup and thorn,
Drain my heart's red blood away;
Life and all its good I scorn,
Dance by night, or feast by day:
My love is dead,  
Gone to his death-bed          
All under the willow-tree.
          
Water witches, crowned with plaits,
Bear me to your lethal tide.
I die; I come; my true love waits.
Thus the damsel spoke, and died.

The song above is, in my opinion, competitive with Shakespeare's songs in his plays, and may be the best of Thomas Chatterton's Rowley poems. It seems rather obvious that this song was written in modern English, then "backdated." One wonders whether Chatterton wrote it in response to Shakespeare's "Under the Greenwood Tree." The greenwood tree or evergreen is a symbol of immortality. The "weeping willow" is a symbol of sorrow, and the greatest human sorrow is that of mortality and the separations caused by death. If Chatterton wrote his song as a refutation of Shakespeare's, I think he did a **** good job. But it's a splendid song in its own right.

William Blake is often considered to be the first English Romantic. Blake is the elder of the so-called “big six” of Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats. I would add the great Scottish poet Robert Burns, making it a big seven. However, I believe Wordsworth, Coleridge, Shelley and Keats actually nominated an earlier poet as the first of their tribe: Thomas Chatterton. Unfortunately, Chatterton committed suicide in his teens, after being accused of literary fraud. What he did as a boy was astounding.

On this page, I prove that Thomas Chatterton could not possibly be guilty of the crime he was accused of:
(http://www.thehypertexts.com/Thomas%20Chatterton%20Modern%20English%20Translations%20Moderniza­tions%20Burch.htm)

Keywords/Tags: Chatterton, Romantic, Rowley, fraud, forger, forgery, roundelay, minstrel, song, Aella, willow
Michael R White Jul 2011
I know your pain,
They broke my bones and divided me.
Where have you been?
It’s been 19 years of this ****** mess.
This is your mother asleep at the wheel, This is your brothers blood in the backseat
When everything you love only seems like something you feel.

Sacred sediment wrapped in white gold.
Shiny as god’s revolver but twice as cold.
What you hear is all Casablanca and she’s shivering cold.
They took your teeth, fragments of what they sold.

Take these seams from me.
Split them down these American IV dreams.
Take these seams from me.
Take these two lips, cut me clean and free.

She put me out like a cigarette.
Burned at both ends.
And my history to the anesthetist
and my body to surgeons

Take these words from me.
These cystic fibrosis regimes.
Take these words from me.
Light blue collar worker bees.

- MW
I know your pain,
They broke my bones and divided me.
Where have you been?
It’s been 19 years of this ****** mess.
This is your mother asleep at the wheel, This is your brothers blood in the backseat
When everything you love only seems like something you feel.

Sacred sediment wrapped in white gold.
Shiny as god’s revolver but twice as cold.
What you hear is all Casablanca and she’s shivering cold.
They took your teeth, fragments of what they sold.

Take these seams from me.
Split them down these American IV dreams.
Take these seams from me.
Take these two lips, cut me clean and free.

She put me out like a cigarette.
Burned at both ends.
And my history to the anesthetist
and my body to surgeons

Take these words from me.
These cystic fibrosis regimes.
Take these words from me.
Light blue collar worker bees.

- MW
Bukowski Kerouac Sylvia Plath
Cytherea, thy dainty Adonis is dying!
Ah, what shall we do?
O Nymphs, let it echo, the voice of your crying,
The greenwood through!

O Forest-maidens, smite on the breast,
Rend ye the delicate-woven vest!
Let the wail ring wild and high:
'Ah for Adonis!' cry.
O Sappho, how canst thou chant the bliss
Of Kypris — after such day as this?
'Oh Adonis, thou leavest me — woe for my lot!
And Eros, my servant, availeth me not!'
So wails Cytherea, grief-distraught.
'Who shall console me for thee? There is none —
Not Ares my god-lover, passionate one
Who sware in his jealousy forth to hale
Hephaestus my spouse from his palace, if he
Dared but to lift his eyes unto me.
Not he can console me, Adonis, for thee!'

Wail for Adonis, wail!
st64 Oct 2013
Can't get the stink off
He's been hanging round for days
Comes like a comet
Suckered you but not your friends
One day he'll get to you
And teach you how to be a holy cow


You do it to yourself, you do
And that's what really hurts
Is that you do it to yourself
Just you and no one else
You do it to yourself
You do it to yourself


Don't get my sympathy
Hanging out the 15th floor
You've changed the locks three times
He still comes reeling through the door
One day I'll get you
And teach you how to get to purest hell

You do it to yourself, you do
And that's what really hurts
Is that you do it to yourself
Just you, you and no one else
You do it to yourself
You do it to yourself

You do it to yourself, you do
And that's what really hurts
Is that you do it to yourself
Just you, you and no one else
You do it to yourself
You do it to yourself.. yourself.. yourself..




Writer(s): Jonathan Richard Guy Greenwood, Thomas Edward Yorke, Philip James Selway, Edward John O'brien, Colin Charles Greenwood
Copyright: Warner/Chappell Music Ltd.




ST - 10 ocky-tocky 2013
yeah.. well.




in this cool vid, I scratch my head - HARD - and do wonder what that man tells them.. what can be so devastating..?

http://m.youtube.com/watch?v=R5X7HKxpiQA&desktop;_uri=%2Fwatch%3Fv%3DR5X7HKxpiQA
kat Aug 2013
I was born to a folk rock princess
midwest mistress
rock n roll roads and
gasoline kisses
oil spilled souls
and windy dusted bowls
saddle up baby, I'm ready to go
don't leave me behind
in the dust and tornadoes

I was born beside greenwood graves
there are bodies beneath my feet
I can't help but think
that they were buried in vain
lost souls wandering  the districts that destroy them
empty bottles in their palm refuse to employ them
arts and crafts and coffee stops
roadside Indian antique shops
burrito shacks and littered lights
fill the streets that come alive
there are fireworks every other night

driving down the freeway fleet wood Mac in my memories
like mini golf with my father
dancing queen dreams
T.G.I.Fridays every Saturday at 5 and we didn't care
judging the smokers I couldn't help but stare

I was born jumping over chain linked fences
thunder and ice storm chasing me
away from common senses
I think I have the riverwalk blues
I think I was born breaking the rules
picking my best friend off of the floor
shoving a steak knife infront of my door
naked and Afraid
desperate to live on my own at age 8
but
my mother she's an angel
put me on a pedestal
waited back stage just in case I got too afraid
wrote a note in my lunch
every day until 8th grade
I love you baby, everything is going to be okay.
but maybe it's something inside
that this city instilled
a constant wanting to escape
the buffalo and dry hills
Cherokee blood runs red within me
flooding my heart
with the struggles of my ancestry
running far against the wind
feathers in my hair I can only pretend
but dont let this golden drilled oil  spilled eternity come to an end


ttown country sounds envelope my sheets
toss and turn in the night
to escape cali dreams
In the 7th grade i fantasized about running away
west coast beaches south side or Palm Bay
I think of all the reasons to leave
blue collared *******
Bible Belt ignorance
tornado terrors
sexist homophobic nightmares
concrete cracked and dry with history
downtown skyline etched in my memory
the smile from my barista I receive every morning
the constant reminders of my constant admiring
that Tulsa
is inspiring
and I can't leave without pulling the roots out from under me
hopefully ill plant new ones, hopefully ill stay sane
when my life has been borrowed and blown away
but I know one thing for sure, it won't be the same.
1

Awake ye muses nine, sing me a strain divine,
Unwind the solemn twine, and tie my Valentine!

Oh the Earth was made for lovers, for damsel, and hopeless swain,
For sighing, and gentle whispering, and unity made of twain.
All things do go a courting, in earth, or sea, or air,
God hath made nothing single but thee in His world so fair!
The bride, and then the bridegroom, the two, and then the one,
Adam, and Eve, his consort, the moon, and then the sun;
The life doth prove the precept, who obey shall happy be,
Who will not serve the sovereign, be hanged on fatal tree.
The high do seek the lowly, the great do seek the small,
None cannot find who seeketh, on this terrestrial ball;
The bee doth court the flower, the flower his suit receives,
And they make merry wedding, whose guests are hundred leaves;
The wind doth woo the branches, the branches they are won,
And the father fond demandeth the maiden for his son.
The storm doth walk the seashore humming a mournful tune,
The wave with eye so pensive, looketh to see the moon,
Their spirits meet together, they make their solemn vows,
No more he singeth mournful, her sadness she doth lose.
The worm doth woo the mortal, death claims a living bride,
Night unto day is married, morn unto eventide;
Earth is a merry damsel, and heaven a knight so true,
And Earth is quite coquettish, and beseemeth in vain to sue.
Now to the application, to the reading of the roll,
To bringing thee to justice, and marshalling thy soul:
Thou art a human solo, a being cold, and lone,
Wilt have no kind companion, thou reap’st what thou hast sown.
Hast never silent hours, and minutes all too long,
And a deal of sad reflection, and wailing instead of song?
There’s Sarah, and Eliza, and Emeline so fair,
And Harriet, and Susan, and she with curling hair!
Thine eyes are sadly blinded, but yet thou mayest see
Six true, and comely maidens sitting upon the tree;
Approach that tree with caution, then up it boldly climb,
And seize the one thou lovest, nor care for space, or time!
Then bear her to the greenwood, and build for her a bower,
And give her what she asketh, jewel, or bird, or flower—
And bring the fife, and trumpet, and beat upon the drum—
And bid the world Goodmorrow, and go to glory home!
Ghost Relics**

Downtown,
where Main intersects Main
you'll see the last living tissue
of a breathing bazaar.
They weighed down her chest with bricks and girders.
It's a wonder she breathes at all.
-
Wander too far in any direction
and you're sure to see the husks
of once proud and bustling businesses.
Abandoned sanctums of mortar and majesty.
Scars of the Midwest etched as constants in our mind.
Dusty and silent since the cradle.
-
The theaters are bedeviled with dolled up haunts
who just wandered over from Greenwood to catch the matinee.
Management still leaves the lights on for kicks after hours
to throw off their sleep schedules while they wait for the feature to start.
Up all night, sleep all day; they read by neon and slumber under Sol.
Here I am, left lounging in The Devil's Chair. Crickets keep quavering.
-
Underneath the Franklin Street overpass sleeps a family bound by naught.
They watch in dawn's light as the few pedestrian that traverse Cerro Gordo
advert their eyes as some sort of silent symbol of respect for their situation.
It's as if the very stare of a privileged man could drain 'til depleted.
They never ask for anything, they just wade it out and listen to
the cars overhead, the train-clock's trumpet, and the heartbeats in between.
-
Leaks are patched, potholes filled, and yet
we're still loosing blood; becoming beguiled.
So many stray cats in the civilian savanna,
aimlessly seeking names and second chances.
"This premises is under police video surveillance" -
hanging like ornaments from streetlamp poles.
-
Guarding the gates
of a dwindling dominion,
as the armies of Union and Grand
wait in their camps
for the rust to take hold
of her iron veins.
Turn your head to the right for the skyline to come into view. Rise and decay. Rise and decay.
Hold hard, these ancient minutes in the cuckoo's month,
Under the lank, fourth folly on Glamorgan's hill,
As the green blooms ride upward, to the drive of time;
Time, in a folly's rider, like a county man
Over the vault of ridings with his hound at heel,
Drives forth my men, my children, from the hanging south.

Country, your sport is summer, and December's pools
By crane and water-tower by the seedy trees
Lie this fifth month unskated, and the birds have flown;
Holy hard, my country children in the world if tales,
The greenwood dying as the deer fall in their tracks,
The first and steepled season, to the summer's game.

And now the horns of England, in the sound of shape,
Summon your snowy horsemen, and the four-stringed hill,
Over the sea-gut loudening, sets a rock alive;
Hurdles and guns and railings, as the boulders heave,
Crack like a spring in vice, bone breaking April,
Spill the lank folly's hunter and the hard-held hope.

Down fall four padding weathers on the scarlet lands,
Stalking my children's faces with a tail of blood,
Time, in a rider rising, from the harnessed valley;
Hold hard, my country darlings, for a hawk descends,
Golden Glamorgan straightens, to the falling birds.
Your sport is summer as the spring runs angrily.
Joshua Haines Nov 2014
Sara not so plain and not so tall
Daydreaming in the shopping mall
As blond as a summer day
Speaking of herself in a peculiar way:

"I'm pretty, yes, but I wish to be better;
To be the admiration of a love letter."

But her beauty is the kind that lasts
And makes your heart beat especially fast.
Finland born but London found,
Lovely, sure, but greatness bound.

And the nights grow more tiresome,
as her chest beats a tattered drum.
Her mood too dreary for speckled eyes
that will dim if night blurs into sunrise.

"Sleep why do you run from me,
as my memories grow.
Eyelids, be a blanket,
And melatonin, a pillow."

Victoria Lucas in her head,
as the bell does ring until fed
by the words that sound soft to us
but are actually strong and thus
she is misunderstood-lips are red-
Like Greenwood inspired, kissed dread:
She can save herself before jarred,
Before feathered, before tarred.

And it is my faith that lets me know,
That her happiness will one day grow
Because Sara not so plain and not so tall
Is the strongest of them all
For the lovely Sara Murray.
Shashank Virkud Apr 2013
Bitten by a spider
at the oddest hour.

His whole body throbbing
with his own pulse.

All his insides are charred
but sleep is not a willing
companion.
The eternal coronation,
death as his champion.

Sweating through a thin veil
of details, begging the question,
begging for recognition,
even the most elegant logic is an ugly thing.

In delirium, he tears his journal apart-
that's how an artist starts.
He is ugly,
he is crude,
he drank some poison
down in Greenwood.

he becomes quite faint
when struck with the
quaint notion:

that even the heavy
handed blacksmith
has finesse, and feeling too.
On Christmas Day we wake up
We've no stocking on our bed
We've got a plastic kit box
taking up space there instead
You see, we aren't at home with you
Even though you wish we are
We're celebrating Christmas
Over here in Khandahar

A big Merry Christmas to friends and family
of Cpl. Mike Cannandale of St. Louis, Missouri, USA

We have our turkey dinner too
Stuffing, taters, pumpkin pie
We all sit here telling stories
And it's hard just not to cry
so, we do, because we're not back home
Having Christmas like you all
But, we're over here in Khandahar
Because we all answered the call

Merry Christmas to all friends and family of Liuetenant James Mc Caskill
of Great Grimsby, Lincolnshire, England

We have a snowman by our tent
He's made of plywood, painted white
Thank god, we made no snowballs up
We'd get splinters  in a fight
We go to church and pray for peace
And wish we could go home
But, over here at Christmas time
There's just no where to roam

Merry Christmas to friends and family of
Captiain John Watson, PPCLI, in Greenwood, Nova Scotia, Canada

We made our videos last week
To send you our best wishes
We'd all love to be back with you
Washing up those Christmas dishes
For now, we are one family
Joined in heart, and soul and mind
Having a Christmas meal in Khandahar
The best meal of it's kind

Merry Christmas and Happy New Year to friends
and family, of Marine Master Sgt. Tim Wilcox, Plano, Texas, USA

Next year we will be home with you
Having Christmas as we should
Praying for peace, hope and prosperity
And all things that are good
for now though, we are over here
missing you this Christmas Day
We just hope you're thinking of us
As we keep the foe at bay

Merry Christmas to all the friends, family, co-workers and supporters
of all the soldiers in War Zones everywhere, who can't be at home this Christmas
May they all get home safe.

Merry Christmas and Happy New Year
Valsa George Mar 2018
A bush lark in the Greenwood forest sings.
She sings all day long near the mountain springs.
Is she trilling in notes so plaintive of her missing mate?
Unleashing her heart of its doleful weight?

Or easing the pangs of a heart that starves
For a soulmate yet to come for whom she craves?
Or sending a missive through the aerial route
Sounding in every ear a low melancholy note?

From the covert of dark leaves, her song percolates.
Through the sinews of my heart it permeates,
Striking a cord between two souls equally deprived,
Stirring in me an inarticulate ache, never once divulged.
touka Oct 2018
tonight,
my shadow settles
in a different corner of the world

and his obscures me
content to hang on my frame
shielding any light from my eyes

faith's grievance -
the gravest sin I'd commit
salt to skin

faith's only albatross -
the bits of faith I'd toss
like Ms. Greenwood's dress
into the darkest parts of New York

like I think of my name
winking into the fixed abyss
indifferent to its prior disguise
when it does not leave the lungs enough

and on the height of my fuss,
inspiration flees
like a sour gust through the city at night
- a hint of death
a tinge of it on my hands

the void I fault for its expanse
promises to snarl his shadow from my shoulder
invites me into its limbo
desperately whines my title

it calls with little confidence,
but I linger to step in
flecks of gray interrupting the black
wafting,
purposeless black

will I?
will I live, wander the world's breadth
with the impetus of two dead legs

or will I become a cry of breath?

I flirt with two dooms,
swinging like a two-phase-moon;
stay, go, stay, go
weighing the whimper of my soul
against brain's drive to die alone
hope - he bends like a lion
like one does to drink
looks into the mirror of my face
he urges; he is thirsty
does so silently
well, I am the stream

who else will drink of me?

as if I am as still and quiet as some water
and I cannot beg access to his lips
for I've none of my own to part
Lexi Greenwood May 2017
I am not myself
I am not Lexi Greenwood
I stare into the mirror hoping my brain will connect the dots that reflect on my body
And realise that the person in the mirror is myself

But it's not
I'm trapped in a world where my emotions aren't my own
They drip and drop like the leaky tap that can't be fixed
I can't turn this **** thing on or off

I know the world is real but I can't help but disagree
Everyone acts like robots walking around accepting fate and doing what they do
The monotonous cycle that loops like the broken record of society

And I can't make it stop
I just want to to stop

I'm not myself
I am not lexi greenwood
I am no one
My experience with depersonalisation disorder (a dissociative disorder).  My personal views and struggles
The summer morn is bright and fresh, the birds are darting by,
As if they loved to breast the breeze that sweeps the cool clear sky;
Young Albert, in the forest's edge, has heard a rustling sound,
An arrow slightly strikes his hand and falls upon the ground.

A dark-haired woman from the wood comes suddenly in sight;
Her merry eye is full and black, her cheek is brown and bright;
Her gown is of the mid-sea blue, her belt with beads is strung,
And yet she speaks in gentle tones, and in the English tongue.

"It was an idle bolt I sent, against the villain crow;
Fair sir, I fear it harmed thy hand; beshrew my erring bow!"
"Ah! would that bolt had not been spent! then, lady, might I wear
A lasting token on my hand of one so passing fair!"

"Thou art a flatterer like the rest, but wouldst thou take with me
A day of hunting in the wilds, beneath the greenwood tree,
I know where most the pheasants feed, and where the red-deer herd,
And thou shouldst chase the nobler game, and I bring down the bird."

Now Albert in her quiver lays the arrow in its place,
And wonders as he gazes on the beauty of her face:
"Those hunting-grounds are far away, and, lady, 'twere not meet
That night, amid the wilderness, should overtake thy feet."

"Heed not the night; a summer lodge amid the wild is mine,--
'Tis shadowed by the tulip-tree, 'tis mantled by the vine;
The wild plum sheds its yellow fruit from fragrant thickets nigh,
And flowery prairies from the door stretch till they meet the sky.

"There in the boughs that hide the roof the mock-bird sits and sings,
And there the hang-bird's brood within its little hammock swings;
A pebbly brook, where rustling winds among the hopples sweep,
Shall lull thee till the morning sun looks in upon thy sleep."

Away, into the forest depths by pleasant paths they go,
He with his rifle on his arm, the lady with her bow,
Where cornels arch their cool dark boughs o'er beds of winter-green,
And never at his father's door again was Albert seen.

That night upon the woods came down a furious hurricane,
With howl of winds and roar of streams, and beating of the rain;
The mighty thunder broke and drowned the noises in its crash;
The old trees seemed to fight like fiends beneath the lightning-flash.

Next day, within a mossy glen, 'mid mouldering trunks were found
The fragments of a human form upon the ****** ground;
White bones from which the flesh was torn, and locks of glossy hair;
They laid them in the place of graves, yet wist not whose they were.

And whether famished evening wolves had mangled Albert so,
Or that strange dame so gay and fair were some mysterious foe,
Or whether to that forest lodge, beyond the mountains blue,
He went to dwell with her, the friends who mourned him never knew.
Our band is few, but true and tried,
  Our leader frank and bold;
The British soldier trembles
  When Marion's name is told.
Our fortress is the good greenwood,
  Our tent the cypress-tree;
We know the forest round us,
  As ****** know the sea.
We know its walls of thorny vines,
  Its glades of reedy grass,
Its safe and silent islands
  Within the dark morass.

Wo to the English soldiery
  That little dread us near!
On them shall light at midnight
  A strange and sudden fear:
When waking to their tents on fire
  They grasp their arms in vain,
And they who stand to face us
  Are beat to earth again;
And they who fly in terror deem
  A mighty host behind,
And hear the ***** of thousands
  Upon the hollow wind.

Then sweet the hour that brings release
  From danger and from toil:
We talk the battle over,
  And share the battle's spoil.
The woodland rings with laugh and shout,
  As if a hunt were up,
And woodland flowers are gathered
  To crown the soldier's cup.
With merry songs we mock the wind
  That in the pine-top grieves,
And slumber long and sweetly
  On beds of oaken leaves.

Well knows the fair and friendly moon
  The band that Marion leads--
The glitter of their rifles,
  The scampering of their steeds.
'Tis life to guide the fiery barb
  Across the moonlight plain;
'Tis life to feel the night-wind
  That lifts his tossing mane.
A moment in the British camp--
  A moment--and away
Back to the pathless forest,
  Before the peep of day.

Grave men there are by broad Santee,
  Grave men with hoary hairs,
Their hearts are all with Marion,
  For Marion are their prayers.
And lovely ladies greet our band
  With kindliest welcoming,
With smiles like those of summer,
  And tears like those of spring.
For them we wear these trusty arms,
  And lay them down no more
Till we have driven the Briton,
  For ever, from our shore.
Nicole Lourette Aug 2010
I have a track meet to get to
but the service was horrible here,
“How about a free meet on us?”
…as everyone storms towards the door.
(The Pied Piper’s daughter wins everything)
just look at the ***** look she gave me
we should leave…
we’re gonna be late for the meet…

I slept naked for him
I called three times
I waited, but not all night
(he’s not worth it)
I just would’ve been ***** anyway

Acorns impact the roof
like fangs to a throat
(stop the thundering)
I can’t think. So I eat.

Do you want her number?
Here…go **** yourself together
while I end up like Esther.
“Miss Greenwood? you have a visitor here to see you…”
Adrian Sep 2018
⇜⇝⇜⇝⇜⇝⇜⇝
.madame's stifled feverish
tittering,
voice raucous as tamped in a
corselet,
translucent skin akin to pellucid
drapery,
overwrought hands entwined in champagne
hair,
madame's eccentricity is her
lunacy.
  ⇜⇝⇜⇝⇜⇝⇜⇝
  ⇜⇝⇜⇝⇜⇝⇜⇝
.the mellifluous static of the ebony
radio,
            dulcet hallucinations imbricate in her
Crumpet,
ephemeral visionary of the
erstwhile,
Madame’s a suitable fandangle tenant of the
bedlam.
    ⇜⇝⇜⇝⇜⇝
    ⇜⇝⇜⇝⇜⇝
.madame scrutinized the greenwood through the
crevice,
appetency for the veil of sea
smoke,
   imperceptive to her
frenzy.
    ⇜⇝⇜⇝⇜⇝
    ⇜⇝⇜⇝⇜⇝
  .ensnared in an austere
plight,
madame’s urbane actuality,
disenfranchised.
⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝
⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝
.the exuberant dimension of reciting
hysteria.
    ⇜⇝⇜⇝⇜⇝
Anais Vionet May 9
This happened last Fall, during Thanksgiving break.

Lisa and I were at the MET (The Metropolitan Museum of Art), with her family, at an exhibit of Art Deco sculpture. Lisa and I came out of a gallery and there was a group of older adults gathered near a bar.
“Hermé!” Lisa suddenly squealed. “Come on,” she said, dragging me towards the group. “I want you to meet one of my favorite people in the world!”

We crossed the room and found ourselves at the back of a large group, Lisa nodded to highlight a 60ish (I’m being generous here) lady. She was wearing a midnight blue Givenchy asymmetric midi dress and way too much jewelry. Both arms featured large and small gold bracelets that jingled when she moved. “She’s a friend of my grandma's,” Lisa said, “she’s off the hook.”

Hermé was chatting with those close to her and after a minute, Lisa said, “I’ll get us a drink, wait here,” and headed for the bar. Watching Hermé, I decided that she embodied the 4 fashion-aesthetic-principles: 1) dress for the occasion, 2) look good, 3) feel good, and 4) be seen looking good. She was definitely the center of attention.

People peeled off the group, one or two at a time, as people will do and as I got closer, Hermé was saying, “Russians - the way human history repeats itself, it’s like we’re in a time loop.” There were sounds of agreement.

When there were only a handful of us, I was the odd one out, being under 60. Hermé asked me, “And who are you?”
“A friend of Lisa’s,” I glanced over and waved at Lisa, who waved back, “Anais,” I finished, offering my hand. She was wearing little white gloves which suddenly seemed like genius (in these virus times).

“What did you think of the exhibit?” She asked, looking through the ½-frame glasses perched on her nose.

“Art Deco Sculpture?” I shrugged, looking around at the room’s remaining art lovers, “It looks like men doing heroic things with their clothes off.. like always?” The silence that followed seemed to beg for words, but I felt like maybe I’d said too much.

Then she laughed. The laugh was as measured and controlled as an opera singer’s vibrato. There were a couple of other chuckles too. Then she became serious, “What do you think of the Ukraine mess?”

“I’m a pre-med major,” I started to demur, but her gaze was on me uncomfortably, “Putin *****,” I answered.

She smiled, this time with no hesitation. “You’re a Yaleie - with Lisa?” She followed up.
“Yes mam,” I answered. I guessed she’d seen Lisa steer me over. She was sharp as a tack - I decided I liked her.

Her cell phone chirped then, and she excused herself. I mean she said, “excuse me” and everyone else made themselves scarce. As I took a few steps toward the bar I overheard her telling the caller, “Tell him he can just have it..” and after a split-second she added, “at cost.” I had to smile, no one’s as cheap as the rich.

I reached Lisa as she picked up our drinks, two American martinis (gin, vermouth and olives).
“Hermé has a ‘gild’ complex,” I whispered, indicating the glittering, fake gold fashion on display.
“No!” Lisa said in shocked amusement. This was more than repartee, it was 411.
“I’d be willing to bet.” I assured her, quipping, “fashion is my passion,” before I sipped my drink.
Lisa moved around to where she could inconspicuously observe Hermé better - we didn’t want to be rude.
“I like her, but her Louis Vuitton “Ponthieu” handbag is fake,” I said in a low murmur, “the pleshette’s wrong and the logo etching is too deep and reflective.
Lisa sipped her drink with an “mmm,” as she appraised Hermé anew.
“Her bracelets and necklaces are fake too,” I continued, “fake gold glitters, reflecting light like a mirror, real gold lusters, it caresses and almost deflects light.” After a second I nva’d, “Of course, she might be afraid of being robbed.”

An elderly man, about 90 (my guess), who’d been in Hermé’s group a minute ago, was making his way, slowly, in our direction. He was wearing a suit with black, tuxedo pants and a deep-red crushed-velvet coat with black trim.
“Who shot the couch?” I whispered to Lisa. We thought he was headed to the bar. But he stepped right up to us.

“What are they teaching you girls at Yale these days?” He asked. He had a ******-mary in one hand, so I opened up.
“A load of science, and how to do laundry,” I said, and wanting to escape the usual questions, I added, “and there’s a lot of drinking.” Leaning in confidentially, I added, “It’s opened me up, emotionally.”

“I was raised in the old ‘carnage on the highways, broken lives, stay away’ days,” he revealed, winking.
“But you got over it,” I nodded at his cup.
“We evolve, you know?” He said.
“Yes sir,” I grinned, “I hope so.”

As we talked, Lisa’s dad, Michael, joined us. “What are you two up to,” he asked, then, under his breath he added, “you seem conspiratorial.”
“Nothing,” Lisa said. “We’re taking fashion.” I updogged.
“Better lose those,” he nodded to Lisa indicating our drinks, “before your mother and Leeza get here.”
We’re under 21 and she doesn’t like us to drink in (Manhattan) public.
.
.
Songs for this:
Dat's love (From "Carmen Jones") by Lesley Garrett, Andrew Greenwood & Philharmonia Orchestra
Far Far Away (Charles Tone Mix) [feat. Brenda Boykin] by Tape Five
Martino Cafe by Gabrielle Chiararo
BLT Marriam Webster word of the day challenge: Repartee: “a quick and witty conversation”


411 = the info
nva = not vital information
Mike Adam Apr 2016
Where this arrow
all untamed
should land

Bury me there
in the greenwood

Or burn me on
the mighty river

Or give me to birds
or sea creatures
too fabulous to mention

Where this arrow falls
leave me there untended
time and flying arrow
spent
Rangzeb Hussain Jan 2013
The rains that once brought her the warmth of his gentle embrace,
Those rains have returned,
But now there is no more reassuring warmth
nor is there the scent of love,
His freshly splashed aftershave no longer mingles with the raindrops on her cheeks.

Under this lush greenwood avenue would she and he caress and talk,
Their shy miles spoke sweeter than words,
They had no need for long nightly chats,
Their love ran deeper and smoother than the reservoir
Where they used to sit in the days before the rains came.

In the field where he once played under the shade of the old oak tree,
Now there is only a burnt out stump,
Lightening struck there once and tore out the heart of the oak,
Softly falls the rain, deep it runs into the roots and veins,
Her sinking subconscious swims through the fragrance of the falling rain.

On the evening air there is a sigh of another dying day,
The pathway ahead of her shimmers with the wet memory pools of another dead day,
Somewhere along this now lonely road she lost something rare,
After the fall of love she found a way to live under the cold cloak of life,
Without him there by her side under the umbrella there is no reflection of joy.

Behind her, shadows of the past call after her, begging her to turn back,
Ahead of her, the path grows a little lighter,
Above her, the trees and clouds shift apart to shower light and hope,
Around her, the leaves glow green and red and yellow gold,
There was a storm once, and after the rains, came the silence of solitude.
Joe Rader Sep 2010
Soon this short Icharion flight
Is coming to an end
And on that day you'll mourn the rights
You chose not to defend

Passing on the plight of patriots
We piddle on their graves
Play sad songs and hold our hearts
While the blood spattered banner waves

But the cries of a billion tiny voices
As they cry themselves to sleep
Can't be heard above Lee Greenwood
As the tears streak down our cheeks

It's awfully sad to see such things
In such a sorry state
But ignorance is only bliss
Until it's your head on the stake

Our eyes attract to shiny things
Bright lights like fishing lures
Robbed at gunpoint before we're paid
We're either soldiers or we're ******

As these toxins trace my tiny veins
And seep through every cell
I can't help but taste distain
And think that this has to be Hell
Pagan Paul Aug 2016
Lord of Green


My name is Rook, Lord of the Greenwood.
Protector of the Forest, Shepherd of the Trees.
The Maiden of the Glades, my Lady Leaf
speaks the truth with everything she sees.

I mourn the loss of spinneys and copse.
I grieve at the death of my beautiful Trees.
Lady Leaf cools me, soothes my torrid ire
and speaks truth with everything she sees.

The truth she speaks, are the words of Nature.
Making me weep, as she brings sun to the day.
Waking my slumbering world, arousing the Green
so deer can graze, birds can sing and We can play.

The truth she speaks, the words 'I love you'
burn into my breaking heart, and I feel relief.
I see the forest anew, my Trees come to life.
Teaming into me, thank you my sweet Lady Leaf.

© Pagan Paul (17/06/16)
.
Lord of Green series, poem 1
.
jeremy wyatt Feb 2011
How come the world is good
when I am dumb as a plank of wood
worried that women are smiling at me
I'll run and hide up a big oak tree
some help my pals they push me on
"Make a move before she's gone!"
no I'll hide and pretend I am dead
or suddenly in a coma instead
all this girl stuff leaves me perplexed
I know they are sort of a different ***
nicer shape and not quite so hairy
though some back in Wales are really scary
it's not like I am truly fussed
for a perfect figure? a shapely bust?
no, find me a woman with spirit and love
like she fell off a cloud from up above
or grew in a glade in the great greenwood
she can banish my fears with her powers of good
she can bully and laugh and kick my ***
though the best of my friends she'll have to pass
but I guess if she can withstand both of those
she'll have earned her right to hold me close
yosemite Sep 2019
salmon sing stream songs
when wet rain wash river stones
and mosses kiss the shore
written while sitting by the stretch of canyon under greenwood where the salmon lay their eggs on a rainy tuesday in september
When you were here before
Couldn't look you in the eye
You're just like an angel
Your skin makes me cry
You float like a feather
In a beautiful world
And I wish I was special
You're so ******' special
But I'm a creep, I'm a ******.
What the hell am I doing here?
I don't belong here.
I don't care if it hurts
I want to have control
I want a perfect body
I want a perfect soul
I want you to notice
When I'm not around
You're so ******' special
I wish I was special
But I'm a creep, I'm a ******.
What the hell am I doing here?
I don't belong here.
She's running out again,
She's running out
She's run run run run
Whatever makes you happy
Whatever you want
You're so ******' special
I wish I was special
But I'm a creep, I'm a ******,
What the hell am I doing here?
I don't belong here.
I don't belong here.
Songwriters: Mike Hazlewood / Albert Hammond / Colin Greenwood / Jonathan Greenwood / Edward O'brien / Philip Selway / Thomas Yorke
Creep lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc
Sometimes the perfect poem is already out there
Christian Bixler Sep 2016
I walk on, through the
rustling grasses, through
the young corn stalks
greening in the sun; I
walk through the lands
of peace and plenty, of
the harvest, and the
crackling hearth; but I
tarry not in the lands of
men, and walking,
wander on.

I come at last to a stony
stream, laughing in its
bed, in its swift-water
way, and see beyond the
Greenwood fair, full
flowering scented in
the breeze.

Stepping then, through
the sun-bright stream,
heedless of the wet, of
the chill water running,
I cross, and pass from
light to shade, to the
leafing-realm, and the
calls of spring, joyous
borne, on the scented
wind.

And I pass, silent, in that
dawning spring, to lose
myself, and the marked
way; to slip the hold,
to wander free.
Truly, this is as a mirror to the longing of my heart, for I have always wished to escape  the grasp of the hectic machine of society. And perhaps I shall, someday.
M Clement Dec 2012
Body: Corporal
Lively: Entertaining

All these thoughts,
I think when it's raining

Give me Caesar
Give me audience

Take me down to Greenwood
Providence

My thoughts
Are aging
My mind's
Not racing

Truly
It's the end of the year
TG Hinchcliff Feb 2014
Oh, dear sweet one.
If you ever
feel
beneath the glass
I could only ask of you
your promise
to
hold fast.
It is not the tree
and withered
figs
your blossom-body, chaste,
that sets aside
a destiny
and
fits you with a mask.
I am not Buddy,
Gordon, Irwin,
Demons
in your past.
I'll wait till Spring
to call for them
Ms. Greenwood
and Ms. Plath.

— The End —